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Apr 7, 2012, 6:08:21 PM by ~OmegaWolfOfWinter
Journals / Personal




"Name: Amelia Weissmuler. Date of birth: June 6th, 1920. Test subject number 314-X. Specimen: Tiger." Amy heard all of this through a haze of sedatives that had begun to lose their already poor effect. She turned in the direction of the voice and saw a fearsome **** SS General standing behind a white clad scientist with a heavy accent. The general said nothing but listened and watched as Amy was strapped down to a cold metal table, completely **** with various wires, tubes and needles protruding from her flesh. She groaned painfully, the needles were extensive, and the **** scientists had no care of decency or respect. she was hit with another sedative and before she lost consciousness she heard the scientist, who she guessed was Dr. Heismeiller, say, "Name, Mordecai Dansker, former Major of the Third *****. Date of birth: September 19th, 1919. Test subject 14-W. Specimen: Wolf. As you
can see, Heir General, these are both healthy specimens, as are the test subjects." Amy heard a
rattling of cages. Her vison slowly went dark but not before seeing the doctor's face, uncovered and psychotic.
* *
When Amy woke up again, she was being suspended from the floor, the tubes and wires accompanied by menacing electrodes. there was an unnatural blue and white crackling of electricity around her, illuminating the other suspended tables nearby, the bodies in various grotesque positions and levels of decay. she tried to scream but found a machine unceremoniously shoved in her mouth, stretching deep inside her. she looked and saw nothing but obscene machines and various glass tubes of colored bubbling liquids. she tried sluggishly to break free but to no avail. what little strength she had was useless against the torturous devices emplanted in and around her. "Doctor, begin the experiment."
"Yaboe!" She heard a solid click resound through the room and heard a male scream in another room. the screams echoed for a long while, then nothing. she heard a gasp of releif from
the doctor and, "General! Subject 14-W... he has... Survived!"
"Good. now start on the frauline." there was a large thud from outside the room. "Quickly! this facility is under seige!"
"Yes sir, heir general. Test subject 314-X prepped and ready. Begin phase 1." she cried out silently as the needles burned hot inside her and the tubes boiled her insides. the electrodes soon incapacitated her and she fell unconscious.
*
*
"Phase 1 complete, heir general, subject is ready, proceeding to Phase 2."
Amy felt an intense burning around the needles, and an electric fire through her veins. the machine had been taken from her mouth, but she doubted she could scream any more, as her throat was raw from the silent screams of Phase 1. She felt her body shake uncontrollably as more electric shocks were administered. she was left panting and slumped over. "Sequence complete, the bonding process was a success." there was another thud and sediment from the roof fell to the floor. "Get her down now! They will be through soon!" She was lowered to the ground and unstrapped from the table, picked up, and placed on a stretcher. she raised her hands on front her face and nearly fainted, her hands, or paws, resembled that of a tiger, and as she looked, her whole body was covered in a slick orange, black and white fur. She was put into the backseat of an armored car with a simple blanket draped around
her. Amy felt nauseated
as the car sped off. It hit a bump in the road and she moaned painfully, clutching her furry belly and retching. the **** next to her turned away in disgust. the car ride was long and sickening, and she lost consciousness twice, and finally she tried to lay down in the cramped space. when the armored car finally stopped, she was pulled from the back seat and carried over a soldier's shoulder and into a small bunker. Once inside, amy heard a metal door open and was laid down onto a stiff bed with a single pillow and a single cover. There was a small window in the cell, a drab, grey stream of light shining in her eyes. She propped herself up on her elbow and shielded her eyes from the blinding contrast. Once her eyes adjusted, amy noticed that things had a particular sharpness to them and she had an acute awareness of things based on scent. she stood shakily, and noticed she was almost
six inches taller now, and her new tail swished back and forth along the concrete floor. she stepped
forward and grasped the iron bars and peeked out, seeing a black leather messenger bag and a black uniform lined with white. she couldn't quite reach the uniform, but was able to get a claw around the strap of the messenger bag. she pulled it closer to her and saw that her initials were monogrammed into the leather. she pulled it through the bars and opened the bag, pulling out a small, blank, leather bound journal and a pen. still ****, she sat on the bed and practiced writing, tearing out two pages of scratch paper. She began her journal with, "I am no longer the person i once was. i am something new, something... different."
• * *
The **** captain stepped into the bunker and saw amy, half lying, half dangling on the bed, the leather journal clutched close to her chest. he stormed into the cell and backhanded her awake, snatching up the journal as she cowered in the corner, her tail wrapped around her. the captain flipped through the pages of the journal and then closed iit with a snap. he glanced at it and dropped it on the bed. "it is yours now, Frauline. you are very special to the third *****. the fuhrer himself has asked for you to be placed in the Waffen SS and trained." amy glanced at the uniform on the table outside the cell and he nodded, "specially tailored for you, frauline. he stepped outside the cell and grabbed the uniform, setting it down on the bed. "you may Change into your new uniform and join the rest of us outside." he stepped outside and she was alone. she donned the simple uNdergarments then
slipped into the soft black trousers, after which she put on her military boots. next she put on the black and white jacket signature of the SS. the jacket was sleek and menacing, though it did little to flatten her chest, but that, she supposed, was one of her feminine charms. last was her hat and armband, both adorned with the *******. she gathered the leather messenger bag and stepped outside the cell, where a mirror stood, giving her a chance to see what had been done, the black uniform was a dramatic contrast to her brightly colored fur, and her new black stripes added a fierce look to her. she grinned and flashed menacing white teeth. she turned her body, looking at herself from different points of view. she slipped the **** armband onto her right arm and turned to leave. she stopped when she encountered a high pitch noise right next to the door. for the moment she just walked past, opening the door and adjusting her vision to the outside light. the layout was grey and barren,
as it always was in wartime. the captain was waiting for her along with a small squad of SS troops. a
Few laughed and remarked at her appearance, making cat noises and wolf whistling at her. she glared at them with a bright white snarl carved into her soft face. *they will fear me...

she saluted the captain and said, "heil ******." he returned the gesture, "heil. you are now part of the Waffen SS, frauline Amelia."
"please sir, its amy."
he noted her directness and ferocity, "very well, amy. before we assign you a task, though, you must prove yourself." he addressed the squad, "they are all corporal's and sergeants. you are merely a private. you will gain a rank for each one that you ****. however, they have been told that if they do not force you to submit, they will be killed or sent to the russian front. so you best fight your hardest, private amy."
as he finished, the squad set down their Mauser 98K's and MP-40's and stepped closer to her. her eyes widened in shock, then narrowed in ferocious determination. there were twelve of them.
"Fight!"
• *
Amy took a fighting stance and faced her attackers. she attempted a punch at the nearest one but was kneed in the gut, she was thrown back a few feet. she fell to her knees and clutched her stomach with one hand, holding herself upright with the other. tears sprung to life in her eyes and threatened to roll down her cheeks. she fought the tears back and stood, feeling her claws extend. she swiped at a soldier's throat, catching him right in the throat. blood splattered the ground as he choked on his own fluids. the remaining eleven were taken aback slightly, allowing her to pounce another soldier, punching and tearing at his gut with lethal force. her fur was bloodstained and she waited a moment too late, watching the cavity she created fill with blood. she was barreled over, the wind knocked out of her by a sergeant. she lay on her back, gasping for air as the soldiers closed in,
landing a few punches and sending her reeling back. she staggered back, struggling for breath. she
Bumped up against something and realized it was a bunker wall, she was trapped. she thought quickly and decided for a new course of action, she waited for one of them to gather his bravado and throw a solid punch at her, which was useless, she grabbed his wrist and smashed his head against the wall, filling his helmet with blood and brains. in the same move, she had grabbed his Luger and had downed three more of the remaining ten. in their moment of confusion she kicked the closest one in the fork of his legs and followed up with a pistolwhip. the man went down quickly and died by the heel of her merciless boot. the remaining six charged at her, one falling by her last bullet and another caught a swift kick in the ribcage, shattering the bones to peices. the rest of the men were sergeants, and they began to retreat, running into the open field. she was about to chase after them when she
heard another Luger fire. she turned to see the captain shooting the deserters. each fell, one by
One by the captain's gun to her surprise he let a single man go. "you have done very well, frauline amy. you have killed eight out of twelve men, not bad at all."
she was panting, her uniform dirtied, "why.. did you let.. him go?"
the captain smiled, "someone has to spread you're reputation, heir captain."
she gaped at him. "i am... captain?"
"yaboe, heir frauline. you have proved yourself worthy to serve under the fuhrer."
she saluted him, "thank you, heir captain."
*
amy wrote in her journal as they were driven to one of the Stalags: "my promotion to captain has earned me my choice of weapons, ive chosen a few, two long barrel Luger's, a cavalry saber, and a sixteen foot bullwhip. i also carry an automatic Mauser in my messenger bag. other than a few knives carefully hidden on my body, that should be it. ive become the fuhrer's favorite enforcer, though i feel as if i'm forgetting something..."
amy closed the journal and placed it in her bag with a soft snap.
Amy waited for a **** private to open the car door and let her out, tapping her foot impatiently. when he finally came, she had a luger pointed at his chest. "you're late. she got out of the car and shot him, holstering the pistol as he crumpled to the ground. the colonel in charge rushed towards her, "what is the meaning of this?!"
"your man on watch was late, and now he'll never be late again. and also, colonel, as i am a captain in the SS, i am your superior officer and you WILL adjust yourself accordingly or i will replace you with someone who will."
his expression was that of shock, "y-yes, heir captain, please follow me." he escorted her quickly to the main building. amy glanced around at the peering POWs, glaring at them with distaste as they whistled at her. "who's the kitty?" "what the hell is that?"
her hands fell to her lugers and she was ready to fire when she was beckoned inside by the colonel and she followed behind him reluctantly. "you should control your prisoners.
i find an overall lack of order in this camp. you're lucky i'm in a good mood, or i'd have you strung up for incompetence. lets hope my further evaluation of this... facility... does not make me any more inclined to do so."
the colonel stuttered again and dipped his head, "y-yes heir captain."
she stepped outside unopposed by any. she snapped her fingers and a sergeant rushed to her side and saluted. she handed him a journal logbook and he opened it to the page marked with the Stalag number. she entered the closed off areas of the stalag to inspect the barracks.
*
amy's fists were clenched with rag, a prisoner mocked her from within his confines. his fellow prisoners pleaded with him to stop. "she's lethal!" "she killed eight SS sergeants and corporals singelhandedly her first day!"
the prisoner ignored them and began gesturing at her. she snapped her head up and their eyes met for an instant, she growled through a gritted snarl and was over the fence in mere moments. once over,
the prisoner that mocked her was now on the ground, his throat between her fangs. he cried out once and then gurgled blood as she tore out his throat. she spat the flesh onto the dirt and stood, brushing the dusty particles from her uniform. the men around her backed away when she approached them, and watched her cautiously as she stepped back out of the fenceline. amy picked up her cap from the ground and brushed it off. one of the prisoners called for a doctor, and when one of the guards began to look for one, she merely said, "no, he wont survive. leave him be."
the soldier saluted and went back to his post. she walked up to the colonel and said, "your prisoner annoyed me, as do you, colonel. you have three days to turn this place around or you'll end up worse off then your prisoner over there."
the colonel had turned a pale white and whispered, "understood, captain."
she returned to her quarters and listened for a moment as the colonel shouted orders. "that was fun." she remarked.

Amy was asleep in one of the larger rooms in the main  building, her uniform folded neatly on the table near the bed. she kep one luger on her bedside table and the mauser under her pilllow. her other luger, her sword and her whip were next to her clothes. she was clad only in her fur, as she'd found that the most comfortable way to sleep.
she was woken up by a knock at the door. she blinked her eyes a few times. clutching the mauser handle with one hand and holding the blanket to her chest with the other, she said, "what is it?"
"the colonel wishes to speak to you, heir frauline."
she growled, "grrr... fine. tell him to make it quick." she clutched the blanket closer as he opened the door. she held the mauser aimed at him and said, "turn." he did so without hesitation. she slipped cautiously out of the bed and began to dress. "what is it you wished to speak with me about, colonel?" amy put on her undergarments and then pulled her trousers up to her waist, fastening the belt comfortably.
"there is an important telegram for you, heir captain." she pulled on the jacket over her simple shirt, tugging out any wrinkles. "oh? from who?" next came the holster belts, each hanging slightly lower than her first belt. her sword was another belt, and there was a custom clip there for her whip as well.
"Himler, he has special orders for you." her messenger bag was next to last, slung over her shoulder before she slipped into her boots. ""You can turn now. hand them here." she stepped closer to him and took the envelope with her name scrawled on the front. the colonel excused himself so she could read the orders, "captain amelia weissmuler, once you have completed your assignment at Stalag 14, please make haste to stalingrad as there has been a number of our own turning against the *****. see to it that they cause no more problems. -heinrich himler"
she read it through three more times before folding it and placing it in her bag. she hurried outside, grabbing her hat
From the dresser.
* *
amy went about her inspection, seeing nothing wrong today. "the condition of stalag 16 has improved, heir colonel. well done. now send my car around." the colonel grinned and motioned for the car.
the black car adorned with swastikas roared to life, coming up beside her. the d
Unbiased at least he was when he arrived on his mission,
Having never set eyes on the land he was called to partition
Between two peoples fanatically at odds,
With their different diets and incompatible gods.
"Time," they had briefed him in London, "is short. It's too late
For mutual reconciliation or rational debate:
The only solution now lies in separation.
The Viceroy thinks, as you will see from his letter,
That the less you are seen in his company the better,
So we've arranged to provide you with other accommodation.
We can give you four judges, two Moslem and two Hindu,
To consult with, but the final decision must rest with you."

Shut up in a lonely mansion, with police night and day
Patrolling the gardens to keep the assassins away,
He got down to work, to the task of settling the fate
Of millions. The maps at his disposal were out of date
And the Census Returns almost certainly incorrect,
But there was no time to check them, no time to inspect
Contested areas. The weather was frightfully hot,
And a bout of dysentery kept him constantly on the trot,
But in seven weeks it was done, the frontiers decided,
A continent for better or worse divided.

The next day he sailed for England, where he could quickly forget
The case, as a good lawyer must. Return he would not,
Afraid, as he told his Club, that he might get shot.
1283

Could Hope inspect her Basis
Her Craft were done—
Has a fictitious Charter
Or it has none—

Balked in the vastest instance
But to renew—
Felled by but one assassin—
Prosperity—
i dreamed a rattlesnake was loose in the closet i heard it rattling i was afraid to open the door



a man suffering a toothache goes to see his dentist the dentist administers laughing gas when the man comes to his numb tongue swooshes around his mouth he asks how long was i under the dentist answers hours i needed to pull them all out



he imagines when he grows old there will be a pencil grown into one hand and a paintbrush grown into the other they will look like extra fingers grown out from the palms extensions of his personal evolution little children will be horrified when they see mommy mommy look at that man’s hands!



what if we are each presented with a complete picture of a puzzle from the very start then as our lives proceed the pieces begin showing up out of context sometimes recognizable other times a mystery some people are smarter more intuitive than others and are able to piece together the bigger picture some people never figure it out



i wasn’t thinking i didn’t know to think nobody taught me to think maybe my teachers tried but i didn’t get it i wasn’t thinking i was running reacting doing whatever i needed to survive when you’re trying to survive you move fast by instinct you don’t think you just act



many children are relieved when their parents die then they no longer need to explain prove themselves live up to their parent’s expectations yet all children need parents to approve foster mentor teach love



she was missing especially when her children needed her most she was busy lunching with girlfriends dinner dates beauty shop manicure masseuse appointments shopping seamstress fittings constant telephone gossiping criticizing she was too busy to notice she was missing more than anything she wanted to party show off her beauty to be the adored one the hostess with the mostest



i dreamed i was condemned to die by guillotine the executioner wore black and wielded an axe just in case the device failed in the dream the guillotine sliced shallow then the executioner went to work but he kept chopping unsuccessfully severing my head this went on for a long time



1954 Max Schwartzpilgrim sits at table in coffee shop on 5th floor of Maller’s Building elevated train loudly passes as he glances out window it is typical gloomy gray Chicago day he worries how he will find the money to pay off all his mounting debts he is over his head in debit thinks about taking out a hefty life insurance policy then cleverly killing himself but he cherishes his lovely wife Jenny his young children and social life sitting across table Ernie Cohen cracks crass joke Max laughs politely yet is in no mood to encourage his fingers work nervously mutely drumming on Formica table then stubbing out cigarette in glass ashtray lighting another with gold Dunhill lighter bitter tastes of coffee and cigarettes turns his stomach sour he raises his hand calling over Millie the waitress he flirtatiously smiles orders bowl of matzo ball soup with extra matzo ball Ernie says you can’t have enough big ***** for this world Max thinks about his son Odysseus



when Odysseus is very young Dad occasionally brings him to Schwartzpilgrim’s Jewelers Store on Saturday mornings Dad shows off his firstborn son like a prize possession lifting Odysseus in the air Dad takes him to golf range golf is not an interest for Odysseus Dad pushes him to learn proper swing Odysseus fumbles golf club and ***** he loves going anyway because he appreciates spending time with Dad once Dad and Odysseus take shower together Dad is so life-size muscular hairy Odysseus is so little Dad reaches touches Odysseus’s ******* feeling lone ******* Dad says we’ll correct that make it right Odysseus does not understand what Dad is talking about at finish Dad turns up cold water and shields Odysseus with his body he watches Dad dressing in mornings Dad is persnickety to last details of French cuff links silk handkerchief in breast pocket even Dad’s fingernails toenails are manicured buffed shiny clear



Odysseus’s left ******* does not descend into his ******* the adults in extended family routinely want to inspect the abnormality Mom shows them sometimes Dad grows agitated and leaves room it is embarrassing for Odysseus Daddy Lou’s brother Uncle Maury wants to check it out too often like he thinks he is a doctor Uncle Maury is an optometrist the pediatrician theorizes the tangled ******* is possibly the result of a hormone fertility drug Mom took to get pregnant the doctor injects Odysseus with a hormone shot then prescribes several medications to induce the ****** to drop nothing works eventually an inguinal hernia is diagnosed around the age of 9 Odysseus is operated on for a hernia and the ******* surgically moved down into his ******* the doctor says ******* is dead warning of propensity to cancer later in life his left ball is smaller than his right but it is more sensitive and needy he does not understand what the doctor means by “dead” Odysseus fears he will be made fun of he is self-conscious in locker room he does not comprehend for the rest of his life he will carry a diminutive *****



spokin alloud by readar in caulkknee axescent ello we’re Biggie an Smally tha 2 testicles whoooh liv in tha ******* of this felloh Odys Biggie is the soyze of a elthy chicken aegg and Smally is the size of a modest Bing cheery



one breast ****** points northeast the other smaller breast ****** points southwest she is frightened to reveal them to any man frightened to be exposed in woman’s locker room she is the most beautiful girl/woman he will ever know



Bayli Moutray is French/Irish 5’8” lean elongated with bowed legs knobby knees runner’s calves slim hips boy’s shoulders sleepy blue eyes light brown hair a barely discernable freckled birthmark on back of neck and small unequal ******* with puffy ******* pointing in different directions Laura an ex-girlfriend of Odysseus’s describes Bayli’s appearance as “a gangly bird screeching to be fed” Laura can be mean Odysseus thinks Bayli is the coolest girl in the world he is genuinely in love with her they have been sleeping together for nearly a year it is March 11 1974 Bayli’s birthday she turns 22 today Bayli is away with her family in Southeast Asia Odysseus understands what a great opportunity this is for her to learn about another culture he knows Bayli plans to meet up again with him in late summer or autumn in Chicago Dad wants Odysseus to follow in his footsteps and become a successful jewelry salesman he offers Odysseus a well-paying job driving leased Camaro across the Midwest servicing Dad’s established costume jewelry accounts Odysseus reasons it is a chance to squirrel away some cash until Bayli returns it is lonely on the road and awkward adjustment to be back in Chicago Odysseus made other plans after graduating from Hartford Art School he is going to be an important painter after numerous months and many Midwestern cities he begins to feel depressed he questions how Bayli can stay away for so long when he needs her so bad the Moutray’s send Mom and Dad a gift of elegant pewter candleholders made in Indonesia Mom accustomed to silver and gold excludes pewter to be put on display she instructs Teresa to place the candleholders away in a cabinet Mom also neglects to write a thank you note which is quite out of character for Mom Bayli’s father is a Navy Captain in the Pacific he is summoned to Norfolk Naval Station in Virginia the Moutray’s flight has a stopover in Chicago Bayli writes her parents want to meet Odysseus and his family Odysseus asks Dad to arrange his traveling itinerary around the Moutray’s visit Dad schedules Odysseus to service the Detroit and Michigan territory against Odysseus’s pleas Odysseus is living with his sister Penelope on Briar Street it is the only address Bayli’s parents know Odysseus has no way to reach them when the Moutray’s arrive at the door Penelope does not know what to tell them Mom and Dad are not interested in meeting Bayli’s parents it is not the first sign of dissatisfaction or disinterest Mom and Dad convey regarding Bayli Odysseus does not understand why his parents do not like her is it because Bayli is not Jewish is that the sole reason Mom and Dad do not approve of her Odysseus believes he needs his parent’s support he knows he is not like them and will likely never adopt their standards yet he values their consent they are his parents and he honors Mom and Dad let’s take a step back for a moment to get a different perspective a more serious matter is Odysseus’s financial dependency on his parents does a commitment to Bayli threaten the sheltered world his parent’s provide him is it merely money binding him to them why else is he so powerless to his parent’s control outwardly he appears a wild child yet inwardly he is somewhat timid is he cowardly is he unsure of Bayli’s strength and sustainability is that why he let’s Bayli go whatever the reason Dad’s and Mom’s pressure and influence are strong enough to sway his judgment he goes along with their authority losing Bayli is the greatest mistake of Odysseus’s life



he dreams Bayli and he are at a Bob Dylan concert they are hidden in the back of the theater in a dark hall they can hear the band playing Dylan’s voice singing and the echoes of the mesmerized audience Odysseus is ******* Bayli’s body against a wall she is quietly moaning his hand is inside her jeans feeling her wetness rubbing fingers between her legs after the show they hang around an empty lot filled with broken bottles loose bricks they run into Dylan all 3 are laughing and dancing down the sidewalk Dylan is incredibly playful and engaging he says he needs to run an errand not wanting to leave his company Odysseus and Bayli follow along they arrive at an old hospital building it is dark and dingy inside there is a large room filled with medical beds and water tanks housing unspeakably disfigured people swarming intravenous tubes attach the patients to oxygen equipment feed bags and monitoring machines Dylan moves between each victim like a compassionate ambassador Odysseus is freaking out the infirmary is too horrible to imagine he shields his eyes wanders away losing Bayli searching running frantically for a way out he wakes shivering and sweating the pillow is wet sheets twisted he gets up from the bed stares out window into the dark night he wonders where he lost Bayli



these winds of change let them come sailor home from sea hunter home from hill he who can create the worst terror is the greatest warrior
Low-Key Jan 2016
Don't look at me that way
You can't always have your way
No I'm not someone you slay
And no you can't ask how much I weigh

Don't say the place where I belong is the kitchen
Just because I am a woman.

Don't stare at me secretly from the window
Don't think you can impress me you ******
Don't think you could ever be my shadow
Always behind me trying to follow

Don't think my courage can't be summoned
Just because I am a woman.

Don't think you can sit in the empty seat next to me in the bus
What , do you think I can't create a fuss ?
Don't think you can just touch me and run
It shows you're scared and what makes you think you have won?

Don't you think it's unfair to continue female foeticide
What makes you think you're the one to decide?
How is it an honour, when it is honour killing ?
Why can't you be the one to understand her feelings?

No , I don't think you can treat me like vermin
Just because I am a woman.

So how about you show us some respect
And your actions , you began  to inspect
And how about you treat us as your equal
I'm pretty sure that is legal

So how about you apologise honestly, it will be forgiven
Oh yeah, that's because I am a woman.
Till today woman all around the world are abused in different ways
How I wish things would change and we would not have to feel scared before stepping outside on our own
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
But I am relieved.
Not being confined in bright velvets
of the West, or shimmering silks of
the East. Each hand-stitched with
animals and flowers, crystals and
furs, with gold and silver to
parade around in Court.

~ ⚘ ⚪ ⚘ ~
I find far more splendour in a simple
iris-purple kimono-robe, lightweight,
silk-satin and printed with lilies with
a pink silk trim. It strokes my ankles,
and the sleeves, they billow; the sash
firmly fastened around my waist.

~ ⚘ ⚪ ⚘ ~
My handmaid, Ilazi, presents a gilded
bowl with the purest form of fruits -
the ones that were rain-washed. I have
a variety to choose from - strawberries,
blueberries, peaches, green, red and
black grapes which I pick and nibble
on. Hmm, a succulent balance of
sweetness and ****.

~ ⚘ ⚪ ⚘ ~
And then my senior handmaid, Anihana,
arrives with a tray in hand, clearly made
from stainless steel with rose-gold accents.
'Sweet Queen,' says she. At the wave of my
hand, the music stops. 'Forgive me for
keeping you waiting. I know how particular
you are with your pearls so I narrowed
them to your favourite three choices.'

~ ⚘ ⚪ ⚘ ~
'Thank you,' I say and as I lean up, she
presents three cream-hued scrolls.
'Lists,' says she, 'of all the ship's
inventory. Would you like to
inspect them, my lady?'
'I will after some tea, Ainhana,
thank you.'

~ ⚘ ⚪ ⚘ ~
Anihana nods and moves by my side
as my eyes fall on the tray's contents.
A small silver five-minute sand-timer,
a glass teapot with bamboo handle,
an infuser and steel lid half filled
with hot water; steam dancing
out of the spout. Then, a lovely
glass teacup, one of the most
beautiful I've seen yet.
~ ⚘ ⚪ ⚘ ~
Part three of my Jasmine Pearl freeverse!
Lyn ***
The Ripper Apr 2016
Let us inspect relations with vocabulary,
dig into me && drink of my spark.
You lit the fire, so must you vvatch it burn.
Peel back the sky vvith me,
in fearless abandon.
As tvvo flovvers of the field,
svvay in the breeze
&& sing me your song.
Harly A Quinn Apr 2015
I Used To Be an Optimistic
Child

Believing everything was black and white.
~~~~
It was the first summer in our new
home.
I was six or seven
My Father needed help in the lawn so feeling
in a helping mood, I went out.
His hands were in the dirt and his forehead
was bronzed.
He waved his arm at a small,
Delicate flower.
Go pull weeds.
Not one to question him while, he was busy,
I went over to inspect the flower- i mean ****
How could something so tiny, even more do than my hands,
be considered a ****?

My tiny mind thought weeds were
dark green and barley clinging
to life, with thorns that sliced at
other helpless plants and animals.
Almost like bad people.

I imagine it was then that
My small mind had begun
to grasp
at the idea that plants and people alike
could deceive you.
My first poem I've posted.
MJL Feb 2019
Obsessed
You build again
Another shrine
Consuming thoughts now
They exist because you will them
You create importance
You inspect daily
You dream
Alone
You stress
Manic moments hanging in frames you create
Your time lives on nobody’s walls
Taking the place of everything
Your life will be gone
Your minutes
Your museum
Walking temple steps to nothing
There will never be a sign that reads,
“Please donate to maintain this shrine when I am gone.”
You will be forgotten
Live


© 2019 MJL
Your stress belongs to you and takes hours from the glass.
Ellen Joyce Jun 2013
What do you see, nurse, what's going on?
What are you thinking, when my buzzer turns on? -
desk full of paperwork growing in size?
climbing into bed and closing your eyes?
perhaps you are aching from hours on your feet?
or maybe you're desperate for something to eat?
I'm sure being overworked is something you hate,
but shouldn't you leave that at the hospital gate?
I lay here riddled with cancer, moaning in pain
wondering if you care or if I'm a drain.
I wonder if a kind hand will take mine in care,
or if I will be met with a cold stony glare.
I know you don't have time to sit by me a while,
but would it really be too much to flash me a smile?
When you come with charts and machines to inspect
is it too much to ask that you show me respect?
I know you're all human and that you feel too,
but it isn't my fault you have so much to do.
Please don't excuse yourself with the woes of your day,
I'm scared and I'm hurting as life fades away.
I spent my life teaching with compassion and care,
but this cancer it grips me, I've nothing to spare.
Some of you have the most beautiful of hearts,
but the lottery of care, it tears me apart -
I worry if a smile is the last thing I'll see
or if you'll be looking at your watch, instead of at me.
I'm probably not you're first and I won't be your last,
but I'm the only me, present, future and past.
The life I have lived is fading; death hangs overhead,
Fill my last days with kindness, for soon I'll be dead.
So return to your training, your core values, be aware
are you the nurse with the kind touch or the cold stony glare?
I wrote this poem as I sat watching my uncle finally sleeping in a haze of wonderful pain relieving drugs in a hospital dying of cancer.  This poem was entirely inspired by Crabbit Old Woman and the Nurse's response to Crabbit Old Woman and stands firm that there is no excuse for poor care.
Written 2011
Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.
HEGIRA TO PATMOS  /  COPYRIGHT
Robbie carter wanted to drive hid Australian car from Australia to the USA so he can watch a Broadway but there was no way he could do that and every time
He suggested it to his mates they just laughed at him but Robbie came up with a good idea, you see he will raise funds to build a tunnel under the ocean linking Australia with the USA and also to keep him relaxed he would build a few towns under the ocean As well
You see Robbie wanted this so bad, but both countries governments didn't like the idea
Because the distance was too far and the water will cave in to the tunnel but then both countries changed government and suddenly Robbies dream became a reality, you see the will open the tunnel from the Aussie end at Brisbane and then open the other end at Florida and they will build 45,000 towns under the water
With motels and restaurants and houses and truck stops
As well as an underwater version of Ayers Rock  And to makes sure it was good to go
Robbie helped designing this under ocean adventure from Brisbane to Florida with towns
Which were just like the towns on earth and they intended on building a Broadway stage where they will play all the latest musicals they were playing in New York and this could make the journey a pleasurable one for each patron who starts the trip and in about the first 4 months they had 60% of the new world completed and Robbie was asked to inspect the area and this meant checking the area and then imagining how the world would function under the ocean and what he noticed they   Built a shopping street on the first street with a fun park on the first turn and then a Broadway musical theatre a few blocks down and Robbie took one look and said this is fantastic and then went further on and saw a very big under ocean shopping mall and Robbie was impressed in how
Each area of the under water towns is going to look and then Robbie went back to Brisbane and in about 5 more months
The entire under ocean tunnel and towns were completed but they couldn't open the tunnel at either end unroll Robbie and the safety inspector have checked it out and originally it was made so you could drive from Australia to America but they had coaches and trains and yeah this was looking great
And the under ocean Ayers Rock looked fantastic and the Broadway musical theatre looked great as well and the roads were as dry as a bone
Despite being under the ocean
And the fun park and each shopping mall were really looking great as well  and Robbie was very impressed with how his town under the ocean really looked and it has a few town parks where the kids can play and mind you it can make you wanna leave your life above ground and make you wanna live here and Robbie left getting ready for the big grand opening where the first car is going to drive right from Brisbane to Florida stopping at every truck stop and restaurant and take away along the way and Robbie will ride the first motor bike under the ocean from Brisbane to Florida and this was going to take 7 months to complete and then the under ocean world will officially be opened and Robbie pulled his bike over at the broad way theatre to catch a show and then rode his motorbike up and down the Main Street of each town and also rode his motor bike up Ayers Rock and down the other side and it wasn't as big as the rock in the centre of Australia but still was a great climb and rode into the fun park
And the zoo and took a photo of the monkeys and the rabbits
And then rode off to the motor bike through the truck stops and parks and rode through each city and then arrived in
Florida and as he entered the crowd cheered for Robbie as he reentered the top of the earth
And then all the people started driving under the ocean to start
A new life beneath the earth's surface and there will be cost that each driver in Brisbane and Florida has to pay so the under ocean village can be safe from poachers and bad people
You see you have to have a reason as simple as you are driving to the USA will cost $700 and visiting the under ocean town will cost $650 just so the village can be safe from predators you the $650 will give you a red ticket so you have the right to every shop and motel in the village and the $700 will give you a red and white ticket giving you the access to visit the shops and truck stops and letting you out the other end, and there is a $1000 fee for cars with caravans to visit every part of the village and allowed out to both ends of the countries Australia and the USA and Robbie carter was very impressed on how this village is going and Robbie made a once a year thing to go down to the village to catch a show on Broadway and then had a meal in a classy under ocean restaurant and yeah this was a success
Pax Nov 2014
Horror speaks in silence
    and Fear speaks in signs
              it’s written on my face
                        and on the faces I see.

How did I end up here?

A masked man brought us food.
The smell of it drives us mad in hunger.
We eat like we're crazy.
Devouring it like messy animals.

I see the eyes of superiority
            in the sight of the masked man.
I look at them with deep curiosity.
He looks back with a look of intent.
Deep blue eyes inspect the whole me.
then I realized, everyone, including me
            wears nothing but just two pieces of
                                                      undergarments.                
I quickly cover my well-being,
then he just walks away.

I felt ***** ,
            Weary,
and Cold in this rusty dark place.
Where are we going?
Our future is uncertain.
I felt that our life is for sale,
like animals going to be slaughtered.

Sleep is taking my reality
Hoping that dreams will wash away
            the fear, horror and uncertainty along the way.                      




*© Pax
written May 21, 2012

Justice is blind when money talks
people who treats women as a pleasure tool is just cruel
this poem tackles about white slavery

This is reality, weather we see it or not. A sad case that still keeps on going around the world.

I thank you all for reading.
Cori MacNaughton Jun 2015
It was after we passed Moby’s Dock
that Ebony met her first thresher shark

He was five feet long or so
two feet shark, three feet tail,
and had just been pulled from the surf
to be proudly displayed
by the fisherman who had caught him

Ebony stood transfixed
her every muscle poised
her feathered tail twitched
as she leaned closer to inspect
and then recoiled from this cold-blooded beauty
still dressed in fleetingly iridescent
blues and greens and purples -

As the sun’s fading beams highlighted
the magnificence of this dying shark
I mourned his loss that night.

The noise and tourists
in the Pier’s arcades and bumper cars
did not detract from the peacefulness
of the Pacific in her chaos
for this was August
and they would soon go home

I watched a distant storm at sea
flashing fire against the deepening twilight
I stood, and Ebony,
gazing at the flashes of lightning

My hand felt her softness and warmth
as I stroked the waves of her black fur
relishing the cool wind on my face
listening to the rigging
of the boats resting at anchor off the Pier

Thinking about thresher sharks
Willing them away
from this place with its fishermen
and cold, baited hooks

Cori MacNaughton
13 Sept 2000
This is one of my very favorites among all the pieces I have ever written.  I have read it in public on many occasions, though this is the first time it appears in print.

Okay, so the initial incident described with the thresher shark actually took place on the Venice Pier, and my mom was with us.  ;-)  At the time we lived in Santa Monica in-between the two piers, and we spent a lot of afternoons and evenings walking on the beach and piers.  Everyone on the beaches knew and loved my dog, a lovely and beautifully mannered purebred Newfoundland, and even the cops knew her by name.  This was not long after a concerted effort by private citizens saved the historic 1909 wooden pier from destruction at the hands of historically myopic local government officials.  

It was a wonderful place and time.
Creep Dec 2014
"Get over here, brat!" Levi hollered at me from across the room, with that permanent scowl and annoyed voice. I prance over to the table he stood over and studied the map he had laid out in front of him.

"What do you think of this?" he asked me. I continued staring at the map. it showed titans coming in, now closer to the walls than they ever had been before; the titans were getting braver.

"We have to scare them away. Look! I made this new potion that when thrown on a titan's face, will explode and make a fog over the titan's face, confusing the titan and making it easier for the scouts to **** the titan. Let's try it out when we go scare the titans away!" I exclaimed with fervor and grinned excitedly.

"Problem, four-eyes. Everyone is either dead or has left for vacation." Levi stared at me, matter of factly.

"Well, we'll get them all together! It's time to kick some titan-***!"

Levi snickered at me. But he always does that anyway.
What was I thinking attacking with only the two of us. I'm always prepared to die, but not today. Today will be different.

"Four-eyes, there's only twenty of them. We can do this with your new potion stuff. Your brain's inane like them. You probably knew them the best. I believe in you brat." Levi gave me that uplift despite the sarcasm.

We planned out our pattern strategically. Usually it'll be easy with eight men. But I need to uphold his trust. His beliefs.

The first explosion went perfectly, grazed the titan's face but his nose exploded. And we killed him in a second. We managed to skewer more than we expected. Explosions within seconds, titan growled in agony as they fell to their demise. Suddenly something flew up in the air.

"Run hanji!!! This ******* can fly!!!"

I lurch away just in time as the titan snapped his jaw right where I was at. I maneuver around, trying to get away, killing titans left and right. It still trails behind me and I run.

"Levi! What do I do?!?!" I holler to him.

"Figure it out, four eyes! I'm busy!" Levi hollers back as he kills a titan. I glance back at the flying titan, trying to think of a way to outmaneuver it. Hmm 15m class, wing span of maybe 20m, two capable legs and two arms, vulnerable neck, but wings help it fly... can we use its flying ability against it?

I throw a potion at the things head and maneuver my way into a building window. It follows me, right where I want it to, and the potion explodes in its face, so it blindly reaches forward. I maneuver out a nearby window and slice its throat as it stays face first into the side of the building, confused on where I went and what it's seeing. It roars, then slumps down, dead. I make a mental note to come back here and inspect this new titan later, but for now, I run towards the other titans, ready for the bloodshed to come.
first fanfic on attack on titan/shingeki no kyojin with the awesome erenn (jaeger) :D would love to write more, and thanks erenn so much for writing this with me and keeping up with my insanity :)

attack on titan
by hiroyuki sawano, mika kobayashi
I
This is the night mail crossing the Border,
Bringing the cheque and the postal order,

Letters for the rich, letters for the poor,
The shop at the corner, the girl next door.

Pulling up Beattock, a steady climb:
The gradient's against her, but she's on time.

Past cotton-grass and moorland boulder
Shovelling white steam over her shoulder,

Snorting noisily as she passes
Silent miles of wind-bent grasses.

Birds turn their heads as she approaches,
Stare from bushes at her blank-faced coaches.

Sheep-dogs cannot turn her course;
They slumber on with paws across.

In the farm she passes no one wakes,
But a jug in a bedroom gently shakes.

II
Dawn freshens, Her climb is done.
Down towards Glasgow she descends,
Towards the steam tugs yelping down a glade of cranes
Towards the fields of apparatus, the furnaces
Set on the dark plain like gigantic chessmen.
All Scotland waits for her:
In dark glens, beside pale-green lochs
Men long for news.

III
Letters of thanks, letters from banks,
Letters of joy from girl and boy,
Receipted bills and invitations
To inspect new stock or to visit relations,
And applications for situations,
And timid lovers' declarations,
And gossip, gossip from all the nations,
News circumstantial, news financial,
Letters with holiday snaps to enlarge in,
Letters with faces scrawled on the margin,
Letters from uncles, cousins, and aunts,
Letters to Scotland from the South of France,
Letters of condolence to Highlands and Lowlands
Written on paper of every hue,
The pink, the violet, the white and the blue,
The chatty, the catty, the boring, the adoring,
The cold and official and the heart's outpouring,
Clever, stupid, short and long,
The typed and the printed and the spelt all wrong.

IV
Thousands are still asleep,
Dreaming of terrifying monsters
Or of friendly tea beside the band in Cranston's or Crawford's:

Asleep in working Glasgow, asleep in well-set Edinburgh,
Asleep in granite Aberdeen,
They continue their dreams,
But shall wake soon and hope for letters,
And none will hear the postman's knock
Without a quickening of the heart,
For who can bear to feel himself forgotten?
Says I to my Missis: "Ba goom, lass! you've something I see, on your mind."
Says she: "You are right, Sam, I've something. It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous. It 'urts me no end when I sit."
Says I: "Go to 'ospittel, Missis. They might 'ave to coot it a bit."
Says she: "I just 'ate to be showin' the part of me person it's at."
Says I: "Don't be fussy; them doctors see sights more 'orrid than that."

So Misses goes off togged up tasty, and there at the 'ospittel door
They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in,"
And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis. "It 'urts me for fair when I sit,
And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit."
Then blushin' she plucks up her courage, and bravely she shows 'im the place,
And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel,
But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles. Ye'll find him in Room Sixty-three.
No charge, Ma'am. It's been a rare pleasure. Jist tell him ye're comin' from me."

So Misses she thanks 'im politely, and 'unts up and down as before,
Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right."
So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit,
I'd like for to 'ave you inspect it; it 'urts me like all when I sit."
So blushin' as red as a beet-root she 'astens to show 'im the spot,
And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot."
Then 'e puts on 'is specs to regard it, and finally says wi' a frown:
"I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil."

So Misses she thanks 'im for sayin' her boil is a hill of a boil,
And 'unts all around till she comes on a door that is marked: "Doctor Hoyle."
But by now she 'as fair got the wind up, and trembles in every limb;
But she thinks: "After all, 'e's a Doctor. Ah moosn't be bashful wi' 'im."
She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?"
"It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind,
I'd like ye to see it a moment. It 'urts me, because it's be'ind."
So thinkin' she'd best get it over, she 'astens to show 'im the place,
And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view,
Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at?
Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs;
Us fellers is only the pynters, a-pyntin' the 'alls and the stairs."
Tommy W Sep 2016
The man saw a deer
It had two ears on it’s head
He drank his beer
Suddenly it was dead
The man felt delight
There was quite a flood
The fur of the deer was white
But soaked in blood
A woman emerged from the trees
The woman walked over the hill
She got on her knees
To inspect the ****
She had finished her fun
And lay down her gun
Just a fun little poem to read. Hope you guys liked it.
I tried making a Sonnet, not sure if I did it correctly, but I think I did.
Posted 9/22/2016
1659

Fame is a fickle food
Upon a shifting plate
Whose table once a
Guest but not
The second time is set.

Whose crumbs the crows inspect
And with ironic caw
Flap past it to the
Farmer’s Corn—
Men eat of it and die.
preservationman Aug 2017
A good night’s sleep before the road trip drive
The mission is to arrive at the final destination alive
Then check into the terminal and find out their departure destination assignment
Later inspect the bus for any defects
Safety being the call of duty with having no troubles in the passenger’s trip having an effect
It’s Boarding Time
The Motor Coach Engineer brings the coach bus to the terminal departure gate
Announcement is made for destination with intermediate stops in between
The Driver than takes the passengers ticket
The passenger’s then board
Once the driver gets the ok to proceed from the Operations Center to departs, the driver backs out the bus and heads for the highway
The driver then picks up the bus microphone and welcomes the passenger’s aboard
He or she also announces the destination with stops along with rest stops and meal stops including transfer points
This is a Daily Routine
Later when the bus arrives at the designated final schedule, once the bus is pulled into appropriate gate, the passengers then disembark
Then it’s thanks for travelling with us
Safety with no fuss
Zero tolerance and you didn’t cuss
It’s all about the Motor coach Engineer and the bus.
Don't tell me it's natural
To look at a women inappropriately
To excuse your poor behavior
They're already scared and intimidated by thousands of other men like you
Dehumanizing them in every aspect
It is Man's greatest defect
You should only inspect
Her eyes when you are looking at her
It shouldn't matter if there's a drove of women walking down the street naked
Your eyes are not to wander
Anywhere else
It is the greatest challenge for Man
But you must do all that you can
To be abstinent of flawed desires
She is a human
Not a doll
For you to stare down and wither away one by one
I dream of a day
That a Man can resist every time
That will mean he has won the battle
That Women have been fighting
For what seems like forever
The amount of men teaching their sons
The rudiments of respect
Are far lower
Then it used to be
If I ever have a Son
He will know that he cannot disrespect them as such
Or he'll be ridiculed
In every way
Watch what you say, watch what you do and most importantly
Never make her feel blue
Always make her feel good as new
Regardless if you love her or she's just a friend
Because there are way too many lowlifes that only care about her body and their selfish desires
We need to increase our standards higher
I hope that he will be stating this in flyers
He won't be a liar
Either
When he does wrong
He'll look at her in the eye
And face the assessment he proposed upon himself
Like he should
If he's sincere
She'll love him like no one else ever could
Men are imperfect
So am I
But I challenge myself every day to improvise
On the insights and complaints of women today
And work to help these worries go away
I hope I'm a better man today
Only God knows what I truly deserve
I will preserve
My actions
And hopefully I'll be close to our goal
To be the kind of man I aspire to be.
Smething we all must implement within ourselves. The #metoo movement must be heard.
beauty is born
torn and tired
tirelessly turning 
into itself
she unfurls 
her long and shapely legs 
like a chain of
tibetan prayer-flags
waving to the Sun
immediately she begins 
to stage the play
that penetrates the heart 
with strong arms
and a silken mane 
the color of sea-spray 
her neck is the foam filled ocean 
and her ******* 
are coral reefs that protect
the polyps that cluster 
in her unfathomable depths 

modern day education
is beyond biased 
and most definitely broken
impermanent knots 
are haphazardly tied
to bind the minds
of dancing children
short-term memory
instigates a fleeting vision
some call it autism 
others prefer anarchy
a fear of growth 
or is it really indecision
that when you can no longer respond 
to life's most pertinent questions
with anything other 
than no thank you
eventually every syllable uttered 
becomes the stuttered sound 
of overly clichéd ambivalence
that frequently masks 
itself as wisdom


despite our higher self's 
best wishes
such limitless awareness
our very own bodhichitta
slowly becomes 
an interminable trickster
also known as Ego 
which incessantly repeats

phrases like 
i’ve earned these blessings
i've learned these lessons
aeons ago
therefore it is best to
meditate and inspect one's thoughts
on a daily basis
before all these shadows 
have a chance to grow and become
funeral wreaths
still the ego says
oh what fun it is to look at
the shimmering shawls strewn 
haphazardly like wedding veils
upon our watery souls
as if you and I were a couple of
Jackson ******* paintings


to heat the flame
inside the
limitless
space of your soul
you cannot
deny your heart
the swamps, vines, rocks and peaks
it seeks for eternity
the ancient trees drink light
and breathe out the heaviness
of splintered sight 
into the ephemeral night
divine breath
is calling you home
sounding trumpet flowers
daily...

gathering falling branches
and transforming sticks of palo santo
into star-studded candles
which permanently leave 
their ashen and iridescent marks 
like tattooed scars
upon the painted face of the sky

while angels fly
with flaming bundles of hair
weaving silent smoke signals
rising up from warm coals
the spiraling eyes of the spirits 
are alight with the embers of love
which impress their radiant etchings 
upon the daguerreotype of darkness' 
burning eyeballs


faceless in the heat
grief is asleep and dreaming
of justice
a curse on those 
who evade their emptiness
in culturally appropriated places
harboring...

regret like a fugitive 
such frustration that i wept
for the lack of fruitfulness 
******* the chords of love
slowly and gently she strums
her weeping guitar 
as if arrows and yarn
were woven into her arms
like baby blankets and bundles of cotton
naked and forlorn 
her hair worn short
still she swore that she could not rest
until all had sweat their prayers
through hollow caverns and windy staircases
her vision forever strengthened
by a ceaseless determination

balancing multiple lovers
is never an ideal situation
hearts broken and freedom falling
toppling down from heaven’s peak 
into these dusty old basements
just as we suspected
everything is resurrected
to time’s smiling amazement
both old ones and new ones
are reflections of truth
juniper sours
and blooming flowers 
of golden waterlilies 
poppies and sprigs of amaranth
jaundiced and porous
loquacious are the stages 
that we must pass through 
on our way to becoming 
dew drops and frozen apples


remediating all this concrete nonsense 
would be to our immediate economic advantage
these tragic promissory notes 
where landed lords of wealth 
have repeatedly replicated themselves 
upon trillions of meaningless pieces of paper
their stoically printed faces 
should not be readily trusted
nor traded or exchanged
for life's necessities
they are not only useless but truly 
dangerous
as they often claim
that they are only passing through
yet as each new day dawns
they are forever inclined 
to once again dine with you anew


bold in flesh and sinuous
only a moment before
the Sun shall bloom and whisper
with sleepy eyes
into yarrow flavored water
the secret of not knowing
the ancient face
of grandmother Moon speaks
through alabaster teeth
so intent on biting through sheets of
dawn’s iridescent sky
that the sounds of her words
are instantly drowned out 
by her tears
yet if you listen 
really closely like an owl
to the chorus of the night
you can clearly 
hear the forest echo

i love you
Tatiana Nov 2014
I have a scary image in my head
every time I glance in the mirror now.
Days have gone by and I don't stop staring.
I mumble, forming my thoughts into words
as I glare at the image before me.
Then my words become louder, and I keep
slowly leaning forwards, but I won't bow.
I inspect my hair, piece by piece, I pull
at the split ends that look really awful.
I used to like my hair, it was pretty,
but those scissors there, that rest on the sink,
have never looked so inviting before.
How easy it would be to cut my hair,
the long strands that they all claim to be fair,
just take the scissors and cut your **** hair!
Just take the scissors and cut your **** hair!
But there is something that still keeps me here,
I won't cut it, because I think I'd care.
*Just take the scissors and cut your **** hair.
Grace Jul 2016
Today, I saw a person in front of me, their eyes on something else
and I took a moment to inspect them,
and then I realised it was myself.

There they were, wearing the clothes I had put on in the morning,
wearing the face I recognise in pictures
and standing exactly where I was standing.
But, they were not me – in that moment, they were not.
How could I be that girl, that women standing there in that shop?

The body inside is not that one I saw in the mirror,
the one who was looking a different way.
Inside, I’m more, I’m smaller, I’m darker, I’m paler and
I dress for them each morning, choosing from the clothes
not bought for them exactly,
but forced to match them, to meet halfway.
I knew it then, with a glance at the mirror person, nothing pretty would be bought today.

And it wasn’t.
Some days, it’s dungarees.
Other days, it’s dresses.
Some days, it’s shorts and leggings.
It all depends on who I’m playing as and
I’m sure that’s all okay, but then they say describe yourself in three words.

How can I describe myself, this person  I do not know?

So I go for the easy option and choose them from a list:
Quiet
Creative
Studious
And I suppose, that’s one way of putting myself into three words;
one way of putting myself into an easy to understand formula.

But it doesn’t cover it.
Three words don’t cover it.

Because really, I think I’m just an observer inside my own imagination,
an observer inside my own life and all these other lives inside my head.
I’m just the implied narrator of this person in the mirror
and all these others, who come and go in different places.

But then the girl in the mirror reminds me that tomorrow is my birthday,
a day to celebrate the fact I exist outside of my head
and then she touches a shirt, made of itchy fabric
and there’s life outside the overwhelming inside,
a life where I need to describe myself in three words
and fit into those three words and into that one person,
looking at something else, not in the mirror.
The tightness and the nilness round that space
when the car stops in the road, the troops inspect
its make and number and, as one bends his face

towards your window, you catch sight of more
on a hill beyond, eyeing with intent
down cradled guns that hold you under cover

and everything is pure interrogation
until a rifle motions and you move
with guarded unconcerned acceleration—

a little emptier, a little spent
as always by that quiver in the self,
subjugated, yes, and obedient.

So you drive on to the frontier of writing
where it happens again. The guns on tripods;
the sergeant with his on-off mike repeating

data about you, waiting for the squawk
of clearance; the marksman training down
out of the sun upon you like a hawk.

And suddenly you're through, arraigned yet freed,
as if you'd passed from behind a waterfall
on the black current of a tarmac road

past armor-plated vehicles, out between
the posted soldiers flowing and receding
like tree shadows into the polished windscreen.
Preech Aug 2012
A boat,
a world.
Sailing unseen
seas. Gathering
legendary creatures.
Mythical society
contained within a sailboat. One
world hidden within another, blind;
no normal man can see beneath. Inspect,
titans fire cannons, Charon runs sick bay.
Lady Lorely has all webbed hands on deck, the blue
men of the Minch guard the mighty Orpheus. Quiz
you they will on will power and skill, all mortal men undone.
Every battle is won by The Orpheus, without war.
Alex DeLarge Jul 2013
She makes herself present when you need her most,
not to boast, but this tasty delight will treat you well as she continues to host.
She doesn’t give herself away too much,
****, if it was up to me I’d cop more than a touch;
A squeeze, a whole late night session, to indulge in her taste of imperfections,
Eat her up til I obtain a dental infection.
Not my intention, but her silhouette alone breeds thoughts of sin,
what I would give, to have her all to myself, wouldn’t know where to begin.
Undress her slowly as she teases me,
And repeatedly, she teaches me to treat her with care and show some decency.
But I can’t concentrate, she has my mind in a figure-four,
I'm a carnivore, but she exposes her flesh and I want more and more.
Its all been done before, but in this moment I’m in bliss,
I reminisce, as I write this, and continue to lick her residue off my lips.
She brings so much variety, all of them eyeing me,
Which will I give into as I inspect each of them quietly.

Sometimes she comes bittersweet, sometimes she’s a freak,
But most of the time she’s in a bad mood cuz I just wana beat, or rather eat.
Our relationship is never bland, she always keeps it fresh and new,
If it gets monotonous she won’t even hesitate to bring a friend or two.
She keeps my hands full, and that’s no easy achievement,
But she brings so much to the table its hard to not fiend it.
My favorite color on her, has to be green, not to be obscene,
But I’d tear her up as if though she was in a different team, knowwhatimean?
And after that delight there wouldn’t be much of her left,
Not to be greedy but Im not sharing until I know there’s more to come next.
If not, I’m vexed, I mean, I’m not addicted but I wouldn’t mind another round,
That’s not being spoiled I just want to know what other delights could be found.
Don’t be selfish and sadden me,
give me a taste so I can eat you up casually.
Oh miss candy, you’re just too fancy,
let me get a grip and I’ll put you on the walls like Bansky.
M Oct 2014
A bowl of seeds in front of me remind me of you-

I had to cut through thick skin and peel it away just to get at the good stuff.

It didn't stop there though-

I had to pick and probe, inspect and search for remnants of the thick skin so when I sink my teeth into the fruit, I wouldn't find myself with a bitter aftertaste.

Red stains my hands and counter tops, just trying to coax the sweetest part of you out.

A bowl of seeds in front of me reminds me of you-

The seeds are sweet yet soon gone, and epehemeral sweetness doesn't mask the bitterness of skin I couldn't get past, skin I couldn't peel away no matter what.
I am an artist
i paint brilliant pictures for you to see.
i sketch out curves and shade
the world as i see it.
i do this to please and entertain.
you. me. anyone who is willing to
take a step into my mind

I am a life drawing artist.
Through techniques of rendering and
cross hatching, i authenticate the
skin of beauty mind and soul.
my **** canvas in front of me sits perfectly
still, yet is always moving.
it blinks and slowly breathes with each passing minute.

I am a 3D sculpter.
No 2D for me.
i want what is there for me to touch.
i want to grab it. turn it. inspect
every angle and then proceed with
my decision.

I am an abstract artist.
i see things differently.
I dont want to follow the norm.
no conformity for the strong and independent.
i will choose my color, my stroke, my paper, my pen.
i will choose my own pathway.

I am an artist.
i do not use a brush.
i dont like pastel, or paint, or charcoal.
my medium is my voice.
i use my words to describe the bitter sting
of love, life, and wonder.

I can paint any picture in your mind.
I can shade any thought into your head.
I can sketch any emotion so vividly into your heart,
that it will melt into the sweetest pool
of crimson.

I am an artist,
through my words, description, and mind.
i need no colors or paint
only my pen and paper.
i need no history of Van Gogh
only my imagination and creativity.
I need only what makes sense to me.

Through my writing,
I am an artist.
Thank you for the read. Comments and criticism are always welcome.
indigochild Feb 2019
we live in foggy car windows, spitting out white lies that turn in vain,
white lies that turn black
like your hair, as it caresses your shoulders
like my hands, as every cell in my being reaches for you
but the cytoplasm current is too strong, and swallows me whole
like if your words were quicksand
i would sink
i wouldn’t fight the pull
i would let each needle and thread stitch me to the right side of your brain
with no anesthesia
nothing can hurt more than tiny paper cuts that we don’t know about,
you are the hand sanitizer and lemon juice that drips into my open wounds
i try, and try to shake you away
i don’t recognize my own bed when i sleep alone
my dreams are more of a reality than the actual person laying next to me

i feel the cliff under our feet, i push you first,
but your sweaty palms grab my wild fang t-shirt
and i’ve never felt more alive than when falling to my death
leave the world behind
i don’t know if that is a blessing or a curse
leave me behind?
i don’t know if you are a blessing or a curse
let my lungs fill with each particle of quicksand until it overflows into my throat, spills out of my mouth
onto your lap

babe, i’m not trying to fix you even though i always try to fix people
you like me with makeup and rose petals
i still take rolls of tinfoil, clump them together, and swallow them whole
to fill my aching hunger, the number on the scale means nothing when you are dyslexic
please don’t see me with hives and weeds
that grow from my ankles, straps on me
with a ***** on the end
begging you to call out my name
with mouths open, and gentle kisses in the elevator after i met your mom
pull the bandaid off, rip my onion layers off

i still feel more at home
on crowded buses where i am the only, white person
white person walking in low lit alleys with gazing, men
men beckoning me to come closer till their hands slip, in
in hidden closets dating the opposite, ***
*** in unfamiliar places with temporary, homes
homes in hospital beds and drugs pumped into my, veins
veins in your arms, is where i am still trying to feel at home
trying to feel
trying...

honey, i’m sorry if i held your hand too long
if this can’t be as good for you as it is for me
cut me from my shambles
you didn’t have to say you loved me
i read it between your poetry
yet, i still hold my own hand, draped across my torso
sometimes gravity pulls my hand up my ribs, to my breast
so i can feel my heartbeat
maybe this time i won’t forget how to...breath
i will stop digging up my own grave
just to inspect my broken corpse, to try and rebuild this temple
the bricks don’t fit anymore
too many fragments taken away

like my body was used for science
the doctors diagnosed me with a hypothesis
it read if with you, then without me
what is a hypothesis without the theory?
theorize goodbye kisses at red lights
research the car filled with the smell of *** and morning
question **** stains on my sheets
or tear stains on my shirt you wear

i cried for the first time with you there
you were laying next to me in bed, my arms around you
you were asleep
and i wiped my tears on your shoulder without you knowing
i cried to the rhythm of your breathing
spoke hymns in your ear you would never hear
confessed my love, gave you my all
your eyes never opened
weaved your hair in my hands
while i unthreaded stories of my past traumas,
giving you one piece at a time
your heart never flickered
tinkerbell lost her flicker when she didn’t get attention
but how much was too much until it suffocated her?
my thighs in knots from straddling you
- did i suffocate you, sweetheart?
371

A precious—mouldering pleasure—’tis—
To meet an Antique Book—
In just the Dress his Century wore—
A privilege—I think—

His venerable Hand to take—
And warming in our own—
A passage back—or two—to make—
To Times when he—was young—

His quaint opinions—to inspect—
His thought to ascertain
On Themes concern our mutual mind—
The Literature of Man—

What interested Scholars—most—
What Competitions ran—
When Plato—was a Certainty—
And Sophocles—a Man—

When Sappho—was a living Girl—
And Beatrice wore
The Gown that Dante—deified—
Facts Centuries before

He traverses—familiar—
As One should come to Town—
And tell you all your Dreams—were true—
He lived—where Dreams were born—

His presence is Enchantment—
You beg him not to go—
Old Volume shake their Vellum Heads
And tantalize—just so—
Steve Page Mar 2019
Settle down please.
Today you will be trained in Level 1 crucifixion.

First, the nail. Please pass the bag along once you have taken one nail each.

You can rely on these nails.
Each one is forged by hand, hammered out and shaped with skill.
'You can nail it with one nail,' as they say.

Nails can be used to fasten almost anything to wood. Choosing the right nail for the job can make a big difference in hold power. As there is no need to conceal the nail head and we require maximum holding power, we have chosen common nails for the job. When the nail is temporary and will be pulled out again, as with crucifixion work, we have found that a double-headed or duplex nail is the best choice. However, due to cut backs, we have reverted to the common flat headed nail.

Experience and common practice calls for driving the nail through the thinner limb into the thicker timber. For maximum holding power, the length of the nail is such that it passes almost, but not quite, through the thicker timber. 

Take a careful look at the illustrations provided. As depicted, for best results lay the condemned on the crossbeam and bind the arms in place on the timber before nailing. I refer you to your ropes and knots training last week.

One nail is sufficient for each upper limb if placed between the forearm bones above the wrist. You will find that some limbs will have been subject to a break beforehand. If this is the case, we advise that you use additional rope to bind the limb to the cross beam and that you select a site for the nail further up the arm if necessary.

Now you are ready to secure the feet. Place the feet together one over the other. Hold them in place while a colleague drives one nail through both feet. Please hold them steady and resist any attempt by the condemned to frustrate your task. Keep steady pressure on the feet while your colleague hammers the nail home.

Before lifting the crixiform into the hollow, ensure each nail has been driven in securely. Once you and your supervisor are satisfied, lift the cruciform in one swift movement ensuring the base slides neatly into the hollow. Two or possibly three of you are needed for this.

This is the greatest test for your handiwork. The impact of the timber landing at the base of the hollow will cause the body to jar under its own weight and place additional strain on the nail. In the event that a nail comes loose, you are advised to lift the cruxiform out and to use a second nail on the unsecured limb.

In most cases this will not be necessary and the condemned will hang securely long enough to allow the body to die, even if this takes several days.

Once death has been confirmed using the accepted method, lift the cruxiform down, remove the nails and inspect them for damage. If deemed reusable, rinse and dry them before storage.

If there are no questions you will now each be assigned to an experienced colleague to assist with a crucifixion. If at any time you feel that you are likely to *****, please use the bucket provided. There's no shame in this, the first time can be quite shocking; there is usually more blood flow than you initially expect. However, you will soon learn how to complete the exercise with skill and professionalism. I have complete faith in you.

Please keep your nail, you'll need it later.
Easter ain't pretty.
Keith J Collard Aug 2012
I had a forest tryst
with Amanita,
after it rained,
I went to see her.

Dank and slain,
suited to decompose:
her bed; and as I sank--
in ballet bare-toe
the white angel arose.

She was flawlessly pale,
and 'round her neck,
still, a wedding veil.

She slipped the straps 'round her neck,
befalling her gown at my request,
she slowly turned in place,
for her suitor to inspect,
never did comely beauty,
on Jerusalem bedeck,

On her head sat,
a white knit -cap,
to it her veil was attached,
I could not gaze on her form,
till I got past this piece she worn.

I asked my love,
to doff her bridal wear.
" My love, my groom
wears my chastity belt round my hair."

Then I could not resist,
I brought the veil up,
and gave her a kiss,
a gentle curse,
she spoke to my lips,
in great thirst I sipped,

Alas, then I saw the ring,
she pulled back,
and deep in my eyes she looked in.
through her gown
in the mire I started to sink,

I felt her gown moving through me,
with the poison of her Gothic beauty.
On her spectral white,
not even the fly alights,
I commit suicide twenty times over,
by taking a bite.

She smiled to my fear,
in her eyes, heaps of bones,
and whispered in my ear,
to whom she was betrothed.
"death"
Robert Ronnow May 2022
Late April and only
coltsfoot—Tussilago farfara—breaking leaf litter.
Our daffodils, peonies and crocuses
are also making signs.

April is the cruelest month, I forget why.
A sweet slow Spring
no sudden changes
each leg and leaf unfolds deliberately. You can't miss it.

New York City's spring rushes like a yellow cab
into summer. One day leaves are wet,
next they’re leather. I prefer this slow dance,
birds mating on the sky, peepers evolving into frogs.

Repairs take weeks or months. Septic,
garage door, cracked windshield, clean windows,
build bridge, buy land, rake leaves off erosion control,
cut wood, prune lilac, paint lawn chairs.

More carefully inspect, identify, the insect
of the week, a fly with an ant’s body
that skirts the grass and falls in drinks.
Look more closely! It will be gone in a few days!

Then it will be the time of moths or fireflies,
mosquitoes and wasps. Mud road,
red-winged blackbird. The slashing stream
topples old trees. My legs hurt.
sleepy eyes open glimpse high ceiling red wood beams house built in 1920s glance out window tree tops blue skies mountains in distance flock of birds flying east chirping sounds passing car engine accelerates inhale deep breath through nose stretch legs plantar dorsal flex feet raise arms over head stiffness in shoulder feel strange sensitivity in right pectoral above ****** cautiously examine with hands feel coarse lump growing more like nub smell moss glare down at growth protruding from chest panicky by soreness rise from bed to mirror on closet door tree stem jutting out from chest inspect dark bark like calloused growth little leafs budding this cannot be race in nervous tantrum run to bathroom suffer painful weight pulling me down clutching carrying foliated limb with arms see myself in mirror horrified stagger back to bed lie on right side branch resting on mattress breathe anxious breaths reexamine pectoral area feel sinewy roots spreading under skin across chest up neck down over stomach waist legs forget how to get home disorientated nauseous exhausted what is this flora invading me ******* kafka metamorphosis post-modern hyper-real narration without accountability jorge luis borges metaphor without mindfulness fairytale run wild jean baudrillard simulacrum psychosis room now filling with plant undergrowth stinking of earth dirt gooey slugs worms shells bugs festering climbing towards windows voracious for light warmth moisture blocking out morning sun entire body trapped in tangled twisted leafy twigs excruciating pain fright lungs gasping suffocating encroaching darkness fatigue loss surrender wake up 4 AM from nightmare scared to fall back to sleep
Tadeusz Loarca Dec 2020
A fall is only as bad as you make it
A doorstep is not as deadly as a canyon
But I would like for you to tell that
To the shattered vase

The jagged edges of the broken glass
Shimer and shine like blood on protruding bones

While cleaning it up I feel a sudden pain
I inspect the injury
A small cut has appeared on my hand
Red liquid pools in the palm of my hand
A chuckle emerges from my chest
"In my clumsiness and neglect I have not only hurt another, but also myself.
"I will let you have your revenge because I do not blame you for being spiteful."

I pick up the pieces and inspect the translucent stones
"I could buy glue, pick up every piece, spend hours recreating this masterpiece."
"No, I am no craftsman. I am no glasssmith."
"This vase is broken."
The smell of sweat and iron reminds me of the damage that I brought on myself

My body has already started the process of repair
The blood has hardened to cover the wound
I try not to think about it
"It will sort itself out." I think to myself

I head out a second time to transport the vase
Pain in my hand refuses to subside

I ignore it

Within a few steps the glass once again falls
My hand throbs with sharp uncontrollable pain

The palm of my hand rotten and greened
Much worse than it had seemed
I look for a glove to cover the mess
But the problem won't end untill it's addressed
As I look for the glove the rot continues to grow
But if I only find the glove no one will know
Before i know it i am consumed
In much less time then I presumed

My eyes open to a blinding white room
Surrounded by faces of people  I know
Disappointed but worried
I had not done what was right
I had not asked for help
I had not even taken care of the injury
These people all care about me
I had let them all down
I will need to try again to move the vase
But this time I know
I will need help without my right hand
A poem about the guilt I feel about college
Andrew Rueter Feb 2018
People always complain about political correctness
Unless it's something important to them
Then they expect you to use empathetic indirectness
As to not hurt the feelings of men

I'm a homosexual talking to a stranger
They don't detect this
They say ****** and unleash my anger
They don't expect this
They were expecting me to be socially correct
To their bigoted views
They can't handle it when their hatred reflects
And they're given their due

I can't ask for a simple date
Or mention anything about God
I can't ask for their ****** state
That would imply that they're flawed
Yet they say I'm easily offended
But their argument is upended
When there are many topics I must avoid
Or hedge around
Otherwise they will get easily annoyed
And wear a frown

People say Donald Trump is politically incorrect
But that's not true
He's a hateful *******
People confuse that with political incorrectness
But if about half the people who vote are pieces of ****
Can that really be said to be incorrect?
The idea of the president being politically incorrect is absurd
By virtue of being elected his politics are being endorsed
And endorsement is what comprises political correctness
He may know nothing of governance or diplomacy
But he was correct when it came to politics

I live in a country where I can say pretty much whatever I want
And then everyone else can react however they want
To be angry at someone's reaction is its own political correctness
They're just mad it's not their own specific politics being adhered to

So when people mention political correctness I laugh
It's a defensively reflexive path
When they live an unexamined life
But then complain about their plight
They think they're hated because they're white
They think they're hated because they're right
I dislike them because they have low empathy
So I don't want to be near that
Because their hatred starts to enter me
When they call me a queer ***
Then they expect me to love it
But instead I tell them to shove it
They tell me I'm being politically correct
Maybe it's their own lives they should inspect

— The End —