Submit your work, meet writers and drop the ads. Become a member
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Mateuš Conrad Feb 2020
.i have come to realiße that... it's not so much what you write about... but the mere fact of writing... i can't imagine myself being subjected to something, like a narrative, or furthering a character study... i can be the object of whatever is whimsical enough to come into my head of its own accord - i want to forget forcing something to come into this puncture, this dam, this incision that i am coordinating... and it's not that i'm objecting to something, but i am not going to subject myself to - no more than a whim, of its own desires... with no attached: i think so too... it's not about what i write anymore: it's the fact that i write... if i'll be able to spew 3 thousand words tonight... i'll be content... because... i know that i have crossed the threshold of not being left "satisfied": nonetheless constipated by an instagram haiku... mind you... that's a very troubling hindsight note you have in there... wouldn't an object the size of the earth... in a vacuum of space... create its own winds to imitate movement? there is no wind on the moon... yes... and we're talking hindsight from 420BC... the moon landing happened in the 20th century... let's give it some times before that becomes an obvious hindsight too... do you feel movement - rotating - did the turkish dervishes help at all?

the fine line between: competition and corporation,
otherwise known as a: very, very, naive poo'em...

by a definition alone:
it's not so much concerning whether this
would ever become a capitalism vs.
a communism "debate"...

after all - i'm ref. walking a tight-rope...

of the latter, verbatim:
'an association of individuals,
created by law or under authority of law,
having a continuous existence independent
of the existences of its members
and powers and liabilities distinct from
those of its members'...

can i just point out, foremost,
in an environment of competition laws can be bent...
to add to: the spectacle...
the athletics doping scandals:
it's within a spirit of competition...
the sprinters are not corporating for give
a spectacle... they are competing...
for the the spectacle...
ask me again the difference between...
what used to be a competitive event
done during leisure hours...
and what was a leisure event akin
to reading...
and ask me again: the difference between
taking part in the event of competing...
and watching a competition -
and what had to be involved to give
the spectacle its architecture...
i don't think it was so much competition
as it was corporation... never mind for now...

after all... how many times have laws
been bent when watching a football match?
the passing of law is hardly an objective
crux that so many "rational" and logic-"riddled"
people stress - can be made by one man...
sure... laws in vivo - science and what not...
these objective safety-nets...
that can lead to endless to-and-fro...
but i hardly think... man is capable of passing
objective laws: in vitro... notably in -
           in unum: omni...
unless that's a schizophrenic metaphor...
which is already a metaphor when
tested on a bilingual brain...

how many people did it take...
to pass: the earth rotates around the sun?

the heliocentric model...
genesis in the west from philolaus,
heraclides ponticus,
pythagoras (hindsight...
wouldn't an object moving in
a vacuum of space... create winds of
its own?)
aristarchus of samos,
then onto philolaus of croton -
anaxagoras; whoever was
debunked by ptolemy... then so many years...
until enough time passed...
before people could take the plunge and
be certain: for old time's sake with
copernicus - well the people have been sleeping
for long enough...
enough time has passed and we can pass...
this objective truth... that the heliocentric
model is true and that the pharaohs held
no authority as the sons of the sun
in the static geocentric model...
likes Xerxes ordering the sea to the be whipped
to calm down... and become a lake...
some pharaoh must have had a wild
idea telling a sand dune to stop moving
or seeing some mt. sinai said: shrink!
so instead be said: let's build us a... perfect pyramid...
a mountain that looks... geometric from
both afar and near!

or at least that's what Homer would have
said when visiting Giza: Δ'uh!

so a single man is somehow justified
in passing an objective truth?
unless the mob encores...
but what about the jury - a trial without a jury
is any trial at all...
murky ground if you ask me...
i don't expect man to pass...
judgement for a universal equilibrium...
but what i do expect is that:
he doesn't think he's capable of this: grandiosity!
clearly he's not... the objective reality
of falling... the subjective: i'm right as
allocated the status judge: therefore i'm standing still.

competition in a medical environment...
only in the realm of psychiatry...
and the mine-field of misdiagnosed misfortunes...
but i hardly think... competition is a catalyst
for getting surgery done...
corporation, yes...
among farmers? a rare treat....
a hobby pursuit for a selected fraction of
the crop... the dear-to-my-heart "g.m." tomato...
but all the other tomatoes... need to be harvested...
but this my pet-tomato... which needs to be:
THIS BIG! another matter...

sport and competition...
but work... and competition?
no wonder work and competition,
rather than corporation gives end results as...
who's wearing the most trendy sneakers?
who's social media account requires...
the most editing? who's child is the one with
the smartphone? etc. etc.

the bait of the poo'em is that it's naive:
but i think it is - so there's that to begin with...

i still can't fathom that "capitalism" was solely
promulgated on competition -
i'm still having to address the "model" as...
having to retain a "socialist" aspect akin to corporation
to get away with... what later became:
an all out economic "war" of competition...

naive utopian of me to somehow huddle
at the fireplace of corporation...
work - if so many people hate their work...
what would be the only gratifying
alleviation? and i'm pretty sure some places of work
are less about competition: and more about
corporation - as i write this...
the british national health service...
some people will compete by cutting corners...
competition will lead to doping scandals...
competition is... an Elisium for the few
and... a crab-bucket for the some...
call them the 10% cliff-hangers...

i've noticed it in poetry... slam poetics...
what not... this affair is already riddled with too many
****-up ****-wit window-lickers:
of which i am primo...
but i don't think it necessary to compete...
this was never about competition...
not every work is required to be
tinged with competition...
sometimes... it's just better to corporate...
do... undertakers compete?
do... postmen compete?
last time i heard: each is allocated his volume
of letters... it doesn't matter whether
he finishes his chores before the other postmen...
no postman is stupid enough
to take up someone else's allocated letters...
the first finishes his chores sooner...
the latter works overtime without pay...
it's a corporation of endeavours...
all the same... but there is no need to give these
postmen running orders when
they can walk the ******* mile...

competition within the realm of sport is one
thing... i guess a long time ago...
some people engaged in competition: sports...
to escape the general lagging begin plateau
of corporation... Rome wasn't build in
a single day... others dedicated themselves to
slouch and sloth of expanding the cranium
by reading a book...

the naive is still the bait...
is conscripting in an army...
about competition... or following orders and hierarchy
and therefore: not solely about corporation?
hierarchy you ask...
well... wouldn't that be something borrowed from
plutocracy / nepotism?
competition in an army environment...
what if you're in the royal guard
competing at what... shooting more blanks
into the sky expecting to shoot down the moon
at a wrestling-match fake
of staging of a state funeral?!
the cannons sounded... and that's all these
ever did... they were shooting with
empty wallnut shells! the wallnuts were
eaten by gunpowder gremlins long ago...
before the pomp & circumstance was shot
with: aenemic *****...

this is not a capitalism vs. a communism
debate... communism was riddled with nepotism...
come to think of it...
capitalism is not there yet...
but it's already there...
from what i've heard...
capitalism as this utopia ideal is not a meritocracy:
exceptions are made...
cicero was an exception of the roman empire
under nero...
exceptions and genetic freaks...
is this still a naive poem?

i can understand where competition works -
notably in what jobs it might work...
but most jobs require a stable work ethic
of corporation...
perhaps all self-employed entrepreneurs...
"perhaps" have no corporation in mind...
to a greater degree of orientating themselves...
in that corporation is: outside the bracket...
if everyone was suddenly...
self-employed... there would be no fear of...
the robotic onslought to come...
at least then... the microcosm would open...
and there would no longer be any employees...
just self-employed facets of...
"corporations in name only"...
which they already are...
corporations in name only...
given that... the corporations are no longer
competing with each other...
they have consolidated on a monopoly...
and since they are no longer competing with each
other... they have designated their former...
inter-competition into a hierarchal intra-competition
of "employees"...

can a bus driver, or a tube train operator compete?
by law... you can only drive a bus for 8 hours...
to operate a tube train... you can do X number of hours...
and these include breaks... necessary breaks...
can you find competition in these:
ultra-corporative environments? no!
capitalism might think it is necessary to scare everyone
into: the robots are coming! time to be self-employed
and compete! compete!
but some jobs are still: primed to corporation!

could i ever see undertakers competing?
in times of a spiked demand - during a plague...
what is healthy in sport -
is not necessarily healthy in a workplace -
after all... most people detest earning money -
it's a chore - mind you: do i enjoy writing poo'etry?
am i being paid for writing it?
no... i am "volunteering"... for the love of
the art... for ****'s sake... nothing more!
nothing less!

is this still a naive poo'em: yes... sorry...
i forgot to be caustic and there's no rhyme... my bad...
but this is not a capitalism vs. communism
tirade... from the yoke of the soviet union...
i learned from my mother that...
flues weren't really that prominent...
not until the 1970s...
by then it was a common theme...
biological warfare... while the crown-virus has
yet to claim a life outside of the mandarin
genetics: in the age of propaganda journalism:
you hear a "truth" one day...
three days later you're singing along to your
own "biased" / solipstic narrative...
after a while you have to adopt the "autism"
of solipsism: the world can only bite so much
out of you... you have to turn to standards of delusion
to match to their: from the many, one...

in sport, competition is the "zeitgeist":
it's not a metaphor, it's a misnomer...
but given the " " ditto brackets - i'm tired of looking
for the: "required" word... sometimes...

by the 5th definition of competition...
it's not as direct as corporation, competition
needs to borrow from an -ology...
again, verbatim: 'rivalry between two or more
persons or groups for an object desired in common,
usually resulting in a victor and
a loser but not necessarily involving
the destruction of the latter' -

what is untrue about this is that...
the destruction of the latter is paramount...
at least these days...
am i to believe that capitalism was not,
not ever, tinged with a belief in corporation...
that it was always, somehow, only about
competition?
what was communism born from?
when did the abolishment of serfdom happen
in russia? 1861...
the abolishment of slavery happened
in england in 1865... 4 years after...
but... but!
in russia? the slaves were thought of as...
people from within russia...
in england? the slaves? en route a trade from
one foreign place to another...
wow!
all slavery: either foreign, or domestic...
and to think that communism was a "failure"...
hard to imagine... truly hard to imagine...
given that... communism was born...
4 years prior to slavery in general was abolished...
of foreign to become "nationals"...
what does english he-he-history tell us about
native slaves? four years prior to the slaves
moved from africa to the cotton candy fields...
there were slaves that were not: ***** out of africa...

reperations who's who?!
why didn't capitalism bloom in russia...
why will it never bloom - oligarchs and...
currency of modern western capitalism:
nepotism...
who is jared kushner?
mr. cushions mr. cushtie...
mr. minted in: network baron...
slavery was abolished on the international scale
in england in 1865... four years after...
internal slavery was abolished in russia... 1861...
isn't that the sort of wow you were expecting?!
so when was slavery-slavery abolished
in england?
again... if internal slavery was abolished in russia...
4 years after slavery on an international
stage was abolished...
communism was a failure because: per se...
or... was communism supposed to be...
a short-cut attempt to catch up to capitalism?
was it a failure in catching up to capitalism?
in the 2008 financial clash...
where was Poland? recession free...
again... communism was a failure per se...
but... was it a failure in terms of catching up
to capitalism?
to me... it's still catching up...
when again... we're talking... freeing people...
only 4 years prior to people who would
otherwise still be... rummaging the romances
of Kenya and seeing no albino tourists sipping
brandy on their shores...
perhaps better for the whole load of us...

i ask, again, in my naive way...
that's the difference between competition and corporation?
not much...
a football team needs to compete with other football teams,
but it needs a corporative methodology behind it...
you can sometimes spot a maverick who wants
to be the solipsist in the team and become
nothing more than the top goal-scorcer -
then again: a kevin de bruyne and the number of assists...

if there was to be a level playing field...
everyone was to be self-employed...
what fear from robots?
competition on a ford's:
each man is a cog in the assembly line...
you can't compete... were you supposed to?
i thought that the only reason sport
was fun was to be compete and corporate...
it wasn't solely about competing:
not even in tennis are you ever competing...
unless you're serving a ****-ace...
competing but also corporating:
for the spectacle: with 19shot rallies...

to reiterate: this is a really naive poo'em...
is has to be!
- again... before capitalism became this hell-scape
spiral of: fear of robotics / a.i.:
let's just see if we get enough self-employed
people on board...
oh sure: the self-employed undertaker...
the self-employed bus-driver...
i'm sure there was, what's not called:
a "healthy spirit of competition" in work related
niches of existence...

i'm an alcoholic living among workaholics...
not a pretty sight... believe me...

i'm sure that capitalism... must have began
with: a "healthy spirit of corporation"...
that one henry ford would benefit more than
all the assembly line workers: fine...
the brains is allowed the conscious efforts
to move the eyes, close them,
use the jaw... bite... do magic with the tongue...
the liver has no knowledge of alcohol...
the heart isn't exactly aware of either veins
or arteries... fine... a henry ford cigar can get
away with thinking he's not adding
a chimney to the whole affair...
or a rhine-valley load of chimneys...
the stomach doesn't know what taste is...
sure as **** the small intestine knows
what it feels like to be a woman:
should it find itself unfortunate to have
a hitchhiker tapeworm attached to it... etc. etc.

but i imagine the capitalism had a sense of
corporation before...
it worked too many psychopathic sport analogies
into itself... precursor to the fear
or a.i. robbing people of their jobs?
testing people in a self-employed job market...
again: oh sure... the self-employed undertaker...
the self-employed busdriver!
perhaps a self-employed cabbie...
a self-employed surgeon?
how would that work?

        what's that? the cult leader... would not find
a job status match... in a corporate market of ideas?
then a ******* maverick he is...
esp. with such dates as: the brian jonestown
massacre hovering over his head!

perhaps i am naive is reiterating:
work implies corporation rather than competition,
in that work implies chores...
i've seen this in my father -
he doesn't underand household chores
on the basis on corporation -
he understands them on the basis of competition...
and he's to somehow... take pleasure
in the "free bread and circus"...
when the circus is not what it used to be?
once upon a time: the circus involved
men... who were footballers...
but they also did part-time metallurgy work...
they would clock in at a certain hour...
then be let off work to play a football match...
they weren't paid: professional:
disappropriate wages...
because their "work"... was over-inflated
by the gambling syndicate dicta...

there was a utopia in Poland...
it lasted for... roughly 30 years... from 1945
through to 1975... after that the herrings
didn't want to be pickled...
the baltic sea started to boil and the fish
strarted to froth at the mouth...
it's not a nostalgia segment: i was born in 1986...
this is mythology: curating the temporal
standards of modern journalism...
history: what time ago?
50 years? elvis was abducted by aliens...
n'esst ce pas?!

slam poetry competition with fellow:
poo'em eaters...
can i jut take the armchair with Horace?
i don't feel like competing...
what am i competing for?
volume... a new YA novel?
i will not ***** language...
even if it is a language i acquired:
and it's not a tattoo native first come first served
expression...
this is not a capitalism vs. communism
affair...

all the: towel in champions of capitalism
have made it clear:
start a traditional family, start a farm...
milk some goats...
pluck some eggs... living the dream:
brown fingers and all...
                       way way out from competition
in the workplace...
so... no need to corporate...
solo does it...
                                and if i'll be needing some
milk... i'll likewise claim: an autistic
pension and enough barren land to feed
goats organic glue and toilet paper that
magically morph into... a propaganda poster...

olim truncus eram ficulnus, inutile lignum:
once i was a stump of fig,
a wood without use... this is my best Horace:
thank you, goodnight...

what is to be competed for?
rather: what it to be retained, kept, status quo
enclosed... this pride for corporation?
competition in the workplace can only go as far...
not all professions can allow competition...
some will forever retain their base:
corporation...
to compete outside the realm of sport...
sport... those with enough awareness
of the body would pursue it...
those with a bit more brain in tow...
wouldn't... the ghost limb terms:
there's nothing of note
when it comes to competing with i.q. in
mind... or corporating...
there's this ancient feat of "solipsism" and
self-bettering... rather than running
the "expected" mile...
was capitalism always this:
chicken-shack-shackled into... wishing to squeeze
out drinking water... from pig ****?

again... this is not as easy give-away
that it's a capitalism versus communism base scrutiny...
all the eastern european laid-deeds have made it into
their chandelier filled land-allotement sights of
better ****** that gynocentrism...
i don't mind...
      yes... because among the bulgarian strip-party
i'm the ottoman janissary turned
well spoken sheikh... when morocco is given...
a fictional name... and i'm the Ali
that rubs Muhammad's lamp and
averts the... most ****** schism...
oh sure... Islam would be a pure religion...
and they would be allowed to complain about
porky-pies...
but... you see... how long did it take
for a schism to emerge between the orthodox grees
and tha catholic italians?
how long did the islamic schism take
to grovel and dig trenches?
not that much...
after all... Shia... Persians... Ali Woke-oh-Haram...
and the ****'ite... the ***** muslims...
the Saudi bin-Ladens...
well... that schism... didn't take that long...
some whisper about a schism in the monotheism
of the hebrews...
ha ha! i write ha ha... but even i have to laugh
out loud... a monotheism an inbreeding
of something more than genes...
fix the idea... and continue!

by now even i know that christianity has reached
a status of polytheism...
it's the same jesus... sure sure...
via no other than the orthodox,
the catholic, the protestant (calvinist, lutheran)
standards... or the baptists... or the jay-***-***-V-and-G
standards...
next thing you know: the vegans are
the gnostic monks!
because it has to be a joke at this point...
if christianity is a monotheism...
i'm mother theresa and that albanian
that stole george w. bush' mickey mouse's watch
on a state visit...
so to complete the holy trinity...
i'll be... alastair campbell... always for the giggles...

an alcoholic among workaholics...
who always had the satan's postbox concerning
the niqab... the same ones who were to be always
quoted: the beast from the east...
jesus is coming! look busy!

i mean... no need to look busy...
when the high a tide is making a comeback...
would you believe it?
if you saw the words... united kingdom...
england, scotland, wales... ireland...
that this was not moldova?
this is a language these are letters so arranged...
by an island-dwelling folk?
if you're the first, driver...
shotgun! who are we smuggling in the passenger
seats behind us?

imagine my surprise at the rereading,
with the typo: a missing (s) in letter()
and a missing (d) in arrange(d)...
i call them... the lost key of solomon...
or my own personal, hybrid,
hard-on...
oh god kept me with a phallus...
while giving all the angels a proper chopper
of the ol' wood... **** to stump...
i'm the one that wasn't circumcised!

and all i now have to sing about... is...
a forest of pines! a forest of pines!
pines pines pines! yippy caye!
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
Fortune Cookies, Froth, and Fribble


Words always fail me but words are all I have
I used to think that I could write
Red marks and red checks cured me of that.
Disabused me of the notion that I had anything worth saying.
So, I'd write in secret, a prisoner of the gulag of conventional thought.
And when I was done, I'd reread what I wrote and smile.
Then I would destroy the evidence before the red marks appeared.
Stories, songs, poems, and plays.
A thousand characters born and died with only my witness.
Voices silenced when all they wanted was someone to hear.
So it went for years. My words wrapped and killed at birth.
Finally so desperate not to be silent I let the writing live.
Cursed birth name forgot, cast aside to write
As a name without fear, not hunted by red arrows.
Something caught your eye, something touched you.
You told me I wasn't horrible, that I didn't ****.
Others said the same.
Writing candy clouds, fribble, and froth.
The deeper message hinted but never said
Just when I think I can, I read something forgotten from another
Their sunlight dissolves my candy clouds.
I pretend to write. I'm a fortune cookie. A formula.
But people like their fortune cookies.
Don't they?
4/1/16 Copyright
When I was in grade school, we were assigned to write a story that was related to our current area of study - Pioneers and the westward expansion. I wanted to write about a trapper bringing his furs to a western fort to sell. I asked my teacher if I could write the trapper and the soldier he spoke with with their accents. Dropping the 'g' from words, using 'ain't', and the like. My teacher said that was fine.

I wrote the story and was very proud of how I wrote the interaction between the two characters. When the paper was returned, it was covered with red marks. Every time the trapper dropped a 'g', saying "droppin'" for example, it was a red mark and a penalty to the grade. When I asked my teacher about the marks and what he had told me, he shrugged. He said it was a good paper and had been fun to read, but the grade of "D" stuck.
    For a long time after that, years and decades, I didn't show what I wrote to anyone. I wrote and shredded or burned what I wrote.
Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

                   I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

                              A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred.  We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones.  Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep:  the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge:  with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
                     'Be not over-bold,
But fly while still you may.'
                              And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like.  For a sign
I burst the chain:  still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content:  we held our way
And stood within:  clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him:  he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

                              We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed:  I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

                         Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear.  I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And ****** the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty.  When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little mnnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there:  far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn.  He slowly turned:
A demon's leisure:  eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking.  We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

                    Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics ****** song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever:  ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S.  Patrick.        Be still:  the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The ****** horses; atmour torn asunder;
Laughter and cries.  The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing ****** horn!

We feasted for three days.  On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue:  an endless feast,
An endless war.

                The hundred years had ceased;
I stood upon the stair:  the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

                And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

                         'And which of these
Is the Island of Content?'

                           'None know,' she said;
And on my ***** laid her weeping head.
wayne mockler Apr 2020
The torture on the golden ship of evil horrors
after arriving at the big golden pirate ship of torture we are made to walk along the black plank to board the grisly ship.  The horses look around the deck while the evil pirates watch with nasty and wicked eyes of hate towards our bodies.

All of a sudden hundreds of ghostly pirates appear from their  city of spikes and watch  us on the devils deck of terror.  The patch eyed monster with one leg then shouts towards a dark room on the ships deck while the other creatures jump and scream with a mist pint of froth in  their red hands.

The golden  goddess screams in terror when a dark figure wearing a purple hat walks out on the red deck of horrors.  We all look in horror when the rest of the pirates  chain our army towards  the ships  rails of torture.

i comfort luitent megs with my outreached arm while the dark pirate figure without a nose  and mouth pulls out it jagged  red swords  of horror at our trembling bodies.  The golden goddess stares inside its deep purple eyes while it pulls two  warriors out  from the carnage.

The horses plead for mercy while the  creature drags then towards a small dark corner of the ship.  One of the warriors is then tied down on a long plank of wood while the other pirates begin to move forward towards her shaken bodies.

An angry golden goddess try's to break free from the chains of torture while the other brave warrior try's to save the poor old woman warriors body.  We weep with anger when the pirates begin to rip her golden uniform off revealing her  lacy white old underwear of modesty.

The pirate monsters then quickly surround the shaken mature  woman  and ripping  her underwear off with ease. We listen the the pirate creatures howl with pleasure  whilst exploring her naked body.

Two of the pirates hold her head down while  the ******* pirate  pulls out its small flashing blade and cuts off  her nose  while she scream in terror.  The other pirates then keep her head very still while the creature begins to cut her mouth and lips off while blood fires up across the ships cold dark deck.

A sick golden goddess then begins to throw up when the black pirate holds the woman's golden lips  in the air for all the other pirates to see  and enjoy. We all sink into a dark huddle when the  other warrior is pinned down and sliced open by the black  pirates  sword of horror.

The horses tremble and shake when the other  warrior is pinned by down by fifteen pirate creatures for the black demon pirate pleasure. We all look with open eyes when the demon black pirate carefully removes hes golden genitals and ***** for the screaming warrior.

We are all then taken below deck towards a long  black freezing jail while the pirates party  and drink on spike city of evil horrors.  The horses sit and wonder how to escape  the evil city while the rest of us lay down in the dark  cells of torture.

written by wayne mockler
ownership and copyright wayne mockler


The torture on the golden ship of evil horrors part 2

After a long few hours in the cold dark cells of horror the  evil pirates bring us up on deck while all the other creatures watch  from pirate land of evil. The golden goddess and her army are led out first onto the golden ships deck with  me and luiteant  megs, white tiger and horses behind us.

We shiver and shake when we notice the plank of torture  hanging over the cold red water of evil.  One of the dark pirates comes towards our cold tired bodies and looks at us with  its green eyes of evil while its flowing  hair of snakes shines at our clouded minds of terror.

The golden goddess speaks out towards a smiling one eyed captain before being ******* with rope on a ships pole.  We be the captain for mercy but he's monster pull out two golden warriors and makes them stand near the long plank of wood.

One of the golden warriors is forced to walk the long dark plank while others look on in terror and suspense. The horses try and break free from their handcuffs but get beat down by  the evil pirate creatures of horror

A scared and  terrified warrior stands in the middle of the plank until a giant black figure emerges from the deep red river. The figure a shark with five heads and axe tail jumps at the golden warrior leaving a big deep cut on his forehead with golden blood flowing out everywhere.

I hold a terrified luitent megs tight while his head ***** open in the cold dark night of spike city.  The horses hold onto a shaking white tiger while the creature dives back in the deep red water.

The shark  monster  then jumps again but this time cutting the warriors head off while making the golden blood pour over the dark plank of wood.  The golden goddess begs for mercy until the pirates surround the fighting body of torture with eyes transfixed on her large ******* with glee.

We tell the pirates to keep of her  until  a black pirate with one arm begins to unbutton  her golden  blouse with ease.  The other creatures get closer towards her blushing red cheeks while the dark pirate begins to release the red buttons and exposing her large  ******* to cheers from the ***** pirates  creatures.

After getting  touched and explored by all the evil pirates a crying golden goddess is carried towards spike city drinking saloon along with the other golden warriors. We are  made  to follow behind a guard of pirates while the horses and white tiger  are chained up in the cages of hell.

Once in the drinking den of horror we are made to sit on big long stool while the pirates  strip a red faced golden goddess naked  while the captain watches with a barrel of ***.  we are then taken back towards the dark cage in spike city and locked up with the horses and white tiger.

We look over at the  other big cage from hell and see the army of golden warriors laid down  from the fight on hell.  The horses tend to to a distraught golden goddess with their warm fur of hope and look for a way to escape this hell hole.

written by wayne mockler
ownership and copyright wayne mockler

The torture on the golden ship of evil horrors part 3

After a long night of drinking and laughing the dark pirates settle down under a mist of red sky of horrors.  We sit alone in our  cold dark cage until the  purple light of sunlight shines though the next morning.

The pirate creature wake and walk around the dark spike city of horror until another ship sails in under a tunnel of torture towards the dark city's lights.  A scared golden goddess looks out and sees another pirate ship with orange sails come into spike  harbour.

We cringe with horror when the dark pirates cheer the ship while an orange pirate with six arms stands on its deck.  The  big green and blue ship then settles in harbour while the six armed orange creatures jump out and walk around the scared golden warriors cage.

A sadistic dark pirate captain  then unlocks the cage and drags out tow more golden warriors screaming and kicking for survival. The disgusting black captain then throws one of our heroes to the  orange horrors of lust.

The horses bang and shout at the dark pirate captain  until the orange creatures carry  the golden warrior woman towards a cold dark table of hate.  we listen to her screams while the pirates begin to cut open her golden uniform from to to bottom.

An angry golden goddess screams with anger when the creatures mange to prize open her golden bra  and ripping it off with loud screams of joy  from the other drunken pirates.  She blushes  red with horror when the  creatures  slip down her golden thong causing the  pirates to go wild with excitement.

We sit and watch with anger when the pirates begin  to touch her naked body all over while he screams in anger and hatred. The  creatures then carry her naked body towards the  creatures drinking saloon  of evil.

I hold and comfort luitent megs while the cheer's get higher and higher  followed by a dull silence. All of a sudden two evil  orange pirates  bring out her golden head before sticking in on a long pole near the river.

The golden goddess screams and kicks with anger at the glowing guards while  the other golden warrior is dragged inside the saloon of horror.  We then suddenly hear high pitched screams coming from the warrior inside until a pirate shouts yes in a loud clear voice.

Another  four pirates of evil walk out holding various  parts of the mans body in their glowing  hands of golden blood. The horses bury their heads in the  cage corner whilst the  creatures throw s his head and legs inside a big dark plastic bag of evil.

We all sit alone in the dark  cage of evil  while the orange and black  creatures toast and dance in the  cold evil  saloon of hatred.  The golden goddess and horses look around the dark cage wondering how to escape from the torture of the creatures hands.

written by wayne mockler
ownership and copyright wayne mockler
adult horror
Hal Loyd Denton Nov 2012
We know not the times or the gifts that are ours specifically and unequally you see someone at a
Distance walking through a pastoral scene away and down a hill at first by voice recognition you
Know who he is this grandfatherly figure brings a flood of feelings and moods to brush your soul
With the telling of wonder of intimate days and moments you have shared so often you smile as
He naps quietly and then a night comes where for one reason or another you get involved and the
Whole night is used for this activity the next day being Saturday you relax and in the late afternoon
You at first just set for what you think is a moment but the previous night delightfully and pleasantly
Catches up with you sleep affords you this non cumbersome trip of ease and you awaken and it is dark
At first groggy disoriented just like in a dream this logical but off answer is provided then you finally
Figure out what is going on what surprise and pleasure to know you have been ambushed by a slight
Tiredness that robed you in sweet bliss then trimmed it in solace you stir yourself and do minor things
Until it’s the bed time hour but instead of the normal lights out its turn away from the computer shut off
The television **** all the lights but one and then just purposely luxuriate in the soft amber glow it
Provides set the rudder to take you to sweet wonder as you drift to unspoken destinations these are
Truly simple joys where the need to be careful comes in we know even creation and all its splendors are
Fragile a great rush of water with four feet of foam froth and power charges down it has a twin that is
Separated by this mass of rock that rises upwards of fifty feet the water falls over it in a different way
These strings of water that cover the face from one side to the other and they are accompanied with the
Sweetest mist so you have this forked water show on both sides of powerful water all this glory of white
Power rushing then falling and then the center piece contrasted to this sense such power and mass and
The water is shear as it tenderly descends the mist is truly natures kiss the sound is the embrace the
Engulfing privilege we possess and own as humans but this could be harmed and ruined in so many sad
Ways thats why we are extraordinarily careful we want to preserve it for all times as human beings my
Friends we also can by indifference and lack of understating can harm friends that in their own right
Are spiritual streams that come from great spiritual head waters that were pristine and then one greater
Than all of us caused such harm and destruction in the purist place a garden I wrote and posted Fertile
Ground the great mind of Lincoln said in his day and he meant it for all of our history a nation as great as
Ours can and must be sustained yes our armies and navy are a part but in his speech He says if
“Destruction be our lot we must ourselves be its author and finisher as a nation of freemen we must
Must live through all time or die by suicide what constitutes the bulwark of our liberty and
Independence it is not our frowning battlements our bristling sea coasts the guns of our war steamers
Or the strength of our gallant and disciplined army these are not our reliance against the resumption of
Tyranny in our fair land all of them may be turned against our liberties without making us stronger
Or weaker for the struggle our reliance is in the love of liberty which God has planted in our bosoms our
Defense is in the preservation of the spirit that prizes liberty as the heritage of all men in all lands
Everywhere destroy this spirit and you have planted the seeds of despotism around you own doors
Familiarize yourselves with the chains of ******* and you are preparing your own limbs to wear them
Accustomed to trample on the right of those around you you become the fit subjects of the first cunning
Tyrant who rises” sound words of wisdom that benefit all men we can’t release our responsibility and
Expect a continuance of our freedom this is careful part of this piece Thomas Jefferson had this to say “I
Tremble for my country when I reflect that God is just and his justice cannot sleep foe ever” what more
Prized possessions do you own than family and friends but if we deny and ignore our duty to be men
And women of righteousness how can we complain when civil authority in all manners deteriorates it
Can stand on no higher moral ground than we the people ourselves maintain we are the streaming
Waters of good or bad that flows through relationships ungodliness is a reproach to any nation by their
Fruits they will be known like it or not eat sins treats fine but know this the soul that sins it shall surely
Die it is a law an all living and loving father died to make sure no one could be a tyrant over you only
Yourselves hold that power every devil in hell can assault you but never can he claim victory until he
Sees the white flag of righteousness flying and it is saying I surrender my life of freedom bought by the
Pure sacrificial lamb God’s own son you could practically tell he was human they whipped him with a cat
Of nine tales with metal and bone he struggled down the Via Dolorosa each step declared your freedom
The song says He could have called ten thousand angels and it wasn’t nails that held your Savior to that
Cruel cross he had the ability to see everyone of us he knew how bitter and hard life would be if you
Walk it without him He said my burden is light and my yoke is easy it might sound obscure today but it is
Just as real walk beyond his love in disobedience and you will be punished by the god of this world and
Then he will take you to his fiery home as his subject I wrote before you are his greatest trophy he has
You on display in his lair because you are the greatest treasure God has not golden streets
You fist loved me and my brothers and sisters the tears that I cry in private it says this is doing the work
Of the savior increase my tears and sorrow because too many of them are hurting and know not your
Comfort lost in a savage world not any longer their own a usurper took them captive love replaced by
Cruelty is their lot if they could only see your painful longing as you look for them to come home every
Day they would truly break ties to this fallen world and fly to your presence they believe the lie that they
Have it figured out what sadness they are left with and they never have tasted your sweet spirit they
Mistake the boundless love they feel as if it were your spirit of intimacy outward love doesn’t reach
Inner depths satisfying to the point one person who cried stop no more I will die his love is truly deeper
Than the sea even the universe and Carl Sagan a man of science he was an American astronomer
Astrophysicist cosmologist author science popularizer science communicator sounds impressive but the
Reality he had an assistant and she had to be brilliant to a degree to be working with him but she was
More she was a born again Christian many were the years she loved and sought to help him not to just
Love the Cosmos but love the one who made them her persistence was to no avail you can make a god
Of many things even science how tragic he can be a warning guard your heart and you will preserve your
Soul

Going to include Fertile Ground that includes Streaks of Jefferson and Most Hated Twins I put on there
Lincoln said we should read such things

This important if you haven’t read it

Fertile Ground
O thou great Jefferson in whom dwelled the fidelity of a nation of free men.
Thy secretes can be viewed as we watch you live and breathe the life of a grand Virginia planter
When one is a student of nature and observes its subtle lessons becomes its master and ally. The next
Step of going to lead men is reasonable when taken into count the natural gifts that were refined in
Quiet fields and hills in lengthy times of treasured solitude that is not to say there won’t be difficulties
But to a merchandiser of lofty thoughts this is of little consequence. There are issues that must be
Divined through the protracted business of hard arduous study. Man’s soul drifts in and out of the valley
And hills taking unconsciously truths that exist they are everywhere but can be buried in life’s clamor.
To purposely walk across a field with your with your senses open will usher you into a place quiet
Unsettling if you are one who is uneasy in your own thoughts because the vistas will allow your mind to
Extend it to the far reaches ordinary thoughts will jump over conventional restraints and give you
Profound insights Jefferson graduated from this school of higher learning for this very important time
This man of stature arose he flung freedom’s door wide open walked through set down at his desk and
Masterfully penned immortal words, to this day time hasn’t diminished any of their importance or there
Revered excellence this document would go unparalleled in type and execution, in forming the basis for
Human conduct it would forever alter the landscape that that had existed before its grand arrival.
The stinginess of former centuries were at long last over the mind had finally
Liberated the body the willingness to do for one’s self had taken the lead there was no
Turning back, these actions would recommend them as a people. Their credentials intact now they were
Ready for the world stage a new birth of nobility walked into the human condition and it wasn’t
In the least bit hesitant to speak thoughts that had long been silenced.
The trouble today stems from the lack of understanding we have about the truth,
Of what oppression would be unleashed if our form of government would be allowed to be dissolved we
Love the dream but deplore the reality. That this system will only work when we are involved. It has a
Built in detection device, you can’t use its rewards without paying it back with service.
The results will be contagious you will be left with a weak sickly government.
The remedy simple everyone has to be its central guardian.
This does not mean that it is weak this was the way it was created it is as strong as you
Are willing to have it know this it will always be dependent on human involvement.
We might not like it but we are making a choice freedom will be loosed or bound by our decision.
The product that we deal with is very supple and ever changeable it becomes whatever form you pour it
Into this is in accordance with its nature it also is a gauge of those that handle its virtues and shows if
You have had reverence or contempt. You will be left with honor or disgrace did you carry forth the gift
Or allow it to waver the children of the next generation are watching.
Streaks of Jefferson
In freedom’s blessed glorified sky through streaks of immortal gold his visage we behold
He looks upon the fields of liberty that he and the founding fathers sowed he sees the
Richness America has become he also beheld her struggles catastrophic wars abroad
And the most painful the one that divided the nation marred it with southern and northern
Blood saw the affable the sad giant Lincoln take the reins of discontent hold them by
Shear will and with uncommon sagacity guided it back in line to fulfill its destiny as the
Powerful fount that would always pour forth waters of freedom for all of earths peoples
Total unconditional acceptance of liberty and all the fruit it bears to establish a
Government like no other this golden grain has waved under bluest skies and brightest
Sun light its rich harvest has gone to darkest prison cells Mandela was sustained by it
For twenty nine years and by its moral purity it fed the lives of those that over threw
Apartied and Mandela finally freed by principals it avows rose from prison clothes
To wear the mantle of president of his country and the honor of the man instilled
Quality that transcended political office Jefferson not to be disrespectful to his progeny
Whispers today’s politicians could do well to look on this African model of good
Stewardship of public trust with that Jefferson faded back into the mist pray that’s
Not the fate of this country
Most hated twins
Who are these two desperate characters revered but feared by all
To make their acutance few will volunteer those who know them well
All can tell by the drawn face and the tears that swell the pool where wisdom has her rule
Achievers welcome them as honored guest they withstood the test now they the richest blest
At mornings first blade of light they strike with all their might they the quickest to fight
Timorous to afraid how many have dwelt by waters undying well only to die unfulfilled
But others tried and they fell the well is to deep its where darkest shadows creep
We will be lost in these new surroundings the familiar there will be water there too
Yes stagnant unmoved guarded for naught its benefit was for the traveler going places
For you it will be your grave marker he talked and talked but venture on never
He said he was the clever one as his countenance slowly turned to stone killed by apathy
Green pastures call to find them in yourself health you will install
Few are they that were meant and born to reside in the same place you must go
If you stay rebuild the common and ordinary your monument then they will admire
Who stood to long and with all intention he gave it only words action was the wonder that was missing
Treading a narrow path in the end if you buried or squandered your talent divine wrath you will face
Cast your seed far and wide how can you not see the need sorrow has them tied
Push back the encircling darkness with the light in your heart that God did endow
Go and answer the door your guides are here I want you to meet two friends Pain and Adversity
Two finer companions you will never know Washington and his men befriended them at Valley Forge Concord, York town. Lincoln met them first at Bull Run Antietam I think he gave a little speech at Gettysburg. One birthed a nation the other saved a divided one.
BOOK I

S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. "Why do you wind no horn?' she said
"And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
"We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

"My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

"What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
"I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

"Were there no better than my son
That you through all that foam should run?'

"I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
"And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

"O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, "It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
"Were these two born in the Danaan land,
Or have they breathed the mortal air?'

"Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
"A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
"O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
"Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

"Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, "God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  "Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  "You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick. Tell On.

Oisin. Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, "His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds



























































­

























Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

"An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, ""Unjust, unjust';
And ""My speed is a weariness,' falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

#######
BOOK II
#######

NOW, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
"Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers
This trumpeter of nothingness, employed
To keep our reason dull and null and void.
This man of wind and froth and flux will sell
The wares of any who reward him well.
Praising whatever he is paid to praise,
He hunts for ever-newer, smarter ways
To make the gilt seen gold; the shoddy, silk;
To cheat us legally; to bluff and bilk
By methods which no jury can prevent
Because the law's not broken, only bent.

This mind for hire, this mental *******
Can tell the half-lie hardest to refute;
Knows how to hide an inconvenient fact
And when to leave a doubtful claim unbacked;
Manipulates the truth but not too much,
And if his patter needs the Human Touch,
Skillfully artless, artlessly naive,
Wears his convenient heart upon his sleeve.

He uses words that once were strong and fine,
Primal as sun and moon and bread and wine,
True, honourable, honoured, clear and keen,
And leaves them shabby, worn, diminished, mean.
He takes ideas and trains them to engage
In the long little wars big combines wage...
He keeps his logic loose, his feelings flimsy;
Turns eloquence to cant and wit to whimsy;
Trims language till it fits his clients, pattern
And style's a glossy **** or limping slattern.

He studies our defences, finds the cracks
And where the wall is weak or worn, attacks.
lie finds the fear that's deep, the wound that's tender,
And mastered, outmanouevered, we surrender.
We who have tried to choose accept his choice
And tired succumb to his untiring voice.
The dripping tap makes even granite soften
We trust the brand-name we have heard so often
And join the queue of sheep that flock to buy;
We fools who know our folly, you and I.
Esridersi Apr 2017
You are my dear, decadent desert,
My summer-thyme delight; Starlight.
Tonight’s your night, for you I write.
Radiant glow, fuzzed herbal hue.
My dear butterscotch icecream.

Sore arms churn thick, slick froth - Sauterne butter.
Gentle spread melts, dowsed in sweet, sugared innocence,
rich scents, then sits.
6 years pass quickly, youthhood gone;
My black swan, a third complete.

You, sauterne butter, mix with scotch -
Fermented, demented, invented to inebriate.
Golden brew dissociates reality -
Spinny, fuzzy, dizzy, funny… gone.
Go on again, dear fawn, 6 years pass,
Pant for the water, two-thirds complete.

12 years as toll to adolescence;
Icy, creamy, dreamy, element prepared.
Scoops of soft serve mix with years past - Angsty era.
Seductive spirits, beautiful brew.

At last, my summer-thyme delight dances with rhyme.
The lime-light shines; ten and eight.
Todays the date, stuff immaturity away.
Make room for the adulthoods’ good,
Scooped generously into a bowl
Shuttled and entrapped by me,
Melting, streaming, gleaming and freezing.
You awesome angel!
My pleasure supreme -
My dear butterscotch icecream.
pour Stellah, par sa idiot
Terry O'Leary Aug 2013
PROLOGUE

Umpteen billion years
Big Bang, supernova, gas
Brief eclipse of time

Gases swirling, fall
Sun and planets, water, goo
Brief eclipse of time

Another billion
life, amoeba, fishes swim
Brief eclipse of time

Movement, change and flux
slither, crawl, climb, walk and talk
Brief eclipse of time

Ra, Sol, Helios,
Mithra and the Mighty Eye
Brief eclipse of time

Life begins and ends
birth, joy, laugh, cry, death, and dust
Brief eclipse of time

Waves cleave seas, shores, skies
forever folding, pulsing
Brief eclipse of time


            
CHRONICLE

The Mighty Eye begins to slip and slowly sink,
(unfocused, stained, diffuse)
while frizzled waves imbibe her searing tears,
with salted languid lips.

The Mighty Eye, now weary, thin,
is gazing through the frozen cracks,
as sundry straying clouds,
bloated,
sidle feebly by
and wax their billowed tracks
upon the heated sky,
and cool the rush of rolling waves
beneath the blotted sky.

The waves
(impaled on time and space inside me),
gently tumbling aging pebbles
and lifeless shells across the shifting sands,
seem unaware
as they once again arise
to greet the Mighty Eye,
to close the Mighty Eye,
to ***** the Mighty Eye.

But then again,
perhaps the waves are well aware indeed,
yet simply unconcerned
and feel no need to care.

For, as the frazzled froth is rushing forward
madly towards the sandy shores beyond,
before retreating slowly,
then careening brashly forth ahead again,
eternally,
it matters little if the Mighty Eye will cast
her blazing glance from high above,
or else retire for the night,
kissed sweetly by the liquid lips
of distant faithless waves
in a brief eclipse of time.

The trees, they hang in time and space around me –
trees, which in time before had swayed,
so gently tugged by ocean breezes,
trees, which in time before were lightly lit
with emerald tinted leaves,
trees, which in time before had reached to space above
with twisted tangled fingers,
grasping fingers,
fingers drenched with golden tears
shed by the Mighty Eye.

The trees, they hang in space and time,
benumbed and frozen motionless around me
chilled with rooted premonitions of the void,
their branches clutching darkness  
and their leaves foreboding doom.

The muted winds begin to whisper tales
of many frightened things,
which, with mournful apprehension
have hunkered down behind the haze
and ceased their joyful play.

And all the while dank shadows gaily dance
a dismal dance,
for their time is soon to come.

The fitful shore lies suddenly still.

Unfeeling stones and hollow shells,
are paused a little,
stalled,
and dropped haphazardly,
midst their mindless random journey,
now abandoned by the sea,

for fickle waves have slipped away
to greet a falling prey.

And as the Mighty Eye droops lower,
laminated molten lips
are pursed and pucker higher,
******* in the sky.

Within a trice the Mighty Eye
submits and squints, distended red,
perhaps tormented by fantastic thoughts
of imminent demise,
or else of being lashed beneath a lid
of distant faithless waves.

And as her dying flash dissolves,
two lurid lips arise,
three ***** lips -
a thousand parted limpid lips
which asudden,
though with little haste,
consume the Mighty Eye.

                  
EPILOGUE**

The trees are now but lurking shades
amongst the murky shadows.

Relentless fog slips slowly by -
her floating tongues drip silence
as they slink like snakes in stealth nearby.

The lacerated faithless lips have once again returned
to kiss the vacant vapid shores
in a brief eclipse of time.
Trader Tim Mar 2014
Sitting here drinking beer
I wish it were more clear
Sorting through my swarm of thoughts
It stings much less as I sip the froth....
Borrowed, Traveler, and Amy...One Liners.
Rogers Enemugwem Aug 2014
Life is mostly froth and bubble,
Two things stand like stone:
Kindness in another's trouble,
Courage in your own.
Adam Lindsay Gordon, 1833-1870.
xoK Mar 2014
Inside my brain
There is a tornado
Spinning to infinity and beyond.
God only knows how fast.
My shoulders ache and my feet cramp.
My wrists click
And my eyes go damp.
Inside my brain instead is a monsoon:
A tumultuous storm that rages on.
Waves froth and smash,
Beating against the backs of my eyeballs.
Sometimes they find their way
Down my soft spotted cheeks.
My lashes float to the earth
One by one by one by one.
Would you collect them for me
Like discarded flower petals
Down the aisle of my soul's chapel
And press them into a scrapbook
Full of twisted memories?
Inside my brain is an H2O tornado
Like reckless rainstorm pirouettes.
My swirling view is blurred,
But every so often
I catch a clear picture
Of the glowing whites of your eyes
And I remember to fill my lungs,
Head above the water,
And breathe.
Twirl, twist.
Wind, mist.
But don't panic,
Because every so often
I catch a clear picture
Of you.
LDR life.
Mitchell May 2014
We took the back road to the house. The shade from the trees made the road feel like tunnel. Not a shred of light came in. We'd have to drive slow. The road wasn't made of concrete: it was made of dirt, rock, and dead leaves. Sometimes we could see the worms come up out of the dirt in the headlights, their pink stretching bodies like weird little fingers. Carrie never looked. She said it was too scary. The rest of us would look and watch them dance around like that. Sometimes we'd have to run them over. Of course, we'd feel bad about it, but we needed to get back to the house. There were things to be done. Nothing planned, but nonetheless, things to be done.
Englend reversed the car up to the front door. The liquor, the food, and the beer was in the back and would make it easier to get it from there. Patty and Carrie (the one scared of the worms) ran straight to the bathroom. They'd been complaining about how we never stopped at a gas station to ***. Englend said we didn't have the time and I just didn't care. Denny was in the same mindset as me. We usually were. Kat was looking out the window, thinking about something she didn't wish to share when we started to unload. She offered to help after she'd finished her thought, but the three of us said we had it. We didn't really, but we let her have her thought while we carried the bags. There weren't that many to complain about anyway.
When everyone was inside unpacking their things, I hung back and smoked a cigarette. I looked down at the river. It was full and rushing. The trees were full with bright, lime green leaves. The branches were tanned auburn from the sun. They looked the forearms of the Mexican girls at my high school: smooth, everlasting, stretching to a place I was never allowed to touch or look at. I ashed my cigarette into a pile of leaves and immediately worried that I was going to start a fire. I kicked it out, thrusting my boot heel into where I thought the ember had went.
"What the hell are you doing?" Englend screamed from the front porch, a handle of whiskey underneath his arm, a glass with ice in the other.
"Ashed into the leaves," I told him, "Trying to take it out." I kicked the leaves a few more times, then walked towards Englend.
"Let me get a hit of that," I said, pointing at the handle.
He spun the top and it rolled off the tread. The cap rolled off the deck and Englend chased after it, handing me the bottle first.
"Take this. Where'd the hell it go?"
"Down there somewhere," I said, pulling the bottle back. The sweetness of the whiskey hit my nostrils first, then the bite of the liquor. I coughed, feeling my eyes begin to water. The first one was always the hardest. After that, they got easier.
June had just ended. July was just arriving. The third was tomorrow and the next day was the fourth.
I took another pull from the handle. I placed on the decks railing and left Englend with it. He was still looking around for the bottle cap.
"I thought I saw it roll under the deck," I told him.
"*******," he moaned. He looked up at me, "Come and help me. It'll be faster with two."
"Can't. Gotta' check on Carrie and get ourselves a room."
"*******," he moaned again, reaching under the deck.
"Don't get your hand bit by a possum or rat or something!" I yelled behind me, going inside. "Carrie!" I screamed, "Where'd you go?"
"Upstairs getting our room ready!" I heard her scream from the 2nd floor, "Come and help me put the sheets on."
I went into the kitchen. Denny was stocking the fridge with the beer and the meat. I reached over his shoulder and grabbed a Budweiser. He had an open one in between his knees. The light stuff was on the bottom to the far left, the heavy stuff in the middle, and the expensive IPA, hoppy stuff to the far right. The top shelf was for food, mixer, and whatever else the girls had decided to get at the store. Fruit and things. I opened up the freezer. There were two handles of Smirnoff resting on three large bags of ice. We would need more ice. I closed the freezer and ran my fingers of the labels of two more handles of Cazadorés tequila and Bulleit bourbon. Overall, I thought we were fairly stocked for the four day weekend, but one could never be to sure. People came out of the wood work for the 4th of July. No telling who would show up at our front door.
I went upstairs to see what Carrie was doing. She was laying on the bed with the sheets resting on the dresser. The light was off. The room was cast in that light grey pigment that happens when the bedroom light isn't there. It was nice. The sun had been straining my eyes the whole time even though I had been driving in the backseat. Carrie was laying face down on the bed. She was wearing a skirt, so I slowly laid down on the bed and inched her dress up. She didn't flinch or move, so I pulled it up until I saw her burgundy lace *******. They looked pressed or ironed or something they looked so clean.
"What're you doing?" Carrie asked me, her face down into the mattress.
"Just looking," I said.
"At what?"
"At your ****."
"Why?"
"Cause' it's nice."
"Close the door."
I got up, closed the door, and laid back down.
"Lets put the sheets on the bed first."
"OK," I said.
We put the sheets on the bed, but couldn't wait for the pillows and the rest of the blankets. We tried to be quiet, but knew we weren't. After, we took a shower together. I rubbed Carrie's shoulders while the hot water rained down on us. She said it was better to get a massage in the shower because the hot water loosened up the muscles. I didn't know if that was true or not, but I did it anyway. I watched her as she unpacked her bag. Her hair was wet and it swung back and forth, wetting her back. She was wrapped in her favorite pink towel. Water dripped from her body down to the floor. I waited to put my things away. I had brought up very little. Mostly *****. Carrie took up most of the dresser. I had one drawer by the time we were finished.
We took a nap. After we were done sleeping, we looked outside and saw the sun had been replaced with the night. The stars and the light coming from inside of the cabin streaked out into the forest like a splash of golden florescent paint. Carrie and I poked our heads outside to listen to the creaking trees and the rustling of animals through the bush. Someone downstairs was lightly clattering dishes as they cleaned them while the smell of red maple firewood burning in the fireplace came up to our room. I took out my phone from my pocket and looked at the time.
"****," I said, "It's already 10 o'clock."
"I'm starving."
"I'm starving and need a drink."
"Let's go downstairs and see what they made."
I slipped on my 501's while Carrie straightened up her hair. We went downstairs and saw two plates with hamburgers and fries on them. Patty was at the sink cleaning the pots and pans. She was staring down into the soapy froth, humming a song to herself I couldn't understand. She hadn't heard us come down. Denny, Englend, and Kat weren't in the living room.
"Where is everybody?" I asked.
"Oh!" Patty burst. She swung around, a soaped up frying pan in her hands. "You scared the **** out of me!"
I put my hands up, "Gotcha!" I said smiling.
"They went for a walk somewhere and left all the dishes for me."
"Leave'em," Carrie said, taking Patty's hands and wiping the soap away with a rag, "Van and I will take care of them."
"I only have a few more..."
"I insist!" Carrie took Patty's arm and lead her to the couch and laid her down. I took a cup from the pantry, filled it with ice, and poured Bulliet half-way up. I handed the glass to Carrie and she brought it to Patty.
"Look at that," Patty smiled, "Full-service."
"What you get when you come up to the Dangerson cabin."
"**** right!" I exclaimed through a bite of hamburger, "Only the best here."
Patty leaned her head back after taking a long sip of the whiskey. She exhaled and closed her eyes. I watched her as her chest heaved up and down. She kicked off her shoes and let her hair fall over the armrest of the couch.
"You said they went into the woods, Patty?"
Carrie took her burger and went and sat next to Patty.
"Lift your legs up," Carrie said, "Let me sit with you."
"Yeah. They went into the woods an hour or so ago. Probably a little less."
I opened the fridge and grabbed another beer.
"What were they going out there for?"
"I have no idea."
"Probably to get firewood or something," Carrie said, "Can you grab me one of those."
"Sure," I said, tossing her one.
"Wait," She yelled, throwing her hands in the air. The beer landed right in one of her flailing hands.
"Nice catch," I laughed, opening the fridge and grabbing another.
"You're such a ****!"
I smiled and walked out onto the deck.
"He really is," I heard Carrie tell Patty.
"I heard that!"
"You were meant to!" she called back to me, laughing.
I shook my head and opened the can of beer. Why did they decide to go get firewood now? We had plenty of wood here already. Patty probably didn't know what she was talking about. That happened often. I strained my eyes to see through the darkness, maybe see if I could spot a flashlight or the round end of a lit cigarette, but the forest was just a wash of thick blackness. Even the stars had grown faint.
"Englend!" I shouted.
Nothing. Not a peep. They were far out there.
"Englend!" I shouted again.
"What the hell are you shouting at?" a voice said from the trees. I couldn't tell who it was, but it was someone I knew.
"Who the hell is that?"
"Well who the hell do you think it is?" It was Englend. He came out of the trees like a wild boar. He had a handle of whiskey in one hand with a pile of small twigs and firewood in the other. What came to mind first was a mix between a drunken Brawny guy and a pinecone.
"What's all the screaming about?" Kat asked, trailing behind Englend. Denny followed behind. They all had armfuls of wood. From what I saw, little would be useful, but I kept that to myself.
Englend came up the deck and handed me the handle. I took a long pull. As I drank, I looked up into the stars, which were now out and shining brighter than they were before. A cloud had moved, wavered off somewhere, presenting the gifts that were behind it. I lowered the bottle and watched Denny and Kat walk up the stairs. They were smiling.
"What are you two so happy about?" I asked, handing Denny the whiskey.
"Gimme' that!" Kat snagged it out of my hand, laughing. She took a long pull. Denny, Englend, and I watched, amazed that little hippy Kat could take such a heavy shot.
"Good God," I murmured.
"She drinks like a pirate," said Denny.
"A ****** pirate," added Englend.
Kat was especially small. Not a small person small, but petite. She also had a great *** and could out drink, out party, and out do the rest of us in debaucherous shenanigans. She had never heard of the word or feeling of shame either and did, really, whatever the hell she felt like.
"I heard that you *******," she said, exhaling, blinking her eyes wildly.
"That was a biggun'," Denny said, taking the bottle and pulling it.
"Needed it. Englend had us wandering around the ******* forest for firewood the minute we got here."
"Do we even need any?" I asked.
"Course we do!" Englend exclaimed, "Gotta' keep our ladies warm!"
He put his arm around Kat and shook her.
"Gross..." Kat frowned, her face pickling while she squirmed out of his arms.
"You love it Kat...where's Patty? Where's my babe!?" Englend thundered off into the house.
"I'm right here," Patty squealed. She was still on the couch with Carrie. She kicked her feet crazily as Englend jumped on her. Carrie jumped off just before he cannon balled onto the couch.
"You guys are SICK!" Carrie screamed.
"You love it," they both said in unison. The two of them play wrestled until Patty finally got Englend by the ***** and kissed him.
Denny handed Kat the bottle," You want another?" he asked.
"I'm good, Denny," she said.
"Hank?" He asked me.
"I'll take one, yeah," I said. I pulled it back as Kat went inside. I exhaled and looked at Denny, "So, you and Kat are the only two legitimate single people here. How you feel about that?"
"Hopeful," he said.
"That's good to hear. I'll see what Carrie can do."
"Sweet," he said nervously.
"Let's get inside. Patty made some burgers."
"Thank God," Denny sighed, shaking his head, "I'm ******* starving. Englend had us walking for ******' miles.
"No idea why. We have plenty of wood downstairs."
"Seriously?"
"Yeah. Lots of it. I cut a bunch the last time I was here."
"******," he laughed, "Englend told us were out."
"He doesn't know what he's talking about," I said. We walked into the kitchen. I put the bottle down next to Carrie, who had made her way from the couch back into the kitchen. She looked at the bottle, then at me.
"What you drinking there?" she asked me looking at the bottle.
"Whiskey," I told her.
"Can you not drink so much?" she whispered so no one could hear her.
"I'm good," I said, taking her hand, "I just drank a little bit outside while I was waiting for Englend. They went on a wild goose chase for firewood."
"Good."
"Denny was telling me they went all over for the stuff."
"Why?" she smiled, "We have so much from the last time we were up."
"That's what I was telling Englend, but he didn't care. Guy gets antsy."
"Who's antsy?" Englend called from the couch. Patty was wrapped up in his eyes, looking drunk from the single shot Carrie and I had given her. Kat was on the couch with a beer. Denny was hovering by the door, rocking back and forth on his heels still holding an armful of fire wood.
"Why don't you just leave that by the door?" I told Denny, "Take a seat. Stay a while."
He dropped the firewood by the side of the front door and took a seat on the floor in front of the fireplace by Kat. He looked up at her and smiled, but she didn't notice. She was sipping her beer, rummaging around in her pocket for something.
"What I was saying was that you guys didn't need to get anymore firewood or kindling or whatever the hell you guys got because we have a lot from the last time Carrie and I were up."
"I saw those logs," said Englend, "And they're ******* twigs compared to what we got!"
Everyone laughed.
"Well," I said, opening the fridge for another beer (I wasn't sure where my other one had gone to), "I'm not taking the **** down."
"All good, we'll take it down."
"You'll take it down," said Kat, "We had to walk through half of the ******* forest to get to your secret wood spot, then walk back. I'm finished with wood for now."
"Fine," Englend moaned, "I'll take it down in the morning."
"I'll help you," Denny added.
"Good! We got two big guys to do it. It'll be done in no time."
I turned around and opened up the cabinet that was filled with shot glasses. I took six out, put them on the table, and filled them with whiskey.
"Let's take a group shot before we all start getting snuggly and sleepy."
"Great idea!" Englend shouted, popping up from the couch.
"For America!" Patty giggled, following Englend.
Kat helped Denny from the floor and walked over to the counter. They parted hands when Denny was on his feet, but I could tell he wouldn't mind holding her hand for the duration of the trip.
"I'm glad to have you all here," I said, "Glad we could do this."
Everyone nodded, smiling, holding their golden brown shots in the air.
"For America," I said.
"For America!" the rest of them yelled. We soaked in the glory of fine whiskey and hazy conversation for the rest of the night.
Everyone was moving slow in the morning. Englend seemed to be the most up out of everyone. I walked into the kitchen to him whipping 12 eggs, grating cheese, pan frying potatoes, bubbling coffee, and pouring orange juice into mimosa flutes. The champagne was already out. I thought, a little alcohol will probably do me some good. It did. After my third glass, I kissed Carrie when she groggily walked into the living room. She preceded to slump onto the couch. I brought her a cup coffee and some Advil. She smiled meekly into my glazed over, blood shot eyes. I could tell she was hurting, but she would be right in a couple hours. Once we got into the river, all would be right.
"Jesus," said Carrie, "You guys are already drinking?"
"Of course!" Englend laughed, "It's the fourth and it's already noon. We're behind if anything."
"And Englend made breakfast," I said.
"I can see th
mt Apr 2018
i don't really know what it feels like to be in love but i think the clouds look nice about an hour before sunset when it seems like everything is submerged underneath a blanket of cotton
or maybe in the morning, when the sky is so blue but the clouds are so sad and so soft like the froth that sits on top of my soda in the summertime when its hot
or right before a sunset when the clouds are dripping gold and the sky seems to soak up all of their honey, honey like the bottles tucked away in the pantry, honey like the eyes of the spiral-haired boy living across the street
and i sit and watch how beautiful the sky is from the sweet-smelling sheets of my bed or the lonely window in my classroom or the passenger seat of my father's car and think of how beautiful it must be to be in love
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
Spanish

Fuera, la noche en veste de tragedia solloza
Como una enorme viuda pegada a mis cristales.

  Mi cuarto:…
Por un bello milagro de la luz y del fuego
Mi cuarto es una gruta de oro y gemas raras:
Tiene un musgo tan suave, tan hondo de tapices,
Y es tan vívida y cálida, tan dulce que me creo
Dentro de un corazón…

    Mi lecho que está en blanco es blanco y vaporoso
Como flor de inocencia,
Como espuma de vicio!
  Esta noche hace insomnio;
Hay noches negras, negras, que llevan en la frente
Una rosa de sol…
En estas noches negras y claras no se duerme.

  Y yo te amo, Invierno!
Yo te imagino viejo,
Yo te imagino sabio,
Con un divino cuerpo de marmól palpitante
Que arrastra como un manto regio el peso del Tiempo…
Invierno, yo te amo y soy la primavera…
Yo sonroso, tú nievas:
Tú porque todo sabes,
Yo porque todo sueño…

    …Amémonos por eso!…
    Sobre mi lecho en blanco,
Tan blanco y vaporoso como flor de inocencia,
Como espuma de vicio,
Invierno, Invierno, Invierno,
Caigamos en un ramo de rosas y de lirios!





              English


    Outside the night, dressed in tragedy, sighs
Like an enormous widow fastened to my windowpane.

    My room…
By a wondrous miracle of light and fire
My room is a grotto of gold and precious gems:
With a moss so smooth, so deep its tapestries,
And it is vivid and hot, so sweet I believe
I am inside a heart…

    My bed there in white, is white and vaporous
Like a flower of innocence.
Like the froth of vice!
    This night brings insomnia;
There are black nights, black, which bring forth
One rose of sun…
On these black and clear nights I do not sleep.

    And I love you, Winter!
I imagine you are old,
I imagine you are wise,
With a divine body of beating marble
Which drags the weight of Time like a regal cloak…

Winter, I love you and I am the spring…
I blush, you snow:
Because you know it all,
Because I dream it all…

    We love each other like this!…
    On my bed all in white,
So white and vaporous like the flower of innocence,
Like the froth of vice,
Winter, Winter, Winter,
We fall in a cluster of roses and lilies!
kirk Oct 2018
I came along to your garden, to see your chillies growing
Unaware of what laid in wait, or what was really showing
There stood a glass a lidded drink, familiarity of knowing
If that's what I think it is, I don't want it overflowing

Do my eyes forsake me, is that a fluid from the body
Is that froth of a good beer, or from a head that's shoddy
Does it look like what it is, a very dodgy toddy!
Ghoulish drinks will turn you green, like Goblins are in Noddy

What the hell you thinking off, with water that's distilled
It smells like the local gents, so it should not be spilled
I don't mind a special brew, but this time I'm not thrilled
Unusual cocktails are okay, but not ones you have filled

Aren't beverages supposed to be, refreshing and thirst quenching ?
You say that it's good to drink, but really it's gut wrenching
An endless supply you may have, but it should be toilet drenching
Don't ever make a wankers drink, by using a fist clenching

You wouldn't want this drink on tap, it defies imagination
It's just the same as a lady, drinking her own *******
It maybe the water of life, but it's just urination
Aqua vitae is not my idea, of a real drink designation

Even just the thought of it, makes me feel sick and hazy
To drink a glass of this stuff, you must be ******* crazy
Well talk about recycling, or are you just bog lazy
Is Harvey Denton related, or do you live in Royston Vasey

People like to drink sometimes, is there something I have missed
You seem to have your own ideas, but with a certain twist
A brand new meaning you have brought, to getting yourself ******
Golden showers are one thing, but that's when your sexually kissed

There's one thing I'd like to know, so what do you say
Why do you think that drinking ****, will keep the germs away
It cant be very good for you, it's an inside body spray
Your just drinking toilet water, hay Jay are you ****** today ?
This is a response my sister sent I thought it to be a worthy mention:

Ha ha ha he he he , a poem about a man that drinks his own wee , I should have guessed I should have known, because when I told you the seed was sown , so very funny, I think it's great , for all the laughs , well done mate
Lora Lee Mar 2017
depleted
of energy,
a weight of gold
upon my heart,
its heavy dull luster
pushes down hard
squeezing out
        the light
suffocating
    my staccato
of breath
     I crouch        
quietly
in the brush,
the next step in
my process
                 pending
a dense rock
of pendulum
swaying time
  tick ticking
in my blood
cells reaching
the boiling point
just shy
of spilling over
into froth
waiting for
this conundrum
        to unravel,
my inner tigress
about to unfurl
             her heart
    to leap
and pounce
from
   within
into the
  tight
white
          of blinding
snow, the silent
storm of  
      the unknown
forever
https://www.youtube.com/watch?v=R2LQdh42neg

Thank you, everyone, for your support and lovely, warm comments!! It is so appreciated <3
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

'My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

'What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
'I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

'Were there no better than my son
That you through all that foam should run?'

'I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
'And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

'O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, 'It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
'Were these two born in the Danaan land,
Or have they breathed the mortal air?'

'Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
'A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
'O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
'Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

'Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, 'God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  'Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  'You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick.      Tell on.

Oisin.                 Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, 'His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds
Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

'An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, "Unjust, unjust";
And "My speed is a weariness," falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'
K Balachandran Dec 2011
female
                             with long nails,
                                              
                                                                ­        sadist incomparable
                            I like you most !
I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei
Dhaye Margaux May 2014
Like a moth
blinded by such froth
wished to touch the flame.
Wrapped with swath
Burnt wings dropped the cloth
Time to take the blame...
A response poem to "Jack and Jill" of Ae.
K Balachandran Jul 2013
The antique shop,
a cauldron where memories
from far and near boil and froth,
where chronological order
didn't matter, time stood still,
part real, as much magic,
different lives from distant lands and time
rolled in to one.
Here they met, by chance,a man
and a mysterious woman,with an eye for unusual,
among what was  on display were
things a conman would seek
and also favorite stuff fit for  kings,
artifacts and articles they must have used
or hankered after.

Past uses these museum pieces
as baits for us, secretly preparing us
to surrender before future,
unkind and rude in mind;
he changed roles as both con and king,
there was a constant yes,
she was the mate in each
he couldn't take  eyes  off her,
and she asked what he looks for,

"The famous ****** quilt,
that was to be mine twice before,
I missed making it mine,
narrowly every time"
He wondered how did he
make up that story so quick.
"I can take you to the quilt,
but it isn't here" she said
not a bit  hesitant
He was flabbergasted by
the turn of events,as if
a hidden scripted move shows the way
They left by her car,
she was eloquent about
the effects of the ****** quilt.

As they stood near the ****** quilt,
in this room he thought was part
of an antique shop, the place looked deserted,
and her eyes shone when she suggestively said
"Want to test the effect? Don't be disappointed"
It wasn't. How could one  imagine, that
the quilt can be so voluptuous.

That secret shook him out of his shell,
she had  nothing to do  with antique of any kind,
just another visitor like him, and the quilt
was an ingenious plot she hatched
in keeping with my sudden flourish,
the quilt, was a new addition in her bed
patch worked in silk, light weight,
it wasn't a blanket, but ****** in its very touch
it was them, the moment of adventure they found
had brought the rapture,who would regret?
MJL Feb 2019
Milling masses
Elbows grinding
Sidewalk shuffling
Wake walking
Crack jumping
Necks craning
Shark, bait, and coral reefing
Hunting, hiding, gauking
Go, go, go
Foamy human froth
Eddies to and back again
Twill, tweed, leather, denim, skin
Petrol, perfume, sweat, tar, bread
Everything honking
Glass, brick, stone, and steel
Awesome color
Vertical sway Samba style
Boom-boom tide
Rush hour
Rolling in
Magnificent
The city lives


© 2019 MJL
The throb of the city can be exuberant.
Michael W Noland Aug 2012
2 better days
of better ways
too bigger dreams
in better words
to the express
of my renditions
in wish-less missions
to infringe in fantasy
as i write out the years
of fearless tears
and scream
in happiness
and chant
of the blasphemers
laugh
in the murmurs
of drunken
entrepreneurs
admiring
sewer structures
plucking
the sutures
of my missed maneuvers
clueless
in my bruise-less
cutsss
toofwisss
and still strutting my luck
in abrupt
catastrophes
compliant
to the clause
of impunity
to rhyme-less scrutiny
to sooth the dream
for today
bolstering
the blame
of melancholy messiahs
playing pariah
on xbox
they gonna fry ya
through savvy ****** talk
with their mouth on your ****
but their ears on the block
to fulfill the onslaught
of a distraught
goofball
in lock
about to drop
calm
in happy bombs
of debilitating
shock
you cannot
talk
when you are
smiling
you cannot galk
when you are
smiling
violently
happy
with ******
knives
fixed to enrich
the lives
of the many
i have plenty
in the trunk
just bend down
and look
ill blend in the boom
of bass
thump
ding
the second thump
closes the trunk
strap up
with me
be blunt
don't want
a ninja on the run
in the sun
of reputation
1 finger away
from
nation-less
the mostest patientest
lyrifi$t
a bu3ro$hit
to 0bl1terat3
the glUt3nou$
of thy most muTtonest
of ch0ps
i cropp3d
the plopp1ng rainb0ws
of raindrop$
and Stopped  .
thE hoPped up ho0ligaNnry
of my N1njary
in my socks
sometimes i rock
but mostly not
i wont stop
until outlined
in chalk
until the froth
from my lips
blinds me
in trips
crossed
with a 5th
into thine own
obscurity
from the groan
of maturity
and the **** flapping
of insecurity
i try lyrically
to be free
and stop rhyming
at least stop whining
just trying
to do my thing
dost thou heart not sing
when im plowed
within the silver lining
devout
with a little shining
came hither
to where the sliding turned to slithering
delivering
my ministry
of infantry
infamously
into comedy
applauding me
in my idiocy
its daunting
in simplicity
marinade me
in a massacre
or a major disaster
watch me blow my ***
in haughty claims
of clogged
alpha/beta waves
enslaved
to a pre paid card
and charged
for helping a man up
in a corrupt
city of butts
entrusting
my paychecks to the *****
of never was
im riding the short bus
until she blushed
and brushed
the *** from her mouth
im gross
a little weirder than most
i boast
in defeat
i facebook
over tweet
as if there be a choice
as i crumple
the invoice
and rejoice
in knowing
i know nothing
i'm [Esc@ping]
Hyder Nov 2012
A good friend prompts your simmering swamp
As creative ideas fill the draught
But the draught can't be drunk as once thought
You can't always catch what was once caught
Yet the draught still boils and oozes froth
So what can you do but skim it off
Collect it and make a new froth draught
Never forgetting what was sought
Consumed by the constant rolls that play
Developed so well, recorded so well
Chasing the aroma that gently caresses the keys of the grand olfactory organs
Sinking into the fibers that catch me when I’m melting
They remember the tight grip that I’ve imposed on them
The grip imposed on me
Yet I want to sift through
Entangled by the loose strands I can’t help but to make vulnerable
The sway in the tongue that rolls tones so heavy
Leaves me tender
Such fervor unfolding itself, irritating the chests it lays on
Ethanol giving shoves until the words rupture into your gaze
Listening for more in hopes the shower could saturate me again
Hopeful and tender, I immerse you in ego
Later washing away everything that froth before our eyes
Then repeating the same intoxicating copulation
Until the light breaks through and I’m presented an abbreviated endearment
Leaving me instilled until the next time it’s decided times can concur
Lora Lee Jul 2017
the tectonic plates
in me
are shifting
     as our continents
approach collide
my ocean is
getting closer
to the mountains
on your landscape
  tallest grasses blowing
         in wild demon dance,
                shaking their
          heads as heated
storm approaches
oven-baked air crackling
    with its own
         electric currents
Nothing can stop it
it's a magnetic force
              one to be
                   reckoned with
               surrendered to
as dust foams
like ocean froth
around our heads
clinging to us in tiny
starlit fragments
and soon will come
        the slick dive into
             wordless waters,
                    just skin on skin
        slippery mouth muscles
like entwined snakes
flick-flicking, shiny
in eye-lit cherry moons
Take my hand.
Just pull me in.
Enfold me,
          without talking
watch as my aura
rushes into you,
first a delicate whisk
             of cool light
to slake the thirst
of coal-licked caverns
then sparks
and bubbling oxidation
turning into liquid brushfire
Hold your palm
to my chest,
as if to keep
    my heart steady,
        my glowing flare of halo
  pressed into your
clavicle, taking in
the embryonic beats
soothing my torrid ache,
infusing minerals
in vitamin-laced libation
It is time to simply bask
in the new
crispness of radical
shake off
           the silt and salt
and rise up
into the spheres
      of memory
      of soulspeak
of collapsed time zones
budded breath
spiraling up
in curls,
       diaphanous
dark mist
ascending
                 into
           light
https://www.youtube.com/watch?v=MDACd-ShjHk

enough words
sometimes ..just breath and skin
( a wish sent out to the stars)
Kristo Frost Mar 2013
Eye
Fire suns out of canons of old and decay in daylight. There might not be blood under your fingernails if you'd refused to laugh. Don't doubt it though, you're being watched. It thinks about your thoughts in thoughtless ways. Dance, pony, humor it. Fail to see the source. Research more. Someone else already answered your stupid questions. Go home. Go broke. Go on as long as you go away. Get a job, you idiot, and make sure it's a good one. If it isn't, fire yourself out of a canon into the Sun. Morphing is addictive. So is heroism. Go, sally gently forth. Froth. Growl low in the gut. Yeah, breathe the fear; die ******* mad about it.
ALTHOUGH I can see him still.
The freckled man who goes
To a grey place on a hill
In grey Connemara clothes
At dawn to cast his flies,
It's long since I began
To call up to the eyes
This wise and simple man.
All day I'd looked in the face
What I had hoped 'twould be
To write for my own race
And the reality;
The living men that I hate,
The dead man that I loved,
The craven man in his seat,
The insolent unreproved,
And no knave brought to book
Who has won a drunken cheer,
The witty man and his joke
Aimed at the commonest ear,
The clever man who cries
The catch-cries of the clown,
The beating down of the wise
And great Art beaten down.
Maybe a twelvemonth since
Suddenly I began,
In scorn of this audience,
Imagining a man,
And his sun-freckled face,
And grey Connemara cloth,
Climbing up to a place
Where stone is dark under froth,
And the down-turn of his wrist
When the flies drop in the stream;
A man who does not exist,
A man who is but a dream;
And cried, "Before I am old
I shall have written him one
poem maybe as cold
And passionate as the dawn.'
Mateuš Conrad Jan 2017
islam is really buying into an ideological
warfare
       of creating a historiogical narrative
for former crusader nations...
           the history? it's way gone, past,
in the dust... but islam is probing
        this need to settle old qualms in a modern
narrative...
    i can't actually add to a history
           these days, but i can take up a banner
of historiology, or so i am told...
   and yes, certain words aren't exactly
the standard bearers of who easily you can
rap them...
            you really need to pause and catch
the nuance... or the naiveness in which they're use...
   when i use the word historiological
i think of the past as having necessarily happened,
and in need to happen again, on the basis
of someone else telling me: you have to
inherit this.
            it's no wonder that islam attacks former
crusader nations... france esp.,
          what with adhemar, bishop of le puy,
urban ii grand speech lauching the ***** into
a tight spot... tancred de hauteville...
                 bohemond...
        radulph of caen merely annotated the deeds done
and the words said...
      robert, duke of normandy, and his daughter
adela, quick to **** at Urban's tongue... the truth...
   Islam is really reassigning us with
a historiology, not a history we might be prone
to forget, or be ashamed by...
   it's not doing what the word histiorology is defined by,
not this unearthing of graves, and their deseceration...
you really want to wake up the Nazgûl?!
seriously?
   sure, i can be your necromancer... we can have
total obliteration... just speak enough ****** constriction
to germans, and then point them at the target,
and you'll get a crossbow shock of the event...
     Islam really is warming us up for something,
they're nibbling at us, they're trying to
  really give us the "spark", it's not a case whether i'm
correct in thinking this... it's only that i feel it...
i can taste it... i can stomach it...
     such lovely names, those old crusaders...
Tancred...
                     mind you: peter the hermit's child
crusade...
                       if they came from north of Persia
they'd be drafted as Mameluks...
       le throng! if only there were always
the french incission to state that...
   le throng! you just can't leave youth culture
settle into the urban environment,
you really seem to want that... get pockets
of culture coming from the youth...
     it can't ever be grime from east or south london...
    me? i'm trapped in a library, i actually
built of myself... apparent;y 1 in 10 people don't
own a single book in england...
         the brothers Godfrey, Eustace & Baldwin...
   oh lookie lookie... you're tickling the beast
so just, any minute now and it will awake once more...
    and be cited as having said:
   walking up to me knee in blood and
slaughtered corpse... Harod looks pale the minute
past...
               Tancred... dubbed te Panzer sulphur snout...
are there more gentlemen of my stature on
their way?
        that's me: don't know who's the possessor
of a ***** and who of a juiced up ****...
   but i can bet the niqab does wonders...
   so much anonymity, you don't even need
  internet pseudonym names, no jackx666
or rogerxtra... you just don the ninja and, ooh!
ooh! everything's so flimsy! so airy! flutters
of a butterfly!
               that ***** king in the kingdom of heaven
movie did have a name: baldwin iv...
   and he was a *****...
         you'd accidently sneeze into his face
and his nose would fall off...
   true story, or i'm drunk...
           but my: this wine i made, this homemade
wine? it does the trick!
                 baldwin iv died aged twenty four...
lucky sod, kurt cobain of the medieval ages...
    oi oi... wait wait... ZENGI!
  zengi the heavy drinker! buddy!
fully name? imad ed-din zengi. ah, zengi zengi,
zengi... what tales i have for you...
      i'd tell them, and you'd turn out to be in full
disclosure trying to fake sober...
                        ibn al-athir also wrote something,
does it deserve more a toast or mere chronicler?
the latter will know.
fatimids and sunni caliphs...
              Balak, the dream-inspiration for
Fulcher of Chartres...
Antioch, Tyre, Edessa...
  and that old feverish fox known as the lesser
Barbarossa: Reynald de Châtillon...
         don't know...
   as an ethnic bias, i am of the people that remained
bound to a home near the Baltic sea...
  we also fought crusaders...
the knights templar, die ritter von deutsche haus
beispiel sankte mariam in yerusalem...
       which makes my history a bit different
to the current history...
i have other myths... with
Jagiello... and grand-komtur Brzęczyszczykiewicz...
but you know... hmm... let's go crazy
and pop a pill or two... blues for the upper
and reds for the downer...
what a unique occasion! are you sure
we're not sailing on a gondola in the water-alleys
of Venice singing some obscure folk-song, hmm?!
by now i look like the stańczyk (grand court
jester) in one of jan matejko's paintings,
laughing my *** off as to denote: that i am,
quiet righly: the most amused. ha ha.
Sioux! sioux! pruss! pruss!
     and the crucifix really is a profanity of
the tetragrammaton, that came back,
morphed, as if touching a philosophers stone,
and turned out to be an acronym n.e.w.s.:
north, east, west... south...
   the minute the tetragrammaton touched
the ✝ it came back as n.e.w.s.
      and that really is the most dignifying
Balaam equal compliment i can give...
      but you know, just seeing how Islam is really
inviting former crusader nations to have a fight...
   and i'm spotting this, coming from a region
that also had crusades riddle it...
    but it's true... the crusades around the Baltic coast
never get any coverage these days...
  i guess you can't really make momentum
from a reigion where it's natural resource hidden
in the ground is salt... rather than oil...
    then again, lying about,
reading the book crusades by terry jones
& alan ereira... didn't really make me think much...
   when it comes to the two splinters off
res in: res cogitans,
  i can only think of re-       i.e. reflex
   and re-    i.e. reflection...
     and the tongue these days is so ******* saggy....
i'd take more pleasure eating a bagpipe of haggis
than listen to current rhetoric...
    it's a sickness though, this demand Islam
is making, that once Israel has been established
we forget our cosmopolitan cocktails and engage in
a holy war...
                  but it is the narrative, we're almost expected
to feed into a crusader culture...
      but once again, i'm using a tongue that once
did wield crusading pomp, and i have an
underlining perspective of being on the receiving end
of crusades of the baltic states...
     i really should be jumping for joy right now...
   but given the schooling system in england,
or i suppose the whole of western europe,
i'm part of the schattenvolk...
                how the Lithuanians were so and so...
how the Poles were so and so...
    how i could almost try to seek out the same
linguistic pride of modern Silesians in ancient yore
of Pruß, but come against nothing but the Kashubian
denote...
**** me! so it really was worthwhile keeping
my native tongue, and exploring my ethnicity
and history like a ****-pants 16 year old girl
on a trip in the guise of tourism?!
  oh applause! this is better than milking old ladies
like Liberache might for a fur coat
or a gold-plated toilet!
     ooh... you rascal you...
                 can i please not sound gay now?
i hate how the concept of personnae can creep into
your psyche and give you, the most obliterating
narrative techniques imaginable...
                        but if you ask me...
Islam will not wage war against nationas that did not
succumb to the rhetoric of pope Urban Deux...
        i mean... can you really imagine a terrorist
attack in Poland?
             given that Poland experienced it's own taste
of crusades?
                 well... if it does happen... that really will
wake up something... it certainly won't be multiculturalism....
perhaps this really is merely a **** into the wind...
         my, all this can come out sleep-walking by
simply lying in bed and reading a history book?
             it's a good thing i assimilated on the basis
of merely using the tongue, rather than tapping into
past history of the people, past grievances, past prides,
past symbolism... i just use the language...
    i don't expect to really revolve around being an
adamant west ham supporter...
i just know that i'm Polish in the english language...
   and Islam doesn't really attack
      those who've have the better share of grievances...
whether in the 20th century context,
of going way back, when Israel was about...
             and reading a history book...
   wriggling toward a status of fame is absurd...
     i like the idea of: gently passing by like foam on
top of a cup of cappuccino...
                      someone said froth:
i'm exfoliating with this that and the other guess work
of vocab...
               well... that's that...
        worth noting the many more easily impressionable
young men out there...
                that would rather chop a head
of a person of their assimilated culture, and subsequently
not retain their native tongue,
   and then not play: smack the ******!
    layering over what their ethnicity clearly speaks,
although with a borrowed tongue...
       which is why a slang variation of language
has to emerge...
                it's not a case of slang representing
prior footing, and current footing, but cleansing
prior footing, as current footing, with only
a melting *** to be sure of...
         on the objective basis that's the right thing
to do... you really want to eat a good curry
at the end of the day...
  but sometimes you need someone to say:
me a shallot prior a carrot in that melting *** of spice...
        the feeling is not mutual...
    would i ever eat sand to sharpen my teeth
for a cannibalistic grin?
                         i'm quiet content with merely
dabbling in poached lamb... but if another mein teil
scenario arises... it'll probably come west of the Odra
river.
eileen mcgreevy Aug 2010
The sea gave off a cry tonight,
It plays home to a child,
Her father threw her out of sight,
The sea swallowed her, so wild.

Her mother pushed and screamed all day,
Until the sun shone twice,
The blood would flow without delay,
Her grip was like a vice.

While pain would ebb and flow for her,
She knew her life was slipping,
But he refused to let her go,
The fear was ever gripping.

When finally the child was born,
And mother gave a sigh,
The father cleaned as best he could,
The mother closed her eyes.

A wail crawled from the fathers throat,
A pain beyond compare,
He'd lost his only love that night,
To love this child, he could not bare.

He struggled down the beach, that night,
With baby wrapped in cloth,
He swore up to the lord with spite,
And stepped in to the sea- like froth.

The sea crys out in pain tonight,
It's tears make waves, so wild,
A life, just barely started off,
She plays home to a child.
Falguni Sudan May 2018
Softly and gently, I swim him along
the frail whirlpool of a lie,
He visits like a lamp in the froth of cold
forward towards but shy

I remember to keep my palm onto the cold night's sheet
and tell him how his would fit in,
how every moment of my cold nights would burn
into the arms of his unconscious sin

I canst remember thy face though,
o love, was the dust of snow much.?

Swaying like a leaf in the wind of my poem
skimming on the foam of an immortal stream,
with his perfect structured fingers touching his evening cup,
he flutters like a laugh from the lips of a weeping dream.

A dream.
A DREAM.
O my.! Was this illusory?

Years of long closed eyelids imagining their perfect fit
The word exists the definition doesn't,
Dejection over fancies is dejecting
Perfection is straight where you find true love.
Both girls and boys alike, dream about their "perfect" life-partner from the very beginning of their formative years. This "perfect" illusion seems to surmount over their subconscious self and when they aren't provided with the same revolutionised "perfect" partner, they feel dejected.
"don't be", I say. "Perfect" has no meaning. That one moment when you find true love, It is, nevertheless, "Perfect".
Julie Grenness Dec 2015
Take nothing for granted, little kids,
It was library day for our kids,
Lateral epic lit. for the kids,
(The kids' librarian was off her ****),
Reading new wave kids' lit.,
Such as "Paddington was ******",
Then there was a new book for tots,
Titled "RIP Spot",
And an epic for libraries to fill,
Called, "Bye, Bye, Blinky Bill."....

Now it's story time for tots,
Here's our new one, "RIP Spot',
(Lift the *****, there's the chaps),
RIP Spot, the street dog,
We dehydrated Spot,
(Life the *****, there's the chaps),
Froth, Spot, Froth,
Yes, read along, tots,

Read along, little tots,
We all starved Spot,
He was a street dog,
(Lift the *****, there's good chaps),
Rot, Spot, Rot,
Now we can count his ribs, dear little kids,
(Lift the *****, there's the chaps),
Happy maggots, Spot,
Spot is mort, poor Spot,
He was a street dog,
(Lift the *****, there's the chaps),
Mort, Spot, Mort,
Now Spot's on his way to Heaven,
His ribs were more than seven,
(Lift the *****, there's the chaps),
Have some flies, Spot,
Rot, Spot, rot,
They opened up the Pearly Gates,
Poor Spot wasn't too late,
(Lift the *****, there's the chaps),
Look at Spot's halo,
There's two more books to go,
Spot has sent us a card down here,
"F.U., Society, you didn't care,"
(Lift the *****, there's the chaps),
Rot, Spot, Rot,
You were a street dog,

Ooh, are you all sad?
Two more books in this bag,
Here's "Paddington was ******",
(The kids' librarian is off her ****),
We'll all read along  now, kids,
Paddington was ******,
The tots were, by now, totally miffed,
He was their childhood hero,
Now a drunken old dero,
Rolling around in the gutter,
An alcoholic ******,
Society didn't care,
He was only a homeless bear,
Now the tots are totally miffed,
Paddington was ******....

Now, here's our last epic book,
This one's worth a look,
"Bye, Bye, Blinky Bill,
His mother forgot the pill,
Perched on a tree up the hill,
Blinky Bill ran under a bus,
****** on Eucalyptus,
His mother forgot the pill,
So, Bye, Bye, Blinky Bill.

We took nothing for granted, let's say,
Kids' librarian got the sack that day!
I was in the library one day.... then I saw a street dog in the shopping centre, no one cared....Feedback welcome.

— The End —