Hurt me
Whips and blindfolds
Submission
Boarded up bedrooms
Leather
Fetishes
Being satisfied
Hard bulbous *** toys
Using flavored lubricants
Deep scratches
Red marks
Bruises
Rope burn
Pulling
Smacking
Biting
Smothering
Sitting
Licking
Pleasure

by God, I don't know what to
do.
they're so nice to have around.
they have a way of playing with
the *****
and looking at the **** very
seriously
turning it
tweeking it
examining each part
as their long hair falls on
your belly.
it's not the ******* and *******
alone that reaches into a man
and softens him, it's the extras,
it's all the extras.
now it's raining tonight
and there's nobody
they are elsewhere
examining things
in new bedrooms
in new moods
or maybe in old
bedrooms.
anyhow, it's raining tonight,
on hell of a dashing, pouring
rain....
very little to do.
I've read the newspaper
paid the gas bill
the electric co.
the phone bill.
it keeps raining.
they soften a man
and then let him swim
in his own juice.
I need an old-fashioned *****
at the door tonight
closing her green umbrella,
drops her green umbrella,
drops of moonlit rain on her
purse, saying "****, man,
can't you get better music
than that on your radio?
and turn up the heat..."
it's always when a man's swollen
with love and everything
else
that keeps raining
splattering
flooding
rain
good for the trees and the
grass and the air...
good for things that
live alone.
I would give anything
for a female's hand on me
tonight.
they soften a man and
then leave him
listening to the rain.

There’s a film by John Schlesinger called the Go-Between in which the main character, a boy on the cusp of adolescence staying with a school friend on his family’s Norfolk estate, discovers how passion and *** become intertwined with love and desire. As an elderly man he revisits the location of this discovery and the woman, who we learn changed his emotional world forever. At the start of the film we see him on a day of grey cloud and wild wind walking towards the estate cottage where this woman now lives. He glimpses her face at a window – and the film flashes back fifty years to a summer before the First War.
 
It’s a little like that for me. Only, I’m sitting at a desk early on a spring morning about to step back nearly forty years.*
 
It was a two-hour trip from Boston to Booth Bay. We’d flown from New York on the shuttle and met Larry’s dad at St Vincent’s. We waited in his office as he put away the week with his secretary. He’d been in theatre all afternoon. He kept up a two-sided conversation.
 
‘You boys have a good week? Did you get to hear Barenboim at the Tully? I heard him as 14-year old play in Paris. He played the Tempest -  Mary, let’s fit Mrs K in for Tuesday at 5.0 - I was learning that very Beethoven sonata right then. I couldn’t believe it - that one so young could sound –there’s that myocardial infarction to review early Wednesday. I want Jim and Susan there please -  and look so  . . . old, not just mature, but old. And now – Gloria and I went to his last Carnegie – he just looks so **** young.’
 
Down in the basement garage Larry took his dad’s keys and we roared out on to Storow drive heading for the Massachusetts Turnpike. I slept. Too many early mornings copying my teacher’s latest – a concerto for two pianos – all those notes to be placed under the fingers. There was even a third piano in the orchestra. Larry and his Dad talked incessantly. I woke as Dr Benson said ‘The sea at last’. And there we were, the sea a glazed blue shimmering in the July distance. It might be lobster on the beach tonight, Gloria’s clam chowder, the coldest apple juice I’d ever tasted (never tasted apple juice until I came to Maine), settling down to a pile of art books in my bedroom, listening to the bell buoy rocking too and fro in the bay, the beach just below the house, a house over 150 years old, very old they said, in the family all that time.
 
It was a house full that weekend,  4th of July weekend and there would be fireworks over Booth Bay and lots of what Gloria called necessary visiting. I was in love with Gloria from the moment she shook my hand after that first concert when my little cummings setting got a mention in the NYT. It was called forever is now and God knows where it is – scored for tenor and small ensemble (there was certainly a vibraphone and a double bass – I was in love from afar with a bassist at J.). Oh, this being in love at seventeen. It was so difficult not to be. No English reserve here. People talked to you, were interested in you and what you thought, had heard, had read. You only had to say you’d been looking at a book of Andrew Wyeth’s paintings and you’d be whisked off to some uptown gallery to see his early watercolours. And on the way you’d hear a life story or some intimate details of friend’s affair, or a great slice of family history. Lots of eye contact. Just keep the talk going. But Gloria, well, we would meet in the hallway and she’d grasp my hand and say – ‘You know, Larry says that you work too hard. I want you to do nothing this weekend except get some sun and swim. We can go to Johnson’s for tennis you know. I haven’t forgotten you beat me last time we played!’ I suppose she was mid-thirties, a shirt, shorts and sandals woman, not Larry’s mother but Dr Benson’s third. This was all very new to me.
 
Tim was Larry’s elder brother, an intern at Felix-Med in NYC. He had a new girl with him that weekend. Anne-Marie was tall, bespectacled, and supposed to be ferociously clever. Gloria said ‘She models herself on Susan Sontag’. I remember asking who Sontag was and was told she was a feminist writer into politics. I wondered if Anne-Marie was a feminist into politics. She certainly did not dress like anyone else I’d seen as part of the Benson circle. It was July yet she wore a long-sleeved shift buttoned up to the collar and a long linen skirt down to her ankles. She was pretty but shapeless, a long straight person with long straight hair, a clip on one side she fiddled with endlessly, purposefully sometimes. She ignored me but for an introductory ‘Good evening’, when everyone else said ‘Hi’.
 
The next day it was hot. I was about the house very early. The apple juice in the refrigerator came into its own at 6.0 am. The bay was in mist. It was so still the bell buoy stirred only occasionally. I sat on the step with this icy glass of fragrant apple watching the pearls of condensation form and dissolve. I walked the shore, discovering years later that Rachel Carson had walked these paths, combed these beaches. I remember being shocked then at the concern about the environment surfacing in the late sixties. This was a huge country: so much space. The Maine woods – when I first drove up to Quebec – seemed to go on forever.
 
It was later in the day, after tennis, after trying to lie on the beach, I sought my room and took out my latest score, or what little of it there currently was. It was a piano piece, a still piece, the kind of piece I haven’t written in years, but possibly should. Now it’s all movement and complication. Then, I used to write exactly what I heard, and I’d heard Feldman’s ‘still pieces’ in his Greenwich loft with the white Rauschenbergs on the wall. I had admired his writing desk and thought one day I’ll have a desk like that in an apartment like this with very large empty paintings on the wall. But, I went elsewhere . . .
 
I lay on the bed and listened to the buoy out in the bay. I thought of a book of my childhood, We Didn’t Mean to Go to Sea by Arthur Ransome. There’s a drawing of a Beach End Buoy in that book, and as the buoy I was listening to was too far out to see (sea?) I imagined it as the one Ransome drew from Lowestoft harbour. I dozed I suppose, to be woken suddenly by voices in the room next door. It was Tim and Anne-Marie. I had thought the house empty but for me. They were in Tim’s room next door. There was movement, whispering, almost speech, more movement.
 
I was curious suddenly. Anne-Marie was an enigma. Tim was a nice guy. Quiet, dedicated (Larry had said), worked hard, read a lot, came to Larry’s concerts, played the cello when he could, Bach was always on his record player. He and Anne-Marie seemed so close, just a wooden wall away. I stood by this wall to listen.
 
‘Why are we whispering’, said Anne-Marie firmly, ‘For goodness sake no one’s here. Look, you’re a doctor, you know what to do surely.’
 
‘Not yet.’
 
‘But people call you Doctor, I’ve heard them.’
 
‘Oh sure. But I’m not, I’m just a lousy intern.’
 
‘A lousy intern who doesn’t want to make love to me.’
 
Then, there was rustling, some heavy movement and Tim saying ‘Oh Anne, you mustn’t. You don’t need to do this.’
 
‘Yes I do. You’re hard and I’m wet between my legs. I want you all over me and inside me.  I wanted you last night so badly I lay on my bed quite naked and masturbated hoping you come to me. But you didn’t. I looked in on you and you were just fast asleep.’
 
‘You forget I did a 22-hour call on Thursday’.
 
“And the rest. Don’t you want me? Maybe your brother or that nice English boy next door?’
 
‘Is he next door? ‘
 
‘If he is, I don’t care. He looks at me you know. He can’t work me out. I’ve been ignoring him. But maybe I shouldn’t. He’s got beautiful eyes and lovely hands’.
 
There was almost silence for what seemed a long time. I could hear my own breathing and became very aware of my own body. I was shaking and suddenly cold. I could hear more breathing next door. There was a shaft of intense white sunlight burning across my bed. I imagined Anne-Marie sitting cross-legged on the floor next door, her hand cupping her right breast fingers touching the ******, waiting. There was a rustle of movement. And the door next door slammed.
 
Thirty seconds later Tim was striding across the garden and on to the beach and into the sea . . .
 
There was probably a naked young woman sitting on the floor next door I thought. Reading perhaps. I stayed quite still imagining she would get up, open her door and peek into my room. So I moved away from the wall and sat on the bed trying hard to look like a composer working on a score. And she did . . . but she had clothes on, though not her glasses or her hair clip, and she wore a bright smile – lovely teeth I recall.
 
‘Good afternoon’, she said. ‘You heard all that I suppose.’
 
I smiled my nicest English smile and said nothing.
 
‘Tell me about your girlfriend in England.’
 
She sat on the bed, cross-legged. I was suddenly overcome by her scent, something complex and earthy.
 
‘My girlfriend in England is called Anne’.
 
‘Really! Is she pretty? ‘
 
I didn’t answer, but looked at my hands, and her feet, her uncovered calves and knees. I could see the shape of her slight ******* beneath her shirt, now partly unbuttoned. I felt very uncomfortable.
 
‘Tell me. Have you been with this Anne in England?’
 
‘No.’ I said, ‘I ‘d like to, but she’s very shy.’
 
‘OK. I’m an Anne who’s not shy.’
 
‘I’ve yet to meet a shy American.’
 
‘They exist. I could find you a nice shy girl you could get to know.’
 
‘I’d quite like to know you, but you’re a good bit older than me.’
 
‘Oh that doesn’t matter. You’re quite a mature guy I think. I’d go out with you.’
 
‘Oh I doubt that.’
 
‘Would you go out with me?’
 
‘You’re interesting.  Gloria says you’re a bit like Susan Sontag. Yes, I would.’
 
‘Wow! did she really? Ok then, that’s a deal. You better read some Simone de Beauvoir pretty quick,’  and she bounced off the bed.
 
After supper  - lobster on the beach - Gloria cornered me and said. ‘I gather you heard all this afternoon.’
 
I remembered mumbling a ‘yes’.
 
‘It’s OK,’ she said, ‘Anne-Marie told me all. Girls do this you know – talk about what goes on in other people’s bedrooms. What could you do? I would have done the same. Tim’s not ready for an Anne-Marie just yet, and I’m not sure you are either. Not my business of course, but gentle advice from one who’s been there. ‘
 
‘Been where?’
 
‘Been with someone older and supposedly wiser. And remembering that wondering-what-to-do-about-those-feelings-around-*** and all that. There’s a right time and you’ll know it when it comes. ‘
 
She kissed me very lightly on my right ear, then got up and walked across the beach back to the house.

There are traitors in the castle
Hypocrites and liars
Spreading rumors, keeping secrets
Lighting silent fires
Pacing in the bedrooms
Quiet in the halls
Sneaking after midnight
Conspiring behind walls
Pretending to be royalty
Called themselves "king and queen"
Throwing out words like garbage
Not saying what they mean
Not taking time to think
Just playing a silly game
Betraying flesh and blood
not feeling any shame
Full of carelessness and greediness
But acting so sincere
Watching with fake smiles and laughter
Ignoring every tear
Throwing "traitors" in the dungeon
While deceiving on the thrown
Punishing those "committing crimes"
Not looking at their own
There were traitors in the castle
Hypocrites and liars
Bargaining with enemies
Igniting silent fires
Now there is no castle
No whispers in the halls
Nothing hiding behind doors
All that's standing are the walls

Bedrooms are intimate. Showing someone exactly where you breathe is special. To see it, they have to worship every breath that goes in and out, even if your exhale is poison.
The walls still smell like you
Last week, I pulled the sheets off the bed. I placed them in the burn pile.
I do not wish to see you.
This week, I painted everything a new color, a darker shade.
I pulled down the Christmas lights and let my stars burn out. I placed them in the burn pile.
I do not wish to see you.
I ripped stuffed animals off the shelves and letters off the dresser. Even the photo album went in the burn pile.
I do not wish to see you.
The flowers off the desk... They were dead anyway.
I do not wish to see you.
Everything in a bedroom is sacred. Not everyone belongs there; you sure didn't. You kissed everything with fiery lips and charcoal dust and I am still sweeping up. I continue to find your ashes in my bed.
I do not wish to see you.
You took everything. You took my air and gave me back poison. I couldn't tell the difference. But the worst thing you took from my room is me.
I do not wish to see you.
I do not wish to see you.
*I put you in the burn pile. I see you in the flames. I see you everywhere.
I start to tear at the drywall.

Judith took me
to the derelict cottage
just off the wood
in the Easter recess

from school
she opened up
the back door
and into the kitchen

with its smell
of damp and decay
it's been empty for years
she said

my sister and I
used to come here
and pretend
it was our own cottage

smells horrible
I said
ignore the smell
she said

pretend it's our
own cottage
and we have
just moved in

after marrying
when did we marry?
I asked
after we left school

she said
smiling
she walked into
a larger room

with wide windows
looking out
onto a large
overgrown garden

we could grow
some of our own food
she said
looking out

the window
I looked at
the hanging wallpaper
and a damp patch

on the ceiling
and our children
could play out there
she said

what children?  I asked
when did they come along?
after we married
she said

I don't remember
I said smiling
you will
if you pretend better

she said
moving through
to another room
at the front

I noticed a space
where a picture
must have hung
because it was cleaner

than the rest
of the wall
I like this room
she said

this is where we will sit
and have our TV
and radio
and the children

can sit with us
and we can cuddle them
I nodded playing along
let me show you upstairs

to the bedrooms
she said
so I followed her
up the creaky stairs

her green skirt
swaying as she walked
three bedrooms
she said

one for us
one for our boys
and one for our girls
she stood

in the front bedroom
looking out
over an untidy hedge
onto the road

this is our bedroom
she said
turning around
looking at it all

our bed can go there
she said
pointing to a wall
on the left

and we can have
a dressing table
and dresser
the room was empty

and smelt
over by the right wall
was a pile of ****
some one's been here

and dumped
I said
probably some *****
or hobo

she looked
at the ****
and said
who's dumped

in our bedroom?
I laughed
it isn't our room yet
pretend

she said
I pretended
the **** wasn't there
and we went

into the other bedrooms
and she said
this was where
such and such

will be
and out of the window
the overgrown garden
seemed vast

with an apple orchard
to the left
she touched my hand
and squeezed it

we will be happy here
she said
I looked about
the room years after  

the cottage smelt ranker
and she was dead.

The diamonds shone like broken glass
Upon the midnight street
And all atop the walls were wet
Their white eyes glint & sleek

Then from afar a gnome appeared
An angel flashed on furry feet
The boulevard became a river
While waiting crowds began to quiver

I was in a motel watching
Whiskey in my hand
Her breath was soft, the wind was warm
Someone in a room was born
~~~

Accomplishments:

To make works in the face
of the void
To gain form, identity
To rise from the herd-crowd

Public favor
Public fervor

even the bitter Poet-Madman is
a clown
Treading the boards
~~~

Cold electric music
Damage me
Rend my mind
w/your dark slumber

Cold temple of steel
Cold minds alive
on the strangled shore

Veterans of foreign wars
We are the soldiers of
Rock & Roll Wars
~~~

Whether to be a
great cagey perfumed
beast
dying under the
sweet patronage
of Kings
& exist like luxuriant
flowers beneath the
emblems of their
Strange empire
or by mere insouciant
faith
slap them, call their cards
spit on fate & cast hell
to flames in usury

by dying, nobly
we could exist like
innocent trolls
propogate our revels
& give the finger to the
gods in our private
bedrooms

let’s rather, maybe,
perhaps,
get ******* out in
the open, & by
swelling, jubilantly
Magnificently, end them.

A story in three movements after the painting by Mary Elwell*
 
 I

She’s out. Changed her frock, left me a list and her letters on the hall table. I heard the door bang. She was in a hurry. Wednesday afternoon she’s often in a hurry. I don’t know where she goes, but she’s usually back about 9.0, and Mr Fred has his tea by himself. I come in here when she’s out and I’ve done the necessary. It’s a big house and apart from Janet and Elsie in the mornings I look after the place, and her when necessary. She’ll call me into her bedroom to tell me what she wants done with her laundry. She’s fussy, but she can afford to be. She has two wardrobes, what I call her Mrs Fred clothes and her ‘Mrs Knight’ clothes. They’re quite different; like she’s two different people. When she paints she’s someone I don’t know at all – she looks like a *****. She doesn’t belong in this room anyway when she paints. She has her studio in the attic and doesn’t even let Mr Fred in there. I don’t go in there. I’ve never got further than the door. She doesn’t want anyone to see what goes on in there. Oh, I see the pictures when they’re finished. She places them on Mr Fred’s easel in the drawing room and spends hours pacing up and down looking at them. She pulls up a chair and sits there. She doesn’t like being interrupted when she’s doing that. I like to come in here when she’s out. It’s a lady’s bedroom. I don’t think Mr Fred comes in here very often. She likes to go to him when she does, which isn’t often. When I first came here they were always in each other’s bedrooms, but she keeps herself to herself now except when Mrs Knight comes.
 
II
 
 When I was a young man I often used to look up from Walkergate at the windows of this room. You can’t miss them really as you walk towards the Bar. I coveted this house you know. Marrying Mary suddenly made that a possibility. When Holmes died and left her his fortune it came on the market and I said lightly one afternoon – she was in my studio in London – I see Bar House is up for sale. Yes, she said, we could buy it. I think she knew I wasn’t going to get anywhere in London, and she wanted to go back to Yorkshire.  She was from the first going to be her own person having been Holmes’ for ten years – an older man, dull and old. She felt by marrying me, an artist, her desire to be solitary, self-absorbed, would be understood. I don’t often come in here. She comes to me, usually to talk at the end of the day. She doesn’t sleep well, never has. We don’t, well you know, it was all about friendship, companion-ship I suppose, and money. She had it. I didn’t. You know the light in this room is so wonderful in the afternoon – like honey. I like to sit on her bed and think of the days when I would wake in this room. There were two beds here then. She’d be sitting at her writing table in her blue gown. She liked to get up with the dawn and write long letters to her friends, mainly Laura of course. After that first sitting she began writing to me, all about her love of painting and how Alfred had never encouraged her, and would I help her, advise her? She wanted to go to Paris and be in some Impressionist’s atelier. I soon realised in Paris I was never going to be a great artist or a modern painter. There’s one picture from that time . . . only one; that girl from the theatre, Amelie. I’d seen Degas and thought . . . no matter, I could never match her letters. I was always a disappointment. I still am. I would sit down at my desk with one of her letters  - she wrote to me almost every day - and think ‘I’ll just deal with that enquiry from Alsop’s’, and then I’d find another pressing letter, or I’ll look at my accounts, and all my good intentions would be as nothing. If I’d really loved her I would have written I’m sure. It takes time to write, to think what to say. It’s time I always felt I couldn’t allow myself. Painting was more than enough, and more important than letters to Mary. She wanted to talk to me, and wanted me to talk back. So she talks to Laura now, who returns her ‘talk’ with equally long letters – with sketches and caricatures of people she’s met or ‘observed’. Occasionally, I catch sight of one of these illustrated letters on the sitting room sofa, placed inside a book she is reading. I have a box of Mary’s letters, and when she’s away I look at them and read her quiet words – what she’s seen, what she’s read, what she hoped  we might become.
 
 III

I often stand at the door, even today when I’m in a rush, to gaze at my room before going out and leaving it to itself. I love it so in the afternoons when the sun takes hold of it, illuminates it. You know each item of furniture has its own story; my mother’s quilt on my bed, the long mirror from Alfred’s house; my writing box given to me by my Godmother on my 21st; the little blue vase by my wash stand – that back street shop in Venice, my first visit. I stand at the door and think, well, just what do I think? Perhaps I just rest for a moment at the sight of myself reflected in these ‘things’, my possessions, my chosen decoration, the colours and tones and shapes and positions of objects that surround my daily life. My precious pictures; some important gifts, others all about remembrance, a few from my childhood, my first marriage – Alfred was very generous. The silver vase on my writing table glows with delphiniums from the garden – and a single rose from Laura. And today we will meet, as we do on alternate Wednesdays, to drink tea in the Station Hotel, arriving on our different trains from our different lives. This friendship sustains me, and more than she will ever know. She is so resolute, so gifted as an artist. She is a painter. She has imagination, whereas as I just see and record. She puts images together that carry stories. That RA **** – that’s Laura you know – and the painter is me – and wearing a hat for goodness sake! Me paint in a hat! I remember her going through my wardrobe to dress me for that picture. Why the hat? I kept asking. But she made me look as I’ve always wanted to look in a picture – as though I was a real artist and not a wealthy woman who ‘plays’ at painting. Fred’s portraits say nothing to me, whereas Laura’s make me feel weak inside. I remember her trying out that pose in front of my long mirror. ‘Will this do?, she would say, ‘Or this? All I could look at were her long, long fingers, imagining her touch on my arm when she kissed me goodbye.

Monster
Trianna POV
It took me time to accept what I was being pushed into. Ever since I was young, my mother and father told me that one day, I might grow to hate myself. I know, what parents tell that to their child right? But they saw no point in lying to me. It was going to happen. I was going to hate myself.

I am half-vampire.

Not because of my mother, not because of my father. It was my paternal grandfather.

It was a miracle my father got none of the vampire symptoms. It was the best miracle. My grandparents were one of those unbelievably fated couples in the world. A vampire and a human fell in love and got married and had my dad. They were prepared to have to deal with a vampire child, but, miraculously, it did not happen. My father came out normal, as normal as any human could ever be. It was not surprising; he had more of my grandmother’s genes. Eventually, my father met my mother, fell in love and got married. I came along. That’s how the equation works right?

They had nothing to worry, for they were both human. However, something was not right. When I was 3, my eye color changed. The color was nothing like my parents’. Their eyes were a nice shade of hazel and dark brown. Mine, was green, dark, forest green. As a kid, my treats weren’t sweets. They were blood, small droplets of blood from my parents. But by the time I was 7, my parents and grandparents helped me grow an addiction to lollipops, making me turn to them whenever I had a craving attack. For blood that is. But craving attacks were rare, very rare. I was only a half-vampire anyway.

As the days passed, I grew into a teenager, my parents and grandparents aged, except my grandfather. My grandmother long got used to the fact that my grandfather would not be able to age with her. After a while, I found it weird that my father was starting to look older than my grandfather. Things all went well, until the night before I turned 18.

It was taboo.

All a taboo.

I really hated myself now.

No one saw it coming. So we didn’t make precautions.

I killed them. I killed my parents. I didn’t even know what happened. I couldn’t even remember. I only remembered that I was enjoying a movie on television with my parents alone at home as my grandparents were out for a friends’ gathering dinner or something. And the next thing I remembered were my parents, lying in their own pool of blood, not breathing. My hands and face, stained with blood. My grandfather tried to stop me but feeding me his blood, but it was too late. It was all too late. I held onto my grandfather’s bitten arm and lay there, just staring at my parents. The clock struck midnight and everything turned black.

I woke up the next morning in my own bed, an urge to puke filled my guts as I rushed to the toilet to throw up. Nothing came out, just regurgitation. I looked up in the mirror, and blinked. I blinked again, harder this time, making sure I was not hallucinating. My eyes were, green, not dark green, but a lighter shade. I pulled the side of my mouth to reveal my canine teeth. They were sharper than before. In a state of shock and panic, I ran down the stairs, where I knew where my family would be. The moment I reached the first floor, I saw my grandparents outside, in the backyard.

I hesitated to move. Someone tell me the nightmare I had was not real.
“G-Grandpa?” I murmured. My grandfather turned, making my grandmother do the same. My grandmother had a tear-streaked face and a handkerchief in her hands. My grandfather looked the worse ever since I knew him. I swallowed hard before walking closer to them, and I noticed two coffins being laid on the ground.

Tears fell down my cheeks as I realized who those two being laid there were.

“Grandpa… Tell me this isn’t real…” I struggled to believe what was happening in front of me. My grandfather held onto me before I could collapse.

“Trianna, please don’t be like this…” he pleaded.

I knelt in front of my parents’ tombs and bid them a last farewell before they were being cremated. The fire was burning away so many memories. I almost wanted to walk into it, almost.

“I’m sorry…” I whispered under my breath and said a deep prayer. I lifted myself up from the ground and dried my tears. Walking to my grandparents, I gave them both a tight hug before my grandfather could go on another trail of apologies about how it was his fault I am what I am now. Worse, I am not a pure. And that is making things so hard for us to decipher. It was something none of us wanted. However, I had to blame myself. And I blamed myself, a lot. But I never mentioned anything about my parents ever since my 18th birthday. I wanted to escape.

For one year, we continued to stay at that same house. And every day without fail, I would walk to the backyard where my parents were cremated and kiss the ground, apologize then do whatever I had to do for the day. I stayed away from school which my grandparents obliged. I doubt anyone is ready for me to have a sudden craving attack again and start ******* the blood out of my classmates since my cravings were stronger now. I used to only have to **** on lollipops whenever I see blood. But now, I had to have a lollipop in my mouth 24/7, considering the fact that we are in fact staying amongst humans, and most probably have to for the rest of my life, and I start wondering how long my life would be.

To start things anew, my grandparents decided we needed to shift to a new state. If we continued to stay in that place, as they assumed, would be bringing me way too much pain. I had no opinions; I just needed to follow them wherever they wanted to go. However, I did mention there was not much need to actually move, I was over the whole blaming myself about my parents’ death thing… I think.

We settled down in a small town called Kingslet based in the United States, where Grandpa once lived with his family. I heard that that town was secluded, but definitely still populated with humans, moreover, rich humans. And probably some vampires.

We moved into a cottage that my grandfather bought over from an old friend. And when I said old friend, I meant like, a really really really old vampire friend of his who happened to want to move away to another town with his family. My grandfather drove a van that he had rented from near the place where our private plane landed to the location where we were destined to live. Upon arriving, my jaw dropped. That isn’t a cottage, more like a mansion, for goodness sake. Alighting from the van, I took one breath and knew it was the signal for me to be ******* on lollipops again. I took one out from my backpack and opened it before popping it into my mouth.

“The smell getting to you already? That’s fast.” My grandfather, who was obviously already immune to the smell of blood, chuckled.

“Shut up.” I mock-glared my grandfather and smiled as I helped with moving the luggage into the house. Being half-vampire, for the moment, was not half bad. I get extra super strength, a cliché vampire gift. I did my own research of my own kind. We get super human strength, sense of smell increases and super human speed. But I figured maybe because I was only half-bred, I wasn’t sensitive to the sun, nor to garlics, or crosses. I consider myself lucky.

Entering the cottage, I placed the luggage on the floor before taking a look around the place. The place was really not bad. It was huge, comfortable and very cozy. My grandmother would definitely love it here. Well, she would be the only one hanging around the house 24/7. I don’t really want my 75 year old human grandmother wandering just anywhere she wants alone. High chances are that she was going to get hurt or something. But touch wood. And true enough, my grandmother was already taking her place on one of the sofas furnished in the living room by the fireplace, smiling at my grandfather.

“It’s wonderful here, Xavier dear.” She complimented.

Both grandfather and I smiled at her then at each other.

“Glad that you like it here, Katrina darling.” He said to my grandmother, making me quiver at their sweetness, but it was not like I was not used to it. “Come on Tri, let’s start moving the things.” He turned to me and suggested. I nodded with a smile. As we were at moving, I was told my room is on the second floor, in which I get to choose between three bedrooms, and the other two would become any room I want them to be, and that most likely means I would be having the whole second floor to myself. This really doesn’t sound so bad. I picked the biggest room, and poked my head in, realizing that the bed and all were already furnished perfectly. It must be grandpa. He knows me really well. Too well.

I threw both my luggage onto my bed and opened them, revealing my clothes and all my other belongings and started unpacking. First, my one and only family photo left after grandpa decided to keep the rest away from me at our old home. He only allowed me to keep one, the one we took when I was 15, in which I really don’t look much different compared to the present me. Staring at the photo, I wished so much that they were still here with me. It didn’t matter if we were going to move either way, as long as they were here, things would be perfect. I quickly put the picture frame at the side of my bed before I could actually start crying my green orbs out again. I proceeded with the rest of my unpacking and once I was done, I had also finished my lollipop. Being lazy to open another open, I chose to leave the empty lollipop stick in my mouth and chew on it instead.

Heading downstairs with my headphones hanging around my neck and smartphone, I hopped onto the longest sofa that was facing the wide screen television, switched on the television and started to channel surf, deciding to figure out the town’s frequency, hoping they have my favorite music and drama channels.

“Trianna!”

I heard my name coming from behind me, before turning to my grandmother. She merely shrugged at me, so I pouted at her and responded to my grandfather. “Yes, grandpa?” turning to meet gazes with him. I instantly felt a bunch of papers being shoved into my hold.

“What is this?” I asked, flipping through the pieces of paper, which I realized had my name and identification number printed everywhere.

“Your new school registration confirmation. I have already settled everything for you. And you are reporting to school the day after tomorrow, on Monday.” My grandfather said, taking a place next to my grandmother as they cuddled up.

“Isn’t this a little bit too soon?” I frowned. I really did not hate school. I just hated the fact that if I have to hang around humans, I have to deal with my control over my craving. It’s stressful and tiring.

“You are not getting away with anything this time, Trianna. It’s been a year since you last went to school. And the sooner you go out there to train, the better. Eventually, you will need to walk out of the house.”

Crap. I struggled to find another excuse. And light bulb!

“What about this and this?” I pointed at my eyes first, then my teeth.

“Don’t fret about it. I’m stocking up on your contact lenses for you, and your lollipops. Plus, your teeth aren’t obvious either, those lollipops are grazing them off.”

“But-!”

“Trianna!”

I bit my lips, “Yes grandpa…” I knew there was no way I can argue further. My grandfather was right; I have to deal with this someday, somehow anyway. Why not just go out there and face the music, get it over and done with? He had already obliged to me for a year, it was my turn to listen.

Dinner was spaghetti with carbonara, my grandfather’s best cuisine. Nothing beats this. It was my favorite behind lollipops. After dinner, it was sliced fruits and television. Once I felt I had my fair share of the night, I kissed my grandparents goodnight.

Third Person POV

After Trianna headed up to her room, her grandmother frowned.

“What’s wrong, Katrina?” Trianna’s grandfather asked, caressing his wife’s cheeks.

“Xavier, don’t you think it’s a little too harsh on Trianna? Making her go to school now? Go out there with the humans?” she questioned, as worried as her face portrayed her to be.

Xavier sighed. As much as he did not want to risk his one and only precious granddaughter, he had to. “Katrina, we have to let her go. She is very unlike me. If we don’t let her go, we will never have our answers about her. I know I promise to ask my friends more about Dhampirs. I will. But Trianna still has to go. I cannot protect her forever.” Xavier let out another sigh, “I don’t even know for sure, if she is a Dhampir.”

Trianna POV

The morning sun shone on my face indicating the new day. I struggled to open my eyes as I lifted myself off my bed. I stretched uncomfortably and yawned. This new bed sure needs some getting used to. After combing and tying up my shoulder-lengthed dark brown wavy hair, I washed myself up before heading down to the first floor.

“Good morning Grandpa. Good morning Grandma.” It was a habit to greet. A good one, I know. It was pancakes for breakfast, I could totally smell it since I was upstairs. Popping my head into the kitchen, I took another deep breath.

“Pancakes?” I asked, excited.

“Bet you smelt it the moment you woke up.” He laughed.

“Not exactly, but when I was upstairs, yes.” I chuckled along, moving to hug him.

“Good morning Tri.” He greeted, hugging me tightly.

“Where’s Grandma?” I bobbed my head around, not seeing her anywhere in sight.

“In the backyard trying to do some exercise.” He answered.

You are seriously letting a 75 year old woman do exercise alone in the backyard. Call yourself the best husband in the world. Creep.

I ran towards the backyard and saw my grandma doing some stretches to the morning radio slowly. Like literally, really slowly. I skipped over to greet her, shocking her a little before I pounced slightly to hug her and give her a daily dose of her morning kiss. Sensing that my grandfather was almost done with the pancakes, I led her back into the house and sat her down on her seat at the big round dining table. After helping my grandfather with laying the table, we three finally sat down for breakfast.

Picking up the maple syrup, I poured enough to cover my pancakes before placing my block butters on them, melting them and coating the pancakes. Love them this way. The silence during the meal was perfect, until my grandpa decided to break it.

“So,” he coughed slightly, “Any plans for today?” he asked, looking straight at me.

“No… Why would I have any plans made in a new town?” I asked, avoiding eye contact with my grandfather because I knew exactly where he was getting at.

“Why don’t you take a walk around the new town?”

I cursed under my breath. I think I forgot to mention. My grandfather’s vampire gift, was reading minds. That was exactly why, he knows me very well. ***** to be me, sometimes.

“Sure, doesn’t sound like such a bad idea before the start of school?” I replied. I was not out of my mind. But since I had already promised to go to school, there should not be a problem with just walking around town and try to get used to humans one day earlier. “Are you two coming with me?”

Grandpa nodded and said that he had already suggested to grandma about taking a walk around town, to let grandma know the place better as well as get to know a few faces around us. He felt it wasn’t nice to not greet if you are new in town.

After getting changed into a simple tee and shorts matched with my favorite pair of converse shoes, I hung my headphones around my neck again, plugging the end into my phone and opened one lollipop to pop into my mouth before heading out. The smell was already overwhelming at the door. Thanks, you pathetic piece of body. But if grandpa could get used to it, so will I. I saw my grandfather picked out his favorite hat and placed it on his head and I smirked. At least I can handle some sun.

Walking around town, we got to know a few people. Like Uncle Tyler, owner of the Italian restaurant along the streets, and a few other people around my grandma’s age or slightly younger. I merely greeted and smiled at them, not knowing what to say. Sadly, my grandpa had to introduce himself as my grandmother’s son. Very heartbreaking, to me at least. My grandparents long foreseen this and had been mentally prepared, I really sal

Step inside my bedroom.
It holds a warm body
That makes sounds of lust

Step inside my bedroom.
I holds a mind of its own
That releases nothing but laundry

Step inside my bedroom.
It holds a heart of green
That embraces all but hate

Step inside my mind.
Which holds a body hot with anxiety
Who makes lustful tunes of surgical desire

Step inside my mind.
It holds a bedroom if it’s own
That realeases all ‘out phased’ laundry

Step inside my mind.
It holds a heart of mine

Step inside my heart.
It holds a mind of theirs.

i've made a home
out of untied shoelaces
in the morning
and crowded bedrooms
filled with smoke
and laughter

Upper East Side
The Hamptons
Aspen, Colorado
The plastic people
Follow each other
Moving in herds
Like cattle to the
Slaughter

Drifting
Floating
Shifting focus
From one charity event
To another
Whatever’s trendy
Whatever’s fashionable
Whatever’s happ’ning
Whatever’s the need
Tainted new artists
Society’s rejects
The film-maker who fits in with
The flavor of the month
The disease or the cause
That captures the moment
Stigmas overlooked
Deformities relieved
By one hyper exertion
By one pseudo good deed

Changing bedrooms
Changing partners
New alliances
Noblesse oblige

Mrs. Astor’s
Four hundred
Reinvented forever
Reinvented with fervor
On the edge
Of hypocrisy
Keeping up with the Jones’s
Maintaining the houses
Paris, Rome, Cote du Jura
Malibu, Palm Beach
Couture fashion
Madison, Rodeo
Worth avenues united
Avenues of the liege

Location, location, location
The right address unspoken
Dinner in the right places
Sporting events to be seen
Three martini luncheons
Halcion evenings
Business is business
Where money’s retrieved

Look to plastic people
For fashionable guidance
No matter the moment
No matter the need
Remember to catch them
While jetting to Santa Barbara
Saint Maarten, San Troupe
San Marco, warp speed
They live in their milieu
Can’t function outside it
Can’t follow a shadow
That others believe

It’s easy to find them
They leave behind footprints
But barely a mem’ry
Or singular creed
Other than finding
The latest in fashion
The latest persona
Or new plastic breed

He was lean, his aesthetic back stretches
Into neat trunks tied at the waist with cord
Sand sprinkled dipping in the circular pool
Where the shells and seaweed floated about
Like newly washed hair his shade of brown.

And this is how I remember him next to me
With our spades and colourful beach towels
Our clothes draped across rocks in the sun
And those plastic sandels with the salty buckles
Cutting into our fleet especially when new.

We were not very affectionate but occasionally
Romped the floors in our nightclothes at bed
Dragging the eiderdowns, downwards in disarray
And taking a length of string between bedrooms
So that we could keep connected by a joining tug.

This was childhood at its most fierce and beautiful
Before adolescence set its patterns on our forms
Marked us out for education and dress codes
Until then we were still securely latched in time
Asking each other, now and then, for piggy backs.


Love Mary for her brother ,Richard.

Well my friends are gone and my hair is grey
I ache in the places where I used to play
And I'm crazy for love but I'm not coming on
I'm just paying my rent every day
Oh in the Tower of Song
I said to Hank Williams: how lonely does it get?
Hank Williams hasn't answered yet
But I hear him coughing all night long
A hundred floors above me
In the Tower of Song
I was born like this, I had no choice
I was born with the gift of a golden voice
And twenty-seven angels from the Great Beyond
They tied me to this table right here
In the Tower of Song
So you can stick your little pins in that voodoo doll
I'm very sorry, baby, doesn't look like me at all
I'm standing by the window where the light is strong
Ah they don't let a woman **** you
Not in the Tower of Song
Now you can say that I've grown bitter but of this you may
be sure
The rich have got their channels in the bedrooms of the poor
And there's a mighty judgement coming, but I may be wrong
You see, you hear these funny voices
In the Tower of Song
I see you standing on the other side
I don't know how the river got so wide
I loved you baby, way back when
And all the bridges are burning that we might have crossed
But I feel so close to everything that we lost
We'll never have to lose it again
Now I bid you farewell, I don't know when I'll be back
There moving us tomorrow to that tower down the track
But you'll be hearing from me baby, long after I'm gone
I'll be speaking to you sweetly
From a window in the Tower of Song
Yeah my friends are gone and my hair is grey
I ache in the places where I used to play
And I'm crazy for love but I'm not coming on
I'm just paying my rent every day
Oh in the Tower of Song

The night has been long,
The wound has been deep,
The pit has been dark,
And the walls have been steep.

Under a dead blue sky on a distant beach,
I was dragged by my braids just beyond your reach.
Your hands were tied, your mouth was bound,
You couldn't even call out my name.
You were helpless and so was I,
But unfortunately throughout history
You've worn a badge of shame.

I say, the night has been long,
The wound has been deep,
The pit has been dark
And the walls have been steep.

But today, voices of old spirit sound
Speak to us in words profound,
Across the years, across the centuries,
Across the oceans, and across the seas.
They say, draw near to one another,
Save your race.
You have been paid for in a distant place,
The old ones remind us that slavery's chains
Have paid for our freedom again and again.

The night has been long,
The pit has been deep,
The night has been dark,
And the walls have been steep.

The hells we have lived through and live through still,
Have sharpened our senses and toughened our will.
The night has been long.
This morning I look through your anguish
Right down to your soul.
I know that with each other we can make ourselves whole.
I look through the posture and past your disguise,
And see your love for family in your big brown eyes.

I say, clap hands and let's come together in this meeting ground,
I say, clap hands and let's deal with each other with love,
I say, clap hands and let us get from the low road of indifference,
Clap hands, let us come together and reveal our hearts,
Let us come together and revise our spirits,
Let us come together and cleanse our souls,
Clap hands, let's leave the preening
And stop impostering our own history.
Clap hands, call the spirits back from the ledge,
Clap hands, let us invite joy into our conversation,
Courtesy into our bedrooms,
Gentleness into our kitchen,
Care into our nursery.

The ancestors remind us, despite the history of pain
We are a going-on people who will rise again.

And still we rise.

I thought Van Gogh had it figured out
he fell in love
and cut off his ear
he died july 29 1890 from a self inflicted gun shot wound
He painted
He painted the sky
He painted men women bedrooms flowers shoes street corners chairs boats and fields

I thought Basquiat had it figured out
******
NYC
He painted memories in the present
August 12 1988
NYC apartment ****** overdose

I thought Picasso
I thought Warhol
I thought Stalin
******
Buddha
Had it figured out

but sand fills our shoes in dry texan sun
and the dog howls
howls for its mother
howls for its brother
howls for its sister

I thought the dog had it figured out
eating insects
smelling my hands
eating the ham on the floor

I thought Hemingway had it figured out
Late at night
reading Old Man and The Sea
Suicide July 2 1961
12-gauge English shotgun

I thought Fitzgerald had it figured out
I thought Ginsberg
I thought Kerouac did too
drinking across the neck and back bone and gutter lips of America and back

I thought Bukowski had it figured out
the cigarettes
the wine
the women
the type writer
the sad nights accompanied by cockroaches and a city that is indigestible

I thought Phillip Glass had it figured out
Beethoven
going Def
Mozart lost in his grave
writing symphonies for Death and his cruel tripled eyed angels

I thought
The drunkards were lost
The Junkies were ankle-less
The Mothers were done for
The Fathers had given in
The Young
True
The Elderly
gazing  through the bifocals of heaven and hell
The Prisoners cemented in Time
I thought the Dead
were the ones who published our Dreams

I thought the painter
had it figured out

So I painted

I thought the pianist
had it figured out

So I played the Piano
and listened to the bilingual codes of the keys

I thought the Ballet dancer
had it figured out

So I watched her
I studied the movements
and the bruised toes
looking for a design of an answer

I thought the Poet
had it figured out

So I wrote a poem
and I saw the world.

Snorers all
scattered world-wide
in offices and homes
in boardrooms
and bedrooms;
O Snorers all
loud and clear
low and shrill -
listen ye
to the loud wake-up call
as from Rip Van Winkle's Snore

stand up united
and drown the howl of protests
against snoring that is surely no less divine
than the Chorus of Angels in Heaven -
for the great God who made the Aurora
no doubt also conceived of the Divine Snore!


and so, stand up, ye sonorous Snorers!
unite! I call unto ye!
unite against the detractors
and the critics
and the complainants
and those of low culture
who cannot
lie still and listen to Snoring
as one rightly would at a concert hall
listening to the delightful play
of a quartet of violins


O how long will you take it lying down,
ye blessed Snorers of the World?
let the world know
the first divine music was indeed the Snore;
and the very height of human communication
is the unabashed snore
for all other modes of communication
lead to mis-communication
but the language of the snore is always exact and crisp!
the message of the Snore always precise!
the meaning always loud and clear!
and the very height of the snore
(let us declare to the world)
is the couple in bed
snoring away together
beside each other
making such divine music
making love with the rolling thunder of snores
so that one might say:
do we have a couple of wild boars
copulating in the next room?



stand up, O Snorers of the World -
and defy the mockers
and those who seek divorce
on grounds of insufferable Snoring;
stand up against those who sue
for loss of sleep from
friendly, neighborly Snorers;
stand up now
against these losers, these whingeing nags
uncouth and untutored
in the mysteries of the art of the Snore!
stand up and with one loud blast of
a universal Snore,
with one melodious Snore
let us
drown their dissenting voices,
their unprovoked cacophonous complaints!
stand up, Snorers young and old!
unite, Snorers black, white and gold!
defy the world! O ye Snorers
of quite nights and of lazy days:
let us overwhelm the world
with the pleasing symphony of Snores;
let us bless the ears of the world
with the dulcet streams of varied notes and arias!
stand up! unite! - O much-maligned Snorers of the World!
with one voice raised
in a triumphant Snore
let us declare:
*No longer will we be silent!
Our voices will be heard!

The professor said
"Family therapy is like a Pie Graph
Everyone in the family contributes their own piece of pie.
When people leave
there's a chunk of pie missing
and the other members of the family
have to take on some of those roles to fill the pie."

Here's my theory:
Everyone in the family has their own whole pie.
Categorizes each housemate as a piece of it.
how they view them in their family.
how they relate to them,

Imagine a home
Mom and her four daughters.
Step dad, his daughter and son.
imagine three bedrooms.
The adults taking up one of them.

let's look at the Mother,
Her four daughters
all with different fathers
she knows how to raise children.

The daughters all know how to
Be
Children, be
Sisters, be
older or younger than each other.
The step-father knows how to have
A Wife,
One Daughter,
A Son.

Well Step-brother leaves the house.

Susie has a child at fifteen.
what does
her pie look like now?

She used to have a boyfriend,
four sisters,
a mother, father.
Now lost a brother
gained a baby.
She only knows how to be a child.

let's look at the mother.
She hasn't learned: Grandchild
but she knows how to raise a baby.

lets look at the step-father, lost his son, gained four daughters,
what's another one?

The sisters, lost their brother, a role model.
Exchanged for this this new baby.
another sister?

everyone's pie is empty in some parts.
judging by some other
dead white guys theory
when who you are doesn't line up
with who you see yourself as,
that's when people develop
Mental illness

Well I wouldn't call it ill, but let's count the bruises.
That baby is going to grow up as her mother's sister.
Suzie is going to seek the comfort of men.
Her sisters are going to constantly fight between calling themselves auntie
and Big Sis.
like tossing themselves on either side of the barbed wire fence is cause for death.

The farther we go back in each family member's backstory
the more slivers of pie we find
Georgia has autism,
Carley diagnosed depression,
Rosie an abusive relationship of 10 years.
Clover is quiet.
The Brother, schizophrenic, autistic, bipolar.
Any number of names they can slap on him.
He doesn't live there anyhow.
isn't human.

Muffle the sister that says she miss him.
hit her, cut her, lock her up.

This was a case study.
I lived with this family for four years.
unintentionally filled up parts of their pie.
I was Son.
Older brother.
Boyfriend.
Father.

When I stopped being a fly on the wall
Stopped seeing how their story was developing.

I didn't have any pie left.

I'd never cared for flowers
Symbols of affection that wilt
And forget memories
And fall apart in kitchens and bedrooms and strew their pieces on the floors
Dried and broken after only days of being lovely
Flowers with their alternating patterns of
Unreliable determinations
Claiming every other petal as an opposite declaration
Of a determination
Of love
And I never liked removing thorns from roses
Because they added something truthful and
Poetic

But when you gave me flowers
I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase
I let them live for longer than they did
Because they were still pretty even when no one else seemed to think so
And when they hang dried on a wall
Still colorful but slightly brittle
Maybe they'll stay like that if I just don't touch them
When you gave me flowers
I plucked off every other petal
Into a bouquet of He-Loves-Me
Because for once there was no doubt
For once I believed the sentiment in the flowers and the words from your lips as you handed them over
The lack of nots in the petals
Pulling apart the knots in my stomach
He loves me
He loves me
Truer than the dirt that holds
Wilting symbols of affection
Sweeter than the honey
Of their pollinators
He loves me
He loves me
A garden of something new and beautiful
Perennial and built on symbolism after all

Until you let me know that dead flowers were just dead flowers
That they were past their worth
And metaphors aren't worth the dirt they were grown in
That perennials can't return
When you've salted the soil
And brittle flowers on the wall should always be removed
But I always lived in metaphors anyway
And I had a new appreciation for flowers that I didn't want to lose
I was no longer a rose
But a thorn
I always thought smooth stems were so boring
Not to mention dishonest
But I didn't want to make you bleed
So painfully I dug an olive branch from my rib cage
Then realizing that a ****** token may not be so well received
I decorated it with a bouquet of blue Forget-Me-Nots
But you plucked off every other petal
And handed back an array of He-Loves-Me-Nots
He loves me not
And there was no doubt in the sentiment
The sentience of metaphors dying all around me
When all I know is metaphors
And flowers were never just flowers
And words were never just words
But both are found on gravestones and poems and apologies
And parallels have fallen into nice and even spacing
Reducing flowers to clichés
Of alternating promises
Of He loves me and
He loves me not
Of broken promises
He loves me
Not

I wish
It were Christmas 
Because I love the frenzy
And excuses it brings.

It's a beautiful 
Excuse to not do 
The ******* things 
In life that we spend 
Our lives doing.

The fairy lights 
Entwined in the trees
Cross continents 
With the buzz
of electricity.

I wish it were 
Christmas because
It brings the beautiful 
Excuse to love
Extravagantly. 

Just as we love
The icy daisies
Of spring I love
The warm branches 
Of bare Christmas Trees

I wish it were Christmas
Because I want to 
Hang the rosewood
Baubles round 
And see the glitter of sequin
Bunting strung happily
About the bedrooms.

I love the beautiful 
Excuses brought
In the gifts bought 
And how love is sieved 
Through in the snow.

All hail the Lizard King,
whose esoteric words crawl like sirens
over hungry rocks
baring teeth to the hypnotized sailor
steering his ship into the jagged maw.

All hail the Lizard King,
perched upon his Dionysian throne,
ambrosial ecstasies fill his cup
while jongleurs dance to psychedelic chansons.

At his feet
prey the nubile maidens of yore
flower-eyed and pearly-teethed.

His eyes, mighty azure pools of madness
within which Byzantine kings were murdered--
blood darts through the mysterious waters
into the hysterical white void.

Alexander the Great
sits poised like a statue
where his libido crouches like a panther
'til the aural adonis
leaps from his confines
an amorous figure of tantalizing flesh and blood
with supple lips pouting, naked muscles taut,
mad eyes gleaming.

All hail the Lizard King,
from lush lips poetic decrees
sing forth into the endless night
penetrating taverns and bedrooms and radios
and stadiums.

The electric shaman leaps from his throne
to cast his wicked incantation,
a spark from his eyes shoots to the pyre
where a lustful blue flame erupts from
the bones of the prophets.

HIs voice soothing, haunting,
the sonic alchemist
sings his siren song into the cataclysm
where we are cast in abeyance--

We follow him,
but is he only leading us deeper
into the darkness,
or does he truly see the light?

The endless night.

All hail the Lizard King.

Out of all the gin joints
Classrooms
Bedrooms
Ballrooms
Hospitals
Temples
Minds
Spir­its
Hearts
You had to walk into mine

It's 2 am
The television is quietly mocking me,
telling me I'm too large for my skin,
and providing a simple solution:
tiny capsules of hope, plagued with consequences.
Caution: may cause nausea, infertility, and (in some cases) death;
but isn't that a fair trade for a flat stomach?
The media consumes us:
"Slim is ****, you can be **** too!"
Girls get the message from early on that
what is most important is how they look;
not the poetry they speak
or the way they move their feet
but the size of their jeans.
Women in magazines and on TV portray an unrealistic ideal of what a woman should be.
They turn into objects.
And when we lose the fight for our humanity,
we lose the fight for equality.
Misogyny is bred through the over-sexualized photographs in magazines or on the TV screen,
but so is misandry.
Men are depicted as stolid creatures,
and boys grow up being told they should conceal their emotions,
but even the strongest walls crumble with time.
Chipping away slowly at the concrete until
a flood of passion or rage overwhelms them.
The emotional tyranny of masculinity is exhausting.
Boys' role models are fit, cocky, and brute:
He-man, Superman, Spiderman; and if you can't earn that label of "man" then what are you?

We have all been brainwashed.
Tainted to believe that the image of the ideal man or woman is what we should strive towards;
and no matter how tirelessly we scrub, the idea remains;
like the residue of a bumper sticker you used to believe in.
It is too late for us, but the future holds innumerable possibilities for a better world.
A world where women are not accused of provoking **** because of their short shorts and men are offended by the idea because it suggests that they are incapable of control.
A world where men aren't seen of as weak or unmanly because they express themselves emotionally outside of their bedrooms.
A world where despite your weight, gender, race, or ****** orientation you can pursue your happiness.

Metamorphosis
The mimic octopus can make its body look like multiple different sea creatures. When it is threatened it will slide it's tentacles into the formation of a flounder and guide across the ocean floor. Or into a pseudo sea snake. I have always hated toilet snakes. This octopus can mimic about 5 to maybe even 15 different sea creatures.  Now I don't know much about how to change my body and I certainly can't hold my breathe for that long, but I do know the second I'm afraid I change into 34 things that I will never be just to hide in the moment. Giving a ****** expression of std positive on top of an eviction notice of your well being into the outside of your door frame. As I watched this animal take shape across my television screen I made the realization that maybe we are more similar than i want to believe. Because We often change in bedrooms daily. Shedding every moment of our days onto a floor that knows our secrets and won't tell a single reason why there's always an awkward silence when we enter the room. We strip off insecurities that want everything to do with us, peel back our inconsistencies onto the dresser without keeping the change. My dresser has seen every side of me. I'm not all to proud of the things i keep in there. Like socks that have walked over my exes because I didn't cleanse my anger often enough. Or the time I left my sadness in the bottom drawer because I couldn't let you know that my shadow isn't my best friend. Sometimes I think it might be better to follow him around. I have been running around in circles attempting to figure this out. I've dropped math equations into chemistry experiments just hoping for a better answer. When spring came the answer was released with small amounts of heat, a back flip of conversation and a let go of the handshake you held with the past. This is how we learned change. We formed into what we were meant to be. Flawless but full of empty spaces. open to be filled by things like compliments. Or things like patience. I guess it was change that wasn't ready for our presence of purpose. All of this was as clear as octopus ink. We shape shifted into animals. Animals that love each other so hard that everyday on top of every moment they give a piece of themselves away for the better of the whole. We created change into a perfect moment of mutualism. Okay I realize that this a little far out there. But this change molded my knee caps into tentacles, my backbone left me and I folded into an octopus so that we could understand the importance of changing the shape of a person. Shape that you may not see through a telescope but maybe you can see it trough your fingertips when you feel the power behind positive change.

College: the four year roller coaster ride,
Ridden by purchasing a one-way ticket to adulthood.
Blink, and it will pass before the very eyes
That take in media-based images,
Depicting college as no work and all play.

Click,   Click,    Click,    Click,

Leaving proud and teary-eyed parents behind,
We enter *******-box bedrooms
Filling them with unbridled enthusiasm, unadulterated optimism, and a hint of unidentified angst.
Even menial tasks like eating at the cafeteria or watching television
Are made enjoyable with new friends and a sense of independence.

Click,   Click,    Click,    Click,

We are filled with energy like hot-air in balloons,
Rising in the coaster as we ascend upward.
However, we ignore an important lesson
We have learned from any ride we been on or story we've read:
Nothing stays positive forever.

Click,   Click,    Click,    Click,

They say that ACT scores are designed
To determine your success in the first year of college.
But few of us take these tests while coping with things like:
Depression, suicide, bad grades, fear of independence,
Loss of identity, or unprecedented amounts of drinking.

Click,   Click.

These factors inevitably come into play
And collapse the kickstand of optimism holding our chins up.
We find ourselves hurling toward the ground;
And as if gravity has pulled them harder,
We reach to the seat in front of us,
To retrieve our hope, our control, our breath.
As we fall, we feel hopeless, helpless, speechless,
And wonder if we will make impact.

It is perhaps at this time more than any other,
We realize the importance of friends and family.
They reach their branches out
And root us in the soil of understanding and openness.
Like the front car of the coaster,
They pull us out of the plummet.
After experiencing the highs and lows of the ride,
The rest seems a manageable imbalance of work and play.

We spend time in libraries, cataloging our actions and emotions
Into a book, self-titled but preceded by "face."
Such internet activity is the placebo
We self-prescribe for procrastination, an epidemic among our people.

Drinking from Solo cups half-full with liquids as impure as our intentions,
We end our weeks hungover from mental exertion and social immersion.
But the optimist in me sees that these cups are half empty,
Ready to be filled with future plans and dreams.
Dreams of being teachers, doctors, nurses, lawyers;
Having houses with three-car garages, guest rooms, and foyers.

You see, this is a ride where no one judges you
If your hands or feet are outside the ride,
If you scream when you're excited, cry when you're scared,
Or puke at the end.
So remove your blinders and beer goggles,
And enjoy this while it lasts,
Because it is the final ride in the amusement park of youth.

We, the invisible reasons for your problems, blind ourselves to the
dismal inevitability that we will
suffocate because you refuse to stop
the pillaging of the future for the sake of your own ******* lineage being able to further itself and potentially give you a chance to again close your mind and scream as loud as you can when confronted with your own toxicity

We, the ones who humbly take the bludgeoning from your self-proclaimed pious hand, know these chains are only on your bleeding wrists and ankles.

We, the silent and the broken, know Santa Muerta by the nicknames she had in college and all accompanying wildness she brought in her wake.
We still will stroke your hair while you
throw your tantrums and wail about what is and isn't fair on your deathbeds.

We will burn the mattress and all while cheering you on on your flight into the night sky you ignored for a lifetime.

We, the servants of streaming digits and stewards of bottled stardust, will create stories about how it wasn't your fault and how you shouldn't be hated for bringing the world crashing into the excrement of wasted potential so our children know there was a choice to be made.

We, the overly polite pariahs pry laughs and love and lust and learning from looming catastrophe like Burroughs writing Naked Lunch with a glassy eyed stare that burned holes in the veil hiding the tide of partially coagulated blood and ******* that YOUR world preached as milk and honey.

We, the proof in the moldy pudding still finding time to rot, will burn tobacco fields in your honor just to dance while getting drunk on the breaths you'll never waste.

We, the lovers of questions and haters of creeds, let tears stream in the hope that they are not considered part of our body's 75 percent while fantasizing about your ghosts seeing them and the dehydration they may be in spite of and quiet your tired old yelling and shaking of fists at the clouds when overcome by the slight sadness that whispers "its too late" lovingly into your ear.

We, the lovers, the thieves, the reviled, the *******, the witches, the junkies, the ******, the reptiles and worms under the rocks society deems unusable and misshapen, will be the ones lifting the crowns off your corpses and throwing them high as graduates do when full of a hope only ever dashed by themselves.

We, the drooling monsters you vehemently deny anything besides the cramped closets or the space between bed and floor in childhood bedrooms, will be the Valkyries to descend onto the blood-choked battlefield you set aside for your souls to suffer on and offer you respite in the form of soggy bread and wildflower honey while  ravens and jackdaws bicker over the eyes and fingers of those that once showed us how to ride a bike or drunkenly beat us beneath our favorite trees or touched us in dark rooms in ways that would chase Love away from the shadow of our hearts until we finally climbed high enough to see it all as someone screaming of war and bravery while running from the sound of steel biting steal because their protectors talked so highly of honor and duty that it seemed as if it were God and Adam touching fingertips on the arched ceilings of youth. that, then was painted on the crumbling walls of abandoned houses they would secretly indulge on the forbidden fruit soaking pages of a faded **** magazines or up skirts of blushing  girls who put on their mother's prudishness until fingers pushed past
cotton and virtue alike to the warm center they both melted in.

We, the unsung and numb, walk in spirals while the complexity you rebuked as devil-born becomes the sigils of yet-to-be kingdoms bringing about golden age after golden age in the distant mists rolling over hills and valleys of memories of moments yet to coalesce into rigid experience.

We, the eyes weeping blood atop crumbling pyramids, have seen the walls you want to build in futures dissolved in the winds blowing dust over the dream-roads we skip down and how it resembles the one you built to keep your heart from breaking from the pressing mass of what you can't file away as noise or heresy or communist propaganda;
We drew throbbing ***** and dripping ***** on all the blueprints we came across and tucked them back into the secret compartments of wardrobes and roll-tops passed down through generations.

We, the keepers of the singing stones you traded for cheap concrete, will embrace the tiny souls you neglected out of ignorance to the existential snake oil pitch you broke every tooth biting down on all because the salesman reminded you of your drunk father or mother imposing their wills like you make shadow puppets dance on peeling wallpaper in the silence that ensued after they had passed out on creaky couches reeking of Lucky Strikes and spilled ***** while the shine of the staticky T.V. set covered them like the blanket no one ever put over their slumbering forms because of those infinite lists of excuses used to skirt the skirmishes of showing any kind compassion even if they alone were sole witness to it.

We, the pieces of self the deathbed "you" sent hurtling backwards through time to shine lights on the siege seething at the gates of what you stand for, are only holding those lanterns to show you that fleeing is futile and your death is just a hallway with a door that leads to the knowledge that life is not a cell to watch time morph into tally lines scratched into cold stone as if they were epitaphs for the seconds bet and lost at the roulette table crafted from any slave ship the ocean never swallowed.

We, the flames mimicking those dancing girls you longed to have squeal under the idea of your thrusting masculinity amidst the graffiti on the bathroom stalls in seedy dive-bars or the paupers playing prince you follow giggling with hope in hand like a bouquet of baby's breath and daisies for that one day they would stop and turn and smile so handsomely that your knees would shatter against one another and wedding chapels would bend down to tie tin cans to bumpers of beat up Buicks and Oldsmobiles your fathers give dowry and the crowd could watch "just married" poorly written in shaving cream on the back window grow small until it disappeared over the horizon.

We, the dreamers, are tired of sleeping and are in need of a old tree to swing from, to bury our dreams like beloved pets under, and watch as it lets its leaves fall to the hungry earth that is more patient then anyone closed eyed and humming ancient syllables beneath crooked branches could ever be.

All the trees you climbed and kicked and fell in love under have died from too many hearts around intials being carved into them or were used to make fascist pamphlets you yourself passed out at churchs mistaking the mask with bone structure or the river for the people it swept to sea.

We are laughing;
like a loving mother at her clumsiness on display in her cackling child and not like the crowds gazing at the sideshow stage as the curtains pull back and stage lights illuminating John Merrick's flesh and the intricate dissonance it lent to minds.
Minds that afforded only sips of bliss as monotonous stints on factory floors but were preached about like they were some heaven-sent golden cobblestones laid lovingly all the way
to the beach where Heimdall will one day sound his horn, one foot feeling the grit of the edge of the world and the other washed clean for the grave we will all step in.

So, all these words, all these images, all of it is intended to be a moon so all the stagnate tide pools that have forgotten their origin and the freedom they used to give form to lesser forms they forage forgetfulness from.

We, the ones beneath you on the climb to the summit of our collective potential, beg you to think of something beside yourself when taking a ****.

It is not just ******* in the wind if there isnt wind and we are right below you and dying of thirst.

It is not an inalienable right if someone else is deprived of the same.

It is not Heaven's gate if the brilliant gild has a melting point or if it remains latched to any soul's approach.

It is not "liberal *******" or a myth if whole flocks of birds fall from the sky or schools of fish wash up on beaches while people snap photographs for their feed.

It is not "god" if love dispels it like smoke hanging in the kitchens your great grandmother sat in and told you about a witch shapeshifting into dogs without heads to scare drunks stumbling home because she was a ******* racist.

It is not just food if someone's organs fail from starvation that even the worms and flies are free from.

You wave your banners and let your war-horns echo and you wear your ignorance as armor.

We, the eaters of life and death, will chisel a name into stone and pick your bones clean if you think we should march to the sounds of drums and trumpets just because you were stupid enough to think it was anything other than your masters convincing you to whip yourselves ****** because "at least God hath been kind enough to give you a purpose" or "he works in mysterious ways".

**** that.

Look at what it has brought out of the swirling sea of " all that could be" while you write the same song about how shiny and numerous the scales of the prize are.

We are not responsible for pillaging God's bounty.

We are the bounty and our emptiness and lack of foresight are in jeweled bowls at your feet, but in your hubris you believe it to be the slaves that come to wash the dirt from between your toes.

We are Death and She is the wet-nurse that will give us intimacy to fertilize our hearts by refusing us her breast but turning our heads to your silhouettes shambling off the edge of existence far off in the distance only a decade or less could be confused for.

[AS ONE VOICE WE SING/SANG/HOWL:
Lux amor potentia restituant propositum dei in terris.]

As if it were as easy as holding the hand of a dying tyrant afraid they cannot the luminous terminus while wearing your father's face as a mask to trick radiant angels or the contortions of gods reeking of struck matches by those trembling and their swirling black hearts closed to the breeze carrying leaves celebrating their liberation and caressing a cheek they were too ashamed to kiss when opportunity was their ally.

We shouldn't hate these piles of skulls all parroting the same axioms to those who only show up to add another or leave an empty bottle turned into a candle holder, wax dripped down the neck and froze before any trace of tallow could finally unite with the dirt it longs to become one with;
icicles hanging from the eaves of abandoned asylums.

This place was supposed to be alot of things but that is what lead THEM to drown in the sound of buzzing bees, birdsong, and abundance in all directions.

I suggest we stop trying to squeeze it into a shoebox we scribbled Promised Land on and just let it be the open armed paradise it inherently is.
Let it be the heart and home as well as the hostile territory because it is only ever that and what we wont find in any Oracle's Prophecy.

I'll end my rambling with a question and it's answer.

How do you turn a police station into a hospital and a schoolhouse?

Burn it to the ******* ground.

As I am lying in my bed,
I am trying not to think of you,
but all I can think about is
that twenty four hours ago
you were in this bed with me,
and that your pillow
is still crossing the halfway point
of my bed,
because you wanted
to be closer to me,
and I can't help but think about
the strands of your hair
that were in my bed
after you left this morning,
and I can't help but think about
your smell that is still
on my sheets
and I am wondering
if I need to switch bedrooms.

Maveric Prowles
Had Rumbling Bowles
That thundered in the night.
It shook the bedrooms all around
And gave the folks a fright.
The doctor called;
He was appalled
When through his stethoscope
He heard the sound of a baying hound,
And the acrid smell of smoke.
Was there a cure?
'The higher the fewer'
The learned doctor said,
Then turned poor Maveric inside out
And stood him on his head.
'Just as I though
You've been and caught
An Asiatic flu -
You musn't go near dogs I fear
Unless they come near you.'
Poor Maveric cried.
He went cross-eyed,
His legs went green and blue.
The doctor hit him with a club
And charged him one and two.
And so my friend
This is the end,
A warning to the few:
Stay clear of doctors to the end
Or they'll get rid of you.

our bedrooms are damp
from the leaks
and the cracks
in the walls
in the pipes
in the roof
in our hearts
in our minds
in our smiles
in our tears.

The house once called home is empty
The garden is overgrown and tangled
Circling dragonfly
Falling leaf
Monarch butterfly

The floors no longer echo footsteps
Sunlight floods empty bedrooms

i think the reason
we have such dark, 
worrisome thoughts at night 
is because the empty silence 
found right before sleep 
allows room for anxiety
to creep in and fill the spaces 
between the floorboards 
and peeling wallpaper 
of our bedrooms

that may be why 
when i haven’t spoken to you
in awhile, i forget 
all the good mornings
and five page letters
filled with words
that make my heart melt
like candle wax

i allow doubt to dwell in my soul, 
along with thoughts
like how pitiful it is 
for me to be vacant 
because you’re not here
to occupy my confidence
and reassure me that
time nor interval
will change
how you feel