On the edge, the living earth
dared to mimic Queen Fathima's worth,
the Queen of Heaven's grace and poise,
her footsteps, a blessed path of choice.
This way bedewed with divine light,
a numinous destination of sight,
graced by thousands of prophets of God,
a sacred path that all should trod.

In Allah's name, she descended,
on the Night of Ascension, her path transcended.
from the Night of Measures, she came,
her frame, heaven's dark matter, a mystery untamed.
A divine dot in terra incognita,
a fondly-folded bud where time doth bloom.
If one can see up to where it rose,
Paradise sways towards this uncharted way
the only guide, oft is a glimpse of Queen Fathima's eye!

The only asymmetrical golden ratio,
steps forth amidst the symmetrical prophet flock.
The earth makes way for her in awe,
as she moves in sequence with the golden lock.
Cloaked in mystery, she reveals
her unique, divine relation to the divine.
Makes measured moves at the forefront,
shining the light ever drawing closure to God.

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great flock of women mirrors the earth,
following each atom on that angled girth,
aligned perfectly under the waxing full moon's worth.
As they approach the behemoth's might,
atoms beneath their skin explode in their finest sway,
and beneath Fathima's feet, vibrations take flight.

The ocean billows up, floating with the clouds,
Like choreographed dewdrops hanging low on the rose,
Ready to shower down on that hot spot like honey-drops.

Even the Moon on the horizon follows suit,
Ah, the lunar punter rows down, loves to sip in a drop.
the sleeping beauty wakes amidst the moonlit night,
silver dances in her eyes on every star in sight,
as the Moon sails down from its celestial height.
The seven seas sing out in the dark,
bubbling with exuberant fireflies' spark,
who gleefully rock the moonlit boat,
towards the cup of that pretty little drop.

Poetry in motion, the sea on the ground
a beauty reflected in the Moon on high
the storylines jump and dance around.
Painting the colors of the winds in the sky
over the shady grove, the rhythm goes on
rains down from the sky on that sweet spot
singing the sweetest of all title songs.

Never before was a woman a prophet of God,
but for the primitive woman, the leading lady,
the sharpest cut above the rest, the leader of the pack.
Sayeedatun Nessa, Queen Fathima,
Heaven holds no secrets, always an open mirror!

Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
"There is no night, only déjà vu moonlight
the pious homemakers, these veiled tuberoses,
were hidden gems to the sublunary fireflies
who will be open moons in heaven's secret skies."
The Huris gaze upon mesmerizing beauty,
but their eyes turn to the real McCoy:
the women in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.

The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great women flock mirror the earth
treading across every atom on that angle
perfectly aligned down the Moon.
Until those beneath the skin atoms
bang, explode, on approaching the behemoth,
the vibration beneath the otherworldly Fathima’s feet!

The ocean billows up floats with the clouds
like choreographed dew droops hanging low on the rose
just to shower down on that hot spot like honey drops.

Even the Moon on the horizon follows suit
ah, the lunar punter rows down loves to sip in a drop.
The sleeping beauty wakes up amidst the moonlight
silver dances eye on every star in the night
the Moon is sailing down.
The seven seas sing out in the dark
bubbling with exuberant fireflies
that would gleefully rock the moonlight boat
over to the cup of that pretty little drop.  

Poetry in motion is a sea on the ground
the same is known as the Moon in the sky!
The storylines jump ever more
on that way over the shady grove.
Painting the colour of the winds
the sky rains down on that spot
singing the sweetest title song.  

Never was a woman prophet of God
for the primitive woman the leading lady
the acute cut above the rest, the leader of the pack.
'Sayeedatun Nessa' Queen Fathima
heaven is no secret always an open mirror!
Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
There is no night only Deja vu moonlight
the pious homemakers these veiled tuberoses
were the hidden gems to the sublunary fireflies
shall be the open moons in the heaven's secret skies!
Huris look on mesmerising beautiful
eyes on the real McCoy the woman in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.
The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!

Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.

All.

I, All-Creation, sing my song of praise
To God Who made me and vouchsafes my days,
And sends me forth by multitudinous ways.

  Seraph.

I, like my Brethren, burn eternally
With love of Him Who is Love, and loveth me;
The Holy, Holy, Holy Unity.

  Cherub.

I, with my Brethren, gaze eternally
On Him Who is Wisdom, and Who knoweth me;
The Holy, Holy, Holy Trinity.

  All Angels.

We rule, we serve, we work, we store His treasure,
Whose vessels are we, brimmed with strength and pleasure;
Our joys fulfil, yea, overfill our measure.

  Heavens.

We float before the Presence Infinite,
We cluster round the Throne in our delight,
Revolving and rejoicing in God's sight.

  Firmament.

I, blue and beautiful, and framed of air,
At sunrise and at sunset grow most fair;
His glory by my glories I declare.

  Powers.

We Powers are powers because He makes us strong;
Wherefore we roll all rolling orbs along,
We move all moving things, and sing our song.

  Sun.

I blaze to Him in mine engarlanding
Of rays, I flame His whole burnt-offering,
While as a bridegroom I rejoice and sing.

  Moon.

I follow, and am fair, and do His Will;
Through all my changes I am faithful still,
Full-orbed or strait, His mandate to fulfil.

  Stars.

We Star-hosts numerous, innumerous,
Throng space with energy untumultuous,
And work His Will Whose eye beholdeth us.

  Galaxies and Nebulae.

No thing is far or near; and therefore we
Float neither far nor near; but where we be
Weave dances round the Throne perpetually.

  Comets and Meteors.

Our lights dart here and there, whirl to and fro,
We flash and vanish, we die down and glow;
All doing His Will Who bids us do it so.

  Showers.

We give ourselves; and be we great or small,
Thus are we made like Him Who giveth all,
Like Him Whose gracious pleasure bids us fall.

  Dews.

We give ourselves in silent secret ways,
Spending and spent in silence full of grace;
And thus are made like God, and show His praise.

  Winds.

We sift the air and winnow all the earth;
And God Who poised our weights and weighs our worth
Accepts the worship of our solemn mirth.

  Fire.

My power and strength are His Who fashioned me,
Ordained me image of His Jealousy,
Forged me His weapon fierce exceedingly.

  Heat.

I glow unto His glory, and do good:
I glow, and bring to life both bud and brood;
I glow, and ripen harvest-crops for food.

  Winter and Summer.

Our wealth and joys and beauties celebrate
His wealth of beauty Who sustains our state,
Before Whose changelessness we alternate.

  Spring and Autumn.

I hope,--
          And I remember,--

                            We give place
Either to other with contented grace,
Acceptable and lovely all our days.

  Frost.

I make the unstable stable, binding fast
The world of waters prone to ripple past:
Thus praise I God, Whose mercies I forecast.

  Cold.

I rouse and goad the slothful, apt to nod,
I stir and urge the laggards with my rod:
My praise is not of men, yet I praise God.

  Snow.

My whiteness shadoweth Him Who is most fair,
All spotless: yea, my whiteness which I wear
Exalts His Purity beyond compare.

  Vapors.

We darken sun and moon, and blot the day,
The good Will of our Maker to obey:
Till to the glory of God we pass away.

  Night.

Moon and all stars I don for diadem
To make me fair: I cast myself and them
Before His feet, Who knows us gem from gem.

  Day.

I shout before Him in my plenitude
Of light and warmth, of hope and wealth and food;
Ascribing all good to the Only Good.

  Light and Darkness.

I am God's dwelling-place,--
                              And also I
Make His pavilion,--
                      Lo, we bide and fly
Exulting in the Will of God Most High.

  Lightning and Thunder.

We indivisible flash forth His Fame,
We thunder forth the glory of His Name,
In harmony of resonance and flame.

  Clouds.

Sweet is our store, exhaled from sea or river:
We wear a rainbow, praising God the Giver
Because His mercy is for ever and ever.

  Earth.

I rest in Him rejoicing: resting so
And so rejoicing, in that I am low;
Yet known of Him, and following on to know.

  Mountains.

Our heights which laud Him, sink abased before
Him higher than the highest evermore:
God higher than the highest we adore.

  Hills.

We green-tops praise Him, and we fruitful heads,
Whereon the sunshine and the dew He sheds:
We green-tops praise Him, rising from out beds.

  Green Things.

We all green things, we blossoms bright or dim,
Trees, bushes, brushwood, corn and grasses slim,
We lift our many-favored lauds to Him.

  Rose,--Lily,--Violet.

I praise Him on my thorn which I adorn,--
And I, amid my world of thistle and thorn,--
And I, within my veil where I am born.

  Apple,--Citron,--Pomegranate.

We, Apple-blossom, Citron, Pomegranate,
We, clothed of God without our toil and fret,
We offer fatness where His Throne is set.

  Vine,--Cedar,--Palm.

I proffer Him my sweetness, who am sweet,--
I bow my strength in fragrance at His feet,--
I wave myself before His Judgment Seat.

  Medicinal Herbs.

I bring refreshment,--
                      I bring ease and calm,--
I lavish strength and healing,--
                                I am balm,--
We work His pitiful Will and chant our psalm.

  A Spring.

Clear my pure fountain, clear and pure my rill,
My fountain and mine outflow deep and still,
I set His semblance forth and do His Will.

  Sea.

To-day I praise God with a sparkling face,
My thousand thousand waves all uttering praise:
To-morrow I commit me to His Grace.

  Floods.

We spring and swell meandering to and fro,
From height to depth, from depth to depth we flow,
We fertilize the world, and praise Him so.

  Whales and Sea Mammals.

We Whales and Monsters gambol in His sight
Rejoicing every day and every night,
Safe in the tender keeping of His Might.

  Fishes.

Our fashions and our colors and our speeds
Set forth His praise Who framed us and Who feeds,
Who knows our number and regards our needs.

  Birds.

Winged Angels of this visible world, we fly
To sing God's praises in the lofty sky;
We scale the height to praise our Lord most High.

  Eagle and Dove.

I the sun-gazing Eagle,--
                          I the Dove,
With plumes of softness and a note of love,--
We praise by divers gifts One God above.

  Beasts and Cattle.

We forest Beasts,--
                    We Beasts of hill or cave,--
We border-loving Creatures of the wave,--
We praise our King with voices deep and grave.

  Small Animals.

God forms us weak and small, but pours out all
We need, and notes us while we stand or fall:
Wherefore we praise Him, weak and safe and small.

  Lamb.

I praise my loving Lord, Who maketh me
His type by harmless sweet simplicity:
Yet He the Lamb of lambs incomparably.

  Lion.

I praise the Lion of the Royal Race,
Strongest in fight and swiftest in the chase:
With all my might I leap and lavish praise.

  All Men.

All creatures sing around us, and we sing:
We bring our own selves as our offering,
Our very selves we render to our King.

  Israel.

Flock of our Shepherd's pasture and His fold,
Purchased and well-beloved from days of old,
We tell His praise which still remains untold.

  Priests.

We free-will Shepherds tend His sheep, and feed;
We follow Him while caring for their need;
We follow praising Him, and them we lead.

  Servants of God.

We love God, for He loves us; we are free
In serving Him, who serve Him willingly:
As kings we reign, and praise His Majesty.

  Holy and Humble Persons.

All humble souls he calls and sanctifies;
All holy souls He calls to make them wise;
Accepting all, His free-will sacrifice.

  Babes.

He maketh me,--
                And me,--
                          And me,--
                                  To be
His blessed little ones around His knee,
Who praise Him by mere love confidingly.

  Women.

God makes our service love, and makes our wage
Love: so we wend on patient pilgrimage,
Extolling Him by love from age to age.

  Men.

God gives us power to rule: He gives us power
To rule ourselves, and prune the exuberant flower
Of youth, and worship Him hour after hour.

  Spirits and Souls--

Lo, in the hidden world we chant our chant
To Him Who fills us that we nothing want,
To Him Whose bounty leaves our craving scant.

  of Babes--

With milky mouths we praise God, from the breast
Called home betimes to rest the perfect rest,
By love and joy fufilling His behest.

  of Women--

We praise His Will which made us what He would,
His Will which fashioned us and called us good,
His Will our plenary beatitude.

  of Men.

We praise His Will Who bore with us so long,
Who out of weakness wrought us swift and strong,
Champions of right and putters-down of wrong.

  All.

Let everything that hath or hath not breath,
Let days and endless days, let life and death,
Praise God, praise God, praise God, His creature saith.

I like to think that I'm a mixture of a sunflower, a lioness, and a tortoise.
why?
simply because a sunflower is
exuberant,
vibrant in color,
flows softly and carelessly with the wind,
plain and simple,
Intriguing to say the lease.

why a lioness?
because she is Queen of the Sahara desert.
she is loyal,
she is independent and does not fully need to depend on a male,
though when given the right one, she'll go through many lengths to accommodate him.
she is also full in color,  plastered with battle scars to prove that she is of worth
and can handle the meat thrown at her
with nothing but scavengers surrounding her,
tempting her.

why a tortoise?
because they are slow and steady,
live on land with feet as claws, being able to dig into troubles and come out more wise than before.
Also they can retrieve back into their cave for as long and as endless as they want,
solitude is acceptable and perfered.

one is noticeable yet, easily breakable and disposable.
one is lazy, yet keen
one is small, yet can take on the world for three hundred and thirty years.

I'll be forever, and memorable, and radiant.

Secretly bending glimpses,  
When pine and survey align
In tortuous accord –
Reflections of you,
Are not enough
Drew Barrie;
To insulate my heart
From the cleft between us.
Perennials, the color of
Periwinkle,
The smell of rain
And crayons
Return you to me,
Lend presence, vestiges,
Invoke
The gift of you,
Fortify my resolve
To one day reunite.

Numbness and ache,
Lavish tears set
Against the
Unimpeachable light,
Held in the glint in your eyes
Unequivocally green,
Each blink evokes allure,
Found in
A blushing smile -
Little one,
I observe in quiet
Adoration, amid
Our segregation,
Ardor undiminished,
Prayers give permanence
Uttered in a pause
Each
Breath drawn;
Ephemeral visions, alive,
Ballads and rhyme
Memories aflame, occupy
A sacred canopy,
Internal; profoundly
Savored
Never to erase.

Searching for treasure,
Collecting prized sand
And stone,
Your pockets, heavy
With plunder.

Somber tones fill
Gaps in our history,
Find new contrast,
Certain hues
Oscillating shades of gray
Stirring cues
Dearth of winter blue.
Trees bare, secluded,
Known in the bones,
This crisp boreal air —
February.
Moisture absent,
Like a father's words
Laconic;
Your irreducible gaze,
In the
Opaque imagination.

Oddly arid season,
Aloof precipitation,
The will of the wind
Indefatigable,
Sonnets of euphony, leave me
Undone,
Permit me to grieve,
Another year - gone.
Nervous Squirrels, sedentary
And quiet,
As if to mourn with me,
I miss my daughter.

The spring equinox,
Poised pavilion blended
Unfolds in bloom,
Elucidating
The approaching day
Of your birth.

Stunning you were,
Your prominent
Entry into creation,
Tiny noises,
Nestled and snug.
Reach
My effusive heart.
You are here,
Equipped with an
Absorbing mind
Wrapped,  
Perfectly  
Designed, in a petite
Fashioned frame.

Emotions, elastic -
Diffuse and Compress,
In distance friction
Attenuates,
Time and eternity
Extend to the periphery,
Agony
Absorbed into Zoe.
Grace and peace wash
Ashore, rinsing
Poetry pure;
Cleansing, with surprise
And vigor
Recall the loftiest
Of tokens.

I too
Encountered
An esteemed rock,
Smooth and orbed,
Summoning  
Long thoughts,
My citadel made
Of three,
Uniquely ensconced
Inside -
Priceless gems,  
Sustain me.

Enclaves of privilege
Gratified each vacant
Mirror,
Until notes and
Words gather to form
Your story,
Emergent,
The world shifts,
Altered anew.
Resurrection,
Simile to
Our reconciliation
Visceral and singular,
Exuberant teardrops
Flood, fall deeply
Approximating mercy,
Severe, sudden as
The April freshet.

In the lavender garden.

©2012 & 2016 W.S. Warner

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

matrimony a blessing of enduring love
a troth gifted by the Lord up above
choirs of birds shall sing of devotion
as the wedded couple bind in adoration

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

the sacred vows of love ever entwining
holding through the years of shining
love's sweet bloom flourishing so bright  
in a divine accord of special delight

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

a life time of endearments they'll share  
beginning on the nuptial day so fair
a kiss of blissfulness sealing the oneness
between the couple in true togetherness

wedding bells peal o'er the dales to-day
they peal in a most exuberant way
their pealing tells of endless happiness
which shall last with much gleefulness

This remembrance somehow still makest me guilty;
in every minute of it I feelest tangled, I feelest unfree.
I loathest this less genial side of captivity,
but still, 'tis ironically within my heart, and my torpid soul;
ah, I am afraid that it shall somehow becomest foul,
and I wantest very much, to endear my soul to liberty,
but so long as I hath consciously loved thee,
My confidence remaineth always too bold-
But I promisest that this shall becomest my last sonata,
Should thou ever findest, that thou desirest it to be;
whilst my incomplete song shall be our last cantata.
Ah, this series shall but never end,
Should I approachest and befriendest it,
but to confess, more I thinkest of it, the more my heart is pained;
No coldness shall it feelest, nor any beat of which, shall remaineth.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
My heart, ah-my poor heart, is still restricted, and left within thee,
And amongst this dear spring's shuffling leaves, still blooms,
And shall bloomest forever with benevolence,
and even greater benevolence, as spring fliest and leavest
Just like thy sweet temper, and ever ostentatious laughter,
Thy voice and words, that are no longer here for me,
But still as clear, and authentic like a piece of gospel music, to me.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
My pleasurable toils, and consummation still liest in thee-
as forever seemest that I shall trust thee, and thee only,
For the brief moment we had was but grand-and pleasant,
All the way more enigmatic, though frail, and exuberant
than I couldst perhaps rememberest,
But as I rememberest them, I shall also rememberest thee,
For those short nights are always fond and stellar to my memory,
As thou pronounced me lovely-and called myself thy lady,
As thou lingered about and placed thy sheepish fingers on my knee.
Ah, thee, whose heart is so kind and ever gently considerate,
From the moment thou stared at me I knew thou wert my unbinding fate.
And thy scent-o, thy manly scent, too calming but at times, poisonous;
Was more than any treasures I'd once withheld in my hand.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
My enormity liest in thee, and so doth every pore
of my irrevocable, consolable sense;
Thou awakened my pride, thou livened up my tense,
Thou disturbed my mind, thou stole my conscience.
And with thy touch I was burning with bashfulness,
meanwhile my mind couldst stop not
ringing within me, unspeakable thoughts.
Ah, thee, thou made me shriek, thou slapped me awake;
And thou steered me away from any cruel dreams, and lies
these variegated worlds ought to make.
But still I hatest myself now, for leaving all of which unspoken,
Though plenty of time I had, whilst walking with thee, by the red ferns;
And every now and then, their branches ******* terrific sounds-
But not loud; benign and soft as heartfelt murmurs in our hearts.
And those dead leaves were just dead,
Over and under the gusty tears they had shed,
And their surfaces had been closed,
But as we stormed busily with laughter, along their dead roots,
All came back to life, and polished liveliness, and guiltless temperance.
Ah, thy image is still in my mind-for it is my ill mind's antidote,
With all the haste and loveliness and ardour as thou but ever hath,
Thou art loved, by me and my soul, more than I love myself and the earth,
Thou art more handsome even, than the juicy unearthed hearth yonder.
Ah thee, my very own lover and drowsy merriment at times,
Thou who keepest fading and growing-
and fading and growing over my head,
Thy image hauntest my sleep and drivest all of me crazy,
For justice is not justice, and death is not
death, as long as I am not with thee,
And I shall accept not-death as it is,
for I shall die never without thee,
For I am in thy love, as thine in mine,
And dreams shall no longer matterest,
when thy joys are mine-and fiercely mine,
I am blinded by urgent insecurity,
That occurest and tauntest and shadowest me
like a panoramic little ghost,
Massively shall it address me,
Painstakingly and, in the name of justice, ingloriously,
And shall them address my past and destroy me,
For I hath carelessly let thee fade from my life,
And enslavest and burdenest my very own history,
For in which now there is no longer thy name,
ike how mine not in thine.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
Still thou art gentle as summer daffodils,
Thy image slanderest me, and its fangs couldst ****.
Thou owneth that sharpness that threatens me,
Corruptest and stiflest me, without any single stress,
And charming but evil like thy thirsty flesh.
Ah, still, I wishest to be good, and be not a temptress,
though all my love stories be bad, and
endest me and shuttest up in a dire mess.
I feelest empty, and for evermore t'is emptiness
shall proudly tormentest and torturest me,
Stenching me out like I am a little devil,
Who knowest but nothing of love nor goodwill,
I needst thee to make everything better, and shinier,
In my future life, as later-in my advanced years,
As death is getting near, for more and greater
shall my soul hath accordingly stayed here.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
Thou art my summer butterfly and beetle,
I shall cloakest thee with sweet honey and sun,
And engulfest thee safely and warmly
under the angry sickly moon.
I am thankful for thee still, for thou hath changed me,
For thou made me see, and opened my flawed eyes
Thou enabled me to witness the real world;
But everything is still, at times, beyond my fancy,
For they keepest moving and stayest never still,
Sometimes I am, like I used to be, astonished
at the gust of things, and the way they grossly turned
Their malice made my heart wrenched, and my stomach churned
What I seest oftentimes weariest my *****, and disruptest my glee
And still I shall convincest myself, that I but needst thee with me,
Thee to for evermore be my all-day guide and candlelight,
Thee who art so understanding, and everything lovable, to my sight.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
If thou wert a needle then I'd be thy thread,
If thy rain wert dry then I'd makest it wet.
But needst not thou worry about my rain;
For 'tis all enduring and canst bear
even the greatest, most cynical pain.
Ah, and thus I'd be thy umbrella,
Thou, whose abode in my heart
is more superfluous, and graceful-
than my random, fictitious nirvana;
Oh, thee, thou art my lost grace,
And everyone who is not thee-
I keepest calling them by thy name,
How crazy-ah, I am, just like now I am, about thee!
Ah, thou art my air, my sigh, and my comfortable relief,
And in my poetry thou art worth all my sonnets, my charm,
and forever inadequate, affection!
And only in thy eyes I find my dear, effectual temptations,
As under the hungered moonlight by the infuriated sea,
Who standeth strenuously by the peering strand of couples,
Thou evokest within me dangerous eves, and morns of madness,
Thou makest me find my irked melody, and vexed sonnet,
Thou made, even briefly-my latent days gracious,
Thou made me feelest glad and undistant and precious.
Thou art a saint, thou art a saint, though thy being a human
intervenest thee and prohibitest thee from being so;
ah, and whoever thinkest so is worthy of my regrets,
and the worst tactfulness of my weary wrath;
For thou art far precious, more than any trace
of silverness, or even true goldness,
Thou art my holiest source of joy,
and most healing pond of tears;
Thou art my wealth, ****** trust,
and my only sober redemption;
thou art my conscience, pride, and lost self;
Thou art indeed, my eternally irredeemable satisfaction.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
I adorest thee only-my prince, my hero, my pristine knight;
Ah, thee, thou art perfect to my belief and my sight,
Thou who art deserving of all my breath and my poetry;
Thou who understandest what kindness is, and desires are,
Thou who made me seest farther but not too far.
Thou who art an angel to me-a fair, fair angel,
Thou who art beguiling as tasteful tides
among the sea-my courteous summer sea,
Thou who art even more human than
our fellow living souls themselves;
Sometimes I think thou art courage itself-
as thou art even braver than it, the latter, is!
Thou art the sole ripe fruit of my soul,
And my poetic imagination, and due thought;
Thou art the naked notes of my sonata,
And the naughty lyrics of my sonnet,
Thou art everything to nothingness,
As how nothingness deemest thee everything;
Thou makest them shy, and dutifully-
and outstandingly, changest their minds;
Thou art a handsome one to everything,
Just as how everything respectest, and adore thee.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
By whose presence I was delighted, as well my breath-dignified,
Ah, my love, now helpest me define what love itself is;
For I assumest it is more than fits of hysteria, and sweet kisses
Look, now, and dream that if death is not really death
Than what is it aside from unseen rays of breath?
For love is, I thinkest, more handsome than it doth lookest,
For in love flowest blood, and sacrifice, and fate that hearts adorest
But desiccated and mocked as it is, by its very own lovers
That its sweetness hath now turned dark, and far bitter;
Full of hesitations engulfed in the best ways they could muster;
O, my love, like the round-leafed dandellions outside,
I shall glancest and swimest and delvest into thy soul;
I shall bearest and detainest and imprisonest thee in my mind,
But verily shall I care for thee,
ah, and thus I shall become thy everything!
Let me, once more, become obstinate-but delirious in thy arms;
let me my very prince-oh, my very, very own prince!
Doth thou knowest not that I am misguided,
and awfully derogated, without thee!
Ah, thee! My very, very own thee!
Comest back to me, o my sweet,
And let me be painted in thy charms,
o thee, whom I hath so tearfully,
and blushingly missed, ever since!

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
I loveth thee adorably, and am fond of thee admirably,
so frequent not outside when all is dark and yon sky is red,
For I hatest justification, and its possibly hidden wrath;
I hatest judging what is to happen when our hearts hath met,
but how canst I ever knowest-when thou choosest to remaineth mute?
Then tearest my heart, and keepest my mouth shut
O thee, should this discomfort ever happenest again;
Please instead slayest me, slaughterest me, and consumest me-
And lastly let me wander around the earth as a ghost.
Let me be all ghastly, deadly, and but penniless;
Let me be breathless, poor, imbecile, and lost-
For in utter death there is only poverty,
And poverty ever after-as no delicacy nor taste,
But I shall still dreamest as though my deadness is not death,
for I am alone; for I am all cursed, without thee.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully cherished,
To thee whom I endorsed, and magnified,
My heart, ah-my poor heart, is still left within thee,
Just how weepest shall the leafless autumn tree,
Waiting for its lost offspring to return,
and be liberated from its pious mourns;
And as I hearest their shaky, infantile chorus,
I shall but picturest thee again, thus;
Thy cordial left palm entwined in my hand,
Strolling with me about the leafy garden.
A joyed maiden having found her dream man,
a loving man swamped deeply with his love, for his loyal maiden.

The stars still shone last night, and tasted pretty like my last sonnet;
And I still loved thee; and imagined thee 'fore I retreated to bed.
Ah, but thou know not-thou wert envied by t'at squeaking trivial moon;
It seduced and befriended thee; but took away thy sickly love too soon.
Ah, t'at moon which was burnt by jealousy, and still perhaps is,
Took away thy love-which, if only willing to grow; couldst be dearer than his.
But too thy love, which hath-since the very outset, been mostly repulsive and arduous;
And loving thee was but altogether too customary, and at gullible times, odious.
Ah, but how I was too innocent-far too innocent, was I!
Why didst I stupidly keepeth loving thee-whose soul was but too sore, and intense-with lies?
And at t'is very moment, every purse of stale dejection leapt away from me;
Within t'eir private grounds of madness; but evaporating accusations.
Ah, so t'at thou desired me not-and thus art deserving not of me;
But why didst I resist not still-thy awkwardness, and glittering sensations?
Oh, I feeleth uncivil now-for I should hath been too mad not at the moon;
For taking away thy petty threads, and curdling winds, out of me-too soon.
And for robbing my gusts, and winds, and pale storms of bewitching-yet baffling, affection;
But in fact thrusting me no more, into the realms of death; and t'eir vain alteration.
Ah, thee, so how I couldst once have awaited thee, I never knoweth;
For perhaps I shall be consumed, and consequently greeteth immediate death; within the fatal blushes of tomorrow.
But still-nothing of me shall ever objecteth to t'is tale of blue horror, and chooseth to remain;
And I shall distracteth thee not; and bindeth my path into t'at one of thy feet-all over again.
Once more, I shall be dimmed by my mirthlessness and catastrophes and sorrow;
Yet thankfully I canst becometh glad, for all my due virtues, and philanthropic woes.

I shall be wholly pale, and unspeaking all over me-just like someone dead;
And out of my mouth wouldst emergeth just tears-and perhaps little useless, dusty starlings;
I shall hath no more pools or fits or even filths of healthy blood, nor breath;
I shall remembereth not, the enormous fondness, and overpowering passions; for our future little darlings.
For my love used to be chilly, but warm-like t'ose intuitive layers behind the sky;
But thou insisted on keeping silent and uncharmed-a frightfulness of sight; I never knew why.
Now t'at I hath returned everything-and every single terseness to my heart;
I shall no more wanteth thee to pierce me, and breaketh my gathered pride, and toil, apart.
For I am no more of a loving soul, and my whole fate is bottomless and tragic;
I canst only be a lover for thee, whenst I am endorsed; whenst I feeleth poetic.
I shall drowneth myself deep into the very whinings of my misery;
I shall curseth but then lift myself again-into the airs of my own poetry.
For the airs of whom might only be the sources of love I hath,
For t'is real world of thine, containeth nothing for me but wrath;
Ah, and those skies still screameth towards me, for angering whose ****** foliage;
Whenst t'ose lilies and grapes of my soul are but mercifully asleep on my part.
I wanteth to be mad; but not any careless want now I feeleth-of cherishing such rage;
For I believeth not in ferocity; but forgiveness alone-which rudely shineth on me, but easeth my painful heart.
I hath ceased to believe in my own hand; now furnished with discomfort;
But still I hath to fade away, and thus cut t'is supposedly long story short.
I hath been burned by thee, and flown wistfully into thy Hell;
But so wisheth me all goodness; and that I shall surviveth well.
And just now-at t'is very moment of gloom; I entreateth t'at thou returneth to her, and fasteneth yon adored golden ring;
For it bringst thee gladness, which is to me still sadly too dear, everything.

Ah! Look! Look still-at t'ose streaks of blueness-which are still within my poetry on thee;
But I shall removeth them, and blesseth them with deadness; so that thou shalt once more be young, and free.
For what doth thee want from me-aside from unguarded liberty, and unintimate-yet wondrous, freedom?
For thou might as well never thinketh of me during thy escape;
And forever considereth me but an insipid flying parachute-to thy wide stardom;
Which deserveth not one single stare; as thou journeyeth upon whose dutiful circular shape.
And a maidservant; a wretched ale *****-within thy inglorious kingdom;
Which serveth but soft butter and cakes, to her-thy beloved, as she peacefully completeth her poem.
The poem she shall forceth to buy from me-with a few stones of emerald;
To which I shall sternly refuseth-and on which my hands receiveth t'ose climactic bruises.
For she, in her reproof-shall hit me thereof, a t'ousand times; and a harlot me, she shall calleth;
And storm away within t'at frock of endless purpleness; and a staggering laugh on her cheeks.
And I-I shall be thy anonymous poet, whose phrases thou at times acquireth, at nighttime-but never read;
A bedroom bard, in whose poetry thou shalt not findeth pleasures, and to which thou shalt never sit.
A jolly wish thou shalt never, in thy lifetime, cometh anyhow-to comprehend-nor appreciate;
But should I still continueth my futility; for poetry is my only diligent haven, and mate.
In which I shall never be bound to doubteth, much less hesitateth;
For in poetry t'ere only is brilliance; and embrace in its workings of fate.
And sadly, a servant as I am-on her vanity should I needst to forever wait, and flourish;
To whom my importance, either dire profoundness-is no more t'an a tasty evening dish.
And my presence by thee is perhaps something she cannot relish;
I know not how thou couldst fall for a dame-so disregarded and coquettish!
To whom all the world is but hers; and everything else is thus virtual;
So t'at hypocrisy is accepted, as how glory is thus defined as refusal.
But sometimes I cometh to regret thy befallen line of glory, and untoward destiny;
I shall, like ever, upon which remembrance, desireth to save thee, and bringst thee safely, to eternity.
But even t'is thought of thee shall maketh me twitch with burning disgust;
For I hath gradually lost my affection for thee; either any passion t'at canst tumultously last.
And shall I never giveth myself up to any further fatigue-nor let thy future charms drag me away;
For I hath spent my abundant time on thy poetry-and all t'ose useless nights and days;
As thou shalt regard me not-for my whole cautiousness, nor dear perseverance-and patience;
Thou shalt, like ever, stay exuberant, but thinketh me a profound distress-a wild and furious, impediment.
Thou hath denied me but my most exciting-and courteous nights;
And upon which-I shall announce not; any sighs of willingness-to maketh thee again right;
nor to helpeth thee see, and obediently capture, thy very own eager light.

And when thy idiocy shall bringst thee the most secure-yet most amatory of disgrace, turn to me not;
I hath refused any of thine, and wisheth to, perfunctorily-kisseth thee away from my lot,
I shall writeth no more on thy eloquence-for thou hath not any,
As nothing hath thou shown; nothing but falsehood-hath thou performed, to me.
Thou hath given none of those which is to me but virulent-and vital;
Thou art not eternal like I hath expected-nor thy bitter soul is immortal.
Thou art mortal-and when in thy deft last seconds returneth death;
Thou, in remorse, shalt forever be spurned by thy own deceit, and dizzily-spinning breath,
And after which, there shall indeed be no more seconds of thine-ah, truly no more;
Thou shalt be all gone and ended, just like hath thou once ended mine-one moment before.
All t'at was once unfair shall turneth just, and accordingly, fair;
For God Himself is fair-and only to the honest offereth His chairs;
But the limbs of Heaven shall not be pictured, nor endowed in thee;
To thee shall be opened the gate of fires, as how thou hath impetuously incarnated in me.
No matter how beautiful they might be-still thy bliss shall flawlessly be gone,
Thou shalt be tortured and left to thy own disclosure, and mock discourses-all alone.
For no mortality shall be ensured foreverness-much less undead togetherness;
As how such a tale of thy dull, and perhaps-incomprehensible worldliness.
By t'at time thou shalt hath grown mature, but sadly 'tis all too late;
For thou hath mocked, and chastised away brutally-all the truthful, dearest workings of fate.
And neither shalt thou be able to enjoy-the merriments of even yon most distant poetry;
For unable shalt thou be-to devour any more astonishment; at least those of glory.
And thus the clear songs of my soul shall not be any of thy desired company;
Thy shall liveth and surviveth thy very own abuse; for I shall wisheth not to be with thee;
For as thou said, to life thou, by her being, art the frequented life itself;
Thus thou needst no more soul; nor being bound to another physical self;
And t'is shall be the enjoyment thou hath so indolently, yet factually pursued-in Hell;
I hope thou shalt be safe and free from hunger-and t'at she, after all, shall attendeth to thee well.

And who said t'at joys are forbidden, and adamantly perilous?
For t'ose which are perilous are still the one lamented over earth;
For in t'ose divine delights nothing shall be too stressful, nor by any means-studious;
For virtues are pure, and the walls of our future delights are brighter t'an yon grey hearth;
And be my soul happy, for I hath not been blind; nor hath I misunderstood;
I hath always been useful-by my writing, and my sickened womanhood;
Though I hath never possessed-and perhaps shall never own, any truthful promise, nor marriage bliss;
Still I longeth selfishly to hear stories-of eternal dainty happiness, for the dainty secret peace.
Ah, thee, for after thee-there shall perhaps no being to be written on-in yon garden;
A thought t'at filleth me not with peace, but shaketh my whole entity with a new burden.
Oh, my thee, who hath left me so heartlessly, but the one whom I hath never regarded as my enemy-
The one I hath loved so politely, tenderly, and all the way charmingly.
Ah! Ah! Ah! But why, my love, why didst thou turn t'is pretty love so ugly?
I demandeth not any kind purity, nor any insincere pious beauty,
But couldst thou heareth not t'is heart-which had longed for the one of thine-so subserviently and purely?
For I am certainly the one most passionately-and indeed devotedly-loving thee,
For I am adorable only so long as thou sleepeth, and breatheth, beside me,
For I am admired only by the west winds of thy laugh, and the east winds of thy poetry!
Ah, but why-why hath thou stormed away so mercilessly like t'is;
And leaving me alone to the misery of this world, and my indefinite past tears?
Ah, thee, as how prohibited by the laws of my secret heaven,
Thus I shall painteth thee no more in my poesies, nor any related pattern;
There, in t'is holy dusk's name, shall be spoiled only by the waves of God's upcoming winters,
In the shapes of rain, and its grotesque, ye' tenacious-and horrifying eternal thunders.
And thus t'ese lovesick pains shall be blurred into nothingness-and existeth no more,
But so shall thy image-shall withereth away, and reeketh of death, like never before.
For I shall never be good enough to afford thee any vintage love-not even tragedy,
For in thy minds I am but a piece of disfigured silver; with a heart of unmerited, and immature glory;
Ah, pitiful, pitiful me! For my whole life hath been black and dark with loneliness' solitary ritual,
And so shall it always be-until I catch death about; so grey and white behind t'ose unknown halls.
And shall perhaps no-one, but the earth itself-mourneth over my fading of breath,
They shall cheereth more-upon knowing t'at I am resting eternally now, in the hands of death.
And no more comical beat shall be detected, likewise, within my poet's wise chest;
For everything hath gone to t'eir own abode, to t'eir unbending rest.
But I indeed shall be great-and like an angel, be given a provisionary wing;
By t'is poetry on thee-the last words of mouth I speaketh; the final sonata I singeth.

Thus thou art wicked, wicked, wicked-and shall forever be wicked;
Thou art human, but at heart inhuman-and blessed indeed, with no charming mortal aura;
Thou wert once enriched indeed-by my blood, but thy soul itself is demented;
And halved by its own wronged purity, thou thus art like a villainous persona;
Thou art still charmed but made unseeing, and chiefly-invisible;
Unfortunately thou loathe scrutiny, and any sort of mad poetry;
Knowing not that poetry is forever harmless, and on the whole-irresistible;
And its tiny soul is on its own forgiving, estimable, and irredeemable.
Ah, thee, whose soul hath but such a great appeal;
But inanely strained by thy greed-which is like a harm, but to thee an infallible, faithful devil.
Thou art forever a son of night, yet a corpse of morn;
For darkness thriveth and conquereth thy soul-and not reality;
Just like her heart which is tainted with tantrum, and scorn;
Unsweet in her glory, and thy being-but strangely too strong to resist-to thee.
Ah, and so t'at from my human realms thou dwelleth immorally too far;
As art thou unjust-for t'is imagination of thine hath left nothing, but a wealth of scars;
I used to recklessly idoliseth thee, and findeth in thy impure soul-the purest idyll;
But still thou listened not; and rejected to understandeth not, what I wouldst inside, feel.
After all, though t'ese disclaimers, and against prayers-hath I designated for thee;
On my virtues-shall I still loyally supplicate; t'at thou be forgiven, and be permitted-to yon veritable, eternity.

Take away my pain and leave me in a state of pure ecstasy. Make numb or make me ***, I'll vibrate to the enticements. I'll learn from these exuberant dispensations and try to configure our despicable conversations and discover the inequities of our relations.

oh darling
it is you who cries too often
and leaves nothing inside herself
it is you who purges
sweat
and blood
and *****
to the gods of self and society
sweat and blood and *****
to void and nothingness

grinning insanity of grief
cries to know and chooses not to
it is pain that you know
and pain that won’t release you

do not forget the heat of what fills your *******
your arms
your genitals
your sweat is burning
your blood is burning
***** burning
it is hell inside

empty your hell to me my love
empty your hot and heavy
loaded words and baggage
neverending flow of **** and ****
neverendingneverending
you are full of fire
and the molten gods of self-sacrifice
refuse to relinquish you
to holy happiness

empty your hell to me my love
I will cool your brow
with lips and hands and water
I will wash you in my love
I will know you with new love
I will fill you with
this serenity
that you can
empty
into
me

cool the fires of fear
and pain and loss and betrayal
with new fires of passion
that are exuberant acts of ecstasy
we are human after all
- only human
and holy holy holy to each other

this is what we are
beings filled with fire
molten images craved
even worshipped
created by gods
to serve as successors
we must stitch ourselves together
and quench this hell with heaven
a reclamation of scars
and scar tissues
we may build our own city
entirely of gold

On a clear sky night
The sound of harmonica dancing
By the angles of the Moon

Drum pounds  widespread
Waves floating in an ecstatic pace
The quiet bay listened with radiant Shells

Star specks lit sky humming
The Earth murmuring deeply
Pines reverberating in back chorus

Kids giggling around trippin' in thick dark
Tripping over some minor rocks, happy to
Embrace the unexpected music, dogs wiggling

Heavenly carousel shining upon their faces
Theater dreaming  of the joyfull now
This exuberant laughter unsyncopated

Steps rhythm fading on their paths
Instruments put down, sounds of
Crickets, bare naked, two plunges

tell me what words are there
to articulate this savage parade
not here, not in all the Lebanons
whose crystal castles sparkle
like broken glass
on the dark horizons
at the jagged edges of the world
from which cultured minds have receded
and all humanity has been relinquished
to the barbarity of the frenzied flavours of fools
who will speak for this wild parade
without impediment to mythical protagonists
tell me where are the energised arguments
against sophisticated yet false laments
where testament is torn through
weeping cedar trees
producing the unpredictable accidental quality
that memorialises phantom caresses
that have neither been invented nor encouraged
the hallow that inaugurates
the distinctive features of
destructive energies that are both
exuberant and hard to comprehend
this parade where there is
a savage sensibility
capable of apprehending
contradictory ethical imperatives
that vouch for a mocking stream of
tragic political consequence
displayed vividly in the inextricability
of civil order and political violence
that defies exclusive claim
by casting itself as freedom warrior
in disguise as militaristic humanism
and burns the temple tree
and where human identity
becomes an elusive possession
owned by a few
who in the inevitability of ignorance
refuse to recognise their tragic error
and the world does not mount
a strenuous protest
at this headlong dash for Ephesus
where antagonistic language and
neutral expression of thought converge
and here the value of valulessness
repudiates, even in a single poetic moment

The beloved country Africana can boast of is Ghana.                                                                                                                                                               The manana of Africana black star is Ghana                                                                                                                                                                                  A nation rich in culture and natural pasture.                                                                                                                                       
Its nature reflects the creatures’ caricature

We are black reflecting our true beauty.                                                                                                                                  
And we are packed with captivating ability.                                                                                                                                       The typicality of our nationality brings unity.                                                             Who knows whether our safety lies in our variety?

This unity amidst our diversity is our reportage.                                     About twenty-four million are surviving in our age.                                                               Over sixty ethnic groups and fifty-two major languages.                                                       There are hundreds of dialects which are to our advantages.

In W/A, Ghana records the highest percentage of Christianity…                                                      Yet the modernity of our sanity portrays minds of malignity.                                                 But the fraternity of our humanity builds our community.                                                        The variety of our morality and privity builds our society

Who said Ghana cannot be capaciously superfluous?                                                        We have the very illustrious and exuberant resources.                                                                The elites and the voracity are harnessing the recourses.                                                                      The destitute remains poor and the gentry linger the forces

Our democratic government is an African paradigm.                                                        Our peaceful political regime is of no pantomime.                                      Who of course would help us measure corruption?                                                The whole nation would have tensed up to eruption.

If not the gargantuan wayomelogy of the wayometer.                                                                                      Who knows whether the next tool would be attameter?                                                     Who wouldn’t love to be a proud Ghanaian to enjoy                                                        our hilarious fila and jargons tongue can employ

I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.

Against the saturated
Horizon of dawn,
Loitering in the dark timbre
Of emerging consciousness -
Dissipating somnolence
And preemptive despair,
Tacitly adumbrate the
Yawning abyss.
Chastened by the cunning and
Lubricious nihilism,
Igniting fermented provocations,
Silent subterfuge; death,
By mirth - the inane;
Lament of the mundane.

Fallow paradigms, accretions of
The last gasp -
Evaporating empty liturgies
Of suspicion;
Charity and equanimity -
Lost in confinement,
Triumphant avarice bearing
Descendants
Of intransigence;
Wielding imperious
Schemes of orthodoxy.

Pollard fragments of
Silken tapestry,
Miasma draped depression
Abridging;
Conversely,
Permuted flurries of anxiety
Dislodge
The vestiges of meaning
That abide
In brazen equivocation.

Tributaries of dogma reach
Their confluence,
Watershed moment,  
Numinous effusion
Streams naked epiphany,
The precarious vision -
A gesture of providence,
Certainty and contingency;
Gratuitously derivative, life
Equals choice.

Verdant branches of intention;
And opportunity the vine,
Live forward -
The pen, my voice,
Piquant conduit pouring,
Exuberant wine.

Footprints found in givenness
Underline,
Penumbrae of my soul;
Mirrored silhouettes,
Thoughts and words engender;
And in verse adorn
Fecund soil, Line after line,
The cosmos altered,
Continuum of permanence -
Artist’s art articulating
Essence of my imagination,
I proliferate, I design
Phrases unique,
Participation mystique.

Words creating world,
The apparatus of infinity
Heidegger, ontologically precise,
Language -
The house of Being,
Ineffable, Promethean
Literary devise -
Envisioning possibility,
And abundance to allow,
I occur
Inhabit
Manifest
Future phenomena
Experienced as now.

©2008 & ©2011 W.S. Warner

They gathered by Williamson Road at sun-up
      from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
      with saws, adzes, hammers and sundry tools.

They gathered with the homesteaders bond.
      to co-build their neighbor's' dreams.

Sweet music of community echoed off the hills.
     Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
     The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
      A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.

     Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
    
In two short passings of the sun the deed was done
      and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.

Homesteaders gathered at a celebration table
      to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
  
Then one by one they steered their wagons home
      gazing back at what their labors had wrought -
knowing to the depth of their communal souls
      that we are more together than we are apart

Listen up, America!  This is the music of community.
      We are more together than we are apart.

*© 2016 by Robert Charles Howard

at the end of the ticking time that rushing ..
i contemplate the expanse of despair that has passed ..
at the junction of desire that embroider serene ...
my hopes are pinned hard petrified ..

as i trudged up the ladder of life ..
you bolster me in order to stay ahead ..
when i am tired to hit hardest desire ..
you wash my sweat with exuberant embrace..
when i get wounded by the sharp of blade  of era ..
you wrapped me with sincerity ..

there's no string of words that look beautiful to me,
i spit all over the rhymester while reading pen script from your conscience ..
there's no shade of voice that sounded good to me,
i throw up the whole commercial hypocritical preacher when  hear advice  from your sincerely ..

if the shape of the grateful is exist,
then i will chisel your figure in a stretch of horizon ..
if a form of sincerity can be visible to the eye,
then i will paint your smile in the court of canvas twilight ..

my polite to my friend my angel,
i ask god,  salvation for you ..
i ask the cause of prime  substance , health for you..
because your happiness is an honor for me ..*

-the poetry is dedicated to a sincere friend of mine, Ha-

┈┈┈┈┈»̶·̵̭̌✽✽·̵̭̌«̶  ƦУ  »̶·̵̭̌✽✽·̵̭̌«̶┈┈┈┈┈┈┈┈


sahaba­tku malaikatku

dipenghujung waktu yang berdetak laju..
kurenungkan hamparan asa yang telah berlalu..
dipersimpangan keinginan yang menyulam syahdu...
kusematkan harapan yang keras membatu..

saatku tertatih menapaki tangga kehidupan..
engkau papah aku agar selalu terdepan..
saatku lelah menghantam kerasnya keinginan..
engkau basuh peluhku dengan rimbunnya dekapan..
saatku terluka terhunus tajamnya pedang roda jaman..
engkau balur perihku dengan sejuknya ketulusan..

tiada untaian kata yang terlihat  indah bagiku,
kuludahi seluruh pujangga  saat membaca  torehan pena aksara nuranimu..
tiada keteduhan suara yang terdengar merdu bagiku,
kumuntahi seluruh pendakwah komersial nan fasik saat mendengar tausyah tulus darimu..

apabila bentuk dari  bersykur itu ada,
maka akan kupahat figurmu dihamparan cakrawala..
apabila wujud ketulusan itu dapat terlihat mata,
maka akan kulukis senyummu dipelataran kanvas senja..

santunku untuk sahabatku malaikatku,
keselamatan bagimu kupintakan pada Penciptaku ..
kesehatan bagimu kumohonkan pada Dzat penguasaku
karena kebahagianmu merupakan kehormatan bagiku..

The night has been commissioned
to awaken in me
the ubiquitous longing for your touch.
The mindlessness consumes me
when I wander from dream to dream,
fantasizing the ever after
that’ll mysteriously become present
once you touch.

The exuberant charm in every swipe
of the breeze broadens a smile,
reminding me of the endless passion
for good humor and intense delight
that you decree in large measures
whilst I quail in love.    

It is diabolical, this game you play
of keeping in shadows
while I wither,
in the unremitting glare of the sun
that keeps me on the banks of the dark lake
leaving me with only
a few drops to wet my hand.

I will implore to have an end
to this ceaseless battle of restraint and abandon,
But am only left with a tremulous belief,
it is all not false what I see,
in the glorious mist that night casts,
I do not only sleep.

I want to write it all; all of it. Every last word, sentence, phrase, poem, story, tale, feeling, joke, song, garbled hunk of nonsense streaming from my mouth hole like from a tap until the whole world drowns in just what I want to say; to let them know that expression is here, in my mind, in theirs, whispering in the trees outside, singing from every atom that can bump and grind and make things feel or see or sigh.

I want to sit within friends late in the night heads bobbing nod nod nodding as we agree or disagree or pedigree our intellect as we refine the phrases that make us sound like we know. Cos when you sound like you know, that's when you get heard, and if anyone's gonna get heard, ain't no one better nor worse than us. Cos nobody really knows; no Oxbridge don could ever write the wind, measure my kiss on my darlin’s skin, capture what the rosy points of her cheeks do to my brain, my body, my soul, my Attachment to this world.

So Hear me, O merry gentlemen! For I am alive and feeling and that is all the PhD I need.- If only you could see what’s dancing around in my skull... but you don’t have to! Use your own ivory mug! Really stop and think and you’ll see more than in a million poems roar within an eyeblink. Know it and feel it and see it all; the whole stupid shining racing roaring- untameable- restlessness of it all! Put down your pen and paper and rush out in the air and rejoice truly in the warm company of lovers and friends, in the sweet hum of guitar strings and in the savage itch of the insect's bite. In loneliness and mourning. In boredom and steady working with clever hands. And love, never stop loving, or hating, or appreciating, or caring, or crying, as long as you are feeling. For sometimes it seems we should always be in pain from one thing or another, yet mostly from the bubbling exasperation of positive go-get-em ***** for life.

For we read this clunky tongue of ours and say it’s what should be but there is more! For life through all its prisms can impress upon your vision a beauty neverending, yet to sense it quivering within a page is a spectacular sight indeed. So let’s leave the rigid, the impersonal, the stymied words behind and let's form a new expression, devoid of convention, one that cries joyous face-first directly into our souls!

So, Cry, onwards! And let's weave this tender tongue of ours, golden! Let's stack this world full of less-than-sane streams of speech tangled images driving shards of true experience into each other’s minds, until we drop dead deep in our bones from exuberant exhaustion. Let’s follow Kerouac to the grave; cheering, and keeling and full of tender feeling and find a meaning in words that can transcend into being. Let’s **** and watch and listen and do and learn and laugh and notice laughter and mark it for the concentrated joy that it is. Let’s sit quietly and attend to those things around us and ruminate without ever forgetting our surrounding- which include, of course, the ever flipping ever spinning and unwinding tapestry of our mind and others'.

Let’s find joy, or the maker, or whatever, same-meaning trap clap-trap of a name he (or she) has in your sticks, in what we can touch and feel and see, and inside those we know and those we don’t. Let’s make language a human thing that radiates warmth for all, and bridges us to those around us so that none may feel alone or scared unless they long to for glorious masochism, or curiousness, or any things they so do please. Let us travel, and dance, and loose hope, and find it, and live it.

And write tenderness into this world.

I listened to the soft sounding consonants
rise above my foster home, swirling against
exuberant trees and iridescent leaves falling
in twisting rhythms on the scratchy gray pavement,
an indication of distant metaphors flickering with
no sound, a slow spiraling square root evaporating
into thin dust, as I gazed at the overlooking sun, how
its shining depiction cried for validation, scorching
light, harsh vowels twirling around galloping clouds
trying to discover perfection.  There was the crumbling
landscape lost in the background, shifting in smaller
silences and flaming depths, filled with complex thoughts
and stumbling languages.  As I sat on the silent steps
watching the various figures fade into each other, streetlights
and skyscrapers, scurrying pedestrians and corner stores,
my stained blue eyes crammed and slammed, drowned
and pounding, dying every second when I realize the essence
of reality, the way it burns bright throughout the night sunken
its own intensifying flames, endless shapes disguised in anger
and pain, like a raging moon vanishing away never to be seen
again, like a vicious galaxy burning everything in its past to
a satisfying defeat.  My heart is cracking and splitting in
expressionless puzzles, a puddle of solo soapsuds, a scraped
brick building resembling shattered walls, scrawny hands hung
in smeared surfaces, stuck in a blob of yellow paint scrubbing
away its flawless scenery, leaking subjects and predicates scattered
in misaligned pages, wet alleyways branching into quivering caves,
while I reminisce on memories of my mother, the way she used to
hold me in her arms, every touch of her thin fingers pressed
against my waist, its magical rhythm traveling around
my beautiful body, rushing down my angled spine.  I could
feel her smooth skin sinking into my ochre-tanned flesh,
how she embodied every glorious kingdom, a crowned queen
draped in extravagance, how the bright hues in her frame
made me feel all the serenity within the world, so magnificent,
igniting every imagination inside my being.  She was my hero,
a glorious gem that gleamed like an array of galaxies surrounding
earth and Saturn, a melanin masterpiece purifying the atmosphere,
a wheeling instrument strumming its enchanting melody across the horizon.  She worked hard all the time, trying to make my dreams come true.  Most nights she would grab a second job to make sure the bills were paid.  She never complained or grew tired.  She was determined that I would be somebody and make a difference in the world.  She was the inspiring teacher sitting on the floor beside the living room chair, demonstrating how to solve an equation, how to disentangle the numbers and simplify it into its equalizing state., the way she would educate my mind and unwind the questions in my brain, the way she showed me the value of an honest living, letting it seep inside my soul until I could breathe in the definition of a true man.  Now I can see how the warm days drift away into restless nights, how the hummingbirds that soar past my sight remind me that she is never coming back, the way the sinking flowers stand in confusion, crying rosebuds, trembling petals, stripped stems roaming in loneliness.

A dreamer,
Chasing white rabbits,
Danced with her flourescence,
Carrying smiles meant for tomorrow,
When joy had fallen far from sight.
She danced to the music of hummingbirds,
For when the rythm changes and tempo slowed,
She danced to the voice of stormy nights,
As if the stars had sent their spark
In front of half- hiden laughing moon.
Autumn dripping leaves of weary gold,
The tune of hush and shush and wush,
She danced with her one feet in the air,
And with her black shiny curls,
It seemed as if she was ready to rise.  
I still remember the way she used to dance.

My ardent faith in you leading me to your divine pond where I will flap my tiny hands and swim with you to the other shore.

streak of pleasure rose
as the swimming lesson grows -
swan and little boy

My auspicious and audacious assault augments the annoyance of aged accomplices.

My bodacious broadside of boffolas berates and buffaloes bros beneficently.

A classy crusade Clownishly chiseling and criticizing childishness.

A devilish ******* of dillydallying dullards; devoutly denying dimwits the dulcet dream of defiance.

Excessive, exuberant edification, ebulliently eliminating education-evictees.

A fair-weather frolic in flippancy with furious fools floundering in flawed foppishness.

Gregariously grating glum guys gleefully, growing grander garnishes of gripping gallantry gaily.

Heckling hooligans highlights my heavenly humor.

Irreverently irking irritable, iniquitous idiots in inestimably infuriating and incredible instances.

A jolly, jocular **** joking with jerks.

A kreiger kicking kleptomaniacs in the karyotype. (Cut me some slack, this is 'k', after all.)

A ludicrous, laughing lambaste of lollygagging lunatics, loftily loosing luscious lunacy on lucky losers.

A magnificent masterpiece of malfeasance, a monstrous, malevolent mission of massive misfortune for the minor minors missing no malicious missive.

A noxious, narcissistic niggling of nitwits, niftily nixing the noisome naivete of niggardly nobs.

An offhand, off-color outburst of outlandish observations to outclass the obnoxious overtures of obsequious offal.

A pragmatic prediction of possible platitudes or platypi, a placid parley of pyrotechnic pleasantries provoking Pyrrhic protections by prurient prats.

A quixotic quibble quarreling with a queer quarry.

Ribald ribbing, ruining the robust reality of the repreachful, repugnant, and rapacious with risque ridiculousness.

A silly, slighting slander of sluglike slavishness, succinctly sinking sloppy simpletons sourly.

Tracing the titillating talent of towing tyranny to towering terrors to tactless, togless, terrapins of the times.

Beauty like hers is genius. Not the call
Of Homer’s or of Dante’s heart sublime,—
Not Michael’s hand furrowing the zones of time,—
Is more with compassed mysteries musical;
Nay, not in Spring’s or Summer’s sweet footfall
More gathered gifts exuberant Life bequeathes
Than doth this sovereign face, whose love-spell breathes
Even from its shadowed contour on the wall.

As many men are poets in their youth,
But for one sweet-strung soul the wires prolong
Even through all change the indomitable song;
So in likewise the envenomed years, whose tooth
Rends shallower grace with ruin void of ruth,
Upon this beauty’s power shall wreak no wrong.

Does it mean the same to me

That it means to you?

Is it your dreamland paradise?

Can these dreams come true?

Is it meeting your soulmate

Or finally achieving your MBA?

Maybe it is just staying sober

And taking it day by day

Is it a mood or a lifetime

Or only a wonderland?

Can it be Heaven on Earth?

Does it have to be free of the ******?

It is "The Promise Land",

According to Webster's definition

That's what we once called America,

Have we maintained this characterization?

"Fairytale-land" is one more synonym

If this is true, let's use Disney's example

Bitter stories with exuberant endings

The possibilities are prepetual and ample

Are we all living in our land of enchantment?

Is Utopia what we create and decide?

Can we have a miserable paradise

If that's how we live in our minds?

I've had so many hard times

But if you ask I want you to know

I only count the eminent in-betweens

I only live in the moments that glow

You only have one life to live

So now you better decide

Are you living in your Utopia?

And is it what you visioned in your mind?

Carnival girl; exuberant and enchanting,
Scattering feathers and glitter as you sway
Through the swarm of dancing, dilating faces,
Patchwork robes, electric threads and strawberry laces.

Carnival girl; a hurricane of exhilarations,
Swirling and spreading relentless wonder
To all - none deny your splendour,
Your mystical ability to be dangerous and raw, yet tender.

Carnival girl; are you just a test for my desires?
Tugging at puppet-strings, miming my dreams,
A figure for me to fester my fantasies...
Or perhaps jus to challenge the acceptance of my realities.

This is one of those serious poems
And yet it has nothing new to say
But the poet needs to keep himself busy
And writing seems to be the easiest way

The poet rises up on his soapbox
Because he works better from an elevated height
He screams about organized religion, politics
And stripping away of our basic human rights

Like a magician with a classic misdirection
The poet wraps his moralizing in purple prose
He hits you over the head with one simple point
That he’s forgotten more than you’ll ever know

Around the time of the nineteenth obscure reference
The reader is in awe of his far-reaching knowledge
Then the poet overuses polysyllabic words
Just to prove he went to a good college

And the poet keeps filling up the notebooks
Even though he should have stopped long ago
But the publisher agreed to pay by the word
So unfortunately, there’s four more stanzas to go

Quickly, the release date approaches
There’s one printing, then two, then three
And the poem becomes a hit in coffee shops
Recited by grad students in between bites of biscotti

His face now graces the cover of every magazine
In an explosion of exuberant media admiration
Dozens of talk show appearances are scheduled
For the newly crowned “voice of our generation”

The publisher decorates the dust jacket with blurbs
Complimenting the book’s “dangerously original rhymes”
But it’s nothing more than passing hyperbole
Gathered from a glowing review in The New York Times

Now thousands grasp the paperback edition
And eagerly await the feature film adaptation
Meanwhile, the poet hunches over his typewriter
And commits more sententious literary *******

|Ʒ = ß / unicorn with curves... as the title suggests / indicates...
        let's leave it to the equivalence of the transgender movement...
i.e. smoothing out the flit "phalluses" of print...
                  Ʒ? it's an archaic form of Z...
           sure... it looks like a 3... an ω (omega) /
                       a w (double u, that's actually an Ł)
                           shifted to the right...
                             or the chiral form of Σ (sigma) -
              but never mind... Ʒ? it's an archaic form
  of the simplified letter... later known as z...
        (zee? zed? whatever)...
                        then encompassing a stressor...
    hence            |Ʒ = ß...
                     only because the | = s...
                                                     you need something
like a mandible jaw... you need something that bends...
              of course that requires the Ʒ to bend into ß...
but that requires the | to bend it into the required shape.

................................................................­...............

    sometimes you just really need a drink,
   and a cigarette... and fiddling with a toothpick
in your mouth... and laughing at a newspaper article...
and then taking to seriousness
                   regarding the future monarch that's
charles iii...
                         and then continue laughing...
              god... what a demanding form of exercise!

......................................................­................................

wait..

it took only one video, and the interviewer
simply saying the word: jester...
     which i heard and interpreted
                                     as gesture..
                    jesture vs. gesture vs. jester?
the content of my concern doesn't really
matter...
                                it's not really about
jan matejko's stańczyk / harlequin...
  but it really is...
                                             just here...
                          the loss of humour...
         the joke turned sour... at this crucible
does the story begin... if it ever begun in the first
place...
                     it was only concernign someone
saying jester like he might said gesture -
like some ******* etiquette standard...
                                            j instead of g? w.t.f.?
so this article about "kind" charles the 3rd...
      an italian cat burglar by the name on
                 renato rinino... and there's me going
on a ******...
                                   nurse!                 scalpel!
i really need to cut this **** up!              why?
                   so people can time it proper!
   rénato ríníno / rénato ríníño                 (rinianio)
           (missing H here... missing i / j there)
   you get the picture.
              what are diacritics? clear syllable
                                        indicators...
nothing more... nothing less...
                           punctuation marks from heaven,
if you can pardon the expression.
                 for example?
a word:                                  exuberant...
   there are alternatives!
    e.g. exhuberant -
                      maybe that's why
   they call john:    juan
                                      hoo? anne?
  who?                     ANNE you *******!
but imagine it applied as direction
for syllable arithmetic... syllables can have
an arithemtic application reticent -
                                      and that really is the right
word to use...
                              but applying diacritical  marks
is a bit like: having punctuation marks?
                            it begun with being pompous
over i and j... afterwards it didn't really spread
anywhere else...
                   but look it at in this way...
coming from the word exuberant...
    now you write it as: éxuberant...
  the acute e is something that indicates
              the equivalent of a cascade
      that a non-diacritical language (that's english)
                 concerns itself:
i.e.                     e'xuberant....
             the comma above, rather than on the floor
in between words...
                or what's missing to suggest rhythm
of syllables to construct words...
      éxuberant is easier to pronounce than exuberant,
because? where's the cut-in point?
    and where's the waterfall?
                 diacritical marks allow you to
digest english, as it is, compound forming
                            with a hyphenated consideration...
     diacritical marks can act as prefixes...
                        +h...
                                                   eh? no! gsu-berant.
talk about X
                                           g   s
                                              X
                                           u   ooooooo and maybe k;
ergo... also a c.
    diacritical marks! clear syllable indictors
to perform a linguistic dissection -
                     call them the overlords of comma, hyphen
and semi-colon and all the other punctuation marks!
        i go z and you go?                                    S! S!
            rasberry beret - gsoo-berant... (g)nome...
                             in a (g)nostic diagnostic mode,
e.g. mate... you have cancer (doctor)
                                            (patient) well... "oops";
****! this is high-brow ****...
                it feels a bit like an evening at the oh-pe'h-ra'h:
i'm starting to think that the tetragrammaton rule
suggests: the H prolongs the vowels...
   so you get an macron residing over them...
            like the halo in the depiction of saints;
unless you also think that's the depiction of hands
clasping in a signature of prayer:
                              fondling the word, amen /
                                                             a(h)men /
                                                               āmen.

Bright buds hang precarious on their limbs. Their hundreds of digits green and supple sway as the winds try gently at first to shake them from their perches. They snap back, their ties elastic, always bending.

The wind struck harder the third time. It caught them off guard, swinging back to face the sun. It barreled over them like a train, limbs snapped like bones under tons of industrial revolutionary steel, the cracking brings tears to the eyes of passersby.

They were so green, so verdant was their exuberant friendship, covered in rosy flesh and sturdy bark, ring after ring of tribulation and triumph, but it fractured like a wish bone. She, Persephone, prosecutor of Her, Demeter, was judge of them both, prisoner of herself.

Solitary confinement.

She tugged at her half, she needed the wish, She need for Demeter to see that She needed wishes just like the rest of us.

Demeter, jury. 12.

Her crime: attempted impartiality, balancing a utilitarian ideal that we can divide our attention based on who needs it most. She cannot be tried on account of her inability to read Braille ciphers in gestures, ****** expressions, and Tumblr posts.

Demeter tugged at her half, but only enough to show the other that she was there,
but consistently there.

It wasn’t enough.

Snap.

No marrow could be found.

Where flesh was meant to be dripped rot, an odor of resentment filled their nostrils, it choked Demeter, as Persephone had been choking for years.

This resentment, this cancer, this jealousy, it grew inside of Persephone like a tumor, days from metastasizing, the spread could have killed them.

Amputate.

You two are a tree. Bright buds dangling from every limb, they are still soft and green and supple at their ends.

You two are still growing.

Persephone will cut out this cancer, and She will heal herself, scar tissues covered by broadleafs.
You will soothe them for her. And you will see past the rosy flesh what pain it may hide.

And you two will grow. Roots firm, faces braced against the wind, and limbs always turned towards the sun.

Psst
Hey man
You looking for a boost?
Some bud? Molly? *****?
I gotch you
Let's be out

Let's look forward, shifting eyes
Thick blunts, welcome to The Court of Miracles
Where no ones ever dry and everyone's good

The whole place was flooded with music
Pounding, pulsing, entrancing
thump thump thump thump
Laser lights flashing neon colors
Multicolored creatures of night dancing to the whimsical noise

The DJ was young
Attentive to his machine that dispensed exuberant sensate explosions
Rocking back and forth, flipping switches, turning knobs
We are, we can, we will live forever
Then it all went silent and the whole place shot out with a feeling of anticipation
WE ARE IMMORTAL
BOOM BOOM BOOM BOOM
The bass caused everyone of us to vibrate and pick up the vibrations of one another

Hey bro
Take this
Molly
Nerves become fervent

Now meet my other friend
Lucy
Mind is widened
Now you're candy flipping
Hippy tripping

We met a girl
Her dad was a record producer
She was way out there
She was out of her head

We met an artist
He used different types of wood
And carved shapes and patterns in to them
Then painted it with acrylics
Then smashed it with a sledge hammer

People bought it
He was brilliant
He was ******
I was dazzled

She tasted like *****
He tastes like cigarettes
***** devils
Looking for a time

I saw veterans from Iraq letting loose
Thank you
A sea of sweaty smiles going for miles
Under a baroque moon

Sleeveless shirts
Minuscule skirts
Beads, glow sticks
Unity

Altogether
Under one universe
Dedicated to this single moment
And what it means to us
One mind
Joined
For equal freedom

The first half light crescent sneaked out
catching a glimpse of you glinting  
exuberant on the pitch dark
edge of the other side of the pool
wrapped in pure kohl.
Time and again matching the vision
it waxes into the full moon.

Awake all night in the serene shadow
down the blinded silhouetted earth.
I can see out off its calm lock
a firefly flies out and maybe afar
but that view might not miss no star.
But does even the moon see the tuberose
blooms in dark earth deep down the kohl?

I am shylock,
In the attic barely used,
Barren exuberant floorboards creak in exhalation,
Of your footsteps.
There you find me,
In the dust;
A wooden trunk with brass fixings,
Didn't I tell you I held a million treasures?
You breathe in the sunlight,  
From the round attic window,
Preening itself in your vision basked in gold.
I am shylock,
You moved a gilded hand,
Guided by a unknown force of union with the lock,
The air is silent around you,
The room is intrepid in its wanton stranger,
Who dares to enter this chamber of dust.
I am shylock,
You take my fingertips from the cup of a hand I had placed gently on your cheek,
The night before I had told you,
Of this room,
You gently take my fingers and place it on the lock.
I am shylock,
There is a gentle click,
That soon awashes the abated room,
That sways into a tsunami of grandeur,
Of history, emotion, silence and tears,
And it consumes the dust,
The acrid air and essence of my fears settle on your eyes and the homely mouth.
I am shylock,
You know how I came about,
Now,
You know how this room became accustomed to the dust,
And the floorboards, the dust,
And the window, the dark,
You are breathing me,
The trunk is open and waiting,
And at the bottom,
A ragdoll awaits your palm,
Your strength, your gentleness and patience,
This is my shy,
This is my lock,
And you entered the room and consumed me.
Burst through the door, cut down the labyrinth,
and found me.
Picking me up,
You,
Became me, attended me, held me,
with grace sensitive to my touch,  
with the intention of a protector to my defence,
And the brazen warrior to my battle.
Now I am entered and countered.
Protected and put together,
Unbound and in your arms;
Now I am open and free.
My ragdoll, your love, and me.
Together, unlocked,
together I and you become, we.