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"discreetly" poems
It’s the name of the game. We're slaves to our secret place. Even if we discreetly meet, since we hate being apart. Safe and sound with you baby, all I need is your sweet heart. Our secrets intertwine, We play and tease and test. The tension simmers up inside. We form an explosion of emotions, as powerful as the windiest storm; but we only see each others eyes, lying naked on the floor. And when I said “No I love you more” you melt and slam the door. Gently kiss my hair, and nibble on my neck. Caress me everywhere, till I softly moan in your mouth; and it drives you wild, so you quickly go down. Kiss my legs, then my thighs. Now my whole body shakes, you **** on my every curve. I pant louder and louder, then scream “please don’t stop”; but you want me so bad. Oh and you are rock hard, so you slip right inside; and we make passionate love in the dark
0
Feb 13, 2018
Feb 13, 2018 at 3:16 AM UTC
Magnets
Sunday sermons are spilling on the inner city streets through the green heaps and brown bags through the downtown whisperers and sage solitude souls Army bands prepare for march (their trench members filling packs with canister and cane) the high command and tricked militia head pinned quick on the look for splinter, lorry and skuttle Traffic patterns change at the COP connect camouflage bearers break formal stride battle men slip between colorful floats unsuspecting slumlords (vein pricked and weary) grin in their second suite dying rooms Twitching men and rubbernecks sit discreetly on the corner wall JJ and the chief revere a 21 gun salute holy rollers raise cheer (in a moment of silence) chess men hold steady with ivory cues Flames belt from the distant foundry streets come alive with crackle and dust members of the attic group glance down from their perch an elderly man in a straight jacket (happy in the now) sits solemnly with a cold reflective stare It’s not far from the steely mud holes from the flying fragments and sharp broken dreams from the arsenal digs and madmen (who quietly turned the ***** the ivy trellis and flowing white gown are a nocturne fit for this elevated rolling highland
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Apr 19, 2017
Apr 19, 2017 at 8:33 PM UTC
James Street Parade
Overnight, very Whitely, discreetly, Very quietly Our toes, our noses Take hold on the loam, Acquire the air. Nobody sees us, Stops us, betrays us; The small grains make room. Soft fists insist on Heaving the needles, The leafy bedding, Even the paving. Our hammers, our rams, Earless and eyeless, Perfectly voiceless, Widen the crannies, Shoulder through holes. We Diet on water, On crumbs of shadow, Bland-mannered, asking Little or nothing. So many of us! So many of us! We are shelves, we are Tables, we are meek, We are edible, Nudgers and shovers In spite of ourselves. Our kind multiplies: We shall by morning Inherit the earth. Our foot's in the door.
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20.6k
Mushrooms
A young girl is walking on a sinuous and rough trail. Wounds and scratches have found its place in her body, so frail. As she reached the end of the pathway, she began to feel decrepit and impuissant that she wanted to discreetly skreigh. On a cloudy dark night, a boy appeared in the fog. He said Everthing will be okay.. Don't worry.. Just take my hand.. He took her to a place that is very bright, dazzling that it hurts her heavy eyes. They both sitted on an evergreen well-groomed grass. She noticed the beautiful scenery that appeared. It calmed her mind, her heart, her whole being. The sun shines, the water by the river is crystal blue, the breeze of the wind blows her hair. She have seen the skies, the birds and the flowers surrounded by tall trees. This place is filled with love, joy and happiness. This is the place that she can choose to be with or she can be in another world..                                           - Ella Salvador
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Jun 4, 2018
Jun 4, 2018 at 5:18 AM UTC
Paradise
I always assume that kids know how to be kids. I'm sure we weren't taught the skills, were we? No-one pointed to a tree and said, "See that?  Climb it." And if Craig or Chris or Jamie pointed a finger and said, "Bang!", no referee had to discreetly whisper "You're supposed to fall down now." But something as natural as breathing is falling by the wayside. These small humans aren't kids - not like we were. Company is a chore for them, screen-seeking solipsists, and I worry for their future, constantly. If my six-year-old self were to appear amongst them he would stand, baffled, full of useless power Like Spiderman on the Norfolk Broads.
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Feb 12, 2011
Feb 12, 2011 at 5:13 AM UTC
Spiderman
*Rising full moon spreads her cryptic commands on the tree branch a wise owl sits intently listening from her window a girl in wonder discreetly observes , seeks its unknown meaning , a pregnant pause in the choral music*
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May 9, 2014
May 9, 2014 at 10:02 PM UTC
Music unheard
He lets her touch him intimately, without emotion                         when in some pretext she is alone, in his cubicle with him, discussing  things inane,                      a software environs need not be  concerned some times when she passes through,                      her longing crosses limits, these days it has become frequent, to the extent others to  notice.                     she found silly excuses, fifth time this morning but he can't hurt her feeling, a team member valued,                       she contributes to his success, as the team leader   He can see her need for comfort,                under her tired eyes dark shadows of sleepiness   lay curled like a depressed mongrel,                      yet another duel she had with that nincompoop    she calls her husband, all through last night;                       a sudden pang he feels calls his wife   asks if she is fine, to ease his guilt that raises                         its head like  a snake from under the cover of grass.   "A housewife has a thousand things to do, why don't you                       find a buxom colleague to flirt, if that is the need"   she banters and teases him on his illogical concerns.                       Through the glass parting he discreetly watches her face    heard a murmur arising inside,"the ***** plans the next move"                            panicked he tried to concentrate on the screen    that looked frightening, the deadline getting nearer and nearer                        by each hour, he heard the heavy foot fall   at that moment he heard a thud, as if something fell down                       everyone was running towards her workstation.
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May 25, 2014
May 25, 2014 at 10:04 AM UTC
The burden
He lets her touch him intimately, without emotion                         when in some pretext she is alone, in his cubicle with him, discussing  things inane,                      a software environs need not be  concerned some times when she passes through,                      her longing crosses limits, these days it has become frequent, to the extent others to  notice.                     she found silly excuses, fifth time this morning but he can't hurt her feeling, a team member valued,                       she contributes to his success, as the team leader   He can see her need for comfort,                under her tired eyes dark shadows of sleepiness   lay curled like a depressed mongrel,                      yet another duel she had with that nincompoop    she calls her husband, all through last night;                       a sudden pang he feels calls his wife   asks if she is fine, to ease his guilt that raises                         its head like  a snake from under the cover of grass.   "A housewife has a thousand things to do, why don't you                       find a buxom colleague to flirt, if that is the need"   she banters and teases him on his illogical concerns.                       Through the glass parting he discreetly watches her face    heard a murmur arising inside,"the ***** plans the next move"                            panicked he tried to concentrate on the screen    that looked frightening, the deadline getting nearer and nearer                        by each hour, he heard the heavy foot fall   at that moment he heard a thud, as if something fell down                       everyone was running towards her workstation.
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28
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts. three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began. him: what will you be painting? me: i can't tell, you might judge me for it. him: alright, but promise me you'll show it to me once you're done. me: okay. same to you too, then. hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting. him: i'm finally done. this is a masterpiece. me: i believe it's the same for me too. him: should we count down as we turn our boards to each other? me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us. we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence. after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other. sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
0
Apr 15, 2016
Apr 15, 2016 at 12:58 PM UTC
watercolor jar
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts. three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began. him: what will you be painting? me: i can't tell, you might judge me for it. him: alright, but promise me you'll show it to me once you're done. me: okay. same to you too, then. hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting. him: i'm finally done. this is a masterpiece. me: i believe it's the same for me too. him: should we count down as we turn our boards to each other? me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us. we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence. after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other. sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
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14
The city takes your soul block by block While you sit on the curb in mismatched socks Trying to retain your extremely weak but steadfast streak of being unique Cities aren't 24-hour Christmas The trick is to remain ambitious Hands in your lap No eye contact Going tap tap tap on your Citizens app While discreetly doodling a Sharpie spaceship on the subway seat Hitting the street With sick beats in your feet Cuz thoughts of quotas and quarters won't quell a quintessential quest To push the city to its limits and try your very best To keep biting your nails behind elevator doors Cuz no chewed-up hands are exactly like yours A balancing act Trying not to get trapped Or smothered by facts But undeniably I love what's inside of me My heart keeps me alive But what I love makes me live The city takes my soul But I've got soul to give.
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May 9, 2014
May 9, 2014 at 3:16 AM UTC
City
Too far away, oh love, I know, To save me from this haunted road, Whose lofty roses break and blow On a night-sky bent with a load Of lights: each solitary rose, Each arc-lamp golden does expose Ghost beyond ghost of a blossom, shows Night blenched with a thousand snows. Of hawthorn and of lilac trees, White lilac; shows discoloured night Dripping with all the golden lees Laburnum gives back to light. And shows the red of hawthorn set On high to the purple heaven of night, Like flags in blenched blood newly wet, Blood shed in the noiseless fight. Of life for love and love for life, Of hunger for a little food, Of kissing, lost for want of a wife Long ago, long ago wooed. . . . . . . Too far away you are, my love, To steady my brain in this phantom show That passes the nightly road above And returns again below. The enormous cliff of horse-chestnut trees Has poised on each of its ledges An ***** small girl looking down at me; White-night-gowned little chits I see, And they peep at me over the edges Of the leaves as though they would leap, should I call Them down to my arms; "But, child, you're too small for me, too small Your little charms." White little sheaves of night-gowned maids, Some other will thresh you out! And I see leaning from the shades A lilac like a lady there, who braids Her white mantilla about Her face, and forward leans to catch the sight Of a man's face, Gracefully sighing through the white Flowery mantilla of lace. And another lilac in purple veiled Discreetly, all recklessly calls In a low, shocking perfume, to know who has hailed Her forth from the night: my strength has failed In her voice, my weak heart falls: Oh, and see the laburnum shimmering Her draperies down, As if she would slip the gold, and glimmering White, stand naked of gown. . . . . . . The pageant of flowery trees above The street pale-passionate goes, And back again down the pavement, Love In a lesser pageant flows. Two and two are the folk that walk, They pass in a half embrace Of linked bodies, and they talk With dark face leaning to face. Come then, my love, come as you will Along this haunted road, Be whom you will, my darling, I shall Keep with you the troth I trowed.
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4.2k
Drunk
Too far away, oh love, I know, To save me from this haunted road, Whose lofty roses break and blow On a night-sky bent with a load Of lights: each solitary rose, Each arc-lamp golden does expose Ghost beyond ghost of a blossom, shows Night blenched with a thousand snows. Of hawthorn and of lilac trees, White lilac; shows discoloured night Dripping with all the golden lees Laburnum gives back to light. And shows the red of hawthorn set On high to the purple heaven of night, Like flags in blenched blood newly wet, Blood shed in the noiseless fight. Of life for love and love for life, Of hunger for a little food, Of kissing, lost for want of a wife Long ago, long ago wooed. . . . . . . Too far away you are, my love, To steady my brain in this phantom show That passes the nightly road above And returns again below. The enormous cliff of horse-chestnut trees Has poised on each of its ledges An ***** small girl looking down at me; White-night-gowned little chits I see, And they peep at me over the edges Of the leaves as though they would leap, should I call Them down to my arms; "But, child, you're too small for me, too small Your little charms." White little sheaves of night-gowned maids, Some other will thresh you out! And I see leaning from the shades A lilac like a lady there, who braids Her white mantilla about Her face, and forward leans to catch the sight Of a man's face, Gracefully sighing through the white Flowery mantilla of lace. And another lilac in purple veiled Discreetly, all recklessly calls In a low, shocking perfume, to know who has hailed Her forth from the night: my strength has failed In her voice, my weak heart falls: Oh, and see the laburnum shimmering Her draperies down, As if she would slip the gold, and glimmering White, stand naked of gown. . . . . . . The pageant of flowery trees above The street pale-passionate goes, And back again down the pavement, Love In a lesser pageant flows. Two and two are the folk that walk, They pass in a half embrace Of linked bodies, and they talk With dark face leaning to face. Come then, my love, come as you will Along this haunted road, Be whom you will, my darling, I shall Keep with you the troth I trowed.
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74
you hold me with a grasp that aches to let go that hates that I let it know that i’m leaving Your arms begin grieving Refusing to let go of this fleeting Moment The energy you surround me with so potent So intense The kind that gives one notions The kind that causes me to question every motion I make Every romantic idea I create a facade So intense With little motion And the sense Of calm You yawn I gaze at your slumber and my fawn hands caress your umber burnt skin and i begin to listen, to your heartbeat at its proper pace as my aching heart mimics it, they begin to race my eyes dance around your face As you pull me deeper into your embrace You hold me as your snores begin to scold me you unfold me i become open to you as i review ever subtle movement my body soothes when you hold me, how I refuse to hold myself. i whisper very boldly to myself, i love you but only discreetly while you’re sleeping because only while we’re dreaming does this all feel so possible does this type of love and sensuality and affection feel probable so i lay and i wait for you to awake i wait in this space for you to gently place your lips on my forehead for your warm embrace. for clothes to replace your warm embrace in its stead for our little visit to come to an end. you release me with that grasp that aches to let go that hates that, I let it know that i have to leave it Your arms begin grieving me the romanticism begins fleeting me i reach over to kiss you one more time and in turn you reply “i love you” my heart did not know what to say or what to do it could not take any less of you only anymore
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Jan 20, 2019
Jan 20, 2019 at 6:49 PM UTC
to hold me
you hold me with a grasp that aches to let go that hates that I let it know that i’m leaving Your arms begin grieving Refusing to let go of this fleeting Moment The energy you surround me with so potent So intense The kind that gives one notions The kind that causes me to question every motion I make Every romantic idea I create a facade So intense With little motion And the sense Of calm You yawn I gaze at your slumber and my fawn hands caress your umber burnt skin and i begin to listen, to your heartbeat at its proper pace as my aching heart mimics it, they begin to race my eyes dance around your face As you pull me deeper into your embrace You hold me as your snores begin to scold me you unfold me i become open to you as i review ever subtle movement my body soothes when you hold me, how I refuse to hold myself. i whisper very boldly to myself, i love you but only discreetly while you’re sleeping because only while we’re dreaming does this all feel so possible does this type of love and sensuality and affection feel probable so i lay and i wait for you to awake i wait in this space for you to gently place your lips on my forehead for your warm embrace. for clothes to replace your warm embrace in its stead for our little visit to come to an end. you release me with that grasp that aches to let go that hates that, I let it know that i have to leave it Your arms begin grieving me the romanticism begins fleeting me i reach over to kiss you one more time and in turn you reply “i love you” my heart did not know what to say or what to do it could not take any less of you only anymore
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66
If I were mild, and I were sweet, And laid my heart before your feet, And took my dearest thoughts to you, And hailed your easy lies as true; Were I to murmur "Yes," and then "How true, my dear," and "Yes," again, And wear my eyes discreetly down, And tremble whitely at your frown, And keep my words unquestioning My love, you'd run like anything! Should I be frail, and I be mad, And share my heart with every lad, But beat my head against the floor What times you wandered past my door; Were I to doubt, and I to sneer, And shriek "Farewell!" and still be here, And break your joy, and quench your trust-- I should not see you for the dust!
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4.2k
Dilemma
By serendipity's sake, There mine eyes beheld her Grinning with serenity about the lake, Peeking from just around the corner; Ineffably with a novelty luster, Treading about wishy-washy skies, Epitomizing all her ethereal grandeur, That felicity exuded about mine eyes. Alas! Only to turn around as to behold, Vividly behold such novelty pulchritude About her gown and crown of gold, Than when it didst dawn upon me: "She was discreetly decamping yonder, Leaving me a desolate, in a vale of pain, Down the dumps & a lonesome wanderer Wishing to catch a glance at her again!"
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May 31, 2017
May 31, 2017 at 4:43 PM UTC
BEAUTEOUS TWILIGHT
A translucent blouse of yellow covers her ******* Black skirt, sliced from foot to hip. Discreetly covering from all but imagination. The imagination provides the words. To conjure image of this bird. Five feet ten. Womanly hips. Sparking witchy fingertips. In black ankle boots. She stands. Makes no demands. Nobody matters. Those she just flatters. Lest those who wish. Wishes which, can only be met by magic wand. Only sleight of hand can convince her. That love will e'er be worth having again By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Dec 22, 2013
Dec 22, 2013 at 8:40 AM UTC
Dress Code!
**** SAUSAGE! *** and drugs and sausage rolls. When once them drugs did get me. *** crept up discreetly. And bit me hard upon the *** The sausage rolls were palatable. At times, I had the munchies. Them drugs were very pleasant. When I was rather young. Now at fifty years old. To take them drugs. I would be bold or rather stupid. Bring on ****** cupid. Much more ****** fun. The *** is bearable now and then. But only with some weird men. Always find the wrong uns. Guess what? A lesson learned. Leave the drugs. Miss not the *** Make sure them sausage rolls ain't burned! By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Nov 16, 2013
Nov 16, 2013 at 12:20 PM UTC
**** SAUSAGE!
It's a technological age & Baby, you've got my number, I love you close-up. live to see your sweet flow, 'cause I know Honey, you've been thinking about me. Did you get new drapes & an amber pillowcase Sweetheart? They're pretty nice! I just wanted to tell you, they match your gorgeous hair perfectly & when you hold yourself up like that, well...let's just say it makes me want to shout out a few kinky-things I'd like to do with you. If you only knew, oh, if you only knew, wink wink. And when your sparkling-eyes meet mine, it gets me going, but it's really your spread feminine-thighs that keeps me honest. No lies, I'm yours to keep, you can have me forever, I promise. O Doll Face, your lacy lingerie, so stunning, so very **** & amazingly sensual, especially the crotchless ones, what scrumptious sexy-fun, yum, yum! O Darling, my Sweet Sugar Pie, you're the greatest, & oh how I love you, you & your selfies, so discreetly, they move me. no lie!
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Apr 18, 2014
Apr 18, 2014 at 12:46 PM UTC
You & Your Selfies
Slowly it slides on sub zero waters trying to find a pathway to the sea sheet of pure blue and heaven white lumbers discreetly for aquiline is quite From the top of the world frozen fingers reach down claws frantic on solid ground No religion no sage no saviour just age and the relentless pull of gravity will take it from mountain to the sea This sculptress of valleys and dales and fjords that can be seen for miles travels without sound onward bound By Christos Andreas Kourtis aka NeonSolaris
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Nov 29, 2013
Nov 29, 2013 at 7:53 PM UTC
Glacier
Have ever you heard The crows sing sweetly? A singing bird, They sing discreetly. They caw to scoff And to berate you,— To **** you off And agitate you. O.O
0
Aug 27, 2015
Aug 27, 2015 at 9:32 PM UTC
In Spite
In my home city of Dhaka, there is an abundance of bananas. Their sickly sweet aroma hangs heavy in the air, mixing with the stench of human toil and chemical wastes to produce the true odor of despair. The lives of these bananas are relatively short. They start off in a poor farmer’s tree, dragged to market in a broken-down truck, and sold at a cut-throat price to the vendor. In a well-rehearsed play, vendor and consumer haggle over bruised bananas. The tired consumer brings the bananas home and hangs them in the kitchen where cockroaches stalk empty cupboards.                         The next day, we, the children, will carry the bananas in empty lunch boxes to school. Together, we will sit through vapid lectures, tailored to make the clock tick slower. Not once will the teacher pause to encourage us to achieve. During lunch, we will devour our bananas with unwashed hands. Despite our best efforts, we will be corralled into our parents’ lives and become the next generation of factory workers and office clerks.                 Sometimes though, a child manages to get a glimpse into the other world. I was fortunate enough to be one of these children. One afternoon, my father came into our tiny living room with a smile on his face and an object protruding from his shirt pocket. He told me that he had a special present for me. With a practiced flourish, he took out an orange from his worn shirt. My eyes widened with amazement.               To me, oranges were objects only celebrities and corrupt politicians could afford. They were luxury items, myths seen on television. Yet here I was, nothing extraordinary, holding a real orange in my palm. Slowly I peeled the orange, feeling my old impoverished self peel away simultaneously. As I tasted the first tangy slice, I heard the shackles of the banana chain fall. It was then that I truly felt that I had the power to become anything I wanted. That day, I was liberated from the vicious banana cycle.                From that day forward, I looked for positive events in my life, for signs of hope and change. One day, I saw my strict, condescending teacher discreetly hand an orange to a classmate whose family was unemployed. For the rest of the day, the child stood a little taller. For that day, he was no longer living in a destitute environment, but residing in the warmth of human nature.
0
Jan 1, 2013
Jan 1, 2013 at 1:13 PM UTC
Orange is the Color of Hope
In my home city of Dhaka, there is an abundance of bananas. Their sickly sweet aroma hangs heavy in the air, mixing with the stench of human toil and chemical wastes to produce the true odor of despair. The lives of these bananas are relatively short. They start off in a poor farmer’s tree, dragged to market in a broken-down truck, and sold at a cut-throat price to the vendor. In a well-rehearsed play, vendor and consumer haggle over bruised bananas. The tired consumer brings the bananas home and hangs them in the kitchen where cockroaches stalk empty cupboards.                         The next day, we, the children, will carry the bananas in empty lunch boxes to school. Together, we will sit through vapid lectures, tailored to make the clock tick slower. Not once will the teacher pause to encourage us to achieve. During lunch, we will devour our bananas with unwashed hands. Despite our best efforts, we will be corralled into our parents’ lives and become the next generation of factory workers and office clerks.                 Sometimes though, a child manages to get a glimpse into the other world. I was fortunate enough to be one of these children. One afternoon, my father came into our tiny living room with a smile on his face and an object protruding from his shirt pocket. He told me that he had a special present for me. With a practiced flourish, he took out an orange from his worn shirt. My eyes widened with amazement.               To me, oranges were objects only celebrities and corrupt politicians could afford. They were luxury items, myths seen on television. Yet here I was, nothing extraordinary, holding a real orange in my palm. Slowly I peeled the orange, feeling my old impoverished self peel away simultaneously. As I tasted the first tangy slice, I heard the shackles of the banana chain fall. It was then that I truly felt that I had the power to become anything I wanted. That day, I was liberated from the vicious banana cycle.                From that day forward, I looked for positive events in my life, for signs of hope and change. One day, I saw my strict, condescending teacher discreetly hand an orange to a classmate whose family was unemployed. For the rest of the day, the child stood a little taller. For that day, he was no longer living in a destitute environment, but residing in the warmth of human nature.
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5
Chords of expression fray into the misty atmosphere of a nocturnal energy field, where hermits display magical arts on the cliff-tops of allegiance. The application of force is intensified with heightened awareness, as it will produce the desired effect. Are you willing or able to acknowledge that there is a resonating vibration which surpasses timeless universal parameters? My cat is watching me. Therefore, the question arises around whether the concept of perception is defined by conservative projections or unbridled liberty? So, if we meander down those narrow and solitary roads of Andalucia to the small village of Pastelero, where snakes discreetly writhe into the fields of golden grain, we will find that an exploding teardrop is more powerful than a sonic boom. The sickle is an astrological formation which compels me to ask: Where have all the flowers gone?
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Nov 6, 2014
Nov 6, 2014 at 12:09 AM UTC
The Diversity of a Bio psychosocial Treble Clef
she swings thinking about her tomorrow she swings to get away from her sorrow she swings while her master is away she swings to get away from her fate she swings not laughing she swings discreetly as they continue fighting she swings knowing that she is reckless she swings counting seconds to her death
0
Dec 15, 2014
Dec 15, 2014 at 3:16 AM UTC
she swings
You think I didn't notice Or maybe I made it up I know what you said I'd never forget You're too special Giving comfort ironically Secretly, discreetly Don't worry, I won't tell
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Apr 19, 2011
Apr 19, 2011 at 2:22 PM UTC
Rockstar
i find myself assuming the role of quiet observer, looking around discreetly, and with more interest than i let on, i am transfixed by the simplicity with which complications arise between crooked pathways and straight lines of people, walking around interacting on levels that confound me and it makes me feel like an island yet uncharted sand untouched, bare of footprints and most of the time, i like it the feeling of being clean unsullied by those complications and i sit on my shore, watching the ragged ships sail by and the gulls circle, crying out why? why do we do these things to ourselves? why do we hide the truth and perform the lies? sometimes, i assume the role of confidant, of living journal and i describe the weight of the words dropped on my pages to nobody, because it really isn't my place to trivialize darknesses other than my own and i understand, i do but i feel lost, some days among the black holes of people who cannot escape their own space their own star-flecked universes and their planets crash into mine Milky Way swerving out of the path of destruction and getting lost in their dissolving sighs and i feel heavy with the ink of their confessions heavy with the advice that they ignore heavy with the simple ideas that crowd my head, circling like those gulls crying out why? why do we do these things to ourselves? why do we confide in strangers and never trust our own star systems to find their way back into orbit? i find myself assuming the role of me, of my own name displayed proudly on my sleeve familiar letters that seem to betray my transparent, flickering image warm and true to friends' eyes, perhaps but the spaces between the characters are what appear to me in the mirror not the black lines but the grey areas and i feel that transparency often when i am surrounded by that sea once again as i so often am and the waves just seem to crash right over me feeling invisible, and yet somehow too visible to ever be a part of the current, it seems as each whisper, each ripple each glance, each possible missed chance each glimmering sail upon the horizon appears to laugh at me whether it's my sad, slow swimming or my ragged inward appearance that shines through the cracks in my face it all becomes part of an image that i see burned upon the surface of my soul and some days it truly feels like even the gulls are circling around me, crying out why? why do you do these things to yourself? why do you even bother?
0
Jan 28, 2014
Jan 28, 2014 at 2:11 AM UTC
circling gulls
i find myself assuming the role of quiet observer, looking around discreetly, and with more interest than i let on, i am transfixed by the simplicity with which complications arise between crooked pathways and straight lines of people, walking around interacting on levels that confound me and it makes me feel like an island yet uncharted sand untouched, bare of footprints and most of the time, i like it the feeling of being clean unsullied by those complications and i sit on my shore, watching the ragged ships sail by and the gulls circle, crying out why? why do we do these things to ourselves? why do we hide the truth and perform the lies? sometimes, i assume the role of confidant, of living journal and i describe the weight of the words dropped on my pages to nobody, because it really isn't my place to trivialize darknesses other than my own and i understand, i do but i feel lost, some days among the black holes of people who cannot escape their own space their own star-flecked universes and their planets crash into mine Milky Way swerving out of the path of destruction and getting lost in their dissolving sighs and i feel heavy with the ink of their confessions heavy with the advice that they ignore heavy with the simple ideas that crowd my head, circling like those gulls crying out why? why do we do these things to ourselves? why do we confide in strangers and never trust our own star systems to find their way back into orbit? i find myself assuming the role of me, of my own name displayed proudly on my sleeve familiar letters that seem to betray my transparent, flickering image warm and true to friends' eyes, perhaps but the spaces between the characters are what appear to me in the mirror not the black lines but the grey areas and i feel that transparency often when i am surrounded by that sea once again as i so often am and the waves just seem to crash right over me feeling invisible, and yet somehow too visible to ever be a part of the current, it seems as each whisper, each ripple each glance, each possible missed chance each glimmering sail upon the horizon appears to laugh at me whether it's my sad, slow swimming or my ragged inward appearance that shines through the cracks in my face it all becomes part of an image that i see burned upon the surface of my soul and some days it truly feels like even the gulls are circling around me, crying out why? why do you do these things to yourself? why do you even bother?
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blind and black andromeda drops her skirt and around her waist she drapes the coldest dirt when the pink pearl parade is nearing don't ask, for long forgotten what was told her monarch and viceroy we age (but don't get any older) 2 dark lovers sleeping in a midnight clearing overland their dreams they glide of a lower shaded tint darkness over top of light white chocolate eggs and mint linen kitten sheets under branches lined of frost the surface tower rises by a shower sky of cream silhouetted hours joined discreetly at the seam riding overnight trains so as not to wake the lost the cauldron of a moment seen after a lifetime's purge parallel hips that light a smile never to converge "she smells like nina simone with a humid voice like ether pastel lips, renaissance legs and august sunset ******* a second to align our love before the blackened water crests nobody, nobody, nobody knows the depths that lie beneath her this fairground love ends in blessed rapture flame the terminal separation that God has given name of a strawberry village girl isolated and honey tressed whose severed fingers have guided paths anew when she could have left she decided not to but bound her deserter's hands behind love's holy breast now the violet sands cover our tracks then shift returning to a landscape's nightly spiral drift that was the night everything changed the hunted left the hunting grounds the silence longed to find a sound the equinox flowers lay rearranged
0
Sep 16, 2013
Sep 16, 2013 at 11:14 PM UTC
the separation terminal / equinox flower