now i know why i might engage with writing obscene
poems, chauvinism included, but still there
is no burning excuse in my mind with the way
western society actively desires censorship of certain
words, i already attributed censoring obscene
words as worse than what this tactic precipitates into:
the apathetic spread of *******, and violence
in general... it crosses my mind that sparring with violent
language cushions people from violet action...
to utilise violent language with that: pardon my French
attitude does more good than evil on the users...
how many road rage incidents could have been avoided
if people were unable to watch their tongue:
somehow we're making language sterile, by actively
pursuing this sort of censorship: which is not even
remotely politically related / motivated, we're bringing
an anaemic status quo in how fluidly we speak -
we desire to not hear the sometimes funny and the sometimes
awful... but we choose to see the god-fearing horrific...
ask any blind-man about music and he'd say:
well, i can dance to it in a nucleus position, centrally
gravitational pull - but ask the deaf man about
what he has to say when seeing **** written to counter
obscenity, as in cartoon-like: f&%£! it's just plain silly,
pocket-sized expression of psychotic behaviours,
rummaging through them i find only one source of inspiration:
the fact that we're in this blind-man's garden of innocence,
somehow dressed in the camouflage of censorship such
a tiny problem, that it does indeed require 23 mattresses
for the princess to not feel the frozen *** agitating her...
this sort of censorship in its application is under
a false sense of purpose, it really doesn't change people's
behaviour for the better, it doesn't pacify them, in does
the reverse: it infuriates, it makes violence more potent...
i'm still trying to figure out why such words
will make our perceptions saintly... unless of course
that's the reason behind them, as way of invoking an
anaesthetic placebo, a placebo that's actually active rather
than passive - presuming the anaesthetic placebo gives
way to an aesthetic active apathy-inducing ingredient...
meaning we can't bare to hear swear words, but we can
gladly watch 20 hours of 20 : 1 ****... censoring **** ****
**** **** will not escape Newtonian physics...
given our current scenario, Newtonian physics is far
more important than Einstein's relativity, i'd hate to be
in denial about cause & effect... as began with Socrates,
i too abhor moral relativism... of course Newton got
the gravity bit wrong, but i like the simpler version...
plus... there was no Romance with Einstein...
no apple, no tree, no Voltaire... meaning we don't necessarily
write history collectively, with all of us starting from
the big bang or the view from the Galapagos islands...
we don't... we continue writing history not from a
collective consciousness genesis... or from the collective
unconscious genesis - that's Jung with his archetypes
(devil, god, wise man, mother, father etc.) rather than
dreams (Freud) - we can chose were to write the future...
it's not so much ignorance as arm-chair intellectualism,
it's not about the safety of understanding something,
but the comfort of choosing to understand something...
which is pretty much to my excuse for my previous poems...
Heidegger... and that concept of Dasein -
i never bothered to understand it to the point of
reacting subjectively to it, by that i mean an interest
in writing about it, an interpolation of the subject with
alternative variations... i objectified it, i also countered it
when objectifying the concept turned out to be an
everyday object, shortening my quest.
the counter? hiersein, i.e. being here, here denoting a
solipsistic classification of awareness with / in the world -
which is basically me in my room, admiring my library,
my record collection, my torn sneakers, everything that
is classified exclusive to what dasein evolves into
when all its grammatical weaving only express a verb,
i.e. concern... so i thought, given this what can hiersein
(being here / nonchalance) actually show me as
my lack of interest in: "changing the world".
it became obvious yesterday, i had a hard time when i
didn't read the day's copy of the times (more on this later),
instead i had to suffice with construction site media,
you might have heard of this newspaper: the daily star,
at 20 pence a pop, you will see what £1.20 makes to
your psyche... but that's basically it, i objectified Heidegger's
concept and made it into an everyday object, in this
case and as the only case available: a newspaper -
and the trick is? well, with a newspaper like daily star
you don't actually experience dasein - it's completely
missing in this style of media, and that's worrying given
my barbaric poetry of yesterday... it's missing, not there,
such object-for-object chirality is what gives birth to
hiersein (being here); but today i returned to my usual
media diet, a flicked through the times and the natural
balance of personal objects and a fresh impersonal object
coexisted - the newspaper is truly the most adequate
compounded expression of Heidegger's dasein -
which i attribute to the constant need to emphasise an
empathy with others... empathising is a neutral form
of sympathising, since sympathy is sourced in shared
experiences: **** victims (e.g.) - therefore empathy is
something that in the ontological structuring of dasein,
which opposes the ontological structuring of hiersein,
which is structured by apathy; there is nothing else for
me to write, apart from the compendium proof
of the disparity of sources, i.e. headlines and subheadings:

- prior compendium -

i will never understand the point of autobiographies,
the majority of autobiographies are written
on a p.s. basis, after the facts / actions,
never immediately, concerning ideas /
solidified thoughts, thoughts condensed into idea
that allow thinking / cognitive narration to
continue regardless with what's being achieved...
i haven't anything autobiographical dissimilar
with something biographical...
Plato wrote that wonderful biography like
Shakespearean theatre, but i guess his critics felt
the claustrophobic tug & pull of mermaids...
still the problem ascends heights unparalleled -
even with ghost writers doing the leg-work...
cheap-buggers never learned to write, let alone read,
and here they are writing biographies...
ah, **** it... they're only sketches... whether biographic
or autobiographic... they're still mere sketches...
if this was the art world the revenue would come
posthumously, when it comes to literacy
nothing really distinguishes poets from
those prescribing pedestrian signs...
the Olympians can moan at the vacant stadium...
that there's a hierarchy in sports,
with the favoured monochrome idealisation
of where the bunny money is in the whirlpool
of the rabbit hole investment: football, volleyball...
but the literary events are the same...
people love to lie that they read the bestseller to
its full extent... but treat books like chairs and tables...
inertia prone half finished, sat on for 2 weeks of
the entire year... the Olympians are very much
like poets, and i care to distance myself from either
demand for more interest being invoked...
i like esoteric sports, i like esoteric writing...
but that's how it stand: poets are Olympians where
novelists are footballers, who retire at 30 and
then think about what to do with their wages
that are 10x higher than the everyday labourer...
start a restaurant, buy a strip of houses in Liverpool
like Michael Owen? good guess, here's to exploiting
youth disgracefully... that's what they're getting,
and these are the dilemma points to consider...
they're the equivalent gladiators of our time,
Rome was just a sleeper before it awoke once more...
but i'll never understand why these
people decided to exploit literature for gain...
all these academics with their pristine purity of discovery
are pacified when dictating print,
what poet, has a chance in hell, to appear gladly
excavated from Plato's cave of television?
about none.
i too was focusing on 20th century literature,
before 21st literature came about...
and i thought, oh god: they're really going to create
a totalitarian democracy, every artist will be
strip-searched for adding cinnamon and chilli to their
writing to bounce away from conformist
sober and sane extraction of alter wordings...
this 21st scene will become polarised...
we'll have the extinction of One Direction over a joint,
while the Rolling Stones drank a keg of whiskey
and pulled off a show... we'll have moralisation
of the fans to subdue the artists, which will mean
no artist will ably create a zeitgeist to rebel... everyone
will suddenly experience a weird sort of communism...
the worst kind... it will mean having
all the mental freedoms without the ability to
economise a coup... basically an inertia, an immediate
fatality... we can't economise a coup...
which boils down to why so many autobiographies
aren't really biographic, but rather consolidating,
by the meaning: autobiographic i intended to relate
the everyday... the most secretive account of life:
the everyday... this is stressing Proust,
even though i preferred Joyce over Proust i keep
the everyday the prime ideal: the only detail,
so that an autobiography can make sense,
automation of writing, like breathing or sneezing...
not some monetary-spinning device 20 years after
the facts... 20 years later you're pretty much writing
fiction... i am all for the biosphere of expanding
Alveoli... but when did you ever read an autobiography
that mentioned the taste of weak coffee
from the Friday of 20th of August 2016? never;
you read autobiographies
like you read self-help books...  waiting for
all that experience regurgitating motivational talk
about reaching a plateau of comparative success...
i can understand autobiographies written by the elders,
i understand biographies written about people
posthumously - but the tragedy is, given the spinning
wheel of money? we're getting "auto" biographies
written toward their 3rd volume renditions of
people aged 30... let alone 40... so much for
western society having the upper hand on political matters...
just saying: sort your own **** before trying
to sort other people's problems...
i could understand if these autobiographies were written
as described: automaton solo... but they're not...
before the compendium it's this everlasting presence
of a desired body of power being depicted:
prior the monopoly of knowledge, there was a monopoly
of literacy... given that 99% of us are literate, it
actually doesn't mean a third donkey's *******
whether we can read, or write, we got shelved in controlling
this once priestly vanity, we got taught bureaucracy alongside...
but the monopoly of literacy is way past us,
we're being convened in the ability to monopolise knowledge,
(oh please, don't let the paranoia seep in,
remember yourself when reading me, once in a while,
i don't drag you to phantasmagorical heights, even if i could,
i'd prefer you being agile in learning how to be bored
than letting your repel the same boredom i too share,
well... but **** me if you want to be the next Lenin) -
and the easiest way to monopolise knowledge? the media...
you basically need a lot of facts, and an evolved version
of dialectics, dialectics being the prime enemy of democracy
(it's not an alternative political model like despotism as
we are held to believe, it's actually dialectics,
suppressing other forms of collectivisation is the one
sure method of suppressing the attempt at dialectics
(individualism) - by making people overly opinionated,
ergo: the inability to engage with opinions, blind-alleys
throughout all plausible attempts to do so) -
so once you have enough facts to fiddle with the Rubik's cube
of juxtaposition, you end up with the ultra-scientific
form of dialectics... the matter of opinion in relation
to truth without a relative uniformity that prescribes
the status quo stasis is a debate about how accurate
we all are: i.e., is that true to the closest centimetre,
or the closest millimetre? it's a bit like watching a Zeno
paradox:
                 10.1                           and 10.01
      which one's tortoise and which is Achilles?
well, you know; ah ****! the compendium of the two
newspapers which got me slightly depressed...

- the compendium -

a. daily star

- B. BRO SAM'S SECRET 'NERVOUS BREAKDOWN'
- Laura & Jason's baby joy
- Robbie (Williams) £1.6M a night!
- BREXIT BOOST ON JOB FRONT
- ANGE DAD BACKS TRUMP
- JR'S wife Linda set to Holly
- Edd's no Beverly Hills flop
(Lana among cow *******)
- LAURA: OUR TINY TROTTS WILL BE WORLD-BEATERS
- FURY AT BAD LOSERS' SLURS
- 'Jealous sis' jibes
- MAKE YOUR KID AN OLYMPICS ACE
- Peaty: I want to be a rapper
- TV girl really ill
- **** SAM, 'ON THE BRINK OF BREAKDOWN'
- COSTA ***** HELL
- CAGING ANJEM WILL INSPIRE NEW JIHADIS
- POG'S LOADED AGENT BUYS CAPONE'S LAIR
- I'll make Kylie a pop star
- JEZ DOESN'T KNOW ANT FROM HIS DEC
- GUILTY OF DEMONIC SAVAGERY
- Great British Rake In
- Britain is *******
- BAYWATCH U.K.
- Va Va Vroom
- JUST JANE: My lover snubs plea to get wed
- HART: I'LL DECIDE WHEN TO GO.

b. the times

- Boy victim becomes a symbol of Assad's war
- US Olympics swimmers invented robbery tale, say Rio police
- Make us sell healthy food, supermarkets implore May (P.M.)
- Lost weekend of the lying best man
- fears over free speech delay law to silence hate preacher
- Met's 'commuter cops' live in France
- Husbands happiest when they earn half as much as wives
- Socialists plot to drive Britain left
- Fake human sacrifice filmed at European high altar of physics
- Officers investigated over ex-footballer's Taser death
- Number of pupils taking languages at record low
   (Mandarin @ 2,849 - % decrease of 8.1,
    alarmingly religious studies 27,032 up by 4.9%
    and psychology of status 59,469 up by 4.3%....
    meaning the mad will soon be diagnosing the sane
   as mad, just because the curriculum said so)
- Top grades add up to 100% at the school for maths prodigies
- Deprived sixth formers thrive on competition
- European students rush to get into British universities
- DVLA earns £10m selling driver's details
- Mystery over Kenyan death of aristocrat
- Journalist who voted twice reported to police for
  'fraud'
- Tomato tax threatens European trade war
- Love story of the Pantomime
- Homeless conmen fleeced widow, 81
- Brownlee brothers at the Olympics...
- Hopeful shoppers give sales a lift after Brexit vote
- MoD guard could be stood down despite terrot threat
- Owners spit mansion after failing to sell
- The job with international appeal: saving our hedgehogs
- Finch warns unborn chicks if weather gets warm
- Migrant violence rises after decline in policing around Jungle
- Longest road tunnel promises a relaxing ride under Pennines
- Mothers step up to drive Tube trains through night
(rowdy teens ageing exponentially on a Saturday night
when not getting a lift, ******...)
-MP's deal with bookmaker to be investigated
- Ebola nurse 'hid high temperature'
- Shoesmith's ex-huspand kept child *******
- Morpurgo war tale springs into life
- Supergran fights off teenage muggers
- IVF is more successful for white women
OPINION SECTION
- Great political fiction is good for democracy
- the BBC is leaving its audiences in the dark
- airline food? just pass me the gin and tonic
- Modern Olympics began on the fields of Rugby
/ greasy polls, holding firm, tongue tied,
  call for compulsory targets to tackle obesity,
second in line, mindfulness course, cost of planning,
puffins v. ship rats.... and all future letters to the editor /
- Moscow presses Turkey for access to US airbases
- Hundreds killed each month in Assad's jails
- Putin bans celebration of defeated KGB coup
(another James Bond movie on the cards,
i'm assured, and with a moral carte blanche) -
Hollande clams Carla Bruni spied concerning his
use of diapers...
- Euthanasia tourists flock Belgian A & E from France,
  where a revival of ****** made people dress shark-fin
  sharp on the catwalk...
- Mosquito pesticide linkage application = intersex /
   East German women
- Haiti cholera linked to Nepalese **** and ***** via
  the

Despite the heart which is froze
Hatred runs fluidly
Like the water in shattered glass
Like the blood in broken bones
Like the flames in our homes    
This hatred
It speaks to me
Like drugs to an addict

When it tells me to shoot
                                         I relapse and
                                       aim for the sky

I said..
In spite of my own humility
Hatred runs deeply
Like the roots beneath the dirt
Like the pain beyond the hurt
Like this poem before your eyes

I despise 
                Way too many lies
                And so little truth  

I said..
I hate beautiful  
It cripples me deeply  
For you are my pity
My pain and their pleasure

When I am high
                           I'll collapse and fall
                        Far from this place
                        Of rotten bliss

I said..
Look at me        
Blood misrepresents me    
For I am cut differently
This pain isn't felt
Like the emptiness
Residing in your cup
It is felt
Like a toxic
Living inside the gut
Like these words
Traveling directly
Towards the stomach

I mean..
             Although this addiction kills me
           Hatred is also the remedy
          It is all I need to truly appreciate
          The little love I have left.

Sensation, intuition, feeling, and thinking,
Is wrapped inside a ball,
A small pink ball inside our head,
That won't stop till we're dead,

Analytical bedrock inside oozing theories,
Elemental atoms sizzling logic,
The imaginative stranger,
One abstracted and eccentric,

Walking with shadows,
Talking and mocking,
Through these theories inside us,
Tilting our caps ‘til we’re shaking our heads,

Pensive love in storming analysis,
Sapiosexually excited, piqued interest,
Unemotional and thoughtfully attuned,
Absently minded, always condoned,

Unconventional and impartially stringed,
Weirdly wired in auxiliary functions,
Misconstrued and misunderstood,
An ****** intelligence bleeding paranoia,

Knocking unto me,
Into you, inside us all,
It’s something we all yearn to be,
And when you fail and prevail we laugh,

Crickling crickets thinking nothing,
Washing down the storm drain,
With no thoughts fluidly sliding down my throat,
Pop goes no questions into absolute concise words like freshly broken glass,

Again shadows await, but different shadows,
Blinking at me staring at you,
Wondering what’s what, inside this dementia made sense of a lovely afternoon,
Inside your sane, autocorrected, predetermined, twitching, little…mind.

Inspired by Myers Briggs Personality Test
Tyler is INTP... Logician  (Introverted INtuitive Thinking Perception)
The drifter, dreamer the absent minded professor!
SassyJ is INTJ... Architect  (Introverted INtuitive Thinking Judging)
The starry-eyed idealist manoeuvring life as if a giant chess board!

What Myer Briggs personality type are you?... See link below
It would be great to know.Please comment!!
http://www.16personalities.com/intp-personality

Both latter and former, contrary and congruent
Neither gas nor solid, the river moves fluid.
No end and no beginning, just water moving… swimming…
A formless former that is a powerful latter
Contradiction through symmetry and space within matter
Passively energetic as potential becomes kinetic
Transparently reflective and silently phonetic
Thermally dynamic and fluidly frantic
The waters maintain a static chaos through mathematical mechanics.

Mechanically architected and architecturally mechanic
Water seems the perfect medium for analysis of a dynamic.
Dynamic existence and persistent resistance
Statically chaotic seems the architect’s insistence.
Equilibriomatic, with addition subtractive
Empirical measures fail to analyze the passive.
What simply is, simply is… Invincible to mimicry or microcosmic reenactment.
Experimental methods seek to unify the synonymous
Attempting to prove the objective with a subjective hypothesis.
Learn from the water, let its metaphor be imminent….
For the divine externality lies not without, but within it.

Underneath the anger, there are tears. Beneath the fury, there is hurt, a river
of affliction - the day that possibility evaporated. I knew, the moment
it was gone. Telos obscured, like a mist, had left me.

Frost in February, morning at the local coffee house, perseverating, sedate
in privatized, cogitations - certainty dissolves into irony, the transient
collective with predictable cadence and singular objective. Borrowed
energies - preferred anesthetic in defiance of the placid, quotidian horror.

Angst wrapped in skin, clothed in remorse, like a muslin coat unable
to keep me warm, the palette of truculence, dislocated savant,
with guarded aversion - faces enucleating in tacit harmony, the muted tragedy
of the forgotten.

Yoked, the metaphorical satchel, freighted with the sentient debris, sifting
the fuckage, memoirs of failure, privation of venture and honor, objectified as
mere portent. [Existence] - the daily riot, becomes the necessary crucible.

Dissonance and detachment resonate the cultural banality, [being] displaced
by icon; [branding], ideas about ideas, life several times removed,
emblem over essence.

Existential renegade, exploiting the counter intuitive, the paradigmatic prodigal,
favor squandered, in the absonant passage, bearing fruit of the undone.

Bones of contention lament, interminably, like a false friend, present in absence,
perceived in the lack, subtraction, slip-stream - the disheveled
palaver of the broken.

Acutely self referential, misery enfleshed, its own reward, a post-war
discontent inhabiting sorrow, compressed and narrow, begetting
apathy in springtime.

Commodity of youth, the currency of beauty -permuted, commerce of the
ethereal and diaphanous. Human caprice, post-modern fog,
the flattened self,
the enemy of us is us, drowning in the decorum of narcissism.
the fattened calf,
immolating on the sword of autonomy.

Recycled grief, a recursive loop of gestating thoughts, marinating fluidly
within the interpretive grid. Confessional cyber community - exposed wounds
and concrete suffering, abstracted from virtual solidarity, refracted through a
reductive sentimentality, maybe they will ‘like’ it.

Iconoclast in exile, inhaling the incense of barrenness , surrounded by synoptic
drivel in understated - present tenses - alight in the now, axial axioms of the privileged,
who genuflect to the god of unfettered freedom.

Peripatetic intervals of isolation, self-imposed, hidden in a sanctuary of derision,
colliding with immutable otherness , the waters of chaos, calm.
The proleptic display, announcing eschatology. An ancient text written on the interior
expressed in myth and narrative the courier. The carnal and cerebral
arise, rightly flourishing.

Sense thresholds stirring, surprise and turbulence, reverberations of altered
domains merging - the temporal and ubiquity, the indissolubly resplendent
inversion - the invisible made visible. Opaque intrigues subsumed into the
balm of reconciliation - the first shall be last…

©2012 W.S. Warner

How you move so fluidly
I’ll never know how
All I have are my eyes
Trying desperately to take as much of you in as I can

I want to be what inspires you
What you dance to in the morning while the coffee is brewing
And our bed is still warm

I’ll share with you every word I have
Nearly every one will be about you
Even if we should come to an end
I know I could never stop what pours from this bleeding heart

If you keep rhythm in your feet
I’ll keep lyrics in my lungs
So we may constantly be what the other needs
To keep going

Her name was Artemis.
She had a love.
Unrequited.
Not unheard of.

His name was Janus.
He was headstrong.
Never known this love.
And hadn't known her long.

He said Hello
So simple. So sweet.
It blew her gently
Right off her feet.

His shine was effervescent.
Her eyes aglow.
Her heart was on fire.
He didn't know.

All she wanted
Was to make him stay
But he was in flight
She had to find another way

It happened so fast
It flowed so fluidly
Their tale was painful
I tell you. It ruined me.

He was with a girl.
He stroked her hair.
Caressed her face.
They were a pair.

Artemis died
Inside that night
Clutched her soul
As it lost its fight.

She only wanted
The pain to end
I've been there before
I understand.

I didn't resist
When she took me here
To the open water
The blue so clear.

At the edge of the bluff
Hand in hand
I'd do anything for her.
My mirror-twin sister, my best friend.

She was the strangest football fan I'd ever met,
Between match programmes and leaflets she hid Nietzsche and Thoreau;
Philosophy being a bright passion of hers,
It all seemed so natural in her visage.
On days, she'd hum You'll Never Walk Alone
While turning delicately the pages of a new text,
Smiling at the words that appeared before her on the page.
Dorian Gray, she took time to point out,
Kept her fascinated—
But it was always going to be Nietzsche,
And the first time she strummed the pages of Thus Spoke Zarathustra it was as if the humming had turned to fire,
And she was melded with the page.
I would believe only in a god who could dance.
If you asked her who she favoured,
she would reply back with a chirp, 
the Russians!
And hold to you a copy of Dostoyevsky,
Crime and Punishment, she said, was her fascination
And she'd as fluidly as ever switch back to the fixtures.
Never passion, always fancy.
It was as if viewing herself through a third party lens.
Her passion for the game,
As mysterious as her gentle touch on softer pages.
How could she love so drastically?
Football, her passion,
But her books were her mystery to all, to even herself,
And the quiet murmur of Nietzsche, her nectar.

Thoughts are drenched in raw feeling
I’m daydreaming
My mind ponders, wanders
...I want to fly a kite with you
I want my head on your lap as you sit crossed legged against a tree, reading me poetry
I want you to hold the book with one hand while the other rests on my chest, occasionally stroking my head
Or I take it in mine, fluidly palm to palm till fingers entwine
Thumb stroking thumb, feeling textures on fingertips
The smoothness of your nail against my skin
I want to see reflection in your lambent eyes at sunset and sunrise
Against powerful rays and calm of night  
I want to know what those eyes see  
I want familiarity, of your kiss
How gentleness craves the plumpness of your lips
Where confidence grows, connection is slowed...
I want to fly a kite with you.

quietly, i’ll rap on your living room window and you will show me true elation.  i will beckon you out into the night.  we will rush to my car, and you will see the two planks of cedar strapped to the top.  as i press the gas, we’ll both gaze at each other and realize that we’re running, hard and fast, away from the noise that we know and making a new home.  i will park somewhere outside of any city limits and we’ll scream in unison.  for freedom, for hope, we’ll grab the cedar from the roof and surf the skies.  all throughout the endless night, we’ll be fluidly passing through time and space and just as they are, we will be, one in the same.  gently gliding through stars, i will pick the flowers growing out of the holes in the sky and from that garden, i will hand you a bouquet of colors never known by you.  you’ll see new sights and i will be there holding your hand, loving you gently and forever.

flipping through pages of his mind,
caressing unspoken quotes; I whisper
slang of lust in his ear, ******* his big
ego to the bottom of his page, while his
drool trickles between breast; uttering
syllable after syllable as I re-write his script.

his hardness speaks fluently, inking
parchment with liquid tipped quill, oh! the
thrill as I bend his will, to fluidly flow; dipping
in inkwell of thoughts, penning desires and
want in liquid diatribe of lustful pleasures; like
a moth to flame flickering, as I lick verbs in
hunger to peruse his re-written script;
gripping sheeted pages to uncover his
beguilement; drinking in acknowledgment
of his golden chalice.

I want to decipher his member in autographed
curlicues of calligraphic swirls, teasing and
taunting as he watches, awe-struck; as tongue
etches each throbbing vein in ebonized charcoal,
sketched upon pages of wanton verses making
him scream with passion in prose; on bended
knee tasting my rose, penning his moans in
quotes against throat.

in heat of our passion, pages and scripts are
flipped allowing him to drip ink upon lips as I
whisper softly to his mind; want of him to grind
his neb of ache within my archive, articulating
history of hunger; as limbs mime each cursive
letter, insinuating one vowel at a time; licked
against silken parchment in tender stroked
consonant utterances; shuddering inside  
walls as nouns clench and moans escape
in adjectives shattering mind as wet tendrils
slide down firmness, fore, only she can do this
to me; making me flip volumes of pages while
inside wetness she drips ink all over in
chaptered stages.

each chapter I lick her spine; cornering her
in my mind as a sensual adversary; claiming
her as I untie her collection of copious sighs,
my mind tries to deny copyrights to her library;
as I place her upon my shelf, while against the
wall; ravishing her like the wild section of animal
kingdom, lusting while I watch her body fall
prey to breathless hunger, devouring
and savoring her bookmark; paying full
attention to her glossary of delectability,
that melts upon tongued bilingual text;
her nectar leaves its imprint upon
our handbook of worded aphrodisiacs.

cherishing our artistic volumes in ardency as
we're ready to publish our first draft, but not
before I slide her lubricious cover upon my
shaft; we begin to lay strokes of signatures
against our first editioned copies belonging
soley to us, as we scream in accented jargon
every second I tease; easing in and out,
shouting out in voweled ecstasy; gliding
thickness, gently against taut bookmark.

turning each page with deep thrusts, into her
inkwell; as I swell with friction, speaking in
fluent diction, of addiction to her sweetness;
dripping, as I'm slipping in tomes; thinking
about how she begged me to re-write our script,
spilling ink in delirious closure, in *******
exposure while losing our artistic composure;
writing manuscripts as ink spills upon volumes
of pages in disclosure.

I have travelled, many a weary step, so long, and for so long with baited breath,

ANXIOUS

ready to be relieved of the responsibilities of life
craving freedom from calamity and strife
frantic and frenzied
as though at some point i might find the answer
to an oft ignored question

i look up at the stars, as they look down at me
and bask in the glory of the past and present's symmetry
because there are so many of us...
all bound to humanity
now passed through the flame of mortality
the "others"
the ones who have asked themselves why they're here
the intellectuals warriors who have no need for fear
when they look into the veil of death
and sense the first vibrations on the pulse of life

when i used to dip my pen into the ink,
metaphorically, because my  computer helps me to think

i used to doubt engaging in the process of creation
it used to enrage
my self serving denomination

the sensation of never quite being able to express yourself as fluidly as option b
or the devilry that comes from hiding yourself within the layers of flesh referred to as anatomy

i use to cower by act three,
run from the stage before the audience saw through me,
never receiving my final bow

but now i realize,
that at the core of my existence
imbedded in my instincts
is the ability of my creator....

and I'm a fan

so now when i dip my pen to the paper
I'm a masked crusader
cool, liek darth vader
and i aint never going back
to that tired dusty beaten track
refered to, in passing, as memory lane

Oh, hello there.
I managed to slip away from my previous adventure,
With the knight and his beloved.
My beloved, too;
I suppose.

I've stumbled upon a peculiar thing, though.
An olive tree,
In the midst of this lush underbrush.
It's quite twee,
If I do say so myself.
Although I'm more interested in the treasure below.

A pristine white glows beneath.
I twiddle with the branches a little to find a lovely treasure.
I sit down,
Outstretched my fingers towards the snow,
And carefully pluck at it,
Delicately brushing along the olives in the midst
Of my glissando.

Yohan Heineken, I believe.
A baroque composer.
My thoughts fluidly sailing as the leaves of the tree rustle,
And the snow echos as more olives fall upon it.

Like...an orchestra.
The olives falling unto the porcelain, I mean.
What a beautiful melody it creates,
And my fingers magically gloss along the porcelain,
Carefully molding the remaining olives into the crevices my fingers have made.
Oh dear, I've become too passionate for this!

I carry on anyways, 3rd Movement and all.
The Tempest...
A lovely play by Shakespeare & a dazzling story told by Beethoven.

Or simply a way to express my current emotions.
The wind carried the melody...

*...to the ears of the waking princess.

I write so my demons don't consume me
with a pen in my hand they flow through me
i turn my demons into ink so fluidly
that all they can even begin to speak is smoothly
my demons think they've got me beat
but with my text i break their teeth
disarm my demons with my metaphors
i slit their throats with my pen and they fall bleeding to the floor
flay them open with my similes
like wounds cut open to release disease
and spread their skin like butterfly wings
and with precision and delivery
pin them here for you to see

see
my demons flow through me like ink through a pen
so i pick up their cage and i confine them
put the cap back on and snap it into place
i might look calm but there are demons beneath this face

The air my lungs grows stagnant
Between heartbeats
Heartbeats that dance
As he pumps it in his hand
Squeeze release. Squeeze release
Slowly, fluidly
Keeping time with his own
Basking in the moments between moments
Increasing and decreasing at his will
By his hand
Rolling on the sea of tympani
The music of his heart
Bleeds life into my own
Riding the crescendo
Between the stillness
Hidden in the silence of time

To you, it is a spectacle
You watch with congealed disgust and cloying pity
Perverse satisfaction oozes from your pores
But you dare not to push back the velvet curtain
And glance behind its inky whisper
For you know deep in the soft malleable crevasses of your mind
That the walls will stand firm with time,
That the flowers breathe,
That the lamps light.

You compare each life like photographic negatives
Whispering affirmations
My dishes are whole
My walls are smooth
My curtains match
Standing ***** on a pedestal of entitlement
A halo of ivy above your eyes
Gleaming incisors bared.

You meditate only on the dysfunction
You hear only raised voices
You see only the shards, never the whole
But behind that silky curtain are eddying currents of actuality
Fluidly changing
Even as you enjoy the show.

exhaust’d thru months of
stress’d quandaries. have
clear’d the worst. and
i ripped through older
pages, stealing the words
that sound’d best. the
only ones
able to fluidly
patch fragments. brake.
been a long couple day(s);
singular, i guess. and
the sassy black chick,
she doesn’t give a ****.
never did. and friend is
asking why, asking
questions of the sky.
  - what if what’s complicated
     is so because we never
     let it be easy?
infectious thoughts of
what to do to complicate, or
of how we might proliferate.
and ringing:
  - why not just be easy?
and ringing:
  - you’re just going to have to
    stop having fun for a while.
and ringing:
  - i mean, not quit, but
    ease up. don’t spend
    your money.
knowing is ninety-percent
of the problem with
stubbornness. and remem-
bering when first told
to get on with it –
to let go –
the other ten-percent.
and being one day closer –
to be one minute closer –
brings restlessness. and
i lay my head to rest, if
only to pass time as lids
squeeze light from eyes.
and thoughts, peaceful a
moment prior, begin to
rage. to thrash and stomp.
to draw from dead qualms
and questions. and past
turbulences become reali-
gn’d.      yet,
most were left behind or
under the Pinelawn.
something missing,
memories of how her
**** were like tiger claws.
brake.       get on with it.
and the vessels of my eye
throb in ticks. forcing
metronome. and i count the
seconds, the seconds
on minutes
on hours
on eternity. and if
i were here – if
i were awake – when
the sun came ‘round,
then perhaps the metro-
nomes tick would cease. or,
let it go, get on with the
passing of time.
getting on with it, to
force the dawn sun
to rise of me.

To live life sat atop a plush throne,
You must release your inner pain.
Sweat fluidly and gather a flush tone-
No burdened toil shall fester in vane.

Both latter and former, contrary and congruent
Neither gas nor solid, the river moves fluid.
No end and no beginning, just water moving… swimming…
A formless former that is a powerful latter
Contradiction through symmetry and space within matter
Passively energetic as potential becomes kinetic
Transparently reflective and silently phonetic
Thermally dynamic and fluidly frantic
The waters maintain a static chaos through mathematical mechanics.

Mechanically architected and architecturally mechanic
Water seems the perfect medium for analysis of a dynamic.
Dynamic existence and persistent resistance
Statically chaotic seems the architect’s insistence.
Equilibriomatic, with addition subtractive
Empirical measures fail to analyze the passive.
What simply is, simply is… Invincible to mimicry or microcosmic reenactment.
Experimental methods seek to unify the synonymous
Attempting to prove the objective with a subjective hypothesis.
Learn from the water, let its metaphor be imminent….
For the divine externality lies not without, but within it.

In my ideal world
We would all speak in movement
a beautiful dance
interpretive
much like a whimsical
musical
I'd weave
wringing out
socially acceptable action
soaring through the air
on wings of weirdness
There would be paragraphs,
novels
all written
with the bending of my back
the twirling of fingers
and twisting
and flipping of my  
crazy curly coils
of hair on my head
Poetry would seep through the muscles
of my body
and you would respond
only in embrasive motility
fluidly moving
to song and unspoken language
and we would all be a frenzied
foolish
*interpretive dance

I sat up in bed, wide awake.

Mere seconds separated my dreams from reality. Yet, consciousness had seized me more effectively than ice water.

I had been caged within sleep, until something ridiculous happened.  

Something ridiculous, and something real.

I sprang from the covers, pulled on a sweater, and burst out the door. All around me was silent. Life, it seemed, was not yet awake.

I took a deep breath, and began running. I ran so fast my surroundings blurred into a pallet of color; the sound, still muted.

My feet flew across the dewy grass.

I imagined myself into smaller, simpler spaces; tucked in with the ghosts. How fast could I run from my dreams? How fast could I run towards reality?

If the grass had soaked my socks, I barely knew. If the wind had serenaded my skin, I remained disembodied. The alexithymia of consciousness.

My thoughts snaked and swerved and collided in my head, but in that stretch of oblivion, a lone inference guided me.

Nothing mattered in the world but one thought.

Wake up, Maple. Wake up.

The House of Addictions was the epithet I chose.

It nestled several blocks from mine, and was the type of estate that demanded normalcy.

Upon reaching the front hedge, I examined the house; two blue paneled stories. I didn’t know what I’d expected, but this wasn’t it.

I coaxed the front door.

Locked.

I circled around to the backyard. The room I sought was on the second level. I ascended the balcony onto the porch; the room’s window stood several feet from where I could stand. There was a vacant flowerbox sitting on a ledge outside the window.

Without question, I clambered onto the deck’s railing and extended my leg into the flower box. It was a long way to fall, but I wasn’t scared. I had no choice. I clung with all my might to the window’s ledge, shifted my weight to the flowerbox leg, and plopped over the other. A scream frozen in my throat. Breathing heavily, a death grip on my perch, I crouched; the box seemed sturdy enough.

I peered through the window.

At this ungodly hour, he was most likely still asleep.

Unless.

The bed was vacated. Did this mean? I closed my eyes, took a breath.

Wake up.

Things like this did not happen – plain and simple.

A minute later, after clambering off the flowerbox and scampering back down the stairs, I rejoined the street, sprinting along with renewed vigor.

The sun glistened on the grass, the morning, ripening. Yet, I heard not the sound of birds chattering on secluded sycamores, nor my feet pattering along the sidewalk. I was immaterial. I was the wind – gliding fluidly towards that which waited.

My body was to be found at a stoplight, punching the button spastically.

But my mind had already arrived, several streets away.

The stoplight changed. I ran. Stores whizzed by, early morning traffic sheathed the street. I had to slow my thoughts, I had to separate from the stark possibilities that incased me.

I’d dreamed of his death; simple, like the twelve forget-me-nots he threw across my floor five years ago. The last expression I saw as he departed still had yet to leave his face.

Although he moved home a year ago, he never really returned.

Wake up.

I veered my course to the left, dodging through traffic, and found the street.

It was there that my mind had arrived.

This avenue was vacated and tranquil, an eclipse of the earlier. And there was that house; green and silent as ever.

Clutching a stitch in my stomach, I dove over the waist high fence and tripped on my own foot. I fell, scraping my elbows on concrete and swearing beneath my breath, but I couldn’t stop. I scrambled to my feet and staggered towards a ground levelled window.

Exhausted, I tripped again. Then several strangled events laced together. First, I tumbled to that window. I held my hands out, expecting to hit glass, but realized too late that it was open. Before that fully registered, I was toppling – headfirst – through the open window. My insides plummeted, muting my scream. I hit the bed with a sharp thump, before it tossed me to the floor.

There, I landed, **** first, mute and sprawling.

While my body congealed, my heart auditioned as drummer, and stars teased my peripheral.

The room materialized as I blinked through confusion. Softy, I sat myself upright.

His eyes were the first thing I saw.

Reality zapped me so hard I almost fell back again; he was alive, I’d woken up.

Then my senses caught up; my elbows cried, my head throbbed, and my breath rekindled in ragged crackles. As if a switch was flicked, I suddenly identified sound; the humming of cars outside, the crisp ticking of a clock, the gurgling of his fish tank. So loud – so distinct. Color sharpened and brightened.

My mind in overdrive.

He was here.

He sat on his bed, alive and well, speechless with alarm.

Oliver was shirtless, lidded only by flannel pants and black gloves. He considered me with bleeding elbows, disheveled hair, and desperate eyes. Then, the shock on his face gave way for a giant grin.

“Come here often?” He inquired. His voice, raspy with morning.

Still panting and shaking, I conjured a smile to match Oliver's.

“You’d think so. . .” I choked.

“And I’d be right, Maple.” He finished. I managed a laugh.

Nothing had changed.

Violins will play a melody
For those who wear purple
You there in time lapse motion
Will fluidly show this
Violins will play a melody
Each limb will inherit motion
Graceful as it is
It will be slow and it will fade
Violins will play a melody
Fit for people in purple
As seen in monarchy
Underneath doors to heaven
Violins will play a melody
For you… the one in purple