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"oxidized" poems
rich with the depth and intensity of oxidized blood, a plushness caresses my bare skin. my fingers tracing against the grain of the fabric slowly seducing as the canvas becomes duo chrome the tip of my finger a nymph cunning and artful the strokes offering an insatiable thirst yet so in control finally it succumbs turning a tide of new color permeating from where my touch once was a culmination of sorts leaving you enamored.
0
Sep 2, 2015
Sep 2, 2015 at 8:04 PM UTC
Velvet
My heart was mechanical Oiled always by love Cogs moved independently Springs always moving in rhythm This was love in my heart Intricate pieces moving as one Affection, Emotion, Trust, Was what fuelled this love It beat strong Never wearing down Always would it beat strong But then betrayal Disloyalty, Sorrow, Neglected Dirt had entered this heart Oil contaminated Springs oxidized Cogs bent out of shape Broken parts, littered the floor of this heart What once ran smooth, Started to go cold Cobwebs, Vines, Empty, Was this damaged heart Where once movement Who could mend This once loved heart, Then the tinkerer entered her life Full of friendship It took Time, for her to let him in But what once was reclusive Friendship, Blew the cobwebs away Companionship Cut the vines away Loyalty Filled that empty space Love Was the catalyst, that started This clock work heart again, Some piece, still lay On the hearts floor, For if a clock work heart is broken It will never be as it was before, The rust faded oiled once more A clock work heart is a fragile Piece, Only give it to those who will Hold it gently in there grasp.
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Aug 25, 2014
Aug 25, 2014 at 7:12 AM UTC
Clock Work Heart
~ late winter’s dusting, on tarnished ores; a dreamer’s seeds, these rails once bore. rain-washed colors, on sun-warped steel; their conjured hopes, an age once real; oxidized by rust and time blackened timbers, no longer bind; what still remains are worn out ties, a distant memory, of centuries gone by, now mere after-sighs. structures standing, but just by chance... a gust may blow them down; these buildings where men’s dreams once danced, now a ghost, this town. though no soul is left inside, still a body here resides. so long ago her carried goods, these rails rode, to distant homes, built dreams of wood; like dandelion wishes, scattered... gone, tracks going nowhere, now a fading ode, just another dusty song. for advancing progress never fails to leave someone's dying dream behind. ~ *post script. Oregon’s hills and back country hide these relics of a time when a nation’s spirit was fed by the sounds of industry, steel and steam, the whir of saws, and men calling, “timber”... long before the age of wood and rail were left in a saw-dusty bin of history by the sweeping hand of time.  i could easily be persuaded that this change was for the best, yet this can't erase the longing sense, left beneath my breast... advances do not come without leaving something or someone behind.*
0
Mar 12, 2017
Mar 12, 2017 at 4:11 PM UTC
ties
I thought                                         you'd left us, long ago desolate on a swing                        rocking stale, dry grass and still air                                              crossing never quite                  the hurdle                                                                                                                    lost unaware sweating youth in this humidity I thought we'd never make it past the rusty red and brown of weathered fences                             like               felt                        moun    They                                                                                        tains                                                                   Made of dirt                                                                                        (guilt) and an endless turmoiling scent, still fresh I thought you'd forlorned us                   h     e     a     v    y       r  a  i  n   and warm bodies standing next to oxidized hoops                                                           one adjacent to the other The haze of the heat hard, but not impossible to withstand                swaying like the gust of wind, swaying                                               the blazing sun and my open palms swaying Why was it here                                         that it felt like you left us                                                                                                             stumped,   unaware, consuming  with no                                                 idea of the Greater 2.                                                 W H A T was it about inner cities And skin that would tan Or resist the sun    that made you  mutter murky words   judgement                    that made me hike a                                   K                        A             E P that for so long made feel like a (lost) traveler unable to come find my way   D O W N. Still on a mountain top Never quite crossing the hurdle. That’s how you wanted me A      B           A                 N                      D  O N E D. 3. But my tongue made sounds copper pots and plastic measuring cups became the pious  accompaniment of a song sung inwardly until it manifested Words on lips                             Lips willing to kiss the purple clouds made out of strange fruit and a high border walls over my hand and back 4. A Swimsuit and a pool that could cool me small children see the cicatrixes       But I walk towards the water; I have long abandoned shame.
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Aug 14, 2018
Aug 14, 2018 at 11:24 PM UTC
Abandoned (dream poem. 1 )
I thought                                         you'd left us, long ago desolate on a swing                        rocking stale, dry grass and still air                                              crossing never quite                  the hurdle                                                                                                                    lost unaware sweating youth in this humidity I thought we'd never make it past the rusty red and brown of weathered fences                             like               felt                        moun    They                                                                                        tains                                                                   Made of dirt                                                                                        (guilt) and an endless turmoiling scent, still fresh I thought you'd forlorned us                   h     e     a     v    y       r  a  i  n   and warm bodies standing next to oxidized hoops                                                           one adjacent to the other The haze of the heat hard, but not impossible to withstand                swaying like the gust of wind, swaying                                               the blazing sun and my open palms swaying Why was it here                                         that it felt like you left us                                                                                                             stumped,   unaware, consuming  with no                                                 idea of the Greater 2.                                                 W H A T was it about inner cities And skin that would tan Or resist the sun    that made you  mutter murky words   judgement                    that made me hike a                                   K                        A             E P that for so long made feel like a (lost) traveler unable to come find my way   D O W N. Still on a mountain top Never quite crossing the hurdle. That’s how you wanted me A      B           A                 N                      D  O N E D. 3. But my tongue made sounds copper pots and plastic measuring cups became the pious  accompaniment of a song sung inwardly until it manifested Words on lips                             Lips willing to kiss the purple clouds made out of strange fruit and a high border walls over my hand and back 4. A Swimsuit and a pool that could cool me small children see the cicatrixes       But I walk towards the water; I have long abandoned shame.
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62
I lift syllables to plant They will ripen in your mind Like wheat of the ancient fields Where our ancestors ate language And leisure, like we have never known We who labour like machines As slaves might, while our lives Is as a poem where the trees incandescent Must watch themselves wither As sheets of paper gone to waste I lift houses of sound To your legendary fracture of silence These vacant lots of night-time Where a pale puddle of your Grip upon reality suddenly blazes With figures of your once dreams The summer has oxidized mornings, sunsets A weightless winter awaits, as scattered Pages are left to turn, each one Words in the shape of a cloud of dust As white as snow, as lingering As the cold, and the murmur of a million Leaves that once were, but are now only The idea of color, the texture of earth.
0
Oct 15, 2014
Oct 15, 2014 at 10:19 PM UTC
I exist in a room abandoned by language
feel my breath on your neck - misty with an oxidized smile. don't say no. i cannot take more opposition but across the universe, my breath resonates like an unpitched percussive. the sound is inaudible but the sun in my mouth plays loudly for no one to hear.
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Jul 18, 2014
Jul 18, 2014 at 2:27 AM UTC
balloons
Even as ship was sinking Having hit Titanic iceberg Still silly ship captain me could laugh At go down with it self-tragedy Now resting (rusting) On Atlantic ocean bottom Can't laugh without air to breathe No humour left in these old oxidized bones Having missed the lighthouse No sea shells to share No crashing waves Dead eyes stare out window Laid bare barren wastes Blair station Near where used to live Pretending we were still a family
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Dec 1, 2014
Dec 1, 2014 at 1:37 PM UTC
Family
Profound profanity, he says, is the key to germination. But why, I say, would one ever want to procreate? For the experience, he says, which is about the journey and not the destination. I can understand this, it's like riding a bike a stationary bike that goes nowhere but see, you're going! Going and going. I do see and so does he so what do we do? Not a whole lot, just sit and talk of trains and temperature and how pirates walk. He likes to do litmus tests of our saliva and hang them in the windows for all to see that we are not acidic, but on acid, and sometimes a bit base in nature, like the trees and the crysanthimums and corinthian columns in Greece. We traveled to Greece, once, on our stationary bike it was beautiful and real and there was much salt in the air- they grow olives and fish in the trees and their water is just teeming with rust. We put our rust on buttered toast like cinnamon and munched at the oxidized metal, crunching like captains and cheesin like goats just a random bunch of fools with our silver and tenticals and suction cups of steel. We are like robots, fighting crime and boredom with music and shrugs because frankly my dear we don't give a ram or an aries or any other kind of anything. We simply do not because we will not, and refuse, above all else, to sleep without a star in the sky.
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May 18, 2012
May 18, 2012 at 7:28 PM UTC
Gibberish
Corroded reflections see through the visage of my life I'm just a shadow puppet of existence and this is my gift to those I love. *"I'm a vacant lot of amore, "Loving others is now a hollow chorus.* *"I've loved each of you like death greets a dying man, I feel nothing anymore.* *"Looking beneath me, I'm a collection of oxidized memories, each if drowning within me.* *"Children where my anchor, but that ship sank beneath the waves of my own hurricane of despair.* My censorship will now collect on others, satisfied that I have worded this, as it dries my breath fades out. I was a chorus of lullabies, now I wonder off to the quiet place where my troubles delicately fade out....
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Aug 6, 2017
Aug 6, 2017 at 4:24 PM UTC
A Chorus Of Lullabies
The smell of grandma's porch was wonderful but not in the clothes on the line or fresh apple pie on the windowsill kind of way. Grandma's porch smelled of old paint of winter even in the summer and of damp wicker, an ancient outdoor rug, oxidized aluminum siding and dust from the cars on First Avenue speeding to, or from, the Post Office on Main Street at the bottom of her street These were not necessarily "good" smells We'd wash them off of our hands before we ate lunch in front of the TV with grandpa, watching Jeopardy but the old one not the one with the Canadian guy But they were good smells to us because they reminded us of a grandma who allowed her grandchildren to build massive forts from blankets and every chair and sofa cushion in the house TV tables too As long as they were dismantled before Noon when Jeopardy came on and grandpa would want his lunch and the vapor rising from his bowl of Campbell's chicken noodle soup would wash away the smell of grandmas porch from our noses.
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Aug 13, 2012
Aug 13, 2012 at 4:37 PM UTC
Marty's Porch
And another morning happens, awoken by the oxidized groan and stretch of the lumbering machines that live in the dirt pile in front of my apartment there used to be a farm there, and there used to be someone in my bed and darker curtains in my room but a lot changes in a year there's still a tiny hole in the corner of my bathtub that greets the curve of my foot every time I step into the shower i can't tell if it's gotten any bigger or not or if the water i hear dripping is from some other fixture for me to look at another day i know my kitchen sink still overflows not with bubbles not anymore but with the dishes i've put off for almost three days i wish the men in hard hats across the street would do the same, tell themselves that they'll get to that concrete patch, hole digging, pipe laying, belt grinding, beam building, horn honking, sound of trucks backing up tomorrow so i could sleep in for once but they've got a job to do and sandwiches someone wrapped for them in aluminum foil to eat at lunch and i've got to do the dishes so i can have a spoon for my cereal
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Jan 9, 2023
Jan 9, 2023 at 4:50 PM UTC
7:30 AM
You kept me entombed in a coffin of thought Never free cockroaches of doubt crawled Around my chained thoughts. The nails rough on my mind, jaggedly etching oxidized stagnation of my embalmed understanding. Why would you keep me in the dark. I am solitary in this shallow wash of waning moments Could I just crawl in to this sea of disbelief and Drown slowly in my entombed darkened thoughts.
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Aug 31, 2015
Aug 31, 2015 at 6:04 AM UTC
In Darkness Where My Thoughts Were Kept
Missy, Missy Mortimer How does your steel heart beat? Your bloodline oxidized by hate Satan can’t compete. Missy, Missy Mortimer Who do you think you are? A pure facade of intellect Matched by your ugly scars. Missy, Missy Mortimer Obstinate, careless, crude… Hell awaits your filthy soul As you practice being rude. Missy, Missy Mortimer Insult; demean; degrade The power you pretend to hold In your foolish mind is made You cast away the moral code Or perhaps it’s just amiss You justify your horrid ways Your arrogance now bliss. Manipulation, you hold dear As if all cannot see With precision you decide your mark You aim, and shoot; well pleased. Missy, Missy Mortimer No warning you deserve To crush and stomp on human hearts Compassion; no reserve Oh Missy, you may think you’ve won A pin for your collection You controlled and shoved me out your door Unjustified rejection. As soon as I can gain the strength Forgiveness I shall find Your ugliness is pitiful But the Lord’s a friend of mine. He watched you’re actions closely He sadly shook his head Your Father, He wants more for you But on thin ice, you tread. Missy, Missy, Mortimer I pray you hear His call Until then, you stand on the edge Your back against the wall.
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Mar 30, 2011
Mar 30, 2011 at 10:02 PM UTC
Missy, Missy, Mortimer.
i have been introduced to a fragmented universe blue and silver amid temporal ruins oxidized epochs extract from me thought processes and aural distillations of a catatonic rage, that discards all trivia in its scrutiny of minds in a chronological diversity of words and images it is a kinetic fluency of gestures in an ****** calligraphy of expansive transferable threads of thought it is the real and the imagined one that precludes inquiry which leaves me infused with a compulsion of composed complications in episodic inspired delirium
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Apr 14, 2013
Apr 14, 2013 at 12:46 AM UTC
episodic inspired delirium
These streets knew feet in days gone by, bustling sidewalks, crowded storefronts, laughter, light and dancers leaking out of smoke-filled bars. Cars would wind through intersections, blood cells between neighborhoods. From The Corner came The Roar. He remembers how the Autumn sounded                        back in '84 when Alan Trammell brought The Series home, the arcing shot off Gibson's bat, the rolling wave of soaring voices.                       Old English                              "D"               tattooed on the hearts                         of a city      who's been hurting since the 50's. Bless You Boys. Ya did it-- went and Sparked up Michigan and lit a dimming town again in Corktown's widening eyes. In 20 years, though, losses pile up. 55 and starved for signs of trends reversing, luck upending, impending relief or just some kind of                   something. Sickening, cloying rapid decay        as neighborhoods die. These streets know crumbling cinderblock walls and blistered paint coats don't cover ribcages starting to show-- steel girder bones--and windows blown out, like teeth lost from a well-spoken mouth, allow the Lake Michigan wind to howl                       out the tale--             through oxidized bones--        of just what it looks like       when economic war hits home. Heartbeats still find footing in Motor City streets, beneath          the Old English "D," but mind the scoreboard smart; the Tigers lost a hundred games                     in 2003.
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May 11, 2015
May 11, 2015 at 6:58 PM UTC
Old English "D"
These streets knew feet in days gone by, bustling sidewalks, crowded storefronts, laughter, light and dancers leaking out of smoke-filled bars. Cars would wind through intersections, blood cells between neighborhoods. From The Corner came The Roar. He remembers how the Autumn sounded                        back in '84 when Alan Trammell brought The Series home, the arcing shot off Gibson's bat, the rolling wave of soaring voices.                       Old English                              "D"               tattooed on the hearts                         of a city      who's been hurting since the 50's. Bless You Boys. Ya did it-- went and Sparked up Michigan and lit a dimming town again in Corktown's widening eyes. In 20 years, though, losses pile up. 55 and starved for signs of trends reversing, luck upending, impending relief or just some kind of                   something. Sickening, cloying rapid decay        as neighborhoods die. These streets know crumbling cinderblock walls and blistered paint coats don't cover ribcages starting to show-- steel girder bones--and windows blown out, like teeth lost from a well-spoken mouth, allow the Lake Michigan wind to howl                       out the tale--             through oxidized bones--        of just what it looks like       when economic war hits home. Heartbeats still find footing in Motor City streets, beneath          the Old English "D," but mind the scoreboard smart; the Tigers lost a hundred games                     in 2003.
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45
Trickle, You are picturesque abstract Elongating droplet stroke Smiling on surfaces Fondling oxidized tissue Making love to ozone From afar Trickle I am painfully patient deliberate witness to your becoming A river Breaking my o-zone of comfort Vapor distorting solidity Fall back unto me Bring back the salt that I squandered But don’t Deliver this clarity razor-sharp Through the fabric of irises So impossibly deep In the flesh of my Indigo sky Embedding eternally That state-shifting Thought foreign body Lost in the cobwebs Of amber-caught impulses
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Mar 14, 2017
Mar 14, 2017 at 11:16 AM UTC
Goes Around
the universe is one room, one pocket of energy and it's expanded void just like life is made of two cells, star dust, and waves of orange and pink and a sickening red burning into sun like grapefruit oxidized and covered in incense skin only stays smoke torn by time and time because it's torn useless is the same sometimes I feel real, but I usually see out of myself not through my eyes it's almost like my blood isn't in balance with gravity sometimes it pushes up against my skin, expands too fast for force, towards the stars which is where we all start and all start to end.
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May 21, 2011
May 21, 2011 at 8:52 PM UTC
genetics in everything; potential through the planets
hope crumbles like leaves in the fall It seeps from emerald and orange-brown, the show of coral in the Caribbean Sea. Melancholy gathers in the veins of the fisherman taking a **** off the seashore. He, as many, put lead arms over the sea. Twin suns intertwined, produce solar flares of sea-blue and scarlet changing the air. Too bright ---- Ruby and sapphire pour through pores like oxidized blood flowing from an open wound. Four black mountains, molehills--- depends on who names them. Blue-green the sea washes back unto itself carrying away drift wood as happiness carries sadness with heavy hands.
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Oct 15, 2010
Oct 15, 2010 at 1:07 PM UTC
Journey Underneath Twin Suns
the sky is on fire; the rest is a series of grays. wrought iron, rot of ages. earth besot by metal, metal besot by rust. an oxidized baptism. clouds are made in factories now. the silver lining is a carcinogen toxic as the underside of peeling paint. spring is devoid of sound. persephone speaks in whispers with a copper taste in her mouth and lungs filled with blood and dust. an old nosebleed has dried in rivulets down her face. cross-legged and bony on a rusted y-beam she counts down to doomsday in dried flower petals. a lone figure amidst a sea of flags of surrender rendered in miniature and shivering, flapping in the gale she ties ribbons to the slender limbs of the condemned. the falcon is long gone. there is no-one home in the cobwebs. at night, the smog blots out the stars. she wraps her arms around her wasted frame stands in opposition of progress and waits for the sirens and a new clear winter. she remembers a time when there were still blank spaces on the maps. but this is topside, and there is no undiscovered country.
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Nov 21, 2011
Nov 21, 2011 at 7:42 PM UTC
post-nuclear proserpine
Far yonder aether and spaces traversed in countless night years. The tremendous travel on light waves till  oxidized on ozon layers. The tedious wait for an elemental suit equipped with sensory marvels. To sense the air fire water firmament chequered with energy levels. The suit was made to order at a court woven by matching hearts. The landing to a cosy slumber bag enacted by eye catching arts The jovial journey accomplish with purpose meeting  the reach. The cause of the entire travel tip off further detailed research.
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Nov 30, 2018
Nov 30, 2018 at 11:04 AM UTC
Journey of a soul
thread hangs dewy bright oxidized aluminium contrasts grey glassy grey crumpled in doorway a song through whiskers licked yellow and smoke flecked black ash. notes float coats the space between a boy silver bits (remnants of magic cards move moving Mother) from pocket to pocket "silver linings, eh " scaffolding reached a little higher and somehow mucus trails had a musical movement
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Nov 23, 2016
Nov 23, 2016 at 2:14 AM UTC
Jacob's ladder
loss and rainbows where two edges meet orchestras of cellos (purposely out of tune) shallow gasps manifested in rest notes between the spaces of off-key melodies mosquito bites and your suggestion that my blood must be sweetest but I can't take you as a compliment; this is not a time for threats, my darling, nor is it a time for deaths. it is not a time for spaceless thoughts nor for confessions with political motives under white garments of smiles and spices and seductive entices the breath gets deeper even if only for a moment and then the gasp returns: the window blinds my glasses the windows blind the masses the windowblinds conceal the sun from me which hides my sanity and peace behind the instruments and their voices but it is probably to be found in the rests where the bars meet each other at the edges, where the silences collide and burn as substances react to oxygen and oxidized carbon and I don't feel god and that is startling, it is starting to sound like a long bar of rest notes or a mind which deciphers like stars out of their constellations out of their occupations out of their spheres like stars unaligned like lies out of signs in the open blinding sun shining minds sparkling like water after a chemical synthetic process (like most of our bodies) and my condescending opinions on all who give in to fabrications and useless surgeries and drugs to feel or to stop feeling, or to reverse the effects of our sadness our misery our traumas and dramas without seeing them face to face, eye to eye, because to turn around blindly is so. much. easier.
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Jan 11, 2014
Jan 11, 2014 at 10:05 AM UTC
and i don't feel god
loss and rainbows where two edges meet orchestras of cellos (purposely out of tune) shallow gasps manifested in rest notes between the spaces of off-key melodies mosquito bites and your suggestion that my blood must be sweetest but I can't take you as a compliment; this is not a time for threats, my darling, nor is it a time for deaths. it is not a time for spaceless thoughts nor for confessions with political motives under white garments of smiles and spices and seductive entices the breath gets deeper even if only for a moment and then the gasp returns: the window blinds my glasses the windows blind the masses the windowblinds conceal the sun from me which hides my sanity and peace behind the instruments and their voices but it is probably to be found in the rests where the bars meet each other at the edges, where the silences collide and burn as substances react to oxygen and oxidized carbon and I don't feel god and that is startling, it is starting to sound like a long bar of rest notes or a mind which deciphers like stars out of their constellations out of their occupations out of their spheres like stars unaligned like lies out of signs in the open blinding sun shining minds sparkling like water after a chemical synthetic process (like most of our bodies) and my condescending opinions on all who give in to fabrications and useless surgeries and drugs to feel or to stop feeling, or to reverse the effects of our sadness our misery our traumas and dramas without seeing them face to face, eye to eye, because to turn around blindly is so. much. easier.
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20
some days, when the pain is bigger than before, when it manifests itself into a coyote hunting down the prancing memories of the good days, chasing the sunset, it's these days I ask myself if it was truly worth it? is it better to have loved & lost; to have lived and died, than to be a spec of dust on the wind, washing the sky in colours undetectable. we painted the clouds in rosy hues, & loving you was like painting a canvas in every shade of red from every berry in every forest. but when the paint dried & oxidized, & roses looked muddy like they had been stepped on out in the rain, it was days like that I felt it was not worth it. being shackled to the ground, sprouting from the soil and instant destruction, this love was so young, so pure, so new and senseless, yet agony awakened as your spirit drifted away from these leaves & thorns, & I am just a small rosebud begging to blossom but you keep picking petals, playing a game of "I love her, I love her not" how does this flower bloom if every day she fades back into the ground, trampled by the crash of timber from the shaky earthquake of your voice. cowering in the corners from the thunder your voice emits, from the high heavens. so holy you seem with your voice so high, so above and beyond the trees my petals could never reach. & yet so terribly close you feel, how your voice carries on the wind, howling from dawn to dusk. so I understand now why it hurts so much. how you were once all of nature, but the forest burnt to the ground, ashes to ashes, we, the remains of nature, scattered across the earth. you're love was so short, a glimpse of light, a lunar eclipse, & the forgetting is so long, a year of April showers, a mourning period where flowers don't grow, flash floods in my eyes & around every corner. forgetting is all to difficult, but I'll take it. I'll take the rain any day, to have felt your light if only for a fraction of a moment; if only to have it vanish like the wind.
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Feb 17, 2016
Feb 17, 2016 at 8:42 PM UTC
loving you was in my nature
some days, when the pain is bigger than before, when it manifests itself into a coyote hunting down the prancing memories of the good days, chasing the sunset, it's these days I ask myself if it was truly worth it? is it better to have loved & lost; to have lived and died, than to be a spec of dust on the wind, washing the sky in colours undetectable. we painted the clouds in rosy hues, & loving you was like painting a canvas in every shade of red from every berry in every forest. but when the paint dried & oxidized, & roses looked muddy like they had been stepped on out in the rain, it was days like that I felt it was not worth it. being shackled to the ground, sprouting from the soil and instant destruction, this love was so young, so pure, so new and senseless, yet agony awakened as your spirit drifted away from these leaves & thorns, & I am just a small rosebud begging to blossom but you keep picking petals, playing a game of "I love her, I love her not" how does this flower bloom if every day she fades back into the ground, trampled by the crash of timber from the shaky earthquake of your voice. cowering in the corners from the thunder your voice emits, from the high heavens. so holy you seem with your voice so high, so above and beyond the trees my petals could never reach. & yet so terribly close you feel, how your voice carries on the wind, howling from dawn to dusk. so I understand now why it hurts so much. how you were once all of nature, but the forest burnt to the ground, ashes to ashes, we, the remains of nature, scattered across the earth. you're love was so short, a glimpse of light, a lunar eclipse, & the forgetting is so long, a year of April showers, a mourning period where flowers don't grow, flash floods in my eyes & around every corner. forgetting is all to difficult, but I'll take it. I'll take the rain any day, to have felt your light if only for a fraction of a moment; if only to have it vanish like the wind.
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23
That night he reached for my hand My fingers corroded. Every nail of mine rusted over and began to crumble; But, I kept holding on and fought against all the chemicals in my body working against his touch. When he talked, I tried to keep up with simple conversation; However, every time I went to speak My lungs became oxidized. I would choke on every letter that managed to escape; But, I still said things I probably shouldn't. And as he kissed me, I felt my mouth Crystallize entirely. Snowflakes frosted my lips and my teeth hardened into quartz; But, I allowed it to happen over and over because He always "loved how my smile shined." When he was near, every atom in my body buzzed Pressed against my skin and bones. All protons, neutrons, and electrons collided against each other. Fighting to escape As if the cells that made me knew as explosion was near; But, I didn't listen because I thought chemistry was just about balancing equations.
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Jul 20, 2016
Jul 20, 2016 at 3:04 AM UTC
There's A Science To My Last Heartbreak
The room was dark Except for my little nightlight That depicted some kind of children's Bible story That I no longer remember But it glowed and reflected against my face And when he looked into my eyes I swear he saw an endless sea to explore Greedy and only searching for a treasure And it didn't take long for him to find one A chest he stole and emptied into his hands Shaking out every piece of worth Until nothing remained but a shell His hands oxidized the gold - Shattered the gemstones - And took away all that belonged to me Leaving me in my bed Staring at the nightlight, Until my eyes got heavy and my hand reached forward It didn't look like mine anymore It looked like a child's: small and innocent That wasn't me now - he had taken that, too I flipped the switch so I didn't have to look
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Jan 9, 2020
Jan 9, 2020 at 3:49 AM UTC
Nightlight