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CK Baker Oct 2017
they’re pouring out of the
woodwork
those pretentious machiavellians
in ailing albino frames
eccentric masked figures
milling about the glow light
like night moths
in a london fog

lunatic gazers
with seeping moles
pinned by frogmen and twine
spider climbers
in hell fire
splitting seams
on the fading
and hideous ink

guards of the perch
stand on hades hand
while monsters and demons
with severed limbs
taunt the condemned
and wanting
souls of the ******

cauldron fire
in blood red sky
silent screams
hack and wheeze
gas lines broken
words unspoken
teetering backwards
in the dark shadows
of a phantom abyss
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
Martin Narrod Feb 2015
Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road
“It really is,” I whispered, “It really is a beautiful world."


     “This really doesn’t feel safe,” Jamie said, her voice holding just a hint of fear. She was probably right. By anyone’s standards, this was straight up stupid, and here I had convinced her to come along with me.
     “Nah it’s totally fine. I wouldn’t do anything to put you in too much danger.” I said this without a hint of doubt in my voice, confident as usual. I had to keep the fearless and confident image or she might change her mind. I hoped the risk would be worth it in the end, but I couldn’t really be sure. How could I know unless I tried? If I didn’t try, I would just be left wondering how great it might have been.
     “We are really freaking high.” This time Jamie said it deadpan, more of an emotionless observation than anything else. Again, she was right. I looked down the long white ladder past her. It was probably 80 yards to the ground from where we were. Above us was another 20 yards of ladder, leading up to a narrow platform. We were climbing a water tower. The platform above us circled around the tower just below where it began to bulge outward into a spherical shape at the top. There was no safety cage around us, nothing to break our fall except for the climbing harnesses we wore. Each harness had two straps, each with a clip on the end. One clip would be snapped onto the first rung, then the next clip to the second, and so forth until we reached the top. It wasn’t fool proof but it was better than nothing.
     “But seriously my hands are getting tired. How much further is it?” Jamie was great, but complaining was one of her most annoying flaws. Most people wouldn’t have made it this far anyway. The fact that she had was just a testament to the athleticism and strength she had underneath all that complaining.
     “Close. Maybe fifty rungs. Hang on for another five minutes and we can sit down and rest.” Yet again she was right. My hands and forearms were burning like crazy. I had long ago learned that climbing with gloves on a slick painted surface was asking for trouble, so today we had no protection from the narrow rungs pressing into our skin.
     For the next fifty rungs, the only sound I could hear above my heavy breathing was the clink and snap as each clip was removed and replaced. It was surprisingly calm this evening, the sun not quite finished slipping below the horizon. It was late August, so the temperature was still somewhere in the 70s this time of day. The backpack on my back seemed to get heavier and heavier the higher we went. I could feel the straps digging into my shoulders and trying to tip me over backwards. This bag was far too big for what I was doing, but I needed some way to bring a sleeping bag and blanket up. Finally, my hand left the last rung and found the top of the steel platform. I unclipped from the last rung and snapped on to the hand rail that went around the outside edge before I reached down to take Jamie’s hand.
     “Thank you sir,” she said, “I see chivalry is not dead.” Her hand brushed a few loose strands of long blonde hair out of her face as she stood upright next to me, looking out over the edge.
     “Ok, you were right. This is worth it.” She said in a matter of fact tone. I laughed softly.
     “This isn’t actually what we came for,” I said with a grin, “We aren’t done climbing yet. I just didn’t think you would actually come if I told you how far we were going. But the view is really nice here.”
     “You can’t be serious. I didn’t see anything going up any further.” She sounded rather incredulous.
     “We have to follow this platform around to the other side. There is a set of stairs going up to the very top. At least it isn’t another ladder.” I tried to sound confident, like it had already been decided that we would go on, but I couldn’t stop a tiny bit of a pleading tone from leaking in. I knew there was a small chance that she would want to stop here, but I also knew that going just a bit further would be completely worth it. I had scoped this tower out from the ground several times, using my trusty binoculars that I bargained for at a neighbor’s yard sale. When I discovered the stairs going up past the platform, I used an online satellite map to take a peek at the very top of the tower. From what I had been able to tell, at the very top there was a completely level platform, twelve to fifteen feet in diameter, with a secure looking rail around it. Amazing what a person can find online.
     My hope was to spend the night on that platform, hence the sleeping bag and blanket in my massive backpack. Tonight was supposed to be the brightest and most active meteor shower of the year in North America and the weather had decided to be kind to us star gazers, leaving a clear and cloudless sky for the evening. It would be perfect. Perfect if Jamie would go along with it, that is.
     “You are the worst kind of person,” she said. She wasn’t facing me so I couldn’t really tell how she felt about it. Finally she turned around and rolled her eyes. “Ohhhkaaaay. Let’s go. We’ve already gone this far.” She was used to situations like this. I was the one who always wanted to push the limits, go a little further, risk just a bit more, and she was the one who always asked me to reconsider and then went along with it anyway. I always felt bad for a little while, but I got over it pretty quick. It’s not like she didn’t know me well.
     “You are the best kind of person,” I said with a wink and a grin, “But let’s rest for a bit. My arms are tired now.” We sat down and I took off my backpack, setting it on the platform beside me, digging through a side pocket. I pulled out two bottles of water and a box of Poptarts.
     “Poptart?” I offered, “Snack of champions. All the professional water tower climbers eat them I heard.”
     “How are you not fat,” she replied, taking a delicious cherry snack from the silver wrapper. It wasn’t a question really, it was more a running joke between her and I about how much I should actually weigh. She’d usually joke that one day all the junk I eat would hit me at once and I would wake up weighing 400 pounds. Even though she joked, she wasn’t beyond being bitter about my eating habits since she worked hard to keep a perfect physique.
     Next I pulled out two plain white pieces of paper and handed one to her. I began folding mine delicately into the perfect paper airplane, using the flat section of the water tower for some of the more delicate creases.
     “I don’t know why I hang out with you. You are literally so freaking weird. Like who the hell would bring paper up the side of a water tower just to make a paper airplane.” She laughed even as she criticized. I knew she didn’t really mind. She had on multiple occasions told me that my “quirkiness” as she put it definitely made me more interesting to be around. I guess I was a little odd, but I didn’t really think that was a bad thing. I did what I thought to be amusing or entertaining. It wasn’t my fault the rest of the world didn’t seem to feel quite the same way about life.
     “In fifty years don’t you want to be able to set your grandchild on your lap and tell them all about the time you tossed a paper airplane off the side of a water tower? Grandkids don’t want to hear boring stories. I would know. I was a grandkid once.” Jamie just shook her head with a grin and started folding her airplane. Mine was finished and ready to be launched into the great unknown.
     “This is Air Farce One to ground station Loser, requesting permission to take off.” I did my best Top Gun impression, trying to remember how cool Tom Cruise sounded when he said it.
     “This is ground station Awesome to Air Farce One. Ground station Loser could not be located but we can go ahead and give you permission to launch. Have a nice flight.” Jamie still had at least a little bit of a child left in her. I tossed my paper airplane over the side, watching it glide several hundred yards before landing in the low branches of a tree. Mission complete.
     “What perfect throwing form you have,” Jamie said sarcastically, "You were probably one of those nerds who just made paper airplanes in class all day as a kid." Ouch. Yea, that had been me. Jamie wound up and threw her airplane with all her strength. She had made more of a dart than a glider and it flew fast, eventually landing in a tree considerably further than mine had.
     “You win this round,” I said with mock disgust, only barely able to hide a smile, “Let’s keep going.” I removed my clips from the rail and began walking along the platform. The bulb at the top of the tower was much bigger than it looked from the ground. I could just imagine the thousands of gallons of water above and beside me.
     Eventually we reached the stairs. It was nice of the designers to have taken pity on the poor inspectors who had to climb this far up. A ladder going around the outside of the bulb would have been terrifying. The stairs curling around the side felt much more secure. Reaching the top, there was a narrow platform leading from the edge of the bulb where the stairs ended to the flat space in the center of the tower. There was only a handrail on the left side so Jamie and I were sure to snap our harnesses on. The sun had almost fully set by now, the last tendrils of light just enough to see by as we made our way to the center.
     “Okay this is cool. You know what we should have done? We totally should have brought an air mattress up here and slept or something,” Jamie thought aloud. “I’ll bet the stars look amazing from here. Oh and look you can already see the city lights over there!” I loved seeing her excited. She would take one hand and play with her hair while the other would point at things. It was kind of weird when I thought about it, how she always pointed at things when she was excited. But that was just Jamie being Jamie.
     “You read my mind.” I pulled the sleeping bag and blanket out of the backpack and laid them on the flat steel. I probably should have realized how cold that steel was going to be. Oh well.
     “We are so in sync right now,” Jamie laughed. “This is awesome. You were right.”
     “Wait so what did you think was in the bag?” I asked. She hadn’t mentioned it before and I never said anything about it.
     “Honestly I thought it was a parachute or some **** and you were going to try jumping off the edge,” she laughed, “I would have tried to stop you but I decided I really won’t feel guilty when you die doing something stupid.”
     “Brilliant!” I exclaimed, “I am so going to try that next time!” I wouldn’t really. I liked doing risky things, but I wasn’t suicidal. We spent the next few minutes getting the sleeping bag and blanket situated. I loved the fact that Jamie could be spontaneous sometimes and that she was totally okay with just camping out on top of a random water tower on a Wednesday night. How many people in the world would have been okay with that? I was lucky to have her as a friend.
     We had everything settled by the time darkness fell completely. The climbing harnesses had been stuffed into the backpack and the backpack had been strapped to the railing on the side of the platform. With the sleeping bag laid completely open, there was still at least five or six feet of open platform on all sides of us. It felt secure enough.
     “I also forgot to mention that tonight is a huge meteor shower.” Jamie and I were on our backs, looking up at the infinite blackness.
     “I love shooting stars.” She said softly. Her eyes were wide and I could see her making fake mustaches out of her hair. She had kicked off her shoes and socks and was wiggling her toes in the night air. There was only a sliver of moon, just bright enough that I could see the glow of it on her cheeks.
     “It makes me feel small,” Jamie whispered, “I feel like that should bother me, feeling small, but it doesn’t. It’s weird because it’s almost comforting to me. Here I am, this tiny speck of dust, floating around on a larger speck of dust in the middle of infinity.” She wasn’t usually one to enjoy philosophy, but on the rare occasions she spoke like that, her point of view and opinions usually inspired me. She had a beautiful mind. She just didn’t often care to open up and share it like this.
“It makes me feel like it can’t all be an accident. Some people say that we got here through a series of random and fortunate events, that there is no great plan or design. But I just don’t see how that can be. How can mere chance create something like this? Of all the possibilities, of the infinite infinite possibilities, I just can’t believe that people, that you and I or anyone else were put here by accident. I don’t think that life could be an accident.” She spoke softly the whole time. Her voice never raised or quickened. Words seemed to flow forth effortlessly, as if this all were prepared and practiced. She was able to speak without doubt or hesitation, with such certainty that even the greatest cynic might have stopped to listen.
     She continued on, weaving words as though spells, playing ideas as though harp strings. She talked about her life, telling me things she never had before, teaching me things even I didn’t know. Jamie didn’t seem to be Jamie for the next while. Instead, she seemed to have become a font of wisdom, ideas, and genius. At least, that is how I saw her. She was able to take a single idea, and examine it from all perspectives. It was as though she held it in her palm, slowly rotating it to peer closer. She made connections that I had never thought of, inspiring me to think even deeper, loving the moment. All the while she lay there, watching the stars, wiggling her toes, and making pretend mustaches out of that long blonde hair. Eventually, she turned silent.
     “But what if it is an accident?” I said. My voice was unusually soft. “What if it was all an accident? What if there is no plan, no fate, and no reason for anything? What if there is no beginning or end and we are just insignificant bits of space dust? The idea of it not being an accident just seems so conveniently comforting, almost too convenient.” Jamie was silent after I finished. My heart was beating fast and my mind was alive. I didn’t feel close to being tired.
     “So what if it is,” she said eventually, “What difference does it make? Even if it is all an accident. Even if there is no meaning to life at all, it seems like a beautiful accident to me. Here we are, you and I, able to share this with each other. That seems like a beautiful accident to me. Here is this great big world, all the adventure, all the excitement, and all the love that it is filled with. That seems like a beautiful accident to me. Here is this infinitely huge sky, filled with stars that are incomprehensibly far away. If this is all an accident, it is the most beautiful I can imagine.” She paused for a while longer. “I feel that whatever you believe, it doesn’t really matter. Perhaps you believe there is a supreme design and plan, or maybe you believe that life is an accident filled with chaos. It doesn’t matter. We all live in the same world. We all see the same beautiful sights, we are surrounded by it. It is only our perception of it that differs. I choose to believe that such an incredibly beautiful world cannot be an accident.”
     I was quiet for a long time. Jamie had, for all intents and purposes, rocked my world. Hers was a perspective I had never thought of before. I, who believed I had thought it through from every angle. I, who believed myself smarter than the world. I realized then, at that moment, laying on the top of a water tower in late August watching a meteor shower, that maybe I was not a genius. Maybe I did not have the world figured out like I had believed. Maybe, just maybe, I was just a cynic; a cynic blinded by the misfortunes I had seen and suffered; a cynic disappointed in a world that had not treated me well.
     Jamie took my hand in hers, interlocking her slender fingers within my larger ones. She turned her head to the side and looked at me, still sporting a fake mustache. The sliver of moon was reflected in her eyes just so that I could not really look into them. Her lips were curled into just the slightes
Does it really matter whether or not this world,
Is made from some divine blueprint?
What beauty is lost in either idea?
It doesn't matter if this is an accident.

Excerpt from my book of short stories, Fictional Truth.
i have a break at 12 o'clock
will you please come over
you don’t have to knock
i’ll leave the door open
it will be unlocked
a bouquet of flowers
i’ll have in stock
a vase and a candle
a knife and a blade
a face and a cigarette
its all about the way we explain
i mean rationalize away
do time-lines justify our decline into tyranny
send me back again to sublime infancy
retrofit the celibate instigator
lemniscate the elephant’s fingerprints
impress me with wit and charm
storm troopers unarmed
star-gazers, shadow-haters, sand-blasters, ice-skaters,
morning's lovers, fathers, daughters, shoulders and elbows
rub brows and crease foreheads
wrinkles in your timelines
define lines as destiny unwinds
reminds me of blinding light
the heights of old empires
sire warriors, stories as tall as soldiers
for real, heal the split between mind and body
kindly, lovingly, bump up against me
and kiss me again
i am music fused together with eternity
space and dust and rusted armpits
a hundred diamonds, drops of sweat
skin like leather, weatherproof, foolproof too
determine to use it all
for you are the muse of all
do as you need to
fuse it together lest it come apart again
return to heaven and mend the tear
split the hair or the atom
magic is a language
tragic is the cancerous neglect of syntax
emptiness is manic
gargantuan attacks of presence
defenseless, we are taught worthless ****
neglect it, but remember important words
stories, looms of drawings
forming in my mind’s eye
i cannot be bought or controlled by pirates
the best moments are private
you are not invited
so go home and create your own zone of entertainment
its necessary
your gentle fingers
blessing my soul
courage to roll with life’s blows
no need for stoics
or poets who deny reality’s arguments
slippery slopes
walking tight ropes
can you cope with all this mistletoe
restring your bow
dance in the snow as if everyone knows
you are crazy in love with the whole
motionless vision swift as an arrow
roofless rooms
prom queens flip you off and turn you on
sons and daughters, lions of the prairie
a child portable and small
respects the walls that you’ve made
they are not your cage but your shelter
self culture is affluent and not arrogant
sand mandalas tall as waterfalls
golden rainbows pour from the faucet in the sky
like mighty images
wisdom bridges the gaps in our imagination
i can’t wait to get this on the page
written in stone, reflecting thrones
made from the bones of pharaohs
consciousness narrows as you approach
are you a cockroach, coach or a student
strokes of wonder for different folks
cold call your own homes
do you prioritize lightning over thunder
words over rubber
sandwiches to clutter
are you interested in diamonds or other
precious gemstones
that flutter like butterflies when i utter
emeralds like butter
do you waste time arranging your clutter
stuttering utter nonsense
frequencies wasted, gentleness chased away
fantasies radioactive
magic lacks targets
darkens our fathers
keep chasing actions
satisfaction is attractive
your eyes are like fragments of rubies in the fire
i see beauty in desire, features in the sky
i look skyward and see higher
minds are wired to remain stagnant
stranded in a lack of entertainment
change this and make your own amazement
wonder over thunder, lick me down under
gone asunder like the burning acropolis
topple this bottomlessness
can't stop this, its impossible
i wonder do you make blunders
in underground mountains
we shout words like fountains shoot water
curtains topple over
and form a blanket over our consciousness
after our performances
swarms of crazy people leave the theater
shattered and too stunned to speak
to ****** to leak they keep walking down south
toward Plymouth Rock,
Mammoth Mountian or Rehoboth Beach
take stock of the situation and just move
first one out is rewarded
sordid and sorted like straw from the hay stacks
caskets of black iron casings
tastings of wine whose shelf-life is expired
past due cheese overripe and stinky
like mustard dusted with lightning
striking on time is all that we have
thinking that was a close call
we fall down and get up, remove the uppercuts
and lowercases from our mouths
doubt is a ***** word heard too often,
coughing from a coffin she offers me her hand
cold as ice cream, these nouns are deafening
love is lazy like a muffin
and hot like a dumpling
but a liaison with time cannot be rushed
i have lived long enough to learn this
a privilege to give birth to this moment
again and again vintage feathers
send me your sweaters
detest impostors who give robotic answers
i am in wonder at all this grammar
that i was unaware of
ignorant as mustard
and smooth like custard
in this blustery weather
i am glad i wore a sweater
and have an umbrella
to keep me dry and safe
i am in love walking toward the gate
and boarding that plane
i am your heart served on a plate
with a side of coleslaw, soul food for dinner
you are a winner and i am your hunger
a porcelain gravestone
a copper bathtub with claws
stored in your basement
storerooms cold as a skating rink
please don't think, unless its about me
let sentences drift away
while we chase arguments from yesterday's
armistice

PoserPersona Jan 2019
Lips curling towards blue hues
bestow scintillant cut pearls
which bite cardiac tissues
like fur companions nip hands

The physical sensation
lacks pleasure in a vacuum
yet the conveyed affections
grip the fabrics of being

How those star gazers lift, too,
and cradle a future, thus
beckoning mine towards you
with no ending in sight.
As with the setting sun,
night begins when she’s away
Robert Zanfad Aug 2012
“the nation needs new direction...”
a talking head on television
got me saved as he began
“abandon investigations into global warming,
polar bears and orangutans,
other pseudo-scientific distractions
from proper resource extraction that could save us
from the mess we're in..”

proposing, instead, the latest in scientific experiments:
ascertaining the flavor of blue jelly beans,
or the true origin of belly button lint -
useful information for armchair navel-gazers

now I'm one of them

we want an installation of mirrors on the moon
so we can watch ghetto children clean toilets after class
as they repay their debts
for the free ketchup they get
from socialist school lunch programs
they’ll learn valuable skills for eventual careers
as lifetime sanitary engineers

our right-minded scientists are poised soon
to upend the old myth that earth is round
because out in Texas, anyone can see that it’s flat;
and monkeys be ******
none of those letters are in us,
the old book says it in black and white

but we’ve since adopted the newer testament,
improved through Ayn Rand
(an atheist...imagine that!)
The Savior is an investment banker, job creator
who kept his accounts off-shore
out of reach of commies and single mothers, the ******

we still espouse good christian values
(charity for the poor, yaddayadda)
cooking pots of pasta in church kitchens
to feed them;
God helps when they need more -
like medicine for uncontrolled diabetes -
which is when we lay-on-hands and prescribe
heavy doses of prayer
(the approach doesn't cost a cent)

after all, poverty is the neo-cardinal sin
(greed, by conservative decree, is now good),
unforgiven within gates of the convention
but we’ll guarantee a spray of white carnations
on the pine box at the altar if all else fails,
complements of the congregation...

just not for gays or lesbians ...
or loose women who seek abortions
before we have a chance to peek inside them...

we aim to reclaim freedom
(from guilt and contemplation,
cerebral things like thinking...)
take our country back from
the legions of excess population
who, by some estimations, seem a lot like us
but aren't

we’ll be winners again
xander Nov 2013
there he goes again
staring at the empty blue sky
and he think it's poetic
like the beat of her heart close to his ears
like the reflection of her shadow as he tried to capture it
but it's all empty like the blue sky

the beat is loud, perhaps much like the sound of his heart
he's waiting for it to rhyme
to make sense, like an ink blot on paper
the way it gives meaning to the vast emptiness
that cavity that seeks pleasure from pain
the ******* smiled from within

and the world closed in on him
the blue sky, the melodies on his ears
it screams of despair and hope
lust and love
life and death
his and her world
forever they are intertwined-
FOR-EVER-

!@#$%^&*()
Tom McCubbin Apr 2015
Tall round beams standing
in salty water, connecting
fishermen and star-fish gazers
with a moon-shaped bay
on the eastern Pacific.

They stand on land and step into sea,
as rolling barrels from Arctic grounds
tickle their lower legs.
A centipede of wood, this
outward- jutting wharf.

The fishermen sink expectant hooks;
the surfers haul shiny glass
banana-shaped boards of foam;
the weekenders come posing
baby strollers for picture shooting.

Each passing wall of blue
energy slows at reach of
shallow sand, deciding
whether to keep rolling or
transform into a steep stack

of snapping water. On big days
the sea legs shake all the
fishermen. They lock away
their sacrificial bait in rusty boxes
and collapse their fibered rods.

On calm days I step out to a
wooden bench and hang my
face between the rails. Running
people pass below, between the
knotted hips and creosoted thighs.

August buries this preserve
in such drizzle. Gulls go bundling
inside their sleek robes
of white feather, leaning
windward on worn bent knees.
Seán Mac Falls May 2015
Little dull birdies  .  .  .
Love own songs by mirror pond,
  .  .  .  Graceful swan sails by.


Hello Poetry  .  .  .
Rube lords with simple vainness,                                                        ­­              
Watch him crown himself.


Hello Poetry  .  .  .
Day sullies night, bright vanity
  .  .  .  Rube is a poser.


Hello poetry  .  .  .
Even vain rube's bio drains,
Spews self promotion.


Here is Pantheon  .  .  .
Dabblers, self aggrandizers,
  .  .  .  What a hollow hall.
Hello Poetasters,
vanity Reeks
mediocrity shines on HP
Seán Mac Falls Nov 2014
Little dull birdies  .  .  .
Love own songs by mirror pond,
  .  .  .  Graceful swan sails by.


Hello Poetry  .  .  .
Rube lords with simple vainness,                                                        ­              
Watch him crown himself.


Hello Poetry  .  .  .
Day sullies night, bright vanity
  .  .  .  Rube is a poser.


Hello poetry  .  .  .
Even vain rube's bio drains,
Spews self promotion.


Here is Pantheon  .  .  .
Dabblers, self aggrandizers,
  .  .  .  What a hollow hall.
CK Baker Jun 2017
Annapolis (DDH 265)

decommissioned warcraft
clean severed lines
steam gusts belt
from a cavernous shell
the ghost ship settles
on a drift ridge
perfect tide rhythm
on a salt washed shore

calming nuance
in passive time
weaving through
channels and crest waves

white sands warming
at a high point
beyond the breakers
and porteau pins

gazers and dreamers
(and sleepy fiords)
rest softly up the straight
froth folds skim and linger
on the wide eyed
wanderers of the sound
cove seals settle
at the inlet
their symphonies
backing on the
bowen brigade

ripples and
patch makers
hold sheets to the wind
markgraf lines
find electric blue sky
stealth shadows
haunt the seascape
the dragon fly hovers
in fits and starts
Paul Goring Sep 2014
I gaze
at my shoes
because
your views
aren't mine
& we never talked
properly
about the big things
the things
that needed saying
and this eye contact
awkwardly brief
has no point
cos you don't
look back
at me
really
even in anger
& I have tattoos  
because your pallid arms
and creamy backs
are not mine
& I can't sing the blues
whatever they are
very well
or well enough
to make me rich
Wilkes Arnold Aug 2021
What does one do when the characters you hate
Are the ones you best construe?
Misgivings and flaws you can relate
To, tho venerable traits you eschew,

The green light gazers and "architect" praisers
Familial leeches or the confessor who preaches
That awareness absolves one of sin,
Compromisers and self-named kaisers
Resound and reverberate within

They pass by in my pages to be mocked and scorned
As evil, cruel, an oaf, or a tool
Too low to respect or too high on their horse
Despicable, maniacal, mediocre, or worse

And I do hate their vileness, I do hate their flaw
I want to shake them and claw at their skull
For nothing more than the gleam of recognition
That by some misfortune of natural law
They and I share a need for contrition.
Francie Lynch May 2014
Uniformed and re-upped,
We are the mind sweepers,
The navel gazers moving lint,
Waiting for the image to strike.

We are the missals
And the launchers,
Looking through cross-hairs
From think tanks.

We captain verse vessels to shore,
Unload and return for more.

We are the Romantic
Ancient sub-conscious mariners
Stitched in hammocks.

We are rocketeers.
A force
To reckon.
(As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one’s life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

III

Well now, look at our villa! stuck like the horn of a bull
Just on a mountain’s edge as bare as the creature’s skull,
Save a mere **** of a bush with hardly a leaf to pull!
—I scratch my own, sometimes, to see if the hair’s turned wool.

IV

But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there’s something to take the eye!
Houses in four straight lines, not a single front awry!
You watch who crosses and gossips, who saunters, who hurries by:
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.

V

What of a villa? Though winter be over in March by rights,
’Tis May perhaps ere the snow shall have withered well off the heights:
You’ve the brown ploughed land before, where the oxen steam and wheeze,
And the hills over-smoked behind by the faint grey olive trees.

VI

Is it better in May, I ask you? You’ve summer all at once;
In a day he leaps complete with a few strong April suns.
’Mid the sharp short emerald wheat, scarce risen three fingers well,
The wild tulip, at end of its tube, blows out its great red bell
Like a thin clear bubble of blood, for the children to pick and sell.

VII

Is it ever hot in the square? There’s a fountain to spout and splash!
In the shade it sings and springs; in the shine such foam-bows flash
On the horses with curling fish-tails, that prance and paddle and pash
Round the lady atop in her conch—fifty gazers do not abash,
Though all that she wears is some weeds round her waist in a sort of sash!

VIII

All the year long at the villa, nothing to see though you linger,
Except yon cypress that points like Death’s lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle,
Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill,
And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.

IX

Ere opening your eyes in the city, the blessed church-bells begin:
No sooner the bells leave off than the diligence rattles in:
You get the pick of the news, and it costs you never a pin.
By and by there’s the travelling doctor gives pills, lets blood, draws teeth;
Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot!
And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop’s most fatherly of rebukes,
And beneath, with his crown and his lion, some little new law of the Duke’s!
Or a sonnet with flowery marge, to the Reverend Don So-and-so
Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero,
“And moreover,” (the sonnet goes rhyming,) “the skirts of Saint Paul has reached,
Having preached us those six Lent-lectures more unctuous than ever he preached.”
Noon strikes,—here sweeps the procession! our Lady borne smiling and smart
With a pink gauze gown all spangles, and seven swords stuck in her heart!
Bang, whang, whang goes the drum, tootle-te-tootle the fife;
No keeping one’s haunches still: it’s the greatest pleasure in life.

X

But bless you, it’s dear—it’s dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate
It’s a horror to think of. And so, the villa for me, not the city!
Beggars can scarcely be choosers: but still—ah, the pity, the pity!
Look, two and two go the priests, then the monks with cowls and sandals,
And the penitents dressed in white shirts, a-holding the yellow candles;
One, he carries a flag up straight, and another a cross with handles,
And the Duke’s guard brings up the rear, for the better prevention of scandals.
Bang, whang, whang goes the drum, tootle-te-tootle the fife.
Oh, a day in the city-square, there is no such pleasure in life!
PM May 2018
The number of trees in the world equal the number of rivers,
as one cannot live without the other without dying in a quiver.

The number of stars in the sky equal the number of gazers,
as the beauty of the them lies in the eyes of their admirers.

The number of creators equal the number of oppressors,
you see - every man has predecessors.

You see, the point I'm trying to make,
is that equality lies all around us in - in nature, in life.
Years ago when some tried to Mother's importance take,
they destroyed the balance of our future, leaving the ****** prints of oppression and inequality in their wake.

Open your eyes and look around,
in every place, there is the presence of patriarchy and absence of equality clearly found.

Stop this, you must,
If you cannot, carry your shoulders to someone you trust.
Although equality has been widely recognised, some places still class people as "inferior" or other such baseless allegations. Please make every effort to stop this, if nothing else, poetry and the arts are a great way to bring reform...
Martin Narrod Nov 2015
I'm standing at the seashore, the coastline calling. I've got rocks in my pockets and two lines left in the letter. I'm standing at the seashore, bench facing the Squat & Gobble, the tin weir and we're near the roadside. The sky opened wide, this skin drawn with threat, Rhinoceroses, bruise bending the sweet ships of victory backwards into the backwaters of mislead moonlight. Guitars playing, beeps disappearing, pianos sweeping, the hum of percolated coffee on smoke stained night club walls. I'm standing at the seashore, my mouth is a ghost, I've seen nothing but death, I'm name-dropping God and there's nobody there.

I'm sitting in my room with my hands on my keyboard, listening to Danish throb-rock. Riding horseback into candlelight on a wicked wedding of teary-eyed geysers and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder, I'm all alone but it feels like you're here.
HalfMoonBay Secrets SanFrancisco Pacific time poems God Danish Denmark Trentemøller shadows curses cities yearning want California CA sanfranxiscoviachicagoblues theseashore seashore thoughts on VirginiaWoolf the weight the band otisredding brokenscoialscene broken social scene pennyroyaltea solemn sadness perfect humanness quality of being imperfect life letters letter writer Chicago poetry musedandamused martinnarrod excerpt ThePlateau
Tea Nov 2013
You are like middle class meets star gazer
Your eyes on the sparkle in your dream but you don’t know if its found when you are sleeping or running through your always going, never ending life. Your responsibilities sky high, so much on your plate that you are forgetting that happy is already on your platter you just have to slow down to taste it. Wanted time wasted on the idea that success will bring you happiness. That money is where this is happenen… You are sometimes on the right side, spending time and care instead of money and pulled out hair.  Contemplating the weight of the wind, What spirit really means. Exploring where you begin and the universe ends .other times you are all kinds of, I don’t want to say wrong but not right … maybe left, left out of place, left behind your fast paced life, left wondering but not left to think out loud. Not left with feeling right.im not suggesting that you should run in circles but if right is right then take it. Hold on to your hopes and make it. If you feel like you fake it either quit or fake it tell you make it part of you. You said that you are always in your head, I think you are always in a hum, Seeing the connection in your life and always putting it together wrong. Maybe the stars are where it starts. Maybe they are a map that connects our life with our hearts. Maybe money is just paper, and people are too valuable to break down in such simple transaction. Perhaps middle class means nothing, just like money… because classifying people makes no since. That sentence a lot like money, so alike always boxing people in. you are a successes chaser, not knowing how you define the word. I am trying to give it a definition. But you may replace the word all together, reconfigure a new sentence. This is just a star gazers perspective, to someone who’s self-reflective, here’s just a perplexing statement about what success is. One star gazer to the next one, just let go a little and figure out this conundrum.
Danielle Rose Dec 2013
Through the bars I could make out your face
and I began pacing where I'd once lay
Chasing you endlessly in my dreams
No longer able to fall asleep
Out in the yard
I'd trail behind
As we walked the dirt paths carved out in time
and although I was trapped
I didn't mind
As long as I had you in my sight
I imagined us digging our way to freedom
The rain kissing our flesh like it does in film
I could envision us rejoicing and retreating together
Where we could forget the trails we've faced and weathered
It was a summer day in the midst of winter
It was hope found in hopelessness
We could entangle and enrapture eachother
Our tale a constellation told amongst other star gazers
We'd inspire them all to revolt
they'd sing our song while mapping everything out
You've made me believe our time here could be worth something
and a believer I was not
Sarah Oh May 2015
This one is for the dreamers, the Walter Mitty(s), star-gazers
People who never stop going after the infinite possibilities in the world
No dream is too big,
Keep your head up and follow what you believe in
Nor the dreamer is too small
Never stop chasing everything you've imagined
"What can I say"
said the wind to no man
it just is and has to be
like fires on the beach
with cool family you found
under a jar of blinky gravity
systematically tearing at our reality
supersymetrically
super intentionally
wheeling grace, the never withers,
slithers through our childhoods
like a puppy you can't help but pet.
knowing that life might be just a smile
on a dead man
an illusion
substitution for what is "supposed" to be?
And the secret to being happy is bared to us
like the perfect answer to a
Cards against Humanity question.
To see the beauty in this perfect clockwork.
we live in
believe in
see in this, human perception is broken we say.
It shouldn't be this way we plead.
We can't see such a thing as our universe.
Not as it truly is.
We have designed simulation sensories
to interact with its perfection,
biologically.
Can you see, what drives us, pushes us,
is the universe!
this multiplicity of energy
the true enigma of the soul
this soul
Some say thy fault is youth, some wantonness;
Some say thy grace is youth and gentle sport;
Both grace and faults are loved of more and less;
Thou mak’st faults graces that to thee resort.
As on the finger of a thronèd queen,
The basest jewel will be well esteemed.
So are those errors that in thee are seen
To truths translated, and for true things deemed.
How many lambs might the stern wolf betray,
If like a lamb he could his looks translate!
How many gazers mightst thou lead away,
if thou wouldst use the strength of all thy state!
    But do not so; I love thee in such sort
    As thou being mine, mine is thy good report.
ji May 2016
Lost souls wandering on the shores of love,
     looking over the shipwreck,
     wanting to cross the waters,
     not wanting to get their feet wet.
The ocean is too icy for their salty tears,
and their eyes of pond too warm for the sweet, inviting waves.

Lost souls wandering on the shores of love,
     dying for a sip to quench their arid hearts,
     wanting to drown,
     not wanting to dive.
The trenches too shallow for their collapsing lungs,
and their breaths too deep for such a shoal sea.

Lost souls wandering on the shores of love,
     wanting to get a taste of the crashing waters,
     choosing to eternal be walkers and gazers
     and lost and trapped on the coarse, sandy shores
     and chafe their soles;
     and remain unfound,
     meandering souls.
//050715
Amber L Whittle Feb 2011
a bone colored evening sighs razor blades across the sky
deep seeded (den)rut tur(ned) on an axis,
spinning the evening into an oddening.
the pantry is bare.

somewhere, a baby cries for the love of a mother
who is slumbering in half-sleep,
hoping the child will forget she knows her
and forget to weep.

the sun dipped it's radiance hours ago
to wake another part of the world,
leaving a chaperone dimly lit with wonder.
moon-gazers stare.

"Why is he there?"

legs are tangled, twisted fates,
star-crossed lovers long to touch
under the watchful pin-****** of the night sky.
souls align to be snipped of the mate's burden.

And the cows, with their moon howls,
lay low in swept grass showers,
watching the entwined shadows
watch them with fascism fascination.
waiting to pounce.

hushed silence fills the air.
hands clasp and unclasp,
fitting in the empty spaces you never notice
until they're filled; emptied again.
the sky blows a wish.
light is exstingui(shed).
Embrace me......


Williamsji Maveli


She looks really elegant, glamorous
Tonight, with me further glorious
Dancing throughout in the morning rain  
Sun rays fall on her face to shine
while twilight fades, in her broken mirror
You seems to do further sinful small error
Extend the embraces towards her beams
in her eyes, swings  the waves of streams
But now, every eye turns down on her alone,
Knocks down with stones and puts a throne  
In the neck, on her breast, a cross she ware
believers might kiss it, and pray to adore.
on her heavenly looks a spicy body disclose,
deep in  her eyes, the mind  unfixed as those:
Favors to none, to all she Smiles and extends,
Often she refuses, but never once offends.
Bright as the Sun, her Eyes the Gazers strike,
and, like the Sun, they shine on all alike.
Yet graceful Ease, and Sweetness of Pride,
Forget the faults, fancies, her wills  to hide:
If to her share some fatal errors fall,
Look at her face, and you will forgive all.


Williamsji Maveli

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William Bednar Nov 2011
Tis not in commitment
To love that warrants beauty,
For fickle a girl beauty is indeed, not to be bent
By sorrow and pain filled gazers and dandies,
Eyes gleaming in fleeting hope, without sense,
That their smiles, enwrapped and dependent,
Will have recompense
By her gaze, resplendent,
And perhaps, if in good favor,
Have admiration bestowed on them amorously.
But nay, beauty is a fickle girl. Alas, we love her.
So as the breeze sings melancholy,
And the leaves reflect her lips of flame,
As milky clouds remind of her skin,
When her hair is night, dark and sleek, putting others to shame,
Filled with expectation
And apparitions of loveliness,
I think of the sweet longing,
Hoping for the moment not to pass.
The sweet longing
I loved then,
For a moment,
Lingering in the agony of emotion,
In a short eternity that I underwent.

I then found beauty.
But then the lights were no longer low,
The emotions, so resplendent in ardor, escaped me.
The façade was gone after the show.
Nay tis not in commitment to serve
Love that hold beauty.
Tis in the memory of nerve,
Tumultuous as a stormy sea.
Tis in the very slow-grown enthrallment
Of her melodious voice.
Tis in the memory of through what my heart went
When I told it to her by my choice.
When I told how it was stolen by her raven hair,
By her star-drenched skin,
By her cherry lips at which I’d stare,
And the voice so in apprehension, rife with emotion from within.
Tis not in the resolution itself
Of intricate harmonies and dissonances,
So pleasing to the ear in their discord and wealth,
But in the expectations and resonances
Of this ecstasy,
That resides beauty,
Which is why I told her my love and melancholy,
Letting her forget, and proceeding to flee.
For the wonderful nostalgic memory
Of the shortness of breath,
Would by intimacy,
Certainly be put to death.
The meaningless meaning of the words said
They accomplish nothing, not the thoughts in my head
I've got the feeling of feeling
Only through the feeling of drinking
Numbed to the words from your mouth
The words I will never shout

Can you self-examine the situation
Look at others and take their bad compilation
Adjust it to yourself, gazers and on-lookers
CAN YOU HEAR ME NOW?
Probably not, I'll wait and see
Fatima Ammar Mar 2014
New moon orb hanging high above,

Flying across is a silver turtle-dove.

Closing in's the brighter daylight,

Star-staring at twilight.

Treasured moments of certainty,

Planting themselves for an eternity.

Lovers hushed vows drown the silence,

Forgetting the dread-filled year of violence.

Farewell seconds ticking, resounding gong,

Wistful kisses at the ****.

[Happy New Year! For the first time in 19 years the New Year's Eve moon is a new moon so I'm celebrating it with fellow star-gazers and poets through this spur-of-the-moment poem. Have a glorious 2014 starting with a clean slate :) ]
TV Mar 2013
I have seen the sun rise on the horizon
the same sun I've seen rise on in your eyes again
Spelling demise for that common friend
Goodbye loneliness, hello warming trend,
Your golden gazers shine a light to see
Illuminating the jungle that's alive in me
And I bloom...
Awaiting their cartography.
Alex Paul Aug 2013
this breathless creature
dying on the ground.

It cant call for help
it cant ask for food
Not a word can come from its mouth
but in one quick glance
staring deep into its beading gazers
can tell you a story of a life once loved my many
Of a world more appreciated for the small things.
this spirit of the world is breathless,
dying,
and all you can do is flick another burning cigarette,
throw another bit of plastic
shoot another gun.
because thats what this world is coming to,
why delay it?
I'll tell you why.
The pure beauty of this living organism called earth
is bliss in a shot glass.
Drink it,
I dare you.
you'll get drunk off the thought of giving a ****
So **** faced you wont even realize it.
If you appreciate the world now,
Maybe, just maybe
you can make a difference when it matters most.
Ralph E Peck Jan 2012
The long branches hang down so softly,
From the great tree that surrounds us,
With many branches, yet unfolding, softly
Like a curtain, in the wind, that never closes
All the way, nor opens to the sides of the stage,
Leaving dark those places that seem rare and alone.
The hidden people look and watch from silent slumber
Their feelings gone and their faces blank,
As they watch the happenings there,
They see the tree as it grows firmly down and strongly upward,
Until the branches rest among the clouds,
And the grass grows deeper and darker
As the clouds fill the sunlit sky;
Making the vision soft and raining
And the branches fall downward, and loop their gazers
And the tree grows and stands tall
As the stage door closes...
The actor walks out of the scene,
The tree stands alone upon the stage
Its roots growing deeply, breaking the boards
It waves a gentle wave
As the wind finds it,
It becomes itself,
Slow.
AmazingsanPoetry Feb 2020
Oh what a man among men.
What a creature among creatures.
Like a tree He remains never changing from his good ways
Even when stones where thrown at him by the very ones that enjoys It's fruit, still, it remain, even when piled from all part of him for their own purpose still he remain. Though,  the tree had no choice but this man had a choice yet stoic he was
During the day and night he stood still..
Comes rain comes sunshine he was never changing, brought fought fruits and other endowment not for his own benefit but for those around.  he was friend to all and enemy to none he was, aware of every phenomenon and occurrence around him yet never said a word of it, just allow it to pass,
Even axed down or cut down by the very once it shades from the scorching sun rays and from the rain drops and while thought they that never will he rise again, he sprung up again with the love of all, never concerned by the past records, he lived a life of absolute serenity, he never complains about anything to anyone external from his being, but the wisest of gazers will understand the complaints from the strand it form on his branches, blissful his he for even the universe appraises its good deeds, during the wind  that carries away the roof of others blow, it stood still to protect it's very own..
He his my dad
Kopter Zero Mar 2014
Make like a comet;
She your clothes and your fears
And streak across the sky.

Range far and wide,
Returning periodically
To offer the gazers
A generous glimpse,
But spend less time near them
And more further away,
In the colder, rarified, darker recesses.

Repeat, until
You can't maintain
Your eccentricity;
At which point,
Feel free to
Enter the dense hot air
Of your earthbound brethren,
And go out in a blaze
Of fiery falling fragments.
Solitude Man Dec 2018
even love, a faded meaning
the uneven skill; bludgeoning the compass
a longing, a thirst for fortress in the prodigal past
always seems to swim so shallow

an even meaning when roses die
a shadow walking ground, a skeleton in the earth
leaning on its symbiotic ecstasy;
frail and ephemeral dipped in a sea of ash  

when paradise keel's over in sea
awake in this lucid dream
let loose of the pipe
lest you breath as love

a silent lips for astrologers, even a tombstone for gazers
blood streaming down the crown;
never to grow rose
love is the soil.

— The End —