Quenched thirst I deserve
I need to quench this thirst
I scatter and scampere to
quench this thirst.
I fumble and scramble
in quenching this thirst.

This thirst I must quench
cooling effect protruding in
inner me.
can the thirst be quenched?
I should quench my thirst
with no time.

I need cascades of quenchful
waters in inner me
to quench my thirst
I deserve this thirst quenched
mother, quenching my thirst its
only what I want.

The thirst is still here
quenching it needs
give me a platter of civilised
waters
I am here to quench
this thirsty thirst.

I need help
in the thirst quenching
please share with me
the holy waters if possible
I would adore to quench
my thirst.

Thirsty thirst like mrrh
elongated thirst
embers of thirst in inner me
I must quench my thirst.

228

Blazing in Gold and quenching in Purple
Leaping like Leopards to the Sky
Then at the feet of the old Horizon
Laying her spotted Face to die
Stooping as low as the Otter’s Window
Touching the Roof and tinting the Barn
Kissing her Bonnet to the Meadow
And the Juggler of Day is gone

As mother nature's
Punitive measure
Against a society
In maintaining
The statuesque
That doesn't bother,
Our rivers
Had become subject
To a water thirst,
To the extent
Of projecting
Rocky ribs
Terrifyingly protruded out
For easy count!

But now thanks to
The all-out, terrace making
And reafforestation effort
Of each catchment
Farmers have made a point
And also  to the afforestation
Move of the government
Rivers aside from quenching
Their insatiable thirst
Have resumed
To brim over
With floods
Drinking water
To their hearts' content.

Our forests once stripped of
Their wooded cover
Have started, fast, to recover
From afar they are seen
Robed eye-catching green
From a fry-pan sky
Allowing a shelter
Also busy
Carbon to sequester.

Wild animals
That migrated
Have preferred
Back their way to find.

Now farmers don't have
Deep to dig
To sink a water well
Or find a nearby spring.

Birds are heard chirruping
Be it winter, summer or spring,
While Brooks bubbling.

Buzzing and hovering
From this to that flower
Bees are producing
Organic honey by the hour.

Promising a bumper harvest
Farmer's plots have
Fortunately continued
To resuscitate!
Those leaving
Their denuded abode behind
Away, who preferred
To stay
'We will return back
home soon! '
Is what
They  say.

Happily enough
Mother nature
Affords us a second chance
Imbued with
Environment stewardship
If  we are willing to mend
Our wrong 'Feast today
famine tomorrow! ' stance.

To dispel the spectre
Of climate change
And systematically face
The global challenge
True to the adage
'We have either to
swim together
or sink together! '

Hence in fighting the challenge
Or adapting to the change
Back scratching,
We have to be on the same page.

Indeed, irrigation must
Not slip our mind
For erratic rainfall
A  lasting solution
If we must find.//

Once a famous Ethiopian Poet  Pro.Debebe Seifu Who had passed away had  penned down a picturesque poem lamenting the land degradation, deforestation and change of climate the country was suffering.The bad scenario seemed unrecoverable.Now a days Ethiopia is reversing that sad episode.I have therefore to write a poem on this
#change   #trees   #erosion   #climate   #deforestation   #enviroment   #degeradation   #desertification

Glistening with beads of passion
The curves accentuated with every touch
Every drop of love quenching the thirst
Enraptured souls breathing life in to each other
Creating a surge of emotional waves
Drowning the lovers in the intensity
Emerging from the depths, to alpine moments
Euphoric bodies merge, to be one*






© Amitav (Radiance)

half a cup of
a two toned muse
yeilds a quarter of
a sultry pair of cat eyes
& a tragic obsession
with princess serenity
stirred in with a dash of inconsistencies
and every teenage boys dream
under the heat of a mistress gaze
correcting grammar and errors
mixed in with your matching blacks,
& a quarter dozen
of féline decor
with shoes to complement
toss in a diamond ring
throughly wrapped around
your annulus finger &
indulge it with
strange behavior then
top it off with a silky whip
to accommodate
the quenching fluid of
a ******* *****

Happily self occupied, absorbed in my day now
I ponder the innocence of what I’m about,
Abstractions aside, there’s a sinister dysfunction
In gliding with Mozart and yearning to shout.
To whisper with wisdom in humourless spirit
Enables cognisance that all is not well,
To float with the Angels and dine with the Devil
Moots broaching with whales in a torment of Hell.

Oils on a canvass in broad strokes of muted
Cacophony’s clamour in tympani’s roar,
The contradiction of peaceful demeanour
When pulses ignite in a rage on the floor.

Then......
With impetus found in a midnight sonata
The calm of a full moon’s light on the face
Reason returns in a soothing dissention
Of kindness’s kiss and the luck of good grace.

This man can engender the passions required
To smooth the waters and calm the tides,
Intelligent catalyst found in a teardrop
Wherein lies the nourishment loving provides.
This man can engender the salve and solution,
Can rectify tormenting wrong in the soul,
With warmth in humanity’s lyrical laughter
In quenching the blaze of black anger's role.*

Marshalg
15 May 2014

I came along to your garden, to see your chillies growing
Unaware of what laid in wait, or what was really showing
There stood a glass a lidded drink, familiarity of knowing
If that's what I think it is, I don't want it overflowing

Do my eyes forsake me, is that a fluid from the body
Is that froth of a good beer, or from a head that's shoddy
Does it look like what it is, a very dodgy toddy!
Ghoulish drinks will turn you green, like Goblins are in Noddy

What the hell you thinking off, with water that's distilled
It smells like the local gents, so it should not be spilled
I don't mind a special brew, but this time I'm not thrilled
Unusual cocktails are okay, but not ones you have filled

Aren't beverages supposed to be, refreshing and thirst quenching ?
You say that it's good to drink, but really it's gut wrenching
An endless supply you may have, but it should be toilet drenching
Don't ever make a wankers drink, by using a fist clenching

You wouldn't want this drink on tap, it defies imagination
It's just the same as a lady, drinking her own *******
It maybe the water of life, but it's just urination
Aqua vitae is not my idea, of a real drink designation

Even just the thought of it, makes me feel sick and hazy
To drink a glass of this stuff, you must be ******* crazy
Well talk about recycling, or are you just bog lazy
Is Harvey Denton related, or do you live in Royston Vasey

People like to drink sometimes, is there something I have missed
You seem to have your own ideas, but with a certain twist
A brand new meaning you have brought, to getting yourself ******
Golden showers are one thing, but that's when your sexually kissed

There's one thing I'd like to know, so what do you say
Why do you think that drinking ****, will keep the germs away
It cant be very good for you, it's an inside body spray
Your just drinking toilet water, hay Jay are you ****** today ?

In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.

The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night

#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.

#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?

#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.

Twirl your tastebuds —
let me taste your
modal schwa
your vellum staining
truth or dare,
let me down
your feather-quill;
your quenching quantum
quaking.

I see you shining there a translucent water drop
Suspended in animation
From the garden where I lay
I watch your silver glow, in total fascination
Moving to and fro
As within my heart, you play

I hear your tinkling laughter, rise above the trees
Softly lilting in my mind
Find myself within a soulful breeze
Your joyous laughter brings
As your joy and mine
Are combined

A quiet calm is set in motion, as you begin to fall
Enchantment ending in a silver splash
Yet, such joy you have brought into this thrall
Into the garden where I lay
Even though you fell
In a flash

Now I see you shining there upon my yearning soil
Suspended in animation
In the garden where I toil
I watch your silver glow, in total fascination
Moving to and fro
Quenching thirst, in adoration

Earth, holding its breath,
willing the droplets down
into its warm, waiting skin.

Amplified senses
drawing on the palpable air,
willing the heavens to quenching chaos.

When my soul thirsts for subtle beauty,
a treasured 'poem of plenty' I drink in solitude,
quintessence of all, to my palate, it tastes;
ineffable majesty of the cosmos in my cup!


സൌന്ദര്യപാനം, ആത്മദാഹശമനം

ഉദാത്ത സൌന്ദര്യാനുഭൂതി
കൊതിച്ചെന്മനം ദാഹിക്കവേ,
ഏകനായ്, പ്രിയതരമാമൊരു
"ബഹുസ്വരകവിത"പാനംചെയ് വേന്‍
എന്‍ രസനയിലതു സകല
സൌന്ദര്യച്ചാറായ് മാധുരിപ്പൂ;
വാക്കിതിലടങ്ങാ പ്രപഞ്ച
ഗാംഭീര്യമെന്‍ മധുപാത്രത്തില്‍ !
(Malayalam language version)

The sensual curved line on the bed
perfect.
The eyes: burning, red, leaking for reason unknown.
Private room for me and you.
Darkness quenching the need to hide the
lustrous actions ensued.
Accept your fate, useless strumpet, unrivaled *****.
Your garden grows quickly out of control.
Weeds in your rose bush, fence weighed down by
inherent overgrowth
of emotion:
fervor, passion.
A kiss.
The last sweetness of
your lips
that will ever be given
or gotten.
Death.
A sweet relief for the world
from you,
Desdemona.

...that The Goddess
has hands of ivory white
or black as ebony night,
fingers that glisten
with the intensity of immensity,
of stars,
over-flowing with the seeds of trees,
scattering them in splendorous openness,
across the moist, brown earth,
where they'll grow like grass
and cause the quenching rains to
fall,
from the sky made azure
'neath the endless streams and strands
of Her hair
which is the wind itself.

...my head back into the pillow.
She quickly straddled me.
She began a gentle rocking motion
with her hips,
with subtle glee.
Her thick, precious long hair,
hung down like curtains of night,
around my lust-flushed face,
until I was in perfect darkness right.
She then began caressing
my nakedness with her feathery-locks,
along my silky, trembling body,
from up my heavenly hips,
my tight, tender, heaving tummy,
my aching, stiff-nippled *******,
my entire being erupting in goosebumps,
chilly and blazing,
spicey and tasty,
aching and burning,
burning,
burning -******!
begging for quenching,
which she does
quickly
and
I'm done.

I’m in a bit of a situation
There seem to be weeds blooming all across my face
The weeds are red
They are blooming all aross my cheeks
All across my forehead and chin
and even some buds on my nose
I don’t like the weeds
And neither does anyone else
I’ve tried everything to get them go away
but nothing works, and they’ll always stay
these weeds make me sad
oh so sad
and now my tears just water these weeds
I refuse to show the world these hideous red weeds
i have been taught to hate the unwanted
and to strive for perfection
but perfection is something i’ve never known
so for the moment i cannot make these red weeds disappear
and from now on i’ll stop quenching their thurst with my tears
for now all i can do is love them
love these red weeds that cover my face
and hope that one day i’ll find someone who can love them too.

There once was a man who said you could beat the world with your words. That you could conquer an army with the knowledge of a greater narrative and move the legions of many with the action of one verb. I want to believe who ever can recreate the frameworks our race. The foundational narrative of our moral ethic, the guidelines mankind has been leaning on for millenniums. I want to know a alternative story, with made up words and no respect for a-priori intuition or tradition but a legend of unabiding experience that is unlike any tangent or discourse known. I want to reinvent another codex.  

I saw god as the architect I consoled in the grand tree house, with the grand green house sitting in a curious English archway. The telescope room was laid with bricks and from it I could see all that made me content. I felt the time changing before my eyes. Whether I was in compromise or not was entirely up to the seasons of Zeus.

I am now never afraid of myself, I almost died and I remember it all. I have known fear and still revere the quenching of it's animosity. I am only a swerving flake of inner rind. I am all that is exhausted of my honest dive for humanity. I am me finally, a shell no more! Man is the helplessness of lost spatiality in his own timid surrealism. I have never been satisfied with the explanations no matter how exhaustive! Revisited by the techni-color outlook of the turning millennium craze. The alleviation of all hopes when they turned out a dead end inthemselves, a lost avenue of my childhood.

I guess we all wanted that age-old rampant abuse of youth in ways that were neither aesthetically pleasing or unifying towards our own, best. I was tired of the beautiful sprites I grew up with. I was tired of locking myself in closets at nights and rubbing my face into the it's knotted carpet floor. I'm tired of the songs that advocated joyful frolicking into the drapped daylight. The oddities grow old and the used up phrase are clique now. I lost my mind seeing the years of my language frightened by the sound of my own breath. Grow into yourself. I am done with you anyways. I am done seeing them engulf a titanic drift of colorful intentions; flirting around the grand bonfire of the uncreated experience. I am lost with them. I question more than just our own value and I resign my thoughts on themselves for their own wealth and safety. When you want it said so bad but the forces of those unforeseen, creative hives oscillate and never stop it's steps into the night-legend. Then the world ends and was never in out of tension. I electrify my time and run into the a.m. frantic like a monkey, waving around and jesting my arms. I'm tired of the old music, in with the artifacts who architect the reverberation of my heart.

Your myth has lived into the century and I can see your ideas into the lives of all maniacs and the honest young, the deranged youth. We are amidst a heavy tension, i cry again. I want my mother's words three times a day and more on my weak hours. I am content in the alien maze of my music and want only the childhood campers to love me like a king. They gathered around at night, around the campfire. They initiated the song and dance with gaiety rhythm; that was the nights stars collided into bedtime. The same night I was torn by the dreams of an old horrid man who gave me no name and no rest from tear and horror. What evil is an anonymous the Will that censors awareness and knowledge. If it kills

So what then of the tribal pack psyche we all inherit. In days where beauty was up to chance. Our proximity to a woman was determined by breeding patterns and the realm of funds available for travel and food. What now in these days of the internet? When the whole world is at the tops of our finger tips and even more far away is the understanding we gain of our inability to have the cream of the world. We are in a great exaggeration of ourselves, of our will, and of our determined out-come. We have little but the pessimisme of our predecessors to guide our philosophies application. The translation of dream-world is perfectly out of reach for us and always for our posterity. From here on out we are a new age. A new age whose gates are christened by the ungenuine thugs and malevolent brand names of our civilization. We are faking it till the end. I am scared and drilled by horror and filled more with black premonitions. I wish I had eyes to see myself with a more generous charity but I don't and neither do you. What you see is an age of outward anticipation for the soring ribbons of undone realities.

The artist is the one who has seen the broad fleeting wisp of an out-of-world innuendo. It is the ethereal encounter with a cognitive defect that mimic as a supernatural sensation, this is seen by the artist as true humanity and rightfully so as it brings him to tears.

I always forget that we are always on the cusp. That we are simply a few bruised years away from reveling in the stained, sealed golden sunlight of the age that has came. What we do now is entirely crucial to our ability to be in unending sorrow and remorse. We see our people in a clearer way, for what they where struggling with, for what their reverie finally came to look like, ugly or gleefully self created, their vision of the world will always be our continual source of inspiration.

Have you heard the story of The Five Elements?
There was Water to replenish the Earth, quenching his thirst.
Fire was jealous, so he had to burn Earth, and this only dried Water up.
Wind had no interest in sides, and he played with Fire's flames, causing them to grow. He made ripples in Water, causing her to come back with waves.
With Water's waves, she put Fire out. Fire and Water are always fussing, like an old married couple.
Wind enjoyed messing with Earth, as well, blowing stuff around and destroying rock - although that took some time.
Earth did not mind any of them. Water gave him life, and also helped him start anew with floods.
Fire also helped Earth, by ridding of the dead and helping the living start over. Wind also helped Earth.
Wind helped spread DNA and helped things begin life.
Spirit had no place where the others were concerned. She was wiser than them all, but she could not destroy, like Fire, Water, and Wind.
She did not hold them all together like Earth. She could not quench thirst like Water, and she could not help start populations like Wind, nor could she rid of the dead like Fire.
Though, Spirit is what helps them keep going. She is the animals, the insects, the plants.
She's the soul and everything of the like.
Without Spirit, Earth would be barren.
Yes, the other Elements would still exist, but there would be no point.
No one is better than another. No, they hold each other together.
Fire may love Water and Water may love Fire.
Earth and Spirit are the eldest and have been around the longest; their love is the strongest.
Wind is not a child, but he has the will of one. Nothing can tie him down.
Their family is not perfect, but there would be nothing without them.
This is the story of the Five Elements.
Alone, they are nothing.
Together, they are stronger.

There was a town beyond the woods,
Ne’er there any water stood,
Alas, a Well, of the purest kind,
The aquifer under, is here described,
Beyond a thousand gallons under
The diamond-esque rubble and sunder.
But one bucket, at but one time,
Kind, the town, taking turns of rhyme,
This essence, used to bathe and cook,
To drink, to create, a cozy nook.
-
The happy town, the gorgeous shire,
The crops grown there as green as Ire,
No law exists, they live but civilly,
A fetching, quiet community,
But always there exists a one,
Who would want power, want this undone,
So it was said regretfully,
Poisoned their Well, emotionless he.
-
Now this village was quite secluded,
No one not there born, ne’er intruded,
Deep in the forest, behind a mountain,
Over a peak, under a cloudy curtain,
It existed in secret and abolition,
And one did seek its demolition,
Knowing the only flaw to here exist,
The essence of life, no man resists.
-
He crept at night, while the guard did sleep,
Promising the pure water to weep,
Dropping the genocide with bucket and crane,
Releasing its Demonic Alchemic Strain,
The Well did hiss as the poison moaned,
Recoiling at this unwanted drone,
The assailant then brought to his steady lips,
A cup and was first to take Devil’s Kiss.
-
On the morrow of the mentioned crime,
Busy bodies awoke to start the day’s time,
Queuing at bucket and awaiting turns,
Each family there a portion yearned,
Not one did from the water strafe,
Each then bathed, then drank, unsafe,
No one could tell different taste,
Water is water, but not today.
-
The plague did start like any disease,
Sore throat, fever, stopped nose, displeased,
The people sought the witchdoctor,
But he from bed, would rise no longer,
He caught ill too, and wouldn’t budge,
Afraid for his life, afraid of this grudge,
He knew this sickness, had heard before,
But told no one, the end was sure.
-
In a week, vomiting and nausea,
Nasal passages sealed, no nostalgia
Brought to memory of any like sickness,
The virus brought about decrepit afflictions,
But slowly and steady, worse and worse,
The people became, some saw the course
But kept silent, to avoid alerting,
The so many children in need of comforting.
-
In two weeks’ time, the pathogen,
Had taken wits of sensible men,
At night, they screamed in somber fright,
Their deepest fears, real now, and bright,
The lutes died out, the bards not singing,
An unfortunate time, but this was only beginning.
-
Fingernails rotting off at the cuticle,
Too much blood for any receptacle,
Leprositic, the fingers came next,
One by one, extremities hexed,
Children lost their legs to run,
From mothers’ faces rotted, undone,
In every other step, heard were bones breaking,
Kneecaps cracked open, shins splintering,
Eyes turned cadaverous, awake, but not seeing,
Cataracts formed, blinded from viral being,
In cradles were witnessed toddlers there suffering,
Their mothers watched with empty sockets, but listening
To the cries impossible to stifle,
The pain too much for these tiny disciples.
The dogs normally to their masters zealous,
Became of them mortally jealous.
They bit the hands that fed them well,
For watering them from the cryptic Well.
Men watched their sons dive right under,
The bridge that harnessed a valley of blunder
Hundreds of feet above sharp rocks and stumps,
Their namesakes leaped, impaled in clumps,
For those lucky enough to still have eyes,
Cried tears of acid for images despised
Sickness was spewed upon the walls,
Entrails adorned the Gathering Halls,
Some had turned to mutilation,
Blood-letting for some, abomination,
Some crazed enough to “cure” themselves,
Clawed throat and stomach til flesh dissolved,
Some rich with elixir tried to embezzle,
Upon some of the poor, tired and grizzled,
Riot broke out amongst the walking dead
Fortune or lack of, irrelevant,
Black pustules broke out that looked Bubonic,
But the cure for that failed, how ironic,
That it rather hastened the steadfast curse,
Faster than iambic verse,
Molecules turned to embryo,
Rising like a great Pharaoh,
They became flesh parasites,
Taking internal organs, slow and precise,
They started with the liver and spleen,
So there lasted hours of wretched screams,
The intestines of some would close and then
Becoming septic, they passed, bile in stem,
A few had throats seeming cauterized,
Friends watched friends closest, strangle alive,
There were in fact, some optimists,
Among them, talk of being “rid of this”,
They too died while clutching life,
Endeavoring their eternal flight,
From noses, there dripped blackened murk,
Thicker than combined oil and dirt,
It then secreted as sweat from all pores,
Fatigue then struck those left to the floor.
Upon broken knees some prayed,
Usually the skin under ribs was flayed,
Trying to understand what went wrong,
Dissecting the dead was not headstrong,
It only furthered viral progression,
The open corpses breathing infection,
The cadavers would move still, the fleshbugs active,
The horror of lifeless movement, corrosive,
The minds of the weak, it pure happenstance,
One found eating dead flesh for a cure, no chance.
All in all, this lingering curiosity,
Provided once good people with animosity,
One man turned good people to hate,
Their neighbors in ways that were irate.
-
The chaos was not anarchy,
For, as I said,
It was civilly,
But verily, I do decree,
That no one knew such misery,
The inhabitants of this village,
Did not suspect innocent visage,
Or perhaps, their cherished Well.
To be culprit behind this hell
So they drank and drank to remedy,
To recompense this malady,
To no avail did blood get thicker,
Alas, they got but sicker and sicker.
-
This hell, the townsfolk then realized,
Wouldn’t end til they all were nullified,
Eliminated they were, eradicated at that,
This pathogenic virus had verily spat
In the faces of the people here,
Decimated they were, not quenching their fear,
Murdered they were by a systematic
Suicidal psychopathic,
Inflamed in the mind of darkness thereafter,
Only satisfied by his own laughter.
Not many, til now, know of this town,
From lowly peasant, to “Godly” Crown.
An explorer found the deserted hamlet,
Body parts and questions then found the hermit,
He had heard of a town like this, he wrote:
“It was a new age Roanoke…”
But the village, not a town to cause commotion,
All that was left of them, a tree scratched, “CROATOAN”.

I can feel my lungs collapsing with every shallow breath
And I can't decide if it's the holes left behind from
cigarette smoke burns
Or the pieces of me that followed behind you

It's 10:05 and as much as I keep trying to warp the truth
the minutes tick on leaving me stranded in seconds of long lost times

Wishing from fruitless bones
Remembering could have beens that weren't
And chasing endings that never quite were within reach

And I know cigarette fills don't last
But I can ******* time running out
And my bones refuse to give away hints to weather it's a
countdown or liftoff
The essence never quite strong enough to disguise
the bitter after-taste your words left behind with me

It's 4:00 am and as smoke fills my lungs
I vaguely remember being told
the only souls awake at this time are
the lonely and the loved

Now it's been months since I was introduced to this hour but still
all I feel is nothing.

You told me pretty girls don't light their own cigarettes
but that never stopped my lungs from burning
every time you breathed my way

Leaving scars of razor sharp words never spoken
Pushed down to the hollow of my scorching throat
Thirsting for the oasis of the syllables
they were never quite within reach of quenching.

They say cigarettes curve your hunger.
And I guess they're almost right because
so far all this nasty habit has curved is
My appetite for you

Now it Hurts to realize that the attention
I mean cigarettes
You willingly offered were just cleverly disguised poison
Burning away my insecurities only to reintroduce them in misunderstood exhales of passion

All I have left to feel are my lungs gasping for every last breath
Lungs pulsing for every last breath
Lungs shrinking to accommodate every last breath
You took away from me

In control
I see it all from a negative
No coloured mountains
Just shades of black
Dark black shadows
For-filling my curiosity

I know that later
Will bring me the joy
I so seek
Liquid nectar
Quenching to the corners
These heady fumes
Feel the burn in my soul
For I am ready
Here and now be my time
My Drink
My lover
My wine

Such sparkles from the night
As lighten mood believes the good
Enjoy the moment
For last it won't
The quenching finished
Numbed
I'm hurt

The night did fade
As I did too
A morning shaded blue
Turns back to a black in black
No colours view
A head no belonging
Joy fed into the night
Only the shades do hide me
To I melt
A negative

I crave you
more often than I
crave delicious fruit
I always want my citrus
thirst-quenching juiciness
but I’ll take vitamin D over vitamin C
and save ripened tangerines
for when I’m feeling a little weak
in the knees after squeezing your
blooms—good enough to eat

She has a keen eye,
understands the use of color,
the configurations of Asian furniture,
how candles & art look in a room.

She decorates wearing holey-leggings
& loose fitting embroidered blouses
‘cause she knows
what they do to me.

And she’s constantly
moving things around,
is visiting me in my study,
the place where the futon lies,
where we lay together
& I playfully
remove her loose-fitting attire
to quench my
own decorating ya-ya’s,
this burning heart.

Inside my tears are falling,
Quenching the fire of my will.
My emotions inside are a turmoil lake,
And only when I'm dieing will they still.

My sorrow fills my thoughts,
Making sadness wherever I see.
Sticks and stones may break my bones,
But only my words will hurt me.