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Big Virge Jul 2020
I Used To Meditate...
In My YOUNGER Days... !!!

The Day I Stopped...
Was A Crying Shame... !!!
But I Now Meditate...
In A... DIFFERENT Way... !!!

I Meditate... NOW...
By Picking Up A Pen And Writing Down...
ESPECIALLY When I Start To FROWN... !!!!!!

Poetry FEEDS My ENERGIES...
And Helps My Mind FIND... " Inner Peace "...

I Write About The Things I SEE...
Within My Life And On The Streets...

It's A Form of... " Meditation "...
My Poetic Word Creation...

It FEEDS My RESPIRATION...
Thus AVOIDING Palpitations... !!!

Palpitations... In My MIND...
When Inclined To RECOGNISE...
That MANY DIE Because of LIES...
And THOSE Who CHOOSE...
To... PERPETRATE CRIMES... !!!

… ” Meditation " …

Through My Rhymes...
MAINTAINS My Search For LIGHT...
That Helps Me STAND and FIGHT...
For What... I THINK Is RIGHT... !!!

What's RIGHT For... ME...
Is... REGULAR Use of Poetry... !!!

It's As If I... " MEDITATE "...
When My Pen EMBRACES Page...

And Starts To... Relay...
How I Feel About The World...
And Our Lives... Today...

Sometimes I Simply...
Drift AWAY............................... .................
Through... Time And Space...
In Other Words Folks I... MEDITATE... !!!

I Write With A RHYTHM...
Some People Say...

That's Because of THE TUNES...
I Put On.... " PLAY ".... !!!

That's Why My Wordplay...
DOESN'T Seem To Be... " Staged "...

There Is... NO STAGE...
When You MEDITATE... !!!!!

Are You Reading Me Folks... ?
Cos'... That's NO JOKE... !!!

Words Like THOSE...
You Should Let SOAK...............

SOAK... " INSIDE "...
Your Heart And Mind...

I DON'T Presume...
To KNOW What's Right... !!!
  
But You May Find...
This Helps Your SIGHT...
And Eventually SEE...

How Poetry...
CAN FEED Your NEEDS... !!!

Write For... YOU...
And Then You'll Find...
Your Rhythm Too... !!!!!!

Meditation IS...
... BENEFICIAL Food...
When... NOT ABUSED...
By.... HARD DRUG Use.... !!!!!

CLARITY of Mind HELPS You Recline...
And NOT Resign To MISSING Signs...
of What Is WRONG And What Is RIGHT... !!!

Mediation HELPS You FIND Yourself...
And BREEDS A WEALTH of MENTAL HEALTH... !!!!!!!!

It Also SOOTHES Your DARKEST Moods...

ESPECIALLY When...
It's USED To IMPROVE...
How You FEEL About... YOU... !!!

The Basis of Which...
Is Being... TRUE... !!!!!

My Poetry SEEKS.............................. ...........
To TOUCH And REACH................

A Place of BEAUTY...
CALM And PEACE.............................. ...........................

Meditation FEEDS My Poetic Creations...
And Helps EXCEED My... "Limitations"... !!!!!

And EASES YES My... Respiration...

BREATHE In................................. .................................
BREATHE Out................................ .................................

And Then... EXPOUND...
By USING Scripts Like RHYTHMIC Sounds...
This Is How I MEDITATE NOW... !!!

Which Is Why My Words...
Are... Humility Bound... !!!

Humble Because The Path I've Found...
Helps My Feet STAY... ON The Ground... !!!

My Form of... " Meditation "...
Helps BUILD My Education...
ABOUT Our Population...

That's Why I'm Now Relating...
About THIS.... " Meditation "....
That KEEPS My Soul ON TRACK...
And... Suitably STATIONED... !!!!!!!!!

STATIONED In A Place...
Where I CAN Meditate...
And When I DO...
THIS Poetry Tool...
of... Pen And Page...

HELPS Me COOL My TEMPER Gauge...
NO Time For HATE Or Getting IRATE.

Because They LEAD To EVIL DEEDS... !!!

I'd RATHER Meditate Than MEET Their Fate... !!!!
Whether Writing On Race Or The Welfare State...

My Words Relate And Indicate...
How I... Choose To...

....... " Meditate ".......

But If My Wordplay DEMONSTRATES...
ANGER When My Pen Meets Page... !!!!!

PLEASE... OVERSTAND... !!!
If I... Start To RANT... !!!

Being... BLACK...
Has It's... PROBLEMS... !!!!

So REMEMBER These Words...
The Name... " BIG VIRGE "...

But When...
ALL's Said And Done...

I'm Just... A MAN...
Like Those Who Have...
A.... " Lesser Tan ".... !!!!

When I Meditate Now...
I'm CALMING Down...

It's Just My Way...
of RELEASING PAIN... !!!
And Learning How To...
SMILE... NOT Frown... !!!

It's ALL A Part of SHOWING Heart...
Before Things Start To Fall A P A R T... !!!!!!

I'm NOT That Smart...
But... KNOW What Makes...
My ANGER... PASS...................

Pen And Page Night Time Or DAY...
Are Times When I Now Meditate...

Poetry Eases MANY Pains...
That's My Thesis What Do You Say... ?
Does Poetry Make YOU Feel THIS WAY... ???

It Breeds... CREATION...
I'd Rather Have THIS Than ANY Playstation... !!!

Synchronisation And Intonation...
Mixed With Patience And EXQUISITE Cadence...
is BOUND To TOUCH And FEED Sensations...

... Similar To THOSE...

We DEFINE As...

.... " MEDITATION "....
I would never have thought it would be such an important part of my world, however, I am very thankful it is, thus I continue to meditate ............
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Nigel Morgan Nov 2012
As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.
A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n
-lights out-
fall, hands a-clasped, into instantaneous
ecstasy like a shot of ****** or morphine,
the gland inside of my brain discharging
the good glad fluid (Holy Fluid) as
i hap-down and hold all my body parts
down to a deadstop trance-Healing
all my sicknesses-erasing all-not
even the shred of a 'I-hope-you' or a
Loony Balloon left in it, but the mind
blank, serene, thoughtless. When a thought
comes a-springing from afar with its held-
forth figure of image, you spoof it out,
you spuff it off, you fake it, and
it fades, and thought never comes-and
with joy you realize for the first time
'thinking's just like not thinking-
So I don't have to think
any
more'
Robin Carretti Jul 2018
The love pretty please
wait for my
Cherry baby on top
Not some love O-Oreo
I could scream beguiled
Both twirled in swirls
Bavarian cream

Love has torn at the seams
Bad dream hot hit
bounty hunter
Bunny ears of the hop heart
it skips divine lips like a light tower
No other apology cries the thunder

And wait a **** minute
O-Oh-Yes where's my tip

I am not your second
fiddle of stunts
The romance of philosophy

We can fly higher
than anyone
will ever be

The Outgaze O hearts
of symmetry
Being told about their love
or other peoples fun
Twilight apology Wolfin tie outrun

Love O Apology light my pleasure
O on Overdrive no time for the
S letter-word SOS seizure
How many love gestures
of psychology

Love word *O
love
to Outlive
your treasure
Being psyched for physiology
Feeling mighty good right now
Don't blow bubbles like their
stars* of trouble

A few in the A-New heart stays
ever so blue few Good Men
Perfect Zen thumbs up
His or hers how cute
the words up
The Buddha says
Love is a
spiritual existence

The herbs body rubs
Going to the Hubs
Behind all your apologies
Wearing the new Doctor scrubs
Love house of Labs resistance

The morning glory September
rise and stretch your
overworked wings
Believing never comparing
to another love
It's your love

Or very O for outstanding at the utmost
So incredible the feeling
       Loveology
There's absolutely no apology
The love surrender lion and tigers
So bearable

Her turn like a Turnup
Up close nose smells the rose
Picking love out pulling
the weeds
Her red  embarrassed face
of the radishes
The Shy bush compared
to the O outgoing love
A hint of red delicious apple
Buzzing around the
Mulberry Bush_
Big Ben London
O Sweet Lord of magic singing
*Rosebush* fresh lemons
George Bush Patriotic
Chilean Sea Maiden Bass
Love ******

VIP pass especially with love
Here it is his loves
A spinning wheel so dizzy
London foggy she is the
product of the  flower *****
Like a carnival cotton candy
What a head rush
Another apology and a big push
Those hummingbirds of sweet soul
But something ambushed
She got a lump of his
crab meat cheek crush

Getting over someone never to see them

*Picking out all the petals of the rose when she was with him*

How many apologies open heart surgeries
Apology on hold like a new series
*Wake up "O" my muffin*
Cheers to the world of Oats
Fingerpicking Cheerios
*Don't give in  get to know him

Giving/InWay*

New love *Caved In*
His way per click day
High payments to pay off

BMW Billionaire Man wilted
Love head Beamer
Be
_ My__ World the dreamer

That love pain injury, going faster
Strong love never to lose her
Like cancer Santas Deers love prancer

Fine tooth comb
Negative force to succumb

Capitulate
Artsy wings to meditate
She is destined for something
So articulate
Can this be a painful love of fate?
She succumbs to the time given in
To her O Lord temptation
Words stand alone planet of people
Hearing the real voice no recording
From here to eternity the blasted phone

The Love O not to outwit just sit
And lift your gravity of love
Round earth or your flat on the ground or above
someone knows your true love


*She is combing her hair Silkience Queen of the Divination
Love, there should be no apology lifted gravity that loves O went further than he will ever know her sexuality was smiles alive he couldn't learn his numbers.  Where is the love when your heart thunders world of letters and love writers never to apologize we are the real fighters
Brycical Aug 2011
When I meditate there’s a cosmic snake trying to eat my happiness.
When I meditate there’s a cosmic snake trying to eat my happiness.

It tries to distill and filter my happiness
It wants to fill it’s venom in my happiness
It’s gotta try and dry up all my happiness

The snake is everything I’m afraid of
It’s fangs are the anxiety of today
his body is the timeline of the times my family and friends done lied to me
the hissing is the pessimism that my ego wishes it could just ignore.

Fight the snake
Fight the snake
Fight the snake
Fight the snake
Fight the snake
Fight the snake


He’s green like the pride I never have
It’s eyes are red cause it’s always mad at the cheaters getting ahead
He wraps around my heart every now and then
but I repeat this mantra again and again.  

Fight the snake
Fight the snake
Fight the snake

When I meditate I fight the snake

He's cold...
and made of steel.
Trying to keep my head out of the clouds
so I'll never feel the serotonin omen of a good day again.  

That's why I fight the snake
fight the snake,
fight the snake.
When I meditate I fight the snake
and it all just turns out fine.
This poem was highly influenced by The Doors song "The End." So I apologize if it sounds too similar.
When my muse eludes,
I pick up my Guitar;
and when that fails,
I seek the (albeit sometimes symbolic) Pen.

When that as well fails to impress the Divine within me,
I regress to something much, much closer to home;

I Meditate.

Neither speaking to nor being spoken to by the Divine;
Asking not and seeking no Answers;
trying to be content with this.

Just Meditate.

Do not stare it in the Eyes
for it is the Void itself;
the Mystery itself;

Meditate.

Look into the Pond in which you're standing
and try standing still enough long enough
to let the ripples and sediment settle;
to be able to see thy Reflection;
Such is Mind:

Meditate.

Realize that you are a Fractal of Manifestation;
a pattern begot of patterns upon patterns upon patters
throughout time upon time upon time;
symmetrical in a parabolic sense, perhaps even circular;
Birth, life, death, (etc.?).

--
Universe:
The all-encompassing Chord:

A
Fractal
Manifest.
begot of the One;
relatively horizonless,
each point sees itself as Center;
when really there is no Center,
except the Center
relative
in time;
Now.
Brandon Conway Oct 2018
The quill's sodden ink evaporates
while this bell jar encapsulates
leaving these dreary words to permeate
only to rain back down and stagnate

this terrarium, my lonely estate
pickling eyes that spate
people peer through the glass only to deprecate
while I slowly start to acclimate

two horizons squint until light dissipates
allowing the darkness to overtake
monsters crawl out to dilapidate
snarls and growls devastate

this is fate this is fate this is fate this is fate
is it too late is it too late is it too late is it too late
echos verberate echos verberate echos verberate echos verberate
this is fate and it is too late these echos verberate and I ruminate
I ruminate and ruminate and ruminate and ruminate

with a languid gait
a countenance set straight
while I desperately try to create
a happy blissful sunny green free state

it's not too late it's not too late it's not too late
meditate meditate meditate meditate
don't let the glass alienate
pick up the hammer and swing
                                                       till the glass B    E      K
                                                ­                                R    A      S.
Cat Fiske Jun 2015
find the matches,
lite the candle,
meditate,
nothing,

turned the lights off,
tried again,
nothing,
closed my eyes,
tried again,
nothing,

Grab the candle,
hold it in both hands because Fire safety 101,
double check to make sure your water bottle is close by
(incase you can't handle the heat),*
be a boss and hold the flame with one hand,
now play with rubber bands, *
meditate  again,

nothing,

look to check if your water bottle is still there,
slide rubber band around the center,

Drink,
Try again for the heck of it,
Focus on the ******* flame,
nothing happens again,

breath in,
now breath out,

**** It,
you blew the candle out,

now your darkness fills the room,
**but u breath,
and u meditate,
and nothing is something,
and things work,
and u feel as if u lit the candle again,
Just deal with anixety
Alyssa Underwood Jul 2017
In all my paralyzing confusion, only one thing is needed; in all my anxiety over my much less than ideal circumstances, only one thing is needed; in all my this-is-so-unfair discouragement, only one thing is needed; in my pressing-down-like-a-boulder-on-my-chest grief, only one thing is needed; in my feels-like-my-insides-are-being-scraped-out sorrow, only one thing is needed; in my falling-apart-at-every-seam life, only one thing is needed; in my can’t-seem-to-muster-the-will-to-get-out-of-bed depression, only one thing is needed; in my sure-I’m-finally-going-crazy state of mind, only one thing is needed; in my so-mad-I’ve-got-to-throw-and-break-something anger, only one thing is needed. In the scorning and tormenting face of rejection or betrayal or failure or devastating news or disfiguring disease or the worst fears of my heart coming to pass, only one thing is needed—to come and sit at Jesus’ feet and listen to what He is saying.

To entrust myself to Him, to acknowledge His presence with me, to submit myself to His perfect authority over me, to just look at Him and recognize His all-surpassing worth, to feast on Him, to wait for Him to speak and know that He longs to do so more than I long to hear it, to meditate on His Word and speak it back to Him both in praise and request and to ask Him exactly what it means for me right now, to be ready to respond to Him in obedience and follow him wherever or however He leads, to be willing to tune out every competing voice no matter how well-intentioned and to say “No!” to whatever He has not called me to, to believe that He cares deeply and passionately for me both in His emotion toward me and in His personal tending of me, to see that the details of my life matter even more to Him than they do to me and that He holds every one of them in His hands and is perfectly directing them for intimacy and glory, to refuse to be drawn away or worried or upset by the many preparations and distractions all around me by casting every burden down before Him and taking up His all-sufficient grace for every need, and above all to want Him more than anything and to let everything else fit into that all-pervasive desire—this is the ONE THING that is needed both now and throughout every season of my life, and if I will choose it, it will not be taken from me. It is the one thing worth fighting to the death for and will, no doubt, require just such a dying again and again and again...
~~~


"But whatever were gains to me I now consider loss for the sake of Christ. What is more, I consider everything a loss because of the surpassing worth of knowing Christ Jesus my Lord, for whose sake I have lost all things. I consider them garbage, that I may gain Christ and be found in Him, not having a righteousness of my own that comes from the law, but that which is through faith in Christ—the righteousness that comes from God on the basis of faith. I want to know Christ—yes, to know the power of His resurrection and participation in His sufferings, becoming like Him in His death, and so, somehow, attaining to the resurrection from the dead.

"Not that I have already obtained all this, or have already arrived at my goal, but I press on to take hold of that for which Christ Jesus took hold of me. Brothers and sisters, I do not consider myself yet to have taken hold of it. But one thing I do: Forgetting what is behind and straining toward what is ahead, I press on toward the goal to win the prize for which God has called me heavenward in Christ Jesus."
~ Philippians 3:7-14


"As Jesus and His disciples were on their way, He came to a village where a woman named Martha opened her home to him. She had a sister called Mary, who sat at the Lord’s feet listening to what He said. But Martha was distracted by all the preparations that had to be made. She came to Him and asked, 'Lord, don’t you care that my sister has left me to do the work by myself? Tell her to help me!'

"'Martha, Martha,' the Lord answered, 'you are worried and upset about many things, but few things are needed—or indeed only one. Mary has chosen what is better, and it will not be taken away from her.'"
~ Luke 10:38-42


"One thing I ask from the LORD,
    this only do I seek:
that I may dwell in the house of the LORD
    all the days of my life,
to gaze on the beauty of the LORD
    and to seek Him in His temple."
~ Psalm 27:4
RAJ NANDY Jun 2017
Dear Poet Friends, this poem was composed as a tribute and praise
to the Creator of heaven and earth way back in the year 2008, & was posted on ‘Poemhunter.com’. The Creator’s handiwork has inspired Poets, Artists, and Humans alike since the dawn of our
civilisation, and shall continue to do so for our future generations! Hope you like this poetic composition. I will be grateful if you comment only after having read the entire poem.  Thanks, - Raj

VISIONS OF THE VAST BLUE EMPYREAN
                * BY RAJ NANDY*

       '’The heavens declare the glory of the Lord,
        The sky proclaim His divine handiwork!’’
                                                   - Psalm of David.

(I)
The SKY is a multidimensional manifestation of God's
creation,
A translucent blue canopy above all and one.
The sky has inspired humans for centuries to aspire
and dream, -
To seek His blessings and guidance from above;
And shall continue to do so for centuries to come!
The sky beckons and lures with its mystical spell;
Making humans with leaping aspirations to try out
and reach, -
Those frontiers where the sky is the unlimited limit of
all our hopes, aspirations and dreams!
The sky, lush, luring, luminous, and sweet, -
Invites, entice, and fills us with a sense of wonder!
How God-like in appearance, and almost human in
its expressions!
The sky has remained as a silent witness to the birth
of our planet,
Since God created the firmament and the heavens,
before creating the Earth.
The sky, a silent spectator since eons past,
Shall continue to see the fading away of old stars;
And formation of baby galaxies in a cosmic drama of
His creation,
Lying beyond the comprehension of Mankind!
While we try to delve His secrets with our space probes,
Which we can neither fully comprehend nor unravel;
And shall only continue to wonder and marvel!

(II)
The blue sky continues to inspire and even melts,
While its blue translucence silently seep into the
Poet's heart,
As he sits to reflect and shape his thoughts,
And the vast expanse of the ethereal sky,
Stretching his mind with future dreams and
visions!
While the azure blue begins to flow through his
veins, and gets transmitted through his pen, -
To convey his exalted thoughts and deepest feelings,
in poetic lines and verse, -
Which becomes the Poet's sole mission.
And at night when the Poet meditates, he catches a
falling star,
And writes a poem on it and keeps it in his pocket, -
Saving it for a rainy day!
And during the silence of the night, when the hours
grow dark and deep,
And the sky gently droops and drips;
The poet wakes up to write, and writes to sleep!

(III)
The sky flows on to the canvas of the Painter,
As he tries to depict its varied complexions and moods,
With his limited colours, shades and hues,
Flashing and spilling his canvas with touches of tints
and tones,
To captivate the capricious, transient and fanciful moods,
which the sky adorns!
The deep blue empyrean is at times blissful and sublime,
Changing from a radiant, opulent, and iridescent, -
To threatening, cruel, and violent;
Both devastating and destructive as the sweeping
tornado or a hurricane!
Yet when God decides to paint the Aurora Borealis those
magical Northern Lights, -
Those glowing diaphanous curtains of waving, swirling
streamers of lights,
With its red, green, blue, violet, and luminescent spell-
binding shades;
How can any artist foolishly dare to compete or replicate
His celestial art?
For the Auroras are a reflection of His live real time
handiwork, -
Which shall never diminish or fade!

(IV)
The crystal blue arch of heaven, a glorious canopy
cover over our head,
Blesses us with the much needed shade;
From the tormenting and scorching rays of the
relentless Summer's sun.
With its varying layers of passing clouds, -
As the sun completes its diurnal rounds!
Those high cheerful cirrus and cirro-stratus clouds
of the Winter sky,
The meditating alto-cumulus and alto-stratus clouds
of medium heights;
And those upward swelling, ambitious clouds of
cumulonimbus, -
Carrying the thunder bolts and lightning of the great
Zeus do confound us!
And finally those low sheets of stratus clouds of the
rumbling monsoon sky;
Bringing incessant rain and lightning darts, -
Flashing like a whip lash across the sky and the earth!
With the speed of sound always lagging behind that
of light, -
Thus thunder bolts always follow those blinding flashing
darts of dazzling blue lights!
While the good Earth absorbs it all like some suffering
soul,
And forever regenerates itself to transcend its
tormenting plight!

(V)
The clouds floating like fluffy wool of cotton and
the downs of white goose feathers,
Adds dimensions, visual depth, definition and a sense
of perception;
For the human mind to behold and meditate, -
Those vast measureless depths of the infinite space!
The clouds with its varying forms and shapes,
At times like the ice cream cones with vanilla
tops and wisps of cream;
Keep floating across the cerulean blue, forming
and melting, -
From one nothingness into another,  below the
arched vault of the heavens!
And at times the clouds coalesce to dissipate as
gentle rain,
With rhythmic beats, or follow some wild musical note,
Lashing against the earth like a dancer in trance!
While it brings down the cool aqua, the very elixir of
life to earth.

(VI)
The sky is held captive by its own void of eternal
silence.
As nature's mirror, it reflects and also shows us a
glimpse of the infinite!
While the night sky by itself exhibits a wondrous
sight,
With the sentinel stars shining like a living hymn
written in light!
And the ebony treasure vault of heavens hold the
sparkling and glittering countless gems;
Of pearls of lily white, rubies with red sheen,
And galaxies shimmering like hyacinth of purple
light!
The sky envelopes the earth all around in an elusive
embrace of unconsummated love!
But each night, in hope and expectations the Sky
adorns itself, -
With diamond necklace and pearls of milky white,
Woven round its dark black flowing stresses;
Casting longing looks towards the beloved Earth,
To whom she is attracted from her very birth!

(VII)
The sky despite its wide range of colourful
spectrum and moods,
Forever retains its pristine colour of azure blue,
behind its gray and somber clouds.
Each morning the sky presents us with a clean
blue slate,
Where nothing ever remains written or etched!
Inspiring humans to make a new beginning,
Before time runs out and it becomes too late!
Yet the sky never forgets to reflect the arched
rainbow over its brow,
Once the thunder clouds and storms dissipate!
Keeping our hopes and aspirations forever alive;
And impelling us to strive in all our endeavours
and to excel!

(VIII)
The sky remains as a revelation of God's immaculate
handiwork.
The blue welkin, God's treasure trove, with its
capricious moods,
Sometimes furious, sometimes iridescent, but by nature
divinely sublime!
The sky a recurrence of happenings, with its speckled dance, -
Of colours, cadence, and of light and shade,
Giving us a taste, smell and feel of eternity, -
Which appears as real, though illusory and ephemeral!
Transcending all our scientific formulas, speculations
and intricate *******-up logic;
Since many mystical and unknown energy forms exist in
our sky and space,
Beyond the realms of Quantum Physics , String Theory,
the Higgs Field and Relativity!  * ( see Notes below)
And forces can even be made to emanate from the human
mind and soul and to transcend, -
To blend with those vibrations in the celestial spheres of
the Divine!

(IX)
The sky shall forever remain a source of exhilaration
and exhortation for mankind, -
And as an exaltation of God's divine and lofty thoughts!
The sky also remains as our ultimate frontier, -
Stretching the dimensions of human consciousness,
Till our consciousness learns to merge with the Divine;
To become one and to blend, under the blue vault of
our blissful Empyrean!
                                                       -  by RAJ NANDY, NEW DELHI

(*NOTES: The five different versions of the String Theories know as the 'The M- Theory' of Quantum Physics, which tries to explain the origin of all things through the vibrations of nano strings. The latest discovery of the Higgs Field, which is said to add mass to subatomic particles; are our humble and insufficient efforts to understand God’s mysterious creation of the universe and space!)
      (ALL COPY RIGHT ARE WITH THE AUTHOR ONLY)
David Lessard Feb 2015
Meditate upon the heart,
feed well the soul and mind;
give meaning to our lives,
the needful, nourished kind.

Reflect upon the heart,
the fiber of its being;
reflect upon the love,
and what the soul is seeing.

Take the Zen of silence,
give rest to troubled thought;
think on seeds of joy,
and what we've all been taught.

Free your mind from obstacles,
think on blessings we receive;
bury sorrow in its sadness,
and take not long to grieve.

Meditate upon the heart,
it mends the tortured soul;
escape the bonds of gravity,
and make heaven as your goal.
in my backyard
beautiful!
with alluring flowers
wild flowers, purple haze
green, with a shade of russet

Nature at it's very best,
the visual perception,
of my garden
brings,
to the mind and soul
a great aesthetic rapture!

This is my pagoda
I come here to meditate,
in the spectre
of beautiful  aura
and to be at peace with nature,

Amidst my temple
a spliff I shall spark
with a profound  purpose,
to bless my mind
and to bless my soul
with sagacity,
from the universe!
I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful --
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
King Panda May 2016
my bones stick out
so much
I should feel good
like fat
like privilege
and power
but these things are fleeting
like my body
like the conversion I had
with you
I never meant to bring
up semi truck
cabs
artist’s sketch
tables
I only meant to move you
into the city
like a good friend
like a walk in the park
or a trust fall into
the pool
blues
I say
this is the strife they
sing about
and everyone loves it
and eats it with
peanuts
allergies?
no thank you.
green smoothies?
no thank you.
a good morning text?
well, maybe if I still
like you
if I can still stand
to be in the same room
with myself
to go bowling
to go on hikes
to meditate
all these things
I hate
and my bones
they’re smooth
and splinter when
bitten
and my bones
they glow like
uranium in the
mirror
good morning blow
good morning blush
good morning white boy
good morning,
Andrew
Robin Carretti Aug 2018
Every* fine* detail*
Getting  flushed the
blues inside the
red I phones
The lonesome blue
Ring my Rolling Stones
Waking up in [Blue Oceania]
Mama Mia bluesy jazz me waterbed

Hazy, not one yellow daisy
*hurry up your driving me_crazy
          In love like the
Foggy Day in London Town
The saying *New York like no other town

Forget about it Brooklyn is my town

Wearing your face with frowns
like a vine of tomatoes

Is it your time for Victories

Those rotten movies and
throwing those forgotten
  Love potatoes
At the Villa looking
out he's the Captain of the blue sea
My Alaskan blue eye husky
Meet Charlie or the Bumble Bee
Tuna fish

Saw the fog getting stronger
The winter is hazy don't be
the chicken of the sea

  She was spinning her mind into the
vertigo love is crazy
The crazy love''Hugo"
Hers and his E- ecstasy twin-mail
Hazy is just the way you feel
His strings azure blues power tie
She felt other blues what lies

Workout blues hazy spirit greys
She prays hazy winters of blueberry pie

Hearing the blues rush of water
The waitress taking his order
Inside her tasty fingers
The blues "*****" lightly stir
How she met his brother
But why? Don't you love me, Sir

Eyes of blues flower irises
Her blues pour crystal sugar
She turned her head surprises
Swarovski crystal bead
What was said singing the blues
Shades of deep sensual gray
The shapes of things Godly pray
How many words could
you possibly say
When you catch your breath
His eyes are bluer than your
Heart intense red his iron shirts
Got badly burned

Pumpkin Head met sesame seed
flatbread in the modern flat world
Eating a blueberry muffin top
Who has the open mind
Her blues boysenberries
Doing Hip-hop
By her nook pulling the blinds
How the blood stain her lips
Fashion art Chanel cherries
The bloodshot eyes
Caught her fire candle

Wonka" Blues house Coffee Diva

Hazy blown out of
proportion blue
"Hazy Just So" how do you do it
Do you go through her dreams?

Another brainstorm little
boy blue like a fairytale
So inviting love true lights
Just so in her beam another
enticing clue its never what it seems
Just because there is so much blue
Life shouldn't trick you just kick
off your shoes


Just Relax meditate your body flex
The Gulf of Mexico the blue sharks
Take a bite any kind of fish the
whale of a blue wish
The weather so many changes
crazy or not
Everything feels right
when you tie the knot
So hazy the winter to the spring and the summer flowers bluish morning glory September trying to remember the birth of all shades of babies wearing little boy blue but this goes beyond anyone's spirit colors come out the way you seem to see it so live it singing the blues-rock your waves in those velvet shoes
Your clear eye is the one absolutely beautiful thing.
I want to fill it with color and ducks,
The zoo of the new

Whose name you meditate --
April snowdrop, Indian pipe,
Little

Stalk without wrinkle,
Pool in which images
Should be grand and classical

Not this troublous
Wringing of hands, this dark
Ceiling without a star.
Ottar Apr 2013
"Beauty just is."

I have an 80's wooden plaque with a picture of an ocean somewhere and waves crashing on the rocks, written on the sky in the photo is the quote, "Beauty just is."
I believe it.  So should you. Whoever you are.  
I could pick apart the picture. But I won't.
                                                          ­          Don't look for ugly.

The quote was given credit to anonymous.  Deservedly so.
Anyone anywhere at anytime can recognize beauty.
This is not a duty, choose to be dutiful in all things beautiful.

There is lacquer over the picture to protect it. The lacquer makes it shine.
I find that part ironic, protecting the beauty from spills, unkind graffiti,
from any ugly thing that might happen to it.

That might mar the beauty.

It is not an easily recognizable coastline,
not a celebrity coastline
or a model coastline
or a physically outstanding coastline,
no archways of rocks
or large rocks
that have stood the test of time and erosion and wind and well, pollution.

"Beauty just is" so accept your beauty.  

I am not talking to your cat or my dog, the aquarium or the stable full of horses, all those animals do not measure life in terms of beauty, only we, humans do.  Animals do not judge anything on the basis of beauty, smell maybe, not necessarily good smells but strong smells, even odours.

Only we humans; also decry, put down,
use the word ugly
and write each other
off,
for not being beautiful.

But "beauty just is", beauty just is. Period.

If you are talking about a piece d'art and
you are going to shell out cash, from your stash,
make sure you buy something significantly important to you and beautiful.

As for another human being...

You have not the right or responsibility to say that someone is not beautiful.
I do not think there is
one person with the wisdom,
alive to recognize what makes
each of us beautiful.

Beauty just is, no parts, no assembly required, accept it, accept one another.

I know there are those that already get it.
I don't want them to read this and sweat it.

They don't need to. I want the bully to read this, out loud.
Beauty JUST IS. You might not get it, yet.
Keep rolling it thru your mind, a beautiful surprise awaits you.
Meditate on it.
Meditate on not the author of the quote, he is anonymous, but the Creator of beauty is not.
Be surprised, as this revelation once understood, will change your perspective on life,  after all you're beautiful too.

Originally done by © DWE 2011-5-11
I was a coach and we learned to teach skills part-whole method or whole-part method.  If you read into it a little, you either break a skill down to its' simplest part and reassemble it to a more successful WHOLE or you complete the whole skill and only correct the PARTS which are not up to *****.
I want the spouse whose greatest entertainment is how embarrassed a spouse can be made to feel in front of others, by comments on physicality that are made with no remorse, followed by JUST JOKING.
Recognize how much beauty you have missed your whole life, you can change, just as beauty is, you'll figure it out.  I know I sound naive, so don't let your self down, surprise me.

Written in response to a tough coaching situation.
Robert Ronnow Mar 2019
Off the train I hit the streets
and start laughing. This is ridiculous,
incomprehensible. How can innumerable bipeds
have individual inner lives. Why are they doing
what they’re doing? I have no answer
New York City but to also go about my business
in this case prepare for surgery, survival.

But why survive with so many exact replicas
to replace me? A swarm of ants or hive of bees,
social organisms they’re called, climbing
over each other, avoiding bumping and amazingly
making way, anticipating the sudden turns
and straight paths of others, strangers but brothers,
sisters incubating, the cells of a small
*****, nodes of a single semi-conscious organism.

The concept of a higher power that cares
for me is also risible yet how else
can I explain the surgeon and his team,
robots and magnetic resonance imaging machines,
all primed and trained to save my life.
They are not particularly interested in what
I do with my time. I am immediately
in love with the Irish brogue of the head nurse,

the Indian skin of the physician’s assistant.
The long extraordinarily thin
fingers of the famous surgeon. All
mine to savor (and the other cancer patients).
Back on the streets, rush to the train.
So many women to choose from! One Asian-American,
a dancer I imagine, stands out, tall
calm, still, graceful. No cell, no hair, no hurry.

Yesterday’s suicidal thoughts: the mind
is a clever servant, insufferable master. Therefore,
meditate on this: absolute need, dependence on the Other.
I still like Hombre, The Shootist and Ulzana’s Raid
but realize those dead heroes
were subordinate to society: the gun manufacturers who armed them.
Thus, I go for cancer tests, accepting, not predicting results.
Hero accepting help.

A torrential rain following five days of flooding,
tornadoes out west busting up wooden towns
all because too many of us are hoarding plastic, herding electrons.
None of us know how it will end, what the outcome will be
(of our surgery). The best that can be said
is Don’t forget to breathe. And you might
as well believe in that higher power.
www.ronnowpoetry.com

--title from a tune by Billy Strayhorn
This story is called death of a superhero.

We see the superhero flying at full speed after a getaway vehicle.  A group of armed men just robbed over one million dollars in cash from the bank and are now speeding through the city.  He darts back and forth to dodge the shower of bullets flying at him from the car, which was preventing him from getting any closer.

"I can't let these crooks get away," he grunted to himself as he curved back and forth through the air.

Suddenly he was blind sighted by a large black object coming from the car.  It was a high powered electric tazer.  It hit him in the side and his muscles locked up, he stopped mid air and went crashing down and smacked and bounced on the ground.  This bought the thieves time to escape from his view.  By the time he got out of it and regained control of his muscles enough to fly, the crooks had maneuvered the city like a maze, and he didn't know where to look, they had gotten away.  He looked over several city blocks and couldn't find him, and was forced to give up.

"****" he said to himself.

He flew off to the nearby park and found a secluded spot to meditate and heal.

That was the forth unsuccessful attempt to catch bank robbers this week!



On the news that night

"The Tomerarenai purotto corporation just received over $5 million dollars in donations from an anonymous donor this evening for their new project on Zenchō hill outside city limits.

The project to build a new factory there has been underway for three months now and they've really been moving along thanks to the help of all these private donors that must really believe in their cause, which of coarse is to develop new "greener" technology to help the environment and cut down on pollution.

We have a spokesperson for the organization here with us now how are you?"

"Good and thank you, I'm really honored to be part of this amazing organization and to see such a great turn out of donors for such a good cause.  It's been amazing with over 37 million dollars donated by private, anonymous donors over the last three months, it's amazing..."

About half the city watched that news broadcast stream into their homes on their television sets.



It was about 2am when the superhero came out of his meditative state in the park.  

He got up energized and flew around.

He saw some guy trying to steal some lady's purse, he zipped down and stood right behind the guy without him even noticing.

The guy got the purse turned around and ran right into him and knocked himself down.

"What do you think you're doing?" the superhero said authoritarily.  Then he lunged in grabbed the guy by the shirt at the scruff of the chest.  With his other hand he picked up the lady's purse, handed it to her, and told her to go home and get out of the dangerous night city streets.  Then he flew the criminal to the police station, told them what he had witnessed, and took off.

Suddenly he heard police sirens all over the city they seemed to be closing in on a specific area, the superhero flew to that area to see what was going on.

He found a police sergeant standing next to a cop car, and stopped to ask him what's going on.

"A masked lunatic just killed 19 people and is now trying to escape in a small silver car, we've got every available unit trying to hunt him down."

He wasted no time, taking up in the air leaving a wind in his wake, the superhero started quickly combing the city for a small silver car driving conspicuously.  He found one, and when he flew over it to check it out, all of a sudden he had gunshots being fired at him from inside the car.

"This must be it," he charged the car with full speed but the driver sped up to keep ahead of him.

This isn't going to work, he thought, I should make them think they lost me and follow them secretly and see where they go.

The next time a gunshot was fired the superhero grabbed his chest and purposefully fell down, to make them think he had been shot.  Once their guard was down he followed them in secret.

They drove outside of the city thinking they had lost all tails, down a couple winding roads, then climbed Zenchō hill toward the Tomerarenai purotto corporation's construction spot, then went inside.  

The superhero landed outside the building and contemplated his next plan.  He noticed an open window to an office on the second floor, he carefully peered through the window and saw no one in the office, he flew in and landed on the floor careful not to make a sound above a mouse squeak.  He quietly crept through the empty hallways until he reached the staircase, when he heard voices whispering downstairs, "He's gonna be here any minute/ get everything ready."  

The hero thought he had no time to lose, he took to the air, bolted down stairs and with a loud dramatic voice yelled "Halt!"

"He's here!" they yelled as one of them ran toward a giant device that looked like a satellite dish, and the other one ran and pulled a rope, dropping piles and piles of smoldering coal around the superhero that immediately made him so sick he could barely move.  industrial type smoke was his weakness.  

"We've been planning for you to come here," the guy in the mask said firing up the satellite dish looking weapon and pointing it at him.  

"W-What do you want?" the superhero asked weakened, frail, and short of breath on his hands and knees on the floor.

"To **** you so you won't stand in our way"

The superhero was growing weaker, and weaker, as the giant atomic laser pointed at him started glowing red, I told you this story was called "death of a superhero".

"Death, of a superhero?"  the superhero grunted, "DEATH, of a SUPERHERO!?!" he shouted again, "YOU'VE BEEN ORCHESTRATING MY DEATH!" The superhero yelled at the narrator.  

Yes I have, the narrator said all the people in the room could hear me, I've been planning your death since before you went after that getaway vehicle, I have such omnipotent like power over your world, I'm the reason the taser gave the one's working for these two time to escape, I'm the reason you never checked this place out until everything was ready, and now I get to watch these two **** you, and laugh, knowing that you'll never find me and there's nothing you can do to change events.

Now, the beam was fully charged

"No!" the superhero thought, "up till this point, I thought I had to go along with everything the narrator said, but no!"  He started to slowly manage to get up.

The masked killer hit the button, fired the laser, and killed the superhero instantly.

Wait what?

"You think you can just **** me by saying so," the superhero grunted out louder slowly rising to his feet.  Mentally forcing his body to work even in the presence of his weakness, in reality, contrary to what the narrator said, the beam was still charging.  

"No!" the superhero continued, getting stronger and healthier, "THERE WILL BE NO DEATH OF A SUPER HERO!!!" suddenly the superhero's personal energy was strong enough to clear a bubble around him of fresh air pushing the smoke around it.  He flew through the air at bullet speed and punched the masked killer across the room and out of consciousness.  Then he went for the assistant who was running to the door, in the heat of the moment, the superhero, hitting him up from behind, punched a hole straight through his skull and he fell to the ground head-gored-dead.  The superhero deactivated the laser. and stood and looked around to try and find that supervillian mastermind, the narrator.  

"You will never find me," the narrator said, "I exist in an inexcusable part of your reality."

Then another voice broke through, "I will open up a portal to the narrator for you" the author said, "be wary though, even in his own part of this dimension, he is very frippery and slick, you must not let him break free into you're general reality, lest he end your world."

Suddenly a glowing golden sword appeared in a light before the superhero, he took it and bowed, understanding what he was to do.

A shimmering white and grey portal swirled out of thin air.  He looked at it for a second as it grew outwards until it was big enough for him to walk through.  He slowly marched into it, guard heightened as he did not know what to expect, carrying the glowing golden sword behind his back.

Inside the portal was a large white room where the narrator lived.  there was a large white shelf, four walls and a ceiling, the portal remained open.  

He looked around but didn't see the narrator at first, when he realized the narrator had filled half the room with a thick white fog to mask himself.

"Show yourself you coward!" the hero yelled.  Sudddenly a large fist came out of the fog and punched the superhero right in the face, he stumbled back a few steps, but didn't let it knock him over.  Suddenly a humanoid figure stepped out of the fog, it had a body like a man but a head like a king cobra.

"S--sssss--o" it said, "you found a way to find me," "Hisssssssssssss..."

"I found you and I will destroy you to free my world from your evil," the superhero said.

"Is-s that sssssssssso" the beast said.  "And how do you plan to do that? Hisssssssss".

Then the narrator's eyes widened when he say the glowing gold sword behind his back.

"I will cover myself in armor that that sword can't pierce." He said.

"And an armor appeared around the narrator, except it only appeared to cover his head, and his face was still bare." The narrator said and it happened.

The superhero lunged at the narrator with the sword but the narrator slipped to the right and shot ***** of fire at the superhero, but the superhero dodged.

"And his hand got shaky and it greatly effected his aim," the narrator hissed out.

The superhero swung at the narrator, but missed everytime.

"I've got to steady my aim" the superhero thought to himself, putting most of his energy into his arm to hold it steady.  The narrator backed away from him, hissing and darting back and forth as if antagonizing him, perhaps trying to distract him and his focus.

Suddenly he felt a surge of energy push back from the sword, flow up his arm and flood his body, the sword glowed brighter and he was in control of himself again.

He went after the narrator full force, swinging and jabbing the sword, but the narrator dodged every attack.

"You'll never defeat me!" the narrator hissed.

But while he said that he lost focus, and the superhero swung the sword right into the side of the human part of the body, so deep it hit something metal and stopped.  

"Then he dropped the sword," the narrator said quickly and it happened.  The superhero's hand snapped wide open before his willpower could stop it, and the sword dropped to the ground with a "shink".

Acting super fast, the narrator dropped to the ground and picked up the sword with his teeth, and slithered out of his fake, damaged human body into his true form, a giant king cobra looking snake, covered in a heavy metal armor that was scaly and didn't restrict his movements.  Quickly, he slithered  over to the portal, but the superhero grabbed his lower armor before he got a chance to escape into the hero's world, and used his body to anchor the snake to that spot.

The narrator swung and slithered his body to try to free himself from the hero's hold but he was holding on to well, and the serpent could not escape.  

The hero did not know what to do, he needed to get the sword back and slay the serpent, but he had to keep both hands on him to keep him from getting free.

He had an idea, he used his legs to help anchor the serpent, and climbed him to get to his head to retrieve the sword.  Slowly he worked his way up the snake as he slithered and struggled to get free.  When it seemed inevitable that the hero was gonna get the sword back, the serpent spit it out and it landed next to the door.  Then he shot fireballs out of his mouth at point blank range at the superhero which distracted him enough for him to loose his grasp, and let the serpent break free.  The serpent quickly slithered over to the portal, hissed "goodbye sucker", mouthed the sword once again, and slithered out the portal.

The superhero jumped up and flew after the serpent, and crash landed onto of him on the other side of the now closing portal.  

"The masked murderer woke up and came over to help the narrator," the serpent hissed out.

Suddenly the masked murderer came over and the hero was trying to get him on his side to break the stalemate.

As the snake and the superhero wrestled, the superhero called out to the masked murderer, "Don't help him, if he escapes me now, he'll destroy the world!"

"Don't listen to your enemy," the narrator hissed out, "**** him!"

"Don't listen to him," the superhero tried to reason with him, "he's just manipulating you, everybody, he's the reason you wanted to **** me and do this whole project in the first place, YOU ultimately have free will! and we need to **** him."

The narrator strikes and bit the superhero's arm for telling the masked killer he had free will.  

"What do you need!" the masked ****** shouted when he got over there.  

"**** him" the serpent hissed out!

"The sword!" the hero shouted.

The masked murderer, not knowing what to do, picked up the sword and handed it to the hero.

The superhero used it to pry off a piece of the serpent's armor, poised it into position and struck down.  The narrator shifted his body however so the sword narrowly missed, and curved his tail so the open spot in the armor was underneath him, "Grab him!" the superhero said, hold him steady so I can get a good shot."

The Masked murderer did just that, and the hero drove the sword through the opening and impaled the narrator right there, and actually cut him in two.

"But then the narrator's body sealed at the womb and he slithered free" the serpent said and it happened, and he slithered at full speed toward the same door the masked murderer's assistant tried to escape through, and he was making distance.

"And then a layer of cement formed around the superhero's ankle so he couldn't chase the narrator." and a piece of cement attached to the floor formed around his ankle.

But the superhero made quick work of that, a **** of the leg and it reduced to crumbles and he got up and chased the serpent.

The serpent got outside the door and mumbled something, suddenly the door was a pure steel wall.  Three punches by the superhero weakened the steel and severely dented it, the forth punch and it went flying off and the superhero ran outside and saw the narrator escaping into the brush.  He knew what he had to do, he lunged at him and grabbed him just by the head, and ****** the sword through a hail of fireballs straight into it's mouth, the narrator couldn't speak to reverse that action and he died shortly after.
This is not a poem
Sarah Gammon Feb 2015
Soon I will be alone.
In my own little cave
I can hide and be regrown;
my own soul I will save.
I will seclude myself from all;
from disappointment, pain, hate
and live behind my wall,
until I've learned to appreciate.
All I want is to be happy,
but, it seems the world is all sad,
I can't help but breathe empathy,
so I am prevented from being glad.
To add to that, I am toxic,
and all I touch turns to dust
until I learn to focus,
I will continue to lose trust.
I must learn to deal with this,
then attempt the world anew.
I need to learn to channel bliss,
then I can rejoin all of you.
Copyright Sarah Gammon 2015
Beneath the surface of our daily lives, we are always asking the question, “Who am I, really, and where is my true home?” The answer to this question is so utterly obvious, so beautiful, so ordinary, and yet so profound, that like the nose on our face, we have a hard time seeing it. Because of our own self-imposed limitations, the answer to this mystery can only be revealed little by little, as if a great veil were being lifted inch by inch, until the truth is completely exposed. Yet, we are destined to receive this knowledge.

Today-all around us: the electro-magnetic field is active and alive, whether we feel it or not. Imagine all the electromagnetic-digital devices surrounding us! Take a moment to think about their direct or indirect effect on our bodies. Global warming is by far the most serious manifestation of the “collision”—and Mother Nature is making the evidence ever more obvious. Our bodies are like little vessels of light reflecting our bright birth right. However these vessels constantly need nourishing and care. These are amazing times for us all but we must take care of our bodies inwardly and outwardly, else we are left at the mercies of the “spiraling” energies circumventing the universe. Both scientists and spiritualists have verily presented groundbreaking evidence about what is happening beyond what can be felt, seen or sensed by human sensory perception. At times-you may feel odd sensations or more anxiety than usual. Breathe in slowly and deeply. Take your time amidst the “rollercoaster of the city’s rush hours”. Remember to connect to the “higher frequencies” of a positive lifestyle in healthy ways. Exercise, Pray, Meditate, if you can- use flower essences everyday such as: Silversword, Shooting Star, Morning Glory, Sagebrush, Snap Dragon, Cosmos, White Magnolia. Growing a flower garden has its rich rewards too.
Nature’s healing effects are unquestionable, for within nature we come face to face with the Divine infinite source of All creation-as it was, as it is and as it will ever be.

Yogi Paramahansa Yogananda once quoted:

Harmony with nature will bring you a happiness known to few city dwellers. In the company of other truth seekers it will be easier for you to meditate and think of God.

There is a magic about periodically moving out of the “city’s confinements” to the richness of and around nature: forest walks, boat rides, mountain trekking and much more. The main essence is in feeling a refreshed aura around and within you-an indication that the city and all its toil on you have been left behind. We have to try to get rid of the notion of time. When we have an intense contact of unconditional love with nature or another human being, like a spark, then we can truly understand that there is no time and that everything is eternal.

Other simple ways of raising energy levels include: silence in isolation and more “interaction” within you inner spirit-your Higher-self. There are always two forces warring against each other within us and we can bring these forces to a balance during silent personal introspection.  In order to relate properly with and to your inner being, one must follow the “truth of imagination.” From the word-imagination, we find the word-image, which is the manifestation of our physical form and body identity.

As William Arthur Ward said:

If you can imagine it, you can create it. If you can dream it, you can become it.

More than ever before on our planet, there is now great need for interpersonal sharing and the acknowledgment that ups and downs are a vital part of our everyday life. This process is internal as well as external. The “key” is a flowing pattern that is beneficial to all concerned. Take good care of yourself, your relationships, and your health. Exercising both mind, body, and spirit can bring you the agility to incorporate balance, whether you are alone or with a partner. Life can seem like a seesaw existence, but you can still have a wonderful time if you maintain a playful attitude.

The “image” we carry of our self within our mind and heart carries the power to bridge our highest ideals into our everyday practical life. On the other hand, attachment to a poor image of self condemnation and suffering carries the potential to destroy our right to joy and abundance. Which do we choose? Practicing the laws of “visualization” is not unlike the practice of prayer or meditation, where the seeker opens oneself to channels of higher guidance and inspiration. Ideally, we are given the opportunity to walk through the gardens and forests of the earth with astute concentration and attunement, opening our opportunity to the light of healing and service, each and every day.

Whatever your tradition or practice, however you offer your skills to the world, trace your roots and find the center of stillness and peace within. Only from this grace-filled place can we restore the health and well being of ourselves and our planet. Become one who engages the full power of the mind, heart, and spirit in the interest of alleviating suffering and making our present world a true “Garden of Eden”

Remember to build the world around you in a practical manner. Is your spiritual, mental, emotional, and physical universe anchored in truth and wisdom? Follow the “call of the wild” and listen to your inner voice within that guides you to fulfill your higher destiny. Take time to make weighty decisions. Realize the implications of your acts for the future. Stop wasting your strength by criticizing others. Recall the ancient adage “Judge not, lest you be judged”.

Reinforce your positive, upbeat, and inherently good nature so that the dark elements of this world cannot break down your resolve and dedication. For those who have suffered emotional pain from all sorts of physical or spiritual abuse, If you are to walk the path of consciousness, enlightment and empowerment, you must go beyond your “old wounds” and accept this golden opportunity to metamorphose into a new “body of light” – one that rejoices with the understanding that all aspects of life are sacred and it is in the weaving of the dark and light within ourselves that we find our true wholeness. We heal ourselves and others by first contacting the inner nourishment or the "water fountain of life" within us which sustains our ability to create beautiful things in the world as well as to act from the depth of our hearts.

Imagine opening your arms to upward spirals of your divine existence like a beautiful chalice and ask that all love pour into the vessel of your heart. This love is abundant and rich, offering the fertile elixir of passion and creativity. These are exciting time and we must accept the challenges offered to humanity at this time; in it all: Unconditional Love, Peace and Unity is the answer. Change all bad habits-those that leave you with tingling bits of guilt. Cleanse your body and home and adore the “temple of beauty” that is your embodiment: your real reason for being!

The mystery of the universe is within and without us. Love the world...Love yourself...Love the change. Anticipate illuminating insights from places deep within you. Let the inner truth of your radiance come shining through. Most importantly, focus your attention and thoughts and blossom like the beautiful morning-glory. The yearning for our lost perfection, the urge to do and be that which is the noblest, the most beautiful of which we are capable, is the creative impulse of every high achievement. We strive for perfection here on mother Earth because we long to be restored to our true oneness with Almighty God.



Muhumuza Kenneth Ezra.
Nicklaus Bailey Oct 2019
1-Establish Lux as a farmer with his brother, father, mother. Show dissatisfaction at a lot in life, yearning for more, however Lux feels compelled to stay with family and help them. Establish a close relationship between the brothers, a good mother/son relationship, though a testy relationship with his father. Strange symbol branded on Lux’s chest, been there since he was a baby, no one is sure what it means- or no one is telling him. This is Lux’s L.S. beginning. Establish also is the world Lux is in, the facts of the ministry and the church, the knights and wars of before.
2-Introduce a festival in town with knights from “The Brotherhood” being present, establish them as knights capable of magic and swordplay, “The Brotherhood” knights are taking new recruits at the festival. Wanting to join, Lux goes through the trials and passes, though after a harsh reaction from his father, Lux does not leave with the knights. With Lux out of scene, a conversation between the mother and father should reveal the man is not in actuality Lux’s father, but his uncle, and his brother had been married to Lux’s mother (now his wife) though died fighting in a war between “The Brotherhood” as a member of their ranks, against a rival faction known as “The Order”  peak lux’s curiosity and focus on the desire to leave as established in the previous chapter. This and the next chapter are Lux’s “Go The Distance”
3-The end of the week long festival nears, and Lux is on a hunting trip with his younger brother, returns and is questioned by his father why he wants to leave so much. The truth of Lux’s true father is revealed, and though Lux’s uncle expected this to convince Lux to stay and not go into danger, Lux is angered rather, and leaves in a hurry to catch “The Brotherhood” knights before they leave. Lux is put under the tutelage of a man who claims to have known Lux’s father, though it is revealed Lux’s little brother followed him, and is taken into the recruit pool as well, despite never going through the testing. Note- perhaps have Lux refuse to go with the knights if his brother is not also offered a spot? Hero’s journey, he needs a moment of hesitation and refusal to go. This should be reflected like Lukes refusal to join ben, or Bilbos refusal of gandalf, but quickly change their minds.
4-Training begins the moment they arrive at a camp. Lux and his brother are immediately outfitted with leather armor, dark and gritty in contrast of the shining metal of the rest of the knights. Lux is doing well in training, sword play coming natural, shakey with a bow, and ofcourse a natural talent at magic, (though make a point that in fire spells Lux only manages to start small flames that he can throw, and struggles with healing magic) though his brother is struggling in all aspects and is beat by his trainer. Lux’s trainer urges Lux to ignore it,though Lux finally snaps and challenges the man. The two enter a circle made in the dirt with training swords, and though Lux appears to have the advantage at first, he is quickly beaten and left gasping and ****** on the floor. The trainer leaves Lux there, and soon a hand reaches down to Lux. A female trainee named Ciara picks up Lux and, joined by his brother, the three wander off for more training for the instructors. Introduce Peter, a man deeply infatuated by Ciara, rather than a knight Peter is a Father to the holy church, unable to fall in love and forbidden to marry. Subtle on Peter’s infatuation with Ciara, should really build Peter as a good friend to Ciara,
5. Lux, his trainer, CIara, and her trainer are all out in the forest doing patrol after reports that remnants of “The Order” have picked up their pace in activity in the surrounding areas, raiding small towns and taking young men and women as recruits. Lux and Ciara are separated for a time and grow closer through talk and laughter when they see two knights in armor that is shining silver on almost the entire body though the right arm and pec are a scarlet red, drinking water from a stream. Confirming with each other that is the description of “The Order” Ciara says they should find their trainers though Lux charges. Ciara is close behind, catching the two off guard. Both are quickly overpowered through the use of advanced magic from “The Order” but Ciara’s trainer jumps in, kills one, but is killed by the second. As he turns, Lux throws his dagger and hits the man in the eye, killing him. Lux and Ciara carry her trainers body back to camp. Ciara refuses to speak and when greeted at the gate by Peter, she embraces him and cries into his shoulder. Have both Lux and Ciara attempt healing magic to no avail. Have Lux grow frustrated at feeling the ABILITY to heal, but unable to do so.
6. Lux is punished for charging, while his trainer is taken to a secret meeting where they discuss what to do with Lux, but out of respect for his father, they keep him in “The Brotherhood”. Lux has not seen Ciara since the incident, though he can see her in the crowd when he is being taken to be whipped, and receives 10 lashes, to Peter’s dismay who recommends either banishment or death. After the punishment, he is cut loose from the posts holding him up and Lux’s brother charges the ground, picking his brother up and taking him to his bed. As they pass Lux manages an apology, but is unsure if she accepts it. Lux is informed she will be trained alongside him. Make Peter do some ******* **** idk. Resenting “The Brotherhood” Lux should vent to his brother about his growing distrust of the situation, asking if his brother has felt the growing gap between what they feel they can do, and what they can do.
7. Show training between Lux, Ciara, and brother, distinguish a growing connection between Lux and Ciara, much to Ciara’s surprise and reluctance. Show Lux go into his trainers room while he is absent, and sees a sword on the wall, bearing a strange symbol. Lux trainer will explain that the sword should belong to Lux as it was his fathers, and when it is time he will inherit the blade but for now he must leave the blade alone. Lux asks about the situation behind his father's death. Explain the following: The Brotherhood were not always the knights guarding the royal family, before his birth the royal family was guarded by The Order, who are the reason The Brotherhood practice both swordplay and magic, as the Order are master swordsman and powerful wizards, prolific in blood magic and necromancy. When one member of The Order desired the throne for himself, he split The Order in 2. The Brotherhood worship the Gods, but in his desire and lust for power, the man struck a deal with the old gods, evil barbaric entities who require blood and death as sacrifices for their eternal power. This is Nero, a man that Lux’s father took in and treated as a brother, both being trained as knights for The Order. During the civil war, Nero attacked the Royal Palace and though he was badly defeated, he did **** Lux’s father in the battle. End chapter on this story. This chapter should be shows as Lux is uncertain of The Brotherhood and his trainer, but with the story of his father, he is conflicted. If it is true, then they are just. If it is wrong, how many more lies has he been told?
8. Show Lux becoming prolific with a blade and very intimidating magically. When he, Ciara, and his brother are sent on a mission with no trainers for the first time, Lux naturally takes charge. They track knights of The Order down to a cave, where they are tested both physically and magically. Ciara and Lux both protect brother as much as they can, though brother is able to hold his own. They manage to corner one who instead of being taken prisoner, stabbed himself in the stomach after giving an ominous warning. As Lux approaches the body, he sees on the cave wall a crude drawing of a man with the same symbol on his chest as Lux’s, holding a sword with the same symbol as Lux’s fathers, a figure resembling a large black and red dragon behind the man. Dismissing it, Lux tells Ciara and brother to not bother approaching, and the last of the knights are dead. The report back to base, and Lux informs trainer of what happened, leaving out the symbol.
9. Word carries out on base that more and more caves are being found with members of The Order, all with strange paintings on the walls. Peter speaks with the knights, explaining he has been praying and granted visions of a large scale battle. Have Ciara grab Lux’s arm at the sound of war, which Peter will notice (important for later) and in a hesitation to prepare for a battle that may or may not come, the commander of the camp demands the trainees be knighted, their proper gear be made, and to meet with the main force.
Cut from Lux to Peter alone in a church, praying to the Holy Mother begging for guidance away from the desires of his heart, and in his prayers Peter slowly realizes that he will not give up his desire for Ciara and decides to betray the Brotherhood in hopes Lux may die and he may be able to gain Ciara’s affection. Peter is seen leaving by Lux, though when questioned says he is going for more Fathers to pray and meditate on the matter.
10. Peter tracks down members of The Order, informing them that he wishes to give them valuable information, surrendering to them. Peter is taken to the leader of the knights operating in the area, and in exchange for one thing, is willing to tell The Order where The Brotherhood is, where they are going, their numbers, and anything else that will be of use. All he wants is them to make Ciara fall in love with him./ While Peter is doing this, Lux is kneeling in front of his trainer who knights him with fathers sword. (maybe do a crusader knight knighting, this is oath/this is how you remember it) When Lux is handed his father's sword, the cold metal instantly feels warm and the grip adjusts to his fingers and though it looks heavy, appears just the right weight to Lux. Lux is given armor, though when he takes his shirt off he sees the symbol on his chest glowing, same as the symbol on the sword. Trainer only says “magic is a strange thing, boy” and Lux is put into armor and finally leaves the shed a knight after only 2 months of training./back to Peter who is given a potion, told to have Ciara drink it and leave with her before they make their move. As Peter leaves, the leader barks orders to men who address him as Nero. Perhaps instead of Peter getting the potion straight from Nero, have him get it on a witch in the woods who is secretly affiliated with Nero, have to work out how she gets the information from Peter, but she could use magic to contact Nero after. Perhaps part of the agreement is Peter must turn his back on his abandoned faith and be her student and as a test of loyalty he must tell her everything he knows.
11. As The Order masses its numbers, knights of the Brotherhood are entering the giant city dedicated to The Brotherhood(Remulus? Romulus?) and Lux is in awe as he sees the a giant palace, and near it a graveyard with tombs. The tombs are the resting place of knights of The Order who gave their lives in service to the royal family, and now knights of The Brotherhood join their numbers. A newly marked grave is standing as a monument to Ciara’s trainer. The day is given to them to explore the city, and Lux/Ciara are alone together. Share a kiss. Witnessing the kiss, Peter comes from the shadows and informs them that curfew is near, and they should be heading back to the castle/as Peter watches the two make way to the castle laughing/holding hands, he heads to a monastery. He kneels before a picture of his god, praying asking to be told what to do. He knows he is a man of faith, so why are lust and desire even capable of entering his heart? He begs for pardon from sin as he sets his heart on giving Ciara the potion.
12. Now that the trainees have been knighted and the generals have been informed of Peter’s vision, prepare for war. The inhabitants of the city and many villages around are all pulled into the Castle’s walls, able bodied men and boys are given swords, women and girls find refuge in the newly emptied dungeons (all criminals hung/drafted?) Lux is witness to a battle plan, and overhears that during the last battle at the capitol city, The Order had used dragons to its aid, and though there were no confirmed sightings of dragons now, The Brotherhood should still set up catapults and bastilles on the off chance. Lux finds his brother and Ciara and informs them of what he has heard, though Peter comes and informs them that Lux must just be tired from nerves, and no one has seen a dragon in a generation. End with Ciara stopping a near brawl between the two, and Lux heading to his bed alone, and Peter now with Ciara, when a sound fills the halls. Scouts are reporting a massive army on the outskirts of the city.
13. Rain. Silence. Lux, Ciara, and his brother are among the numbers at the front gate. Rain hitting the ground. Hitting armor. Men are vomiting. Peter along with other priests are swinging burning incense between the rows of men, chanting prayers and songs of their god. Pounding. Pounding so hard that when it hits the front gate, the rain flies off the door and hits Lux’s face. Lux looks to his brother. The two nod. Lux looks into Ciara’s eyes. The two kiss. Confess love. The gate is broken open and the war begins with a thunderous roar in the sky, a dragon spewing fire on archers perched on castle walls as troops charge. Lux and the other knights hold their positions with a great clash the two armies finally meet. In screaming and fighting, Lux loses his brother, and The Brotherhood are pushed back, further and further. Lux manages to grab Ciara’s arm and the two run to a set of stairs going down to one of the dungeon entrances to warn the others that they are losing, when the dragon knocks over a giant pillar, stones hitting the two. Lux stays conscious from the first hit, and sees Peter approaching an unconscious Ciara with the potion in hand. Stuck beneath rubble, Lux watches as Peter pours it in her mouth and wakes her with a kiss. Begging Ciara for help frantically, she walks away with Peter, and as Lux cries out for his brother, more stones hit, causing him to go unconscious.
14. Lux awakens in an unfamiliar setting, on his knees. His hands shackled to the wall, his armor and sword feet in front of him, a man standing behind them. The man asks if Lux knows who he is. Looking up, Lux can see from the torches a tired face. Shaking his head, the man informs Lux, “I am Nero, commander of The Order, Captain of the Conquered Reaches, and rightful heir to the throne. And you are Lux. My nephew,” Nero smiles, touching Lux’s face. Accusing Nero of killing his father, Nero softens his eyes at Lux and stops moving. A look of sadness. “Your father's mistake is the single most regrettable accident in my life,” tells Lux more and more about his father. Informs Lux why the symbol is on his chest. Its magically bonded to the blade. It makes blood magic more powerful. Nero then informs Lux that his father had found a dragon egg just like Nero did, as Nero pulls the egg from his robes, shiney and black with streaks of scarlet. Nero offers Lux out of this cell, and he will gladly show him the ways of blood magic and make sure that Peter pays for his betrayal of the other knights. “I do not find The Brotherhoods newest members traitors, how can they betray a cause they never were offered? But how do you think we knew you were going to be there when we did? All of this has been for you, Lux.” with a wave of his hand, the shackles fall off Lux’s wrists and he falls forward. Reaching to the egg, Lux hesitates slightly, looking down and seeing his reflection in the water. With a wave of his hand, Nero projects the image of Peter kissing Ciara deeply. “That passion she gives him should be yours. I cannot create love. Only transfer it with a potion. When peter described the man who took his beloved, I should have realized. But together, I can rid the potions course and Peter will pay, Lux,” and as Lux watch Ciara enter Peter’s bed, he firmly grabs the egg, which begins to shake and crack in his hand, emerging a tiny dragon. Nero’s past: Nero will portray his story as such: He discovered that Lux’s mother is the illegitimate daughter of the queen. When Nero went to tell Lux’s father, he was stopped by the queen who attempted to have him killed, for if it was discovered that her late husband had an offspring, she would have a claim to the throne. In the ongoing fight, Nero claims he accidentally killed the queen and was discovered by Lux’s father. The fight was a misunderstanding and he was never able to tell him the truth of his soon to be (pregnant) wife. The split of The Order were those who believed Nero and those horrified at the death of the queen. Nero claims the royals betrayed him and those who followed the truth. Show a refusal to believe at first, though as his imprisonment lasts, and he goes over it again and again in his head, for weeks as Peter gets further away with Ciara, left with visions of Peter and Ciara making love, his Nero pleading with Lux’s father, and the conflict. Ambiguous if this is actually true or just indoctrination.
15. Lux’s training begins immediately. He is placed in the middle of a circle, men attacking from all directions and must fight them off with his blade and newly learned blood magic. Slicing his palm before gripping his blade, the warm metal now burns hot in Lux’s hands, and he drops the blade. Scolded with beatings and lashings, Lux learns how to embrace the pain. Magic flows through him stronger than ever as he adapts. Fire flows from his tips when before he could only manage an ember. He heals fatal wounds when before he could hardly manage a small cuts and broken bones. Lux is routinely beaten and whipped, his dragon growing and watching all the while. Weeks go by. Lux concentrates only on killing Peter and revenge. Pain, anger, and of course blood fuel blood magic to its extremes.
16. Lux’s brother is brought into a small room with other generals who managed to escape the battle of the capitol. He is questioned if he has heard from Lux, Peter, or Ciara as their bodies were never found. All the remaining forces are falling back to the capital, where a final stand will once again be made. Lux’s brother is told he may visit home one last time and must report to the capital in no more than 5 days, and his trainer will accompanying him/Lux is kneeling once again before Nero, though he feels the sword tap either shoulder as he is knighted into the brotherhood. He is given shiney armor and as he puts it on, is instructed to place his sliced palm on the opposite shoulder and watches as his blood flows into the metal, turning that arm and shoulder scarlet red. He is officially in The Order. Lux is tasked with one task to prove his loyalty. **** his stepfather and attempt to convince his mother to come swear loyalty to nero if she refuses, **** her too. If he does that, when he returns his dragon will feed on the personal sacrifice and be ready for battle, and in return Nero will make sure both Peter and Ciara are waiting for him. “It will be done, Lord Nero.” show conflict in Lux if he is truly willing to do all of this, and conflict on loyalty to Nero. The Dragons growth and power is connected to Lux’s ability in blood magic. The more anger, hate, and pain he puts into his abilities, the stronger the dragon will become.
17. Chapter starts with Lux standing outside his old house in the early hours of the morning, the sun peeking out of the mountains but being quickly covered by storm clouds. As darkness settles over the brief light illuminating the house. Lux enters the house. His stepfather enters the room hearing the door open but is grabbed by the throat.during the fighting, Lux manages to strangle his step father and throws his body to the door as his mother is running into the room. As she surveys the situation, there is a cry from the door, and Lux’s brother and trainer are standing in the door, sword in hand. Lux begins to unsheathe his sword but his mother moves between them, talking to the brothers. Lux demands to know from his trainer if what Nero said is true and that his mother is the rightful heir. Confirming Nero’s story partially, though claims that Nero attempted to blackmail the queen with the knowledge of the heir to gain more power. Lux tries to persuade his mother to join him and come be with Nero, that his father would have wanted this. When she refuses, he explains that she would not understand what he HAS to do to end this war, and when he is done the conflict will be resolved and order restored. Argument between lux and brother over oaths broken. Mother approaches Lux, touching his face tenderly speaking softly watching as her son is breaking. She offers him to leave the conflict entirely and to just live home with her, though as she turns to face Lux’s brother, Lux stabs her. Gasping she looks back to Lux, touching his face once more, “You look so much like your father in that armor” Lux , trainer and brother fight, Lux leaves his brother unconscious in the house quickly, though he kills his trainer outside, taking the bodies with him back to Nero.
18.Lux returns to the agreed upon spot to meet Nero, but is instead met by Ciara, who in his confusion and hesitation desperately tries to convince her to leave with him when out steps Peter with a staff in hand, who has now learned the magic of the old gods. When Lux raises his hand, his dragon lands behind him with a mighty roar. With a smirk, peter does the same, and a white and blue dragon lands behind him, a roar just as mighty. The dragons take to the air, circling and roaring, spitting blue and black flames at one another as Lux and Peter fight to the death. Just as Lux manages to defeat Peter after taunting and back and forth, there is a loud crash as Lux’s dragon lands on the other teeth in its neck, ripping its head off entirely. Ciara comes to her senses immediately, seeing Lux in armor of The Order standing over a wounded and ****** Peter, the blood spraying on them. Stepping toward Ciara, Lux is surprised when she steps back in fear. Allowing her to leave, Lux watches as she sprints away. The conversation between Lux and Ciara should be that of both trying to convert the other. When no understanding is made between the two, it is Lux’s love for Ciara that allows her to leave, she sprints to the horses and makes her way back to The Brotherhood. Turning back to a wounded Peter, Lux raises his sword when his eye catches sight of a faint glow on Peter’s chest. Kneeling to rip the man's shirt out of the way, Lux finds the same symbol that is on his sword and own chest. Peter is Lux’s lost twin.
Will add more, unsure how to end the first book. (Have a trilogy in mind)
Jeanne Fiedler Jul 2013
As I walk along the sea of life
I pass the soft blue water
against the pale blue sky
I think of the sea creatures,
the ducks, the seagulls,
the seahorses and starfish
the myriad array of shells and stones
bringing me gems of wisdom...
The carefree breeze as the
water splashes on the shore
relaxing and renewing me...
I meditate on the serene tides
bringing me calm and focus

The sea is intense but still
as it enters my inner
and outer worlds,
but even though there
is an end somewhere -
it seems like an eternity...
Henry Chambers Aug 2014
Listen to the machines meditate.
Touch their buttons and turn them on.

Plug into the charged thoughts
of your radio
statically in between stations,
or the electric fan
buzzing its soothing breeze,
humming vibrantly against your brain
like a relaxing massage from an absent soul.

Movements of the world outside masked
in a mechanical bubble of unnatural dreams.
© Henry C.
Arlene Corwin Feb 2018
As I Meditate…

As I meditate upon the general idea of peace,
Wash my brain with waves of …waves
I see an impact and increase
In the days that follow; expertise                                        
Unexplainable inside these
Small, small, small effects.
Nicer, kinder jets of thought;
Generous, inclusive this:
Embracing (the flip side of scorning or dismissing)
Giving ‘thumbs up’ easily.
I
Even feel my IQ up.
Recall dropped into my lap;
The bank behind them all
Accessi-ball,
(a jokey bit of poet freedom)

Patterns and impressions sharper.
Harping on the small things lesser.
Plus,
My mind turns bad to good.
(As I’ve always hoped it would.)
All opportunity!
I never understood
This peace idea.
Not worldly grounded, power founded; sheer
Self caused and self achieved.
Every pause a chance to sieve
The good from bad, the stuff that had
A weakening effect on me.
Since I is always you is we,
All university,
I simply send this little notion;
Hoping it brings oceans
Of the positivity
It’s giving me.

As I Meditate 2.26.2018 The Processes; Creativity, Thinking, Meditative II; Revelations Big & Small; ArleneCorwin
It becomes a way of life.
Rory Herd Jul 2013
I meditate each day

To improve myself, and the world

For my own evolution, and the betterment of others

So that my mind will serve me and my Will shall be strong and true

So that my emotions will not control me

And so that my body will be a fit vessel for my soul

I meditate so that I may perceive Truth and Beauty, emit Love and Peace, and walk only in Wisdom and Light

I meditate so that these words are not twisted by my ignorance, and bring no suffering

I meditate to overcome my greatest and only foe, myself

For I choose the path of Enlightenment
Amaranth Elk Dec 2013
Recognize the beauty in your breathing.
Inhale.
Exhale.

Even out each inhalation and exhalation.
Be the flow of the breath.
Be deep.
Be balanced.
Inhale.
1..2..3..4..
Exhale.
1..2..3..4..

Sit comfortably and roll the shoulders back
Feel the body.
Feel the heart beat.
Feel the head sway softly.
Inhale.
Chest rises.
Exhale.
Chest sinks.

Close yourself out to your surroundings.
Focus on the now.
Focus on the self.
Focus on inner peace.
Inhale
Good energy. Exhale Bad energy. Meditate.
Perig3e Feb 2011
Standing
between me
and you
are many untested
assumptions
and
assumptions
that we
are
not
consciously aware,
were we to meditate lotus to lotus
would that clear
                                the air?
All rights reserved by the author
With each breath,
take in the nourishing
and expel the toxic.
In other words:
In with Chi,
Out with Sha.

Visualize this;
Visualization is akin to Manifestation.
Manifestation is crucial with Chi.
-
Guidelines:

1. As each ****** motion is carried out, a breath is made.
Your breath and the motion begin and end at the same time.

2. Inward motions usually warrant inward breath,
as outward motions usually warrant outward breath

3. Nothing is ever the same twice. Neither you, nor the motions you do.
Everything is in flux

4. The movements of T'ai Chi are not dissimilar from
the movements of Water amongst rocks:

Fluent. Changing.
The more yielding,
yet the more powerful;

Such is the Tao, and thus Chi.
Such is Wu-Wei.
Such is Consciousness,
Such is Physics,
Such is Reality.
Such should we practice.
-
Begin:

In a standing position with your feet a few inches apart and parallel;
Cup your hands, one in the other, with or without thumbs touching.
Close your Eyes and take at least Five deep breaths, or better yet; meditate.
Clear your Mind. Let the ripples settle.
1.
Breathe in as you arc your Right Foot away from the Left until they are shoulder width apart.
2.
Breathe out as you bend your knees slightly and keep your spine vertical.
The further you squat, the more of a workout this is for your legs
and more of a stretch for your lower back.
3.
Breathing in, draw your hands up to shoulder height, palms down.
Visualize a vortex of energy under your hands.
4.
Exhaling, lead with the wrists with palms outward,
drop your hands slowly to waist level.
5.
Inhaling, visualize holding a large ball in front of your torso;
place your Left Hand palm down at shoulder height over your chest
and the Right Hand palm up at waste level.
6.
Exhaling, turn your torso but not hips to face 3 o'clock,
radially following the direction the top hand is pointing.
7.
Inhaling, look forward to 12 o'clock.
8.
Exhaling, twist similarly to look at 9 o'clock.
9.
Inhaling, look forward to 12 o'clock.
10.
Exhaling, look again at 3 o'clock and drop your top hand down to waste level, pushing
and bring your bottom hand forward and up, palm facing your face
11.
Still facing 3 o'clock, inhale and draw both hands to your left hip, pretend as if you hold a ball;
visualize a ball of energy between your palms.
12.
Turn your feet to 3 o'clock in the same locations they are in.
Push the ball towards 3 o'clock and up, as if to let a bird fly;
visualize that ball of energy flying away, to be shared with the world.
13.
Inhale createing a circle with your arms vertically in front of you
by pulling your wrists up, then pulling towards your shoulders,
then exhale, pushing slightly down and away.
14.
Inhale as you face towards 12 o'clock,
pointing your feet again towards 12 o'clock.
Draw your Right Hand to your forehead, with space and palm out
with your Left Hand at waste level and centered, fingers pointed down and palm facing inwards
(sort of like a dance move from "Walk like an Egyptian, actually..).
15.
Moving in circles and constantly breathing,
greet North, East, South and West by alternating the hand that's on top in a circular pattern,
ending with the Left Hand before your forehead
and your Right pointed down, thumb away from you.
16.
Exhaling, step forward with your Left foot about two feet
and drop down so your downward pointed Right Hand is a few inches above the ground,
still with Spine straight
17.
Pretend to draw an arrow from a Quiver by your Right Hand;
inhaling, draw your hand up then back, holding your Left Hand in front, as if holding a bow
18.
Exhaling quickly, Release the Arrow
19.
Lean forward and catch the Arrow of Chi with both hands
and bring it towards your Solar Plexus, inhaling. Merging.
Once your hands are at your stomach, roll your wrists towards you and bring your hands to your waist.
I imagine the motion of water around a rock to assist with making the motions of the wrist.
Bring your feet together, a few inches apart and parallel
20.
Stretch up and out with your arms and breathe deeply.
21.
Bow forward and exhale slowly with your palms on the sides of your thighs.
22.
Cup your hands in front of you and meditate.
-
It is up to you to do it again, to do something else, or to just keep meditating.
Follow thy Path. :)
https://www.youtube.com/watch?v=Kuq25gHT9Mg

The first form demonstrated is the form in this writing, the second is another one I know.

I confess, I am rusty as hell.
But, that's why I'm doing it.
Ken Pepiton Aug 2018
Weave we've woven a web...
What I said, what I said, what I said
we been sayin all a long

Oh the futurists mythed the inter-resting-time

This man fears population explosions, he is speaking in 1991,

I'd built my great 100 by 75 miles ten stories building resting place where ten billion story tellers could hide and watch whaat's
comin' down.
By then, decades before, in the desert twixt Vegas and L.A.
I asked this guy who actually wanted in my pants,
I sat on the window silly V double you, did he know,
I asked, no, I told him, after I had been starring at the stars for some time, this time that'ime, when I think about it,
I told that guy the whole world was waiting,
suffering,
await'n' the frontal cortex maturation of the sons 'oGod.
I said "and I'm one." Don't touch.

My private calfornia became my private arizona and neo and river chose idaho, ( no, that idaho, that was a movie-story)... not part of the rite

that was the legend of the clan, when we had electrix. That ride set an I'll-go-rythm of if/then/else switches to HIGH honor if-ic.
If.
If you can keep your head... the rest, true rest, is history.

we know a voice who swore he was there when "Been there, done that"
became an
eternal cliche of the gods.

We are participating in the future. We are thinking.

---
that hapt the same night as the discovery of the perfect-ish
four sided pyramid of charcoal brickets burning one
at at at a time
touch another to the glowing pile on the sand...
(audio)
=====
why are ficts so far from the facts in the matters that matter

re-lig-em leg-it-am-it-all, damitalkenslowdown

so re-lig me to my ide-idea, beware

We seen this coming do you? This is thirty years ago we know, this we know this we

we are in sanity, as insanity is the only way to packitin
sane sorts of things that all must touch in order
to re
main sane. You know, you know. That makes lying im-possible or null-possil-be
per se.
Word.Righton. Trooph truckah! ToA allaway Found

a calico cat of the old school sawdust variety.
if you,
if you see her, please de-if her re-onance, it's chipped.
You can keep her, if I can say such things here and not be thought an ownery old cuss,
clammering through empty lobster tails to see what the attraction may have been,

Back. Then we are not
off track or trail, etched acid canyon of silicon paved with godelsufferingold, by golly, I'd be live if I could see my way clear to walk such streets at
the speed of light
no, gravity and no, too slow,
thought.
ought... that's a thought
not... that's a thought
ought... that's a differ'nt thought, takes time...
that's a thought you could spend thinking it. You get nowhere.
now and then we find clusters of ideas in time, as if they buble from some spring in the headwaters of the mind we matter in

Der Lesenmann, bitte, kanst do lesen? O h, dear reader, take my hand, my phantom hand, the one I never lost, tell me

did you enjoy our journey, so far...

Weave a ways, weave a ways to go. If this and that cross
again
we may hear what that preach meant to say, thaat day
o'visitation, way back when.

olden time. grand mals time to meditate sign-ate de-sign-ate,

Dada do we know when we know, when we are two and the past is, too.
Papa do you know the big bang is the answer everyone found, in the olden days when you were ten?
Oh I read about that backthen, I was twelve. Weekly Reader kept my gang informed, or Me, and I told all my friends, my listeners who did not read but needed to pass the current events test.
Now, we all a passin' those ****** one time at atime

Upon my word, begin...
This sprang from a 1991 discussion about the world wide web, in which Terrence McKenna  Ruper Sheldrake began to imagine the world we live in post Y2K and  9-11 and 420 and Prop 64, where are you
MJL Apr 2019
Tibetan Brimstone butterflies wave wings madly at their paradise valley
In the beginning, before the beginning, and in the beginning
Their shaken snow globe makes them flutter in wild exuberance
As they reveal a mountain, then no mountain, then Kunlun again
Peace, followed by chaos, and then by peace
Mother Luna's kaleidoscope of enlightenment
Protected by the hooded one
Holds all worlds and shakes the four seasons
Nothingness, creation, abiding, destruction
The wheel of time
Moves the wind as it’s blown by vast circles of water
Aqua marine is washed again by golden earth
And in the center, the great opal mountain song of La
Nature's peace
Beyond white leopard snows, icy winds, and empty husks of death
Butterflies are born again
Shambhala’s mindful beat opens passage for light through darkness
Poets squint and ride on wings toward the hidden sunset kingdom
Watching another world's Avalon alive beneath a blue moon
Insulated chrysalis of love for all seasons
A fisherman, a carpenter, a shepherd, a merchant, a caterpillar
Discover a lush, isolated, peach grove
Nosing thickly scented nectar and purple primrose honey
In the jade valley of the kings, queens, and beggars
They meditate under the Bodhi Tree
Deep brown ****** lines are carved into their soft olive skin
Smooth hands are made rough, and then smooth again
Young, then old, and then young once more
Wisdom setting beside Queen Spirit Mother of the West
Sharing a bowl of her rice milk in harmony
Being in the realm between man and nature as Kalachakra turns
For six years the caterpillar eats of fig
And then the wheel breaks for flight one last time
Radiating light as she sheds her glorious wings
Here, the snow globe explodes flying petals of wild exuberance
Revealing a mountain, then no mountain, then Kunlun again
Transcending all, turning tears into the suns joyful rays
As they rise, then set, and then rise again
Nirvana
Beyond our Lost Horizon


© 2019 MJL
I loved the 1939 movie, Lost Horizon, and it's story of Shangri-La. It drove some interest in reading about Buddhism... Could we be butterflies reborn? How wonderful that would be... Young then old, then young again. All at once nature and man, one with our universe. Those who seek wisdom find salvation... The caterpillar here is a beggar who finds ascension. Cycles represent the wings flapping. There are also references to universal religious themes.
Jenny Jan 2014
"We had all these crazy ******' dreams together, Me and Her. We ate our weight in marshmallow ***** pancakes underneath the stars and kissed each other with tongues of fire licking roofs of open mouth. Her mouth was like a ******' inferno, like in the sense that it seems so small and insignificant until you actually get there and then it just swallows you whole, gets you hotter than you've ever been in your ******' life and you're there for eternity. It's endless. If you weren't thinking about it before, now you're thinking about it.

You're thinkin' about her, and thank the ******' heavens for that. If I could get every man on the face of this planet to think about her the way I do, at the length that I do, til we all ******' keel over, it just wouldn't do it. She's somebody that gets stuck in your hair when you're not looking and somebody you trip over in the mornings when you just ******' cleaned the place up. She clings to the bottom of your shoes til you can hear her name in any number of footsteps on any number of paths."

_________________­_

Baby, let me sit in the driver's seat.
Let me drift smoothly, subtly into your lane.
Remember how you always said I was too **** skinny?
Guess what, baby?
When the tail lights call to me I can slide right in between them, like a fitted sheet or rungs on a washboard. I darted between the raindrops like you always said I would but I got wet anyways. What do you know about that?

I don't know much about it, myself.

The doctor said I can't drive anymore. I told that *******, "my eyesight's 20/20! I seen every single puzzle piece on those office inkblots for the knives and daggers that they are! The **** I look like?"

I'm exhausted, Baby. I'm leaking black smoke out of my lungs. I don't brush my teeth anymore because the fluoride ***** up my third eye. How do ya feel about that? Meditate on it. Meditate on me. Meditate on the stars, on the heavens, on God, on babies that died inside of us. I always told you, Baby, you're the best idea God ever had. You ******' did it. Tie me up, baby. If I can't drive anymore, drive me out of here. Tie me up to the god-**** tracks and cover my naked body with those whaddya call ems? Tuck me into your blanket statements so big I get them confused with the entire god-**** sky.
I am the son of Mars for there is war in me
Though I am the son of Earth, for my seed was planted here to grow in peace
I am the companion of Venus, sister to my travels
I was the harvest of Saturn who teaches me diligence and awareness
My heart lies with the sun
the lion fixed of my fire
my muse in the sky
The ram's fire burns strong and bright
under it's light my ancestors lived
these myths may hold more
each with our storms and dense places
we must know
truth is stranger than fiction
I follow the stars
I follow the stories
the lines draw themselves
to the conscious voyage
of combined thoughts
together in act
Born to discover
And continue to ask
We fidget for transcendence
yet our task is to be still
delving for sedation
then weakening the will
Hold on, keep hold, get it back, let go
the focus is in driving through the chaos in your flow
Balance out your magnetism look for the grid and see
Without our spirit's energy
Ascension is a dream
**FadedFate**
Journey of Days Mar 2017
meditate - ink -  pray
keeps me from
drink - cry - coma

think - draw - breathe
helps with
process - know - conquer


punch  - walk - yell
guards me from
fear - hate - intemperance

write - write - write
saves me from
myself


#thisjourneyofdays
my version of eat - pray - love

— The End —