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Maggie Emmett Aug 2014
The poor keep moving
as if relocation
could reframe the algebra.

They cannot see that repetition
traces patterns
in their life.

New beginnings become as hopeless
as stale finales
of debt and desperation.

Wishful thinking makes for certainties
gambling against the odds
of possibilities.

Whispered prayers and incantations
leaves no space
for reason’s compass to steady and settle.

If they stood still and mapped the moment
both sides of the equation
would simplify

and they might construct
a new geometry
of anger.

© M.L.Emmett
Ayad Gharbawi Dec 2009
THE STORY OF SARA






Or A Reflection on Ourselves


Ayad Izzet Gharbawi










2008














Table of Contents



Chapter 1: An Awakening. Page: 3.
Chapter 2: University. Page 12.
Chapter 3: Being an Activist. Page 23.
Chapter 4:  The Hallowed Purification Programme. Page: 32.
Chapter 5: The Party Self Destructs. Page: 55.
Chapter 6: Confusion after the Collapse of my Icon. Page: 64.
Chapter 7 Getting a Job as a Psychiatrist. Page 69.
Chapter 8: Afim: Sick or ‘Normal’? Page: 84.
Chapter 9: Having Children. Page 105.
Chapter 10: Omar Again. Page: 109.
Chapter 11: The Meaningless Existence of My Husband. Page 121.
Chapter 12: My Daughter: Lara. Page 127.
Chapter 13: Getting to the Top in my Job. Page: 131.
Chapter 14: Success & Emptiness. Page 142.
Chapter 15: The Shock. Page: 148.
Chapter 16: The Trap. Page: 153.
Chapter 17: The Punishment. Page 162.
Chapter 18: The Barmaid and the Alcoholic Conversation. Page: 166.
Chapter 19: Old Age. Page: 180.
Chapter 20: Seeing My Son: Noor. Page: 184.
Chapter 21: The Unexpected Visitor. Page: 191.
Chapter 22: Conversation with my Social Worker. Page: 195.
Chapter 23: My Visitor Returns. Page: 206.
Chapter 24: Isolation. Page: 210.

















THE STORY OF SARA



– OR, A REFLECTION ON OURSELVES



CHAPTER ONE:  AN AWAKENING



  
            Sara is my name.
  I feel the need to write down the words, or rather, the connected and the unconnected stories, of my life.
  I wish to say straightaway, that I am not an important person; on the opposite.
  I am, in fact, a no one.
  I achieved nothing meaningful in my life, and I was never famous.

  So, why you may think, should anyone read about my life, considering that I am a nobody?
  Well, I think, that precisely because I am a nobody, people should read about my life!
  Why?
  Because, since most of us are nobodies, therefore, I must be a reflection for a significant number of people.
  I am a mirror that most of us do not see; after all, who wants to see what they really look like?

  You see, if I were famous, then I would be in the minority of the population, and, as a consequence, I would reflect the lives of just a small fraction of the people.
  In other words, if I were rich, and if I were to write about my life as a rich woman, then most readers would have absolutely nothing to relate to such a story.
  But then again, to tell you the truth, I am plagued by insecurities and self doubt.
Why am I plagued by insecurities and self doubts?
  Because life itself is full of doubts and insecurities!
  Everyday there are so many events that happen that you do not fully understand - and so they have no certainty.
There are so many thoughts that come across your mind that you cannot believe in with certainty - in other words, you have doubts!
  Life is made up of events, people and thoughts that are themselves uncertain, vague, indefinite, unclear, ambiguous and ultimately blurred.
  That is why, for me, I found no certainty in my life, no sense of definiteness – and the end result is that my image of my personal reality was a blurred vision.

  I could never see an accurate view of my own reality - because I had far too many flawed characteristics.
  I am extremely temperamental.
  I am extremely impulsive; I speak, behave and act without thinking in a sober, rational, deliberate manner.
  I am not a very good judge of character when it comes to people. I often evaluate people wrongly. I misread who they really are.
  I am often very cold with other human beings; I am unable to sympathise and be compassionate to other people.
  I am not a good listener.
  I am a slave to my irrational passions, my dark urges and my undesirable needs.
  Now I am not saying that I have these characteristics all the time – but I confess that I do have them far too often.

  And all these awful characteristics make me quite unable to focus on myself in a logical, coherent and rational manner.
  I am unable to see my real Self; I cannot see where my rational mind tells me where I need to go with my life, rather than where my dark passions tell myself where to go.
  So, maybe my story isn’t worth telling at all.
  Should I write the story of my life or not?
  Will anyone read it?


  I am a member of the weak and the unknown and the unheard class.
  I am a member of the invisible classes, of what they call 'Humanity'.
  Even though, I don’t know what ‘Humanity’ actually means any more.
  I am one non-entity amidst this ocean of Humanity.
  I am a nothing.
  So, what’s the point of my existence and, more importantly, the story of my existence!?


  Actually, sometimes, when I’m in a good mood, I think, yes, come, do not be timid or afraid, and take a serious gaze at my own face, and I hope you will see yourselves – yes, you, the majority of the people out there, this night; for when you see yourselves in my face, you may learn so much about yourselves, and it seems to me, after I have been living and experiencing so long, you may learn from my mistakes.
  It seems to me, that one of the problems so many of us people out there are facing, is that nobody seems to want to take a serious, unbiased way that they really look like – and this is because of fear.


  But what is this ‘fear’?  
  I know that this fear is one reason that causes a nagging and persisting unhappiness.
  This fear is because we are scared to look at ourselves and find a picture that is severely deformed and far too horrible to behold.
  Do you believe that looking at your own face is an easy task?
  I hear you tell me: Oh Sara, all you have to do is to look at the mirror and you see yourself.
  How easy!
  But, I’m afraid, you are wrong.
  Because when you say to me, that all you have to do is to see your face in the mirror, that is not accurate.


  And that is, because the face you are seeing in the mirror is an image.
  That is not your face!
  That’s an image of your face!
  And an image is only one degree of reality.
  An image is never and can never be the whole reality.
  So, you say, why is it that I am seeing an image of my face in the mirror and not the whole reality of my face?
  Because you yourself are scared to scrutinize and stare so deeply at your own face.
  Fear is restraining you from seeing your own reality.
  You may see your real face and it may be a face that is far too ugly to see!



  Now, when I am in a bad, bleak, hopeless mood, I really believe in the depths of my angry heart, that it is utterly pointless to write anything, precisely, because I feel that my entire life is completely worthless.
  Emptiness.
  I feel my life is filled with emptiness.
  Ha!
  How can you ‘fill’ anything with emptiness!
  You know, I feel like ripping to shreds everything I’ve written, and yes, reader, I’ve done that many times – and, then I start all over again.
  And how dare I presume that anyone out there in the world would be in any way interested to read the life of an empty woman who happens to be called Sara?
  You see, at times like these, I have self hate.
  I confess.
  I hate every single thing about myself.
  And that includes my pointless story.


  And so many times, especially at night, when I’m able to write my story, I think, what if no one is reading these words?
  How frightful!
  Could I possibly be that empty?
  Could I – Sara - possibly be so utterly meaningless as a human being, to the extent that no one could possibly be interested, to give me more than a few precious moments of their time, from their important lives?
  Well, for all you people out there whose lives are brimming with happiness; for all those of you people whose lives are so full and busy, so they never experience the utter tedium of boredom; for all those of you people who never face an inner emptiness, a loneliness within their hearts and minds; for all those of you people who have no fears, no anxieties, and no insecurities – then I can honestly tell you to hurl this book away!

  And, yet, I would like to believe that - in the depths of my shaky beliefs and my uncertain certainties - that I have at least one listener with me!
  You know why?
  Because it gives me so much comfort and peace of mind to think that I have one human who is interested to know me!
  The most horrible thing to me is to live in total isolation.
  And to ease that unique kind of emotional pain, is to know that someone, somewhere in this planet actually cares for you.

  I was born in the City, in a middle to low class neighbourhood, where families tended to help each other.
  It was a closely knit community. You knew everyone, and everyone knew you and so, when there was any problem, people would help each other out. You see, in this way, problems became less heavy than they would have been otherwise, because when more people come to help you, the problem weighs less, as opposed to if each family had to cope with their problems all on their own.
  It was a happy childhood; I adored my parents and I thought no one could be better than them.
  They were my icons.
  As a child, they were good to me, and I could see nothing wrong with them.
  But how long did that last?
  By the time my mind was waking up, so to speak, by eleven or twelve, I began to notice, that what I saw wasn't all that rosy at all. My parents used to argue a lot; Dad would scream and Mother would howl.
  And what were the causes of these clashes?

  Both were guilty of countless faults.
  Dad drank too much; Mom didn't pay enough attention to housekeeping and so our house was rather *****; neither parent paid any attention to us; Dad would always invite his 'friends', and they would be rather ****** in their behaviour and with their jokes (or what they thought were 'jokes'); Mom would go for hours on end to her 'friends' houses, and leave us children alone; so, when they were in the mood to fight, good God, both sides of the trenches had lots of reasons, or excuses, to use as ammunition!
  And what battles do we young children witness!
  Dad would scream: "What kind of Mother are you when you do nothing for the house; you don't cook, and so we never have homemade cooking; you don't clean, and so the house stinks and is always in a terrible mess; and then you disappear for hours to God knows where, leaving us all behind! How much time do you even spend with our children? I’ll tell you how long – you don’t spend any time with our children! Children need love, attention and time spent with them; how do you think that affects our children? Do you think that makes then happy?"

And Mom would scream, at the same time: "What kind of Father are you? You're always drunk, and you're always socialising with drunk, ****** idiots. How do you think our children are reacting when they see their Father interacting with the most lewd, disgusting people? You're lazy in your job – and that is when you keep a job more than a few weeks – and, not surprisingly, you don't bring in enough money, and so we live a miserable lifestyle. And, you dare to ask me why I leave this house for so many hours? Of course, I want to leave this house – it's because I cannot stand the repulsive sight of you! And then, you have the nerve to ask me, ‘how long do I spend with our children’? You **** hypocrite! How long do you spend with our children? Not one minute!"


  I would usually rush off to my room, and hide my body and soul in my pillow.
  And as I grew into a teenager, my parents were fighting against each other even more.
  Who was right and who was wrong?
  Sometimes I felt for sure, that Dad was wrong; and, at other times, I felt that Mom was to blame; while at other times, I felt both were to blame; and then again, at other times, I would be so confused that I just gave up thinking about the whole mess, and just wish they never brought me to this world.
  How could I judge them?
  I could never really tell, because I didn't have the facts, did I? Who knows if Dad really was lazy at his job, and if that was the case, why he didn't he realize that we needed him to work harder, in order for us to have a better quality of life? Or, maybe he wasn't making enough money, simple because his job was a low paying one, and so it wasn't his fault that he brought such meagre wages.


  Who knows why Mom didn't take care of the house?
  Maybe she was depressed?
  And who knows why she went off to her friends' house for hours on end?
  Put simply, when you don't have the facts, how can you possibly judge in a reasonable manner?
  But then, maybe, you, my dear reader, will say I am wrong, because one ought to judge the situation by using one's emotions and not just 'facts'.
  To be honest, when I think of those wretched days, maybe they were both 'right' and wrong'; but in what measures – don't ask me!
  What I do know for sure was this: the fact that both Mom and Dad never spent any time with me really hurt me and made feel insecure. I really needed their company when I was a child and right through to my adolescent years, but, unfortunately, they were never, ever interested to sit with me and talk to me – not even for a minute.

  In my teenage years, I clearly remember that I felt that I needed Mom and Dad, because I remember feeling frightened for the first time in my life.
  Why did I feel ‘afraid’?
  I honestly don’t know.
  Strangely enough, before the age of thirteen, all my parents' fighting did not leave me scared; no, my response was one of sadness only.
  
  So, I tried to talk with Mom and Dad, issues that were bothering me, but I found out, to my horror, that they could not answer any of my questions.
    I would ask my parents endless questions like:
"Should I continue studying in school and go on to university, or should I leave and get a menial job?"
"At what age should I get married?"
“Is marriage worth it or not?"
"Should I smoke cigarettes and drink alcohol – or, are these things wrong?"
  “What characteristics should I look for, when I make friends? In other words, what are the good attributes versus the bad attributes in the character of any person?”
  “What is morality?”
  I remember that my parents were themselves confused by my questions, and at the same time they were irritated.
And, at other times, they were increasingly bored with my unending questions.


  Strange combination, isn't it – to be both 'confused’, irritated' and 'bored' with someone nagging at you all the time!?
  I know why they were 'bored'; that's the easy part – it was because, they gradually found me to be a nuisance or an irritant with my questions.
  They were 'confused and irritated', because they felt stuck as to how they could best answer my questions.
You see, they were, themselves, doing all the wrong things, so how could they advice me to do what was supposed to be 'good'?!
  For example, 'Can I smoke and drink alcohol?'
Good question, Sara, but a question that you shouldn’t really ask your parents, when you recall, that both were heavy smokers and drinkers!
  And, when I asked them: 'Should I get married?' How can they answer that one
Lauren Christine Oct 2018
the loving is folded inside the aching.
the rich and deep is the sandy beaches reflecting in a million directions —
the light blinding and the earth burning, it is everything
at once.
the splendor of magnitude contained in a moment,
the moment is bursting at the seams now.
the thread unravels as the sheets unveil the
limitlessness of time - the error of its conception,
the paradox of infinite finitude, of finite infinity—
we are living life in the spaces between certainties.
we find our rhythm to the music of experience
and we fall into ourselves, and find home between our ribs,
nestling into the cavity of being, we trip into each other,
fall in embrace, and rise in ecstasy of laughter.
we are copper rays of light, exuberant !
flitting between the maple leaves
we dance with the tails of grass
we hum in synchrony till the moon reflects our lily cheeks.
and we taste the stars and see the galaxies behind our eyes,
the construct of days fade away and it is only space
between certainties of light and dark
and we inhabit it with a bold stomp and a wild laugh.
Simon Oct 2019
Probability isn’t the luck it deserves for wanting desperately to be noticed by any appeals. Generating new focuses never thought possible. If so… Who is the recipient? Who is the lawmaker? Who being the justice department? Goods to making essential markers on productive velocities. Justification is outweighed by department alone. Growing ever scarcer without benefiting attitudes in place. Conjecturing solvent pleasures across many fields. Fields of accessory dependents ensuring a collective term is agreeable. Except, what if probability is outweighed not by something further from its own attitude? What if it can’t benefit itself? In question, becoming misshaped, mispronounced, or misinterpreted. Depending on who’s right, or who’s wrong shouldn’t matter until claims are assured. Propagating across the many fields of accessory dependents. Dependents outweighing the logic one is misshaped by. Demonstrating probabilities mispronouncing sense of terms for oneself. Wrapping up in a crumbled conjecture. Propagating a newer field of already surveyed products. Truth is in the stream that propagates those fields. Accessory moments dependent on gaining tension through the rise of the recipient. That’s the only way probability will ever learn. Hence why it shuts down if it ever involved itself. Itself without its own recipient. Its own justice department. Lawmaker without any dependent ideas would ever appeal to its own logical making, if it’s never dependent on itself. Only flashing the accessory dependent on other influences. Influences going way down the line of certainties without pleasure. Urges relapse. Furthering its own clustered rut! One without mistakes diverging deeper into uncertainties. Taking risks isn’t noticeable. When probability taking risks enough to (blush) down the line of certainties without an aim involved. Scattering their rut from within. But how does it involve probability? It doesn’t. Probability is the representation of how one constant judge itself for pleasure. When pleasurable actions are dependent with a blank impression never sought out. To focused on probability. When probability isn’t fruitful by its own design either. Only way it works. Never looking back in itself. A reflection of tempted attitudes fluttering in a swift, but rigid wind. Wind never tempted by its own sway. If one is to admit what they aren’t even aware of changing. Another shutdown happens! Justifications for probabilities own reckoning depends on other solvents. Solvents who don’t even understand the probabilities of there own life makings. Able to learn what is dependent onto others. Never within themselves directing their starry performance. What happens when things are finally noticeable within probabilities that will exceed probable actions of the force that dictates fates majority complexes? Complexes without variety. Varieties misshaped by mishappenings of trust. Which includes a basic awareness of some factor never hesitating to judge within the core of being itself. A view fate designs in its weapon of probability very well. What is fate up to…? Never can guess when probability shuts down all appliances out of contact with no one but itself left in the dark. Probability is. Everything has just become disowned. Fate exchanging glances with itself for one last second, before rapping up this little diverse expression. Pinpointing its weapon of probability without knowing why that is? Hinting at fate not being the only recipient to follow in its weapons obstructed desires.
Probability without luck is forever undetermined. Having faith in itself, will redeem the actuality of actions placed without words. Luck? Faith? Lots of hints one hasn't fully realized.
Amber Evans Aug 2018
“When those menthol’s inhabit the deepest parts of my tarnished lungs, I faintly remember the way you first positioned your hand across my thigh. Innocence was nowhere to be found in this moment. Instead, your eyes grew wide; crystallized and chivalrous. You spoke with knowledge of this whirling world, for there will always be certainties: bats will swoop for the moth in the midst of the night, the eyes of the villain may deceive you, purity doesn’t always mean superiority, and most importantly, the shaking of your hand won’t stop once you’ve reached the filter.”
– Engulfed in You: part 1


“The shards of glass from my past still cut me every now and again. I don’t want to bleed all over you; all over us, so I bandage myself up. Over and over. It’s a never-ending wound that I can’t seem to stitch. The ache eases when your breath enters me. I think I’m in love with you.”
– Engulfed in You: part 2


“Maybe love isn’t the word. It isn’t savory on my taste buds. Love doesn’t fill the corners of my mouth with delicacy, nor aggression. It doesn’t satisfy every inch of me. I don’t wish to be in ambiguity with you. I want certainty. I want words to fill me up and pour out of my mouth like they have overstayed their welcome. I want to feel tranquil when you lie next to me. I crave chaos. I want your hands to grab harder once they’ve discovered the bruising. Lingering lascivious for one another. Maybe love is too small for how big I truly feel.”
– Engulfed in You: part 3


“Vibrations violate my ears. The sincerity of the chords blend perfectly. They mix up like an old recipe inside my head. Isolation sets in once your locked eyes drift away as the hours flow past us. Blistering hands strike the door. The pounding never stops. It’s a continuous knocking of a door; a continuous knocking of the heartbeat. You never stopped plucking the strings on your acoustic; the design haunts me. The dove stares into my uncertain eyes: striking and radiant. It’s everything I wish I could be for you, but I’m not the perfect melody. I don’t soar. I cannot rest. I’m the crash of a shattering liquor bottle that slices your foot the next morning.”
– Engulfed in You: part 4


“The twinges of pain don’t occur as often when you’re around.”
– Engulfed in You: part 5


“I love the taste of your fingers down my throat. Throbbing heart; don’t slow down. My eyes are half-open but I can see you perfectly in this dim-lit room. Calculated movements come my way with short breaths. I’m never as vulnerable as I am when I’m begging for you.”
– Engulfed in You: part 6
Tommy Randell Jul 2017
Why the sunflower grows so tall
Why the scent of rain on grass brings tears
Why a half remembered song brings meaning to it all
Why we count Christmases and Birthdays to mark the years

Why there are no question-marks in Love
Why a few words from a friend brings hope to fears
Why when there is a doubt everyone looks up
Why a sunset over water makes everything so clear

Why we teach a child to clap when things go well
Why we pass on what our parents used to say
Why there are things we never have to tell
Why certainty is sought for every day

Tommy Randell 31st July 2017
DAVID Dec 2014
Y can feel the cold wind
the moon is high , the lion inside
crawls , the helmet stop the metamorfosis
mi tooths are sharp my roar is crawling to
my throat .

in the night , think in licans , mi hearts is with them
mis claws are poping out , the lion is out ,
and y feel pity for the little creep .

mi head is booming and i can't stop , the roar
is stock in my throat , it comes out , is not a howl ,
is not a cry , is the lion in my guts asking for a way out ,
his claws , are my claws his teeths are mine ,

y think in the beauty , and her beasty **** eyes ,
a roar comes out , the bikes speed up , thinking in
gonzo  ,  running his bike ,  touring his lican ,
avoiding the **** , a claim for mercy for the
mortal , while the beast crawls for the skin .

suddenly the beast is out , everything around you sounds
different, night is yours , the claws are out ,
feeling pity and a rush , loews night , the effect is cool .
you keep speeding up , you feel the rage , making your roar ,
put fith , 120 km. are enough , hopefully .


you speed up , the bike don't go faster , the rage is booming
the eco in your head , claims for the blood of fresh **** .
the full moon talks your language the city is your hunting ground ,
thinking in lestat ,  hearing bach under a howling moon  , the claws get to your gloves popping out, full moon again son , carefull says lestat voice .



but the full moon talks your language  ,  she talks to your lion ,
she says in his ears , feed lion feed , take your paws , use the fangs
the city is your hunting ground , the lion is out your eyes are red
the beast took your heart , think in dogs , licans are lucky they have their clans , youre alone  ,  the city is ******* yours to take , the lion's walks alone .


think in nat geo , hoping they show some fresh **** ,
hoping for a lions feast , eating , with ****** faces , and a full
mouth , thinking in
mi lyonnesse . feeling ***** , the beast is out ,
cant stop , looking people like prays , in your hunting
ground ... every one is a pray  , looking for a child molester ,
for an assassin , there's no crime in killing creeps , the lion
makes excuses , for the **** , moon is up , you wait for a while
then speed up , and again thinking in the little creep . you scream impotent , it was your right , little beasty knows , he was lucky  , now they know how lucky they ***** , claws come back in . your  lucky to be live .

the moon is gone the lion is in , waiting to crawl back out , thinking in the running , in the heart of a creep , the feast of eating his creepy little heart , gas is enough , y will make it to the  cave , thinking in beautiful
lionesses , naked lionesses , their skin their softness , thinking in the
beauty that loves you but is too scared to face the music in her chicken **** heart , good tastes  too many wrongs , she  cant handle it .



the lion crawl back in ,  the helmet deed his job and protect mi head ,
the blood taste in my mouth , feels good , the fang is always out , like
a remainder ,  a message to your face , be cool , the bike brakes in the red light , you look the little creep , crawling to you , you see his dog out , he smells you , the roar scares him , his creepy yellow eyes , but he knows better .


the hummingbird of the morning sings , talking to the sun , mi eyes are hurting me . the night was good no one died , only the lion ,  rest in peace , very deep inside my chest .
the blood moon wakes you up , think in the coliseum ,the  loews feasts
the killings , the blood , the roman ladies , in the streets no one , looks at you , beneath the monet sykes , everyone , walks with the certainty , for their  own certainties , the blood moon wakes every cell in my body the lion claims for a way out , y only see prays , in a ****** red moon .
    


the house is quiet , my teeths are in , y bite my lips ,
take the shorts  up for a run  , throwing all the rage , in the ****** moon the creeps knows better ,  but still , thinking in the cowardness of being inside , having a creep , inside a ****** closet with 80 years old , pitty is an excuse , he knows better deep in his creepy little heart knowing he was ,  only a lucky little rat .


the feast in natgeo , is cool thinking in the creepy enemy , getting eaten alive by hyenas , eaten to the bone , screaming for mercy , thats  happy
or wishful thinking , oh the beast is there ,  yet , deep down you know that is there , waiting  , looking the prays , but that is the secret , that everyone have  it , only few knows it , and control it , as y do
screaming and roaring beneath the ****** moon .



now i'm calm waiting for a day sleep , having the certainty that my beast is controlled , and the blood feast , are just my wishful thinking .
in the nigth ride , think in blake , tiger tiger in the night .
why your eyes shine so bright , that's my line , your eyes shine , the night is your day , the creep is everywhere , here i am  scream some creep defender , thanks the lord , for your life , and dont scream at me defending that crap . the lion talks to people , don't defend **** ,
luckily i'm used to hold on and hold back , in the ****** night , someone says here we are ,  y say , so what , nothing works for you ,
, whats the point , of being there , illogical and creepy , think again your lucky to be alive . y hear knives out by radiohead and  y think in destroy that creepy evil little rat , that almost destroy mi life , and y say to the rat your ******* lucky to be alive .

       c'est tout, je adore.
temporary not finished , lack of sleep , ***** and beneath that same ****** moon ,
Joseph D Oct 2015
I walk this passage of three certainties

There is no turning back.
The fog's blanket is eternal.
Only the next step can be seen.

Not all doors unlock with a set of keys

One foot stalks the other.
Only to reach a sign of fate.
Dead End never seemed so serene.

Change replaces fog as it lifts with ease

The road forks left and right.
The next step grows but which one ends.
Seems two roads I must choose between.

Not all that is certain appears in threes
646

I think to Live—may be a Bliss
To those who dare to try—
Beyond my limit to conceive—
My lip—to testify—

I think the Heart I former wore
Could widen—till to me
The Other, like the little Bank
Appear—unto the Sea—

I think the Days—could every one
In Ordination stand—
And Majesty—be easier—
Than an inferior kind—

No numb alarm—lest Difference come—
No Goblin—on the Bloom—
No start in Apprehension’s Ear,
No Bankruptcy—no Doom—

But Certainties of Sun—
Midsummer—in the Mind—
A steadfast South—upon the Soul—
Her Polar time—behind—

The Vision—pondered long—
So plausible becomes
That I esteem the fiction—real—
The Real—fictitious seems—

How bountiful the Dream—
What Plenty—it would be—
Had all my Life but been Mistake
Just rectified—in Thee
refresh mesh Jun 2015
we were small children when we grew up

wishing our parents would talk to us about the beloved Constitution,
not at us
wishing our parents would decide to quietly invite themselves
into our ideas, questions, our favorite novels
instead of constantly quoting their own favorite parts of The Bible
instead of complaining so fervently about Islam and poor people

wishing instead of asking
scrambling instead of composing
Do you remember anything?
You were small, and barely talking
But always laughing with me, listening
pointing and nodding

we were orphaned for 3 months as toddler and tiny girl,
while they were mobilizing in Saudi Arabia,
we were stuck with a violent guardian from the family, and I remember
her biting my arm, and pushing her chair
onto mine to crush my fingers when she was mad, and I remember
mom screaming at her over the phone when she found out, and I remember
she loved to kick our dog and sleep in their bed and I remember
deciding to say nothing when I saw this
and how she never saw me watching, the narcissist that she was.

so by age 5 my parents now knew that I was certainly old enough to pay close attention
and when mom and dad were deployed to Egypt for 9 months and 6 months, respectively,
they orchestrated a sequence of 3 live-in sitters trading off every 2 weeks, periodically,
we were stuck in a cyclical round of stuffy, busy au pairs
and I was the host
and I kissed dad's picture because he would call us almost every day
and mom would not
yet it was her I remembered the most
yet it was dad that you actually forgot

When we had them back I realized
I wanted to forget him, too, sometimes.
I hated worrying about them. I remember when I was 7 and our dog died
His heart was so debilitated for months.
Soon after he was able to fling our replacement puppies
in a fit of rage, just once
He retired first, that year, while mom was shipped off to Kuwait
Soon we found out he had no friends, she was his only mate
We felt sorry for him
We ate tv dinners every day and night for 6 months
And although I do have small handfuls of memories
with his hands suddenly on my throat and me on my knees
They always end with him apologizing and sobbing
And me, unscathed but shaken, glowing but glaring

by ages 8 and 10
we were reciting the bill of rights and criticizing welfare
but still could never understand ?
competition or war or cosmetics or long hair

I would always march, I felt like a boy and a girl
and also felt like neither one, I would always twirl
I was taught early on that accomplishments
are more
valuable and profitable of an experience
than forming,
with no meaning, such fleeting relationships

I've ending up simply not comprehending courtship
I might be a light, empty holster that you cannot equip.
I've never sensed the fond feeling of an honest liaison
Except at funerals where I'm free to imagine my own expiration

there are those of us who found kindness by insight
while we were taught to play the offense and be glad to fight
Yet intuitively we knew this aggression has a cost
so we harbored it within our frontal lobes, where we became lost
Some of us have been fighting demons since
our own hearts could breathe and our own eyes could rinse,
And the real reasons we did bad things
were simply too boring, too excruciating

these children fear, then assume, their best friend won't want to play
having discovered that having daydreams may be impending dismay
these are all the people who I haven't ever gotten to greet
they echo my certainties that there are other stories to meet

we were children who always imagined being a squib
keeping faith that wizards and wands were real
they'd take us away from this place to another glib
world of feasts and friends
A house consistently without parents, a house in which we could heal
guardians will fuggya up
I

The winter evening settles down
With smell of steaks in passageways.
Six o’clock.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.

And then the lighting of the lamps.

     II

The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.

With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.

     III

You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters,
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

     IV

His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.

I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.

Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.
jeffrey robin Aug 2010
walking along the quay
(there are benches)
he sits and watches gentle people
strolling alongside
the waters
its calmness
breaking the tensions
and
even entering
our uncertainties

darknesses
these have been creeping creeping
unto the Light of Day

our truths are being tested
our souls are being shattered
only our bodies.......devoid of spirit
remain

sitting still
(there are benches)
the gentle strangers
seem like lovers

as he tries to ease the tensions
and uncertainties

not letting
his soul be shattered
or his spirit die
(of this----he is certain
very certain)
Devin Weaver Feb 2013
We look past meaning, still blinded and dreaming of riches,
Which leads us toward track homes and condos, cruel chapels
While the hapless live in the world’s mansion: the most open convent
And what we don’t see is sometimes the crux of our content

The streets offer a morose array of the discarded
They, the wise and most wretched, who humbly suffer
Are perhaps the truest, comely Christian-hearted men and women

They bless the day as they pray to the ground
Where cracks become twisted crucifixes upon which
The most selfless are displayed for public derision.

Ironic is the formula written with precision on the tome of our existence
Iconic moments of pain bloom into the banks that loan out inspiration

Each electron is one thousand eight hundred thirty-sixth of its proton
And this proportion, though grandly and numbingly unimpressive
Is the basis upon which we live and whir and spin as matter does
Coincidence is a lie in the face of the certainties within what we cannot see

For, though one decade separated the births of Crockett and Bowie
And, though their names might conjure knives larger than pockets
And hats, stolen from conquered bandit-faced creatures’ tail ends
It was on the same 1836 day that they evolved from flesh into legend.

Joy is a strange element that seems to come and go without a plot
Yet some know how to wield their emotions with little thought
As if joy and love were as a hammer worn neatly at the belt

So, I yearn for one day to grasp a handle in a hand that has never felt
The shape of certainties, once discerned as chance and circumstance
And when the hammer falls, I hope it breaks a twisted crack into my heart

I hope to, from my reflections, thus bereft,
Find some perfection hidden deep in death
As one might decipher, through foreign language,
A light that warms within a sonnet

In a way, I think my life depends upon it.
This poem is comprised of 1836 characters.
Mateuš Conrad Jul 2016
when i first found about will alexander, i immediately bought three of his books: kaleidoscopic omniscience, compression & purity, the sri lankan loxodrome - i saw the potential, rekindled surrealism - perhaps a second peacock on the stage, as in more peacock of vocabulary, rather than a peacock of historical quanta merging (E. Pound).

i really do distrust this division in what science speaks
and what poverty stricken humanism speaks of -
i distrust it because science sediments itself supposing
humanism the pauper - science and all its immediate solutions,
humanism and all its delayed problems -
the new priests look so innocent - but i'm bothered,
i don't understand their need for awe-on-purpose -
the old priests demanded kneeling and an agonising
penitence - not a concept of predestination, but
this sort of minority report: you've done nothing wrong,
but we'll assume you already have, better than a microchip
implant, the idea, we'll use that, pre everything
limit the pro of everything, and catch you in a fishnet of
omni, it was too much, all in one go, in defence it started
with a mediator impersonal, Cartesian later Spinoza's
substance - partly due to the omni-etc., a shortcut -
the easiest way out - sure, if i went to a progressive school
rather than a catholic school in an Irish neighbourhood of
far-beyond the East End locality, i might have written
you L.S.D. filled poems, instead i start off tipsy working my
way around vocabulary that's adequate - hushing out
all possible onomatopoeia static in crude tongue -
ridicule feeds the beast, ridicule my prime loathing -
criticism well and truly accepted... ridicule feeds the beast -
but i mean, this perpetuated awe of scientists,
modern philosophy anti-Aristotelian does not begin
with awe, but with a ridicule of it, a disgust -
when did humanism ever experience awe? a stranger's
kindness would be a start, but even then there's hardly
any awe in it - it soon fades, scientists have immersed themselves
as prophets of awe's preservation, one picks up
a stone and speaks of a mountain, one draws a circle and
howls out the moon - i don't know how they can fake their
awe with so many certainties - so many facts -
awe reminds me of my first bicycle lesson, attempting
balance, failing, bruising a knee, and awe when
the balance was mastered - very short-lived, then the
drudgery of re-, i distrust scientific awe, primarily because
we're slowly no longer stepping out into the unknown,
we're stopping into knows and denies - not many unknowns
out there - except as in the case of Iraq, and Donald Rumsfeld,
known knows and there are known unknowns -
now... that's awe... i don't know who was keeping check
on this, but that's more mesmerising that explaining
1,000 million years ago... in a nutshell... how long has
this pneumatic drill of Darwinism been pumping custard
into our brain? is this the part where you tell me we're experiencing
the Alaskan day in the summer months or Alaskan night
in the winter months? all this scientific awe-bashing
is no longer vogue, but they keep at it - oh amazing, ah,
stupefying - and all of it just becomes a regurgitation -
someone said in the 16th century that Aristotle was wrong,
the wrong in Aristotle is that he might have been wrong,
but he was still perplexed... we're no longer perplexed creatures,
not so much... well maybe a bit when it comes to social justice,
but it's not like: sigh and a tear in your eye... it's more like:
if a white boy was shot from a private school, the mothers
and fathers would come up to the police officers with guns
in their hands... you can see awe vanishing when the butterfly
feelings flutter away silently... it's now violent awe:
why is this still happening?! huh?! scientific awe is not
a cushion you can fall back on: we have ~100 years to live
(if you're lucky... or unlucky) and we're being told of life
in caves and trees - Darwinism has hijacked history, this is
where science in written form is like an atom bomb, it wipes
away the best part of humanism, that is: to make human
life itemised on the microscopic level - i don't care if you
go to church and **** out alms for the poor and put on
those ruby shoes and walk the yellow-brick road,
you can't relate to Judea 10 a.d. - not to save your life -
in that famous motto *carpe diem
- but strained it's not
so much seize the day, but... relate to the days and those
around you who share them: pertineo diebus - or something
like that, imagine, going to a Catholic school and they
don't even have the manners to teach you a bit of Latin slang,
travesty; but that's how it is, we're no longer awe-stricken
in what the scientists are selling us, fair-dos to
the medicine men, shampoo men, cologne men,
but the awe-invoking men are a bit n'ah-ah to me -
given the timescale for one -  i'm a simple man and i want
to enjoy my beer thinking about last Friday,
my life... not the collective origin of life, and whether
i was too hairy back then - you don't need theology to
argue this point, just a little bit of common sense self-respect,
last Friday, not 1,000 million years ago when there was
no Friday, no Sunday, no March, no human imprint -
no: i can touch it, i can feel it, i can see it... i want it.
just like in my dream today - it's rather strange that i dream,
i rarely do, but sometimes i remember one or two -
and all i can say is that - i had the best *** in my life
last night, asleep
- yeah, i was ******* in it -
but what bothers me is that it wasn't lucid in terms of
images, but sensations - i can thus say it wasn't completely
impotent in terms of colour, but then again it was -
i'm starting to believe that i'm a blind-man in my dreams,
i ~see sensations rather than actual images in reel -
i can remember leaning against a wall and moving my
tongue in her mouth and my middle-and-ring fingers
into the... what? cliche? anatomic? *****? you choose -
a strange parallelism - we can use the tongue for such
eloquent fragments, and yet reduce it to other atrocities
of equal eloquence - then the whole dream-world changed
and i felt sitting at the tipping point where the sea meets
the beach sands, sitting down awash the waves and her sitting
on me. it's what i felt, i didn't see anything vivid -
but the sensations presented themselves as such -
i associate that with delving into writing in my mother tongue -
email / diacritics "crossword" (un-ditto and apply a
non-misnomer, i.e. give it a proper name, cf. Aristotle)
.
to finish i guess i might as well write a short critique:
the over-burdening of man with nouns -
as in will alexander's index of the sri lankan...
a few examples: proxima centauri (nearest star to our sun),
hemiopia (loss of vision for one half of the binocular field),
dukkha (buddhist term for suffering),
nystagmus (involuntary jerky movements of the eye),
nosophobia (morbid dread of some particular disease),
telesto umbriel larissa (moons of saturn, uranus
and neptune, respectively),
karina (egyptian demonology, a familiar attached
to a child at birth),
pretas (ghosts) -                                  or as some people say
including Christian Guerrero - 'they're just words...'
oh yes, and words are not the cogs in the machine?
just words... just words?! a banker's bonus is just
an array of... just numbers... why is this nonchalance
to these fundamental units? first they teach us to read
and write an escape the sunny harvests of the fields,
the easy mental but demanding physical life -
after the demanding physical life went our supposed
"ease" mental life changed into a demanding mental
life and an easy physical life... that's the problem with
establishing a suitable vocabulary in yourself, you can
sometimes overdo it, meaning not many people will
understand it, globalisation didn't save us from
the babylon ambition rekindled (whether myth or whatever,
it doesn't matter, read a book literally and you'll end
up realising what could have possibly been mere myth)...
all the above cited words from the index, by god, impressive,
but why would i pain myself to use a word that i'd
have to write an index to? globalisation and words from
Iran - southern coastal to be exact home to afro-iranians -
but locally it's just a ******* shish kebab and nothing more -
or central scotoma (area of the retina that's blind) -
all this vocab wall building is amazing, it really is,
a fortress at Acre - admirable... but then a return to the dull
grey reality of everyday speech - the painful art of poetry
reduced to a personal involvement with certain words -
it's heart-breaking, well, not for me, for Will it must be,
but hey, bought three of his books, that must have counted
for a cheeseburger and a portion of fries at some point
in his life.
Jimmy King Dec 2014
.              Part One               .

January
I wake up in a hungover haze that seems
Irrevocably unending. All the places I threw up,
That stiffness in my neck, the emptiness in my love;
There is too much to feel
So I feel numbness
And I feel remnants
Of ***** in my throat, only manifested fully
When my friends and I make fortune cookies,
Singing along to songs that we’re hearing for the first time
Amidst the chaos of exploding poinsettia plants and nascent tattoos,
All of which litter your mom’s otherwise bare counter.
I don’t make much mention, in my fortune cookies,
Of that girl who still leaves me hungover;
I fill them instead with cruel jokes
That send me cackling
Until my dehydrated headaches pass into

February
When I’m moonlit tipsy stumbling
Through a campus-wide coniferous forest in Washington State
With two strangers that I soberly think
Might be my future.
We arrive at the clear polluted waters
Of the Puget Sound, our boots all
Sinking into deep-mud as we walk past broken bits of shells
To low tide.
Even as the full moon sinks and I realize
That those two strangers can never be my future
(That Athens, Ohio is my future)
I still walk forward
Into the Puget Sound
Knowing that the water will stay with me
In my lungs, on my skin,
In my mind, and although I don’t tell a single person, I fear,
So rightly,
That the water from the Puget Sound,
Set to perpetually accumulate in my lungs,
Will one day come to drown me.
Even as I cry to my mom in our kitchen,
Relieved from that seemingly endless indecision
I’m not surprised. I’m not surprised
By the choice I’ve made, I’m not surprised
By the fears I still have, all that surprises me
About any of this
Is the immediacy with which
My conclusion’s future culmination begins, as I begin
And continue
While always feeling like I’m concluding,
An infinite

March
In spirals, spirals, spirals, leaving trails
In subconscious sands, someone paints
Blue spirals on my body, and when
I drive back to Lake Erie later,
To retrieve abandoned items and moments,
The road looks much different.
Less swirly, less threatening at first, and when we get there
We eat pineapple/onion pizza on my ****** cottage’s front porch,
Just barely shielded from the snow, and just barely
Shielded from one another. And even those
Slim shields between us begin to fall
When we stand on our melting Lake Erie.
Because the whole world
Calls to us.
The sky screams, the wind explodes,
The thin layer of water above ice rushes
Blissfully, almost hallucinogenically, towards you and towards I
And I am howling
Into the face of it all,
Fearing nothing—not even
The absence of that girl’s palm in mine
Or the water from the Puget Sound
Or the cold of the air
That is tearing at my scalp; that is tearing
At my whole being and

April
Is best described by a rampage
Home from a campsite
That I only ever saw
Drunkenly, in the dark, and under the pressure
Of Allan Ginsberg’s poetry and an ultimately failed ****.
On that rampage we steal tombstones,
We steal memories for ourselves,
And we steal crass glances
With crass jokes that sound sort of
Like the crass fortune cookies which somehow
Never went bad.
Someone notes during that drive
That the air is getting warmer
With regularity now,
And while I somehow can’t bring myself to cry when my cousin is shot to death,
I have to struggle to hold back tears
In our high school’s only classroom when you tell me
That you’re quitting that play we signed up for together.
I guess it’s cuz I’m concerned—
Cuz I’m deeply
Deeply
Deeply concerned—
That it’s a lack of dedication
To me, to what we do together, to everything
That will prevent my rampage from concluding quietly
Amidst the smells of Indian food and the soft light
In your future dorm room
Where I will hug you
And where I

May
Finally
Let all the tears
Flow freely.
I guess it’s the unnecessary intensity
Of this collective celebratory anticipation
That preemptively reveals to me
That the moment of walking across a stage
To receive my high-school diploma
Won’t be quite as transformative as I’d hoped it might be,
And when I make out with that girl who still has me hungover
In the bed at my dad’s house where I lost my virginity
Almost exactly one year prior, I realize that in fact,
I’m still marching the same march, and
Both magic moments of idealized transformation in that bed
Were just as illusory.
Somehow though
Your no longer nascent tattoos have not yet faded
And I can’t help but worry,
(As sweat pours from my forehead and drenches these bedsheets;
As my finger nestles itself tiredly between the folds of her ******)
That I have, and in

June
When all my anticipation is realized,
People clap in the audience despite the fact
That it’s the same stream of sweat
That’s trickling down along my spine
To reach my ***.
I stare into the spotlight
For just a moment, amidst those stale applause
And in my squint, I think briefly
That none of it ******* mattered. I mean,
Despite this perspiration, I’m
Dehydrated. Hungover. I guess
Drinking more alcohol
Isn’t the best way to get over it, but I can think of nothing else,
So even when I acknowledge
That all my attempts have not even been half-assed,
But, like, one-quarter-assed
The only resolve I find is in distraction, in
******* my other ex-girlfriend instead
And not until that distant

July
When I’m ascending through Never Sink,
Does my head finally
Feel clear, yes,
In that glowing blue pit
Of bioluminescence,
I feel the whole world slow to a stop,
Embrace my body with its taproots
And whisper
Playfully and
In a child’s voice,
“You are the whole world” and I know that I
Am the whole world.
I breathe heavily, the only sound for miles around,
And for a moment I feel that the Puget Sound,
Along with everything else that is so ******,
Has fallen away.
For it is not my body
That is climbing on-rope through the stars and galaxies of this great sinkhole
But my mind,
But my soul,
Because Never Sink
Is not a landscape
But a mind-scape,
A soul-scape,
And it is one which is never dark
Thanks to the blue lights of soulful- (not bio-) luminescence—
A glow that is strong enough to see
Finally
A singularity
In the form of an unlocked lock,
Appearing with grace upon my driveway
After I return home
From ******* my other ex-girlfriend
For the last time.
It is only when I stop the car,
Open the door,
And hold that unlocked lock in my hand that I realize the extent to which
I am being
Un-defined.
The ethereal being in Never Sink’s soul-scape,
Alone in the blue grace of the night,
With nothing in my breath.
The thought is terrifying.
So in

August
On the night of my eighteenth birthday,
The girl I’m hung over and I
Send magical, sparkling lanterns into the sky
With a wish so brilliantly bright and simultaneous
That even I am able dismiss the slurring drunk words spoken next to us—
“Here’s hopin’ that you two get married some day”
As superfluous.

.                Part Two               .

The winds above Lake Erie carry me,
Along with that lantern, into the foreignness
Which Never Sink foreshadowed.
But with the lantern as my very being
And the Puget Sound in my every breath,
Athens, Ohio does not become my soul-scape;
Even its gorgeous autumnal rolling hills
Are just land-scape, and I don’t know
Whether things would have been different
Had I not walked into that stranger’s party
For that terrible beer
On one of my first nights there, but regardless in

September
I walk up endless hills and stairs daily
To get around this hellhole where the only genuine people I’ve yet found
Were prepared to leave from day one, like I
Wasn’t. I wasn’t preparing for that at all, but the Puget Sound,
Lingers like phlegm in my lungs and distorts my regular refrain
Of “I can be happy here, I can be happy here,” keeping it
From ever loosing its hypothetical but eventually forcing it
To loose its conclusion:
I can be…
I can be…
I can be anything that I want to be and I am still here,
Sitting on the top terrace of this weird-assed biker bar with some girl
I just met, with some guy
Who seems cool, but in both cases
I drink one too many Blue Moon’s because I know
That neither of these people
Will ever loose their hypotheticals and will only ever
Loose their conclusions.
Gazing upwards towards the stars in the fading summer,
I try to ignore the physicality of all that’s around me,
But the alcohol churns in my stomach like violent waves, like in

October
How I rock like tides between the shores
Of two continents, of two
Acid trips.
One, on the floor of my dorm room, staring at my ceiling
In an attempt to make patterns
Out of patternless white paint, all the while holding hands
With that guy who seems cool, who has been dancing
In and out of hypothetical.
And the other acid trip with you,
Who somehow in the face of everything
Became one of my only certainties.
You, with whom I stood on Lake Erie
Howling into the wind in an unrealized epiphany.
An epiphany
That is now realized
Because the beers on that top terrace didn’t matter.
The white speckles on my dorm room ceiling during that first acid trip
Didn’t matter.
Hell, that girl I am in love with
Didn’t (doesn’t, can’t, won’t) matter.
What matters to me,
As I’m dressed in drag on Halloween,
Lying in your dorm room that smells of Indian food
With 120 dollars of drug money in my pocket,
Is what’s ultimately present. Right there.
Right here. But then, lying there, the time
Clicks over into

November
And at two in the morning it becomes
One in the morning.
I don’t know which of those hours wasn’t real
But when I hug you and cry in the soft light
It is a moment too brief.
It is a moment from which I am pulled straight
Into a hotel bed halfway to New York City,
Where I lie with that girl who I guess I’m in love with
And I’m kissing her, and I realize
That blue spirals still linger on my body, but when she groans,
So softly
That “we shouldn’t be doing this”
I pause before saying “I know,”
And in that pause, my pixelated, televised, and falsified image of reality
Briefly turns to fuzzy grey static, its finite infinity like the trance
Of meat on a rotisserie; I’m waiting
For this turkey to cook
In my friend’s mom’s home—funny
Because I’m still a vegetarian
Who sometimes likes to think of himself, in quest for definition,
As a vegan, but man
I’m beyond definition, I’m beyond anything,
I’m beyond even my darkest imaginings of myself, so when I get wasted
At a 2am that doesn’t click back on Thanksgiving morning,
I have a slice of that ******* turkey,
Cuz the vegan chili my friend and I made at school was good and all,
But I had to bike through freezing rain to get the peppers
And even though I’m starting to feel
Like I’ve found a few people who I can take in with permanence
Nothing feels more like permanence
Than this home-cooked meal
Of turkey and cranberries and sweet potatoes at a granite counter
Where, on January 1st when the ball dropped,
We all took shots, leaving me drunk, stumbling
And eventually
Hungover.
And of course in

December
I’m still
Hung over it all.
Part one, part two,
The futility of that division is so obvious now.
It’s the same poem, same sentence,
And when two not-so-new-anymore friends and I sit on a rooftop in Athens
With a bunch of still so-new I-guess-friends
Right before exam week,
Right before this emotionally excruciating semester comes to a close,
Right before I prepare to head home,
I realize that even though this place
Hasn’t quite become home yet,
My ‘home’ isn’t really at home now either.
I am without a bed in which I feel comfortable,
Without a body next to which my whole life makes sense,
And I am driving to go swing dancing—
An activity I can’t believe I’m still trying to like—
When I finally tell her that I’m in love with her:
Words that don’t matter despite
How much they do. Ultimately,
To me, to her, it’s just
A quick red-light phrase
And this poem is, without too many layers of resonance,
Not even addressed to her,
But to that girl with whom I stood on Lake Erie,
Howling into the wind,
Imagining part two but preparing
For part three, so
With that lantern still floating skyward, “here’s hopin’ that”
                                         (No. No. No. Start over.)
Here’s hoping that
At midnight
On this New Year’s Eve,
When the ball drops and when we all take shots,
Perhaps around that same granite counter-top,
These clocks
Won’t click back again.
These spirals
Will fade.
Spenser Bennett Mar 2016
Convince yourself of your certainties
But certainly they are uncertain
For the truth is hidden behind time's immovable curtain.
Mateuš Conrad Oct 2018
.how else? with a variety of histories clinging to the focus and exerting the stamina as coordinator? there's the historiology of Darwinism, there's the historiology of the Big Bang theory (with "god" as a, end of sentence "after-thought", dot, , there's the historiology of scholastic efforts of the study of history of history, then there's the personal history of the individual: as nostalgia, then there's the historiology of journalism... then there's the historiology of your immediate predecessors... at what exact point, are you supposed to begin with, to create a rational creature? i suppose the easiest answer is... ? to have children... and construct a shadow, to hide all these focal points of genesis... never mind the historiological study via the biblical narrative, or archeological historiology; so, as you can see? time is not exactly the replica of space, a beginning a present a past... space is not three-dimensional outside this atmosphere of the grand Orb... because all scientists know that... this, supposed motivational claim of... "thinking" outside, "the" box... at the end... there's no "box" to begin with!

such a recurrent thought,
it stalks me like a shadow,
but i just... never seem to be rid of it...
i was 21, she was 18...
love...
                love...

but an unhinged desire for death
to boot,

******* her for 7 hours one night
in St. Petersburg...
didn't really matter...

a vague similarity to
incubating a cushion...

there was no accident...
if only talk took the place of telling lies...

i could have explored
the latex ***** *** **** outside
the realm of a ******...

sure, i write about Hebrew
theories in terms of phonetics...
but i could never be circumcised...
a caduceus of protruding veins
envelop my *******...
so... no mushroom head
of a phallus to boot...
i'd bleed out...

               but was it so bad of me
to suggest an abortion to
a teenager?
            would she still possess
a masters degree?

she married later,
then "divorced" her husband
and i met her new boyfriend,
when i randomly traveled
back to Edinburgh,
and watched her playing
video games with a slashes
hand...

no... not at the wrists...
along the veins,
from the inner side of the elbow
right down to the wrist...

my ex, my one true decency of
womanhood once said
to me: stop trying to save
these women,
to which i should have replied:
i'm not! i'm trying to
save myself!

sometimes the night creeps in,
and i think of the 21 year old me...
she, taking contraceptive pills,
then stopping,
and then, becoming
pregnant... or at least that's
what it sounded like:

matt, i think i'm pregnant...
it didn't register that well
while on a construction site...
industrial roofing never really
does give you the luxury of
pondering...
i was either about to move
some canadian tar into the boiler,
or cut up a roll of mineral felt,
or transfer some insulation...

she came from a Novosibirsk
oligarchy,
two apartments in St. Petersburg,
one in Moscow,
a mansion in Novosibirsk,
etc. etc....

     just left uni, and was doing
what any son of a manual laborer does,
being utilized in his father's
profession...

but it's not like i could afford
to give her what she expected...
a flat in central Edinburgh...
i might have said:
you might think about getting
an abortion /
you know what you have to
do? get an abortion...

            21?! seriously?
so i'm supposed to drop a job
in London?
the only sort of job i could
get out of uni?
a job i... to be honest...
yes, it was hard... but i enjoyed it!
it would have been a job
that would cover the years
my father went "missing",
from 4 through to 8...

but this Russian lass wouldn't
ever move in with her in-laws,
or to the outskirts for that
matter...

plus... what happened later?
she married...
supposedly divorced,
and there, i met her new boyfriend...

to be honest...
i don't even know if
there was ever a child to begin with...

see...
  hmm...
  the existence of god is not so much
an issue of me that serves
the diligence of plating up a proof...
i have too many personal
certainties in my own life,
to give the concept of god
the "benefit of the doubt"...

agnostics doubt a god,
atheists deny a god...
  big difference...
         i can't do either...
i know so little of my personal life
sometimes, if not all the time,
that... at least:
there's this coordinate
i can focus on...

as ever... it's not the freedom
of speech that bothers me...
i'm more inclined to serve the purpose:
give me the freedom
to think, from what i've said...

and what i have to say?
is found in the comment section...
not here... this is me...
thinking "aloud"...
don't come here expecting me
to be found talking,
you'll only receive a reply
of keyboard clicking...

i can think of a deity,
but, sure as ****: can't pray to one...

deus est cogitatio,
                    non est sermo
:

god is thought,
                         isn't talk.

wow... i didn't even shed a tear
writing this...
ah...
               when i once played
my muse... my ex-girlfriend's
younger sister the song
solitude by black sabbath,
and then we washed the dishes together...
it's playing now...
and it's raining...

    a pristine English October.

a conundrum question...
did i chose wisely?
i didn't chose wisely at all...
i made a post-existentialist gamble...
i gambled...
   i simply... gambled...
  although as aversive i am
to casual gambling... on horses...
dogs... football matches...
i made but one gamble,
the result of which,
is confined to me writing, this.
Britney Kempker Sep 2012
Compounded complexity
flexible freedom.
This world we live in...
hold your tongue
let me speak
let me creep
on our country's beliefs.
Ideologies invented by power,
to tell us when to cower,
when to talk
how to walk.
I have a mouth I refuse to shut
My words can be daggers
confident in consequence,
and hence,
I write these rhymes
to challenge your mind.
Look at your empty beliefs
in policies with no relief.
They seize your right
to fight,
stand up and be proud of who you've become.
Who are they to judge
when they smudge equality
and slash justice,
twist the meaning.
The poor stay poor
the rich get richer.
Kids grow up in the gutters
and the government mutters,
"we tried our best,
done all we can."
When the money is spent
in genocide
of those on "the other side"
unaware civilians
mass ****** is our forte
across the ocean
or in our streets,
But you aren't exempt,
blame yourself,
stand up and scream.
I want to put the fight in your eyes,
take off your mask of false certainties.
You think you know how this world works
instead you should step back
and see what you're worth.
What happens when the certainties
are ripped from our hands,
and we stand,
clutching remnants, mere scraps,
winding them around our fingers?

As if to make permanent
that which was fleeting,
in spite of the prayers we uttered,
the sacrifices made, in hopes of
some gods propitiated--
so we thought.

The universe tilts,
all certainties end,
and we find ourselves in space,
clutching our remnants,
unsure of what agonies even
a single step, a toe forward,
can mean
when there was all meaning and now
none?

They say that
nature abhors a vacuum,
stillness not in our nature.
Restless, angry, grieving **** sapiens,
drifting across some landscape or other--
does it matter?--
when all around are signposts
back to what we lost?

Plod, plod, plod.
One foot in front of the other,
until we reach another place,
other scraps blowing against our feet;
we pick them up;
weave something else
weave ourselves
back into the fabric of
a place, a space,
our own selves
I wrote this poem two years ago in the midst of grief, upheaval, and depression.  It's amazing to see how the weaving has grown and changed in that time.
there is so much about life he does not understand powers influences insights secrets repetitions patterns relationships mysteries so many things to learn remember so many things to forget every morning he wakes with hope faith no matter how challenging threatening or bleak the odds he feels confident in the possibilities optimistic in his abilities desires believing in his quest for love success happiness yet every night alone in his empty room he comes undone again

Dad’s dying generates beginning of Odysseus’s awakening from his long deep stupor Dad was so heavy-handed intimidating his reign of terror is done next several years blow by like chilling numb wind off lake michigan dreams seem more real than existence Odysseus continues painting writing bartending drives Farina to beach daily it takes a while for him to realize he is freed of shackles Dad’s tyranny and it is all right to answer to himself alone in june 1994 news reports genocide of 800,000 people murdered in rwanda in july Odysseus feels trapped in identity he can no longer endure after struggling for years to achieve stature as accomplished painter he realizes he is nobody perhaps simply troubled artsy son of well-to-do Chicago socialites Jenny and late Max Schwartzpilgrim his discontent goes beyond family he feels shame disappointment with himself desperately needs to make changes to his life knows he cannot do it in chicago weary of all the sins damage he has made suffered in that city he wants to find somewhere less corrupt stressful more down-to-earth knows all to well how to get in trouble wants to find someplace where there is no trouble somewhere quiet dull preferably beautiful Odysseus liquates ashes to ashes clears altar of every dust flake sells paintings art supplies books music cassettes clothes vintage collection other possessions at sidewalk sale makes out with nearly $6000 whatever he does not sell he gives or throws away he is used to giving or throwing himself away he is 44 Mom protests but her disapproval packs no punch without Dad he says his goodbyes to family friends packs up toyota and with Farina steers away from chicago he leaves behind many destructive friends acquaintances people who will never dig their way out of wrecks they are buried in leaves behind history of minor misdeeds abuses disappointments scenes happenings he feels shame regret about he leaves behind practice of familiar patterns certainties faces names who recognize his talent problematic self never again will he benefit from questionable reputation nor will phone ring many times daily and never again will there always be someone to meet up with or gathering to go to he leaves behind support system of loving family friends fans whom he will miss greatly he lets go the character he was to become someone different hopefully better they drive on aimless odyssey without thinking searching with no place in mind listens for scenery to call to him inwardly the journey is the meaning he drives up streets down alleys through 4 corner towns bypassing most cities whenever he sights a lake he pulls over treats Farina to a swim sometimes swimming together they sleep in tent or stay at inexpensive motels that allow dogs while driving he often feels overwhelmed by diverse raw beauty of American landscapes lush forests spectacular mountain ranges sweeping valleys winding 2 lane highways along coastlines he points out sights to Farina but ultimately he wishes for another pair of human eyes beside him
Nagual Jan 2019
I favour the deep, impenetrable truth of the jungle
Over the smooth ride over sleek black rubber;
The *****, disturbing, demented disorder;
The distortions of the lights we bathe on,
Over outward alignments and the staleness of systems.

I favour the cheap, rugged, bittersweet taste
Of a late night's substandard drink,
In the midst of true lights and shadows
And the uncertainty they cast upon us,
Over the orderly and satisfactory--
The dead pleasures and securities that
Exist nowhere but in feeble projections.

I favour the basic, primeval, animal grunt--
The dirt, the dizziness of true treading
Across the muddy shallows--,
Over the clattering of an overflowed,
Certain mind.

I favour doubt, earnest doubt,
Unpalatable doubt, inescapable doubt--
A smile in a pitch-black room,
A journey on a lukewarm air balloon,
A half-finished sentence in a half-serious gloom--,
Over hasty conclusions and tainted allusions.

I favour the endearing messiness of reality;
The chaos of light and dreams;
The mystery, so out of reach,
Of you and me and the space in-between;
The stained, torn, shattered, burnt,
Twisted texture we find ourselves upon,
Over the smooth, marble-white,
Sterile surface where false certainties
Slide, grinning, before they find themselves
On an impending collision with the infectious hesitation of the ground.

I favour the acknowledging look
Straight into the eye;
A ladder with one step;
A race with no competitors;
A contentment without resentment;
A bread on your table that's good enough,
That doesn't tease you and promise you more,
And more,
And more,
So that you forget what you should really care for,
What lies deep under your skin,
What stirs up the dormant contents of your guts--
You climb to the hilltop
Which finally allows you to have
A peek at the next one.

I favour uncertainty and risk,
And walking too close to the edge;
I favour barely enough,
And cutting it too close;
I favour throwing all excess over the board,
And lowering standards;
I favour the taste of imminent failure
And the adrenaline of a heart-wakening sprint;
I favour meagre means
And big dreams, free of currencies;
For they all remind me what the world
Really looks like,
Who I really am,
And what the winter-night winds
Really feel like.

I favour the ways of nature, often erratic,
*****, ugly and convoluted,
Often dumbfounding,
Unintentionally intelligent and mysterious,
Over the ways of fear-ridden constructions,
For there is no such thing
As a straight line.
Viola Holly May 2014
You are a doll, you told me.
You are the most beautiful girl in the world, you said to me.
You are special, you promised me.

I liked living in your little house
your little world that you made up.
I told myself my life was a fairytale and you
encouraged
that.

Barbie doll pool parties in the bathroom sink.
Moist, delicious yellow cake with sugar syrup.
My flowery bed by the window in the room that was all mine.
My brothers never got their own room at your house.
You made them share with Papaw.
Three in one tiny bed.
Four when I got scared of the black and white Zorro man.

I realized I didn’t like staying in your little house,
your little hole you created because
Sometimes light
streamed in through the window blinds in your throne room
Felt smokey and kind of choking
As you reminded me of your brother who died
your daddy who died
my mother the sinner
my daddy the devil
and my brother the *******.

Your greatest lesson:
Everyone you love will all die someday, and it will hurt you.

I saw who you were, and I loved you, because it was obligation,
because I didn’t know what love was yet, I just knew the words.
I saw who you were
my bestest friend,
and you scared me.
I didn’t want to be sad like you.
I saw who you were, and
All I could think about, me, a little girl,
and still think about, me, an adult,
trying to wash away certainties unknown,
“When are you gonna die, Mommy? Do you have to die? Please don’t die, Mommy.”

I am not a doll,
though I may try to dress like one.
I am not the most beautiful girl in the world,
though I may selfishly wish.
I am no more special than my mother, my brothers, my grand and father.
I am no princess.
I still tell myself my life is a fairytale sometimes because
that’s how I live.
Optimistic and childlike.
You were the definition of grown and
I didn’t want none of that.
I keep the parts of my spirit that you tried to take from me
so close
and I wear them in my skin
breathe them
speak them in my speech.

I am not bitter about you anymore.
I could only hate you for my mother’s sake,
but not for mine.
It’s tragedy enough to steal one girl’s life,
but you didn’t get mine.
So how can I be bitter when I live and love with a skeleton of a woman that you served tens of thousands the ****** up dish you served me ?
I whisper to the sky at night for that woman.
The one who let me be who I am.
Who told me I am not a doll,
A puppet of anyone’s game.
I am not the most beautiful girl in the world,
I am the most radiant.
I am no more special than anyone else,
I am a vehicle for good like the rest.
I am no princess,
But that don’t mean I can’t treat like one.
I carry your name, but I am not you.
I am not Viola Bested-by-you Holly
Original piece for the one person show, "The Florist's Daughter".
Spenser Bennett Mar 2016
Well I never noticed that you looked at me differently than everyone else.
 I was always too busy running around in circles trapped inside my own head.
I get caught up in what-if's and maybe's and forget that there are definites and certainties.
I focus on all these stars falling heavy around my ears and I run chasing after them missing the beauty and wonder shining sweet light on me.
When I lost myself in those moments..I should've lost them with you.
Jordan Harris Jul 2014
I am a child of truth
one not blinded by belief or whim
my vision is luminous with veracity
I am a daughter of science
the proven

there is pride in this
the authenticity of my perception
I see the world in all colors
not the black and white of sin and virtue

I judge the world on the confirmed and validated
my value is in the clarity of possibilities
and the assessment of the affirmed

but for however meritorious I may grant this view to be
is such sight of pure moral?

it burdens to recognize I am the only control in my world
there are none in my eyes with ultimate or immortal reign
the only fate I view is individual and collective ends

I wish I could have faith
perhaps the pain would ease
at the thought of another with power in control
knowing my actions are not my work
but the results of a larger set of hands

but how hideous is it of me to say such filth
to long to believe
but be supposedly unable to feel gods
I consider it disrespectful to those who do

so I keep to my facts
my deafening, blinding, muting visual certainties

but what if I am wrong?
after all, there are more colors in the universe
than those of which we see
I know religion is a touchy subject, and I have been told numerous times as an atheist to hush up and not speak of it, but honestly, I marvel at such beliefs and ways of life. I mean absolutely no disrespect and truly want to make that clear to all. This poem is honestly a stab at myself in my confused scientific state of mind and under no circumstances meant to hurt others. Mostly, I wrote this because it has been on my mind a lot, and I felt the need to write.
Lexi Cairns Jan 2015
Early one evening
Running through a parking garage
Tripping because the bottom of my skirt is soaking wet
He looks at me and smiles
His eyes heavy but lit up like a million stars
And he tells me how cute I look
With my dripping wet hair
Holding my coffee and ******* on a cigarette
I know then that I'm in trouble
Because the same sun that gives life to our planet will one day consume it in fire
And only two things are certain
Everything ends
Nothing is free
Joshua Adam Jul 2015
When plagued by doubt, hold on to certainties.....

I sit alone in the silence, because this is how I grieve
time becomes my sole companion, thoughts will not leave
what has brought me here, the answer is a book of its own
only to be reminded once again, my death will not postpone

Just how long I have waited, maybe for that sincere friend to find
someone as real to others as he is to himself, someone one of a kind
but as the future fades into the past, I am forced to finally admit
giving up hope of ever finding that friend, a true friend to commit

A heart without borders is trapped within, the true essence of my being
my feelings are silenced, hidden within words of poetry, yet foreseeing
where deep insights and profound thoughts, are conveyed as silent bells
masked in pearls of wisdom, for those adept at unraveling mythical shells

While we have the freedom to choose, yet will we make the right move
no one will grieve for you, ultimately leaving you with nothing to prove
because your choices in this world are your own, you alone will decide
either pursue that which is noble, or err by surrendering to your evil side

Wherever you find yourself plagued by doubt, hold on to certainties, yes
there is only one beginning and one end, ultimately we will all confess
our lives are really one long movie, being watched by those no longer here
hoping we choose wisely while we still can, before we too will disappear
This is a short poem with deep meanings. Are we trapped in the world of the living until we die? Perhaps, we are only trapped mentally, ever focused on dealing with those issues that plague us on the day to day. Maybe we need the only medicine to set things straight once and for all. And that medicine is called CERTAINTY!
JoJo Nguyen Jun 2015
<quote>
...
This is a waist the spirit breaks its arm on.
The gods themselves, against you, struggle in vain.
This broad low strong-***** brow; these heavy eyes;
These calves, grown muscular with certainties;
This nose, three medium-size pink strawberries
...
</quote>
Are you this girl in the library?!
Search for "A Girl in a Library" by Randall Jarrell to read the rest of this wonderful poem.
Brian Gibson Jun 2014
"I know what I feel
and I know it's real.
You are one in a million
a girl undeniably surreal."
His brow spreads large and placid, and his eye
Is deep and bright, with steady looks that still.
Soft lines of tranquil thought his face fulfill--
His face at once benign and proud and shy.
If envy scout, if ignorance deny,
His faultless patience, his unyielding will,
Beautiful gentleness and splendid skill,
Innumerable gratitudes reply.
His wise, rare smile is sweet with certainties,
And seems in all his patients to compel
Such love and faith as failure cannot quell.
We hold him for another Herakles,
Battling with custom, prejudice, disease,
As once the son of Zeus with Death and Hell.
...Control
list everything
make tomorrows shine
and rise to a new day
Will the sun rise?
Dream
soar high
Breathe into it
Forget the bounds of reality
and make it real
Is it walking on solid grounds?
Plan
Forge a bridge
Build a house
bleed some more
and call it home
Will it be a refuge?
Certainty
nothing is certain
in the word maybe
And that is certain
So...
Mek
Jan09
SW Jul 2012
Love is not safe. It never is. Ever
If it were safe, everyone would be doing it
but they dont.

Why?

Because they like their certainties
The things that are assured
The things that cant go wrong
Cowards, the lot of them.

I live freely, without thought of death
I trust without thought of betrayal
and I love without thought of getting hurt.
Because that is how life should be lived
Not because I am sadist.
Not because I am stupid.

Life is too short, and fear is your death
I do not claim fearlessness, I simply claim bravery
to face those fears, head on. Or from shadows.
It does not matter the means, only the ends those
means achieve.
And if it brings pain and hurt upon you
Stand your ground and welcome the storm
with open arms, and a clear conscience.
...3 am
and the road is a yellow
rainbow, drifting towards
a common dream of
the sleepless
Silence is the breeze that
brings so much
nostalgic sense
of humor and
makes one think how
fast the seconds go, how
life has been defined past twilight
changing existence into
memories you can't relive
Some will, in the days to
come, bring laughter
Perhaps even a single, meaningful
smile
Some will, as certain as
certainties, bring regrets and questions of
"what could have been if...?"
But for whatever shade
the moment brings, the
dawn is inevitable
and everything will be at the edge of
sunrise...
Mek
04.04.13
Unreal Society Aug 2014
Its hard to bare your reflection when your disturbed by the image it makes. As you stare into the mirror, your faced to deal with your mistakes.

The truth of the matter is you can lie to the world, and live the life of an actor. You can portray yourself in many ways, but when you look in the mirror, you view the truth that you cant escape.

Your just a pawn playing social chess just to be accepted, by interested impressionist. I stray far away and ignore getting ****** in, to associating with manican's  that pretend to be your friends.

The social ladder is filled with actors, lies, and insecurities. So I judge alone by actions shown, and only trust my certainties.

Most people base their judgements by your appearance and your current status. I guess my designs unique, I base my judgements by your actions.

I stay true to myself, I'm not eager to be accepted. I view my friends as family and I'm willing to die for my investments.

For all the time that I've invested, I  would give my life to provide protection. Because quality over quantity, is the "ONLY" acceptable method of friendship!
Poem By:KLoyal EST:08-2014
so many long to have a golden king
for certainties amid the roil and noise
and yet won't listen when the sweet doves sing

in urgent times  there is nothing to bring
that will secure against what most annoys
so many long to have a golden king

as being for now the most important thing
to guarantee the safety of their joys
and yet won't listen when the sweet doves sing

of better hours when they were on the wing
and deadly forces were not kept as toys
so many long to have a golden king

who do not wish their liberty to fling
so cavalierly with such little poise
and yet won't listen when the sweet doves sing

since all the world is trapped inside one ring
and none can tell just what the rest enjoys
so many long to have a golden king
and yet won't listen when the sweet doves sing
Sienna Burroughs Dec 2013
Winds whipping certainties into,
Tiny hurricanes,
Spinning around every drop of thought she
Disowns, discounts.
This turmoil, the only survival she's ever known,
Keeps her in the air, suspended, ambiguous, beautiful or terrifying?
So she shakes and cries in fear,
Of the day she stops spinning.

Surrounded by biting cold fronts,
Pushed around by sparks of warm relief,
She's a hot mess, sticky, humid, and alive with electric charge.

Her pleas bellowed into thunder,
Static shock breaking her voice,
Into something massively engulfing.
The kind of sound that makes a grown man feel small.

You can feel her coming from miles away.
She knows the weight of her presence better than anyone.
So lonely and heavy is her grief,
So bright and menacing is her capability.

Ironically, just the right balance of
Hot,  
           And cold,
                                 Positivity,
                                                     And negativity,
Swiftly reacting, turning, changing her,
Into this rain ridden,
Angst swollen,
Ferociously complex storm system,
Stealing the heat she can,
Clinging to any energy she once drew on.
Never releasing her festerings.
Standing above a world she cannot touch,
Without destroying.
KD Miller Jan 2015
1/20/2015

every man i have taken
is dead to me.
They're dead in the back of the room and no smoking sidealleys, handing a bag of ****** like 'here,'
cigarette-in-mouth induced lisp
They're dead in my best friend's bed or at least used to be lying spent and of course not thinking of me to only say how they dislike.
Peculiarities like: I wish he'd grasped my hand as he pushed in and effort face and all had hurriedly torridly muttered "i hate you, babygirl" because I love to get my fortune told. What is the future?
Peculiar because the other one didn't talk  while high and especially not then, I would love to inherit his estate of drugs and kissing my held hand walking home at 9pm.
I only cried for one of course and barely at that.
In this life,i am beginning to realize certainties.
Jacob Forquer Nov 2013
and
i’ve spent the last
six months of my life
dying to die
with no results.
and in that time i’ve
been walking
on a sidewalk that
is crooked and cracked
into some godforsaken
place. through my journeys
i’ve come to rely
on two certainties:
that i will go to bed
unsatisfied and hungry.

and every night is
a rainy one and cats eat
the fur and bones of dogs dead
in the flooded gutters. the grey
monoliths of the city
are always a step away, but
i don’t get any closer.

and if i could give back
all the cigarette ash and whiskey
i’ve drank i’d do it because
i’d be losing blank meaningless
memories, or at least
they mean nothing to me. i can’t
say the same about
those people in the memories.

and i passed the corner
where i sat drunk on the brick
with my friend, smoking
a cigarette and i remember
telling him that it was
going to be alright. i don’t
know if i was lying or if
i didn’t know the truth
but he left.

and i walked by the home
of my first love and the windows
were dark and the cars were
gone from the driveway.

and i found myself in front
of the house of the girl
i loved who didn’t love me
and the air was black, save
for the glare of a lighter through
the rain and i remembered
a dream i had.

— The End —