The thing I like about bookstores and libraries is that the front door isn't really a door... or at least not just a door.  It's a trans-dimensional portal, a time machine, a gateway, a secret passage, a hidden staircase... all of them leading into worlds within worlds of wonder and fantasy and facts and science, some made up, some real.   Worlds of good vs. evil and dimensions where monsters and dragons are heros, times before war and planets that have never known peace.  We walk through these doors that are much more than just doors  and we find thousands upon thousands of villans and victims from unknown  cities and deserts.  Sitting on shelves waiting, just waiting for our hands and our fingers to pull them down and open up their stories and turn their pages.  Their lives eager to unfold and dance before our eyes and our minds.  Realms within realms of worlds within worlds within universes and timescapes.  Some filled with goblins and kings, beasts and queens, others demon and magic and possibilities endless.
And as if that isn't enough...we walk into history and future, fill our heads with knowledge and know how, customs and facts, lives lived and lost.  Artist tortured by their craft, celebrities killed by their name and their fame, poets and writers that traded their lives and their souls to solitude to leave us the gift of their words.  Infinite possibilities to teach and inspire ourselves to become anything our hearts can dream of.  The thing I like about bookstores and libraries is that the front door is so much more than a door, it is the first step of a journey, the first word in a book...

My essay, Changency, is a meme
This meme has been growing inside of me
I've been a carrier
Many of us have been

I'm not a benevolent character though
I've been purposely placing the memetic material on blankets
And leaving the blankets in local trading posts
I call these 'trading posts' bookstores, universities, colleges, schools...coffee shops, pubs, restaurants, etcetera

The beautiful thing is that these memes aren't really on blankets
The memes are encoded on the backs of knowledge, truth, and authenticity
They come from a place of pain
Evolution can be painful (but does it have to be?)

Three dimensions are easy to comprehend
Four, sure just add time
What about spacetime?
And a fifth dimension...I don't really know what that means...but some do and they're watching, listening, waiting, and loving us

Set of cave genes If you could read... pluri freedoms of the dark light of ignorance teach understand that breathe under the Naturality Natural Nature is not necessary to have an understanding heart and store on their empty heads of knowing ancient rain where wisdom possess. If dance on every grain of chickpea for each foot plant what could a plant obey; foot, Plant, and Plantation...

Resulting in kingdoms on my animals, fungi, plants, and protists, media freedom as a seed to reach our evolutionary lack of ceased hopeness...

First  Ellipsis Angle loneliness"God felt Chained"

Chained down by dragging the last link of its multiple arcane freedom in which transfigured recent swings where he collapsed with the latter being of himself whose life lies lifeless alive but lost. The latter that child not to know and deprived of nascent freedom that will never be born and come knowledge in our genome of Independence.

When the caveman thought to be a complement to the world is enslaved by the mystery of lost in himself... The born and born, never dies, that's so naive and innocent... is still full unaware of their free will, rather it is he who must re-literate and be a living part of the ancestral genome Cavernario component. Oh Heavenly Lord of the steppes I look because more of you today without having lived what you lived, as he would have played with my gaze to succor and keep you had fallen into the fangs of an animal, or you had fallen on the glacier cliff where he has separated you from your Clan Cave.

Emancipation means to be always innocent, my blood runs through yours,
I read and understand any phenomenon of deprivation exist without you lack wisdom satiate if all your generations crushed by the ignorance of falling subject will be well, me and my being I take my precognitions as a tormented child's worst nightmare before about sleeping. Sixth Papal almost, almost kneel before the creation of memorizes creation. This prerogative Lord lives Bread’s God Minor remaining....of whose iconography will not leave this fifth fraternal dimension will not come, if not more will enter the latter end of absolute solitude... and shorter than the last thousand years of Neandertal.


Cavernary Political and Ellipsis:

On a day of gentle wind and tense rain proclaiming Clan joined, they all shouted running, the ground shook and the children slept in terror... the 10 infants who were talking about the Sign from above, but the nines they crossed his arms remaining to create solidarity roof that protects the man in your imagination...
The eighth child of the clan ran quickly into the arms of his mother and she imagined how far, how far would never come... uncharacteristically who came with his brother seventh had in their hands the word of entertainment of Being, to be a plaintiff political all of braiding them together with lines enabling the hermit may decide that creation is a mass of lines of certain fashions together, everything sings like the slightest cyclamen dew on the line pointy rough fallen fungus. All arms folded on the upper porch of the Vatican Macario in Franconia, saying that many who unite in their fevered requests large modern man ceased to be autonomous when it came out of their caves and charnel pit.

Ran all she enjoyed doing that almost without knowing whether or not they fall...
Ran because of every day the sun ahead of them a lesson for a man of the future...
They are running to be released the day of his birth chained to stars of light, to carry him to his mother and father, sneaking to his brothers.

Brother worn eleventh birth to her existence as another being evolved Eukaryotic: Surely those provided beings of cell membranes rhizomes reflected in higher liberty lives purged of ectoplasm walk without a discounted subsidiary. Shakespeare in Helsingor appeared immune to a blood brother to all that limits the Draconian feel in the pinnacles drawn 700 greened steeds. From the deepest swoon in the underworld subway Helsingor, follow the prevailing souls presided over by the great ear of the hard sandcastle, stressed hard Ghosts of Stratford upon Avon.

Freedom plague spits words of pancreatic poisoned exordium, spits verses of confusion disorders without permission, without solid bass sound without liquid sea that resists mad edges followed by solid sound...
But smaller stones give priority to conjugate final sentence and noble verses Guardian
to mission how important would Liberation:

Maybe it's a synonymy of Astral Solar...
It is not Solitude, is a free nation that has its own kind prosecutor's office for even when Euthanasia closes your eyes to the astral, will run the stones of the Sea of joy believing that neither you dare if there is no healthy grass to clarify the rainy day terror.


Reverse walk creeks aggravated birds feet, walking great playful ruse.
Reverse run my comrades preparing festivity meals with chandeliers and singing lay plenary., Singing Avenue pine port Firenze, Second run subtracting minutes and hours the minute is enough for me with your face in my arms to recognize your longevity anathema times oblique faces for lip-smacking hailstones Templars.

In 1297 in northern Italy nearby rural families migrate to chalky Venice, Perugia came the exiles walked to find their independence south of the Iberian Peninsula. They were so atoned as in the echoing flutes, harps, zithers, and harpsichords field temperate; They invited the blunting of intemperate monocordio.

Golden Chariot Carrenio

The golden carriage carrying them came without a single space rather than inheritances acquired goldsmiths of ancient noble and chaste solid shine. Carrenio; the coachman wore on his left arm bracelet thousand mobile travel without stopping to drink more water and to feed their horses. After revamping its gold pieces bartered by a slave who was getting Carrenio Christians fleeing the Romans. Well, they fled as far as the plains of great earthly squandered his memory and that end of the end should come.

How am away from my land more I learn it's back to her,
There is no ground for the first time, but that which is foreign
Carrenio of Perugia and sensed that ****** was Jewish ashes,
Luther King black paste of burnt forest,
Mandela and Biko Ogre garage from Victorian Empire,
Gandhi in his humility is always put behind the Sun
to figure out the small
Tagore trashed my heart caressing the entire universe uncorrupted
Hölderlin together in the cabin waiting for his mother at Zimmerman,
That my beloved Borker forest should shine gold teeth with black resin,
Theresa of Calcutta was eaten and swallowed all diseases lepers knowing good taste proverbial dessert psalm,
Jose Miguel Carrera was more than a trench, clay bullets in each of his temples where he received
To be doubly Lonco is to be halved, lacerated by lay his head on his land, not galloping on his back throngs of wit and hope out Nazareth trembles when an F-16 diluted ***** covering landless caravans Heritage continues to lead the people killed but the mosque wall has been Fe Erecta.
Helena plenipotentiary Kowalska at Vilnius, Faustina Divine Mercy Diadema
The agonizing deprivation of millions of people with cancer in every continent of private well-being analgesic, weighed down by increased pain, almost as strong as the Master Hammered Golgotha, so it was that Joshua has cancer always to slow it down on us. Benigno whether metastasis, malignant albeit benign finance.
The death of an innocent little angel devoured by the beast remains as a fluff hairless sardine in the jaws of a shark baron.
Khalil Gibran writes that with both hands to support the reviewer behind in Bicharri and bohemian Paris,

Salvador Allende Gossens was born since he was deceived by his parents who would heal politics, would rather dig their ancestors in their brains scattered in the currency in face seal or tail of.

Frei Montalva that today has to receive the Macro Augusto Heaven their arms, their sorrows, and regrets, although his worst military executioner.

Legion is an offshoot of liquid central gray material, which defers well done becoming but not defeated, it is the decree of the divine threshold space Living or ceases to live, that failure does not exist, it is the postponement of success - success.

The Genocide September 11 in New York was a ritual, who produced was a small wrath strength of the Rotary world, as the camshaft is upset in the history of trying to make more alphabet in schools where the flag hoisting and found scholars in West and East, so they can learn more than reading of both unlettered, lip and water to possess it to write with it. The worst disaster is read with the memory that will never happen... I write my greatest need with lipstick and my greatest need I write eagerly to participate. Yesterday I passed by a boutique and buy lipsticks that are closer to the language, written with the mouth and not the hand. !

Freedom, debauchery, libration, drawer, Bookstores..! Carrenio..: he said see I'm right! Raise and educate has a great synonymy with autonomy because the ancestors wrote everything that deprived them and made them fear, but do not have to eat the autumn gives me to dress the return of spring, bread orchid, and cineraria. Hence by that inner syllabic singing hunger sated that sought sheet to sheet rid of everything until the end of the book as the encounter between night and day without considering oblivious to anything or anyone on the track window swing wind, wind seeping.


It was old Zeus or Hera of Antique,
Cavern to house geometric polyphonic, angular seeds to create fashions kiss kissed everything that any vertical plane does not fit with the closed horizon
For hands and angels, Hebrews the inner soul of every carpenter and stonemason shrunk, wash their eyes and cheeks with songs of vibration and idyllic comfort,
Everything resembled and sounded Bethlehem 2.0 deities choirs sweeping grasslands,
The similarity of this clairvoyant child is born in a cave...
Rising motherly free Soliloquy Papini sitting to the right of ruminant cattle,
So archaic that to be born is not born in a clinic mega Cristus but hundreds of kilometers and hundreds who are born with the undergirding whispers and servitude being.
Where the multi gray impetuous born star is a healthy gauze story in the present tense... this angelic child grows by Miriam washes his feet in a belligerent abolished stone. His father must wash their hands on a stone which is where measured his ecclesiastical mystical stature, stone Madonna to heal his feet where he leaves to free himself, to free us... Marble gamete fémina vault, where he sleeps without knowing whether it is due, the ***** fell from the sky.
How wise is the Wise, it makes permissible for much more than two thousand years we stone quarry wheel and wheel, homily, and blessing to not wake at night to sleep startle middle and uphill.

Me of the referent of antiquity is not me of today is polished cobble stone,
Useful weapon quarry road there and backtrack to have blisters stone and soft thoughts under my pillow soft stone as a whole.

If you're ****** private living and have a free soul choosing coexist, then you are low in the cemetery on a tombstone of heresies.

Neolithic early 4500 after Hildegard von Bingen and his entourage and prowled full and channeled, swooning in her swoon with flowers in his hands and his followers planting forests on top of Stonehenge.

Carrenio says...: you see I'm right, we coexist, I die like the worst ****** cancer and then put a tombstone Stonehenge conspire in my honor black pain prayers of Salisbury. It blooms in vibrant red rubies that detonate in chromaticity and life. The stream itself is exceeded the aquatic plant Macarenia.

Call us and civilize us, outdated as far as my tired feet though I come not ashamed to see my new tracks.

Carrenio says...; see I'm right Joshua has traces of gold from other Caterpillar shod feet. Antique everything is prescribed according to their legacy today is Lent Pro that came before it was Lent vestige Pentecost came to be a nickname of the mystery of the passion in less than a rooster crows.

Beside it is the mystery of the disappointment of stubborn demon, which helps you all carry the cross, but not the entire load. Fire and Light at dawns where the splendor born...


Genome Freedom, even today every centimeter of my witness of each component, if the basic origin of the signs of the primitive world, is that we have lost the bark of the lexicon, which does not allow us to understand the meditations to ask for something, not You need to ask something. Today genome is requesting something because thousands of people who asked for millions of years, now it's time to cater to them. They were wrapped in cloth shroud of spiritual sacredness, today cemeteries mega dance their souls leave no sleepers both much grass on their heads not yet sullied by the puppet Azrael.


Impossible not to decorate the rocks forged empires that fall into the rubble, they bring 476 d. C., a new opening Middle age freedom of travel both in history thousands of years begins a new axis Golden Carrenio’s Chariot.

Carrenio Wagon

This great colossal ship Carrenio time is a timber that holds the sky, a beam that does not faint or distended thousands a. C, and the old age of King's large musings that were forgotten. It is astride ship millennium, their history of oppression has seen in the wheel, instrument wise rolling like a wheel before 5, 000 years ago, here  We fought and prostrated to distant lands millennium after millennium him away.

Golden Chariot is the structure that freedman us to enforce a new life on earth, even the Gods prided themselves move the stars to constellations called her noble Auriga sailing in full the Universes and Cartwheel Galaxy or cart Wheel. As if to say that when the Universe and its own mythology, were visited between them inch by inch by wherever they shine.

Carrenio mask and frame used had strength, temper, and tittle. When the first libertarian squall of antiquity came closer, Rome was already small and nobles populate what is a quote, Piccola. The executioner always frightened and starts out of his own wickedness. Markos Botsaris as did in Greece, and surrounding towns Messologhi remote, they were free more than tuned in massif Arankithos high wind. He was riding to Kanti once again with the golden rider Etrestles of Kalavrita. According to the Chronicle that came from distant millennia has envisioning promote its neighbor's heroic to free Messolonghi of ****** wars. All this I saw with his own eyes Carrenio, every thousand years styling with Etrestles, cleaned their nostrils so that new breed of horses to thrive,

Avignon, in the necropolis, witnessed as Azrael was cleaning his wings Jade antipopes, another story begins... even he seeks to candela who can read this story, and who can provide it from hand to hand cutting semicolons who disclosed.


Second  Ellipsis Angle  New Era:

Ara released the ropes throwing a big ship, History makes a man is at the center of the world. Revolutions, thinking, communication, and especially vindicate man in his right-libertarian. artists with their creations flowing all over the world, mutating classic Renaissance to abstract overlook. Family appearing welfare and needs. A ramble and so many broken laws. Mankind is distracted l film and theater artist of tradition. Art now has sound and movement, then social and political revolutions are industrial that unite everyone behind the pivot deployment of social classes.


Everything evolves until we get tired of doing so. It rests and then continues. This is modern reality, we wrote about the history of events on facts that have never been told. The world has tired all the Eras, but each pause time that has happened has been recharged, nothing finished if not started again. After so many wise lawyers, clergy plunged into great towers bound books. Is evident again can not read or understand. Our realities are missing valid without knowing I close and then open another door. human and civil rights, fair wages, so excessive autocracy monarchy. Freeman can walk along the paths, even if they were trenches.

Zephyr soft murmur which clutters in the Irises by Van Gogh, the painter is the biggest star trek, called with his feet images and colors that would make his own liberty to live naturally insane. And many others Brueghel "Triumph of Death" that roam the countryside, perhaps a medieval piece of Tarskovski; Andrei Rublev in futile painters decorating steps in the fontano chignon Androniko Monastery Moscow, extinct Rublev 70 years, Tarkovsky 54.

Early ellipsis - Campo dei Fiori in Rome to see die at the stake Giordano Bruno by order of the Holy Inquisition. The irruption of the Inquisition, but their feet are touching the flowers, the seasoned cassock continues to haunt the universe of Faith Dominica Trastevere, it is seen to lectures on how to be bold with the informers and the Whistle Blower dies without shade in spring, you resist the star on the asphalt on the magical island of holiness.

Carrenio says: Come I'm right, we can not read, because the brutality of the Cosmos is manure per ton weathered in the backyard of the aristocracy. I will continue with respect and crosed in Crete. Lila Kedrova means the fear of bunk bed tied to her bed and is free in foreign lands leg. Queen insular matriarchy, she lives more than any Greek Goddess, waiting for his Adonis, to fill out honors. Win an Oscar but lost to Zorba, he loses his house but won a Tony Awards. How many women teach us that to win you have to give everything to lose his brains, and thus count as the lost number remains to be retained. Zorba whines in her arms, she moans in the arms of her husband Zeus Steve, proof of a new era. Onyx for his tomb, plate of this great tragedy.

On the evening of December 14, 1964, attended the premiere. Soul of Carrenio was with them but was denied his attendance at the banquet, finally running out and watching the glasses lips and stoles spent his neck.

                                          
          ­                      Numbered Mysterious Death
                                                  Mané

If I have to feel floe on my feet and cold in my prayers will be the Dark Glory. What is slimming rays of the day, everything smelled of silence, maybe it was Kennedy, or better was The Mané.

Closure of my glory suffers the wind...
Flowers lying silence my soul alight,
Thick square displays the song of my voice...
When they speak Quadratils one to one order their
Spirituous voice.

And the spirit singing fiber of my heart told me:
Never you say I Exist ¡ not exist because they do not exist!
Only face daily the different reflection of your body
In front of yourself with another face and another body...

I want to talk with the thought
And this same subtract my little silhouette,
Lavishes wingless bird that flies only in their theology...
That is the duty and melt with my look,
Solid colors components
Crunching the altars of heaven retaining its pale warmth of anorexia.

Yellow Glory hair good event...
If you receive yellow lights, plus I do not sing my own game here in my empty veins,
Yellow my heart...
Yellow my heart
Yellow my collective heart.

They are run by large green and sunny meadows, children who had Mane in this major milestone in its last gasp. Now she is the mother of his children; it up and them in the last temptation of the mystery of death.

Carrenio keeps rolling, the brightness offered his Golden wagon to the ground. Gold grooves ago, and looking at where it realizes that it's landmass light mud. Since he felt whispers from the confines of time he had never felt as if you were finishing your journey or the world. It raining years and years and continues because nobody mends the mysterious death Numbered.

Heaven and Earth did not hold, the bottom fell precipitously pocket Lord and denied several times uncontained. She shivered in the World and the rooster crowed several times to never be heard or the Pentagon.

He is walking and knees bent,
we embraced by the golden chariot and oxen nor held
we bent us all lying on his knees,
up shoulders not hear from where came the bad grace of his departure,
numbered all the time of complaints of how then she would come,
It is unknown who would be but brought wine in his hand on the crispy mask
We ran from side to side and nothing was real

Everything seemed to sing in the chapel on a sad day,
But I hear loudly like Latin and watchfulness,
Those who know his mystery is no stranger to them
They all look but transgress the sin of silence.

Carrenio still absorbed in the hallway,
Angulo ellipsis she comes winged like a star burning tar,
A high speed to give us the new
No garden can deprive greet in speed visit
Dome comes, it comes on the eve of the new moon.

Numbered Widow mysterious,
Mané is a land of golden color and no celestial whoever wants in his cell,
A breath test, and feeding the Toffy and his henchmen
That sustaining more lively detail, there is no one that can not be targeted

It was modern, it was night, it was his torn life as an accomplice of his exile abandonment in his allegory of tender dismissal. Carrenio achieved so say goodbye to the beams of light that told him of the mysterious death Numbered. He sat on the roadside and drank some wine. Then dry with his handkerchief his neck, and have never wanted to experience such an event in a toast ever drunk.

Third Ellipsis Angle  of  New Era

Independence of Chile, it concerns Mapuche atingent case. Araucania pound, then 1818 central Chile. In Brief, Earth makes free an entire nation. His naive and primitive braves inhabitants emancipated themselves from all sides, they came to save a people who were just following where nobody can reach. Independence of the United States separates us for approximately 42 years, breaking up owners of nowhere. Industrial Abolitionist and South Slaver and Agraria. The biggest event that more than 640, 000 men and fallen activists planted safely from repression fields.

In Chile all rule resembled this secession in today's Araucano man prays for his fallen by almost more than 3 centuries in Chilean lands of Araucanía’s men. Lautaro genius and his supporters the heart of Pedro de Valdivia ate; Map ever made to your battle mapping Tucapel. "Initiation and final symbol occurred after 282 years of fierce war" and Mapuche land forever their independence from the Spanish Empire Captain-General important in foreign lands never subjected to foreign rule would eat.

The Machis and Loncos make supplications in native forests falling on them pollen on its back as if nothing out 10 times better...

To Libertas strengthen in the west is necessary to push the limits of the earth beneath his tongue and penance for the greedy entangled in the lines of bloodied sky, rebellions Chieftains death-defying all together at the edge of a cliff. 1769 The Pehuenches led by Lebian Cacique, joined the Mapuches razing Yumbel and Laja, the most peaceful Huilliches also joined mass alerting perhaps innocent people land blood-stained war and the Mackay Luchsinger.

No doubt portals military rebellion trigger blood, where they opened a tip and swords in the past. Here's reading concern is that the succession is timeless time, a sword without a sword, but on the tip of her blood is seen where there were herds and warriors crushed by their own footsteps. Here the phenomenon of freedom begins; Humanity runs treading his own footsteps, to save his family from a threat, but not strange forces that force you to use your defenses, because in the groves populate many helpless souls with his sword unused at the expense of being forced to use.

Freedom genome; It aims to reach where it has not come without looking back,
Chalices pour out is where the troubadours do not cuddle her close looks like time, singing while watching the changes are not of a new life


Heaven star,
Come to me,
I ask a sign to see them arrive,
Because I want to thus been dragged
Being together Eager to feel...
Those respites without being comforted
going to the mouth of the serpent.

About the Garden,
My home is to put my love,
He has to put the days imagining close...
To enjoy yourself is nonexistent...

Oh, my house tormenting me...!
Because in it I feel your smell
They are alone lights
Where I would wait for me to be in the dark...

In the coming future,
You will not see or hear my anger...
Perhaps my happiness nor peace praying
As the spear in the hands of the perpetrator.

You know a storm of whispers
I do sow your name in the wilderness,
It's because my judgments of hope
They mount up arable land deposited in my frenzy
Misled by a love which is my love.

But you never understand,
Because time has invaded my dwelling,
Invading my brain to give
It has invaded my choosing to love...

On the grass path,
Every time I move away from you,
I turn to see if you have not been...

Love came,
And I think that leaves us alone to avail ourselves
Ranging in our time...


But I can not resist his silence,
For my house want the noise of its action,
Why keys to the gates that serve my understanding.

Tramples my heart the fragmenting oddities into smaller pieces,
Your answer that call.

Tur love be like if I had created...
As if only you had appreciated your beautiful creation.

Do not destroy your work expresses in his mystery give life to your dreams!
Man aiming better earth, ask some of you to join your dreams...

! Your wife of this land does not procrastinate your misfortune,
I discover far peaceful landscapes like an echo in the spring,
As large and deep as your forgiveness for loving me more


It tells the Earth to the Sun in its perky tear benefactress of new opportunities as good and healthy smile rainbow on the back of Oviedo sheep valleys of freedom of Pietrelcina life.

To be continued…

"Hey loverboy," she says. I don't respond.*



A rough draft excerpt from my story, Fictional Truth.



“Hey loverboy,” she says. I don’t respond. I enjoy ignoring her for a moment after I come out of a day dream.

“Hey. Jake. Snap out of it boy. Time to come back to earth,” she says with her usual tone of pleased annoyance. This time I leave the world inside my head and return to reality. Slowly turning my head to the right, I can see those deep blue eyes gazing up. I never get tired of her eyes.

“Come on, you said you’d help me here.”

“Sorry,” I say with a half grin and my best attempt at contrition. I look down to the papers in her lap. Right, math. I was helping her with calculus. She was really very good at math. We were in the same class, but she was two years younger than me after skipping two grades in elementary school.

“This one you just take the derivative of your function and plug in these two values.” I can remember these things effortlessly now, which was a huge accomplishment for someone who doesn't particularly like math.

“See, this is why I keep you around,” she says, those rosy lips that I so adored pulled into a little smirk. She reaches up and kisses me. She always seems to find an excuse to kiss me. “You can go back to daydreaming now.” Indeed I do, retreating back to the dreamscape inside my head. This time I think back to when I met Clara.


I had just arrived on campus, a bright eyed college freshman. There I was, lost in a sea of beautiful women. Small private schools had never been kind to me in that regard. Everything on campus was a wonder. Nobody from my high school had come here and I was very much alone but I didn't mind, I had outgrown most of my high school friends long ago. It was long past time for me to expand my horizons.

I found myself standing in front of a massive glass building. I wasn't past checking my reflection in the glass windows. Had to make sure my hair still looked as good as it did when I arrived. Who knew when I might run in to? Opening the doors I caught a waft of the bookstore smell, unlike anything I expected. At home the bookstores were small, with dusty leather covers that begged to be handled and old people that smelled like coffee. This was completely different. The odor of panicked freshman and newly bound textbooks permeated the air. I decided right then I wouldn't be spending much time there.

There was a long line extending towards the back of the building. Not knowing better, I assumed it was the line I was supposed to be in and slowly made my way to the rear. This would take forever. I pulled out my phone and started on another game of Angry Birds. I had been killing evil pigs for almost five minutes when I began to feel like I was being watched. Sure enough I glanced up to see a large pair of deep blue eyes looking at me.

“You know, some psychologists say that technology is making us less social,” said the girl looking up at me. I couldn't respond. She had straight black hair pulled behind her in a long ponytail. She had a small, perfectly formed nose with what seemed like a sea of freckles on it. Even more freckles danced on her cheeks. She was several inches shorter than me, maybe 5’9” and had on tight jean shorts and a black tank top that exposed only the most tantalizing amount of cleavage.

“So I’m just starting to feel a little uncomfortable with you ******* me with your eyes like that,” she said with the smirk on her face that I would soon come to know.

“Sorry,” I said, a tiny grin tugging at the corner of my mouth, “You surprised me a bit.”

“I’m Clara. This is the point in conversation where you tell me your name.” I liked her already. She had confidence and wit that was both abrasive and attractive.

“I’m Jake, pleased to meet you.” ****, I was smooth, like a wagon over rocks. “Are you a freshman too?”

“Yep. Just got here. I don’t think this line is moving.” I really liked the way little dimples appeared at the corners of her mouth even when she frowned slightly.

“It really doesn't seem to be. At least I have pleasant company,” I said. Oh man I was so smooth! I was really proud of myself right there. Flirting was hard with pretty girls, they seemed to throw me off balance.

“Well, that was the least offensive flirting I've heard all day,” she replied. Good gosh this girl was straightforward. “It’s a good thing you’re cute or I might not have accepted that.” Cute. Okay, I could work with cute. “So you’re in psychology 1000?” she asked.

“Nope, I took that during high school.” I replied. Why would she ask that?

“Well, you’re standing in the psychology book pickup line.” She said with a slightly puzzled look on her face. I definitely was not in psychology.

“Oh, Psychology! I, uh, I thought you said, uh, philanthropy. Nope, I’m definitely in the right line." Okay, that was a lie and I was at least 100% sure philanthropy was not a class. But hey, I was under pressure. She looked at me like I was slightly on drugs but moved on without hesitation.

We talked about various meaningless things while the line crept closer to the back of the store. The stunningly blue shade of her eyes made it very difficult to focus on conversation. When we got to the pickup window, she paid for her book and stepped to the side, watching me. I decided to bow out of buying a several hundred dollar book just to avoid looking like an idiot. I comforted myself with the fact that she might think it was funny.

“Soooo. I’m not really in philanthropy. Or psychology. I just didn't want to stop talking to you just yet.” I said with a sheepish grin. Luckily for me, she laughed.

“Alright then Mr. Jake, what books do you really need? Maybe we can go stand in line again.” I listed off several books that I needed for classes.

“Calculus. I need that one as well. Come on silly.” She turned her back and started walking. I followed right on her heels, a goofy grin plastered all over my face.

That was my first interaction with Clara. We spent the next two hours gathering all of our books, and at the end I carried her rather large pile back to her dorm room. I was promptly rewarded with her phone number and some cookies that her mom had packed.


“Hey. What about this one?” Clara’s voice comes from beside me. I lean over to look at the paper again.

“This time just take the anti-derivative of cosine and solve for x.”

“Oh right. That's the last one.”

“What do you want to do now?” I ask.

“How about we go to your room and see if we can make your roommate uncomfortable enough to leave?” She says with a mischievous grin, bringing those deep blue eyes nearer to mine. She always seems to find an excuse to kiss me.

What caused you to write a book and have it published?
Thankfully, I’ve enjoyed a career in IT (Information technology) for over 25+ years. However, I’ve been downsized out of a job four times – the last time in 2005, I was unemployed for nine months. During that time, I looked at over 19,000+ companies to find one job. With more jobs in my field being outsourced to lower wage earners overseas, I decided I needed an exit strategy from the corporate world to launch a more stable career and income.


2. How long have you been writing?
I started officially writing poetry in January 2001; it was a natural progression from working on my website. I started my website (Bunganut Lake Online) back in 1999; as I added content over the years, I started writing short stories about fishing, followed by haikus about fishing and Nature; then I started writing senryus about traffic (see honku.org) and later about God.


3. How long did it take to finish your book?
I spent about 13 months to write the manuscript of my current book; once I initiated the book making process with my publisher (BookSurge), I had the final product in hand in 3.5 months.


4. What is the name of your book and what is it about?
The name of my book is “Reaching Towards His Unbounded Glory”; the ISBN numbers are: 1-4196-5051-3 & 978-1419650512. It is a book of poetry, geared to inspire people to develop or strengthen a relationship with God.


5. Do you want to write more books and have them published?
Definitely; I have four completed and unpublished manuscripts; in addition, I have five other manuscripts started. All of these writings are poetry.


6. Who or What was your inspiration when writing your book?
Jehovah is my inspiration; He’s always been my Source, Redeemer and strength; most of my life, I’ve blessed to attended Church and receive Salvation in my youth.


7. What is your favorite author and book?
After the Bible (KJV), my favorite book is: How to Rule the World: a Handbook for the Aspiring Dictator by Andre De Guillaume. (It’s a humorous look at people and their desire for power.) Most of my reading is technical stuff from sources such as PC Magazine, so I don’t have a favorite author (in the traditional sense). There are number of poetry writers that I do enjoy [who are too numerous to mention, such as PDK (AllPoetry) and Gershon Hepner (Poem Hunter)].


8. What is the best thing about writing?
The best aspect of writing is the freedom of expression and the power to choose words, conveying ideas and concepts that bolster one’s imagination.


9. What are some of your other hobbies?
I love spending time at the lake in Maine where I own a summer property – activities include swimming, fishing, campfires and working on my website; I also enjoy board games, such as backgammon, scrabble and others, as well as computer games (ranging from pinball to Wolfenstein).


10. What caused you to use BookSurge?
I looked at a number of publishers and was disappointed at their offerings and reputations. For me, BookSurge was chosen because they are owned by Amazon.com; in addition, they provided all services required for the bookmaking process. Although I spent a fair amount of money, to me it’s worth it. For now I’m tapped into a global economy with a quality product. No one wants to spend their hard-earned money on an inferior product – so I did what was best for me.


11. What would you tell others that wanted to become an author as well? What steps would they need to take to get started?
Now that I’m published, I find myself more than willing to share my experiences. The first step is to have a notebook or clipboard to store and write down thoughts and ideas. Second, one must identify what one has passion about; one’s writing must come across as sincere and knowledgeable; third is to produce the manuscript; once the manuscript is complete, then start the bookmaking process that is most affordable. Once the book is published, the real work (and reality) of selling comes into focus.


12. How does your family feel about you being an author?
Some family members are very proud and supportive, while others are still mute on the subject.


13. Do you have a website to promote your book?
My marketing plan employs the use of multiple websites; I’ve posted my writing on a number of poetry websites, such as AllPoetry, Poetry With Meaning, Poem Hunter and others; in addition, I have created a “lens” on Squidoo.com. At some, point, I’ll advertise on my own website. In the future, I would like to develop a personal website geared towards marketing my books.


14. Can people buy an autographed copy of your book if they wish to? If so how would they go about doing that?
Yes, people can purchased autographed copies; the best approach is via my “lens” on Squidoo.com; the link is: http://www.squidoo.com/book-isbn-1419650513/


15. Do you think in the near future that you may write and publish more books?
Yes, I am planning to publish more books of poetry.


16. Is it hard work being an author?
That depends on the goals one sets for himself; for example, if one’s desire is to earn a comfortable living from one’s writing, then yes it’s difficult. With the presence of the Internet and related technologies, it’s very easy to be published, but no guarantee to make money.


17. What are your dreams and Goals in life?
The ultimate goal is to become the Christian man as seen by God Himself; after that, I would like to assist others to publish their own books, continue work on my website and develop my own business software for the marina operator.


18. Could you tell us a little about your book and what caused you to want to write it?
My book is a personal expression of faith; The Word tells that we are “more than conquerors”; in a sense, I achieved that ideal since my humble book is “now available worldwide”.


19. Is your book non-fiction or fiction?
I would classify my poetry as non-fiction. To me, a relationship with Christ and having faith is real.


20. Could you tell use where we could get a copy of your book? What bookstores are carrying it and what online stores are carrying it?
None of the brick & mortar bookstores are carrying my title as yet. My book can be purchased via Amazon.com, Borders.com or from me directly via the Squidoo.com “lens” at: http://www.squidoo.com/book-isbn-1419650513/


21. What kind of promotional tools do you use to advertise your book?
I am using several promotional tools; my work has been submitted to two book contests; it is part of the Beijing International Book Fair (in China); I use the Internet and have set-up consignment arrangements with several businesses. I also have printed marketing materials, such as business cards, postcards and bookmarks.

Bookstores &
confetti have a
peculiar thing
in common,

confetti is the
final form of
  trees.

i cant help
            but love

bookstores
                             &
     libraries

                            random people writing
        about random things
               with meaning to them

                    and they're sharing it
with everyone

I got braces when I was 16
that year I never kissed anyone
but I made boys steal things from pricy bookstores
I measure time by my teeth
every year they get more crooked
the older I get they seem to shift back to old territory
old habits
old

now even smoking cigarettes feels boring
when I walk into bookstores
I leave sticky notes with advice I wish someone would have told me then

they did
but maybe if I had found it somewhere I was looking
I might have paid more attention
my retainer sits in a shelf collecting grime

If there were a formula
for the way her lips seek out
for mine while I am still attached
to those of a boy,
I would plug it through with
the determination
of a scientist, feeding it
back and forth through the
machines until someone
could give me an answer.

She visits me
in my sleep, bleeds
through the walls of
our separate dimensions
until she finds a way
into my heart. From there,
she rides my bloodstream up
into my brain, she puts
her hands on my controls
and guides my dreams

through to her childhood
home, where she knows
I'll fall in love with the gap
between her teeth and the way
she practices the word
"kindergarten"
when she thinks no one
can hear her.

I could never find her
through the keys
of my Macbook,
she calls to me
through typewriters in
store windows, when I think
I've lost her, I go into bookstores
and flip through the pages
in the poetry section until

teasing

she gives me a word,
just enough
of a puzzle to hold me
until next time. I think
when it's completed
it will look like her freckles,
the eyeshadow she spreads
over her heartache, the lipstick
she wears to feel like a woman
on the days when she needs to act
like a man, if I were a man.

I'd no longer be captivated
by the mysticism
of their skin. No longer see
the revolutionary twisting
through their spines. But
if I were a man, I wouldn't have
the same parts as my lover.

Maybe then
we'd be
just different enough
for me to tell her
how I feel.

All these stanzas look alike
they talk about the same things
with the same words, the same poem

written over and over again
like voices, whispers, copying each other
unable to feel and trust experience
differently, socialized for homogeneity

unified but dull, strong but obedient
their writing seemed the narratives
of machines unable to innovate

plagiarizing voices they believed were
their own, authentic, pure
their literary journals were a politics
of masters of arts and agendas of contests

like car commercials without a proper
enjoyment of speed, or our favorite writers
whose names we only knew because

they were the ones who died at the right time
while somebody was looking, reading them
but the bookstores didn’t know their
metaphors were weak, or their life’s work

was merely symbolic, that’s the thing isn’t it
poets are only symbols, as poems are only
fluff, paper, the labor of writers-in-residence

while the rest of the world are more
interested in serial killers and which stocks
might be worth getting into, and when to sell out
investing in words seemed silly to them

and, in my selected works there was nothing
of how to be a Poet Laureate or how to win prizes
exceptional or not, publication was left to amazon

state grants, fellowships, visiting writers
academics who never felt truly how to write
poetry at its heart was a colonization of artists
few could share what that meant, we were

the first illiterate generation, spending more time
with the internet than with books.

“It really sickens me that you can’t take this life straight,” she said.

Her eyes were afire with a pink halo of hatred that smote her compassion. She reached for her coat and wrenched the cheap motel room door open. It made a small dull thud as it hit the brittle plaster wall. (I hoped my deposit would cover the damage.)

She was one surreal moment’s breath away from leaving me there for good.

“You’re a lonely old man because you’re a selfish old *******,” she said.

She disappeared down the walkway like some direful wraith caught in the night wind. The curt sound of her red highheeled shoes clicking the worn concrete. The inexplicable proof of her existence ferried away in a sea of incandescent tail lights that shown from the highway.  

Maybe she was right. Maybe I can’t take this life straight and never hope to. And, maybe I am selfish. But, I’m only selfish because I’m so **** lonely all the time. That’s the ***** of it. Life is a never-ending toilet bowl flush of selfishness, drunkenness, *****, and utter loneliness.

It took me too many years to figure out that the problem wasn’t her, or even with other people for that matter, it was with me.

It’s only when we figure ourselves out that we realize that we’ve been doing a lot of things wrong with our lives. Listening to the wrong voices in our heads. Taking the wrong advice from strangers. Avoiding the admonitions of those who really love you. These things happen all the time. None of us has the answers. I don’t know anything.

In fact, after all the years I spent searching for meaning in academia perusing dusty libraries and old bookstores for that gem of knowledge, I can tell you definitively that only ignorance is bliss. That it’s even true when it comes to dating. The less you think you know the better you are.

I guess this is where the train stops for me. Time to get off. Try something else. Take to the woods and grow a manly neck-beard like Thoreau did in Walden. Adhere to the early American philosophy of rugged individualism and all that. Too soon would I realize that life isn’t about solitude, or a separation from others; rather it’s about the connections we make. Solid connections.

The hedonistic Epicurus tells us to live a life of pleasure through the temperance of desire, and warns us not to seek what is inappropriate for us mortals, but to enjoy our mortal needs.

I do not know if Epicurus ever found a mate, a friendship, or even a partner to share his most intimate thoughts with besides his raucous audience, but I do know he died in isolation away from society. I’ve never been a hedonist. I’m far too traditional for all that.

My sordid love life is more akin to Ovid’s Metamorphoses and the tragic story of Echo and Narcissus.

I’ve been Narcissus for too many years to count and what’s worse I was in oblivion. For too long have I been unto myself. Admiring only myself. The time has come to choose. Either die like Narcissus or live and love with Écho.

I’d like to walk in the sunlight, drink from the cool springs, and with a Shakespearian passion bask in it’s eternal glow and live inside the warm,  but ever ethereal, love of another’s heart.

To love another with such Shakespearian passion would lead me to realize that the only thing my love can save is myself. And, all the time this duality would haunt me—to unequivocally know that without the tenderness of Echo in one’s life there is only the vain Narcissus.

For now you know the duality, that is also the tragedy, of this man. Let that echo in your ears and see if it does not ring with the truth of all men.

my future partner,

Hi, I’m anna. I guess we’re co-writing this chapter of our lives together. I’m sure it’ll be epic. It takes a while for me to viscerally latch onto another being, so congrats to you for stealing my heart
because if I’m with you, that probably means I really love you.

I like sushi a lot, empty bookstores, and tea sipping sessions with my cat, xiaoxiao, who you will probably hear me talk about twenty-four seven. I hope you’re a cat person.

Within the realm of the arts, I like to write poetry and play piano. But my secret hobby is photography. It’s the best way to know someone without really knowing them. And if you hurt me, I’ll probably create an entire musical composition or a playlist of poetry about it. But I’ll forgive you instantly.

I might make mistakes, too. For instance, I’m horrible with directions, remembering events, deadlines, or anything unrelated to pedantic learning. My erratic and changeable moods can be quite the predicament as well, but I promise to be as tolerable as I can be through my storms.
I’m a biomedical science major with a minor in neuroscience. Assimilating an array of medical innovations, education, and terminology is, personally, my zenith of academic interest. I have a love and longing to help others. But sometimes, moving towards this ultimate vocation is strenuous and I do hope you understand how much medicine means to me. This means late night MCAT study sessions, mountains of neuroscience books, stacks of terminology notecards, homework, and paramounts of stress.

But I want to work on that. I promise that whatever I love, I love to a seemingly boundless depth- “from the tip of my apex and beyond,” if you’re into medical puns. I promise I’ll take you out to dinner, plan cute dates, and spend as much quality time with you as I can. I promise, we’ll travel to so many places, eat all the food we can in all the countries we visit, dive in every ocean we can find, and fly over every country we can point to on a map.

Most importantly, I promise to give you reasons to continue the chapters in your book. Because I struggle with that too.
Whether it be in a month, a year, a decade, or a lifetime...

I promise to love you, see you soon

Somewhere in the darkest corners
Of a speck of land
Shadowed on a world map,
There is a girl who still believes in wonder.

She is childlike faith vacuum sealed
In pint-sized hope
A revolution craving to be lit up,
A breath of fresh air to anyone who has lived through dirt and pollution,
A livewire of well-kept new ideas.

She is a book.
A good one but a closed one.
A book that sits on the front shelves at bookstores
But nobody dared to read between her lines.

But other than the galaxies of impossibilities she has sketched up in her head,
She is nothing more than short of perfection,
Small
Flawed
Misunderstood
But
Her hopeful whispers needed a microphone.

She believes in the hustle and bustle of success in her little speck of land
Impossible, it may seem
as she IS a speck
in a sliver of land
in a country that is almost always forgotten by anyone who has browsed through a map,
Disregarded by other countries
Abandoned by its own people
But forget the size on a scale of the earth.
Little as she is,
to her, her speck of land is big enough
Big enough to fill with all the love a person is capable of.
Big enough to fill with hands that held each other tight enough to be called unity
Big enough to be filled with more confidence in the country
than pride in personality.
In fact, the word "big" is too little
To describe the way she sees things.

She believes in herself
But she also believes that she is small.
And insanely enough, she believes she can be both
That her individuality for a stand out country
Could not be limited by
A weak immune system
Or the amount of inches she grows in a year
Or the color of her hair.

Yes, when the world gets tough,
And when everything larger
Turns against her
Pressing her into a cage of painful pressure,
She helps herself
By sticking her hand out for the very people who make her weak.
Because courage turns into cowardice
If it is not used to stand up for others.

And though she is small,
That only means she could make her way through
The narrow roads
In a tricky path called life.
Bending when branches of trouble swept above her,
Crouching when the rain poured,
And slipping into deep spaces.

But more importantly,
Overpowering all her beliefs,
She believes in something higher,
In something much stronger than the strength of her imagination,
In something that could turn her plans into a reality,
And the best part of it all is that this "higher force"
Is a He
And He believes in her
Much more than she believes in Him.
She holds her plans for this country in a teapot,
But He is the One who pours it over us
Until this cup, this country, overflows.

She believes this country is ready.
And as for Him, well,
So does He.

But no matter how wondrous she makes the future of this country seem,
We are still everything she didn't say we would be.
So, scavenge your heart for the truth,
Dig around for treasure and hope,
Seek high and low for even the little shards of faith,
Because one day,
We might just find her
In you and in me.

Today I walked into Barnes and Noble to buy my summer reading book which just so happens to be super thick and its boring (**** me now!) Anyways, while we're there, out of curiosity, I asked if they had any John Green books (because everywhere else, they're either sold out or on hold) and they did. The lady brought me to a table. A few of my friends had recommended his works. Scanning the table of books, unsure of what to chose, a guy walks up to me. He looks about my age, maybe a year or so older. He's pretty cute, which is quite the pleasant surprise because usually guys don't talk to me. He says, pointing to The Fault in Our Stars, "I couldn't help but kind of overhear you talking, but I read this and it was amazing." He points at Looking for Alaska. "My girlfriend read this... said it was pretty good." So I say thanks and something awkward like 'I'll have to check it out,' and get The Fault in Our Stars. This small gesture has restored my hope in our generation. The guys in my school are mostly arrogant airheads with no taste in music, in my opinion, anyway. In addition to this experience with a stranger, today, while at a shopping center, I saw a girl wearing a 5 Seconds of Summer shirt, as I had mine on, too. I complimented her and she smiled and said, "Thanks, you too." This small gesture has also restored my hope in our generation. Today I learned that not everyone ***** and that makes me really happy. I guess that if you put yourself out there, ever so slightly, in the right places, you might learn things or make new friends.  What if I'd talked to the girl about 5SOS? Or asked the guy about other books he's read? There are so many opportunities every single day to improve the quality of our lives and we pass them up, because they're things that are thought of as small, but can have huge impacts. I believe that if each and everyone of us tried, just a little bit, to talk to  strangers, the world would be a better place. Not everyone wants to hurt you. I'm not saying to invite some random person  into your house, but to talk to people with common interests, or compliment someone on their shirt. Little things like that, as they did to me, can make someone's day. I walk to my mom with a pile of books. She turns to me and says, "Since when did cute boys talk to you at bookstores?"

By now, you have probably read a handful of warnings about falling in love with writers. About how they can take you to the brightest moons or bury you to the core of the earth just by spilling their ink. About how they can forget about mundane things such as your anniversary or what time they should pick you up at work. But they remember the most intricate details such as how your freckles align on your nose or how you stir your coffee when you’re too nervous to start the day. You must have an idea about how they can build a pedestal for you to step on as if you were born to be glorified. Yet the moment you break their hearts they will write you so cruel, the history will remember your name as synonymous to tragedy. Don’t fall in love with writers, they always say. As if your life depends on it.

By the time you meet me, you will know right away that words are my way of becoming. You will sense it by the way I phrase my thoughts or how my eyes light up when talking about strange but fascinating ideas such as alternate universes or the other side. I will reference quotations from the books which pages I rummaged on every single night that I couldn’t sleep and share to you my theories about the lives of my favorite characters as if they are real. I will hold your hands and take you to bookstores and coffee shops and look at you as if you are the loveliest view. I will watch the sunset with you and listen to the sound of the waves crashing to the shore and I will stargaze with you as I confess all the wishes that I only whisper to every constellation. And I will write to you. My text messages will be like love letters that are meant to translate my heartbeats. I will whisper poetry in between our calls. And I will write for you, write about you, write like you are the destination to my unending journey.

By the moment you feel like maybe, just maybe, you are falling for me, will you run away? Will you recall every warning that you have ever read and cringe by the thought of becoming a poem? Will you struggle to break free from my embrace for you are afraid that I will strangle you when the time comes that you decide you don’t want me anymore? Will you look at my love as a hurricane and run for shelter elsewhere because you are terrified of drowning? Or will you welcome my kisses and surrender to my every touch because you don’t want to let go of this feeling? Will you hold me like you will never drop me? Will you put your arms around me and protect the world that I created for myself from the harsh bits of reality? Will you read my words over and over again, memorize every line, embed every sentence in your mind and bury them in your heart like precious treasures that others don’t have the right to get hold of?

If you are going to fall for me, fall not for the flowery meadow that I grow using my proses but for the way I caress your skin just to ease your tiredness. If you are going to stay, stay not because of how I paint you with the most vibrant words but because of how I understand you and accept you beyond all your flaws and imperfections. If you are going to hold me, hold me not because of the warmth that the blanket of my sonnets that can give you but because of the comfort that my presence can cause you even if we are surrounded by silence.

Forget all the warnings that you have ever read about not falling in love with a writer and love me. Love me not because of how words anchor me to myself but because I am human who deserves to receive love and who was born yearning to give it away just like everyone else. Love me as I love you and make me realize that the reality of you and I is so much greater than all the universes that I have penned down, combined. Love me without words. And we will be enough. We will be enough.

In Lalitpur, a small city,
a poem in
and of itself,
near to the capital city,
Kathmandu,
in the magic
word-world of
Nepal.

Who in the world is Simrik?

Girl, 15, apologetic,
with the heart of a deer.
who unlike most
kindly requests your criticism.

Ok, here is my criticism.

Your writes are a shotgun blast.
It cannot be that fifteen years
has been granted
a simple eloquence
that writes and feeds
tastes of visions
of a spiced life
far away, but
close by.

winding roads
and the trees,
the train station,
train tracks,
jeeps for taxis.
the market at night.
a few bookstores i wanted
to enter but couldn't/didn't
benches at chowrasta,
aloo chat.
penang momo,
the "aum sweet aum" poster
they had there.
pretty girls in chowrasta.
so well-dressed.

at fifteen I could not
see so well, see so fine.
not I.

i have fallen for boys, and i have fallen for men.
i don't know if it'd still be falling if i only ever
fell for pieces of them. and as for you, you were no
exception. my eyes never knew the ridges on
your body as soft as icing on a cake, or the
veins in your arms and they've only read
your words, your tastes, in pixels, but i
fell anyway, briefly. the heart is a muscle
the size of a fist, an ***** that has nothing to
grow and fit into. you never really know where
exactly in your chest it really is or if it's the right size.
there'll be growing pains in your ventricles and
dislocation to your spine or your stomach to tell you
of that before the cardiologist, and when you find the
cure or place it back to where it was, you'll have
stories written like prescription notes.

One time, when I was fifteen,
(For I have been
fifteen
many times),
I knew that
I didn't know
how to express
the potpourri
of what
was inside
of me,
the desire was
compelling,
the skills lacking,
for I lived in amidst a
family of writers, critics, historians,
and saw the birthmark of my incapabilities
embarrassed rosy red on my face every morning.

my incapabilities.

not Simrik.
oh no.

here's blood clotting where i got bit by a leech at a
monastery, from after the day i told you we needed to drop
to being friends from lovers. deserved it, totally. you had
blisters on your knees, from the day i sent you back.

you said i still had your heart with me.
when i reach the sea in 12 days,
i'll return with the crevices on them
mended with the pieces of
toughest seashells i can find,
wrapped in a sheet of prayer flag
i tore from the monastery,
so that when you place it back
between your ribs,
you'll have prayers
and the sound of the sea
flowing in your veins.

At fifteen, I read Camus
and the sport pages.
At fifteen, I peeked  
at my neighbor's *******
dreamt blonde dreams.
what I knew
was
what I did not know.

so here is my criticism.

you remind me now, this day,
of what
I still do not know
nor can ever hope
to capture as well
as you.

Poetry is just scratches on paper
forming dramatic words
by an overemotional character

Poetry is certainly
not a pen that digs trenches
for the blue blood to follow
draining a soul to a sterile existence

Who Needs Poetry Anyway?

Poetry is all
roses are red
violets are blue
blah, blah, blah
I'm so in love with you

Nobody cares about books
Notice how the poetry section
in the bookstores continue
to diminish with every look?

Poetry is certainly not as profound
as the inert words
lay gutted by the rapper
which boasts his materialistic empire
that his target audience consumes
yet cannot honestly digest

And you'll find the album
in an abundant display
set in the center of the bookstore

Who Needs Poetry Anyway?

Poetry is just something studied
from history books to obtain credit
A time before the internet
and a true social status
Before days rapt in vanity

Poetry is certainly not a self sacrifice
to explore the wilderness of the heart
and the shutters to the mind
An outlet to tread another day

Who Needs Poetry Anyway?

A Woman of Many Words

I am a Woman of Many Words
I am drawn to all those places
        That words congregate:
                 Libraries and bookstores
                       Road signs and billboards
                             Ticket stubs and subtitles
                                    Nametags and license plates
Each one a journey driving inside me
I am a Woman of Many Words
I love the way the shapes feel in my mouth
The skittle taste of syllables
I am drawn to especially long words
With their phonetic entities stretching out like tentacles to reach new corners of pronunciation
Words like
              Bibliophile and flippant-irreverence
                      Evanescent and Insouciance
      Mellifluous and Effervescent
                                       Mondegreen and Labyrinthine
Words like
Onomatopoeia and Tintinnabulation
I appreciate their weight on my tongue
The way my hands appreciate the thickness that is a fat book
I am a Woman of Many Words
I am attracted to their multitude
The space their figures take up on a page
The calligraphic punches
Typed up by keys
The carefully constructed
Brush strokes
Spouting
What is sure to be, nonsense
But I do enjoy the sound of nonsense in the morning
I am a Woman of Many Words
I cling to the lettered skyscrapers wherever I can find them
Because the familiar scent of scribbles across parchment is comfort food for me
I find them
On the backs of cereal boxes
And in Popsicle riddles
In fortune cookies
And alphabet soup
From magnets on my fridge
To junk food logos
And I hold on to them for dear life
For fear that silence should find me
And leave me empty
For fear it will take away the music of maracas
Made by words
Dancing the salsa inside me

I am a Woman of Many Words
because Words
Answer my Questions,
Soothe my fears,
and Humor my Whims
They are not always Right
But they are always Constant
They are not always Honest, in fact,
Mostly
They Lie
But ever so often
They tell such a Beautiful Lie
That you wish it were true
They sing from the rocks
offering Escape from
Terrifying,
Suffocating,
Mind numbing Silence
that echoes off my skeleton
I am afraid that silence will hollow out my insides
and leave me abandoned
with nothing between my Bow and Stern
my Forecastle all torn up
I am afraid of the skeleton inside me
So I am a Woman of Many of Words
For fear of silence
And contempt for truth
Because my words are sirens
And my shipwreck is home here

Lately, I’ve been dating myself:
Beaches,
Bars,
Bookstores,
& Bedrooms…
Self care superseded structure,
I’m the happiest spinster,
Because for once,
I’m myself.

People say, bookworms are antisocial, quiet, and pretty much unattached.
these are not true, alright? no. bookworms are not like that.
let me enlighten you by telling you about the bookworm I fell for.

1. on meeting her for the first time, I was minding my own business. I was in class and it was the first day of school.
then all of a sudden, she suddenly points out the game I'm holding and screams *** *** ***! that game!! and after that we just talked on and on and on and on pretty much about random things. so no, they are not antisocial.
2. on trips to bookstores I'd always end up walking out of one with ym body hurting. why? Whenever she sees a book that she doesn't have, she'd gasp  point  grab  gasp  point  grab  and repeat. on seeing a book that she can't buy. she'd hit me with it! I mean who does that? on seeing a book that she's been looking for, for a long time, she'd throw a tantrum! so no, they are not quiet.
3. When you look into her eyes, you'd see all the things she's been through, the masks she wore, and the wrinkles in her smiles for faking them so much. It came be from a lot of things, A past lover, a long-term problem, an old friend, or betrayals. whether it's fiction or non-fiction it would pain her no matter how she lies about it. She's been attached to too many for too long a time, that she'd try her best not to get attached. So on a bookwrom being attached or unattached, in the end it's all up to you whether she becomes the first or the latter

I would rather write
About this world than
Live in it

I would rather play
Music all day and read
Or wander around

Or waltz into bookstores
And run my hands along
The wooden shelves

I would rather remain
Indifferent to the world
That exists around me

I would rather watch
Humans than actually
Be one of them.

With so little time I could not decide.
Shelf after shelf filled with book upon book.
The likes I've dreamed of reading.
Most bookstores have there signs posted.
Opening and closing time.
But this, this was something out of the ordinary.
Not a soul wandering through the isles.
No checkout line.
It was intimate.
Being here alone surrounded by book after book.
Each with a cover beautifully drawn.
Genres of insecurities, dreams, ambitions.
Love.
Any spot on the floor felt like home.
Addressing myself in total seclusion.
Mornings spent in thought embraced by the cold air flowing through the vents.
Afternoons spent without a thing to do.
The nights when a pillow was the only comfort, drifting off to sleep.
Slow rather than fast.
I flipped through page after page.
Wandering from isle to isle undecided in which book I wanted to read first.
Eying the shelves one at a time.
Finding the beauty in what makes you, you.
The marked on pages.
The distraught covers.
With so little time I didn't want to spend every second over-thinking.
Analyzing exactly which stood out the most.
When in actuality.
They all are a part of you

In those days, at every corner of the city
you could find a coffee shop.

There was never a high-rise building,
everything stood together in an unorganized manner,
for they never mastered the art of urban landscaping.

Street vendors had their own way of singing
their promotion songs. You remembered the tune, the words,
which reminded you of those streets.

The sounds of vehicles and their horns and the winds
never stopped. But in those days, they used to be
purer. Clearer. More innocent, perhaps. Less troubled.

Life never stops being tough,
but it was quite beautiful,
then.

When I grew up
the city was still left with fragments of history.
I had no memory of what had happened before I was born,
yet you felt in the air the gentle sadness, and the subtle beauty
from those French buildings. The architecture
slowly faded away as icons from the war,
becoming part of our modern life.
We had to move on,
and so did everyone who had left.

Those buildings, instead, became icons of my childhood,
of what I remembered about the city.
From my elementary school,
you could see the Notre-Dame Cathedral Basilica to your left,
the Central Post Office right in front of you.
I was always taken home via the street former known as
the Rue Catinat.

I would never forget the way it felt every afternoon.
I'm going home.

Those places have changed, and so have people,
and so have I.
The day they demolished Givral Cafe,
Xuan Thu Bookstore, Passage Eden,
the whole street block of memories,
was the day many of us lost something so deep in our heart.
History was gone once again.
And soon enough,
we would allow ourselves to forget once again.

I keep reminding myself,
Hey, it's ok to change.
My city does not repond to me.
It just becomes so foreign,
as if it has always belonged to somebody else
but me. And I keep digging
into the dust, the traces, the pictures
to find solace in what I could remember
about my changed lover.

They say, in the end it does not matter,
modern society needs revolutions.
Evolutions. Higher skyscrapers. Highways.
A North-South express railway even (Idea rejected.)
We need to catch up with the rest of the world.

Oh, dear men, I am fine with that. I am an easy fellow
who seldom feels too strongly about anything in particular.
But my heart keeps aching from some changes you guys make.
It outraged the day you took down my corner of memories.
I was in Boston reading the news my friends sent me,
picturing myself sitting at those steps in front of the Opera House
looking at the mass of broken bricks and dust
that was once a nice, little, iconic coffee shop-
Givral.

When my friend talked to me about changes around that block,
she talked in a tone that almost seemed guilty.
She did not know how to break the news to me
without also breaking me apart.
For just a few months before that,
we were walking down **** Khoi Street (the Rue Catinat, if you may),
taking pictures of the Opera House,
Givral Café, the Continental Hotel,
joking of how we acted like tourists.

Try being a tourist in your own city.
It means seeing everything with a fresh set of eyes,
trying to record everything,
trying to grasp the essence of everything
within a short amount of time.
I guarantee you it is fun.
And it will reinvigorate your love,
your understanding, your hope.

I was disappointed with some decisions others made.
Yet, being a city girl,
I was raised to adapt to them.
To learn that there will be thousands of other coffee shops
bookstores
landmarks
so many choices to overwhelm me
to drive me away from the time
when I had so few.

Will it eventually work? I do not know.
But that corner of the street (now demolished),
that corner of memory (now fading),
I was there.
Yes, I was there.

Hey you
You on the corner of space and slow time,
With the Wednesday smile that looks like you stole it from a prankster
Are you for real?
Or are you that sidesteppin passerby
Who took two steps off the sidewalk and one into me
Took a knife to the inside of my skull
Wrote down a life I forgot wasn’t mine
Cause sometimes I’ll admit I can’t tell the difference
I’ve been throwin baseballs of the back porch of my soul
Since the day the monster under my bed grew teeth
Hoping for someone to catch up catch them and catch me too
I’ve been running since the day I met God on the banks of a backwards river
Spinning this world like a record played one too many times
Sk-sk-skipping across all the riffs we used to glide over like it wasn’t a sin
He and his pals foolin us for the fun of it
Burnin a driftwood fire just to watch the colors change
I traded in my bibles for a pawn shop prayer
Cause everyone knows that bookstores are just pawn shops
For ideas that people were too drowned to keep on drinking
To keep on keeping


Hey you
Imagine we became all the words we breathed
Out of fairytale pages turned cigarette papers
the night you became a constellation
Us, riding a magic carpet woven from strings
Stolen from Fate when she wasn’t looking
I’d never been one for shoplifting
But that night we made off like barefoot bandits riding on a broken hymn
With nothing but chains of laughter round our ankles
I, the night dancer and you, the day singer
And we two seeing both sides of the moon
Sing me the song that day sung the first time she realized
That the night was more than a coat her dad told her to wear
Because it was raining
The universe ringing with the words of convenience store philosophers
Things people are too scared to write anywhere but on the walls
Of public bathroom stalls so far from the city that
Blackberry picking still involves thorns
I wished I was an ant so that I could carry
Things that were bigger than me without breaking
So that my biggest worry would be microscope lightning
It wouldn’t matter if you only wore your turban on nights so cloudy you thought God couldn’t see you
Cause when’s the last time somebody judged an ant on their headwear?


Hey you
Sometimes when I’m with you I mistake myself for a queen
And right now I’m ruling these words shamelessly
My subjects whose only job is to grow fields of sunflowers in December just for you
Let it sink in
Let it be known that my physical transition fails to interrupt my meditation
That I’ve never known a dream that did anything but embroider the ether
The air between us quit smelling like a cinderblock romance
Your hands a kinetic ignition to my saltwater synapses
That connect in double-time to the electric current runnin from your heart to mine
If you’re just some sidesteppin passerby that took two steps off the sidewalk and one into me
It’s too late cause I’m dreaming of you like pumpkins in spring
I already burned down my fortress of forget-me-nots
When I tried to write your name with a side-split matchstick
I can still see you amidst a mountain of ceiling tiles and plywood floors
Closed doors that I knocked down because they wouldn’t open
You are a brick
I have no shovel
I have hands
Will you take them?

I’ve seen you sitting quietly in the corner
of coffee shops and bookstores
watching the world turning all around you
I’ve heard the nervous shyness
in the soft sound of the words
you rarely speak and the words
that never quite make it past your throat

I know how scared of love you are
I can feel that fear in my own heart
we both carry that heavy weight
of having a plethora of love to give
and no one to give it to
or more specifically
being to afraid of giving it
whenever we find ourselves
desperately in love

why do we let fear sit so closely
to our hearts
if we never take the risk
of our hearts breaking
how will we ever know the joy
of our hearts being seen
I see your heart
I have seen your heart for so long now
that I can’t remember a time
of not knowing what it looks like
what it sounds like

I’ve been there ever time
it has pounded against your chest
trying to break through your ribcage
so it could give itself away
to the people you wanted to tell
that you use the letters of their name
to spell the word love

when you weren’t looking
I snuck through your sketch pads
I’ve read their names and all the poems
you were to shy to share
I’ve been that person for my whole life
unable to share through an unbearable shyness

I know how long you have been alone
I know how comfortable solitude has become
I know the comfort of silence
in a world that is big
on the ceaseless chatter
of small talk

I know you have a lot to say
I know you keep those words
locked safely in your heart
I know they are weighing your heart down  

If its not too awkward
you could let me share your corner
and we could read some books
and forget about the coffee we ordered
until it is too cold to drink
but drink it anyway
and sit still enough to feel the earth
turning all around us
and we could trade our hearts
for a moment

or a lifetime

and talk without saying a word
and learn each other’s language
and then I could show you
that I spell the word love
with the letters of your name

Poems about Things that Break

These are poems about things that break and/or shatter: a bubble, glass, a mirror, a twig or tree limb, a thunderstorm, cities and towers in times of war, old habits, our hearts, and sometimes Love itself.



Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Dark-bosomed clouds
pregnant with heavy thunder ...
the water breaks
―Michael R. Burch



As grief reaches its breaking point
someone snaps a nearby branch.
―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch



Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.
―Sappho, fragment 130, loose translation by Michael R. Burch



My heart is unsteady as a rocking boat;
besieged by such longing I weaken with age
and come close to breaking.
―Otomo no Sakanoue no Iratsume, loose translation by Michael R. Burch



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era’s obscuring mirror  
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.            
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



Mirror Images
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us ...

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief ...

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered ...

and if you were to ask her,
she might say―
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry SuperHighway and Modern War Poems



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of song nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my black, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing:
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



Bubble
by Michael R. Burch

.................Love
..........fragile elusive
.......if held too closely
....cannot.........withstand
..the inter..................ruption
of its.............................. bright
..unmalleable.............tension
....and breaks disintegrates
......at the............touch of
.........an undiscerning
..................hand.

I believe this is my only shape/shaped/concrete poem.



Because Her Heart Is Tender
by Michael R. Burch

for Beth, on the first anniversary of 9-11

She scrawled soft words in soap: “Never Forget,”
Dove-white on her car’s window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: “Never Forget,”
and kept her heart’s own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers’ glass and steel and stone
that shatter on and on and on and on ...
she stitches in damp linen: “NEVER FORGET,”
and listens to her heart’s emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond
its reach, and still the boot-heeled world strode on.

She writes in adamant: “NEVER FORGET”
because her heart is tender with regret.

Published by Neovictorian/Cochlea, The Villanelle, The Eclectic Muse (Canada), Nietzsche Twilight, Nutty Stories (South Africa), Poetry Renewal Magazine and Other Voices International



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: "Frail things must break!"
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Mate Check
by Michael R. Burch

Love is an ache hearts willingly secure
then break the bank to cure.



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy’s a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya (India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, The Chained Muse, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



Resemblance
by Michael R. Burch

Take this geode with its rough exterior―
crude-skinned, brilliant-hearted ...

a diode of amethyst―wild, electric;
its sequined cavity―parted, revealing.

Find in its fire all brittle passion,
each jagged shard relentlessly aching.

Each spire inward―a fission startled;
in its shattered entrails―fractured light,

the heart ice breaking.

Published by Poet Lore, Poetry Magazine and the Net Poetry and Art Competition



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
as the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some raging ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze:
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, Poetry Life & Times and The Chained Muse



Distances
by Michael R. Burch

There is a small cleanness about her,
as if she has always just been washed,
and there is a dull obedience to convention
in her accommodating slenderness
as she feints at her salad.

She has never heard of Faust, or Frost,
and she is unlikely to have been seen
rummaging through bookstores
for mementos of others
more difficult to name.

She might imagine “poetry”
to be something in common between us,
as we write, bridging the expanse
between convention and something . . .
something the world calls “art”
for want of a better word.

At night I scream
at the conventions of both our worlds,
at the distances between words
and their objects: distances
come lately between us,
like a clean break.

Published by Verse Libre, Triplopia and Lone Stars



The Ruins of Balaclava
by Adam Mickiewicz (1798-1855)
loose translation/interpretation by Michael R. Burch

Oh, barren Crimean land, these dreary shades
of castles―once your indisputable pride―
are now where ghostly owls and lizards hide
as blackguards arm themselves for nightly raids.

Carved into marble, regal boasts were made!
Brave words on burnished armor, gilt-applied!
Now shattered splendors long since cast aside
beside the dead here also brokenly laid.

The Greeks erected shimmering marble here.
The Romans drove wild Mongol hordes to flight.
The Mussulman prayed eastward, day and night.

Now owls and dark-winged vultures watch and leer
as strange black banners, flapping overhead,
mark where the past piles high its nameless dead.



Once Upon a Frozen Star
by Michael R. Burch

Oh, was it in this dark-Decembered world
we walked among the moonbeam-shadowed fields
and did not know ourselves for weight of snow
upon our laden parkas? White as sheets,
as spectral-white as ghosts, with clawlike hands
****** deep into our pockets, holding what
we thought were tickets home: what did we know
of anything that night? Were we deceived
by moonlight making shadows of gaunt trees
that loomed like fiends between us, by the songs
of owls like phantoms hooting: Who? Who? Who?

And if that night I looked and smiled at you
a little out of tenderness . . . or kissed
the wet salt from your lips, or took your hand,
so cold inside your parka . . . if I wished
upon a frozen star . . .  that I could give
you something of myself to keep you warm . . .
yet something still not love . . . if I embraced
the contours of your face with one stiff glove . . .

How could I know the years would strip away
the soft flesh from your face, that time would flay
your heart of consolation, that my words
would break like ice between us, till the void
of words became eternal? Oh, my love,
I never knew. I never knew at all,
that anything so vast could curl so small.

Originally published by Nisqually Delta Review



Eras Poetica II
by Michael R. Burch

“... poetry makes nothing happen ...”―W. H. Auden

Poetry is the art of words: beautiful words.
So that we who are destitute of all other beauties exist
in worlds of our own making; where, if we persist,
the unicorns gather in phantomlike herds,
whinnying to see us; where dark flocks of birds,
hooting, screeching and cawing, all madly insist:
“We too are wild migrants lost in this pale mist
which strangeness allows us, which beauty affords!”

We stormproof our windows with duct tape and boards.
We stockpile provisions. We cull the small list
of possessions worth keeping. Our listless lips, kissed,
mouth pointless enigmas. Time’s bare pantry hoards
dust motes of past grandeurs. Yet here Mars’s sword
lies shattered on the anvil of the enduring Word.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth ...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings ...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins ... thus, Her jeers.



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Having Touched You (The Boy in the Bubble)
by Michael R. Burch

What I have lost
is not less
than what I have gained.

And for each moment passed
like the sun to the west,
another remained

suspended in memory
like a flower
in crystal

so that eternity
is but an hour
and fall

is no longer a season
but a state
of mind.

I have no reason
to wait;
the wind

does not pause
for remembrance
or regret

because
there is only fate and chance.
And so then, forget...

Forget that we were very happy
for a day.
That day was my lifetime.

Before that day I was empty
and the sky was grey.
You were the sunshine,

the sunshine that gave me life.
I took root
and I grew.

Now the touch of death is like a terrible knife,
and yet I can bear it,
having touched you.

I wrote this poem as a teenager after watching "The Boy in the Plastic Bubble" with John Travolta playing a young man with a defective immune system who risks death for a chance at love.



Published as the collection "Poems about Things that Break"

Keywords/Tags: break, breaking, breakings, shatter, shattered, shattering, delicate, fragility, fragment, touch, cruelty, brutality, abuse, stress, love, pain, relationships, society, mrbreak, mrbbreak

The libraries and bookstores of the world
Are stocked with pleasantries:
Prim, proper, peach juice-oozing volumes
That made the grade.

These books are all well and good,
        And are not unworthy of examination,
Simply because they were deemed so
By a jury of your peers.

Make note, however,
Of the myopia inherent
In limiting yourself
To the savoury.

Observe:

Past the shelves of
        Well-lit,
        Worn-covered
        Thoroughly thumbed delicacies,
There is more to be seen.

Do not hesitate to approach the shelves
Wreathed in thorns and security tape
And kept under dim bulbs.

The books that lurk there
Are sealed tight
And wear jackets plastered in sludge:
Sludge laid thick by heavy-handed brushstrokes.

Prying open the padlock
Will sometimes reveal
Further grime coagulated upon the pages.

Further prying, however,
Will split open tomes
Scrawled with fractures of light,
Lending to the eye
An illumination unique
To such tarred works.

Do not fear these banned books,
These veiled wonders,
For they contain pure, unscreened scrawlings
Soulfully wrought upon simple scraps of paper.

It is within these that truth can be found.

I’ve wanted pretty, soft, hands for as long as I can remember;
thin fingers,
long nails.
The kind that pair well with coffee mugs and bookstores.
The kind you don’t hesitate to kiss;
but mine are riddled with anxiety.
There are scars on my knuckles from walls  that didn’t deserve my anger
and I can’t seem to stop biting at my fingernails.
I will never be the pretty girl with soft hands and thin fingers.
I am the strong girl
who scales mountainsides
and presses my hips into the walls I once used to punish myself.
My hands haven’t been the same since I covered them in chalk and started gripping onto what has become a lifeline for me.
So,
       no,
I will never be the pretty girl with soft hands and thin fingers.
I will be the strong one.

where did i lose my warmth?
at which place had i turned my switch?

in starbucks? secondhand bookstores?
was it in the local bar or the liquor store?
in houses i crashed, couches i spent the night on
or of dorm rooms i slept at and sheets i found comfortable?

to what girl had i offered it in lieu of the rush?

had i made the trade with the girl
who dragged me through unlit streetlights
as she had her lips perched on mine,
opened my heart with intensity that made her tremble
and eventually turned me into a massive mess.
was it her? i was always too drunk to recall.

or perhaps i gave it away, little by little
to the bartender in a black shirt
with a walrus at the back,
and his sadness was seen in his eyes every night.
we never really spoke.
i ask for shots, he gives them to me.
but he understood. i know he always did.
he looks at me in a way.
all fuckups know why we do the things we do
was it with him?

or was it the cigarette lady
from where i lit my first menthol stick
and swallowed the cough
that i really wanted to release?

maybe it goes farther back

had i lost my warmth in words?
in unsent text messages?
literature? poetry? essays? prose?
metaphors – not at all.

i lost it when i was eight
when i knew about my father's infidelity
when i felt my first rejection
when i felt so unwanted
when my heart broke for my mom
there, in that very dark room had i lost it all.

but the better question should be:
was it ever there?

hello, love.
    one day
       i would like a library
                   a whole library, in our very own house.


I've already started collecting, you know
(things like that take a lot of planning)
books, i mean. collecting books
from second-hand bookstores and thrift shops.
floor to ceiling to floor, the room will have books
and millions of golden threads leading from the pages,
connecting our little corner of the world to the rest of it.
to London in 1854, and Iran in 1990, and India tomorrow.
we can walk into our library any old time
and amble right on through to anywhere.

                     mom didn't like to buy me many books as a child
                     oh, yes, she taught me the importance of reading
                     we read every day, and for that i owe her my life.
                     but we didn't buy them
                    books, i mean
                     because i'd read them too quickly
                     a day or two, maybe
                     and so we used the library

want to know something nerdy?
i was probably the only nine-year-old in the city
to have the library card number memorized,
all fourteen digets.
did you know they max out at 30?
books, i mean.
30 books at one time.

We will read to our children every single night. we will act out the stories; we will help them see that the stories are just as alive and breathing as they are. you can be Peter Pan, and i'll be Frances Hodgson Burnett's Sara Crewe.

and when they are old enough, they will read to themselves every day as a chore, like making their beds or unloading the silverware. hopefully they won't see it like that, like a chore. hopefully they will become addicts. they will sneak flashlights into their rooms and read underneath the covers after bedtime every night.

                              but we'll never ground them for that.
                              instead, we'll take trips to the library
                             and teach them how to dream.

                                               all my love.

We all need motivation to live on. Our encounter with beautiful things gives it to us.

Remember, let’s say, all the beautiful sentiments a wise person has inspired in you, that sweet smile of a whilom ancestor which forever haunts your memories, the grateful look in the eyes of a creature for your benevolence, your attachment to a beautiful spot outside the city, your fondness of the sweet aroma of good coffee… the gratifying interior odour of a new car… or the invigorating petrichor after the sweet patter of rain, or the autumn scent released from the earth-met butter gold… or the strewn mane of a galloping horse on this aromatic matt of autumn… Time freezes and your whole being gravitates towards such loveliness.

Has it ever occurred to you we live to capture such moments -like a camera which we are not? Beauty inspires us and unfurls a smile; that’s all. Cameras don’t ‘flash’ a smile. It is the inspired man who ‘flashes’ a smile after all.

What literature does is to encrypt such remarkable moments in linguistic novelty. Such novelty that filters life into a new brightness and breath without which the real world could get darker and a bit stifling.

Hence the timeless poems, stories and novels. Hence the gods and goddesses we create. Literary work has such linguistic charm we cannot help getting inspired. If the thunderous gallop of those horses emanates into the beat of your racing heart or mutes out the rest of the whole world for you, then you most probably are upon such linguistic finesse...



Beauty glorifies our time on this planet. Show me a man, or even a husband, who can’t help stealing a furtive glance at a beautiful book walking him past in the street. (Pardon my linguistic slip, I guess books and women should not shift places in a man’s regard, or else I can’t imagine what bookstores or libraries might turn out to be then. Before scoffing off the awkward pun, though, ask it to yourself again if wives, too, would be able to keep their eyes straight at such an encounter? We need fascination. We steal a furtive glance at a smart stranger to lock up their looks in our memory just as we steal wild beasts from their happy habitat to pen them up in sad solitude for our own fascination. We need beauty so desperately as to ‘steal’ as it seems. Alright, off these inconvenient moral transgressions with our kindred busy at work…

Things that draw our fancy dwell in a greater plane than the well-proportioned frame of any **** sapiens. Redolent with biblichor, the world of literature offers you an aromatic ride to faraway faculties of the brain, undiscovered sentiments or unsung anthems of life perhaps lost in oblivion right under our nose.

Watch out for bookstores and libraries! And if you can, stay away from the zoo!

Such sweet biblichor also wafts from the seamier side of life, be it death, deceit or depravity... A very long list indeed inhabits the harder half of life, yet how wonder wafts through words, nevertheless!  How words shake off all **** from the worse half and sprinkle star dust into its dark recesses and bring knowledge in brightness!

Linguistic finesse and idiosyncrasy are the aromatic essence that any brew about an important aspect of life must contain, or else the brew is dull as dishwater long down the drain.

To illustrate this better, I must go back to that awkward encounter in the street. Alas, a greater majority of us would notice those curves and curls, say in biceps, ***** or hair that bobs, while the unimposing greater portion of life is blurred into oblivion. Though literature may make use of the brighter side of the coin, what it as often does is to scrape off the **** on the seamier side, polish it bright enough to take notice. Only then do we grow an interest to read about the flip side of life, as well.

Fascination and learning keep good company.

You may not show much interest if someone just writes about the grime on an Afghan girl’s face. Yet, literature is that angle which captured the untold, homespun tale in the green glint of the Afghan Girl’s eye.

Also note that it is the soot on her face which accentuates the striking meaning in her eyes, not some dark designer mascara!

Words may whisper in your ears a beguiling salute in the westerly adieu of the sun.

Or, remember the ‘The Woman in Red’ scene in the mental movie Matrix. Remember Neo’s foible towards the woman in an exposing red blouse walking him past in a colourless crowd. And remember Morpheus’s wise warning about what is not real.

Literature makes use of our foible to the fanciful. It makes use of the scintillating power of words and cajules us into a richer awareness of life. With literature, you embrace life in both lustre and soot, not just fix your gaze on a strutting stranger in a fancy cover.

Words keep the beguiling bleat of the Afghan Urial alive on the grassy slopes of Musakhel safe from a sloppy, dead corner in a zoo.

You think you know about hunger until a writer depicts it, or you may think you have had you fill of the same old stale coffee until someone brews it anew with their linguistic star dust and it smells sweet again.

Literature keeps everything about life fresh.

The story line, however, is but the cup that contains the Ambrosia.

Do you read to live forever young?

Cheers!

angels.

angels who miss their wings at 3 am when they feel more out of place in this body then before, angels who need pain to bring themselves out of their dreams, who ink themselves with words only prophets would understand; angels who have the most ordinary jobs like bus drivers and paper boys, people see them and think about them for moments too long.

angels who turn to drinking and smoking, trying to forget the feeling of their wings pushing air behind them as they flew. angels who can't avoid the call of the sky and become pilots who are always drinking coffee because the caffeine reminds them of the golden ichor that was once flowing through their veins.

vengeful angels who become pilots as well, who terrorize the winged folk to feel powerful again, to feel control again. angels who message each other, fingers trembling as they type out their dreams, trying to grab those memories that are just out of reach, gauzy and filled with blood and silver-tinted skin and golden eyes and so many feathers. angels who live in church basements and see pictures of themselves in the stained glass windows and go unclothed, trying to reach that feeling of purity, freedom.

fallen angels who burn churches, filling their lungs with smoke as they climb to the steeple, not just from reprisal but from the feeling of mutiny. angels who ride out into the country alone with a handful of stolen cash who steal from nearly empty gas stations and throw rocks at the windows of abandoned barns after they've climbed to the roof and back to earth. angels who streak their backs with ashes because they don't have the scars that they should from having their wings torn away and the golden ichor doesnt bleed away and stain the ground like it used to.

angels who hang out in bookstores and coffee shops because they're looking for an oracle or someone, anyone, who will listen to their impossible dreams of flight and blood spattering the ground, of fighting and dying and they can't explain it.

angels with shaky hands who try to find love because there's something missing and everyone tells them that love will help them, and maybe it does, but there are always angels out there who have loved and loved and there is still something BROKEN, something LOST, and it's been pounded into their minds that they'll never know what it is. angels who run with demons and devils because there's nothing quite like the rush of running in the dark, standing at the edge of the city and feeling the wind nearly blow you off as you curl your toes on the edge of the roof, so close to the sky it takes their breath away.

angels.

daft as the last 3 things you said, I don't
question much aside from life. in how many
sentences could I make a reference to an old
French poet to illustrate to you how little
sense Albert Camus makes seeing as I have yet
to go to university? You'd think the sand clocked
in his socks from all those summers spent in
Algier's would have consumed much more than
background or 'home is where the heart is.'
the right mind is the right heart is the home
is the everywhere you go. in a world where
'I-Ching' and 'cha-ching' are context insofar
as bookstores, I doubt much and question little,
money is dharma too. dharma I wish to burn because
my hate for money is dharma. back-flip. slightly
arrested in development is the faculty of spirit
in GDP, at least the lion still roams the Savannah
and at least I can explore the lion. My New Years
resolution is 1080p. what's yours?

we are bystanders at heart.
you always thought fools gold was beautiful
and we knew how to reach for highlighted
books in tattered low lighted bookstores
where people used to show compassion for
the little things.
old men croaked in these heavy feathered seats
but that didn't matter much.
it gave the place some history it never really had.
we would read each other excerpts that had no
significance and you would think of me as
kind of beautiful.
some nights we would drink wine, but then switch
to spiced *** to try and knock out the
thoughts that left bad tastes on our
swollen tongues.
i'd end up too drunk, and you'd find your
fingers woven in my hair that was too soft to
hold on.
sometimes you wished it was like wool,
keeping your hands from rigor mortis and
keeping me close to your bee hive body case,
busy with engulfing my bystander heart.
wool quilting to your shoulders,
you wouldn't give this up.
we may be patch work and hungover,
but at least we can keep each other warm.