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How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!

How it clatters along the roofs,
Like the ***** of hoofs!
How it gushes and struggles out
From the throat of the overflowing spout!

Across the window pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!

                         

In the country, on every side,
Where far and wide,
Like a leopard’s tawny and spotted hide,
Stretches the plain,
To the dry grass and the drier grain
How welcome is the rain!
soul Aug 2018
Loosing is not an option
its a choice
sucess is not permanent
it is a roller coaster ride
goes up and down
slide left and right
at the peak or at the bottom
sometimes high or sometime it clatters
someone cries at the end ,
someone got it a lot better
aftermath,they got wobbly legs
can't stand straight
or enjoys it before it ends.

thrill excites but never resides
fun is  transitory but still entertaining
hardwork is persistant and challenging
Tears become companion in the journey
happy or sad eyes let them flow

choose as per your desire
because there is no turning back
never saw turns that left behind
chasing the speed
to overcome the distance readily
we all do need some motivation to keep chasing our dreams
A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.


Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.
In this evil year, autumn comes early...
I walk by night in the field, alone, the rain clatters,
The wind on my hat...And you? And you, my friend?

You are standing--maybe--and seeing the sickle moon
Move in a small arc over the forests
And bivouac fire, red in the black valley.
You are lying--maybe--in a straw field and sleeping
And dew falls cold on your forehead and battle jacket.

It's possible tonight you're on horseback,
The farthest outpost, peering along, with a gun in your fist,
Smiling, whispering, to your exhausted horse.
Maybe--I keep imagining--you are spending the night
As a guest in a strange castle with a park
And writing a letter by candlelight, and tapping
On the piano keys by the window,
Groping for a sound...

--And maybe
You are already silent, already dead, and the day
Will shine no longer into your beloved
Serious eyes, and your beloved brown hand hangs wilted,
And your white forehead split open--Oh, if only,
If only, just once, that last day, I had shown you, told you
Something of my love, that was too timid to speak!

But you know me, you know...and, smiling, you nod
Tonight in front of your strange castle,
And you nod to your horse in the drenched forest,
And you nod to your sleep to your harsh clutter of straw,
And think about me, and smile.
And maybe,
Maybe some day you will come back from the war,
and take a walk with me some evening,
And somebody will talk about Longwy, Luttich, Dammerkirch,
And smile gravely, and everything will be as before,
And no one will speak a word of his worry,
Of his worry and tenderness by night in the field,
Of his love. And with a single joke
You will frighten away the worry, the war, the uneasy nights,
The summer lightning of shy human friendship,
Into the cool past that will never come back.
I pull my damp,
faded jean's jacket
out of the machine.
Something clatters.
Oh good, a dime.
No. A cherry seed.

Now you're going to tell me
that cherry have pits, right?
But "pit" is such a dismal little word.
And this shiny clean trophy sports
a history of petty thievery,
committed in the local grocery store.

A big yellow cherry with a pink blush.
Just one, chewed boldly. Its hard center
hidden in my pocket.
©Elisa Maria Argiro
chichee Oct 2018
Once upon a time, Oh but that’s such a boring way to start-
                                                          ­                       Once upon a time.
I was little red riding hood that knowingly stepped
                              onto the wrong side of the path,
Hoping that a monster in the woods
                                              would come and get me, but you-
A hurricane,
           car crashes in slow motion,
                              personified heartbreak-
                                                     ­                    Too much.
Too much applesauce madam? The waiter asked, clean-shaven face bathed
            In the New York skyline, ignorant to the gunfire explosions
                          inside me as I waited for you.
                                                            ­                No thank you, sir.


     “Meet me at the station”,
                                scrawled in messy, love- stained letters
In between the railway roars and the clatters of foreign accent, you've flaked again, like the struck chord of a bass
                        Signifying disappointment like a punch line
                                    Reverberating through my skull.
             Okay, repeat the mantra, one-two-steady-
                                                 ­                                     Okay. It's Okay.

Four weeks later
                                   I had your body pushed up flush against bricks and-
No shut up you don’t get to say anything after you go and shatter me like that
You’re sick do you know that? Lips snarling, heart breaking.  

You’re sick.
So maybe I was the big bad wolf after all.
                   Stairwell bricks glinted off iridescence and
                                                       your mouth in that sad, sad laugh
Studying me like a dream brought
                                                         ­                  to the ground,
Puffy lipped and eyes blown wide like I was on some psychedelic high-
            And you said
                               “You’re still a child with fanciful ideas of love, and the way you cling onto them-
                            Quite frankly, it’s terrifying.”

                                                   ­  Please darling, let me redefine myself
Skip the pleasantries and small talk,
                     scrap the story of little red riding hood-

Once upon a time, I was apology and you were forgiveness
I can imagine inside you, of alarm bells and sunken souls
                 as you listen to the static white noise of
                                                              ­            A dying heart
Hello darling, are you there? Can you hear me? Is this mic working?
          I hate to sound like those magazine cut outs-
                                                           ­         I hate to sound like,
Just another lover, just another cliché-
                                       But you were the matchstick to my dynamite
                                                                ­            and nothing feels better
Than my own self- destruction, so won’t you please
                     Another chance? No?
                                Even Lucifer sometimes longs to be let
                                                      Into the gates of heaven again
I’ve cooked some apology,
          I saved a plate for you

So for the love of god come inside and have some before it goes cold.
A remix of Richard Siken's "Litany In Which Certain Things Are Crossed Out", it's a really beautiful poem.
Vivian Jun 2015
They will not take my gun.
Get me their guns.

I have a right to my property.
They have a duty to obey us.

It is my responsibility to stand for what I believe in.
It is our responsibility to make them submit.

I hate them.
They will love us.

I say, break the law!
Do they dare go against us?

I petition; I riot; I will not go down without a fight!
We beat; We arrest; We will not lose this fight!

Alas, I am the only one left.
One insubordinate citizen remains.

I fire my gun for my freedom.
I fire my gun for our respect.

My only defense clatters to the ground.
I knock the gun out of his traitorous grip.

I fear what they will do to my family and me.
It is much safer to be feared than loved.

I take one last act to retrieve what is rightfully mine.
I take one last act to retrieve what is lawfully ours.

Then we both reach for the gun.**
Then we both reach for the gun.
In no way taking a side; simply expressing different views in the best way I know how. Through the art of poetry.
Lara Lewis Jan 2014
Tiny toes pitter patter,
The dish, the spoon, china clatters,
In the end it doesn't matter,
Nothing is new anymore.

Reduce, reuse, and recycle,
Take an inch, I go a mile.
Faces tighten with a smile,
Tired ankles, wanderlust-sore.

Marching songs, stomping feet,
Blood shed on the fresh cleaned street,
Sight of violence, scent of defeat,
Find a way home, find a way home.

Louder voices, stronger words,
Fleeing children, roosting birds,
Frame and focus, rule of thirds,
Final days of the Peace of Rome.
The owl-car clatters along, dogged by the echo
From building and battered paving-stone.
The headlight scoffs at the mist,
And fixes its yellow rays in the cold slow rain;
Against a pane I press my forehead
And drowsily look on the walls and sidewalks.

The headlight finds the way
And life is gone from the wet and the welter--
Only an old woman, bloated, disheveled and bleared.
Far-wandered waif of other days,
Huddles for sleep in a doorway,
Homeless.
M Eastman Jan 2015
I'm irritated and I'll
pour this bowl
of wrath on all
the things
around me
punch holes and
shiver through
the sudden bleak
Emptiness
around me
fill it back up
with liquor until it
sloshes away down this
knife hole and it
clatters to the ground
even though it's got my
fingerprints on it
I can wince through these
tears and cover it because
I'm irritated
Connor Apr 2015
A firetruck races past the isolate Blue Fox and infinity. Dulcimer clatters fading brickwork on the cross markets and churches where blind men are the imagining heaven. Luminescent Volcanic leaves heated from sunfire beautiful in the Spring choke lanes which are battered by abstract cavern homes. What happened to the Orient Harpsichord Serenity? Where does the Blue Fox go? Incense Markets Sauna with Smoke are busy in Denpasar while I'm here at a North American shopping mall where Ivory Columns cradled in violet fauna do wait sturdy and enchanted in rows.
Here I'm waiting by the leather clay shade bench in silent meditation breathing community whispers and listening clear to water pour from the lionhead fountain. Parrots caw atop a wide gated ceiling facing Empyreus.

There is a fire in America. The Blue Fox is hidden beneath firs and palms bathing in humidity. The Blue Fox is writing prophecies of economic collapse and rampant pointless murders making the newspapers. Ash storms blazing while banana painted trucks row on row attend to Victorian wood panels cooling to onyx powder in too short a time. There is no room for learning when The End Times go too quickly.
I'm listening to Bob Dylan scream instrumental prayer on harmonica rough against my ears. The Blue Fox treads February Beaches a few hundred miles from Australia and whistling the words of flowers in his head. He chews on wheatgrass jangling change in his fur pockets like those cartoons. He is the vision of Bohemia, he is an active star dazzled in this beguiled galaxy, yet in his spine he carries the turmoil doppleganger kept by all and known by none.
The firetrucks are doing all they can to quell the lung-poison vase boiling an apartment dancing inside but it continues to grow in its enraged fury.

There's a fire in America boys and girls, come around and see.
Canoes of memorial gold row through oppression and genocide, the Inuits and First Peoples of ancient years are wondering too where the blue fox went when agony cries the air. Stories of wisdom replaced with stories of war. Balaclavas labyrinthine through  exotic Bazaars thick with music and plants hanging off fishhooks and brass coat hangers while I write and dream of such Valhallas in my shopping mall on a quiet afternoon.
Bill is playing the banjo with faded paint and a single broken string, there he is on Yates! Cowboy hat made of charcoal velvet holding a meager collection of change.  
Stephen Schizophrenia is lying on his back watching aluminum kingdoms hover on by expanding nimbus clouds. He has eleven dollars to his name along with a damaged half torn belt with his initials engraved on the buckle  He taps his feet to Edith Piaf howling "La Vie En Rose" while an Airplane collides with his sacred personal aluminum palace, suddenly he can't block out the repressed memories he's fought decades to hide deep and dark in his bleak jazz enthralled brains.

Maybe we're all supposed to fall apart. Maybe we're designed to hurt and cause hurt. Where is that ****** Blue Fox? He's ebullient, thoughts fragmented in sharp bliss glass cutting him through while he rolls around the sands catching Buddha particles in his paws digging holes on Kuta Beach to his Idyllic land where happiness is forever and therefore false.

The Blue Fox falls in love overwhelming with everybody and every soul. So many souls by the billions every place! Even the tyrants. Even the demons. Even the necrophiliac scoring an OD'd brunette at twenty six from Anaheim who collapsed flatlined by prescriptions on a 3rd floor Complex.
He adores the narcissist who loves everybody as fully as The Blue Fox as long as they are herself. She is the harmonic untainted flytrap unaware of its own venomous nature but jealous of Summer and jealous of those whose names are heralded through generation to generation.
He adores The addict who is hollow of everything but the ****** sizzling under his patchy skin while he sinks from divinity swelling through his heart. He smiles while the remaining light dies inside him, left with only the regret remedies of suicide.
He adores The artist who fled to the big City and became nothing but watered down pigment after the Capitalists tossed him off the nearest skyscraper shouting pretentious metaphors.

The Blue Fox loves them all! He has no concept of the corrupt, or the lazy, or the greedy and needy and crazy and forgotten. They are all equal to him! The Blue Fox is knelt on paisley carpet smooth and spectacular! His regular India ashram, uplifting his body and his mind. The blue fox knows no doubt. Or anxiety, frailty or tears. He has no impulse or desire. The Blue Fox is joy in form and breathing spectrums of color mixing to combinations we cannot perceive.

There is a fire in america. It rages on unstoppable. It engulfs countries thousands of miles and histories away. It swallows the morning, noon and night. It protrudes disease in its wake. It heats up the ozone layer allowing radiation to make us more than cancer the zodiac. It causes our terror. It blots out our ardor. It havocs our heroes. Nothing is clean anymore. There is a fire in America.

And America is the world!  I'm watching out the front doors of this shopping mall where an elderly man trips at the food court escalator and becomes more renowned with every lethal collision down the tiles of freedom. Paramedics arrive shortly after and attend to another scalded by that same fire.
Up and up it goes!
gmg Jul 2014
She jots down her feelings into that black journal with the red rose on the faded cover and the spine made out of red yarn to keep it held together. She writes about a boy, and how he has one green eye and one blue. I guess you could say he was a beautiful human being to her. She wanted him more than she had ever wanted anything in her life. She never experienced any touchy touchy feely feely crap, but he had the veiniest arms and it's as if he had the roots of a tree clinging to him. She wanted those hands, those send, around her body. She wanted to kiss his lips to see if he tasted like a hurricane or a tornado, or simply even a raindrop. When you're around her hands get all clammy, her palms are soaked, as if she's holding the ocean in her hands, this is what sweaty palms of nervous love is. She wrote about how his eye was as blue as the ocean she was drowning in after he had gone and how the other was as green as the leaves on the tree she fell from when she first met him. She wrote about how that was the same tree whose roots clung to his arms and when she fell she lost her roots. His lips that she oh so dearly wanted to kiss were as red as the rose whose thorns pricked her heart and made it bleed and hurt every single time it beat. And his blond hair looked to be as yellow as the sun that she could find even on the cloudiest days, where the clouds were thick and the rain pouring but she found shelter being held in his arms. She loved counting the freckles on his face that were as numerous as the night stars. She fell in love with every single detail about him, yet she never saw the way he looked at her. She could paint a perfect picture of him just by memory, making sure every perfect detail was included, but she didn't see herself as beautiful as the boy with the blue eye and the green eye did. She's scared of him though, no matter how beautiful he may be, no matter how much he reminds her of the sun, or the roots of trees clinging to him like cobwebs clinging to her un-kisses okays. She wonders, what if she keeps quiet, what if she won't destroy you, but she's really hoping she doesn't destroy you with her smile, she doesn't want you to look for a way out when you haven't even made your way in. She finds her dad in silverware, as it clatters and falls to the floor, especially knives, dressed in memories, they stab her in the back like he stabbed her mom, he's why she's so scared, her Father up and left without reasoning, she's scared to put her trust in you like she did him. But, she'll find you in scalding water, as she's washing years of giving up off her history book hands... You're that abandoned building with a Danger sign hammered to a white chipped paint door, she's taking a chance and she's going to judge you for what's inside, and hopefully no halloween masks are covering up your heart, making you someone you're not. She's scared of what she will find inside but also knows she can't turn back when she find out. No matter what wires are broken and how unstable the building is she'll take her chances knowing that she very well can die in there but that would be better than dying before exploring the heart of her lover. She takes her adventure to learn more about this mysterious boy to find what lies behind his eyes hoping to glimpse into his heart and soul so she can jot down her discoveries in that journal. So she can see the truth in why those eyes are two different colors and why he never gets too close to anyone that loves him. He's just as scared as going in that abandoned building to find what lies within as she is, but he's even more wary of what he does ready to fled at the first sight of danger, at the first fallen wire he's ready to run but she keeps going trying to dig deeper into the mystery while he just doesn't want to be hurt by the girl with the brown eyes.
writing collab with twitter user @xlachrymose
girl diffused Nov 2023
I.

All I can say is that it is a hum
Reverberant, droning, consistent
Quiet thrumming along the surface
Stirs me awake and then it fills me with
Ichor and I sip, sip, and sip (until I'm drunk).

All I can say is that it is a hum,
Quiet droning, a hushed whisper,
Loud screaming inside the head,
A piercing headache, sometimes a discordant wail.

II.

You sit on the porcelain lip of the tub
Hooded eyes lowered, your fingertips
Pressed together like the steeple of a church

I think: Yes, this is what Renaissance painters modeled angels after. Your skin is like a rose-tinged alabaster, your cheeks Suffused with blood. The painter took a measured time with you.

"Do you honestly think you'll be okay on your own?" You ask.

Silence, she greets you.

III.

Hasn't my mother violently
Ejected me from the nest
I'm only a few months old, a nestling
Wings awkward and clumsy
Beak agape for masticated food
(I'm not ******* ready yet)
Ejects me
Her beak threatens to pierce my shell

This is dejà vu.
I've conversed before
Different room, different domain,
Different speaker, a sicker listener
I'm as sick, sick as **** now

Mind, she hums, crescendo
Crescendo high like a choral piece
Orchestral, and this is resplendent
Everything is gleaming
Your face encased in a soft glow
Halo of light
Your face, cherubic,
His face, Romanesque, was sculpted like a Bronze Age statue.

"Your mother didn't give you the right set of tools. My mother at least gave me–" he falters.

IV.

I remember calling the ex 28 times in the span of 2 hours.
The policeman, he counted.
Thrashing on the floor, weeping like Persephone must've in Hades, like a fallen Mortal reborn as a minor goddess
Stripped me, he did though, of my wings
Avian feathers streaked with years-old blood

My tears, why yes, they're bleeding rivulets.
My ****-brown eyes alight on the bleach
Yes, sweet death

"Stop calling me. I'm ******* another ***** right now," the ex says.

V.

Memory is so faded,
Plays like a scratched and worn cassette tape

Mind is a-humming, humming, my mind is
Orchestral choir, church choir, Pentecostal
Now, I eat ichor, ravenous, now I am Closer to God and she is a woman,  
Draped in funeral attire
She weeps, soundless, a Seer

"I don't know," I say.

"The med isn't working," you reply
Cherubic face shifts and morphs
Melts into soft glow light,
One with the halo, is the halo

Nothing makes sense, everything else does too. My mind races, cassette tapes
Whirs, skips, images flash, I weep
Weep like Sisyphus
Eyes spilling rivers of penny-tinged
Crimson, sanguine ichor

One day he'll taste it and hate me,
Loathe me, the jade-eyed serpent
Poison-fanged
I'll clutch his scales until my fingers are Cut, welts, mottled bruises, fading scars
I will be punished, am punished
The illness, the eternal Boulder on the eternal hill, it rolls and rolls, my mouth agape

I await my cyclic fate ordained by the Higher God

VI.

How many men have I lured into the chamber?
Drunk on sweet wine or mead?
Petrified into osseous
Their gazes failing to avert from my Penetrative stare?

He was an errant General, beautiful but stupid, his mind a one way road, his temper unpredictable and flighty
Oh, how I loved the duality of him
We philosophized
Theorized on the Gods
Laughed at their follies
Wondered at the mysteries of the universe, Her deep annals

Oh, how I loved the physicality of him
Tight, corded muscle, his back like a Wound spring, Bronze hand
Grasping a silver sword

Hark! His rounded shield is lifted, my hideous reflection stares back at me
My eyes, widened, the cup of manna Clatters, soundly in the chamber
Reverberates
Bounces off my throne of skulls

How many men have I–?

VII.

"Can you honestly say that you can take care of yourself?" You ask from the place atop the lip of the porcelain tub. Your hands, a steeple, a church spire
Perhaps, you are a lesser God, perhaps we are all falling Lucifers, wingless, blinded by vengefulness and betrayal
Perhaps, he too is–?

"Am I an infant to you?" I ask.
The headache splits
The pain demands, claws at the side of my skull, dances across my nerves, liquid iron on my tongue

Because when did I?

Oh, Sisyphus you weep! You, who slaughtered so many!

Oh, Medusa, you wept, you beautiful serpentine harlot, you *****, you–
The choir is a strong crescendo, Ascending, ascending, ascending
Lowers like a thrumting and heavy bellow
Deep, rich, and full, timbre

"Everyone, all your life has said you were crazy, but I don't think you are, I–"

VIII.

The tapes skip, voices garbled, muffled, Indiscernible and distorted
Mind shrieks, lower now, quieter now, Barely audible, a fading whisper, your halo Recedes, soft glow dims

Your hands separate, the steeple, no, the Spire collapses.
Held breath hitches,
Serpentine tendrils become wisps of hair, Cloudlike

We are lesser gods, not quite mortal, not quite divine

The itch demands to be felt, protests
And I, I scream endless into a dark chasm
My voice, it does not call back to me
It does not–

"I don't know."
A/n: It's been awhile. Hello. This is the unedited version of "medusa." This is the result of me reading T.S. Eliot and talking to my dear friend about older contemporary poets.

This is the result of dream and haze filled nights and stressful but languid mornings.

Enjoy.
Lydeen Dec 2020
When I'm home alone,
I feel empty.
The circles under my eyes...
Bruises.
Wind carries through cracks,
Mice scratch scratch scratch scratch...

Something clatters.
Whispers?
Footsteps?!

And suddenly it's loud.
My heart pound pound pounds...
Adrenaline.
Anxiety.
Getting closer...
Quick! Grab a weapon!

I call out:
"Is someone there?!"
Silence.

And suddenly it is all quiet again.
Do you ever feel like you're being watched? Or that shadow in the corner of your eye... What if someday it's not a shadow?
Chris D Aechtner Apr 2010
Through past/present/future, the Imagist Express still clatters, bending time, space,
and everything else that truly matters.

The eclectic, mingled aroma
of Turkish coffee, French onion soup,
and spicy Kung Pao almonds,
wafts from the kitchen,
stinging the ornamental eyes
carved into the lounge car's ceiling.

A draft clears the air—
squinted eyes become wide-angle lenses;
pupils melt like hot candle wax,
dripping onto toes that are tapping
to the rhythmic beat of iron bones
spinning 'round below.

Barely—just barely,
the passengers feel the engine's migratory yearning as the conductor switches the tracks
of thought, so mesmerized they are
with their reflections in the windows:
pale faces dangling from a moistened,
black bough. The strange, intoxicating fruit

hangs

amongst the smudges of fingerprints,
their spirals, bending time, space,
and everything else that truly matters.
Thera Lance Sep 2018
December tenth stares from a wall,
At a girl with night-colored hair and
Eyes the shade of a twilight
That blurs purple into the darkness.

The girl looks out
At the blurred edges of this night’s snowflakes,
Falling softly past the windowpane
And down to empty streets below.

It has been more than a month since her birthday,
Her escape from fourteen
That twirled around the clock
A hundred or more times before
Finally stopping.

Maybe not a hundred times,
It was only one month
Repeating again and again
With thirty days of sunshine and one of rain,
Only one of rain.
Madoka always dies on rainy days.

A teacup clatters,
Not quite the clinks of shattering glass,
But startling all the same.
The awakened girl looks into
Kind eyes and golden curls left free to spill over a friend’s shoulder.
Still intentional in all movements,
The golden girl continues setting up the rest of that midnight’s meal.

Tiramisu melts upon tongues as
Two friends sit in silence,
And two survivors let their thoughts soften with the disappearing cake.

The quiet reigns,
Until the twilight girl leaves
With the waking of dawn’s light.
A soft “thank you” drifts with the snow behind her
While unnumbered days rise up ahead,
Forever blocking her sight of what’s to come.
This particular poem is a fanfic tribute of the anime series, Puella Magi Madoka Magica. For those unfamiliar with the series, this poem is about a girl who survives a Groundhog's Day/ Edge of Tomorrow scenario where she's stuck in a month-long time loop for at least a decade and is forced to fight monsters and watch her friends and her loved one die again and again.
Jade Feb 2013
"good morning"
a distracted nod
the door opens

"have a nice day"
a preoccupied glance
the elevator closes

"have a nice weekend"
an abstracted smile
the register clatters

oh the niceties of the ersatz existence
yet another day in paradise
Adam Childs Sep 2015
RAM
I am Lion dressed as lamb
A King wearing a woolly coat
As my eyes turn red with
an increasing heart beat
and the heat of the sun
I know I have to run
While weaker men may
cry and weep in the battle
field they pray.
My laughter like armour
ripped from dead bodies
clatters through their soul.
And amongst all the waste
sliding down the valley they
hear my voice echo as they
know they have met the
GOD OF WAR.
Press me and you may find
an almost pessimistic mind
but only because i build a
house with stone.

A thousand  times I offer my love
a thousand times the world says no.
A thousand times I search for God
and only find a silence, a nothing.
A thousand times I seek my fortune
and only find fools gold.
My mind my 2 inch thick skull beaten
and folded, layered and layered fire
welded like the finest sword.
Strengthened with the forces of
fire and water, sharpened and
grounded by the trials of life.
For there is no need for fantasy
walk on water fairy tale land
with my battle hardened mind.

And the devil you are all so
frightened of he is mine and
I love him.
As I am here to free your mind
so let it be pessimistic critical
unleash your dragon.
For unlike all your GURU'S
I say the battle is not inside
but on the outside.
I never get lost or disappear
into  the black hole of my
mind but hold the blackness
up in the face of darkness.

All the No's of my mind become
my spear my shield.
Standing square all the world
fears my sword.
A hardened head a shield i carry
in front of me. with an unleashed
love I am pulled forward.
As a million soldiers stamp their
feet inside my head.
With spiraling forces expressing
curling themselves onward.
As I drill out new spaces
in new places.
  As I am swept up by the cogs
of space and time I get a glimpse
of GODS passion.
Completely protected I smash  
and smash myself forward as
I am like a planet sling shot
around.

Though my mind may feel closed
my heart is always open.
Riding on an expanding natural
force I know myself to be much
bigger.
As you cannot contain the power
of my yes anymore than an
exploding universe.
As God says no amount of no's
stopped me making all of you.
By being hear I know I have
already won.
As I have been bursting out of
sun spots, super nova's stars
ever since time began.

Much can be learn't from the RAM
with his soft heart and hard mind.
Mitchell Sep 2014
The sand's soft underneath my cheek; cool and grainy like a scattered pillow should be. I hear the crash of waves and the call of gulls. A headache starts to brew on either temple while stale *** coats my famished tongue. I feel a light drizzle tickling my face. Flashes of wide smiles and high conversation skims through my broken memory. The suns rising. Its heat is on my back. My eyes flutter and slowly open to a scene of white froth colliding with pure light blue ocean. Seagulls bob up and down in the rise and fall of the waves, their faces look like their made of stone, their eyes indifferent. I smile, getting sand in-between my teeth.
I reach out my hand and grip the hot sand. Tiny pebbles rub in between my fingertips. Another scream from the sea gulls above me. The sky seems like no place for a crowd. Reaching a little farther, I discover a half-empty bottle of Bacardi *** and a packet of cigarettes beside it. A lighter is tucked inside.
"Lucky day," I say aloud to myself, "Lucky day for you indeed." I bring the bottle to my chest and lean it in between my pecs. It rests perfectly there. Smacking a cigarette out of the pack, I place it in my mouth and dig in my sandy pockets for a lighter. It's still there. This surprises me. I light the cigarette and my eyes immediately cringe as the heavy billow of smoke erupts forth. It's a sting I'm used to, so I blink hard a few times. The pain only lasts for a moment, then it's gone.
"There we go," I say leaning my head back, wedging it into the sand, "Let night become this day."
Clouds dissipate and the sky opens up clear. A toucan bird clatters its beak in the distant banana trees. I look to see where it is, but the birds colors are lost in the dark green and yellow of the trees leaves. I fit my lit cigarette in between my middle and pointer finger, push myself up to lean onto my elbow, and tip the bottle of *** back with my other hand. The *** is sweet and warm. Been sitting in the sun too long. I always like with a bit of ice in a Dixie cup. It pinches my lips and eyes for only a second, then starts to travel down to my stomach lining, warming it. The sun passes the dawn and the dark blue night sky becomes a new morning.
I lay there watching the water and the night become day for I have no idea how long. I've no obligation to no one, not even to myself. Time for me is a fleeting thing, but even if time is slipping away, where is it really slipping to? Time stands still and we are the ones that move. Perhaps we have created time to prove to ourselves that we are in fact alive?  
The freight train I jumped to get down to Cozumel came from Arizona. It was crowded like a ******* with vagrants, drunks, dealers, and desert kids. Me, I was in the last train cause I can't run for nothing. Shrapnel tore into my right calf when I was in the war. They tried to patch me up as good as they were able, but once something like that happens, it's impossible to truly get back to normal one-hundred percent. It's hard to come back one-hundred percent from anything when I think about it.
Come to me, lady Dee. Come to me lady who lives by the sea. You are the one I'm always thinking of. You are the one who sends me reeling and in love. Your hair is like honey: soft, golden, and sweet. Your eyes are like acorns: auburn and neat. Oh' when you went away that one winter's day, I was left with a feeling that there wasn't anything left to say. Where have you gone off to? Where do you stay? Will you ever come back to me? When will be that day?
Noon came. Children kick at my bare feet. Their laughter sounds like the echo of birds chirping. I can smell them too: red licorice mixed mixed with fried fish and fresh lemon. Where have they come from? What do they want with the likes of me? One of'em gets me hard in the ankle and I spring up onto my feet and roar. I see they're kids from town. Their skin is maple leaf brown and their hair, long and to their shoulders, is streaked yellow from the sun. I look down at them. Their faces are frozen, stunned. The smallest one of the groups teeth begin to chatter. I roar again louder and they scurry off up the white sands of the beach toward their homes, the smallest one lagging behind like a gimp donkey. I check my pockets to make sure none of them swiped my wallet or keys. Still there. My pockets are filled with sand and I dump them out as I make my way up the beach toward my cabin on the other side of the cove.
I built it myself, my cabin. She sits at the top of a sand dune overlooking the water. It's all I've got. Made a deal when I first arrive with the land owner, Perez Sandiago (Sandy if you know him), that I'd work for his iguana farm once or twice a week if he'd let me have the plot. They aren't too bad, the iguana's, as long as they don't bite you. Once they know you, they rarely do. More prone to sit and bask in the sun to bother anybody. All they need is to be fed, given some water, and left the hell alone as Sandy will say.
As I walk up the hill, a few small ***** and strings of seaweed in my hands for lunch, I see a small part of the roof is gone. The wind may have taken it off or maybe some of the tie came loose. The sun above is hot and relentless. I put my hand over my eyes to shade them walking forward. Sand washes over the top of my feet, warming them. I stop, closer to my cabin now, and take off my shirt. I lay it on the sand and place the few ***** and seaweed on it. Then I tie them up in kind of a ruck sack so the ***** won't get away. They're always running off to some place when they know their gonna' get killed, but I guess I would do the same.
There is a single chair I leave by the front door and I take it and step up on it to get a better look at the roof. There isn't any tie left. It either fell inside or blew away with the missing piece. I look over the roof of the cabin further down the beach to see if it's laying out there. Nothing, just the beach. The roof's too weak to climb up on, so I get down and circle the cabin. I make my way around and reach the front door. The only other place it could be, if it isn't further down the beach somewhere, is in the cabin. I take out my keys and fit it into the lock. It's unlocked. A wave crashes behind me and spreads out on the sand with a sizzling hush. I take a step back and think for a moment, then walk inside feeling every grain of sand between my toes.
john Apr 2018
oh how often i stay awake
laying in bed staring at the ceiling
my sister painted for me
when i was
7 years old.

things were different then
my life wasn't cluttered with
catastrophe and agony
as i dealt with everything around me

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

back again in the same spot as before
my head swims parallel to the ocean floor
as i sit in my room
my thoughts are emptied
and my heart is filled with gloom

my uncle, the man that taught me so much
had passed away from a heart attack on his living room couch
i briefly denied the fact he was dead
he couldn't - he wouldn't - it made no sense in my head
i could have been with him but rather instead
i cried for him in his hospital bed
to wake up

these dark sparked remarks
leave my brain spotted with questions
i answer them quietly as i reflect against my past
when a small unknown sound
shatters the silence in my room
it clatters and pit patters resonating my mind's tomb

my heart has fallen through the floor
and my empty thoughts are no more
i need more sleep
neth jones Feb 2022
contaminated...                            

the boy is explained in the dark
                  made smaller and tighter than his thirteen years
        invented a-tread each direful night ;
            in place of restfulness
                   he is tussled :

itchy within                                    
moans of a growth owning pain
domestic air is newly surrogate
the boy flees upstairs
the condition of the home is sickly
             excreted beads from the fibres
a pale mix is gland
                        a perspiration out of sorts
pursed
spritzed
lively          
            then a wing-ed light smog

keeping to his room                            
he sits on his bed to 'wait it out'
the sun downs                        
as fruited ideas                
                   treacle up the pine wood walls
as otherworld tones        
                             flute the flumes that plumb the walls
as his mother clears the dishes
        with the radio on
as the fathers increasing tardiness
        makes the wound hour leaden further

outside
wind starts churning up the monster
hustling the coniferous trees
stoking the forrest for its brazen voice
jeeving hard upon the house
dry *******
inducing a perverse osmosis
within                                              
          pressurized audibility is clayed
hairs on the carpet tick static
              ....  this negative duress

outside
the moon hides its legend            
an autumn owl takes the bough
     just above the boys window
    it hunches into its ruffle
       retches up a pellet of prey
fur and crushed bone
            clatters dryly into the gutter

the boy works his jaw
       relieving his popping ears
the rooms climate becomes sparky
important items radiate auras :
             the scorpion in formaldehyde
stolen from school
                          grandmas mourning ring on a string
                suspended above his desk
        an old key discovered in  the woods

investigation                          
a brief hole in sound
a slim bik of light traverses
  over the boy
    the bed
       and out into the hallway
it winks gone
     and sips of smoke
like lithe neat scraps of silk
start livening the corners of vision

he stands                                                      
open­s his closest and dresses for sleep
      yield to routine

Mother enters                              
    always a human breath                  
                                         of pre decay warmth
      here to make him into his bed
bound by her neat practiced tucks
                         the boy receives her loving words
                                  but she's in a separated world from his
distortion gums up the audibility          
he attends to lips
the blessings don't function right
mistress smudges are left in the air            
they trail from the corners of her mouth
                             with the expressive turns of her head

fending lightly from the room
she blows a kiss at the doorway
it punches a little galaxy swirl
                              and suspends
a heated blue weave of the hand
                    and she is gone

door concluded and the light left on
the wall flower patterns crick and shale loose
    they cash into the flooring
and in turn the floorboards palpitate finely
feathering into a unreliable state

less than a minute later ...                   
fathers presence                              
   makes an apologetic attempt
                                                     at a ghost-walk
sounds clumbered in an aquarium                
    he slides his back down the drunken partition
and talks
   he sells a story of personal wretchedness
some lesson is vague
flammability
the boy takes the readings                  
                  of the distant vocal squall
pauses in the erratic speech weather expect replies  
     but the boy fears this colonized version of the father

though anger
                        father does not enter
rumbles his fists, feet              
                 and frustration at the wall
stands                                            
      and­ punches his footfalls
                  to the master bedroom

the parents
together now closeted
amniotic             
their world fidgets fiercely and swells          
swaddled in their own dramatics
firing blindly                        
their voices
travel the pipes in the walls
back to the boys room
                drowned of discourse
but not the aggressive 'passion' flaring out
they plunder the boys ears

Sudden ! ;                
                  brakked smell of flint
a bird slams the window dead        
crack in the pressure
unbearable penetrating release
screaming the boy host violent
minds that bind are loosened
subpoenaed                                              ­
          the boy recoils and fends this raid
kicks off the bedding
strips free of his pyjamas
a thick layer of his own goes with it
fleecing his actual skin                        
raw stinging exposure
he tugs at the flay of his own rubbery peel
enough layers of dermis in one
grip and pull
to make real hurt
raw of pain
(it feels)
tug-tug
grip
and pull
sleeves off of limbs
and a sappy caul from his bonce
he doffs the leather onto the floor
fresh wash of song
fierce waves of signals hot and cool
he ***** up his matty sheered hide
"**** it !"
pulls up the window enough
vent
an outward 'gush' as the pressure balances
the boy                        
dispose    
      push the viscid pelt out
the boy expels
disgorged into the night

                                              - consummated
Hello Daisies Aug 2019
***** my body
The needles thread through me
Pierce me Pierce me
I'm crying in thread
Inside I'm mostly dead

I knot inside
Shooting the needle down me
Slicing softly my skin bleeds
I'm aching on my knees

Help me help me
No one hears me
All I ever cry
Help me help me
The thread is twisting

No one's to blame
It's such a shame
After all the twisting
My thread is slowly ripping

Center in my arms
Give me more scars
Stabbing stabbing
Where's my mommy and daddy

They left me to bleed
They broke their seed
needles run inside
Laughing and breaking my sanity

I'm dying I'm dying
God help me I'm crying
The needles are physical
Not metaphorical

Bruise my skin
I let the craft win
What is it creating
I'm still awaiting

I think it's trash
My colors all clash
If you throw me away
Will it stop the gruelling pain

Please I beg
God please lay me to bed
I've had far too much thread
My blood is turning to lead

The needles crept in long ago
They put on a menacing show
I want to go home
But there's...no where to go

My needle can't be tied off
The thread only falls
Blood platters
My heart clatters
I'm left untied
God please you know how hard I've tried

Tie my thread off for good
Please, if you would
Stop the sew
End me and all that I know
I'm in a lot of pain I think it's anxiety but my God it hurts like needles in my arms and tben they feel like a heart attack
the leaden
wetness of an
October snowfall
cloaks branch
and bough
of woefully
laden
trees

the pressing
mass
a weighty
strain
prostrates
mighty
hardwoods
to autumns
cold ground

as a
truculent
Nor'Easter
claws its way
through
the uneasy
Mid-Atlantic
night,
the crash of
creaking
maples and
popping oaks
persistently
echo through
the black
woods of
this
trembling
evening

power flickers
perplexed grids
go down
extinguishing
the warmth of
suburban
house lights

the growing
aggregation
of crushing
pressure
on tensile
taxed
branches
snaps
the firmest
wood

an
incessant
barrage
of
thumps
and
dings
splatter
a­gainst
the
house

while the
shuddering
uncertainties
of frightened
children
rise
as each
limb
clatters
to
earth

our
cowering
bivouac
draws
the
inces­sant
fire
of a
harassing
fusillade
from
legions
of
invisible
snipers
as
swoopi­ng
gusts
threaten to
relieve more
arboreal
tension

praying
limbs
fail
to pierce
the safety
of thinly
tiled
roofs
our
abiding
hope
remains to
escape
the
next
random
blow
of fate

the
night of
falling trees
stirs our
sleepy
hamlet
from an
uneasy
midnight
slumber


10/29/11
Oakland
jbm
Zach Gomes Feb 2010
1
The blurred light of our life, a match strike, burns wild bright
friends laugh, sing, and blare swing: fast alive; rise then die
cheap bright wine, a red flying glass splash from your hand
the beat rocks the boombox; pop and lock, fitful hop
it twirls down and smacks ground to shrill sounds, red spills out
in doorframes, with cold drinks necks are craned, loudness shrinks
we peal back the silence with dance moves gone violent,
all join in and dance crazed: tables, chairs, sofas, stairs
we fling ourselves everywhere, and shout bliss and smoke air
I seize, spin you around—music rolls, celebrate.

2
In black quiet foot taps and twigs snap to this stride
and white foxes march past, watch the dance, trot on by
the still night’s our dance hall, the cracked bark its sparse wall
but sway, speckled love pair! Do the twist, jump and jive
on sharp leaves, on damp moss that’s soaked green, on mild ives
our waltz splashes stream’s glass; showers spray gleaming rain
you smile while you pluck limbs from pines’ sides to wave high
a leaf-dressed baton wand—forest song, dance along!

3
A sharp glare through broad panes; the sun’s rays hit Gate Nine
whose slant windows’ black frames light up our silhouettes
we glide boldly, steps rapping sole glee in pepped time
on lined chairs all stiff-backed; golden pairs stare perplexed
a young boy’s worn headset and pre-packaged stale bread
and smooth-gliding walkways, duty-free shopping spree
the rust-orange light scores them:  shocked faces glow, see
our haphazard mad dance past absurd potted plants
your dress flies, behind lies a dazed crowd, we glide down
the beiged boarding ramp, stamp joyous notes, thrash the floor
‘til shafts flood the torn corridor, splashing tan light
Across grey; the crowd cheers, disappears, sings our names.

4
We grasp hands and stride out towards young couples, real haut
all decked out in fine braid, a myriad masquerade
of lined pairs in tight squares and there’s music: waltz airs
which spark movement like truth bends the light, rend the night
with drum rolls and solos whose crass brass part echoes
the slow dips of grasped hips—roll and sway, pick up pace
the sweet rhythms wind lines across lines of blind hymns
champagne clatters, cries clap: shatter that! Rattatat!
I, drunk happy, toast strangers’ masked faces, change places
with laced ladies, sweep three eight-step Balboa sets
while chairs flip, the drapes rip, cymbals crash, windows smash
the dance burns the house down with loud sound, I look round
you’re not far, but right then—a sudden roar, masks, thrown, soar
above, cloud-like hang, hover—we meet and now dance
amid vivid waves of bright stares raining down, masks surround
our close dance, the mass sweeps along past the main doors
and outside, the cool rain pours in sheets, perfect sheets
TSK Jan 2015
When it's three am
and the cold water splashes
against your face, wiping
away the sweat of another
nightmare,

When it's just about noon
and the old fork clatters
from your hand, moving
beyond the loneliness of another
meal,

When it's half past six
and the exasperated sigh escapes
from your lips, easing
aside the tension of another
day,

that is when I hope you recall,
remember, that once--
much more than once--
I was your gratifying well,
your overflowing banquet,
your everlasting breath.
TearsOfChronus Jun 2013
I never saw how truth had mattered
Like backdrops to my life I'd taken
Breathless, leaving dreams in tatters

In youth, my steps were reckless patters
By days ignored my eyes awakened,
Led down lazy steps and ladders

Stumbling blindly, scarred and scattered,
Naivety and fear had shaken
My sense of spirit, mind and matter

So vanity had come to flatter
All egocentric ways I'd taken
Disguised in selfish pangs and clatters

Learning quick from past disasters
To discard my trepidation
I sought instead more lucid matters

To slay the creature growing fatter
And lay to waste this beast I'd wakened,
I'd wield the mirror that once flattered

All frail illusions must be shattered,
Lies learned in youth must be forsaken
Unbear'bly tough and yet, no sadder

All narcissistic nightmares scattered
They bowed to honor's conflagration:
The knowledge that all others matter

The beast is slain, his den in tatters
He faced the truth: his loved ones matter.
David Lauer Jun 2011
The glinting steel,
the bell-guard bright
Beneath the stark fluorescent light
Upon the armor, black and white
The Epees two did wheel

I dance, dart, leading with my unbloodied tip
The battered blade glints and clatters

I grapple with another steel and titanium edge,
Twisting, trampling, fighting

Thirsting for blood, the electric jolt of victory
I wait.

A mistake, an opportunity, an open port
The walls are breached, the banner glows red

And victory cries its piercing song.
Then, A pause.

Prepared again, back into the fray I dart
Adrenaline rushing through my warm, glinting steel

A catch, a crunch, a splitting sword
My upper half flies, spinning, across the battlefield.

Flashing back, battles won and lost  
Then cold silence

He who lives by the sword dies by the sword.
And the brightest flame burns half as long.
Jakob Doran Jun 2013
Cast iron clouds call their brushed allegiance to the age-clad masonry.
Whilst the mangled percussion of the infants' school bickers
with the soft tones of the older boys' band.
Still their sound is drowned by the whistling wind,
carrying parents' pleas that it's time to leave,
as the small groups crawl through the churchyard.
In a mossy corner, the window-man clatters,
with his brushes and buckets at the side of the oak shaded vicarage.
A scarf slides from an old man's neck
whilst he motionlessly salutes the monument;
his medals are dull in the lacklustre light.
But for all that's here, there's one thing not,
where I sit by this silent 'here lies' spot.
Tearani C May 2012
That moment of awkward forced eye contact between strangers
On a hot and crowded public bus.
My reflection on the screen of my laptop seems to soft
Against the harsh rattles, jangles, clatters.
Peculiar people spoiled by the heat.
Thighs stick to pleather covered seats..
While candy apple red hair with a wrinkled face
Speed talks keeping pace with the changing place
Outside wide tinted windows,
Miss hand gestures competes for air space
While the wind whistles through an open window.
Shadows dance across the broken dreams
Of a forlorn man wringing withered torn hands.
No silence draws attention like his can,
Stands out like a numb spot
On a sore thumb. Falls nicely behind
The loud roars and murmured hum.
The whole seen a dysfunctional sort of thing,
But I think you would better yourself
If for one day you let your guard down
And climb into a packed space on a hot day
And made friends with
That moment of forced awkward eye contact between strangers.
AE Sep 2013
A solemn painted picture stands,
Before the reach of sober hands,
Funereal strokes; grave-tone acrylic,
Woe is he, sought tones idyllic.

What to expect, thought painters mind,
No solace brushed, no hope defined,
No revelry, so reconcile,
Behind the guise of broken smile.

Foreboding canvas, realized him,
‘t would never-ending be life grim,
Fettered anguish, bound by sorrow,
Clatters every waking morrow.

O dreams of bliss that never show!
So wearisome I ever-grow,
These chains, they offer no release,
Should I seek elsewhere means of peace?

An answer forms behind blue eyes,
Draw from life, to grant apprise,
A final coat of crimson hue,
A thousand words to those who view.

His chosen palette, from arms length,
A sanguinary loss of strength,
In crowning strokes, awaited bliss,
An amity in work dismissed.
Argentum Jun 2016
LOL
laughter: a mask
and a medicine for his pain. they pay him no mind.
to them ,
he is barely a person, a tool. his
flesh melts into metal, his arms levers, his face flat and featureless.
he mocks his fears and flaws,
his pain,
secretly hoping that
will make them
a mere joke,
a fantasy.
it fails, it always fails, but the smiley faces stenciled on his exoskeleton
of reassurance of his state of mind
are still there.
so he clatters on, joking, grinning,
his laughter his mask and his medicine.
For a friend of mine
kelvin mungai Sep 2015
CRESENT OF SINS
full and half empty bottles of beer;
scattered broken glasses,
deranges the cracked brown hued floor
music gales from an old c.d changer
inebriated guzzler mumbles in incoherent murmur
denuded nubile cavorts merrily
their sleek oiled frame shimmering in the fuzzy light
ghoulish **** silhouette walks in fluid and sinuous manner
fog like smoke chokes the room
marijuana and cigarette smoke amalgamates
swirling up merged into an eternal marriage
heels clad trollops clatters in the room
swaying their assets provocatively
boozers gapes intently with hazy eyes
raising their neck in unison
they ogle at the lure with entranced lust
two vague humanoid shapes lurks in a corner
moans escaping in raspy staccato
musk,*****,drugs defines this room
besotted species lie on filthy squalid floor
vocalizing dirge melodies
lost in muddled blur
dancers prances up and down
crushing cans and glasses in spirited tempo
yelling their lungs out
as the music drown their voices and worries
deep in the gist of the city
irrational rants emanates from every angle
sundry light floods the clear night
as merry goers sip cheap and expensive liquor
sloven hookers milks cash from patrons
the night conceal this cresent of sins
everyone is on a business
the party continues
the music get more stentorian
ALL RIGHTS RESERVED
[{chronicles of the dumb speaker}]
JP Goss Sep 2013
It seems so far away
My youth preserved that precious little thread
Convinced a price I’d never pay
Convinced I’d never be dead
I thought my skin iron armor
A shield to all the shifting forces
The forces that nature threw at me
Until I saw life at its sources
And for lasting life, was my loudest plea
Never before
Have I seen so visceral a scene
Until I witnessed life escape, stripped to its very core
And on that pavement, so impressive a rouge sheen
Tears shed from my iris
Like I could change the horror
And shrieking like my efforts pious
Calling life, to my side I implore her
For him, I beg her company
For me, I’m no source of council
Though I cry, don’t trouble me
For I’m not the one that woman killed
I can’t express my grief
No petty conglomerate
Could afford me relief
For I’m not the one that woman killed
His blood was steaming
On that September road
By the sidewalk, dun and grey
Like life between its anti and node
I can only cry so much
Before it no longer matters
And it becomes another event, such and such
And its significance becomes a thought, to the floor it clatters.
Don’t cry for me, though I’m rife with ill
I don’t need it
I’m still alive
I’m not the one that woman killed
Think about that body rushed away
On determined heels
To the hospital, on precious time played
His fate, despite man, sealed
I’m not there, no fruit to give
My presence not by his dying side
Though he screams to the empty, futile air
My efforts can’t discourage his departure nigh
Though the sun may rise
Thougt the babe born
Though the shoot will rise
I will still morn
His loss, the rotting human soul
That sits in a wooden box, rested in the solemn hearse
Carried off by the bearer of palls
And buried deep beneath the earth
I’ll lament the loss, I’ve lost it
So very suddenly placed, without abet
This event so caustic
I’m face to face with death
But I’m not the one you should morn
Despite the tears streaming from my face
I’m not the one with the greatest of ills
I’m not the one you should be praying for
For, I’m not the one who that woman killed.
K Mae Jun 2010
Four panes of glass separate
myself.
I wear them like
a box,
switching between
the masks.

But your words
have weight.
They press
and tap,
each tap
clatters the panes
in a shackling manner.

When the eyes ink
over from years
of smudging,
rubbing
only makes it worse.

I flinch
as a snap
attacks.
Grim leaks
and seeps
onto the floor
as I climb.

The walls get slick
as my feet stick
and the muck
keeps me
inside.
Sandra C Oct 2013
As the wind pounds
the window
that does not shut,
thuds and clatters fill the air;
violently
knocking the breath out of it
with its own.
Much like you
To me.

— The End —