Pitter patter on my window pane
The rain is my solace
It keeps me sane

From the truth of my loss
And the little I’ve gained
Pitter patter on my window pane

Pitter patter on my window pane
It’s ceasing right now
I’m getting insane
Is the heartache I’m feeling
Worth the price of giving
Pitter patter on my window pane

Pitter patter on my window pane
The freedom I gave
Is my sentence of shame
Because I am not strong enough
To pretend I am tough
So please don’t stop the
Pitter patter on my window pane

A window that held every dream
Hope, want and need
I reached for I wanted and came back with a ****** hand
Broken glass scattered upon the floor and on the ground
Was it greed or was it reaching for something you needed, believed, hoped and dreamed and freed them from the captivity encased and, hidden behind a pane of glass
Blood streaming down my hand
This wasn’t what I was reaching for to come back hurt and in pain with glass scattered on the floor mixed with blood, and tears
It is said” we hurt the ones we truly love and have the most respect for”
“We flirt and give attention to the ones hardly known”
“And give pleasure to the fleeting soul, the runners of the night”
In turn it is truly only ourselves who really gets hurt
The choices that was made no one else to blame
Staring out the broken pane of glass that once was a window
This wasn’t what I was reaching for to come back hurt and in pain with glass scattered on the floor mixed with blood, and tears
Please forgive me the ones I love,
And the ones hardly known it takes time
The fleeting soul, the runner of the night you’re not needed the thief of all things right and true
Broken glass scattered upon the floor and on the ground
Was it greed or was it reaching for something you needed, believed, hoped and dreamed and freed them from the captivity encased and, hidden behind a pane of glass
Staring out the broken pane of glass that once was a window


                                    Alan Spivey 8/24/2012

I exhale
  & watch
As you go
  The essence of me
Caught on the window
   A constellation
      Of condensation
       & I trace your name
    Bleeding the meaning
Of true window pane

A poem falls short; I'd like, instead
to draw a single line from me to you
and watch it curl into a word
so beautiful it's still unsaid –
or press paper to the window pane
so that the day might saturate
a note that brightly warms your hands,
spills birdsong from imagined trees
and buzzes like fat bumblebees,
but I am bound by language, love; I can't.

by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.

“Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.”

                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865

stood before my misty
bedroom window pane
I saw hazy scenes of future
and my gray reflected face

blotches, smudges, patches
feelings, emotions, thoughts
on that bedewed window
of a million human hearts

my bare palm feels the glass
cold indelible marks.
forms a million faces
in that frosty glass

Gazing deeply at me
from beyond the glass
the hungry and the bleeding
from a thousand miles.

My heart begins to wonder
what scenes are yet to come
beyond that misty window
as the days come and go by

Will warm rays of sunshine
ensure the mist goes dry,
or raindrops bathe the pane
and wash away it stain.

but those searching gazes,
of a million stained faces,
of bleeding feet and wishes
forever is etched in that pane

Enjoying his view at a glance,
everything from the stillness of the trees,
to the bristling of leaves along the floor,
the variances in cloudy colours and the haste
with which they move.

The Birdsong called from open beak,
carried by faint whisper of the air,
heard both near to and far from his pane.
Slithers of blue like a snake out of place,
make their way around me.

The sound of adolescent class and youthful springs
are heard abundantly as laughter and converse grow
into festering harmony of contemporary sounds.

Notice how they cease to be idle, but only ever moving and
active, move in this and that way, heading
North, South, East, and West with motive and intent,
the teachers bark heard through the wall.

I pray that you note the observer through the pane,
he watches and glances, not in idle captivation, but in
simple observation. He notices their behaviour, their patterns
and movements, their groups and divisions, common attributes
and uncommon, differences in personality, not by sound. Instead,
he listens to the motions of mute lips, and silent movement,
as if it were a ballet, only music is absent from the show.

So vast is this view from the behind the pane,
artwork is created by manmade structures blended with
nature and her beauty. Pleasant are the "random" meetings of
two, in open space, such happenstance.

When in the course of circumstances changing,
the classes mix and intertwine for few moments,
I notice many, the aversions, and the attractions,
what catches eyes, and what defers them.
But come the final ringing of the bell, he
heads for the door only to return again
the next day and do as he did.

juda hoke tujhse tut jayenge hum ,
Tere bina o sanam ab mar jayenge hum,

O hawa tham ja jara ye to bata de
Kab ek- dusare se mil payenge hum ,
tere bina o sanam ab mar jayenge hum....

zindagi ki dor se tum bandhe **,
Bata do sanam tum mujhse kyon ruth gye **,
Tujhe pane ke liye har dukh sah jayenge hum
Tere bina o sanam ab mar jayenge hum. .. ...

Khud me dhundhane laga hoon tujhe ,
Jaan se bhi jyada chahne laga hoon tujhe
Tu meri kismat me nahi to kya hua,
Teri yaadon ko hi apna zindagi banayenge hum ,
Tere bina o sanam ab mar jayenge hum. .. ..

Rone lagi kalme bhi meri teri yaadon ko likh
kar,
Hansne laga jawana bhi mere dil ki baat soon
kar,
Najane tujhe pane ke liye kitne thokar
khayenge hum,
Tere bina o sanam ab mar jayenge hum. ..

tujhe to meri yaad bhi na aai ,
kaise katengi ye meri tanhai,
tanha yu akela es duniya se chale jayenge
hum,
Tere bina o sanam ab mar jayenge hum. .

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st

Not easy to state the change you made.
If I'm alive now, then I was dead,
Though, like a stone, unbothered by it,
Staying put according to habit.
You didn't just tow me an inch, no--
Nor leave me to set my small bald eye
Skyward again, without hope, of course,
Of apprehending blueness, or stars.

That wasn't it. I slept, say: a snake
Masked among black rocks as a black rock
In the white hiatus of winter--
Like my neighbors, taking no pleasure
In the million perfectly-chisled
Cheeks alighting each moment to melt
My cheeks of basalt. They turned to tears,
Angels weeping over dull natures,
But didn't convince me. Those tears froze.
Each dead head had a visor of ice.

And I slept on like a bent finger.
The first thing I was was sheer air
And the locked drops rising in dew
Limpid as spirits. Many stones lay
Dense and expressionless round about.
I didn't know what to make of it.
I shone, mice-scaled, and unfolded
To pour myself out like a fluid
Among bird feet and the stems of plants.
I wasn't fooled. I knew you at once.

Tree and stone glittered, without shadows.
My finger-length grew lucent as glass.
I started to bud like a March twig:
An arm and a leg, and arm, a leg.
From stone to cloud, so I ascended.
Now I resemble a sort of god
Floating through the air in my soul-shift
Pure as a pane of ice. It's a gift.

You know some people say
That the eyes are the window to the soul.
Some people say
That what's behind can be warm despite the cold.
Some people say
That they're heavy when the soul's old
I would say I'm one of the people.

But what about when the eyes go dull?
When there seems to be nothing left?
When the color seems to disappear
When the whole world committed theft
Of those eyes' happiness
Of their very life
It can seem like hope is gone
Like the only choice is a rusty knife
Cause after all, we're all just pawns.

Play the game, play the game.
Move pieces, never sing
But playing's ultimately all the same
When we've already lost our king.
Everything's just finished.
The games already done
Cause everything is finished
When someone has gone and won.

But what if the game isn't over?
What if there still something there?
What if those eyes still shine
Even in this poison air?
It would mean the soul is strong.
Indomitable and true
It's steady, and it's love is long
Now we can move to you.

See no matter how many times you try
No matter how many times you fall
I know those eyes still shine
Even when you've lost it all
So when I'm feeling down
Or need to feel alive
All I need is to look in your eyes.
And I remember why I'm alive.

See it's people like you that keep me here
The ones I love and hold dear.
The ones that stick around forever
That help me bet my fear.
Whether dark, dull, or radiantly bright.
I know they'll always be there.
So I'll tell you what your eyes told me
I'm here. No need to be scared.

the windows to the soul
it blinks
screeching glass bending for the simplest movement
the air inside is muggy
any the pane begs to break
to release
years
centuries
the air has waited
never breaking
the glass always strong
by now
all that is left is the dust.
the pane shrieks
screaming to break
for the glass to stop holding on.
it wasn't quite a home run
the pane creaks
the glass speaks
rattling to the ground.
the dam overflowing
the baseball rips through the window
tearing it in half,
then thrown back
avoiding the shards of glass
the puddles of tears
chips of glass sprinkle
drip
crashing and cutting those who try to mend her
jagged pieces of her eyes
bleed with the kindness that comes
with saving those that are gone behind the window
with the broken walls come
thicker walls
more layers
prepared for the next baseball
ready to reject it and throw it back harder than it was tossed before
once broken
the window gets stronger on the outside
new glass
but the pane is still weak
and breaking
so they shut the window tighter
so no warmth
no wind can cradle it
no breeze dares
to come close to the broken glass.

629

I watched the Moon around the House
Until upon a Pane—
She stopped—a Traveller’s privilege—for Rest—
And there upon

I gazed—as at a stranger—
The Lady in the Town
Doth think no incivility
To lift her Glass—upon—

But never Stranger justified
The Curiosity
Like Mine—for not a Foot—nor Hand—
Nor Formula—had she—

But like a Head—a Guillotine
Slid carelessly away—
Did independent, Amber—
Sustain her in the sky—

Or like a Stemless Flower—
Upheld in rolling Air
By finer Gravitations—
Than bind Philosopher—

No Hunger—had she—nor an Inn—
Her Toilette—to suffice—
Nor Avocation—nor Concern
For little Mysteries

As harass us—like Life—and Death—
And Afterwards—or Nay—
But seemed engrossed to Absolute—
With shining—and the Sky—

The privilege to scrutinize
Was scarce upon my Eyes
When, with a Silver practise—
She vaulted out of Gaze—

And next—I met her on a Cloud—
Myself too far below
To follow her superior Road—
Or its advantage—Blue—

He has taken rake and shovel in hand,
Taking advantage of the light,
Rare in these climes this time of year,
Still welcomed, though rendered severe
By the sun's reluctant trudge above the horizon,
The type which, sauntering through a window pane
(Falling upon a crucifix anchored above a cradle
Or some ancient, gilded frame
Containing a photo of some grandparent's wedding day,
Exploding into full undifferentiated diffusion)
May possess a dram of warmth, albeit resigned, nostalgic
A bittersweet reminder of what has gone by
(And in the shade, the air is filled
With the portentous chill of what lies a few months hence)
But there nonetheless as he tends to those final farewells
From the trees bowing to December's inevitability,
The droppings not the *******-esque bursts of October
(Those having been collected and consigned
To the normal corner of the back lot)
But dreary brown-hued things, not welcomed by eye nor heart,
Simply corralled perfunctorily and dismissed.
One could contend that such activity is unnecessary,
The mere vanity of all endeavor,
As the snow will come soon, and steady as well,
Performing the seasonal, cyclical function in its own time,
But he soldiers on nonetheless, a unseen one-act nearly-farce,
Painstakingly raking and bending and scraping
To leave his patch of green uncovered for a little while
Until the locking time comes to seal the earth's secrets once more,
To be revealed to those
Who shall receive the teasing ministrations
Of the fickle, fitful March equinox.

I see your face through the window pane
    the glass is cracked
and your image is blurred.
Even from this distance, I see your pain
  and I wonder if my tears my heard.
This window frame surrounds my dreams,
    the pane conceals my pain.
It seems as if the seams around this glass
      get stronger everyday.
Keeping me away from the one thing
      that makes my life worth living.
          You on the outside,  
Staring at me on the inside.
    Reaching through this foggy view,
It's hard to see,  it hurts to know
       we can't reach our destiny.

I'm trapped in here, you're trapped out there.
It's clear to us that fate don't care.
I'm trapped by these walls and you can't get in.
Unfortunately, I can see my destiny,
      but we can't begin.

You've tried to break through,
    I've tried to break out.
I scream your name,
    but you can't hear a sound.
You can see these tears streaming down,
I see you fall to the ground and reach for me
     but I'm nowhere around.
This pain is so real, the pain is too thick.
I write your name out in the fog
        as you stand there in the mist.
I need you in here, I crave your touch.
   All this pain,
       It's just TOO MUCH!

I'm trapped in here, you're trapped out there.
It's clear to us that fate don't care.
I'm trapped by these walls and you can't get in.
Unfortunately, I can see my destiny,
      but we can't begin.

I can't take this, not one more day,
our love is too strong, there must be a way.
So, we're standing here, face to face,
    eyes locked through the window pane.
You raise your hands up to mine
   and we smash that glass one last time.
Slowly, it starts to splinter down
and all the shards fall to the ground.

Now, we're trapped together,
    In each other's arms.
Trapped forever, away from harm.
Trapped in love for all time,
    Trapped in love within our hearts.
Fortunately, I've found my destiny,
      Now we can start.

In every heart there is a pane of glass
That separates the open from the closed
Where people come, from where no one goes
From where the sun shines to where nothing grows

Crack

From one side the light reflects
And we see ourselves like a mirror
But as the light and image grows clearer
We have to turn away for fear

Crack crack

We retreat behind the glass
Still we see beyond the pane
But no reflection remains
Only separation and pain

Crack crack crack

And the world becomes muddled
Words are barely heard
Everyone outside seems blurred
And it's quiet, yet stirred

Shattered

And everyone leaning against falls in
So we can fall out, and the glass cracks skin
And stains but at least there is no heart pane

1136

The Frost of Death was on the Pane—
“Secure your Flower” said he.
Like Sailors fighting with a Leak
We fought Mortality.

Our passive Flower we held to Sea—
To Mountain—To the Sun—
Yet even on his Scarlet shelf
To crawl the Frost begun—

We pried him back
Ourselves we wedged
Himself and her between,
Yet easy as the narrow Snake
He forked his way along

Till all her helpless beauty bent
And then our wrath begun—
We hunted him to his Ravine
We chased him to his Den—

We hated Death and hated Life
And nowhere was to go—
Than Sea and continent there is
A larger—it is Woe—

I sit numb
Mood swings bipolar
Tendrils of ice reach in
Curling round the window pane
Loosening the stuffy holds
Obliterating them in shards
Of cold gripping suffocating
Yet I don't relieve it
I sit numb
Strapped down forced to think
Of a reason to dare
A sneak behind a window pane
To close it for good
And prevail against the bitter arms
Or I could just sit numb
Aloof from it all
Elevated and ice bound

Age and Grace

Her steps were always slow;
Even in youth she swayed,
Walked with sultry composure
And seductive flow.

Like a heathen goddess,
She tempers movement with grace.
It was not done out of vanity,
But pleasure in the flowing stream of steps
That mark her pace.

The relaxed fulcrum of her hip
Tilts with undulations in the turf;
Her feet tread lightly with a claim
On the summer fields,
On the bending trees
Where beauty still abounds..

She savors the trailing of her skirt
Through unseen paths in drooping grass.
Until the evening mist accrues
From out the forest paths
Caressing her as she yields,
Until she and it are almost one.
Like Whistler’s “breath on a pane of glass”,
She bargains with nature,
Waning to become an aesthetic phantom.

She stops at a window and watches
With a sad smile, the warm light on life,
The laughter, talk and dancing grace
Of her children, who don’t yet know
The bittersweet taste of withered garlands.
Yet she accepts and passes into the dusk.

Now she executes a careful,
Battement fondu as her hands dip
To reach the soaking pods
Of next year’s summer flowers.
Every move must be planned,
To manage every hour.
For they are as precious now,
As her own days,
Fading into glory and reborn,
Into spring and youth’s careless riot.

Just another raindrop in the rain
Just another person
lifeless and plain.
Just another drag to take me away.
Just another patient awaiting cancer and pain.
Just another weight to bare
Just another "I don't care"...
Just another wasted life

I can't tell you what it is
Impatiently waiting for the floor to fall from under my feet
constantly worry
about incomplete
can't compete
everything is


obsolete.

Just another raindrop in the rain
it trickles down the window pane

We’d been together so long, it seemed
That nothing could tear us apart,
We lived our lives in a world of dreams
And Barbara lived in my heart,
But frost had covered the window pane
And then it began to snow,
As Barbara turned, with a look of pain
And said, ‘It’s best that you go.’

I didn’t know what she meant at first
As I looked up from my book,
“Go where?’ I questioned, but thought again
As she quelled my heart with a look.
‘I said I want you to leave,’ she cried,
And her face was set in stone,
‘We’ve come to the end of the path,’ she sighed,
‘I want to be left alone.’

Then suddenly all confusion reined
I didn’t know what to say,
Whatever had brought this mood on her,
I wished it would go away.
But she was firm, and she packed my things
And ushered me out the door,
I stood there shivering in the cold
To be back on my own once more.

I found a flat and I camped the night
There was barely a stick or chair,
I’d have to buy all the furniture
To make it a home in there.
But I sat and cried in the empty room
As the question came back, ‘Why?’
I’d loved her so and my heart was torn,
I thought I wanted to die.

I went to her with my questions, but
She slammed the door in my face,
Whatever love she had had for me
Had vanished, without a trace.
It hurt so much that she cut me off
With never so much as a sigh,
I called that all that I wanted was
To tell me the reason, why?

The roses had bloomed so late that year
Were still in the garden bed,
We’d always tended the bush with joy,
We both loved the colour red,
So I snipped one off as I left one day,
And planted it under her door,
To let her know that I loved her still
I didn’t know how to say more.

Her brother called in a week or so,
Said she was in hospital,
She’d gone in just for a minor cure
And thought that he’d better tell.
So I caught the bus and I went on down
With a quaking fear in my heart,
She hadn’t said there was something wrong
Before she tore us apart.

The doctor came in his long white coat,
His brow and his face was grim,
I said, ‘Don’t tell me the news is bad,’
He said, ‘I’m out on a limb.
Your wife just passed from the surgery,
But she pulled, from under her clothes,
And asked if I’d pass this on to you,’
In his hand was a red, red rose.

David Lewis Paget

Through a pane of glass
life dissolves into its essence
Through a pane of glass
creation speaks

I never thought it would be this way
I chose to go
along for the ride
while this mad world
careened off the tracks

And yet creation
the godhead
persists
expands and contracts
unperturbed

I struggle to understand
the code
I peer intently
into the enveloping dark

And at the end of this inquiry
I find only music
and silence
upholstered through and without
by a sweet sense of peace.

The glass pane reflects
That soft glint of a lost love,
Yet never reveals it clear:
Rather sharp, broken, as if
Shattered by your heart's recede,
And glaring with cracks and corners
The sun's beams in blinding light.
Those memories, that glass pane,
Their presence disturbs you, yet
To lose your opaque, shattered window
Is to lose that happy sight into
The open spaces of your heart.
Do not replace that window. Let it
Bore its presence, but build a new one,
And be more careful.

dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

The three stood listening to a fresh access
Of wind that caught against the house a moment,
Gulped snow, and then blew free again—the Coles
Dressed, but dishevelled from some hours of sleep,
Meserve belittled in the great skin coat he wore.

Meserve was first to speak. He pointed backward
Over his shoulder with his pipe-stem, saying,
“You can just see it glancing off the roof
Making a great scroll upward toward the sky,
Long enough for recording all our names on.—
I think I’ll just call up my wife and tell her
I’m here—so far—and starting on again.
I’ll call her softly so that if she’s wise
And gone to sleep, she needn’t wake to answer.”
Three times he barely stirred the bell, then listened.
“Why, Lett, still up? Lett, I’m at Cole’s. I’m late.
I called you up to say Good-night from here
Before I went to say Good-morning there.—
I thought I would.— I know, but, Lett—I know—
I could, but what’s the sense? The rest won’t be
So bad.— Give me an hour for it.— **, **,
Three hours to here! But that was all up hill;
The rest is down.— Why no, no, not a wallow:
They kept their heads and took their time to it
Like darlings, both of them. They’re in the barn.—
My dear, I’m coming just the same. I didn’t
Call you to ask you to invite me home.—”
He lingered for some word she wouldn’t say,
Said it at last himself, “Good-night,” and then,
Getting no answer, closed the telephone.
The three stood in the lamplight round the table
With lowered eyes a moment till he said,
“I’ll just see how the horses are.”

“Yes, do,”
Both the Coles said together. Mrs. Cole
Added: “You can judge better after seeing.—
I want you here with me, Fred. Leave him here,
Brother Meserve. You know to find your way
Out through the shed.”

“I guess I know my way,
I guess I know where I can find my name
Carved in the shed to tell me who I am
If it don’t tell me where I am. I used
To play—”

“You tend your horses and come back.
Fred Cole, you’re going to let him!”

“Well, aren’t you?
How can you help yourself?”

“I called him Brother.
Why did I call him that?”

“It’s right enough.
That’s all you ever heard him called round here.
He seems to have lost off his Christian name.”

“Christian enough I should call that myself.
He took no notice, did he? Well, at least
I didn’t use it out of love of him,
The dear knows. I detest the thought of him
With his ten children under ten years old.
I hate his wretched little Racker Sect,
All’s ever I heard of it, which isn’t much.
But that’s not saying—Look, Fred Cole, it’s twelve,
Isn’t it, now? He’s been here half an hour.
He says he left the village store at nine.
Three hours to do four miles—a mile an hour
Or not much better. Why, it doesn’t seem
As if a man could move that slow and move.
Try to think what he did with all that time.
And three miles more to go!”
“Don’t let him go.
Stick to him, Helen. Make him answer you.
That sort of man talks straight on all his life
From the last thing he said himself, stone deaf
To anything anyone else may say.
I should have thought, though, you could make him hear you.”

“What is he doing out a night like this?
Why can’t he stay at home?”

“He had to preach.”

“It’s no night to be out.”

“He may be small,
He may be good, but one thing’s sure, he’s tough.”

“And strong of stale tobacco.”

“He’ll pull through.’
“You only say so. Not another house
Or shelter to put into from this place
To theirs. I’m going to call his wife again.”

“Wait and he may. Let’s see what he will do.
Let’s see if he will think of her again.
But then I doubt he’s thinking of himself
He doesn’t look on it as anything.”

“He shan’t go—there!”

“It is a night, my dear.”

“One thing: he didn’t drag God into it.”

“He don’t consider it a case for God.”

“You think so, do you? You don’t know the kind.
He’s getting up a miracle this minute.
Privately—to himself, right now, he’s thinking
He’ll make a case of it if he succeeds,
But keep still if he fails.”

“Keep still all over.
He’ll be dead—dead and buried.”

“Such a trouble!
Not but I’ve every reason not to care
What happens to him if it only takes
Some of the sanctimonious conceit
Out of one of those pious scalawags.”

“Nonsense to that! You want to see him safe.”

“You like the runt.”

“Don’t you a little?”

“Well,
I don’t like what he’s doing, which is what
You like, and like him for.”

“Oh, yes you do.
You like your fun as well as anyone;
Only you women have to put these airs on
To impress men. You’ve got us so ashamed
Of being men we can’t look at a good fight
Between two boys and not feel bound to stop it.
Let the man freeze an ear or two, I say.—
He’s here. I leave him all to you. Go in
And save his life.— All right, come in, Meserve.
Sit down, sit down. How did you find the horses?”

“Fine, fine.”

“And ready for some more? My wife here
Says it won’t do. You’ve got to give it up.”

“Won’t you to please me? Please! If I say please?
Mr. Meserve, I’ll leave it to your wife.
What did your wife say on the telephone?”

Meserve seemed to heed nothing but the lamp
Or something not far from it on the table.
By straightening out and lifting a forefinger,
He pointed with his hand from where it lay
Like a white crumpled spider on his knee:
“That leaf there in your open book! It moved
Just then, I thought. It’s stood ***** like that,
There on the table, ever since I came,
Trying to turn itself backward or forward,
I’ve had my eye on it to make out which;
If forward, then it’s with a friend’s impatience—
You see I know—to get you on to things
It wants to see how you will take, if backward
It’s from regret for something you have passed
And failed to see the good of. Never mind,
Things must expect to come in front of us
A many times—I don’t say just how many—
That varies with the things—before we see them.
One of the lies would make it out that nothing
Ever presents itself before us twice.
Where would we be at last if that were so?
Our very life depends on everything’s
Recurring till we answer from within.
The thousandth time may prove the charm.— That leaf!
It can’t turn either way. It needs the wind’s help.
But the wind didn’t move it if it moved.
It moved itself. The wind’s at naught in here.
It couldn’t stir so sensitively poised
A thing as that. It couldn’t reach the lamp
To get a puff of black smoke from the flame,
Or blow a rumple in the collie’s coat.
You make a little foursquare block of air,
Quiet and light and warm, in spite of all
The illimitable dark and cold and storm,
And by so doing give these three, lamp, dog,
And book-leaf, that keep near you, their repose;
Though for all anyone can tell, repose
May be the thing you haven’t, yet you give it.
So false it is that what we haven’t we can’t give;
So false, that what we always say is true.
I’ll have to turn the leaf if no one else will.
It won’t lie down. Then let it stand. Who cares?”

“I shouldn’t want to hurry you, Meserve,
But if you’re going— Say you’ll stay, you know?
But let me raise this curtain on a scene,
And show you how it’s piling up against you.
You see the snow-white through the white of frost?
Ask Helen how far up the sash it’s climbed
Since last we read the gage.”

“It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the window-pane.”

“Brother Meserve, take care, you’ll scare yourself
More than you will us with such nightmare talk.
It’s you it matters to, because it’s you
Who have to go out into it alone.”

“Let him talk, Helen, and perhaps he’ll stay.”

“Before you drop the curtain—I’m reminded:
You recollect the boy who came out here
To breathe the air one winter—had a room
Down at the Averys’? Well, one sunny morning
After a downy storm, he passed our place
And found me banking up the house with snow.
And I was burrowing in deep for warmth,
Piling it well above the window-sills.
The snow against the window caught his eye.
‘Hey, that’s a pretty thought’—those were his words.
‘So you can think it’s six feet deep outside,
While you sit warm and read up balanced rations.
You can’t get too much winter in the winter.’
Those were his words. And he went home and all
But banked the daylight out of Avery’s windows.
Now you and I would go to no such length.
At the same time you can’t deny it makes
It not a mite worse, sitting here, we three,
Playing our fancy, to have the snowline run
So high across the pane outside. There where
There is a sort of tunnel in the frost
More like a tunnel than a hole—way down
At the far end of it you see a stir
And quiver like the frayed edge of the drift
Blown in the wind. I like that—I like that.
Well, now I leave you, people.”

“Come, Meserve,
We thought you were deciding not to go—
The ways you found to say the praise of comfort
And being where you are. You want to stay.”

“I’ll own it’s cold for such a fall of snow.
This house is frozen brittle, all except
This room you sit in. If you think the wind
Sounds further off, it’s not because it’s dying;
You’re further under in the snow—that’s all—
And feel it less. Hear the soft bombs of dust
It bursts against us at the chimney mouth,
And at the eaves. I like it from inside
More than I shall out in it. But the horses
Are rested and it’s time to say good-night,
And let you get to bed again. Good-night,
Sorry I had to break in on your sleep.”

“Lucky for you you did. Lucky for you
You had us for a half-way station
To stop at. If you were the kind of man
Paid heed to women, you’d take my advice
And for your family’s sake stay where you are.
But what good is my saying it over and over?
You’ve done more than you had a right to think
You could do—now. You know the risk you take
In going on.”

“Our snow-storms as a rule
Aren’t looked on as man-killers, and although
I’d rather be the beast that sleeps the sleep
Under it all, his door sealed up and lost,
Than the man fighting it to keep above it,
Yet think of the small birds at roost and not
In nests. Shall I be counted less than they are?
Their bulk in water would be frozen rock
In no time out to-night. And yet to-morrow
They will come budding boughs from tree to tree
Flirting their wings and saying Chickadee,
As if not knowing what you meant by the word storm.”

“But why when no one wants you to go on?
Your wife—she doesn’t want you to. We don’t,
And you yourself don’t want to. Who else is there?”

“Save us from being cornered by a woman.
Well, there’s”—She told Fred afterward that in
The pause right there, she thought the dreaded word
Was coming, “God.” But no, he only said
“Well, there’s—the storm. That says I must go on.
That wants me as a war might if it came.
Ask any man.”

He threw her that as something
To last her till he got outside the door.
He had Cole with him to the barn to see him off.
When Cole returned he found his wife still standing
Beside the table near the open book,
Not reading it.

“Well, what kind of a man
Do you call that?” she said.

“He had the gift
Of words, or is it tongues, I ought to say?”

“Was ever such a man for seeing likeness?”

“Or disregarding people’s civil questions—
What? We’ve found out in one hour more about him
Than we had seeing him pass by in the road
A thousand times. If that’s the way he preaches!
You didn’t think you’d keep him after all.
Oh, I’m not blaming you. He didn’t leave you
Much say in the matter, and I’m just as glad
We’re not in for a night of him. No sleep
If he had stayed. The least thing set him going.
It’s quiet as an empty church without him.”

“But how much better off are we as it is?
We’ll have to sit here till we know he’s safe.”

“Yes, I suppose you’ll want to, but I shouldn’t.
He knows what he can do, or he wouldn’t try.
Get into bed I say, and get some rest.
He won’t come back, and if he telephones,
It won’t be for an hour or two.”

“Well then.
We can’t be any help by sitting here
And living his fight through with him, I suppose.”


*****************

­
Cole had been telephoning in the dark.
Mrs. Cole’s voice came from an inner room:
“Did she call you or you call her?”

“She me.
You’d better dress: you won’t go back to bed.
We must have been asleep: it’s three and after.”

“Had she been ringing long? I’ll get my wrapper.
I want to speak to her.”

“All she said was,
He hadn’t come and had he really started.”

“She knew he had, poor thing, two hours ago.”

“He had the shovel. He’ll have made a fight.”

“Why did I ever let him leave this house!”

“Don’t begin that. You did the best you could
To keep him—though perhaps you didn’t quite
Conceal a wish to see him show the *****
To disobey you. Much his wife’ll thank you.”

“Fred, after all I said! You shan’t make out
That it was any way but what it was.
Did she let on by any word she said
She didn’t thank me?”

“When I told her ‘Gone,’
‘Well then,’ she said, and ‘Well then’—like a threat.
And then her voice came scraping slow: ‘Oh, you,
Why did you let him go’?”

“Asked why we let him?
You let me there. I’ll ask her why she let him.
She didn’t dare to speak when he was here.

Their number’s—twenty-one? The thing won’t work.
Someone’s receiver’s down. The handle stumbles.

The stubborn thing, the way it jars your arm!
It’s theirs. She’s dropped it from her hand and gone.”

“Try speaking. Say ‘Hello’!”

“Hello. Hello.”

“What do you hear?”

“I hear an empty room—
You know—it sounds that way. And yes, I hear—
I think I hear a clock—and windows rattling.
No step though. If she’s there she’s sitting down.”

“Shout, she may hear you.”

“Shouting is no good.”

“Keep speaking then.”

“Hello. Hello. Hello.
You don’t suppose—? She wouldn’t go out doors?”

“I’m half afraid that’s just what she might do.”

“And leave the children?”

“Wait and call again.
You can’t hear whether she has left the door
Wide open and the wind’s blown out the lamp
And the fire’s died and the room’s dark and cold?”

“One of two things, either she’s gone to bed
Or gone out doors.”

“In which case both are lost.
Do you know what she’s like? Have you ever met her?
It’s strange she doesn’t want to speak to us.”

“Fred, see if you can hear what I hear. Come.”

“A clock maybe.”

“Don’t you hear something else?”

“Not talking.”
“No.”

“Why, yes, I hear—what is it?”

“What do you say it is?”

“A baby’s crying!
Frantic it sounds, though muffled and far off.”

“Its mother wouldn’t let it cry like that,
Not if she’s there.”

“What do you make of it?”

“There’s only one thing possible to make,
That is, assuming—that she has gone out.
Of course she hasn’t though.” They both sat down
Helpless. “There’s nothing we can do till morning.”

“Fred, I shan’t let you think of going out.”

“Hold on.” The double bell began to chirp.
They started up. Fred took the telephone.
“Hello, Meserve. You’re there, then!—And your wife?

Good! Why I asked—she didn’t seem to answer.
He says she went to let him in the barn.—
We’re glad. Oh, say no more about it, man.
Drop in and see us when you’re passing.”

“Well,
She has him then, though what she wants him for
I don’t see.”
“Possibly not for herself.
Maybe she only wants him for the children.”

“The whole to-do seems to have been for nothing.
What spoiled our night was to him just his fun.
What did he come in for?—To talk and visit?
Thought he’d just call to tell us it was snowing.
If he thinks he is going to make our house
A halfway coffee house ‘twixt town and nowhere——”

“I thought you’d feel you’d been too much concerned.”

“You think you haven’t been concerned yourself.”

“If you mean he was inconsiderate
To rout us out to think for him at midnight
And then take our advice no more than nothing,
Why, I agree with you. But let’s forgive him.
We’ve had a share in one night of his life.
What’ll you bet he ever calls again?”

raindrops bounce on
the window frame,
reminding me we're
in this room together.

your words are raindrops
playing on my metal frame -
nowness splatters
into existence  -
you remind me that
someday we won't be
in this room together.

you repeat endlessly
between my ears -
I sing along to my favorite song -
I want to tell you
all the lyrics
but my words fall
like raindrops.

unspoken are my
tear-shaped raindrops -
their tremors taunt me
on this side of the pane -
you remind me that
we were always
in the wrong
alternate universe.

the raindrops refract
your light,
dissolving a warm glow
into the evening fog,
you remind me that you're gone.

maybe the rain stopped,
but the silence is only
the absence of your voice,
the rest is just noise.

I think of our raindrops now -
smiling -
knowing that you have an umbrella.

it was on the 2nd floor on Coronado Street
I used to get drunk
and throw the radio through the window
while it was playing, and, of course,
it would break the glass in the window
and the radio would sit there on the roof
still playing
and I'd tell my woman,
"Ah, what a marvelous radio!"
the next morning I'd take the window
off the hinges
and carry it down the street
to the glass man
who would put in another pane.
I kept throwing that radio through the window
each time I got drunk
and it would sit there on the roof
still playing-
a magic radio
a radio with guts,
and each morning I'd take the window
back to the glass man.
I don't remember how it ended exactly
though I do remember
we finally moved out.
there was a woman downstairs who worked in
the garden in her bathing suit,
she really dug with that trowel
and she put her behind up in the air
and I used to sit in the window
and watch the sun shine all over that thing
while the music played.