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Ylzm Apr 2
Stitched from pieces of Truth
Making a tapestry of a Lie
The signature handiwork
Of the Father of Lies

To which the wicked proudly cling
As vindication and justification
To beat the Truth
To submit to the Lie
Steve Page Mar 5
Settle down please.
Today you will be trained in Level 1 crucifixion.

First, the nail. Please pass the bag along once you have taken one nail each.

You can rely on these nails.
Each one is forged by hand, hammered out and shaped with skill.
'You can nail it with one nail,' as they say.

Nails can be used to fasten almost anything to wood. Choosing the right nail for the job can make a big difference in hold power. As there is no need to conceal the nail head and we require maximum holding power, we have chosen common nails for the job. When the nail is temporary and will be pulled out again, as with crucifixion work, we have found that a double-headed or duplex nail is the best choice. However, due to cut backs, we have reverted to the common flat headed nail.

Experience and common practice calls for driving the nail through the thinner limb into the thicker timber. For maximum holding power, the length of the nail is such that it passes almost, but not quite, through the thicker timber. 

Take a careful look at the illustrations provided. As depicted, for best results lay the condemned on the crossbeam and bind the arms in place on the timber before nailing. I refer you to your ropes and knots training last week.

One nail is sufficient for each upper limb if placed between the forearm bones above the wrist. You will find that some limbs will have been subject to a break beforehand. If this is the case, we advise that you use additional rope to bind the limb to the cross beam and that you select a site for the nail further up the arm if necessary.

Now you are ready to secure the feet. Place the feet together one over the other. Hold them in place while a colleague drives one nail through both feet. Please hold them steady and resist any attempt by the condemned to frustrate your task. Keep steady pressure on the feet while your colleague hammers the nail home.

Before lifting the crixiform into the hollow, ensure each nail has been driven in securely. Once you and your supervisor are satisfied, lift the cruciform in one swift movement ensuring the base slides neatly into the hollow. Two or possibly three of you are needed for this.

This is the greatest test for your handiwork. The impact of the timber landing at the base of the hollow will cause the body to jar under its own weight and place additional strain on the nail. In the event that a nail comes lose, you are advised to lift the cruxiform out and to use a second nail on the unsecured limb.

In most cases this will not be necessary and the condemned will hang securely long enough to allow the body to die, even if this takes several days.

Once death has been confirmed using the accepted method, lift the cruxiform down, remove the nails and inspect them for damage. If deemed reusable, rinse and dry them before storage.

If there are no questions you will now each be assigned to an experienced colleague to assist with a crucifixion. If at any time you feel that you are likely to *****, please use the bucket provided. There's no shame in this, the first time can be quite shocking; there is usually more blood flow than you initially expect. However, you will soon learn how to complete the exercise with skill and professionalism. I have complete faith in you.

Please keep your nail, you'll need it later.
Easter ain't pretty.
mark john junor Jul 2014
consequence has no face
but he has a voice
speaks so loudly in the lives of the unwary
i can hear him now talking like misery in the
background of her eyes
her loves are empty
her love will only last till the sun has ground down
the lion of your beautiful moments
look at his once proud mane matted with
the dusts of your life of compromise
its consequences handiwork illustrated in sorrowful colors
a lover of the feelin fleeting and vain
a stealer of the better things
a child of her consequences
bitter is her joys
in her sour smiles

— The End —