Submit your work, meet writers and drop the ads. Become a member
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Michael R Burch Nov 2020
My most popular poems on the Internet

A number of my poems and translations have gone viral, according to Google, and some have been copied onto hundreds to thousands of web pages. That’s a lot of cutting and pasting! The results below are the results returned by Google at the time I did the searches.



This original epigram returns more than 37,000 results:

Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



This Sappho translation has more than 3,500 results:

Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



This Sappho translation has more than 1,700 results:

Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



This Bertolt Brecht translation has more than 1,500 results:

The Burning of the Books
by Bertolt Brecht
loose translation/interpretation by Michael R. Burch

When the Regime
commanded the unlawful books to be burned,
teams of dull oxen hauled huge cartloads to the bonfires.

Then a banished writer, one of the best,
scanning the list of excommunicated texts,
became enraged: he’d been excluded!

He rushed to his desk, full of contemptuous wrath,
to write fiery letters to the incompetents in power―
Burn me! he wrote with his blazing pen―
Haven’t I always reported the truth?
Now here you are, treating me like a liar!
Burn me!



This poem returns nearly 1,500 results for the first line:

Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
which finality swept into a corner, where it lies
in dust and cobwebs and silence.

NOTE: This is, I think, the first poem I wrote which didn’t rhyme, and the only one for quite some time. I consider one of the best of my early poems; it was written in my late teens.



This original poem has over 1,300 results:

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

This may be the first poem I wrote. I read the Bible from cover to cover at age 11, and it was a traumatic experience. But I can’t remember if I wrote the epigram then, or came up with it later. In any case, it was probably written between age 11 and 13, or thereabouts.



My translation of Robert Burns’ “To a Mouse” returns over 1,300 results. It’s a bit long for this page but can be found online with a Google search like: Michael R. Burch Robert Burns translations.



This Glaucus translation returns more than 1,000 results:

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
―Michael R. Burch, after Glaucus



This Yamaguchi Seishi translation returns over 1,000 results:

Grasses wilt:
the braking locomotive
grinds to a halt
―Yamaguchi Seishi, loose translation by Michael R. Burch



This original poem has more than 1,000 results:

Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her Tears...

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza and the Nakba. The word Nakba is Arabic for "Catastrophe."



This poem won a big Penguin Books (UK) Valentine poetry contest and returns over 800 results for the first line:

Mother’s Smile
by Michael R. Burch

for my mother, Christine Ena Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



This original epigram returns over 750 results:

Autumn Conundrum
by Michael R. Burch

It’s not that every leaf must finally fall,
it’s just that we can never catch them all.



This William Dunbar translation has more than 700 results:

Sweet Rose of Virtue
by William Dunbar (1460-1525)
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



This Sappho translation has over 700 results:

Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



This original poem has over 700 results for the first line:

Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm―I hope you hear it.

Much love I bring―I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



My Plato translation (or “take” on Plato) has over 650 results:

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
―Michael R. Burch, after Plato



This translation of a Middle English poem has more than 500 results:

How Long the Night
(anonymous Middle English poem, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



This original epigram returns over 500 results for the first line:

Here and Hereafter aka Saving Graces
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.

I have dedicated the epigram above to the so-called Religious Right and Moral Majority.



These Einstein limericks have over 500 results:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!

Asstronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!

Relative to Whom?
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows *****-nilly
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!



This poem has over 500 results:

Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?

What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?

What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing...
mournful, and distant.

How pitiful our "effort,"
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



This Matsuo Basho haiku translation has nearly 500 results:

The first soft snow:
leaves of the awed jonquil
bow low
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This Matsuo Basho haiku translation has more than 400 results:

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



This original Holocaust poem returns over 400 results:

Auschwitz Rose
by Michael R. Burch

There is a Rose at Auschwitz, in the briar,
a rose like Sharon's, lovely as her name.
The world forgot her, and is not the same.
I still love her and extend this sacred fire
to keep her memory exalted flame
unmolested by the thistles and the nettles.

On Auschwitz now the reddening sunset settles!
They sleep alike―diminutive and tall,
the innocent, the "surgeons." Sleeping, all.

Red oxides of her blood, bright crimson petals,
if accidents of coloration, gall
my heart no less. Amid thick weeds and muck
there lies a rose man's crackling lightning struck:
the only Rose I ever longed to pluck.
Soon I'll bed there and bid the world "Good Luck."



This translation of a Holocaust poem has nearly 300 results:

Speechless
by Ko Un
translation by Michael R. Burch

At Auschwitz
piles of glasses,
mountains of shoes...
returning, we stared out different windows.






Keywords/Tags: Michael Burch, popular, most popular, poems, epigrams, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo


//bookmark//

This original poem, which has become popular at Halloween, has nearly 3,000 results for the fifth line:

White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



This original poem returns nearly 1,500 results:

Safe Harbor
by Michael R. Burch

for Kevin N. Roberts
The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times




This translation of the oldest extant English poem has over 1,250 results:

Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



This Faiz Ahmed Faiz translation has over 1,000 results:

Last Night
by Faiz Ahmed Faiz
loose translation by Michael R. Burch

Last night, your memory stole into my heart—
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...


This light verse response to Philip Larkin’s “Aubade” has nearly 1,000 results:

Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality—
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea
boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.
And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

Originally published by Light Quarterly



This love poem has nearly 1,000 results:

don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.



This original Hiroshima poem has nearly 800 results:

Lucifer, to the Enola Gay
by Michael R. Burch

Go then,
and give them my meaning
so that their teeming
streets
become my city.
Bring back a pretty
flower—
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.
There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all
its pale forms sublime,
still
Death will never be holy again.

Published by Romantics Quarterly, Penny Dreadful and Poetry Life & Times



This epigram has over 600 results for the first line:
Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



This prayer poem has over 600 results and has been set to music and performed at a charity benefit for hurricane victims:

I Pray Tonight
by Michael R. Burch

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



This original poem has nearly 600 results:

Like Angels, Winged
by Michael R. Burch

Like angels—winged,
shimmering, misunderstood—
they flit beyond our understanding
being neither evil, nor good.

They are as they are ...
and we are their lovers, their prey;
they seek us out when the moon is full;
they dream of us by day.

Their eyes—hypnotic, alluring—
trap ours with their strange appeal
till like flame-drawn moths, we gather ...
to see, to touch, to feel.

And in their arms, enchanted,
we feel their lips, grown old,
till with their gorging kisses
we warm them, growing cold.



This original poem has over 500 results:

Distances
by Michael R. Burch

Moonbeams on water —
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.



This original poem has over 500 results:

***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



This epigram/joke has over 400 results:

Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.―Michael R. Burch



This **** Baudelaire translation has become popular with **** stars, escort sites and dating services, and has more than 400 results:

Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings—
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



This original poem has over 400 results:

What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.



This original poem I wrote as a teenager has almost 400 results:

The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.
Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

This is one of my early poems ; I believe it was probably written during my first two years in college, making me 18 or 19 at the time.



This original poem has more than 300 results:

Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...
what do we know of love,
or duty?



This original poem has more than 300 results:

escape!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



This Matsuo Basho haiku translation has more than 300 results:

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



This haiku translation has more than 300 results:

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation/interpretation by Michael R. Burch



This translation of an Anacreon epigram has over 300 results:

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Anacreon, loose translation/interpretation by Michael R. Burch



This 9–11 poem has over 300 results:

Charon 2001
by Michael R. Burch

I, too, have stood—paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea



This “almost” limerick has over 300 results:

Caveat Spender
by Michael R. Burch

It’s better not to speculate
"continually" on who is great.
Though relentless awe’s
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.



This little poetic snapshot has over 300 results:
Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund...
she might have stepped out of a Rubens.



This vampire poem, popular at Halloween, has nearly 300 results:

Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs―white―baring,
revealing her lust,
and her eyes, pale, staring...



This Fukuda Chiyo-ni haiku translation has nearly 300 results:

Ah butterfly!
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation/interpretation by Michael R. Burch



This translation of the Palestinian poet Fadwa Tuqan has over 300 results:

Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.
Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



This translation of a poem by the Kurdish poet Kajal Ahmad has over 300 results:

Mirror
by Kajal Ahmad, a Kurdish poet
loose translation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



This original poem has over 300 results:

Regret
by Michael R. Burch

Regret,
a bitter
ache to bear . . .
once starlight
languished
in your hair . . .
a shining there
as brief
as rare.

Regret . . .
a pain
I chose to bear . . .
unleash
the torrent
of your hair . . .
and show me
once again—
how rare.



This original poem, popular at Valentine’s Day, has nearly 300 results:

Let Me Give Her Diamonds
by Michael R. Burch

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



This original poem has nearly 300 results:

Fascination with Light
by Michael R. Burch

for Anaïs Vionet

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,
where it hovers, unsure,
sullen, shy or demure,
in the margins of night,
a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato
and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

This Vera Pavlova translation has over 250 results:

Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



These Holocaust poem translations of Miklos Radnoti have over 200 results each:

Postcard 1
by Miklós Radnóti
loose translation by Michael R. Burch

Out of Bulgaria, the great wild roar of the artillery thunders,
resounds on the mountain ridges, rebounds, then ebbs into silence
while here men, beasts, wagons and imagination all steadily increase;
the road whinnies and bucks, neighing; the maned sky gallops;
and you are eternally with me, love, constant amid all the chaos,
glowing within my conscience―incandescent, intense.
Somewhere within me, dear, you abide forever―
still, motionless, mute, like an angel stunned to silence by death
or a beetle hiding in the heart of a rotting tree.



Postcard 2
by Miklós Radnóti
written October 6, 1944 near Crvenka, Serbia
loose translation by Michael R. Burch

A few miles away they're incinerating
the haystacks and the houses,
while squatting here on the fringe of this pleasant meadow,
the shell-shocked peasants sit quietly smoking their pipes.
Now, here, stepping into this still pond, the little shepherd girl
sets the silver water a-ripple
while, leaning over to drink, her flocculent sheep
seem to swim like drifting clouds.



Postcard 3
by Miklós Radnóti
loose translation by Michael R. Burch

The oxen dribble ****** spittle;
the men pass blood in their ****.
Our stinking regiment halts, a horde of perspiring savages,
adding our aroma to death's repulsive stench.



Postcard 4
by Miklós Radnóti
loose translation by Michael R. Burch

I toppled beside him―his body already taut,
tight as a string just before it snaps,
shot in the back of the head.
"This is how you’ll end too; just lie quietly here,"
I whispered to myself, patience blossoming from dread.
"Der springt noch auf," the voice above me jeered;
I could only dimly hear
through the congealing blood slowly sealing my ear.

This was his final poem, written October 31, 1944 near Szentkirályszabadja, Hungary. "Der springt noch auf" means something like "That one is still twitching."



This poetic tribute to Muhammad Ali has over 250 results:

Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image—BOLD.
My blood boiled like that river—strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina



This poem about US involvement in an ongoing Holocaust has over 200 results:

who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same —
the slouching Beast mauls them
and WE have no shame:
“who’s to blame?”



This Ō no Yasumaro translation has over 200 results:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
―Ō no Yasumaro (circa 711), loose translation/interpretation by Michael R. Burch



These Sappho translations have over 200 results:

Sappho, fragment 156
loose translation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.



Sappho, fragment 58
loose translation/interpretation by Michael R. Burch

Pain
drains
me
to
the
last
drop
.



This Parmenio translation has over 200 results:

Be ashamed, O mountains and seas,
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
—Michael R. Burch, after Parmenio



This original epigram has over 200 results:

Love is either wholly folly,
or fully holy.
—Michael R. Burch



Other poems, epigrams and translations with more than 100 results:



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast.
Attention, honor guard!
Give them a hero’s rest.
Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense/POW/MIA Accounting Agency) that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



Nun Fun Undone
by Michael R. Burch

Abbesses’
recesses
are not for excesses!



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



I, Too, Have a Dream
by Michael R. Burch writing as “The Child Poets of Gaza”

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
by Michael R. Burch  writing as “The Child Poets of Gaza”

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



Multiplication, Tabled
by Michael R. Burch

(for the Religious Right)

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, translation by Michael R. Burch



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.

And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.

Suddenly, unthinkably, here he is,
taking my place.



Indestructible, for Johnny Cash
by Michael R. Burch

What is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash is gone,
black from his hair to his bootheels.

Can a man out-endure mountains’ stone
if his songs lift us closer to heaven?
Can the steel in his voice vibrate on
till his words are our manna and leaven?

Then sing, all you mountains of stone,
with the rasp of his voice, and the gravel.
Let the twang of thumbed steel lead us home
through these weary dark ways all men travel.

For what is a mountain, but stone?
Or a spire, but a trinket of steel?
Johnny Cash lives on—
black from his hair to his bootheels.



Wulf and Eadwacer
ancient Old English (Anglo-Saxon) poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

My clan's curs pursue him like crippled game;
they'll rip him apart if he approaches their pack.
It is otherwise with us.

Wulf's on one island; we're on another.
His island's a fortress, fastened by fens. (fastened=secured)
Here, bloodthirsty curs howl for carnage.
They'll rip him apart if he approaches their pack.
It is otherwise with us.

My hopes pursued Wulf like panting hounds,
but whenever it rained—how I wept!
the boldest cur clutched me in his paws:
good feelings for him, but for me loathsome!

Wulf, O, my Wulf, my ache for you
has made me sick; your seldom-comings
have left me famished, deprived of real meat.
Have you heard, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.

Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” — W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars—the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.
The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.
I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.



Observance
by Michael R. Burch

Here the hills are old and rolling
casually in their old age;
on the horizon youthful mountains
bathe themselves in windblown fountains . . .

By dying leaves and falling raindrops,
I have traced time's starts and stops,
and I have known the years to pass
almost unnoticed, whispering through treetops . . .

For here the valleys fill with sunlight
to the brim, then empty again,
and it seems that only I notice
how the years flood out, and in . . .

This is an early poem that made me feel like a “real poet.” I remember writing it in the break room of the McDonald's where I worked as a high school student. I believe that was at age 17.



Discrimination
by Michael R. Burch

The meter I had sought to find, perplexed,
was ripped from books of "verse" that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed—
why should such tattered artistry be banned?
I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs ...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse "expensive prose."

Originally published by The Chariton Review



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city extend
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command
here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience
and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and nominated for the Pushcart Prize


Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...
... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...
... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...
... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...
... that led up to the Fortress in the trees
will not support our weight, but on our knees ...
... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...
... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...



At Wilfred Owen’s Grave
by Michael R. Burch

A week before the Armistice, you died.
They did not keep your heart like Livingstone’s,
then plant your bones near Shakespeare’s. So you lie
between two privates, sacrificed like Christ
to politics, your poetry unknown
except for that brief flurry’s: thirteen months
with Gaukroger beside you in the trench,
dismembered, as you babbled, as the stench
of gangrene filled your nostrils, till you clenched
your broken heart together and the fist
began to pulse with life, so close to death.
Or was it at Craiglockhart, in the care
of “ergotherapists” that you sensed life
is only in the work, and made despair
a thing that Yeats despised, but also breath,
a mouthful’s merest air, inspired less
than wrested from you, and which we confess
we only vaguely breathe: the troubled air
that even Sassoon failed to share, because
a man in pieces is not healed by gauze,
and breath’s transparent, unless we believe
the words are true despite their lack of weight
and float to us like chlorine—scalding eyes,
and lungs, and hearts. Your words revealed the fate
of boys who retched up life here, gagged on lies.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden—
the sameness of each day to day
while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.
Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray—
whitish streaks on a fogged silver mirror.
Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

Originally published by Southwest Review



At Once
by Michael R. Burch

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.
Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.
Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.
And yet she would care,
and pour out her essence ...
and yet—there was more!
I awoke from long darkness,
and yet—she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.

Published by The Lyric, Romantics Quarterly and Grassroots Poetry



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.
Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.
Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.
What I found, I found lost in her face
while yielding all my virtue to her grace.

Originally published by Romantics Quarterly as “A Dying Fall”



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true . . .
but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.
They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope . . .
You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,
their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

Originally published by Grand Little Things



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.
Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.
Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!
Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.
Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.
Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.


II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,
or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall
and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.


III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.
Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.


IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...
If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.
So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.


Translations with more than 100 results and/or a high number of page views:

“Wulf and Eadwacer” translation
“Deor’s Lament” translation
“The Wife’s Lament” translation
“Whoso List to Hunt” by Sir Thomas Wyatt, translation
“The Eager Traveler” by Ahmad Faraz, translation
“Herbsttag” (“Autumn Day”) by Rainer Maria Rilke, translation
“Archaischer Torso Apollos” (“Archaic Torso of Apollo”) by Rainer Maria Rilke, translation
“Komm, Du” (“Come, You”) by Rainer Maria Rilke, translation
“Der Panther” (“The Panther”) by Rainer Maria Rilke, translation
“Liebes-Lied” (“Love Song”) by Rainer Maria Rilke, translation
“Das Lied des Bettlers” (“The Beggar’s Song”) by Rainer Maria Rilke, translation
Original poems with more than 100 results:
“Water and Gold”
“See”
“The Folly of Wisdom”
“The Effects of Memory”
“Finally to Burn: the Fall and Resurrection of Icarus”




Dream of Infinity
by Michael R. Burch

Have you tasted the bitterness of tears of despair?
Have you watched the sun sink through such pale, balmless air
that your soul sought its shell like a crab on a beach,
then scuttled inside to be safe, out of reach?

Might I lift you tonight from earth’s wreckage and damage
on these waves gently rising to pay the moon homage?
Or better, perhaps, let me say that I, too,
have dreamed of infinity... windswept and blue.

This poem was originally published by TC Broadsheet Verses. I was paid a whopping $10, my first cash payment. It was subsequently published by Piedmont Literary Review, Penny Dreadful, the Net Poetry and Art Competition, Songs of Innocence, Poetry Life & Times, Better Than Starbucks and The Chained Muse.



we did not Dye in vain!
by Michael R. Burch

from “songs of the sea snails”

though i’m just a slimy crawler,
my lineage is proud:
my forebears gave their lives
(oh, let the trumps blare loud!)
so purple-mantled Royals
might stand out in a crowd.

i salute you, fellow loyals,
who labor without scruple
as your incomes fall
while deficits quadruple
to swaddle unjust Lords
in bright imperial purple!

Notes: In ancient times the purple dye produced from the secretions of purpura mollusks (sea snails) was known as “Tyrian purple,” “royal purple” and “imperial purple.” It was greatly prized in antiquity, and was very expensive according to the historian Theopompus: “Purple for dyes fetched its weight in silver at Colophon.” Thus, purple-dyed fabrics became status symbols, and laws often prevented commoners from possessing them. The production of Tyrian purple was tightly controlled in Byzantium, where the imperial court restricted its use to the coloring of imperial silks. A child born to the reigning emperor was literally porphyrogenitos ("born to the purple") because the imperial birthing apartment was walled in porphyry, a purple-hued rock, and draped with purple silks. Royal babies were swaddled in purple; we know this because the iconodules, who disagreed with the emperor Constantine about the veneration of images, accused him of defecating on his imperial purple swaddling clothes!



Circe
by Michael R. Burch

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.

Originally published by Romantics Quarterly



To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?



NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch



This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch



To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



She Always Grew Roses
by Michael R. Burch

for my grandmother, Lillian Lee

Tell us, heart, what the season discloses.
“Too little loved by the ego in its poses,
she always grew roses.”

What the heart would embrace, the ego opposes,
fritters away, and sometimes bulldozes.
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she loved nonetheless, as her legacy discloses—
she always grew roses.”

How does one repent when regret discomposes?
When the shadow of guilt, at last, interposes?
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she continued to love, as her handiwork shows us,
and she always grew roses.”

Too little, too late, the grieved heart imposes
its too-patient will as the opened book recloses.
Tell us, heart, what the season discloses.
“She always grew roses.”

The opened-then-closed book is a picture album. The season is late fall because it was in my autumn years that I realized I had written poems for everyone in my family except Grandma Lee. Hopefully it is never too late to repent and correct an old wrong.



Little Sparrow
by Michael R. Burch

for my petite grandmother, Christine Ena Hurt, who couldn’t carry a note, but sang her heart out with great joy, accompanied, I have no doubt, by angels

“In praise of Love and Life we bring
this sacramental offering.”
Little sparrow of a woman, sing!

What did she have? Hardly a thing.
A roof, plain food, and a tiny gold ring.
Yet, “In praise of Love and Life we bring

this sacramental offering.”
“Hosanna!” angel choirs ring.
Little sparrow of a woman, sing!

Whence comes this praise, as angels sing
to her tuneless voice? What of Death’s sting?
Yet, “In praise of Love and Life we bring

this sacramental offering.”
Let others have their stoles and bling.
Little sparrow of a woman, sing!

“In praise of Love and Life we bring
this sacramental offering
as the harps of beaming angels ring.
Little sparrow of a woman, sing!”



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.



Geraldine in her pj's
by Michael R. Burch

for Geraldine A. V. Hughes

Geraldine in her pj's
checks her security relays,
sits down armed with a skillet,
mutters, "Intruder? I'll **** it!"
Then, as satellites wink high above,
she turns to her poets with love.



Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!

Keywords/Tags: Michael Burch, popular, most popular, best poems, viral poems, poetry, poetic expression, epigrams, epitaph, translation, translations, quotes, Google, Internet, journals, literary journals, blogs, social media, Facebook, Twitter, Instagram, Yahoo, international, mrbpop, mrbbest, mrbest
Michael R Burch Mar 2020
To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?

Published by The Raintown Review, Triplopia, The Electic Muse, The Chained Muse, The Pennsylvania Review, and in a YouTube recital by David B. Gosselin. This is, of course, a poem about the famous Helen of Troy, whose face "launched a thousand ships."
Keywords/Tags: Helen, Troy, Paris, love, war, gods, fate, destiny, portrait, fame, famous, stars, Zodiac, Zodiacs, star-crossed, spell, charm, potion, enchantment, Greece, Greek, mythology, legend, Homer, Odyssey, accompaniment, accouterment, eternal, eternity, immortal



Les Bijoux (“The Jewels”)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins—
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair—
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea—
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out,
Till firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



Villanelle: She Always Grew Roses
by Michael R. Burch

for my grandmother, Lillian Lee

Tell us, heart, what the season discloses.
“Too little loved by the ego in its poses,
she always grew roses.”

What the heart would embrace, the ego opposes,
fritters away, and sometimes bulldozes.
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she loved nonetheless, as her legacy discloses—
she always grew roses.”

How does one repent when regret discomposes?
When the shadow of guilt, at last, interposes?
Tell us, heart, what the season discloses.

“Too little loved by the ego in its poses,
she continued to love, as her handiwork shows us,
and she always grew roses.”

Too little, too late, the grieved heart imposes
its too-patient will as the opened book recloses.
Tell us, heart, what the season discloses.
“She always grew roses.”

The opened-then-closed book is a picture album. The season is late fall because it was in my autumn years that I realized I had written poems for everyone in my family except Grandma Lee. Hopefully it is never too late to repent and correct an old wrong.



Villanelle: Little Sparrow
by Michael R. Burch

for my petite grandmother, Christine Ena Hurt, who couldn’t carry a note, but sang her heart out with great joy, accompanied, I have no doubt, by angels

“In praise of Love and Life we bring
this sacramental offering.”
Little sparrow of a woman, sing!

What did she have? Hardly a thing.
A roof, plain food, and a tiny gold ring.
Yet, “In praise of Love and Life we bring

this sacramental offering.”
“Hosanna!” angel choirs ring.
Little sparrow of a woman, sing!

Whence comes this praise, as angels sing
to her tuneless voice? What of Death’s sting?
Yet, “In praise of Love and Life we bring

this sacramental offering.”
Let others have their stoles and bling.
Little sparrow of a woman, sing!

“In praise of Love and Life we bring
this sacramental offering
as the harps of beaming angels ring.
Little sparrow of a woman, sing!”



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



EPIGRAM TRANSLATIONS BY MICHAEL R. BURCH

Speechless at Auschwitz
by Ko Un
loose translation/interpretation by Michael R. Burch

At Auschwitz
piles of glasses
mountains of shoes ...
returning, we stared out different windows.

Ko Un speaks for all of us, by not knowing what to say about the evidence of the Holocaust, and man's inhumanity to man.

Ko Un was speechless at Auschwitz.
Someday, when it’s too late,
will we be speechless at Gaza?
—Michael R. Burch



Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch

A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch

Elevate your words, not their volume. Rain grows flowers, not thunder.—Rumi, loose translation/interpretation by Michael R. Burch

Why should I brood when every petal of my being is blossoming?—Rumi, loose translation/interpretation by Michael R. Burch

What you seek also pursues you.—Rumi, loose translation by Michael R. Burch

This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch

Love renders reason senseless.
—Rumi, loose translation/interpretation by Michael R. Burch

I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch

Let me live with joy today, since tomorrow is unforeseeable.
—Palladas of Alexandria, loose translation/interpretation by Michael R. Burch

To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch

Religion is the ****** of the people.—Karl Marx
Religion is the dopiate of the sheeple.—Michael R. Burch

How happy the soul who speeds back to the Source,
but crowned with peace is the one who never came.
—a Sophoclean passage from the Rubaiyat of Omar Khayyam, loose translation/interpretation by Michael R. Burch

Improve yourself by others' writings, attaining freely what they purchased at the expense of experience. — Socrates, loose translation/interpretation by Michael R. Burch

Improve yourself by others' writings, attaining freely what they purchased at great expense.
—Socrates, translation by Michael R. Burch



EPIGRAMS BY MICHAEL R. BURCH



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!

Published by Brief Poems, Poem Today and The HyperTexts



Brief Fling II
by Michael R. Burch

To write an epigram,
cram.
If you lack wit, scram!

Published by Brief Poems, Ethnu Couplet and The HyperTexts



Brief Fling III
by Michael R. Burch

No one gives a **** about my epigram?
And yet they’ll spend billions on Boy George and Wham!
Do they have any idea just how hard I cram?



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Less Heroic Couplets: Shell Game
by Michael R. Burch

I saw a turtle squirtle!
Before you ask, “How fertile?”
The squirt came from its mouth.
Why do your thoughts fly south?



The best tonic for other people's bad ideas is to think for oneself.—Michael R. Burch

I will never grok picking a picky rule over a Poem!—Michael R. Burch

Experience is the best teacher but a hard taskmaster.—Michael R. Burch

Wayne Gretzky was pure skill poured into skates.—Michael R. Burch

Neither the leaf nor the tree laments karma.—Michael R. Burch



Less Heroic Couplets: Gilded Silence
by Michael R. Burch

Golden silence reigned supreme
in my nightmare and her dream.



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.



The Difference
by Michael R. Burch

The chimneysweeps
will weep
for Blake,
who wrote his poems
for their dear sake.

The critics clap,
polite, for you.
Another poem
for poets,
Whooo!



Crunch
by Michael R. Burch

for Trump

A cockroach could live nine months on the dried mucus you scrounge from your nose
then fling like seedplants to the slowly greening floor ...

You claim to be the advanced life form, but, mon frere,
sometimes as you ****** encrusted kinks of hair from your Leviathan ***
and muse softly on zits, icebergs snap off the Antarctic.

You’re an evolutionary quandary, in need of a sacral ganglion
to control your enlarged, contradictory hindquarters:
surely the brain should migrate closer to its primary source of information,
in order to ensure the survival of the species.

Cockroaches thrive on eyeboogers and feces;
their exoskeletons expand and gleam like burnished armor in the presence of uranium.
But your cranium
     is not nearly so adaptable.

“Crunch” is a poem about evolution and survival of the fittest which questions where human beings really are the planet earth’s most advanced life forms. Keywords/Tags: evolution, global warming, insects, cockroaches, advance life form, survival of the fittest, adaptability



Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!



Limerick-Ode to a Much-Eaten ***
by Michael R. Burch

There wonst wus a president, Trump,
whose greatest *** (et) wus his ****.
It was padded ’n’ shiny,
that great orange hiney,
but to drain it we’d need a sump pump!



The Less-Than-Divine Results of My Prayers to be Saved from Televangelists
by Michael R. Burch

I’m old,
no longer bold,
just cold,
and (truth be told),
been bought and sold,
rolled
by the wolves and the lambs in the fold.

Who’s to be told
by this worn-out scold?
The complaint department is always on hold.



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



Teeter Tots
by Michael R. Burch

For your spuds to become Tater Tots,
first, artfully cut out the knots,
then dice them to cubes
deep-fried, served to rubes,
(but not if they’re acting like snots).
Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

NRA www.nra.org/ The National Rifle Association: America's foremost defender of Second Amendment rights since 1871. NRA Home Page, Programs, Members-Only Discounts and Services - Login Get $7K Worth of Insurance & Gifts! Search Results NRAwww.nra.org/

Suicide Prevention Hotline Need help?
In the U.S., call:  1-800-273-8255  

At the end of your rope?  Be an ***** Donor!  
      
Organdonor. gov | Becoming a Donor, organdonor.gov | Become a Donor, www.organdonor.gov/become.asp There are many reasons why people suffer end-stage ***** failure & need an ***** transplant & why others are not accepted as ***** donors.

Phone:   804-782-4920,  

So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.
K Mae Jun 2013
solitude in sight
   waving sunlit grass hearkens
sacramental bliss
Haiku
ConnectHook Sep 2015
Dear diabolic debutante / Spawn of the unfathomable abyss of blackness / Daughter of dreadful dead desire / Black-shrouded sinister sister of celestial gloom before whose imperious gaze the heavens fall silent / Whip-lash girl-child of the graves whose pallid visage kindles the myriad infernal fires / Autocratic vampiress of lunar doom whose winding-cloth enfolds the thousand horrors of blood-drenched nightmare / Thou that wanderest the cypress-crested hills of funereal necropolises / Whose icy glance cracks the ungraven tombstones of utter desolation / Empress of night and madness / Who stalks the locked and shadowed hallways of unhallowed thought / Whose burial-boat glides the still waters over Lethe’s silent depths to the unglimpsed isle of eternal mourning / Whose parapets tower above the fiefdoms of quotidian banality / Whose flying buttresses overlook the Stygian waters of the forgotten drowned denizens of damnation / Whose unshackled dungeons open to worlds of regal splendor / Whose spires pierce dark skies where oblivion buries the ruined cities of revelry under the drifting clouds of leaden time / Oh maiden of melancholic alchemy whose petrified passions transmute base metal into pure gold…

May the gibbous moon of equinox shine its baleful eye upon you; may you tread in sacramental calm the winding starlit paths of somnolent cemeteries; may my unmixed metaphors unveil in delirium their parabolic mysteries before the smoldering altar of your uninterpretable allegory; may the favor of your scorn forever lay me out, embalmed, undead, on the cold stone of merciless reality. Behold: in cryptic script of spectral apparition, in tracery of coded illumination, amidst the dawning rays of torment I write thine unknown name on the threshold of daylight. And from within the mortared wall of self I speak forth from my sepulcher the Sibylline utterance,
unsought, unheard, undreamt:

JUST WANTED TO SAY ‘HI’ !

http://tinyurl.com/og3so8a
♥♥♥
Her warm words wash over me like a dope fiend daze... other voices boorishly buzz a cackle cacophony. At best they are the background noise of your existence.

bit players (endless layers) as she comes my way

Your body pixilates in an ******* focus, it bends, projects all else slowly into your frame, the deja vu of ****** tunnel vision. I struggle to speak as I stand before you.

All others condemned, reduced to extras in a celluloid daydream
they are arrayed for your adornment  
set pieces that surround you in the cinema that is your daily divine saunter

body sacramental (those around you incidental) as she walks away

The subtext, the reflex, the ambivalent, ambient lighting
means nothing without you

my arc, my carnal ******,
any other epilogue is dystopian

cdh
Mary-Eliz May 2018
In the drawer were folded fine
batiste slips embroidered with scrolls
and posies, edged with handmade
lace too good for her to wear.

Daily she put on shmattehs
fit only to wash the car
or the windows, rags
that had never been pretty

even when new: somewhere
such dresses are sold only
to women without money to waste
on themselves, on pleasure,

to women who hate their bodies,
to women whose lives close on them.
Such dresses come bleached by tears,
packed in salt like herring.

Yet she put the good things away
for the good day that must surely
come, when promises would open
like tulips their satin cups

for her to drink the sweet
sacramental wine of fulfillment.

The story shone in her as through
tinted glass, how the mother

gave up and did without
and was in the end crowned
with what? scallions? crowned
queen of the dead place

in the heart where old dreams
whistle on bone flutes
where run-over pets are forgotten,
where lost stockings go?

In the coffin she was beautiful
not because of the undertaker's
garish cosmetics but because
that face at eighty was still

her face at eighteen peering
over the drab long dress
of poverty, clutching a book.
Where did you read your dreams, Mother?

Because her expression softened
from the pucker of disappointment,
the grimace of swallowed rage,
she looked a white-haired girl.

The anger turned inward, the anger
turned inward, where
could it go except to make pain?
It flowed into me with her milk.

Her anger annealed me.
I was dipped into the cauldron
of boiling rage and rose
a warrior and a witch

but still vulnerable
there where she held me.
She could always wound me
for she knew the secret places.

She could always touch me
for she knew the pressure
points of pleasure and pain.
Our minds were woven together.

I gave her presents and she hid
them away, wrapped in plastic.
Too good, she said, too good.
I'm saving them. So after her death

I sort them, the ugly things
that were sufficient for every
day and the pretty things for which
no day of hers was ever good enough.
The beginning of a poem Liz Balise posted "Where I Left Them" reminded me of this Marge Piercy poem. Liz's went off in a totally different direction, but since I had been reminded of this, I thought I'd share it.
Robin Carretti Jun 2018
The cozier side of loving
Taking the ride inside
a picture pours
The rosier* pompadour
Mirage sale outside
The heart got heavy his
spoonful guided to lighten you

Picked you his cream eyes
Your brush he strokes
He 's hooked but your
unhooked the writing
on the wall
He's having a ball
Whats in his gesture
He's his  own stir
Standing like the still-life
Afterlife do we get our pleasure?

Venus mix of measuring
love pursuing
Needing more
room until?
We sign a love will

Watchtower not much
time
Why do they say time
will tell
The sacramental
"Venus"
Canvas genius

Secretive confidential
Can you ever be more
Specific love is terrific
Modern times
conventional
You just know
the love
The only way
From the bottom or
Your top lips
Venus had you on fire
"
How just knowing
first, love your head
above the canvas
Venus appears
It moves you

But occasionally
it turns off gas heat
He's thinking of
you opening his door
Venus of Gods

Spiritually doctrines
of habits
His cozy tidbits of
stories
Your rising in digits

The big study of the cafe
Painters of biology
So genuinely gifted
On the mountaintop,
he draws his body in
His canvas  of Venus
You're sinfully sweet
body wins

The win or the sin
hard time beats me within

The mystical interpretation
Those erroneous heats I see
Above the sea sweets for me
How he lands me
And than forbidden
Hands me God for what
I didn't really see

Not set to be turned
  like a time machine
can reset my buttons

Venus, you got me
To better love me in my
prime a matter of time
His favorite
You're his pride and joy
This wasn't a ploy
Your long friendship
_
*
No time for my memories
What outwins my failures
Just laughing it off comedies
He healed you inside at your best
The worst distance painting to rest

Like a triple heart by-pass
of doubles, life was a gas
A sense of who
you are
The religion is a
whole lotta (Zeppelin) love
The shaking (Elvis) painting  
Like a Viva Las Vegas
How the money jingled
like Venus

How you formed me
words listed scorned
To paint each other
The quaint picture
To be reborn again

You get the
picture right? the gain
All commitments
Venus invitations
It transforms into
a world
of forgiveness
Like the enigma
love engine locomotive

Taking your shoes off
Get cozy not to
be crossed off
Here's Johnny
the crossword puzzles

He looked at you
like a  blind man
For the first time
in your life
He was sharper in his
love than any man or wife
He said you are
my person


Venus of love talking,
humming, flaming
importantly, how
I see you reacting
you look
reading along
love
_book
But laughing is
the best
medicine

Venus, All mine to love you
and me maybe a baby
That's the name she's Venus
Getting Cozy romantically love silly or way too serious can get you delirious I feel the comfort zone is like a mac and cheese please don't burn it we live in a world that's always turning and more affection to be loving transform you're yourself into something like Venus. I am waiting to see your creative side a love is not to ever hide
Seán Mac Falls Mar 2013
Zesty eyes, tasting,
Red wine, fresh herbs, ambrosia—
Joy, cooking with her.
Seán Mac Falls Sep 2012
Zesty eyes, tasting,
Red wine, fresh herbs, ambrosia—
Joy, cooking with her.
Standing upon a hill, I.
Under black & purple sunwheel.
Standing with sword in right hand, representing morality and righteousness.
Standing with mine own decapitated head in left hand, represting violent and sudden removal of Ego &&& it's prompt reclaimation.
Standing soaked in the blood of the wound as my sacramental rebirth offering and cleansing.
My own next level of Apotheosis.
Kept alive by sheer will & & & magicks.

Headless mystic standing akin to an Autosacrifical Kali Ma.

Standing as Ego.

Standing as Godhead.

I.A.O.

Standing as Headless Warrior.

Omnia et Nihil.

I am become The Other, the Ritual Evolution.
Hail.
This is a poem I wrote back in Dec. '17, saved to my phone, and never published.

I liked the ritualistic meditations it sired so I decided to send it out into the 《《《☆》》》.
Rangzeb Hussain Jul 2010
VI

“Hearken, all ye there!”

Seis Seis Seis Seis Seis Seis

It began, as these things tend to do, with a quartz encrusted howl,
Lamenting under the crystalline shadows of Leda’s heartrending growl,
Her ravished moon bled and sank into the vocal cords of guilt coated cowards,
“Come back, come back! Oh, frivolous sanity thou art truly unjust, most unkind!”
Right here in this lonely place did my Darling dear spill devotion onto spiced dust,
She swayed on the rickety ridge surveying her sapphire kingdom’s splintered trust,
There it lay glittering, her city of cities, nothing now but a jeweled corpse.

V

“Know ye not of the oft-told tale of the drinking-well at World’s End?”

Cinco Cinco Cinco Cinco Cinco

My Lady who did fire the lyre of Orpheus, she weeps there in the misty chilled cold,
Wild it is, all about her the night wind nibbles at the skin clothing her fractured soul,
Cacophonic waves of regret silently scurry to labyrinths entombed with truths bold,
“Come back, come back! Oh, to my tempestuous ***** hasten with thy canticles!”
The symphonic fingers of fog pluck a requiem upon her autumn flavoured hair,
My Queen is attired for her banquet at tables far beyond Persephone’s desolate tears,
On the precipice her figure rises for the final faithful leap into Styx’s stratosphere.

IV

“Behold now the dread eyes of Hades, see how they hunger blood at the boil!”

Cuatro Cuatro Cuatro Cuatro

Carnivorous tasted memory plagues the betrayed Minotaur’s desired deliriums,
On these haunted shores I clutched her close and eagerly inhaled love’s elusive serum,
Legend has it a suicide was here on this very cliff-top, ‘twas a true Roman centurion,
“Come back, come back! Oh, let us under Demeter’s enchanted orchards lie!”
My obsidian-eyed Beauty gathers her eggs and over the fearful edge she unfurls them,
Closer to the dead of Euphrates she steps, I to madness hurtle as one condemned,
Bind savage Cerberus for the solitary reign of the wolf is fate for all hanged men.

III

“Prometheus thou hast drunk Pandora’s poisons, what sayest now the Titans?”

Tres Tres Tres

Golden fleeced days into the fleshy ground of Morpheus’s realm did seep away,
How well spent they were not even immortal Calypso shall decipher nor say,
Would that mine myopic ears had been shorn and tossed into Pompeii’s crisp clay,
“Come back, come back! Oh, gentle Maid no more, I beg thee stay awhile yet!”
What was it? Was it me? No, no, it could not be me for I was Achilles buried asleep,
How little we then knew, we two did partake of the stinging, you the wasp I the bee,
Mayhap ‘twas this unlocked the plumed towers to thy curled universe tunneled deep?

II

“Therefore did the Serpent spake and pronounce a judgment most nefarious!”

Dos Dos

She thinks back, my Lady fairer than Medea, she remembers a time happier,
Really there was, hear yet my credo, once upon-a-time there was no doubting terror,
But then a thing did into our guarded haven breach and wreathe about my treasure,
“Come back, come back! Oh, let me slake my thirst with thy honeyed spirit!”
My flesh did crawl, my fangs grew sharp, my spittle ran down and my fur stood taut,
The jawbone stiffened and all the while I burnt like an infernal phoenix caught,
Oh, my sweetly crazed fruit, did I for real the horror upon you wrought?

I

“Would that thou didst offer me thy riches upon the hour of the violet twilight...”

Uno

Wolfsbane moon, high above it rose in that final cracking of sacramental bones,
My Lady much wrong did you I, forever for this will the beast in me atone,
Now, at this baleful hour has the wolf left you on the edge of an embryonic cyclone,
“And so to the Elysian Fields where insanity fertilizes the soul do I embark...”
You cross the Rubicon and glide into the obliterating arms of Plutonic eternity,
The wolf, me, is left clawing your hooded red robe with absolutely no certainty,
I see you sailing upon Neptune’s trident, forever adrift on oceans of eternal cruelty.

N

“Seekest thou sanctuary in the hinterlands where the man with one eye is King?”

Cero...

pretium libertas est nex**



©Rangzeb Hussain
somewhere between silence and a scream,
I live.
wrestling worries, for the sake of my brows--
the space between that shows I have hurt.
but, what you cannot see, you do not know.
I will fix the lines, shave my skin, strip my teeth,
wash my blood
off our sheets with enough bleach to stop my eyes from seeing
what I see when her eyes meet mine.

she did dream once.
#marriage #love #poem #poetry #weddedbliss
Physician Nature! Let my spirit blood!
O ease my heart of verse and let me rest;
Throw me upon thy Tripod, till the flood
Of stifling numbers ebbs from my full breast.
A theme! a theme! great nature! give a theme;
Let me begin my dream.
I come -- I see thee, as thou standest there,
Beckon me not into the wintry air.

Ah! dearest love, sweet home of all my fears,
And hopes, and joys, and panting miseries, --
To-night, if I may guess, thy beauty wears
A smile of such delight,
As brilliant and as bright,
As when with ravished, aching, vassal eyes,
Lost in soft amaze,
I gaze, I gaze!

Who now, with greedy looks, eats up my feast?
What stare outfaces now my silver moon!
Ah! keep that hand unravished at the least;
Let, let, the amorous burn --
But pr'ythee, do not turn
The current of your heart from me so soon.
O! save, in charity,
The quickest pulse for me.

Save it for me, sweet love! though music breathe
Voluptuous visions into the warm air;
Though swimming through the dance's dangerous wreath,
Be like an April day,
Smiling and cold and gay,
A temperate lilly, temperate as fair;
Then, Heaven! there will be
A warmer June for me.

Why, this, you'll say, my *****! is not true:
Put your soft hand upon your snowy side,
Where the heart beats: confess -- 'tis nothing new --
Must not a woman be
A feather on the sea,
Sway'd to and fro by every wind and tide?
Of as uncertain speed
As blow-ball from the mead?

I know it -- and to know it is despair
To one who loves you as I love, sweet *****!
Whose heart goes fluttering for you every where,
Nor, when away you roam,
Dare keep its wretched home,
Love, love alone, his pains severe and many:
Then, loveliest! keep me free,
From torturing jealousy.

Ah! if you prize my subdued soul above
The poor, the fading, brief, pride of an hour;
Let none profane my Holy See of love,
Or with a rude hand break
The sacramental cake:
Let none else touch the just new-budded flower;
If not -- may my eyes close,
Love! on their lost repose.
O my Lord, help me move beyond
this downward expression of:
confused, constant complaining;
where’s the reflection of Love?

Is my simple Christianity like:
Stale bread with a harden crust?
Is my sad, suffering condition
a spiritually dry, wheat rust?

Lord, let me be broken for You,
so Your bright Light in me shines;
in service, let me be poured out
like sweet, sacramental wine.

The dryness of my worn Faith
has become worthless rubble.
No one wants “bread of affliction”
as a prompt for past troubles.

The bitterness of sour grapes
is never a healthy sign;
help get me off this crash diet-
of this broken bread and whine.

Lord, let me be broken for You,
so Your bright Light in me shines;
in service, let me be poured out
like sweet, sacramental wine.

Will people stop offering
me their cheeses for my whine?
Please break the endless cycle of
this spiritual decline.

Stop people from offering
me their cheeses for my whine.
Please break the endless cycle now,
before I run out of time.
.
.
.
Author notes

Inspired by:
Matt 5:16, 26:26-27; Rom 14:7

Learn more about me and my poetry at:
http://amzn.to/1ffo9YZ

By Joseph J. Breunig 3rd, © 2015, All rights reserved.
Cooking up a blizzard.
Lost and unguided tendrils of space hold me captive,
the trebles of your heart beating
leads me back to my my Home.
That infinite gaze of yours into my dilapidated eyes,
is like a portal to you to look into my soul.
You blanket all my darkness
With your semi-pixie cut.
You’re my tree of knowledge
I bask in it’s shade.
Powdered Sugar coating on cupcakes.
Your silk armour protects your vulnerability,
My sincere apologies to all the arrows that gaped through.
Cover me under your angel wings,
Dab away my streaming reservoirs and replace them
with pollen and sweet nectar.
Your wishbone sacramental daydreams and dreams.
I feel so lost without you.
Bandage my old wounds with your tender hands,
Kiss me with your lush lips
sending jolts of star dust upstream,
within my veins dancing with yours palpitating feet.
My shot of euphoria and bleeding antidote.
My poetry.
You, Kalon.
Let’s raise a toast to your
beauté remarquable éternel, mon soleil
your free spirit,
your beauty of a ghost,
your heart racing with joy,
your heart steaming up with reticent sadness,
build up anger that come crashing down
like a typhoon detaching from the human perspecta.
I miss you.
Your emotional mess and literal mess,
I’m your magic broom.
You, my inspiration.
You, my groove.
You, my you.
You. My everyone and everything.
You’re fun filled supressed omnipresent electric feel.
You, The only Solis in my galaxy.
I love you.
Sharing your grandoise orangy tinge yellow light.
Bottling up a few star
in a bottle of red wine,
For her Luna.
Solis is 21 a (000,000,000) today.
**You’re irreplacable.
Happy birthday my best friend/my lover.
Anyone can enter your church
No matter what their age
Mine, well, you have to be legal
At least in the section that doesn't serve food

Yours smells of incense and candle wax
The air smells of wood polish
Mine has stale beer and on humid days
Remnants of cigars and cigarettes from years ago

We have windows that can open
But, most times they are painted shut
Yours, beautiful colors of glass
Images from the bible, glorious

You have a choir singing the grace of God
My place of worship has live bands once a month
Karaoke on Fridays with wanna be singers
Making us pray to God for it to end

You have pictures of Saints on your windows
And tapestries on the walls
The closest we have is posters of sports teams
And The St. Pauli girl promoting beer

You will never find me at your church
But, we may find you in ours on occasion
We don't have sacramental wine like you
But, we do have a larger drink menu for all

People come to your church to wash away their sins
Then a few hail Mary's and a Lord's Prayer
With us, they come to drown their sorrows
And our hail Mary's have bacon, 2 for 1 on Sunday

Our sky pilot will listen like your pastor
He doesn't judge unless you get too drunk
But, that's on him, not you
Your pastor won't judge, but, still gives penance

I know where I am Sunday
I know where you are too
Your church is not always open
Mine's good from 10 till 2
M Harris Mar 2017
Sacramental Elixir & Illuminated Blues,
Experimental Flauntings Of Her Midsummer Hues,

Radioactive Eyes & Her Fairytale Lies,
Seductive Abuses Across The New Divide,

Vivid Intersections In Her Phenomenal Rage,
Shatterproof Reflections Splattered Upstage,

Midnight Passions Of Her Perplexed Lust,
Starlight Rains Glittering Hybrid Dusts,

Transitional Paradigms & Engineered Moans,
Theatrical Concoctions In Her Symphonic Tones,

Flirtatious Illuminations Under The Darkest Light,
Stained Animations Igniting Kryptonite,

Palisades Of Her Collated Reflections,
Cascades Emitting Her Sedated Projections,

Contraband Infatuation Resonating Magnetic Love,
Raving Constellations Provocating Atomic Dove,

Divine Catharsis Of Her Cupid Amour Eternity,
Valentine Bliss Mystifying Her Restrained Insanity,

Charismatic Futility & ****** Binge,
Cinematic Tranquility Emanating From Her Bulletproof Sins,

Neon Subways & Fragile Foreplays,
Sensual Arrays Of Her Red-Light Decays.

- 03:53AM -
Adam Struble Jun 2014
wonderful wall of sound
poly rhythms weave and dance
moves the trajectory of motion
vibrations of the earth
water meets the sky
don't listen, just hear
what business of celebration
sacramental liquid sunshine
and the kiss of the Goddess
how many forms can you take?
a whisper into infinity
and the void whispered back
calling me forth and changing, healing
growing and building new paths
rebuilding the constructs of self
collective visions of love
give up on belief itself
all is relative
beware of absolutes
belief restricts us from accepting all things as they are
the black hole mirror-  the moon of narcissus
pointing toward another centre

come sit by the fire instead
WS Warner Mar 2013
Seasoned Love's silent discourse,
Dusk of the long distance,
Beneath the mantle of lament
The peak bloom, gnawing decay,
Obscure
The weight of favor;
Annealing fire, moulded by
Winds of duration
Unfastening the raw surf of sorrow.

Incipient caprice, theft of occlusion
Colored by common defiance,
Vile tremors of privation-
Native enclave,
The province of
Vacant, age-eaten elucidation.

The tangled weave, pathos and ethos
Vested
Interior acquisition,
Furrowed paths of countenance
Evincive and drawn,
Affinity found, inhabiting the palisades
Of Immersion.

A furtive glance harbors
The trained gaze whose
Immanent flame-
Emergent
Serous source,
Imbued piercing latency;
A taste of
The fountainhead.

Unprobed theater of the absolute.

Thin supple pith
Identity sealed in skin
Perambulator of meaning and
Lineaments of cure.
Bearing the image of ubiquity
Perceives in the other,
Immortality.
Sacramental Eros,
Subsumes the
Capacity to treasure.

©2013 W.S. Warner
[Dedicated to Horace Sheridan-Bickers]

A vision of flushed faces, shining limbs,
The madness of the music that entrances
All life in its delirium of dances!
The white world glitters in the void, and swims
Through the infinite seas of transcendental trances.
Yea! all the hoarded seed of all my fancies
Bursts in a shower of suns! The wine-cup brims
And bubbles over; I drink deep hymns
Of sorceries, of spells, of necromancies;
And all my spirit shudders; dew bedims
My sight -these girls and their alluring glances!
Their eyes that burn like dawn's lascivious lances
Walking all earth to love -to love! Life skims
The cream of joy. If God could see what man sees,
(Intoxicating Nellies, Mauds and Nances!)
I see Him leave the sapphrine expanses,
The choir serene and the celestial air
To swoon into their sacramental hair!
spysgrandson Dec 2012
steamed broccoli calls me
its scent a melodious accompaniment
to the dance of
nitrogen and oxygen we call air
next I will torch
the dead silent flesh
of some sinless bovine beast
a sacramental conflagration
whose rich vapors will
add strings and woodwinds
to the wafting symphony
tickling my snout  
my salivary will weep  
in effortless anticipation  
of jubilant mastication  
of the flora and fauna  
of my own culinary killing fields  
that allow me
a few more waltzes  
in this soundless song of air
my last poem, the woman on the bus, was timed with the 150th anniversary of the Emancipation Proclamation and the topic was our legacy of discrimination against those of color--this poem, the repast, was inspired by...broccoli
Philipp K J Dec 2018
Naked pink and ebony feet
brush the slimy grass filled path
Through the tea fields elephants retreat
After a night of jaded mud bath

Armored with sack and gunny  weight
Enter the frost covered fields in drowsy rest
Wake up the greens to  a gentle fright
And pluck under care of  enchanting *******.

The supervisor mackintosh
Walking with a bend and a toss
Shout at those Cinderellas
Who look for shoes and umbrellas
Even  before its time to knock off

The tin covered temple of olfactory  auditory deity,
the holy Garden tea
The chanting enchanting to a coma hot  mesmerizing wafts of aroma
fills the air, capture the sense of all devotees who belong to the Orthodox commune TEA or CTC.
The sirens bugle the devotees into fits
They come in shifts for worship.
The tender hearts freshly plucked before they attain mature Tea
Spread to wither under a  hell
of a hot air with care.
crushed and torn and curled,
the souls are put into a purgatory rotary drum to pause to meditate
on the ephemeral color change
To cover the green with copper red
Garment to ferment  before being sent
to the fluid fire dance
To attire in black and retire
in packages
for a last plunge in to a boiling cauldron
The finale
Endgame
A sacramental service,
a self sacrifice to energize the tired souls
In cups of tea..
Can you tell me have I lost my mind?
Seeking other lonely to be my guide.
Streetlight prophets have all your answers for a price
Turning all your coppers into fortified signs.

I keep on dreaming of you and of you only
Speaking your name as though it's something I hold holy
But can you tell me does the sky get lonely
.. Siting all alone up there

Sing me songs of love and revolution
In a rage of fury and absolution
The alley oracles keep searching for solutions
To find fortune in hearts weakened by contusions.
They sing...

Find me love sweet like sacramental wine
For my penance I'd pay any price
Give me strength to pursue my paradise
And the wisdom when I find it to recognize
That the only thing missing in my life
Was someone to walk beside.

They sing...
Can you tell us have we lost our minds
Seeking other lonely to be our guides
To navigate and hide us in the streetlights
As we lay awake looking for a sign.
Desde el amanecer, se cambia la ropa sucia de los altares y de los santos, que huele a rancia bendición, mientras los plumeros inciensan una nube de polvo tan espesa, que las arañas apenas hallan tiempo de levantar sus redes de equilibrista, para ir a ajustarías en los barrotes de la cama del sacristán.

Con todas las características del criminal nato lombrosiano, los apóstoles se evaden de sus nichos, ante las vírgenes atónitas, que rompen a llorar... porque no viene el peluquero a ondularles las crenchas.

Enjutos, enflaquecidos de insomnio y de impaciencia, los nazarenos pruébanse el capirote cada cinco minutos, o llegan, acompañados de un amigo, a presentarle la virgen, como si fuera su querida.

Ya no queda por alquilar ni una cornisa desde la que se vea pasar la procesión.

Minuto tras minuto va cayendo sobre la ciudad una manga de ingleses con una psicología y una elegancia de langosta.

A vista de ojo, los hoteleros engordan ante la perspectiva de doblar la tarifa.

Llega un cuerpo del ejército de Marruecos, expresamente para sacar los candelabros y la custodia del tesoro.

Frente a todos los espejos de la ciudad, las mujeres ensayan su mirada "Smith Wesson"; pues, como las vírgenes, sólo salen de casa esta semana, y si no cazan nada, seguirán siéndolo...
¡Campanas!
¡Repiqueteo de campanas!
¡Campanas con café con leche!
¡Campanas que nos imponen una cadencia al
abrocharnos los botines!
¡Campanas que acompasan el paso de la gente que pasa en las aceras!
¡Campanas!
¡Repiqueteo de campanas!

En la catedral, el rito se complica tanto, que los sacerdotes necesitan apuntador.

Trece siglos de ensayos permiten armonizar las florecencias de las rejas con el contrapaso de los monaguillos y la caligrafía del misal.

Una luz de "Museo Grevin" dramatiza la mirada vidriosa de los cristos, ahonda la voz de los prelados que cantan, se interrogan y se contestan, como esos sapos con vientre de prelado, una boca predestinada a engullir hostias y las manos enfermas de reumatismo, por pasarse las noches -de cuclillas en el pantano- cantando a las estrellas.

Si al repartir las palmas no interviniera una fuerza sobrenatural, los feligreses aplaudirían los rasos con que la procesión sale a la calle, donde el obispo -con sus ochenta kilos de bordados- bate el "record" de dar media vuelta a la manzana y entra nuevamente en escena, para que continúe la función...
¡Agua!
¡Agüita fresca!
¿Quién quiere agua?

En un flujo y reflujo de espaldas y de brazos, los acorazados de los cacahueteros fondean entre la multitud, que espera la salida de los "pasos" haciendo "pan francés".

Espantada por los flagelos de papel, la codicia de los pilletes revolotea y zumba en torno a las canastas de pasteles, mientras los nazarenos sacian la sed, que sentirán, en tabernas que expenden borracheras garantizadas por toda la semana.

Sin asomar las narices a la calle, los santos realizan el milagro de que los balcones no se caigan.

¡Agua!
¡Agüita fresca!
¿Quién quiere agua?
pregonan los aguateros al servirnos una reverencia de minué.

De repente, las puertas de la iglesia se abren como las de una esclusa, y, entre una doble fila de nazarenos que canaliza la multitud, una virgen avanza hasta las candilejas de su paso, constelada de joyas, como una cupletista.

Los espectadores, contorsionados por la emoción,
arráncanse la chaquetilla y el sombrero, se acalambran en
posturas de capeador, braman piropos que los nazarenos intentan callar
como el apagador que les oculta la cabeza.

Cuando el Señor aparece en la puerta, las nubes se envuelven con un crespón, bajan hasta la altura de los techos y, al verlo cogido como un torero, todas, unánimemente, comienzan a llorar.

¡Agua!
¡Agüita fresca!
¿Quién quiere agua?Las tribunas y las sillas colocadas enfrente del Ayuntamiento progresivamente se van ennegreciendo, como un pegamoscas de cocina.

Antes que la caballería comience a desfilar, los guardias civiles despejan la calzada, por temor a que los cachetes de algún trompa estallen como una bomba de anarquista.

Los caballos -la boca enjabonada cual si se fueran a afeitar- tienen las ancas tan lustrosas, que las mujeres aprovechan para arreglarse la mantilla y averiguar, sin darse vuelta, quién unta una mirada en sus caderas.

Con la solemnidad de un ejército de pingüinos, los nazarenos escoltan a los santos, que, en temblores de debutante, representan "misterios" sobre el tablado de las andas, bajo cuyos telones se divisan los pies de los "gallegos", tal como si cambiaran una decoración.

Pasa:
El Sagrado Prendimiento de Nuestro Señor, y Nuestra Señora del Dulce Nombre.
El Santísimo Cristo de las Siete Palabras, y María Santísima de los Remedios.
El Santísimo Cristo de las Aguas, y Nuestra Señora del Mayor Dolor.
La Santísima Cena Sacramental, y Nuestra Señora del Subterráneo.
El Santísimo Cristo del Buen Fin, y Nuestra Señora de la Palma.
Nuestro Padre Jesús atado a la Columna, y Nuestra Señora de las Lágrimas.
El Sagrado Descendimiento de Nuestro Señor, y La Quinta Angustia de María Santísima.

Y entre paso y paso:
¡Manzanilla! ¡Almendras garrapiñadas! ¡Jerez!

Estrangulados por la asfixia, los "gallegos" caen de rodillas cada cincuenta metros, y se resisten a continuar regando los adoquines de sudor, si antes no se les llena el tanque de aguardiente.

Cuando los nazarenos se detienen a mirarnos con sus ojos vacíos, irremisiblemente, algún balcón gargariza una "saeta" sobre la multitud, encrespada en un ¡ole!, que estalla y se apaga sobre las cabezas, como si reventara en una playa.

Los penitentes cargados de una cruz desinflan el pecho de las mamas en un suspiro de neumático, apenas menos potente al que exhala la multitud al escaparse ese globito que siempre se le escapa a la multitud.

Todas las cofradías llevan un estandarte, donde se lee:

                      S. P. Q. R.Es el día en que reciben todas las vírgenes de la ciudad.

Con la mantilla negra y los ojos que matan, las hembras repiquetean sus tacones sobre las lápidas de las aceras, se consternan al comprobar que no se derrumba ni una casa, que no resucita ningún Lázaro, y, cual si salieran de un toril, irrumpen en los atrios, donde los hombres les banderillean un par de miraduras, a riesgo de dejarse coger el corazón.

De pie en medio de la nave -dorada como un salón-, las vírgenes expiden su duelo en un sólido llanto de rubí, que embriaga la elocuencia de prospecto medicinal con que los hermanos ponderan sus encantos, cuando no optan por alzarles las faldas y persuadir a los espectadores de que no hay en el globo unas pantorrillas semejantes.

Después de la vigésima estación, si un fémur no nos ha perforado un intestino, contemplamos veintiocho "pasos" más, y acribillados de "saetas", como un San Sebastián, los pies desmenuzados como albóndigas, apenas tenemos fuerza para llegar hasta la puerta del hotel y desplomarnos entre los brazos de la levita del portero.

El "menú" nos hace volver en sí. Leemos, nos refregamos los ojos y volvemos a leer:

"Sopa de Nazarenos."
"Lenguado a la Pío X."

-¡Camarero! Un bife con papas.
-¿Con Papas, señor?...
-¡No, hombre!, con huevos fritos.Mientras se espera la salida del Cristo del Gran Poder, se reflexiona: en la superioridad del marabú, en la influencia de Goya sobre las sombras de los balcones, en la finura chinesca con que los árboles se esfuman en el azul nocturno.

Dos campanadas apagan luego los focos de la plaza; así, las espaldas se amalgaman hasta formar un solo cuerpo que sostiene de catorce a diez y nueve mil cabezas.

Con un ritmo siniestro de Edgar Poe -¡cirios rojos ensangrientan sus manos!-, los nazarenos perforan un silencio donde tan sólo se percibe el tic-tac de las pestañas, silencio desgarrado por "saetas" que escalofrían la noche y se vierten sobre la multitud como un líquido helado.

Seguido de cuatrocientas prostitutas arrepentidas del pecado menos original, el Cristo del Gran Poder camina sobre un oleaje de cabezas, que lo alza hasta el nivel de los balcones, en cuyos barrotes las mujeres aferran las ganas de tirarse a lamerle los pies.

En el resto de la ciudad el resplandor de los "pasos" ilumina las caras con una técnica de Rembrandt. Las sombras adquieren más importancia que los cuerpos, llevan una vida más aventurera y más trágica. La cofradía del "Silencio", sobre todo, proyecta en las paredes blancas un "film" dislocado y absurdo, donde las sombras trepan a los tejados, violan los cuartos de las hembras, se sepultan en los patios dormidos.

Entre "saetas" conservadas en aguardiente pasa la "Macarena", con su escolta romana, en cuyas corazas de latón se trasuntan los espectadores, alineados a lo largo de las aceras.

¡Es la hora de los churros y del anís!

Una luz sin fuerza para llegar al suelo ribetea con tiza las molduras y las aristas de las casas, que tienen facha de haber dormido mal, y obliga a salir de entre sus sábanas a las nubes desnudas, que se envuelven en gasas amarillentas y verdosas y se ciñen, por último, una túnica blanca.

Cuando suenan las seis, las cigüeñas ensayan un vuelo matinal, y tornan al campanario de la iglesia, a reanudar sus mansas divagaciones de burócrata jubilado.

Caras y actitudes de chimpancé, los presidiarios esperan, trepados en las rejas, que las vírgenes pasen por la cárcel antes de irse a dormir, para sollozar una "saeta" de arrepentimiento y de perdón, mientras en bordejeos de fragata las cofradías que no han fondeado aún en las iglesias, encallan en todas las tabernas, abandonan sus vírgenes por la manzanilla y el jerez.

Ya en la cama, los nazarenos que nos transitan las circunvoluciones redoblan sus tambores en nuestra sien, y los churros, anidados en nuestro estómago, se enroscan y se anudan como serpientes.

Alguien nos destornilla luego la cabeza, nos desabrocha las costillas, intenta escamotearnos un riñón, al mismo tiempo que un insensato repique de campanas nos va sumergiendo en un sopor.

Después... ¿Han pasado semanas? ¿Han pasado minutos?... Una campanilla se desploma, como una sonda, en nuestro oído, nos iza a la superficie del colchón.
¡Apenas tenemos tiempo de alcanzar el entierro!...

¿Cuatrocientos setenta y ocho mil setecientos noventa y nueve "pasos" más?

¡Cristos ensangrentados como caballos de picador! ¡Cirios que nunca terminan de llorar! ¡Concejales que han alquilado un frac que enternece a las Magdalenas! ¡Cristos estirados en una lona de bombero que acaban de arrojarse de un balcón! ¡La Verónica y el Gobernador... con su escolta de arcángeles!

¡Y las centurias romanas... de Marruecos, y las Sibilas, y los Santos Varones! ¡Todos los instrumentos de la Pasión!... ¡Y el instrumento máximo, ¡la Muerte!, entronizada sobre el mundo..., que es un punto final!

¿Morir? ¡Señor! ¡Señor!
¡Libradnos, Señor!
¿Dormir? ¡Dormir! ¡Concedédnoslo,
Señor!
Jacob Oates Dec 2013
Emergent and forming I feel a storm is imploring that soon without any warning you beg to cross a line

Every time, nothing is sacred but sacramental complacence is marked as roles of the shameless

Mean to skip a line another time? Is this too rough and obtuse for a cutie like you to boost the power line?

Number 9, completion is power and stricken chords every hour proceed to timeline devour those daily entities

I do decree that opposition to me is free and withered beatings to meetings, detours and dealings

understanding demands of variable plans is held by the hand that feeds the depleted need

I see it from every angle, the tangle, the multishifted frame though it dangles, I can't be stuck in my own head when

I see the reflections of me in the treasure it jangles, brings into focus where my head fell to float in the

moments set to wrangle, pull it in, dwell upon the good and discard where it hampers new fangled notions like

truth effusions of love and devotion are swallowed up in the daily ocean of noise traffic, the more verbose,

Graphic dispatches matches blasted disasters dashed and rash past distractions amass magic attacks balanced

Secular motion entwined with metaphysical potions, divided what is your quotient? It doesn't add up in this

moment.

Interpersonal, intergalactic, universal assertions disturbed by verbage of outrance

Message mismanaged mischief mallaeble mayhem managed maganamously mallicous mannered when I

would proclaim them. Members materialized meriting masturbatory movements and monetized

malappropriation I have no patience nor pathos for indiscriminant egos demonstrating a tangent as canon and

paralyzing progressions toward psychic visions of heaven, eyes as the cosmos, and pressures upended.

I'll cope with associations disastrous and tainted, but keep in my visage all that scratches my lenses

I know far too much to be content with the situation, but far too little to shatter falsehood's intitiation
Elegy I

“Behold, I tell you my prince Meton, that my Steed is coming bringing Zeus, I truly tell you that the shadows move on the plasma of the Duoverse and that the lunisolar cycles pose what could never arrive and where it has to go... that It awaits you if I say..., if from the threshold of 331 bC. What will be my own...? If tertians experience without pain that can resemble everyone else that it is!

Etréstles; My debt comes from the Kronia of Saturnalia and Aries, lifting him up from Gea... he is noble in the laws of his geometrical prose calling him from Attica and trying to know if I can take the corner of Stratonx, without a lesser degree of hierarchy and whatever, more than finding Theseus...! If it is of his necessity to hear us through the labyrinths that will approach him of the birth of a new Vernarth, who alone fears for some icy sting that afflicts Alikantus, coming as an Athenian steed on Zeus and on the protectorates of Polia that are plausibly bringing nights of fever in the cold solitude by not possessing them.

Whatever my lord, behold, a polis will have great merit when it occurs in the misgivings, hallucinations, and lightness that are abstracted after twenty-eight days without knowing which will be the next one that will contain it like the kindling of the fire that does not stop burning... nor the magnitude of everything that stops me from being the spoil of a new sprout, but that does not stop me from being superior to the flames that possess their hell. The official acts make me a trophy of hostile anxieties with their dying fire, however, Zeus makes the Duoverse move mounted on my steed that takes him on snows that fight in the contest, and in contests of my Elegy with his equestrian reverie. I tell you that for this they can still loot the feminine beauties that besiege me between ruinous eyes that only see from the attic towards his disjointed daily Odeon.

The sensitive attachment of my Cretan horse neighs resounding from the Odeon, carrying the waters that will be his visionary flowers on female beauties that acclaim him with a womanly voice, which lashes out at him as the bearer of a God, entering into sentences manly beauties that come off the blood Hellenic of Alikantus by Evandria; full and provided with manly arcana resembling a steed made an Adonis. For everything that seems ruinous to you, a head that wishes to be wounded is offered, for everything that seems diaphanous to you like a People in the female physiognomy, a figure consigned in his virginity, who opens doors in which they are semi-open... Seeming that nothing hurts as it runs through the corner of my yearning, with honey and milky emulsion in its porticoes and in the evasion of the Diplon bringing my guests from the Opistódomos, with menus that will be superior to all the vessels where it will take them their delicacies, incontinent. Of the Hydor, that flows from the mancebía and the damp staircase of the Nimbus. Unknown values of insecurity made me attached to the Acropolis, rather knowing that Zeus was on his way to his amnesty and was floating in prose of gaseous clay, and iridium that reopened the double door of the Diplon as it closed abruptly from the canopy tops. Where is it that so much warm wind runs in the colors of the gods who rule the Exile...? So he will continue to be all that he is and will be in what I observe him..., if he stops to look at himself, and not at me who no longer consumes him...!

I tell you with its illustrious shadow that it hides in its untamed ephebos, wanting to make precocious its illustrated cavities that serve an eternal heart, which pours out what pulses and reverses what it repels from the flesh that is distributed convex of the divine soul, making succulent darkness of the apotheosis of the Symposium… burning where they always are, I tell you they are lit in the saddles of time!

How much phobic rogue can tell you what my imperialism binds to say if my beloved were here, seeing her close by like any glow that syndicates her odd sacrifices, with excessive raised and scheduled glasses that speak of a restless being, who cannot tell you that the Christic continues to observe ride from Alikantus, on embers of the Khristúgenna, observing him in pageantry, attempts, and lands of Patmos with a loaf of unleavened brimming with pietism and a new millennium that ends in the pyx of her memories...

Currently, doors are slapped through which my steed will pass with Zeus..., and I will not hear them, because only I have to open their double door Dipylon weeks later... from the agon that has to carry me against Zeus as his relief comrade, clinging to anger in agons that fight each other for ferocious tendons, and herculean verbal incarnations, immersed in irrepressible loquacity... conceiving his heroic chance and submitological feats that are located at the precipice of the heel, and in the breathlessness of his steps that take place in those that are not! "

Elegy II

By what dark decline of Smyrna will my rib complain, and have to move its hanging from here of Selçuk that will consist in its protocols that guarded my lost head, and of corny demigods that surrounds soothing feats that do not hurt, instantly that we all offer the same incarnations of the cult and his victory with Saint John the Evangelist... I tell you that I know about this and I say that I preside and founded the condition of his sacred agonal, from his divine glory in Arbela according to how common it seems to them... if they are to get lost in its decline...! That they do not fight with what is not dexterity and nothing that is not brooding if nothing knocks on the arched door?

The purse that will remain beyond Alsancak in that residence is moth-eaten, I always hoped, I always had to say..., as I have told you that my tongue tells truths that you are tempted to see in the darkness of a dissolute courtyard in Helleniká, but between portages of Smyrna and rubrics that wave in streets that are bordering the extraverted Dipylon... in which instance I peek into the interior wine presses..., seeing its esplanades because if I have to tell you... it will be something that can satisfy you and that takes me to Eleusis...!

So many times I sighed for the stinging hinge and its memento, opening itself up like this, and if it must be wherever it compresses its resonance, here it is what I was going to condescend with dump trucks that transpose to the stage with their marbled misgivings, I beg you with my hands convulsive that I am not fortified, the tribal rain and the Xiphos phosphorus from the southwest, seeming to surpass with their longitudinal footage as if they were laws of the horizontal with twisted millennia that bring according to what should be...? For a long time, it takes the form of an imperfect and vile being by the inverted "V" from Ephesus, towards the intersection of the edge of Pergamum approaching Laodicea.

Guess where the deposit of the Sun of Smyrna derives with its long time-lapse, and with various stony that are attached to masonry typical of the diamond plinth, showing off the docile sacramental of its high shoulders and crowned partitions like those that hurt if my eye everything! Assesses, closing angles of the sovereign challenge, here my sovereign Meton presents me the sacramental infer to the Nymphaeum or a rhomboid arcade lost in his Domus!

Where do paradises shrink from, if all this was being hidden with so many truths between tributaries and conifers that have to be disposed of in their turrets? Its precarious sinister face only restrains the Eminences of the Lycabeto, daring to adorn themselves with Lykavittós, rising among longings that are lost in my Elegy from heights that howl for peaks that have not been besieged, only resided by those songs that shelter themselves obstructed with wide domains, with trainers that guide you, not coexisting lights, that scrutinize your shelter to become your owner!

What makes you of tribulation if my consort is made eternal, now that he shields between his worries for causes and lexical testimonies with my Eggelos, who do not hear the galloping of Alikantus but if the hieratic rocky snorts descending for what their prior does not know... only my chaste unit has to be with its talented polygonal patchwork, unlocking only what it contains in its earthly litanies, softening the sclerosis of a raging carat, being or not defensive of a judicious Eggelos in rocks of fortune...! Only if you have to restrain yourself before they exceed the rate, and of everything that stops you and greases the cranks of what is not worthy of rest without a deponent cheer!

I urge you, oh confreres that your streets and stones expand like runners and cobblestones that have never been able and never will be able to pass through colonnaded atriums surrounded by those who live in Smyrna! And from there I exhort you to serve your faithful hoarseness whose rest adheres to his unconscious reality... Where then only laughs the annoyance and its ominous deities that carve defenses that are arranged for him to house in Skelos or of the legs that are born and die on his heels...? And from where does it only lead him to the vault of the mystery that lies in his opportune vow?

I will mention to you when no one ascribes or praises you with compliments that tempt the supine harassment of whose silhouette it is not, and that it is only the Selçuk catafalque, where the chapel of its neighbors and rye burns that divide the age of the Duoverse, leaving him desolate if my verses disgust those who have secreted and listened to my unheard reflections... Yes, you have to hide in burial mounds that descend from heights that are unknown to you..., you will only have to unravel from your baseness and fading scratches of the factions, with ties and dizzying failures from which Olympians survive and without crowned laurels!

Everything is already commemoration and mischievous funerary daring with portable fluorophores mourners, dressed in crowded slags elongations, and slants where nothing can grasp it of prosapies and past or subsequent lives, where its spits will be of the advantageous parallel that is noticed of a Mycenaean mob. What decorum above all in that setback, that only sees imploring, that they stop behind everything that protects them by the force of the black aura, that hurts and that devastates their vibrations in the triggering footsteps of Alikantus, “He who has hearing and not words that he hears what a stained glass window is in all that he knows and reflects it ”.

What was devouring you by the ardor and his horse countenance with his swift piercing in all that this crusade means... Loading Aerse finesse with herons to tie and perpetuate only those who must not be lacking..., before the supreme preference of a man who errs more than a god, and who was the gift of a PanHellenic fiddling with thirteen shady places, lacerating everything that inferred him, and everything that was an intruder from the earrings of happiness hanging him like an azure earring..., all harassment coming from Smyrna Towards the iridescent Nimbus of Patmos for the puzzles of Pergamum!


Elegy III

I can call all twilight nights princesses in Croesus's scolding, between floods where pseudo warriors who expedition before me, and undivided in Alexander the Great where everything comes from him hiccupping with the Chrysanthemum of Cyrus and Darius. I can make you Persians again if all your history bustled between comfortable Zeroes! And if this besieged crossbow circulates faster than the treasures of Pergamum... thus it would flee with legions and Talents that surpass the treasures of Heaven and its contingent consort.

Third episodes to my teacher Saint John the Apostle placed him a few hours from the Aegean in the lower parts of Pergamum, whose Trojan sons I tell you that I follow the course of his dynasty, perpetuating and touching the scaphoid and serving him with the Lutrophorus! Oh, azure comes with the team of oxen from Thrace that guaranteed the Theologian, and the treasury of his holy angels for this entire mandate and go walking your tired feet carrying the ghosts of Lysimachus? Of your own veracity naming them kings who will truly serve his laudable reign!

I tell you that I have really learned about this and about my own custody that speaks when seeing the victors and the vanquished pass by in the fragment of Ephesus overflowing with despicable arteries of Pergamum, and buskin that was not worthy of a scene of tragedy; between jocular that captivate Jezebel and syllogisms that slice the servants and their harvests. Oh, what a bag it can tackle if they are the dreams of a demigoddess of Sambate, believing to ruin the journeys of the Apostle Saint John by a Vee that unites my own oppression just being in Pergamum very prone to the fourth letter of the Apokálypsis... if these hermits they are confused with my discredit!

In the Symposium Journey, I saw the bewilderment only in the fiftieth fight after 331 BC, since the retreats of my brother and Lord Alexander the Great, dividing belligerents between Lysimachus and Seleucus lying in 280 BC! Behold, I tell you that no novel has to say it... that daring and ****** sleeplessness will be understood with parapsychologies, Magnus battered in blood and having to condone in life the thirtieth cosmopolitan station that will wander without string or staff, only in realms of horror!

“Protervas works repeat from Balaam, perhaps in perjury of those who are not devoted to the ancient expertise of Elijah and idolatrous pagans on Mount Carmel. Days of full consent have decided me to be the observer of an inferior garden no greater than Pergamum, with finery and gibberish of a roasted Faith, and of embellished offshoots that are of the miserable Asmodeus. I tell you that I know of these vicissitudes of tremolos and tarsi that are exuberant of the supra Hellenic Maximus of the west and the east, defeating victorious incredulous who believe they see my retreat from someplace in the west of the Aftó and the east of the Dyticá... all from here henceforth that is not sullied by troops of the Phalanges, they will supply the desecrated foreign troops...! With Roman tropes, levies that will liberate the tetrarchies, the libatum, and their free uncontested successors, repaying Augustus' fratricides and Caesares in the insectary quagmire!

The ill-fated awaits the exquisite court that casts fateful offspring, none attend the charred Symposium and the burning broth, being insubordinate to Parchmentians and aristocracies that get tangled up in the rune of Leviathan, far from a so-called Lord Abraham gifted in the circles! of the power of Yahveh assigned by the Father, and the sleepless sleeplessness of a son, who does not expropriate in wanting songs or children to sleep awake! That makes them consular! I have been caulked in the excuses of Ephesus and Smyrna, where the Hellenic and Roman are lost in the lavish gnosis of a doctor, rub considered among thrushes and blackbirds lacerated from the other infinite... in the absence of Crows and Sisellas dying in their enormous sides and the hemicycle of the Mashiach!  

“Everything that is promoted after the beginning and that was never started has already begun… where the corrections have diluted what the river conforms to the edges of the Silinus, with silverware and Gobelins that are made holly in the refined hands of a maiden. How will I not manage your anxieties proportionate to their sets, if the feelings are greater than the last floor of Babel... and if I had to descend one more, it would never resemble the graceful hands of a maiden talking to me about the next prop? What says more than the plot and its new, different breeze in ****'s indissoluble totality; subsisting with his carpals and with those random scraps of cloaks in the hydromel freshness that the Lord has entrusted him to pour!

What neat heights and challenges I have given you with light half-locutions... that flatter in the acrobatic gazebos of Demeter! With the following high-pitched white dots that are probed from the sunset and the desire of Athena Nikéforos, with travertine arsenals that are the tingling of an Elegy that flees from Pergamum with her feet incinerated and prostrate! What lack of ornament speaks to the adjoining trepanned ear, devoid of ornaments longer than vast, and wider than long when reaching the limit of Thyatira where Attalid kings and ants await me who will carry on their backs the rubble desolations of Pergamum!

Elegy IV

As you have offered what stops me to think about all the horizons that are guarded by agons and Kerveros, what virtues will they make of those who are dispossessed of the rescue and vicissitudes of the underworld of Thyatira! What has to intimidate the senses if the doors are for those who have never possessed a Soul... What has to dispossess us if the soul matter is Thyatira under Akhisar!

You complain of being moaning inks of arid lands where rivers are tributed that have to wade through octogenarian routes, holding on to the necks of the obfuscated Kerveros, and of the henchmen who trembled by the vicinity of the extreme of Mysia, whose urges released elements that mixed with river shelters of the Lycus and the navigable ones of the Marmara! I must point out that the elements are cliffs of Hydor that sink into the seas of Mysia.

That I must tell you of a formidable strait that tried to possess Heles, and that I went to the lower point of its flow to rescue him! That the formidable flash of Pluto infringed what was flashing in pro-Kerveros, not allowing Hades to enter Heles..., that formidable daring would be done if Heracles had twisted such a destiny by allowing it to enter, Or what death throes of the earth did not take him through this darkness where I mostly saw Venus in crimson eyes, rather than borders where the speed of light of their gazes welcomed them with their beings called Mysios?

I am Vernarth and I have arranged that Thyatira and her shallow wayward Nymphs shall rule me in your rod and go with their swifts, hoarding fine silverware that will shine from the heavens, and offer the worthy brotherhood by statutes that are controversial in the friendship of Arganthone and his I wonder if by some hiding place I have to see the black string of Jezebel and supposed regions contrary to Bethany. What a brave ****** has to dominate in full preservative principles, called from where they were punished by the dogs, thus allowing me to purge and follow advances that cleared the way to Mysia and Thyatira. Be clear that the insurgents in this region were chasing my Lord Alexander the Great, and he made the floors of Mysia tremble by crossing the Hellespont where my Heles almost had to get lost in the sea of his senses..., make me be the Ionian blaze that never it has not ceased and will not cease to burn on the Seleucid headboards!

"That you can see if the Lycus and Hellespont are from the same tributary, which hardens its waters to make a firm footing to the steeds and Hoplites venerating their gods and horsemen, seeing my teacher Saint John piously riding on the pagan temples stoning on stony tombstones with the interstices of the New Testament that offers the sacrifice of the Areté, Or of the most excellent eloquent alleys and sacrileges challenging what must never be glossed in the functionality of the file that it is urgent to define if I have died or never Die "

What capital letters are to be taped from the others that are from the Areté, and from its prominent fertility that rehearses the postulates of my Purgation? In everything that is prophesied in the ruggedness of those who boast that they can wander forty millennia with guilds that gather their litters..., all of them doubtful and giving rituals that owe to paganisms that were colonizing Hellenistic nuclei and my help..., closing my Hetairoi's pectoral tail, and then forge more confreres than they ever were.

The regrets of my teacher are scarred in the science of the Lycus valley, as Christians who grow with their sons separated from their daughters, and from the debtor parents of the metropolis of Thyatira, what fortune to be spared if the damages are greater than the reparations, And of the various secrets of the staining of the sky with its purple oblations and antiquities that refused to the progress of time, being discolored by the Adom and the Red blood cells. Here is where they flow through my arteries circling the hills of Messolonghi's Koumeterium, with natural basilicas that smoothly whitewash the candor and licenses.

I tell you that I know this is what constitutes the forge of the being that is capable of leaving Hades alive, do penance together with me Yes...! At twelve o'clock of the full moon where we become fierce Eleusines, since Battles more than hundreds of all, and we will know if we will be children of the Kerveros or Kerberos canes custodians of the inframundis who discover us like fish and cormorants on lagoons that run through us mutilated... which are decreed in the ecliptic, and in the stratum where Thyatira sleeps under the meters of Hades and Tevel, several meters from the underworld passing through its lost Shemesh beyond the western… under the hulous ecliptic of Akhisar!

You should not fear the suspicion or the courage associated with the three heads of the Keveros, because the three of them brood with me in the same way, for when I run away from them and they feel my loneliness...!, Each of their heads think by themselves, but the gentle Levantine sea is arranging them were groups of stars that are rubbing and washing their ******, prone to marine monsters that dress the mane of the humpbacked Hindhead of the Cerberus. Knockdown what nothing is born of damage and that is born of its permanent movement if the beasts are men with strings of impious men that make their portholes enter more light than beings with phalanxes and armies that come and go... being portals of one eternity from where Etréstles comes with his weary stride.  

How can you tolerate that the hands stained with some Tintoretos splash my Himation? And what is still chromatic with a caged torpor, is the Himation of Theseus that revolts the constellations of history that began from the abject sinkhole, fading the virtue since my sacrifice is offered in the religious and its offertory. You know that I have been able to walk through waters that are solid if I put my heels distillates in classic sounds where they are written with the latent prawns of the Aegean! That you nurture a past that hangs from the immediate future with sacrosanct pilgrimages inaugurating hybrids lapses, and classic smithies that distance themselves from Hephaestus and humanoid persecutions that could be undertaken from a section of the new period, mixing darned meat that is released from the principles of the Energeia, and that they sway in the millennial dizziness of the Olive Tree Bern or of any fistula that would not cease of prosaic oracular ones!

Everything makes oracular sense since my prior agon and his lingual accent deny what I will not reach in its sacred connotation, but if its secular insertion to create the deserved and victorious dew that falls and will fall from the bilge of the iridescent nimbus. I have deposited from their marshes where nothing already contains them..., only a pure divine light that is confused with opposite festivals of lights of an unknown victory that was not always mine, but it took light-years with its traveling mass to reach my thunderstorms with treacherous gods who did not allow theological musculations and derivatives of being refined to emerge from their extreme internal and external beauty who prayed for me, entering their Seventh Heaven and then with the Merkaba doing its venerable kalokagathia; or prototype that does not fade every day to take hold of the inner and outer beauty of it, the fruit of the Olive Tree Bern and the countless algorithmic winds that could be counted since I had joined its Falangist ranks!

I know that four Seraphim will have to take me and that your Charioteer will medicate with thrifty speed from where the day dares to attend me with real locations in the Andromeda wagon. It all to dig into the dark and bizarre hollow of my wound knew that it could have been the Holy Spear of Longinus...! What could happen if my chest did not stop bleeding from the indigo and crimson of my Dorus?

Elegy V

You must feel satisfied with the erected statues that were made bearable on the basis of cults and curative powers, but not of precognitions that were the object of Sardes since she was nearing the penultimate station of the inverted "V". The satyr's stratagems of 476 BC were congenial. And the pilgrimages to it would destroy the entire sacred precinct that it once presumed to be!! Theagenes of Thasos resorted with all his strength to move the stars and his impassive silences, seeing that Sardes was becoming a courtier of a network of unarmed victories that were never for him, but for pilgrims who roamed the roads surrounding Sardes. Oh that more crowns of him exceed fourteen hundred, if only one more will suffice to access the investiture of the Himation of my departure!

Continue along the Pactolo River and you will get entangled with vegetal lines on the northern ***** of the Tmolo. Know that Proserpina runs through the flower coffins of the autumn dead, that Persephone makes her shudder in the Ionian polis, and that it will be if she decided to do so, if Aphrodite captured the Cimmerians who would plunder Sardis, more than any voluptuous! And despite everything, it would continue to be a satrapy that does not lead to Patmos through Xerxes who still burns in Hades in the haze and canine of a Kerveros!  

"Follow those worms who claim mesnades with more blood on their fingers, and there is no doubt that they swirl in Pergamum with more blood than their creeds." And that of those who survive in earthquakes and typhoons that stand for generations of the Conventus and an agora that only relapses in Pergamum and in desolate legions that only devastate, and are built on ruins that they praise, just like Thyatira suffocated in Akhisar. Do you imply that the battles of Alikantus strike the silica plundering tyrannical idolatries and sacrileges, ravaging only hapless evils to come and unrecovered pious revelations from Byzantium? I know very well that Alikantus is coming, I could even dare to say that he is coming very close to the fortnightly reclusive citadel of Sparda..., being able to hear that Alikantus is riding from the ready insolent time and I even think I see that he is coming alone... and that Zeus he went ahead for necessities in the barcarole of Charon! I know that matters of the underworld are palatial stews and prostitutes that flank in kettles that announce tinsel falling from the apocryphal clouds and the adjacent Iridescent...!

Like a helical serpent, everything that my dimension swallows is retro-translational with turns about my own age that is not the deed of another than the axial one that vomits imperceptible years that are not memorized and that deal with each other with the ruins of the dogma of Sardis. Come Oh granaries and settlements that squander synagogues and compendiums of ****** ruins, whose altar is exploded in liquid gold on Artemis's hair in Hellenic theaters, where nothing remains, only traces of olive roots that kindly allow them to enter through its cracks. But what did scare the enclaves, if seven churches fell scattered from the corollary of seven manes that only resided among themselves, differing primitives and incisors, nailing their rapiers into the dead Sardes before becoming an Apokálypsis! In its seventh season… I Vernarth revive her and ennoble her from the secret day of her curse, as she says of herself to survive on her ruins, not as akin to Thyatira lying asleep under Akhisar's holocaust!

The images will be there to bring you in my arms, believing to be myself who brought myself spacing and surviving from a fifth posthumous church..., to save my fifth life in Sardis, but far from the Barcarolle del Charon, eating roots that were attached to the keel in case they poisoned my soul..., at the same time as a failed levitate that would solidify like the crest of Thasos, throwing draconian and grotesque seas that within me asked for a license to revive. Everything was whipping on me wanting to be Theagenes with lugubrious ostracisms that from now on should be cut and sliced into parts of my coexistence, leaving only the pre-existing erectness of me..., except the head that impelled me to take the extrinsic path of Hades with distinctions of a cult that only worked in the hands of a Patmian victor, all by counting one by one those fragments of the victorious minute hand of 476 bC!

The city woke up and tried to ***** obligations that were imposed on them, to remove like polis around a sacred precinct that was proud as a bond of centuries that are of the androgen of centuries that are forbidden from millennia found in double eyes, ears, and nostrils. Which was scared away from inscriptions dating back to the 1st century BC thus I continue to establish a superficial status that did not replace any similar or equal future, which is governed by forty-four victorious miracles and all parallels that establish what surrounds my mortal outer clothes..., as well as perpetual belongings and internal endearing to be created from its probity..., even at the end of the factual powers that succinctly stipulated a Zeus, who would be trying to imbibe himself in the possession of a great competitor who will sacrosanctly raise the arena of agon, allowing me to overcome by not ringing the chime of the Paidotribo or the tutors of impulsive eternal effects, and children divos like Raeder challenging the maximum of the stars of God and his contenders! I tell you that I know of these assertions and that the keys are not left hanging, nor will they be prepared to their verbal agility so that they can be taken off the hook and startled to open the Homeric heaven!

Disappear shady Kefalonias or those heads that are empty crypts in me...! And that the children are greater spirits than those who are not without heads who will spend the night on the east coast, where all the burning days are seen as snowy scarves moving from afar..., together with my Falangist militias who do not stop I have to move their hands and his siege with four encirclements of princes. Behold and hear... what I declare to those leaders who raised the lost darkness in a fortunate Kefalonia that tried to adopt seven churches, but not in Sardis!

As you have noticed… the edges of the "V" of Lacedaemonia are already being touched that come out through the stephanite competitions of the interior and exterior of the Kosmous, and everything dies metallic and with stale stenches granted by the polis and the winners! That specializes in the divine gifts of each submithological deity. You realize that the education of appreciation is in the arena of those who propose you wise tyrants and ignorant democrats, who bind the diet and pantry of those who promote great value at the expense of models that, are impossible to fulfill. Oh, that underlies the organic unity with the appearance of a soul that is vicious meat of bait, and of agonistic parts in the fringes and primal that fall from Ephesus and from the tip of Thyatira hanging like vines from where the true god of sin is born. unconfessed!  

Oh, what a diatribe for those who triumph in the land subjugated to the departure of a triumphant of life over it, and that their high dignity will extend beyond life and lash the decadent values improper of piety before the Mashiach that will be there! to rule us! The cults and the first ones that do not reach their contemplation with a soul that lies of useless pleasure in the suburbs of Euripides. What do I say to you that I know about these struggles, and it satisfies you more to drink with Elpenor falling from the staircase that was not on dry rubble, nor of harlequins who avoided the string of their zithers on and under the formula that makes contain the ethyl with the mean to say...; "That one day he was in The tetraconter Eurídice, and that the swordfish was his desire to beat bites and pots of wine that we have drunk for millennia together...!

Who could or will refute it, I tell you that I know about this, because I narrate what I write and sing his first fall near Circe, but falling on my arms... and from here I take him through the strings of Sardis when his buoyant hologram enters for its main stained glass window, taking us from Aorion very close to Barnard's Loop. Hear that I still fall hard next to him getting drunk together in Eleusinian mourning, free from buskin and funerals that are not the best friend that appears to him, and unless they combine us both with haggard browns before leaving the island of Eea.

The torrent of the Pactolo crosses our heads with its trunks like a sophistic beast... also penetrating my harangues from the Aegean when the pale shadows of Sardis are drizzled with third-degree liquor by the ancient pinch of the Hermo, a tributary that sadly hopes to wash the impious feet from Elpenor and mine. "I do not mention what I never tire of defining, that nothing and no one will hear what a voice would sing to a drunken ear, when its abstinent drops of mead are incubated in aristocratic and Hellenic ethics of my youth that stand out in the lips of Apollo and with telling you Hoplite angels who are more decidedly than learned Greek-ignorant, who do not know what it is to die from being drunk, even beyond the Elysees "

Elegy VI

The youthfulness of the Kosmous was defragmented in the inevitable..., leaving important men to take care of the darkness that was only spoils of themselves, on top of the fierce flames that still continued in the competitive souls with their glorify, where another tradition began to break out of the subtle approach that was attributed to Vernarth's homage, as an inter-Patmian genre praising all that is whole to conform the individuality of the holistic whole, which is not yet consumed by the flamboyant and immeasurable images that expanded in times more than what a Colosso from Apsila is, or a thought that forges ophthalmic trifles. I must tell you that denial is a factual point or hindrance in the denial of skepticism and the subtle embargo… if it is not moderate in the face of crowds!

I believe that summers will trigger the passing of Kairos in all the points and means that make the Sun's degree retroaction insightful, and less than what makes a divergent moral behavior, only endowed with the finesse of applicability, If you declare yourselves visionary **** like Critias! If you are in remixes of the Hellenic universal global warming! I want you to know that the warming began from the Kassotides when it was closed and from there d the abrogations abstracted by the Pythias... If from their ocular cranial and the Kosmous that became opaque, and deviated into the tetrarchy or leadership of the four Cardinal points! Oh, what kindness must pass from their semicircular flying buttresses of the world when nothing falls under their orbits... not even a segment of Patristic light the inevitable will be to ignore what falls under the sphere of the world and what rises to his own, from where Ha-Shatan does not pronounce himself in the nubile flowers of Eden!

The Apokálypsis groans, rolling up its sleeves in Leviathan's pouches, reviling the bends of Philadelphia and its Delphic oceans! With requisitions of verses that do not have and will not scribble on the trailing lines of the serpent that wears jewels that are not of this world, but seek whether to fit them in appendages and on the necks of future martyrs. Or bags under the hocks of the serpent, you will see that its optics are in the wrong and that it blows in the goodness of its victimized ones!

Brotherly love was announced as a final omen, Philadelphia was praised in the Ecclesiastical, where everything mellifluous was civil property and each eye would be the same as it will observe it, it would be before the later and the inferior of the superior of the grace of the Lord, in ethical outrages and tribulation spells that sweat in open fields far from the Dypilon, closing the opposite gates of the darkness of Sardis and Thyatira! I tell you that I know in this icy way of seeing how nothing was nothing more than the revival of free will left by the cobbler's caulking and the keys that will open and close storm doors, that only the golden hand will know if one will be a carrier or not. of new hardwoods.

Hagio is real... and what closes and opens his hand will be a guideline for what does not open and does not close! The key of the Angel of David comes from Patmos with a hatbox that proves who is capable of warning for all those who are capable of sustaining the aura of the Mashiach…! That through narrow mountainous areas they will sow the temple of God with hosts from Jerusalem.

Leading them to the valley of Cógamo and soon to the simile valley of *** Bei Himnom and Hermus himself, where everything happens and everything is nihilism in the mainline of the passion of a loved one in its secant line and of the great inverted "V", and its Monarch Attalo's constrained ties and his deliberate missions that collate the penultimate station of my Elegy. “I am Vernarth; My fraternal passion makes these seven churches only one, each one in my Opistódomos... where perhaps I will have to ignore their lustful language of Lydia and Phrygia ”all are my rivals if I do not follow the honorable mention of my Mashiach and all his subjects, who are mine and I theirs... I must confer that the letters are conspicuous literature that escaped from Smyrna, and what vanishes from the lay verb that becomes all the bearer hands with their punches, which are keys to the openings of what rises parsimoniously and falls equivalently..., and what becomes absolute of error and its restrained evil "

My attributes are the Sun that separates from another section, which is the Venerable deliberator of one who is still attached to the sacred. You must stay away from dies that are typical of scalding nightingales that have steel legs, and that if they were from a Hellene, they would be the copy of "Alezinós, which is True and unconventional", everything is manifested in the best arrangement from where I can install my head on the best flank where everything is well accommodated, and what is symbolic in the authority that is finally of our Mashiach, supplying with King David every twenty-one kilometers lamenting, and spilling what he loves and cannot contain in the caverns…, if I know that they still remain closed for prophetic fulfillments, but if all those that the universe will dare to open soon in the paradises that are pertinent will open, which are from the bias of Isaiah sprouting from himself!  

You must understand that Sybilla's electorates will be kidnapped from the anguish of a famous attack, and every prophecy that makes us live in the transparency of the entire material world and its monochord sense that unites the earth with the Kosmous! Oh, what space between everything that is unspaciable will be able to reverse what is arranged in the upper fraction of the rope… and in the omega that everything makes her feel the last sob…!

I know that you know it..., I know that you will miss it..., and that the last day of our Kosmous will come when the Mashiach makes us wake up with the gift of the hexameter, that everything will come along long correct paths, whose streams of the paradisiac Hydor will come from the trance of the last cycle, the last second-born and the last interval where everything will be the same fractional time. The advent of this period of great apogee will give us the intrinsic poetics that seems close to the Dies Irae if Tomás de Celano tells you like this:  

“It will be a day of wrath, that day when the world is reduced to ashes, as predicted by David and Sibyl! How much terror there will be in the future when the judge will come to make strict accounts! The trumpet will sound terrifying throughout the realm of the dead, to gather all to the throne. Death and Nature will be amazed when all that is created rises to answer before its judgment.

The written book will open that contains everything by which the world will be judged. Then the judge will take a seat, everything hidden will be revealed and nothing will go unpunished. What will I allege then, poor me? From what protector will I invoke help, if not even the righteous will feel safe? King of tremendous majesty, you who save only by your grace, save me the source of mercy. Remember, pious Jesus that I am the cause of your Calvary; don't miss me that day. Looking for me, you sat down exhausted; for redeeming me, you suffered on the cross, may not so much effort be in vain! Just judge of punishments, grant me the gift of forgiveness before judgment day.

I sob because I am guilty; guilt flushes my face; forgive, oh God, this supplicant. You, who absolved Magdalena and listened to the thief's plea, that gives me hope too. My prayers are not worthy, but you, who act with kindness, do not allow me to burn in the eternal fire. Place me among your flock and separate me from the wicked by placing me on your right.  

The ****** confused, thrown into the bitter flames, call me among the blessed. I beg you, contrite and on my knees, with a contrite heart, almost to ashes, to take care of me in the end. It will be tears that day, when the guilty man rises from the dust, to be judged. Forgive him then, O God, Lord of mercy, Jesus, and grant him rest Amen"  

I Vernarth, call on you to tear your hearts beyond the last door of the Elysees, the apologies will divide what is like the last syllable of salvation, tomorrow we will be primal feelings of how or which selfless person has to tell you that we are all children of parents that they will always live beyond you, and that the ****** will fall into the bitter flames, if everything is the end in the contrite, make tragedy the daily bread... whose brands taste like the spews of the first registered individuality as bread and healing body angelic, which allows to protect it..., but it remedies the entities of the Garden!

“Among the red mists of Philadelphia, Ha-Shatan's gall lies lost, believing that he has to be a cape of rest and prostration so that the empyrean will grant him rennet and singing honey in his shattered hole..., the typhoons will ignite with his ruse and what expires from the seizure of an unhappy particle emptied by the idolatrous hand. Make the adversary time the habitation of the world that will impiously be infected with the cream that is made the opposite fraction of a vermilion mist, that walks with pride among hostiles when ferocious satiety of God occurs. I tell you that I know what I am saying and that there will come an end with a non-existent verse, or rather held in the arms of an Eggelos asleep in my arms, with Justin's milk teeth from the disturbed circuit breaker of the catalectic verse, which is rolling on Patmia swing doors. Oh, flints of Alexandria, you will know how to illuminate my scrolls and the Canaanite palenques, you will know that Heylel is like a morning star marinating milk with gunpowder and harvests that plague Ithobaal of Tire. Oh, culminate Zoroastrian who sneaks through giant camels and hers King David, very close to Bethlehem, very close from where every angel-like Heylel moves with cloying feet trying their traces from a crushed Latin voice. Both tanned by the rennet that strikes their stomachs... with the vigor of blood, and falsetto between muscles attached to the back of both, I tell you that they are "Ha-Shatan and Heylel"

Elegy VII

“I propose to you a Vulgate and mutilating calamus in the blood of the Mashiach, that would be born here in the metaphorical festivals of the Himathion in my own geodesy, and of all that has been thrown on Gaia and hers Titans of her. You will see that I have learned to walk with lacerated feet and mutilated arms, headless and no apostille that says that my brooding no longer exists in her indolence about Me… the darkness is Laodicea; where it rains the shepherds who by unknown wisdom capsize before the Gods that are to come, all of them from the crippled sky through passages of time, rickety of their colonnades and acroteria that all alluvial splices, where the needy will provide to eat sap that they will recover from their powers, with black wool from the cops and nests of Heylel, and from the under-reigns of Pergamum with annals and diasporas in less wealthy hamlets, without hindrance from the Spolia Opima as rich spolies or trophies I will be reborn, referring to my Aspís Koilé, with blazons and other effects that a general of ancient Rome kept as Apollo's laurel, now I will dispossess them after defeating them with my hulous hand of eternity, incontinent to defeat them with my legion in the Battle of Patmia, and the Triplos Kosmous  Lymphoma "

The Zoroastrian radicality will have to carry out wanderings and limits when nothing was ever to begin... and what becomes noisy in the face of evil ingenuities will make dualisms that polarize the influence of making the day only darkness, and for the faithful the light of day when they were summoned by Ezekiel, and that he must know better than fragments of the day that will contain the night and the portions of the night, the light of day and the resurrection, which is based on eternity carrying the Mashiach above all the infinities of homage twilight that was expiated in chiaroscuro..., thus enslaving the stunning afternoon, which departed from trances in earthly conjunctions, where the usufruct by the Kosmous exorcised the ages that are subjected to its heritage of commemoration You must know that the power of the night about the day as a possession that bills rows of apprehensions that narrow your transit without repatriation...!

Tenure is an inclination during all premature periods, where the day is not ascribed to breadths of unconditional freedom of execration, cruelly leading to the zephyr of the Thuellai with granules mounted on the Malatia, and frolics that engender the life of a Pallid! Superstition in what appears as a multitude of fallen bodies, but without a contracted soul. "Make the even potential morbid that repels the horrendous and terrifying that persecutes the most praiseworthy and kind, who abjures that not everything is good, but rather it will be charitable and you must make efforts from the haze of Theosképasti, extending the relief of not to be classified as a non-living being when it comes to dialoguing with the shadows of Horror!  

The convital substance became too annoyed after counter-vitals that are nothing more than the apparent substance of my speculations, under all the powers that are faithful to it if they make me possess the cosmo-vice of everything hyper-ethyl and of its tempting. Since the cousin and puritanical elixir is disseminated throughout the air that is no more oxygen like a calender that does not bear the vileness of his captive servility, and of the feet that subdue him in the three claws of his shadowy darkness! Oh, what new light will it make of awakening with the preceding light that speaks of genealogies and native ceremonies where evangelical surveyors raise the leafy, that from the dark submission and the unethical fear make us weak martyrs of enslavement of the few frigid hordes and warm Laodicea!  

If my strength is to shelter myself from impudence and Hellenic-Hebraic transcendence, it does not express its ministry in all the children of Hashem, as captives carrying the constituent seed of the perched hands of the Calandria, which despite having wings she is the spokesperson of prophecies that do not have tangible historical records..., you must understand that the Calander has an autonomous and leading flight from Tuscany, but its flight radius is more than an eagle without stopping in those invisible spaces, where the legend can only transmit it..., although someday there will be no birds in the only begotten sky. You already know that I have carried chiaroscuro for their glorification that surround me..., like all that imperishable possession in cycles, they are coupled to cruel and fateful destinies, but always towards an end that for the most part becomes apprehensive of the intellectual aging verb, where their mysteries and they inhabit disembodied contents of the identical globular cycle, where the prostration of their weary skills and wrathful doors will appear from the last eagle that was seen flying free in the hands of Saint John the Apostle, and from other non-resident farewells by their claws of the Gerakis. Why not the Ceremonial Katapausis in the Profitis, or the metatarsal of the eagle that carries last discharges of discouragement in punitive inspiration, if only the calendars free man from captivity, and of unquestionable eagles in the fires of exaltation that will be able to bear it being seen as a figurative immune from Ophel, and from all the images of the supra existential world, containing volatile images of eagles for all purgative humanity forming heads that vigorously face Ha-Shatan and the Iblis, being more than an erroneous translucent figure of the angel ****** and of the perpetual fire of the incorruptible Calandria of Hashem.

“Without regret, I must tell you that the roots of the infinite began to be lost from the pieces of clay that were or are part of Yahannam's credulity, from here on from the dry and solid clay, making the genius of Laodicea one-sided with the hail of springs and of clouds that never stopped ceasing, thus in this way, I suffocate my burning hands that obeyed forces of more than ten newtons due to the miscalibration of their mass and the gravitational force that the Mashiach who converted from his incorporeal angel's geniuses. Make of fire and light your clay that is made homogeneous with liquid ozone, so ****** will come from paradise designated as solid ozone, replacing the negligent potions, which have not been able to free the divine light that for three years has been badly shaped, and have deteriorated only hundreds of the seven hundred pages of Vernarth's Lent, until today that his personal aptitude is questioned in the bleating of his sheep, who could move the fragile leaves of the disembodied forest with their nails, reciting regrets that would relieve the engraved feet on the limestone liquefied and muddy, where they can only emerge before all the dungeons that are collapsed by newton on his scapula, pouring out the expelled sighs of the eternity of the Ohr Hassadim "  

“Observe that cleaning is delighting in the grandiose erudition of what leads us from our null point of existence to the risky point where our objectives bring us closer to our sustenance; So what is Ohr Hassadim…? It is going towards a posthumous desire that thickens the light that emanates from our null point to the widest limit where every human race receives it from the great flow of Hassadim "or purification that is cyclically generated." My beloved readers who speak are the origin of all ignorance, and what is contained in the body purged of it is the unknown revival of a being that instructs itself as the Perdita Mundis or Lost Mundis! " The superabundance of medium prophetic and philosophical biodiversity creates paraphernalia and cavities where no head fits in the earth that have been honest to receive bodies in its mournful abode... makes of its benefits the great desire to receive the "Kli" so that Let us enjoy abundantly from the transparent cannulas of the wattle, which will make the Celestial Hydor fall, and the Manna that will sustain plexuses and eternal insurrectionary souls from the starvation of those who sob absolved of their soul, more than in its very spectrum that is filled with rootlets and clipping, which manifest the desire to play with drops that fall colliding on each leaf, and then fall into our mouths when they are satisfied manifested. Azure water, and nothing else if I want to live or not! Of that blue water that will fall on our mouths and will satisfy us with anxieties and fears that become imprinted when we are fed up…! And from the Manna, which will come with dissimilar entities, even feeding our soul that must also feed on the Iridescent Hydor in a swift vessel called Kli towards Samos…!

Elegy VIII

The eighth and posthumous baptistery will overwhelm all the mountains that became more exalted than all the peaks of the world, showing that the initial date combined the essences of the absolute with the "V" that began to turn one hundred and eighty degrees to the right. “I, Vernarth, have conceived the other being that will detach itself from myself, lying in the Kli or inverted vessel, on all the higher levels of the Ohr, even in those and all the Solstices where the face that makes its materialization is scarce, up to the Xiphos bronzes that would evoke tons from the Speleothemes that would gradually become implicit in my body, taking root more than the vital unfolding that is in my other sub-iridescent body. What is my soul united to the invisible creatures of this world? Take hold of the dizzy that contract in the wind tunnel of Profitis and your Codex Raeder, in what completely makes the ascent of its epitome by its golden steps, leading me to the occurrence and recreation of myself, but with plenipotentiaries who press in Gethsemane in the trepid angles of the Kli "V", beginning to ascend to Keter!  

“I must tell you that soon the Aurion particles will enter through my septum where they have to depart through the nasal pyramid… and that delegations of hoplites are already waiting for me and will return with me to Sparta and all of Greece. And with a Kli of endangered earthly and macerated light, they will be essenced from all the grasses that the calenders by descendants will make at the end a new sprout within me with my Golden Alikantus. The expansion of my light will expand from the radiance of my burnished steed, leaving within my identical hexagonal torch that will make the multi-spiritual thought of its same influx of light into the munificence of its newly created light, it will be from this constraint the Ecclesiastical stele from Ephesus to Laodicea accompanying me. ! If you watch carefully and take your hand out at this time and I peek through the rose window...! You will see that the magnanimous world is established and is going to receive you next to me, lavishing the herb that makes its clothing that shelters our body, and its own light reflected from Aurion itself… "The profound Light that looks from the candid domes of the Seven Churches to the vaults of the Ohr Hassadim, transferring to the sub-Iridescent Mashiach, but contrite of the total immanence of the detachment of its divine light to deposit it on me..."  

Therefore, when both are together, the greed to receive is canceled in the Radiance within, and it can determine its shape only after the luminosity has departed at least once. This is because after the departure of Light from the Kli, he begins to yearn for it and this greed determines and establishes the form of the desire to receive. Consequently, when the dawn is clothed within the Kli once again, the two are related as two separate notions: the vessel and the Light, or the body and the Life.

Observe this carefully, for it is indeed very profound. And soon I have managed to describe the aureole of Hyperborea with the radiation of the Eygues bringing Wonthelimar; Well, if you know how to pretend that you are certainly emanating from the double V or W, which make up your round trip from Ephesus to Laodicea, and vice versa! You have already managed to understand that the diploid round trip of Wonthelimar emanated from two consecutive Vs, making the spin of Wonthelimar carrying its quantum particles of it and carrying with itself the quantum number of the fifth courtyard of Helleniká which is 5, but represented by ε´ raised to fifty, that is; ν 'which is the value of fifty Hellenic. Thus the spinning spin of 5 to ten times its unit will be indicated, as you perceive many dreams will be discovered where those who wake up will never forget that it is this sub-atomic elementary particle in the episode of contrast and extensive change in molecular physics that will lead Vernarth with him in his heart or Kardiá, which becomes effusive in his multidimensional quantum.  

“I have managed to understand that the rotating spaces have been aligned with Wonthelimar, and what is divided in the angular will reflect the mental image throughout the aerial imaginary geodesy of all Hellenic, generating the sidereal coordinates, leaving the intrinsic nakedness of all embryonic forms that it is a sublime mirror of the nakedness of the sidereal chromosome of all humanity. As loci installed in the shank of the Pythagoras monochord, but making movement the tax of certain movements that are more than anything else links of kinetics and gravitational emotions, making the mechanics of the monochord the analogous value that generates the signs of Ohr or light. Pivot at the omega tip of the monochord, raising the re-transfigured ε´ Penta in the form of A, but then returning with Wonthelimar and his Spin of quantum from Ephesus until arriving at Patmos with the essence of the “W” that will bring by essence refounded the monochord in the figure ε´ or V that will represent the quantum experiential bond, or crossing of the particle transfer threshold through the superior axon of Keter to Malchut, equivalent to the tenth compendium of Vernarth's ε´ to ν´ which is the relativistic oscillation of its final unit of ν´; which is fifty "  

Your duties are yours and mine. Mine, I will be the one who will carry the labarum to bear and admit all the tributaries of the creation of my new world, inclined in the Duoverse, Codex Raeder and of everything distinguishable in the refraction of the light that becomes embodied in Ohr Jaiá, or Light of Life for all created things, all creation, and everything that comprises needs to be created in the candles that become receivable in the natures that multiply the remnants of energies, which hopes to be initiated from the new cosmos of the Zigzag Universe and the Zefian Arrows, being the main bastion of the link between the printed matter and decisive stimuli of mercy from where the Iridescent Hydor is born. In littleness, the rocking of the unbalance of the universe is attributed, and of all the wrong applications of amplifying the Bios of a universe that tired of behaving mournfully, being children of its immortal reply...! Understand that nothing will mean more than the awakening of everything that extends beyond the borders of the Mashiach, being cosmopolitan emanating and merciful bestowal and that nothing resides in the material already broken.  

"All the modes of adaptation ended up differing in each form of adhesion within what it meant to emanate in all equivalences and from impels as fast as the buggy that carried Vernarth and Etréstles from Genoa to Piacenza since Etréstles deserted from the Eighth Cemetery of Messolonghi composing all the wishes of the awakening according to the Kabbalah of Vernarth being largely absorbed by the Apostle Saint John. Everything was going towards the kingdom and the surroundings of the Himation that awaited Vernarth himself, swallowing him with all its lights, which were even ecstatic by his epidermis, knowing that he was separated from the undivided light that awaited him in the Megaron, very close to the Opistodome in the Behina Alef, split from his expanded sub-iridescent body of the Ohr, which in turn was levitating next to him, for the vaporous reason of not knowing if his body was a conclusion or a new kingdom that was brewing before him "  

The final phase of this Elegy VIII gave the consent for the world that does not fit in the reason, nor in the thought that was already being installed in all the balusters and limestone stones that would make up its Tree of Life Sephiroth. Your soul is my soul and mine, and I know very well that everyone awaits me on the Profitis Ilias plain, distinguishing me as a whole in the sense of smell that is rooted in the gastronomic world of the Hellenes, and the absolute that my breathing with a few granules of nitrate, making them a divine cause with potassium that became despotic in living creatures that make their essence mine, like my Spirit that would eventually rescind capturing all the sodium from the iridescent nimbus in the intermittent rest and its multi-life like Nefesh!

Beloved confreres Khaire..., receive all the joy that removes the poisons that pierce tongues that become addicted to the drops as they generate more bodies from mine..., or You will be part of my Guf or body that no longer resists lacerations from swords and spears, which depart from my head and its undetectable body from the passage of Time, and from all the fallen heroes next to me…! I see how they fall into their exile diminishing what purifies the content of Advent, of its four candles, dried fruits, its circle between the hands of the Mashiach, and abundant coniferous branches taking my corporality in all the indifference that exists between cognition and loss of awareness of lucidity beyond the Advent Wreath and its four luminaries staying in the Fifth Candle, like the Fifth Chalice of Elijah, taking me very distant with all their desires to welcome and consider that under my initial "V", they will find the synchronization of the Fifth Candle and the Fifth Chalice, which is my "V" in the fifth dimension of the Fifth courtyard and in the shady Fifth of Helleniká!

As the creation, I have been imbued with the euphonic harmony of creation, from Bethany to Patmos, of all the balms that are more capable than physical receptacles within all the higher entities that are more than the unknown, and of the infinite and imperceptible! Of the essential number of the geophysical height of Delphi, close to the elevation that will occur with my departure at the elevation of 583 whose essential number will be 16 and six plus one is Seven, and the Profitis Elías is 565 adding sixteen, and its number essential is one plus six equals seven. All this makes it prevail that my soul will reverberate from the indigo lights of the Ohr, to be sent between two poles from the altitude of Delphi, making these two spaces the equanimous and providential emanation of climate change, due to the disparity between these two latitudes, But of equal essential numbers, creating the closeness of Vernarth and Apollo as they met in the Kassotides, before departing from their assumption to exalted Aurion.
Hellenic Elegies
Secrets drowning in blood
         steeped depictions,
cunningly smothered
  of familial tied executions,
heredity oft an unkind
     sacramental entanglement,
deeply rooted in
   disparaging divisions,
disintegrated 'neath ashes
      of unresolved deliverance
David Barr Jun 2014
My silence echoes across the chasms of Hades, where rabid entities claw at my soul with eyes like splintered rocks and a presence of tangible blackness.
Deafening is this sight of transformation, and I am unable to resist the aroma of tactile experience.
Unfortunately, I am ignorant as I have never metamorphosed nor spread my wings from the shell of the cocoon.
However, madness of the central nervous system is a condition which can result in hydrophobia, especially where sacramental water is concerned.
Therefore, how relative is time in this black hole of confirmed epistemological doubt?
-1-
Uneasy eyes comprehend the easy lines of the minds who dine and constantly define all sacramental chimes without a whimper or whine I decline,
To be invited reunited I decided to combust without a rush might find a crush more than trust isn’t lust tho we do tend to touch less than enough,
Belief to be discreet the preacher falls to his feet help the man stand or pass again without demand now am banned from their gospel, am without welcome to their church, reached the spiritual out come that can praise without a book.

Shepard’s crook has created a nook of who play with the for play, my forte no pay do the doomed approve, or wether sentence you to a private room where all disapproved can go loose as is pleased, feel the ease then recklessly leave believers grieve.

Feigning teachers relentlessly fail as they see their fallen students have trials on bail, as unborn babies wail no need to be ail is a chance of good tales unreasonable detail of all hail, praise the male, position fail while grows frail as have said..He bled, the sermonizer not to seem mean but he has dreamed to wean off the unseen, ruining the light hearted beam he forgets to bring.

Evangelist is common type unless it brings a bible fight of heaven’s fright the right delight a fearful night in believer’s sight they might reunite, domestic might be what we need the preacher pleads ‘Oh please believe’ we don’t take heed we simply need to take the lead and set again demons pretend all sacrilegious men, do forgive of what we do, faithful to you, do not approve of what we choose to loose is You.
the night closed in when i shut my eyes,
a blackness like none i know,
everything shut out,
a communion,
standing barefoot in the grass,
as the rains fell, baptizing me,
a marriage of soul -
mine with the universe -
confirming that which i knew in my heart,
a new holy order begun
as my path was set straight,
my past sickness anointed and blessed,
taken away
as i was reconciled to my God.
Christoúgenna parable: “from the third tusk that remained behind the underside of the Bedouin of the seventh dream, Mariah's nativity path is touched, hearing in the sieve ears of the dried fruit of the Achenium in the hemlock, near her mother Hanna who always tease the bird visions feeding Mariah's fertility. Hanna's progenitor slipped into the third parchment, being a fruit of infertile destiny not being a dried fruit, but rather of his lord that in a female a male will be born and that he will resurrect healing adjacent patients in the neo-testamentary and in his biblical canon, in seventy-three keys of the old testament that will be used to open a new crown ”. The Bedouin wrote with the drops of the sea that exuded from the compendium of Stella Maris, while this nomad brought them closer to a son in their fellow men and in the plurality of individuals, expanding on the announcement of an unborn son acclaimed Jesus.

They ran the lines of the nativity and in it would rest the arms of his father of Mariah; Yhoyaqim in memory of predecessor Imram as Hanna's father. He had wine for two in their wineskins, and in the nuptiality of carnality, for more siblings of a betrothal and of only one unpolluted and not carnal, full of Gratia Plena, as a factual verb in the Vulgate or Hebrew Bible for the purpose of whom He writes like Jerome of Stridon or just like a Bedouin with the tooth of a viper in a holy narrative of the matzo and its annunciation in its sixth month.

The Bedouin continues: “Mariah was born to engender the grace that nothing disturbs in the majesty of her heart…, it will take me a while to reach your nativity, but here I have to be before the reactions of going where my desires that cut through the impulsiveness of arriving now more than ever to Mariah's birth of the only child. Here in the foggy Judean night with the fathoms of the bush and stone substitutes, clay with mother-metal on the vegetable fibers that I carry in my donkeys. I will come to finish and rub the planks and crossbars that will support our new home in conifers of cypress and fir, up to the beams and balustrades of his coming. Cedar antisepsis and its aromatics will fill you up on arrival with cypress resin to caulk the Capernaum vessels that will ship you by the Aramaic word. Do not die waiting for me with the door open, where I will wash your feet with the gold of Ophir, which on the laden ***** of my donkeys I will carry natron to whiten the fabrics of its dressing, among any scented and refined lyes of light. With beryl, topaz, and ruby I will also seal the footsteps that reach her as far as her mother Hanna, I will continue to happen among the mystery of Simún that includes me in her life project, I am Imram, Hanna's father, and grandfather of this precious gem, who between acts they stand in the concession of his body-soul and mother-son as a venerable spirit, as anticipation more than a life of pain, joy, and martyrdom, piercing the soul to whoever disintegrates the desert of silica with blood in the prophecies of Simeon "

While the immaculate is adorned with flowers and oracles of ovation, Imram's shepherding bequeaths us in the vicinity of Nazareth, in all things that have their order and more than others must be prescribed for the births of those who fly the spiritual cities, which in itself brings us with its placenta. Mariah in her nature constitutes the first fractal of light of the One-Dimensional Beams, where she is born doubly into a body of peace and a prized winged spirit. Knowing that her sacred breaths do not become full or in twentieth dawn of the topaz nor less of the ruby, in which no sunset dies of all the venerable benefits that are born with God, nor before the visit to her cousin Elizabeth and in her Magnificat, nor less in a resentment in twelve years of his son already put on a tree, from the very dialogues of a son with a father, leaving them as patriarchs, before the convenience of engaging in the tasks of his father, being the son of his chosen Mariah, and that in the womb of his mother Hanna there was no one to whom it would not be, not even when his son Jesus told him in units of his father that he did not understand, in the naivety of the flesh made of the divine verb and in the existence of the mediate mystery.

The Bedouin continues: “as gospel, I have transcended my paternity beyond the ministry of the relief of virginity of the maternal conscience of a divine son, but of resolution of the word from mother to son, still not understanding him…, but speaking for generations that they will never remove the word of God and his mystery from my soul. I will always be a Bedouin of Galilee, as in the amount of Simún and in the values of the disciples who are also my children of the fertility of a woman in all living beings, as a family line that is born from the ruins of Eve, to be reborn in the beginning of the clamorous genesis of Mariah "

Imram, visibly exhausted, traveled in the row of Simún, which was endowed with a being that creator of everything, as a spirit that engenders family love to reunite them at the nativity of his descendant, always with the existence that embodies the infinite ***** of the star. that skewed and guided him, taking out the entrails of the universe that did not fit in the world, to lead them in the exploits of an orthodox nihilism, to protect with their heralds and sustain them from such motherhood, in the de facto conception and mother-granddaughter, preceded by the archangels who guard everything until their appendages are lost in the confines that have no consummation. Before the holy dormancy of the fire of love, ramshackle yielded by the rosary and the Simun, where promontory praises are noticed about the good adventure of a perennial nativity, from those hours that continue to be subjects for the times of time as the immortal reign of the centuries, and the apostolates sponsoring their worthy catechesis in their filial course, from reverend mother in evident assumption taking him away from his sufferings.

Imram continues: “Wine for servants and kings, in a chalice for one, in a family that does not skimp on glasses to include, for more brothers to offer to have them closer than writing with other literary legions warned, rather alive in canon lines from the bible, in perpetuity as an existential ****** of an advent community, which is nothing more than a Christmas sermon, for it came in two being born into a mother and child, in the seventh dream and in its Christmas tirade. I will run closer to where I will be able to fall outside the walls of his holy house, to bring him all my offerings, for a very purified mother, who smells of roses and lilies adorning herself with cousin gifts from God, in the dispute of venerating him without time or saves opportune works of formerly bad deeds, but because of an urgent visit that I compensate at the end of intention and murmur, like his Messiah, only twelve years old, rising from the cliffs and also from the Apsid, avoiding the discursive center in the masses of his assumption, lining traces and returns from a crown like a dying star king, with a fearful stain in the vicinity of perihelion and as proximity to its orbital of Faith. "

His aphelion is more distant from a greater lost lot, always luminous in the night to reach the lap of the nativity of Nazareth, in an eternal dream that makes us be welcomed and transfigured by Mariah, in cosmopolitan frequency, in the liberations from herself. apotheosis, and those that deprivatize the internal idylls of a son and his wasted mother, only leaving us in the middle of a desert and their gifts separated, between points where it is intended to arrive by offering the doctrine in its sacramental figure, and manifesting its supernatural presence in melted nascent sheets and eternity that flees down from its equivalent marquee, becoming carved from the One-dimensional Beams..., being first-born, mother and multi-believer in the same hope and in the halo of Holiness of John within his wood and within his Nazarene halo.
Christoúgenna Parable
spysgrandson Dec 2012
you
were following the leader
trusting him,
hardy figure of man
in a colorless world
with trees dead to the eye
thanatos thickets thick with quiet
that thrashed and slashed you
along the way
but you followed, sometimes
in sacramental silence,
other times crying out in penitent pain
did he not hear you
as he juggernauted through
those gnarled dead wooded webs
like he was steel?
and man of steel
is what you called him
when you grew to know him
was he too not flesh and bones
could he not hear your cries?
even deaf, could he not see
your man-child skin being bloodied
in this land of thorns?
how long could he keep marching
expecting you to keep up
like some soldier on an unholy quest
rather than his lost child
who could find no path
through this wretched plain of pain?
you could see only his back
as you ran to keep up
you could not have known,
though you are his legacy,
he has no face to bear scars
and when will you,
the innocent, discover
steel has no soul?
sometimes dreams are just dreams, recorded as remembered...little else
Ronald D Lanor Mar 2014
Oriental paper cranes
and waterfalls of lemonade.

A sunshine-scented, smoky haze
covers candy-coated everglades
while whispers waltz with time and space
and raindrops roll down ceiling drains.

Sacramental epitaphs
and water streams on sassafras.

A dismal, dark decrepit path
mourning missing morning's sunlight laugh;
singing songs so sweet at last
and flying free oe'r breaking glass.

Artificial floating clocks
and water droplets burning hot.

A million, melting mountain tops
shadow somber sunken river rocks
as amber ash advances spots
and transverse travel never stops.
Roxanne Pepin Jul 2010
Your sacramental slant;
Surrender to pleasure,
The oblique and understated; love.
You kind of should begin,
Our nerve end's hesitation,
Blue hesitation, resonant,
Where I couldn't miss
Surrender to pleasure,
Ship-wrecked
Understated
Under-rated
© Roxanne Pepin 2010
Blackout Poetry
Nickols Jul 2014
I stand before the walls of a glorified failure as it tumbles beneath itself.
The nature of a grave danger, labored with a dire wager.
Plunges and crumple, into a pile of rubble
and to continue forth into a hidden tunnel.

Dirt stain fingers and my inner winner;
The only tools left to dig a way out of our rapidly crumbling puzzle.

You delivered me my unfathomable killer-
A ineradicable form of justice.
My sacramental, misjudgment of
a thrill gone astray.
Leaving me feeding the birds which prey on saints most days.

I stand before the wall as a simple thrall.
Dirt and grime painting my nails.  
I stand in my hellish pit readying to climb.
Ready to rise from the plague surrounding me.
To fill my lunges with air, not lingering with death.

I am ready.
The bringer on the rise.
M Harris Mar 2017
This Is The Story Of Her, New-Fangled Eyes,
Filling Up In Valiant High,
A Sacramental Anticipation,
Victim Of Her Addiction,

Specter Amour Ensemble,
She Kisses So Gentle,

A New Found Glory,
Like What’s The Morning Story?
An Ark Of Optimism,
An Immortal Prism,

A Scope Of Life,
Enslaved To Her Emphatic Hive,
Imbibed Inside Her Metamorphosing Dive,
Eternal Sunshine Of A Spotless High,
Twinkling Fireworks Into The Duskiest Night,
Like The Sprightliest Light,
Painting Me In All Her Colors Of Life,

A Gorgeous Cognizance Blossoming Transcendence Of 90’s Summer,
As She Discos Like A Junior In Spring Summer,
Myriad Instants Of Her Untamable Beliefs
Driving Me In Her Upbeat Beats,
Infinitely Running On Repeat,
Scorching With Her Heartbeat,

An Amour So Sanctified,
Thrills Out All The Unrefined,
Cause To Major Redesign

A Cryptic Princess From Tomorrow Land,
Glued To Her Hand In Hand,

A Wish Of Hazel Eyes,
Relentlessly Every Night,
Cranberry Delights,
Mystical Highlights,

Etched With Infinite Scars Of Her Amours
Into Transcendent Clusters Of Her Own,
Engulfed In Her Moans In Rome,

Surrendered To Her Cryptic Heart,
She’s A Symphony To Mozart,

All She Gives Are Premature Ventricular Constrictions Every Infinite,
Till The Rest Of Her Lives*

- 04:21AM
M Harris May 2017
With Wings Of Mayhem Covered In September Dew,
She Flies Under The Autumn Sun On An Holiday Overdue,
  
Through Holographic Designs & Trumpeting Ecstasy,
She Transmutes Her Photographic Lusts Into Riveting Intimacy,
  
Lightning Visions In Her Empyrean Eyes,
Dreamscaping She Drifts Through Ethereal Skies,
  
Of Toxic Sanctums & Pulsating Screams,
She Titillates The Trance Up In Her ****** Schemes,
  
Myriad Stories Of Her Sonnets Divine,
Constructing Fluidic Reveries In Her Comic Design,
  
Like Chemical Dispersals Veiled In Her Digital Stains,
She Formulates Aphrodisiacal Elixir In Her Lyrical Rain,
  
Through Dimensional Shifts Of The Fractal Waves,
Her Cosmic Prophecies Actualize Into Sacramental Raves,
A Genomic Felony Concealed Inside Her Superficial Caves,
  
With Acoustic Muteness In Her Green Shaded Eyes,
As She Gleams Through The Millennial Skies,
In Melodious Echoes, She Whispers Of Arcane Lies.
  
- 05:28 AM
zebra Jun 2017
deep deep
in the
in the inner inner
cauldron of self
one can hear weeping
it is Achlys
daughter of Nyx

pale emaciated
her razor teeth chattering
over pomegranate tongue saliva
elongated mottled nails like shears
etch a wooden table
and sever small rodents
for nourishment

dismal girl with swollen knees
thick dust upon her shoulders
her nostril's dripping
like drenched grass
demons concealment veiled
yet her scut barely hidden

while attraction remains
the fabric of existence
the sacramental bed of Christianity
carries the fear of authenticity
the aperture of *** betrayed
by girded *****

renders self a darkened hollow
incomplete and hypocrite
absent of beauties gift
a pink light bleeding
daughter
of the night
GREEK MYTHOLOGY ACHLYS
DAUGHTER OF NIGHT

— The End —