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"hyperbolic" poems
late nights and homesick hearts never make for a quiet soul excessive coffees and quilted secrets make the heart beat fast, palpitating, jumping, murmuring hyperbolic hopes late nights and homesick hearts can only be softened when one's soul is at peace, hopeful, restful, joyful.
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Oct 2, 2013
Oct 2, 2013 at 7:09 AM UTC
homesick, heartsick and hopeful.
Last Night; I dreamt of children smoking cigarettes; I dreamt of kids committing ****** arson, and human trafficking. Last Night, I dreamt of a hyperbolic ********** of Innocence that our culture so unflinchingly asserts from so ruthlessly young an Age.
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Aug 24, 2013
Aug 24, 2013 at 2:39 PM UTC
Twisted Dream
In the divet between mountains Resides a wooden cabin – ostensibly an amalgamation of the scape Adroitly - I - quondam female warrior flit Down massive (ancient) hand-laid, hand-cut carved stone steps Bounding from contingent step onto the dense pad of turned soil Tacit compliance between gravity and soil holds footprints bound A compressed deflating crescendo as pace ignites with bounds Cadences of protuberant wildflowers and grasses erupt from swollen terra A winsome chromatic menagerie, dispersed in ecstatic fistfuls A venerably ancient ritual My nascent clandestine vocation Personally meted out - a beatification for my provisional sanctuary Along glacier-fed stream Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path The sun, nestling into its requisite apex endorsed my completion I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux As I lay within the basilica of opulent living columns replete with comestible bounty Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate Birds pitched and galloped through the frond tips and beyond in the lapis expanse Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift Auspicious rays transcended stippled diaphanous gravid clouds Light inundated ether entered humbly into the cathedral oculus Pyrite speckled terrain beneath, and my bare gilded form above Cast a refracted aura about my sanctuary Precipitously the elusive vaporous embankment distended further Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode And I - Lingered beneath the descending gobbets, curls furled in a puddle Fresh topsoil cupping my corporal topographic contours Pressing blackberries into my mouth between smiles
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Jan 26, 2014
Jan 26, 2014 at 9:13 PM UTC
Diaspora Vocation
In the divet between mountains Resides a wooden cabin – ostensibly an amalgamation of the scape Adroitly - I - quondam female warrior flit Down massive (ancient) hand-laid, hand-cut carved stone steps Bounding from contingent step onto the dense pad of turned soil Tacit compliance between gravity and soil holds footprints bound A compressed deflating crescendo as pace ignites with bounds Cadences of protuberant wildflowers and grasses erupt from swollen terra A winsome chromatic menagerie, dispersed in ecstatic fistfuls A venerably ancient ritual My nascent clandestine vocation Personally meted out - a beatification for my provisional sanctuary Along glacier-fed stream Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path The sun, nestling into its requisite apex endorsed my completion I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux As I lay within the basilica of opulent living columns replete with comestible bounty Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate Birds pitched and galloped through the frond tips and beyond in the lapis expanse Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift Auspicious rays transcended stippled diaphanous gravid clouds Light inundated ether entered humbly into the cathedral oculus Pyrite speckled terrain beneath, and my bare gilded form above Cast a refracted aura about my sanctuary Precipitously the elusive vaporous embankment distended further Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode And I - Lingered beneath the descending gobbets, curls furled in a puddle Fresh topsoil cupping my corporal topographic contours Pressing blackberries into my mouth between smiles
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34
I'm barefoot in 46 degrees and I must remember that my perception of things must not encapsulate how I truly perceive. Soldered commentary is bleak but is all I've left, all my years have given me and my years have been few. To be constantly bombarded with the question, "what is it that I really want?" is fervently exhausting and consistently hypocritical and I'm a hack. The conclusion is always that I'm a hack without a win to present or a failure to fall back upon. As a hack, I've left myself with very few plans to alter or hungry mindsets to feed. After glistening the only thing that remains is to burn out and the thought of extinguishing so prematurely provokes a physical falter and frequent respiratory failure. Ask your brother if he lingers at times. Ask your sister if sometimes, she means what she says and she should always say no. Ask your friends why you should be anyone's friend and whether or not the chance to swing into hyperbolic criticism ever affects how they make their choices, hoof their steps. Their answer should always be no and their input should always be invaluable. Ask yourself if brain power should always be set to alter mind power and ask yourself is alteration is ever even possible. The answer should always be no. The conclusion to draw should always be his. The choices you make, always expert and ground out by consistent respiratory failure. Ask yourself if you'll always be an animal and when will that stop. Ask yourself if time will determine whether or not this "thing" is worth doing or this "thing" is worth composing. Ask yourself why you're not the young girl who sings soul on the street, whose tremble sets off car alarms and inner requisitioning. The answer will never be the same.
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Feb 11, 2014
Feb 11, 2014 at 5:08 AM UTC
Moving Muscles
I'm barefoot in 46 degrees and I must remember that my perception of things must not encapsulate how I truly perceive. Soldered commentary is bleak but is all I've left, all my years have given me and my years have been few. To be constantly bombarded with the question, "what is it that I really want?" is fervently exhausting and consistently hypocritical and I'm a hack. The conclusion is always that I'm a hack without a win to present or a failure to fall back upon. As a hack, I've left myself with very few plans to alter or hungry mindsets to feed. After glistening the only thing that remains is to burn out and the thought of extinguishing so prematurely provokes a physical falter and frequent respiratory failure. Ask your brother if he lingers at times. Ask your sister if sometimes, she means what she says and she should always say no. Ask your friends why you should be anyone's friend and whether or not the chance to swing into hyperbolic criticism ever affects how they make their choices, hoof their steps. Their answer should always be no and their input should always be invaluable. Ask yourself if brain power should always be set to alter mind power and ask yourself is alteration is ever even possible. The answer should always be no. The conclusion to draw should always be his. The choices you make, always expert and ground out by consistent respiratory failure. Ask yourself if you'll always be an animal and when will that stop. Ask yourself if time will determine whether or not this "thing" is worth doing or this "thing" is worth composing. Ask yourself why you're not the young girl who sings soul on the street, whose tremble sets off car alarms and inner requisitioning. The answer will never be the same.
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7
Bursting taps Like broken feet Crack, Droning a beat. Exclamations and hearts. Facebook Frankenstein: Nerves made senseless, By hyperbolic sentiments. Stripped as wires, Latex skin and a rib removed, Bringing the heart close to the keys. Orchestrated wires and pulleys Raising muscles like curtains. Brushing ***** bleached hair, Catching fingers like paper cuts. A hollow form, Designed in California, Approved in New Jersey, And made in some sweat shop. Flash your smile, Take your soma, Dream of MTV; You're the nightmare of my society.
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Jul 21, 2011
Jul 21, 2011 at 5:54 PM UTC
Facebook Frankenstein
357 God is a distant—stately Lover— Woos, as He states us—by His Son— Verily, a Vicarious Courtship— “Miles”, and “Priscilla”, were such an One— But, lest the Soul—like fair “Priscilla” Choose the Envoy—and spurn the Groom— Vouches, with hyperbolic archness— “Miles”, and “John Alden” were Synonym—
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4.3k
God is a distant—stately Lover
Prahu opines re the mathematics of love Her equations hypotenuse me, So I write adjacently, As if we were cosine functionalities. A special formula, A Hyperbolic Cosine, For to equate love mathematically, We must use verbal hyperbole. Binomials,  the pair of loves, Coefficient Trekkers, On the mountains of waves, To a product infinite. So let us, Reductio ad absurdum That love is pointless. Nah, nope. Love is the point on a curve that never stops moving, Even as the curve forever, bending And the possibilities, Exponential... In the sums of love, The finite answer is always two. So let us be clear, This exercise has made me late For work, For which I express my appreciation as follows: X = xo, Or Summation Expansion e e= 1 / n! = 1/1 + 1/1 + 1/2 + 1/6 + ... see constant e e -1 = (-1) n / n! = 1/1 - 1/1 + 1/2 - 1/6 + ... e x = xn / n! = 1/1 + x/1 + x2 / 2 + x3 / 6 + ...
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Sep 19, 2013
Sep 19, 2013 at 6:45 AM UTC
Prahu opines re the mathematics of love
moment to moment we are the sum total of our chemicals we think of ourselves we think of others as an average of our time and spacial synergy an anatomical amalgam a biological brine frankensteins with personalities, commonalities and unique agendas sprinkled with neuroses that range from microscopic to catastrophic, whether chemical reaction or hyperbolic extraction you can choose to canonize or demonize as long as you can recognize the flesh and the blood versus the fantasized
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Sep 29, 2014
Sep 29, 2014 at 1:46 AM UTC
quantal fixation
So you think you are a master of techniques of persuasion? You shallow pips-squeak, mediocrity is your mastery the obsequious hoi polloi that surround you are the pitiable averageness of conciliation Sophistry and subterfuge are your game of compromised facts syllogistic  arithmetic conceptualizing  doesn't make anything so your addition is flawed by your bungled bombast of banality and guile fortunately for you, your crowd will never study logic fortunately for you semi-literacy is  de rigueur You pompous swollen grandiose mass of hyperbolic gas Fear is what you offer, lies are what you sell your rhetorical flourish is as the stench of a waste  dump fetid, corpulent, fallow and febrile toxic half-truths, innuendos, ambiguities, conjecture and asinine aspersions comprise your specious fare, fostering rumours,  manipulating facts, you are the purported Biblical brood of vipers so extensively reviled against Your relevancy is attributable to the dull stupidity so profusely prevalent today Your "success" is the stuff of taint and treachery You'll probably choke to death on a stuck piece of poorly masticated  flesh so appropriate  and  befitting the demise of a professional liar
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Apr 28, 2013
Apr 28, 2013 at 12:44 AM UTC
Rush et al.
I got a big power pole that extends to Kamis lookout Its so big and massive Dende dont doubt Got my ***** gathered underneath you know I do I know what you want to wish for so ill *** and give it to you You say yours is big, you are just a claimer My power pole so big It cant even be contained in the hyperbolic time chamber My power pole is such a galore Not even Hercule can save you anymore I know your curious ill make you come browsing Then when you find it your gonna be like ohshit ITS OVER 9000!!!!!!
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Jan 15, 2015
Jan 15, 2015 at 5:05 PM UTC
Dragon Ball Z Power Pole
waiting in a white room with no furniture the humming air conditioner can’t even drown out my thoughts waiting to go back to maryland for a hyperbolic death sentence— to meet with the wonderful hypocrites who shaped my cynicism and anxiety to feast on the last meal of failure. waiting to hear back from potential employers who hold my future in their hands but prefer to let me stew waiting for the tears to start falling I can feel my eyes welling my lungs lugging every last bit of air to my heart as it pounds like an urgent knock at the door waiting alone with just my thoughts. waiting to see the friends who never got out to see the world to look at me with delight, hoping soon I will re-join their ranks as a mindless tractor mechanic or slurpee filler waiting for the cheap bottle whisky in my stomach to regurgitate waiting for numbing conversations about menial tasks and news like the weather, or something else I can see in front of me. waiting to be coma. waiting to see my reflection— or shadow. waiting for paper and pen, waiting for suicide by rhyme at the end.
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Oct 30, 2011
Oct 30, 2011 at 8:10 AM UTC
I am waiting.
I. This is just another bad poem Just vomited-thoughts-left-on-paper poem This is a collection of grammatical errors This would surely make my English teacher cringe But no worries, I didn’t write this for her II. This bad poem is for you May my subject and verb disagreement remind you of all those misunderstandings that lead to raised voices and nights where I cried myself to sleep Sentence construction was never my strength, it still isn’t, maybe that’s why you never truly understood me— called me difficult and bipolar You said that I was too much Did it ever occur to you that you might just misread me, like homonyms, same words but with different meanings misread my jealousy with accusations, my concern for excessive affection You said that I loved you too much but darling, did you even love me at all? Did I put too much meaning on your words, turned them into similes and metaphors? Turned your literal statements into figures of speech You told me that you liked me, so I blissfully interpreted it as a hyperbolic expression— called it love when obviously it wasn’t III. I was never good at using punctuations I put too much commas, unnecessary, misused, I kept trying to hold on Afraid of the inevitable end, Switched to semi-colons in an attempt to make it a few words longer Because despite all our grammatical errors no matter how shameful our piece of literature was to the English language It was beautiful to the untrained eye, To those who read poetry as it is To those who don’t dig deep in search of true meaning behind the metaphors It was beautiful to me But I eventually learned that infinitives and infinities are different, in spite of sharing infinite as the root word Like our love, started with something so promising but unlike most novels, there’s no happy ending So I accepted defeat, accepted the inevitable and bitter end No more committing the same mistakes over and over again, the same words over and over again, Accepted the fact that synonyms existed, words with the same meaning but also entirely different new and unfamiliar, foreign and peculiar IV. I accepted defeat No more commas or semi-colons We have reached the couplet of our free formed sonnet— I was never good with endings, I don’t think I’ll ever be, So darling I hand you the pen, set us both free.
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Dec 5, 2016
Dec 5, 2016 at 7:31 AM UTC
Untitled
I. This is just another bad poem Just vomited-thoughts-left-on-paper poem This is a collection of grammatical errors This would surely make my English teacher cringe But no worries, I didn’t write this for her II. This bad poem is for you May my subject and verb disagreement remind you of all those misunderstandings that lead to raised voices and nights where I cried myself to sleep Sentence construction was never my strength, it still isn’t, maybe that’s why you never truly understood me— called me difficult and bipolar You said that I was too much Did it ever occur to you that you might just misread me, like homonyms, same words but with different meanings misread my jealousy with accusations, my concern for excessive affection You said that I loved you too much but darling, did you even love me at all? Did I put too much meaning on your words, turned them into similes and metaphors? Turned your literal statements into figures of speech You told me that you liked me, so I blissfully interpreted it as a hyperbolic expression— called it love when obviously it wasn’t III. I was never good at using punctuations I put too much commas, unnecessary, misused, I kept trying to hold on Afraid of the inevitable end, Switched to semi-colons in an attempt to make it a few words longer Because despite all our grammatical errors no matter how shameful our piece of literature was to the English language It was beautiful to the untrained eye, To those who read poetry as it is To those who don’t dig deep in search of true meaning behind the metaphors It was beautiful to me But I eventually learned that infinitives and infinities are different, in spite of sharing infinite as the root word Like our love, started with something so promising but unlike most novels, there’s no happy ending So I accepted defeat, accepted the inevitable and bitter end No more committing the same mistakes over and over again, the same words over and over again, Accepted the fact that synonyms existed, words with the same meaning but also entirely different new and unfamiliar, foreign and peculiar IV. I accepted defeat No more commas or semi-colons We have reached the couplet of our free formed sonnet— I was never good with endings, I don’t think I’ll ever be, So darling I hand you the pen, set us both free.
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56
When When Love When Love touched When Love touched me I felt like me again I felt like I felt I Did Did you Did you felt Did you felt it too? Hope is all I have Hope is all Hope is Hope
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Oct 1, 2014
Oct 1, 2014 at 3:46 PM UTC
Hyperbolic Love
Spontaneity slowly wringing happy tie in superly spand of lilac slingly hyperbolic in siatic spurious Her is a lamp of antique a golden legs of strings Barbara was studied as a woman
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May 8, 2010
May 8, 2010 at 4:58 PM UTC
WHERELY
"You're not a lot of fun to be around" she blurted Not the first time I've heard it I went From being bullied to being A bully, was never meant to be permanent You can probably guess what temperament brought more enjoyment? So there's a solid argument to be had for it being a just verdict But if you've never been in that predicament hold your judgmental hyperbolic rhetoric Most folks seek out that kind of empowerment but keep it quiet, I'm just admitting it Look, nobody's perfect but the crime has never fit my punishment Pushed and shoved "getting back to the old me" to the back burner, against my better judgement Cause I didn't bother with it any further, now a derelict social misfit Then when it's my turn to take back the moment My retort, a one and done statement; Fck you, fck the planet and fck everyone on it Easier to parrot that then to admit no one can stand me past the first minute I don't know if it's the misplacement of hurt and anger, a cover for inadequate social alignment Or a relentless deep seeded resentment for the general public Not sure but it definitely feels organic This old dog ain't capable of learning a new trick regardless of any enlightenment Kinda sad isn't it? ©2024
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Jan 16, 2024
Jan 16, 2024 at 6:30 PM UTC
~•§•~ Old Dog, Old Tricks ~•§•~
there is a spider crawling up my back sending bite-sized shivers as he climbs up ascending vertebra i think of you and he makes his way to my thighs spilling rose hips perfume medecine of angels the drowning ache the tingling between my toes delirious drool language not meant for you to hear but meant for me to answer Trembling beneath this tiny mess of appendages and swoony eyes i can see your mass traveling through each season your soft tufts donning golden shimmers then glimmering at the dusk of white but i knew you when the bees knew warmth spitfire busy buzzing sweet melodies to the open flower fields but i knew you when your bones kissed your skin too tight before falling renewal and peachy light spiders making their homes in unfamiliar hiding places crawling hyperbolic a silly old mess
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May 30, 2014
May 30, 2014 at 10:46 AM UTC
hyperbolic silly mess
***Fell heal over heads           in love with a poet,   he's mostly a rhyme schemer        likes Poe and his dark Raven,   in actuality,  I'd fancy him more if     he were like Pablo Neruda, but I digress I'm much accurately fashioned after Emily Dickinson         chasing heaven's June bugs toing and froing, we'd meet at a perfectly superfluous coffee shop     he'll be murmuring elegiac pentameter I'm simply looking to devour precious words,     we'd argue about abstract destinations,               straight forward persuasions and                premonitions of wayward ink allusions, some days I want to claw mine own eyes out                amid all that nonsensical alliteration   others, I want to rip out embellishments                    of his black heart's magnification, he mutters tumult under his breath,      states he's abundantly sickly tired of all my          fanatical froufroutant  flourished fantasies, albeit, we're mild mannered artistes          of overstatement and simplification                thus, we continue laying it on thickly I, with my hyperbolic cuppa tea and honey,        he's all brass tacks, no nonsense black coffee ultimately, we reservedly seek gratification,       envisioning who functionally makes it first to a finished line of manifestations's publication,            in eternity's poetic intentions and beyond***
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Jun 20, 2015
Jun 20, 2015 at 9:14 AM UTC
Fell in love with a poet
***Fell heal over heads           in love with a poet,   he's mostly a rhyme schemer        likes Poe and his dark Raven,   in actuality,  I'd fancy him more if     he were like Pablo Neruda, but I digress I'm much accurately fashioned after Emily Dickinson         chasing heaven's June bugs toing and froing, we'd meet at a perfectly superfluous coffee shop     he'll be murmuring elegiac pentameter I'm simply looking to devour precious words,     we'd argue about abstract destinations,               straight forward persuasions and                premonitions of wayward ink allusions, some days I want to claw mine own eyes out                amid all that nonsensical alliteration   others, I want to rip out embellishments                    of his black heart's magnification, he mutters tumult under his breath,      states he's abundantly sickly tired of all my          fanatical froufroutant  flourished fantasies, albeit, we're mild mannered artistes          of overstatement and simplification                thus, we continue laying it on thickly I, with my hyperbolic cuppa tea and honey,        he's all brass tacks, no nonsense black coffee ultimately, we reservedly seek gratification,       envisioning who functionally makes it first to a finished line of manifestations's publication,            in eternity's poetic intentions and beyond***
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30
"... and we were like parallel lines. We were not destined for each other and will never be." "It depends on what type of geometry you're referring to. In hyperbolic geometry, parallel lines meet at an ideal point - a point at infinity. I don't mind living in hyperbolic space. Would you?"
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Aug 1, 2022
Aug 1, 2022 at 4:29 AM UTC
not a poem
Gwen Elison Southern Utah University Elliptic Parallel Postulate Haiku I am a point P I want a parallel please! Oh, there’s none for me. Hyperbolic Parallel Postulate Haiku I am a point P There so many parallels At least 2 for me! Euclidean Parallel Postulate I am a point P Elliptic? Hyperbolic? No, just 1 for me!
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May 6, 2019
May 6, 2019 at 10:47 AM UTC
Haikus of Parallelism
A spiteful taste of malice Slithers across my tongue Secrecy spoke in volumes Before the words begun This sensation it saunters Into solar vacuity Perpetrating sheer, faugh Acts of congruency In vain contempt I wallow In the pillars of infamy Whilst faint my ears waltz To vindictive symphonies Prolonged my strife be by humanity Whilst I attempt to appease As they flaunt their existence To miscellaneous degrees The English language resembles Clouds of hyperbolic fallacies In light of this hapless universe They share an index of analogies From behind cracked windowpanes I peer at all that is inane With repugnance I am slain As I wince with disdain I scarf reality in intervals Reaping jagged grains of salt Though helpless I am left Pessimistic by default © 2011 (All rights reserved)
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Jan 23, 2012
Jan 23, 2012 at 7:57 PM UTC
Xenobiotic
We’ll be building card castles inside of our ship, sailing on a sapphire sea full of translucent hearts. All beating on the same weary tempo, the tempo of deluded delights and fist fights and Harmonic Impulses. To sleeping on our rooftops and singing aloud, To painting our expressions and flying with lost leaves, To creating ripples and the Butterfly Effect, To finding truth in today and escaping hyperbolic doubt, We’ll toast in sunsets to our Harmonic Impulses. Forever sailing our iridescent sailboat, we’ll skip the stars and get right to the point: An avalanche of swirling, misty galaxies promises that tomorrow will forever be the best and dandelion rings are now true symbolism, my sweet.
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Feb 10, 2011
Feb 10, 2011 at 4:14 PM UTC
Harmonic Impulse
Of a night on a battered red leather sofa It's moved with us three times It sits in a room with a broken bay window And we sit on it too And we sit on it too Drinking yellow anise from mismatched glasses With ice, not warm water Singing stories, spinning yarns with broken bottles Of girls with leopard-print hands And the straw man in the moon The straw man in the moon. The cord hangs on the wall: A symbol, but not symbolic As chords rise, break off and fall All a sham, but not shambolic A sham, but not shambolic. Swapping tales and anecdotes of cars parked between cake stalls And days with names that don't suit them People dying for causes they don't understand And war is an island; a land hyperbolic A Green land, a war land; unplanned hyperbolic. Linguistics are twisted and brass tales are dropped A cork is unwrapped from the web where it popped But the darkness is rising, the hours are ticking The side is hitched up so we all know we're doomed. We hear children singing in the guitar strings, Their screeches rising as they fall, Our speeches diving as they fall. And speaking of speeches, he says, a performance is mine But in France, man... in France the markets are open And the fields of Provence roll down to the menhirs of Carnac And Brocéliande lies to us all, And Brocéliande lies to us all.
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Jun 23, 2015
Jun 23, 2015 at 10:50 AM UTC
Bohemia, Bohemia
Believe me when I say I am an above average equivocator; A hyperbolic exaggerator; But I love to listen to the experts, Their promises of love, wealth, justice. Now, I'm also a reflective skeptic, Remembering in tranquility and such. And the wellies fit well.
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Dec 18, 2016
Dec 18, 2016 at 10:31 PM UTC
Wear the Wellies
She was an old Mid-western woman. She was a distinct type. A stock-staple character, Sort of half Beverly Hillbillies Granny, Throw in a skosh Betty White, Mixed in with a lot of that old lady In Driving Miss Daisy. Southern Indiana: The Confederacy’s best kept secret. But I digress. She was my neighbor in Buckeye, Arizona, A quaint agrarian township, way out At the west end of Maricopa County, which is An hour from the Phoenix airport, the so-called Sky Harbor International Airport, Which surely must be near the list’s top: All-time most pretentious, Hyperbolic Chamber of Commerce, Municipal Boosterisms. Wikipedia English - The Free Encyclopedia Boosterism: the act of "boosting" (or promoting) a town, city, or organization, with the goal of improving public perception of it. Boosting can be as simple as "talking up" the entity at a party or as elaborate as establishing a visitors' bureau. It has been somewhat associated with American small towns. Boosting is also done in political settings, especially in regard to disputed policies or controversial events. So, without thinking, Walking down the driveway To pick up the morning paper, I let it slip: “How are you?” She’s leaning over the hedge, As I bend down, Picking up the local Pravda. 35 minutes later she sums up: “I had to go to the doctor last night. Gave me some cream for my pud.” A twinkle in her eye— She, my lascivious, Old lady neighbor In Buckeye, Arizona. She had that sweet Mid-western thing Working for her, her regional mojo. And I’m right there on her wavelength: The apple not falling far from my tree, Or something like that . . . I am losing my train of thought, here. Last poem of the day, I guess.
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May 21, 2014
May 21, 2014 at 8:50 PM UTC
“Last Poem of the Day”
She was an old Mid-western woman. She was a distinct type. A stock-staple character, Sort of half Beverly Hillbillies Granny, Throw in a skosh Betty White, Mixed in with a lot of that old lady In Driving Miss Daisy. Southern Indiana: The Confederacy’s best kept secret. But I digress. She was my neighbor in Buckeye, Arizona, A quaint agrarian township, way out At the west end of Maricopa County, which is An hour from the Phoenix airport, the so-called Sky Harbor International Airport, Which surely must be near the list’s top: All-time most pretentious, Hyperbolic Chamber of Commerce, Municipal Boosterisms. Wikipedia English - The Free Encyclopedia Boosterism: the act of "boosting" (or promoting) a town, city, or organization, with the goal of improving public perception of it. Boosting can be as simple as "talking up" the entity at a party or as elaborate as establishing a visitors' bureau. It has been somewhat associated with American small towns. Boosting is also done in political settings, especially in regard to disputed policies or controversial events. So, without thinking, Walking down the driveway To pick up the morning paper, I let it slip: “How are you?” She’s leaning over the hedge, As I bend down, Picking up the local Pravda. 35 minutes later she sums up: “I had to go to the doctor last night. Gave me some cream for my pud.” A twinkle in her eye— She, my lascivious, Old lady neighbor In Buckeye, Arizona. She had that sweet Mid-western thing Working for her, her regional mojo. And I’m right there on her wavelength: The apple not falling far from my tree, Or something like that . . . I am losing my train of thought, here. Last poem of the day, I guess.
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43
i dream of you i dream with you, following the musings of the aching poet blathering hyperbolic verbiage into subconsciousness where we leave entwined mortal bodies for the impalpable enclave we have created. i dream of you i dream with you, in sleep our minds meld over aching bodies and lift our spirits to the ethereal nether-realm, where we roam for eons sauntering through the fields of ecstasy.   i dream of you i dream with you, where the groans of the spirit and its insatiable yearnings find solace in the vastness of the tangent universe, existing outside our mortal guise, alluded in our mind’s eye— it’s heaven built by you and i. i dream of you i dream with you, in lucid dreams where we know we are asleep, but we just laugh whilst walking through the gates of eternity flourishing in the eternal splendor we have created.
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Jan 29, 2017
Jan 29, 2017 at 1:15 PM UTC
*i dream of you i dream with you*