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Nat Lipstadt Jun 2023
<>

you pout and defer, dancing backwards,
claiming, blue is now blackened
from underuse, incapable and incapacitating revival

saying  eyes cannot see, distinctly, neither near or far,
the tremble of love, forgot & distantly absent,
but I know, a heart’s sensory muscles never die,
though weaken they might, underused, un-exercised

denying  that inspiration  
no longer resides with in thy sensitivities,
has fled, undercover of smoking forest fires
all the diurnal hazards that invade, occupying

my internal spaces once filled by poems
you conceived, birthed, in a pleasured haze,
came so fast, you bare recall agony accompanied,
but not the ecstasy of the end resultant!


you know it’s you of whom I write, but,

a note not shaming names, but messages
countless private messages have I sent
begging, beseeching, give me your gifts


once more, you owe me not, though I
oft irritate with my deafening pleas,
yet only denials continue, my pleas ding
but dent not, the tired fear of your exposition

so speak to you plain,
feed my soul selfish
like in years gone past,
there are holes in mine

that require your elixir,
creamy softness that moistens
my face with tears of your words
originating, astound, enfold

not later, not soon, not excusals,
write for me NOW, WRITE FOR YOURSELF,
but leave me not forsaken and thirst un-slackened,


Answer! To whom do you owe your poems?
Sunday, June 11 11:29 AM
2023
in the sunroom
Nat Lipstadt Aug 2017
~ For Eliot York~
& Sally and Patty m
who convinced me to post it


The answer my friend is
but one,
just one.

Blessed are those who bless you.
I say it.
20 times a day,
and sometimes 2000


I have lived this life,
afraid to fail,
and in doing so,
in deed, because of it,
failed repeatedly.

yada, yada, yada,
in a gadda
da vida,
baby,
don't you know that I'll always be true.

nine lifetimes
all, longtime gone,
yet, I still talk among you all,
for which the
requiring, surviving,
is
a tiny tablet daily,
of swallowed pride, history and
adult/e/rated luck.

omnipotent natural forces,
pretend to manage human affairs
most unnaturally,
sandy gods of wind and storm
bring dämmerung's
Sturm und Drang.

these forces are the
placers, surveyors, tabulators
and ultimately the
takers
of the divine sparks within us.

yet,
before them,
on bended, torn knees,
I am humbled.

for knowing just
one read
is all it takes,
to be acknowledged and
thus begins a commencement of a life
of indentured servitude
in gratitude
to
le rêve poétique
(the dream poetic)

yet,
I.am read more oft
hundreds of times a day.
~
who could have foresaw,
prophesied this outcome,
a statistical anomaly,
that the taste of me
could be so,
miracle of miracles,
wet warm and well received.

know not this craft,
unaware of its conventions,
meter rhyme and to the
other laws of poetry,
I plead a woeful countenance,
even a willful ignorance.

yet,
here I am bowed
by the weight, of the good graces,
so many have bestowed,
from the four corners
of this Earth
and worlds beyond.

a nubile newcomer,
who long wrote to himself, for himself,
audience of
one + one = two,
the man and
his foolishness in words,
now betraying publicly
what no counselor, doctor judge or lover, lawyer ever knew,
even family.

but who are you?

plainly admit,
do not understand.

ok there is a handful times five,
we are well connected,
a small coterie who
share each others
most private painful secrets,
pari-passu-mutuel,
mots friends of faithfulness,
dare not, deign, diminish them
ever
by calling them followers,
for now they are friends

but who are the rest of you?

step forward,
identify yourself,
that upon thy neck
I may fall,
whispering in your ears,
sweet I.am thanksgiving yam-words

none of us can be a sweet poem pie
unacknowledged,
unstated, unsated, untasted
and forever believe.

it takes lioness courage
to present your naked self,
place thy head in the guillotine,
expecting the silent applause of ignorance,
expect to be ignored,
just another head in the collection basket,
accursing those who curse you with
the now quieted slaughtered lambs,
the scribe's swords of smoke,
plaintive waterwords vaporized,
seeds unplanted,
the bleating sounds silenced.

He crouched, he lay down like a lion
    and like a lioness; who will rouse him up?


I am a poet of the present,
you have brought me out of Egypt.

you have roused
my present days dying,
making my days of dwelling,
in the tent of Jacob,
an encampment of palm groves,
as a present
unto me.

The answer
is indeed just as you expected,
blowing in the wind,
through cedar trees beside the waters,
in the gardens, beside a river...

just one,
how thankful I.am to say,
blessed are those who bless you,
each and every
One.**

<•>
written so long ago the date was erased,
back when the journey of a thousand too long poems,
was just beginning
posted only because
a few of you insisted.
If perchance you think this is some kind of self-glorification,
then you don't get me at all.
<•>
"Good acts are like good poems.
One may easily get their drift,
but they are not rationally understood."
A. Einstein
~
"In a gadda da vida, honey
Don't you know that I'm lovin' you
In a gadda da vida, baby
Don't you know that I'll always be true

Oh, won't you come with me
And take my hand
Oh, won't you come with me
And walk this land
Please take my hand."

http://www.lyricsfreak.com/i/iron+butterfly/in+a+gadda+da+vid­a_20067936.html
~
Oh, oh
Talk to me some more
You know that you don't have to go
You're the Poetry Man
You make things all rhyme.

Read more: Phoebe Snow - Poetry Man Lyrics | MetroLyrics
~~~
Numbers 24:5-9

5 How lovely are your tents, O Jacob,
    your encampments, O Israel!
6 Like palm groves[a] that stretch afar,
    like gardens beside a river,
like aloes that the Lord has planted,
    like cedar trees beside the waters.
7 Water shall flow from his buckets,
    and his seed shall be in many waters;
his king shall be higher than Agag,
    and his kingdom shall be exalted.
8 God brings him out of Egypt
    and is for him like the horns of the wild ox;
he shall eat up the nations, his adversaries,
    and shall break their bones in pieces
    and pierce them through with his arrows.
9 He crouched, he lay down like a lion
    and like a lioness; who will rouse him up?
Blessed are those who bless you,
    and cursed are those who curse you.”
unsure, uncertain,
of the laws invested
in the realms and reams
of poetry ingested,
am i addict,
or supplier,
retail consumer
or
wholesale supplier,
a mom & pop candy store,
or a metastasizing intelligence
that takes any thing, and all,
a solitary letter,
an instance of a sighting,
a gasping palpitation
and reformats it into
a hehe literary madhatter^ piece

you supply, I demand,
I supply, boy oh boy,
do I ever, but you never,
come to me directly asking,
write me a poem, thick or thin,
witty fitty or an overly looooooooooooooooooooooooooooooooooooong
e~pistle (a/k/a e~pistol)
yet the trade goes on and om,
the marketplace never closes,
except when periodically the
gatewaykeeper is slow to pay his bills,
and the trading centres are global scattered,
young entrepreneurs try to sell a single
piece, as if it was breaking news history,
and tired old men, review their lived,
eager to memorialize, so it's ok to forget,

in retro!spect perspective,
the mirror who cannot lie,
states affirmatively, you are
both ****** and dealer,
a corporation scientific
of ancient biblical origins,
a psalmist, a deacon,
a lyricist, but thankfully
not a singer,
an essayist who writes best
when ****** by tawny port wine,
who snatches inspiration with
equality of equity,
(wait! that's wrong,
the equity of equality,)
where he can
find, ***** city streets, the deaths
of heroes, the sunrise calm miracle
he drinks in daily, by rivers, by seas,
by estuaries brackish, and streams
of watered purity, the riveting bays,
the individualized glisten deflected
into my eyes, that each
contains one pure blessing within….                                                 nml
924am
9/27/25
5.5k · Sep 13
our internal clock
Nat Lipstadt Sep 13
a silent metronome,
we know exactly when,
when sleep pleads us enter,
and when it bids us adieu,
when we growls for sustenance,
or begs for plenty of the mercy
of emptiness to cleanse our void,
when to compose,
when to repose,
when to dispose,
and when tempos dictate
lay down child,
fallow!

but its greater feat,
when sounds the bells of alarm,
when need is greatest,
for arms embraces,
wet lips to refresh,
bodies to synapse,
eyes require delight,
when needs be greatest,
for that very first infant step
to what can only be ever felt,
but is otherwise undefinable,

for another
+to make us complete,
a unity, an,
us+
7:18am
Sat Sep 13
2025
upon awakening
Nat Lipstadt Sep 15
a birthday poem for S.

perhaps, this is the responsibility, the purposeful gentility,
that poetry engenders, that thwarts the impulse to anger,
guiding away, finding a way, to temper the temper, to out
and joust away our basest, our first, but never our foremost
nor finest, succinct instinct, yet terrible human nonetheless...

perhaps, this is where we hide, neath our carnival masque,
our-would-be better selves, and struggle in this, this intensity intentional,

the season's change is subtly blatant, not obvious 'cept to those
who have a front seat, a well worn Adirondack chair in the nook
where the airy breeze offers fruits of words so easy, pluck words
as easy as breathing, and the slight gradation change, in the light and
temperature, and yet, the suns cares not, for it still warms my body,
though lower and slower, nonetheless, when the heat invades my soul, confirming my, our, existence,

burning off the fog of our contradictory confusions,
and eliciting an unsolicited
"thank you god"
for my, our personal miracle of re~birthing
and better comprehending,
that other
miracle we can embrace
never enough

loving kindness

sun~mon
sep 14~15
twenty twenty five
The phrase "to tame the savageness of man" is part of a larger quote, often attributed to the ancient Greek playwright Aeschylus, which reads, "Tame the savageness of man and make gentle the life of this world". This powerful sentiment was also famously quoted by Robert F. Kennedy, who attributed his translation to Edith Hamilton, and it calls for humanity to overcome its darker impulses for the sake of a more compassionate and peaceful existence
Nat Lipstadt Nov 2023
an all purpose cleaner response to the

how-ya-doing-question,

as my vibe unmistakable;
the hatred in the world directed at
MY PEOPLE,
is inexplicable, beyond reason,
a hatred raw and pure in the
tiny places we humans hide it, lest
our ancient linkage to an unreasoned,
embarrassing emotion, be revealed

but now revealed it is reveled,
as the freedom to despise is a
valued thing

is an ancient scar, now freshly wounded
and the two thousand year old accumulated, callused,
surrounding wafer thin, layered upon layer of
tissue,
wiped away
in utter disbelief
cleansed,
a different kind of impure clean,
“like” an ethnic cleansing,
traceless, whisked away in a wink of moment,
a goner.

like hope, prior sentient optimism
sentenced to life imprisonment and
this sentence, and this very sentence!
written finally understanding that it is
a punishment
far worse than the quick relief of death.

c’mon, how about a few “fukk you jew”
cri de coeur, heartfelt, genuine, pointless
hate

no, not I, no, not me,
spare me the pithy comments,
the pointless sympathy, glistening
like evaporating water droplets
before disappearing, I ask myself,
not
why they hate, why it persists,
for this I understand and accept
the foulness of what we are capable of is,

beloved,

as a secret pleasure, now secreted in torrents.

no, I ask myself,

why do I write poetry,

for it is as pointless as
the hatred directed at me,
from birth, till death,
and ever after,
the humanity of poetry
just another fraud

another reason
why this man cries in the bathroom,^
not from any shape of shame,

because poetry is pointless
in times of hatred, and now we
know, recognize, it is always
somewhere, nearby, always
present and prescient,
pointless hatred,
itching to be pointed at me,
makes for
pointless poetry.


To whom shall I point my poetry?
Nat Lipstadt Apr 2018
I am not the master of my writing

-
my writing masters me,
seizing me when the seizure is a sure thing,
it dictates to its enslaved scribe
what it desires this utensil to reveal and expel -
the contraries
who having battled to a ****** draw leaves the battlefield trembling with indecent indecision; the optimal conditions for its macrobiotic invasion of my brain stem;

the she-muse offers me two choices:
she wants a poem writ forthwith
on the lyrical expression
of depression and refusal is
non optional

so I fantasize escape and that becomes
her property as well;
evidence against me to be used at my trials,
the one where there is no statue of liberty
from the limitations of prior bad acts;

I offer the she-muse two choices:

give me a cabin with WiFi
and self-enforcement of solitary confinement and
tie me up with the rope remainders of broken bonds,

bonds that tied me up worse
when they were broken
and the peaceful withering
that won’t disrupt disturb nobody
from a distance

my other choice is to bury me
forthwith next to my parents
and shutter my constant tearing eyes which are drop-resistant

muse says that’s no choice
I own your voice stilled or not,
will bill your soul’s account for
denial of poetic services

weep; i don’t want the noises that curse this troubled
bodyship don’t want recollections good or bad

the muse-***** cackles with insanity of delight
for she accepts this writ as partial payment
on her commission, whispers I love your
lyrical expressions of depression
that ****** recognition algorithms
alert me that seizing time is nigh

there is no on/off switch for one like you:
father son and holy ghost
Nat Lipstadt Apr 2014
a sensory perception,
an intended message,
which the eyes of my inbox
check-mark as opened, read and
very well received

sometimes we say things
we didn't mean to say,
but 99% of the time,
we meant it, even if
it just happened to be
something we were wearing,
something tight, short and flirty,
we put on in a hurry,
without thinking

2:19am
5.4k · Oct 2015
my poems do not trend
Nat Lipstadt Oct 2015
for Alyssa Underwood
~~~

my poems do not trend, go viral,
Fast and Furious!


yet, they do not die


they lay in plain sight pebbles scattered,
smoothed by time,
upon the surface of the
green earth waiting patient, virtuous,
purposed for itinerants bards
to trip over one
one some someday

somehow they accrete a readership,
slow stepping and steady from,
|the seekers and the stumblers,
the droplet drinkers,
meanderers of the tomes and tombs of prior years,
miners for nuggets in the poem pools that form
beneath the alluvial streaming
of the waterfall crescendo
of words

I like this

when another traveler sends me a like,
a petite amuse-bouche bite of appreciation,
for a long ago, barely recalled, writ,
allowing them to carve their initials upon the
external, visible roots of my tree trunk,
invading me, by darkening a prior tree internal ring,
forcing me to look down,
look back,
take measure of myself,
accepting myself as not wanting,
nor lacking in other's acceptance

these statements are neither  boastful or illusory,
yet still joyous, like caramel pleasures,
slow to chew, fast to the taste,

reminding me of old friendships,
well valued,
though no longer fully employed,
their uncovering is my own refreshed exposure,
their discovery is my own re-discovery,
exposing flaws and fallacies,
even fallow,
mostly shallow facts
about me

all of them,
a sundae of truths and lies, sharing a happy laugh
with and at
me,
when I think to myself,

"crap,, did I write that?"

copyright 2015 by Nat Lipstadt
all true.
sometimes I type in the search mode a word unusual, offbeat,
of my own choosing,
and let it lead me to the older nuggets of others,
familiar and unfamiliar,
from under the trees of their forest...

Oct. 7, 2015
4:21am
Manhattan Island
Nat Lipstadt Mar 2017
Forest inquires:

How do you decide, choose your design, find its guise,
give it a face, surrender to the poem's own
vanity,
        and choose the poem's alignment?


                                                  an­ answer forms:

this alignment idea,
you think it simple,
everybody understands
what your inquiry means

alignment -  the appropriate relative position

we live in relative position to each other, our poems too, for they are but written synapses of our close captioned interactions, seemingly random, but assuredly not, as we invest in ourselves, seeking the mysterious appropriate answer
                                                                ­                        from the Theory of Poetic Relativity

                                                   ­             i love your question;                              hold it to my nostrils,          
                                             ­             smell the coffee aroma wake up blast inherent;
                                                                ­      
 kiss its robust childlike cheeks for the simple   soulfulness essential arousal;
for you see sir you have found
the appropriate position that relates us, our mindful words;

                                 answer no good, wholly insufficient?
                                        perfect.
                          as i close this quick cooked to perfection laboratory solution, take note

                              
                            ­                        the earth has moved
                                our hearts have beaten a measly thousand times
                                    time and space have appropriated our prior
                                          
relativity

when you return years hence this poem's shape will perforce have moved. for words are weathered flux constant and yet inherently unchanged except for the part of us that changes with every re-reading  

and what was


**right before has left and the center has moved again
Nat,

This is probably just an insane thing of mine, but I cannot stand the center aligned formatted poetry. I want to read the poetry, but why center? I want to know why it is center aligned? If it is a metaphor for how poetry could/should serve as a balancing point, a countervailing force for a point, perhaps I could understand...but so many poems center aligned, I don't know, I am probably missing something.

A right aligned poem? Perhaps I could understand, if the content was asking me to revolt, to revolutionize, to counter the status quo. But a centered poem? What does the alignment mean?

anyway, it has been a long time since I've been around, keep writing, hope you are well.

-forest
5.3k · May 2014
Adieu! My Crew, My Crew!
Nat Lipstadt May 2014
~ ~ ~
Adieu!
My Crew, My Crew!


this, our first trip,
our longest voyage,
nears completion

eighteenth of May,
a terminal date,
date of destination,
upon it commenced,
upon it,
our commencement

a terminus nearing,
a degree of latitude given,
a degree of longitude observed,
by you
mes méridiens,
witnesses to my zenith,
a degree of gratitude granted
and lovingly recv'd

adieu, adieu!
this sole~full rhyme
beats upon my lips
repeats and repeats,
endlessly looped,
Adieu, my crew!

sailor, voyageur,
scribe and travel guide
for four seasons,
a composition of one long
anno sabbatico,
muy simpatico

in the spring of '13
I sprung up here,
a Mayflower,,
a May flower,
a floral ship,
annual for a single year,
annual for a single circumnavigation

hearing now once again,
refreshing sounds,
hinting noises,
here comes his paul simonizing summery spring again,
rhyming timing reminding dylan style,
it's all over now, my babies blue

t'is season to move forward,
back to old acquaintances renewed,
sand, water and salty sun,
three lifelong friends who,
Auld Lang Syne,
never ever forget me

we get drunk on their eternity,
their celestial beauty,
and they,
upon my tarnished earthly being,
unreservedly and never judgingly,
give inspiration unstintingly,
we share,
never measuring a captain's humanity
by mystical formulae of reads or hearts

for
grains of sand, water wave droplets and sun rays,
all
only know one measure,
immeasurable

respect the
never-ending new combinations
of an old nature,
even the impoverished words he speaks,
words as they exit the
brain's grand birth canal,
whimsically announcing their poetic arrival with a:

"been here, done that,
but happy to do it,
one more time,
just ever so differently"


the only counting
that satisfies them and me,
the clicking sound be,
the sound of a
a pointer-finger tablet-clicking,
heartbeats a metering,
individual letters being stork-delivered,
and

yellow lightening
when it comes,
signifying family completion,
a poem,
a family,
comes
crackling real!

here comes spring again!
happily to shackle me,
shuckling me back to and fro,
to whence I came,
and from
whence I once
and always belonged

memorial weekend,
memorializing me,
orchestrating a prodigal son's
two edged tune,
a contrapuntal contrapposto,
a "fare-thee-well, man"
and a
"hello son, welcome home!"

that empty Adirondack chair,
by my name,
with your names
in tears inscribed upon it,
awaits

the breezes take note,
singing a duopoly:

this ole chair
needs refilling,
Rest & Recreation for your Rhythm & Blues,
your busted body boy
healing with our natural scents,
calming with common sense

with it,
will and refill,
the cracked breaches,
by phonetic letters frenetic,
drinking, then purge-spilling,
a speckled spackling paste of comfort food words
given of and given by,
given back to,
the bay's tide
and beaches
and

you, crew,

let this soul captain briefly lead,
spilling too oft his new seed,
he,
selected but unelected by a
raucous silent voice-vote...
of an unknown,
impressed-into-service crew

some of you
impressed upon
the skin of this captain man's sou!,
a cherishment so complete,
yet has he to fully comprehend,
its miracality,
the golden epaulettes upon his shoulder,
worn ever proudly

the nearest ending,
one of many.
a course of waterfall and rapids survived,
yet invisible shoals fast approaching,
a single bell tolling, warning,
here was, here comes,
yet another,
close calling

sirens shriek
forewarning,
can't abide a moment longer thus,
desperate longing
for a refuge of language loved,
not lost in lands and a sea of
ranted bittersweet journaled cant
and hashtags of sad despair

can't lengthen this sway,
grant a governor's stay,
cannot

heaven schedules our lives,
completed a time out
in a day,
twenty four hours of fabulous, fabled
and of late,
a shopworn, forlorn existence,
three hundred and sixty five times,
circularized on these pages

now
no forevermore, no forestalling,
only the truth,
a grizzled, unprimped,
mirror'd recognition

flutes,
sad low whistle,
trumpets,
wild maimed moan,
violins,
jenny jilted wailing tears, groan,
and harps and guitars,
each pluck single notes plaintive,
long and slow their disappearing reverberation,
but end it must

none can deny or fail to ascertain,
port of our joint destination,
pinpointed on maps as
"the last curtain call,"
just over the nearby horizon line,
demarcating the finality
of the days of glorious,
and the quietude of
a storied ending

my crew, my crew,
forever besided,
forever insided,
bussed, bedded, and bathed,
with me,

wherever I write most,
wherever I write eyes moist,
my crew
of all captains,
whose fealty I adore
and to whom,
my loyalty unquestioned sworn,
upon righteous English oak
an oath unstained,
an American bible, an American chest,
blood sworn here forever to
my
brothers, sisters and children
many who by title me addressed
this man as,
grandfather,
yet friends
from foreign-no-more-lands

this is only a poem,
this is only the best I have

This to me given,
and now to you returned,
encrusted with trust

for
we together,
were
a new combination
all our own

my crew, my crew,
for you:
my seasonal Yule log-life burns
every day,
all years of my life shiny shiny
copper-burnished teapot whistling
you, your names
a tune of the past,
and the yet to come

I care,
burdened more
than than you ere known,
dare I bear
to bare-confess

for and by you was I,
my restlessness lessened
my unrest less,
so comforted by an out-louded,
deep-welcome-throated reception
let it end thus,
no whimpers or cries,
no misunderstanding

in a Wilderness of Words,
sought you out,
your name and lands,
yours, purposely hidden,
disguised and unknown,

while I placed before you,
my name
my birthplace,
the poetry of my truths,
the jagged laughing,
the cryptic crying,
at myself,
foibles, pimples and the
the insights inside,
mine own book of revelations
all clear in the
drippings of my clarifying
cloudy tears

stranger to friends to chance,
all by chance,
sharing nodules, capsules,
even tumors and ill humors

your affection and simple heroism,
left me both gasping,
and leaves me now,
grasping

your hearts sustain
and are sustainable,
in ways the word,
organic,
not even remotely
adequate, sufficient

in ways
that can be secreted here,
in sharing,
private messages,
snippet exchanges,
that are valored above the rubies of
public hearts that
claim attention
but are gold bonded hand cuffs,
nonetheless!

my left, what is left,
to your strong right,
by rings married we are,
you and I,
a secretion on our kissing lips,
a perfumed essence called
No.365
"secrets of us..."

Wit I were a man
who could advance
his essay further,
but this voyage,
closed and done,
but a steamer approaches
where they need a third mate,
no questions asked,
no names exchanged,
no counting the change in his heart and the,
holes in his heart pocket

asking not,
are you friend long term true,
or just a fly by night,
short-winded trend

so onto
ports that are nameless,
needy for discovery,
perhaps,
they will have a fruitfulness
unripened,
awaiting verbal germination
so yet again,
when he wipes away
with back of a hand,
his fresh fears,
moistening those dried,
those crack'd lips

underneath will be yet found
a perhaps,
a
fully formed, yet to be shared,
new poem,
that gives value
standing on its own,
and perhaps, rewarming, reawakening,
his gone cold and pale,
yet quivering moving,
his almost stilled silenced spring,
but not quite,
lips...


--------------------------------

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
                         Exult O shores, and ring O bells!
                            But I with mournful tread,
                               Walk the deck my Captain lies,
                                  Fallen cold and dead.


                    
Walt Whitman
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
And the words that are used
For to get the ship confused
Will not be understood as they’re spoken
For the chains of the sea
Will have busted in the night
And will be buried at the bottom of the ocean

A song will lift
As the mainsail shifts
And the boat drifts on to the shoreline
And the sun will respect
Every face on the deck
The hour that the ship comes in

Then the sands will roll
Out a carpet of gold
For your weary toes to be a-touchin’
And the ship’s wise men
Will remind you once again
That the whole wide world is watchin’

bob dylan

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

We'll meet beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

I know beyond a doubt
My heart will lead me there soon
We'll meet (I know we'll meet) beyond the shore
We'll kiss just as before
Happy we'll be beyond the sea
And never again I'll go sailing

No more sailing
So long sailing
Bye, bye sailing...

Jack Lawerence
looking for me in other names, other places
an explanation someday writ, not yet complete....but my poetry no longer gives
no satisfaction...
Hibernating in the summer, not merely resting my voice, but more than that, much more...will repost older stuff only...
take care of the newbies
~~~~~
Should old acquaintance be forgot,
and never brought to mind?
Should old acquaintance be forgot,
and old lang syne?

For auld lang syne, my dear,
for auld lang syne,
we'll take a cup of kindness yet,
for auld lang syne.
And surely you’ll buy your pint cup!
and surely I’ll buy mine!
And we'll take a cup o’ kindness yet,
for auld lang syne.

We two have run about the slopes,
and picked the daisies fine;
But we’ve wandered many a weary foot,
since auld lang syne.

We two have paddled in the stream,
from morning sun till dine†;
But seas between us broad have roared
since auld lang syne.

And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
for auld lang syne.
Nat Lipstadt Sep 2013
The Night King Ego died...

The time, the place, the setting:

T'is some hour for sleep, prescribed,
For me, the reality of sleep, proscribed.

The strains of Bach's
Orchestral Suite No. 3 in D Major
Haunt.
Richard II's words
Give pause, precision refinement of my cause courant.

“No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the ***** of the earth”


Two am in New York, sleep,
As advertised,
Literally, a passing acquaintance,
Doesn't make it to
The side of the bed occupied by
100% of me.
Seems he went
From chimney to chimney
This past Sunday morn.
Not having a chimney,
He flue right over me.

No matter.
Company aplenty,
Ego and moi,
We, had a long talkie.
A bit of a wrestle, a staring contest
In a mirror, we watched ourselves,
In the pitch black
where clarity is perfect,
For nothing else exists,
But ego and me,
To distract us.

“I'll read enough
When I do see the very book indeed
Where all my sins are writ, and that's myself.
Give me that glass and therein will I read.
No deeper wrinkles yet? Hath sorrow struck
So many blows upon this face of mine
And made no deeper wounds?
O flattering glass,
Like to my followers in prosperity
Thou dost beguile me!”


Called my lawyer just now,
ordered her to commence
the divorce papers, serve them ASAP,
I need to rid myself of
My oldest nemesis, my oldest friend,
Mine vanity, my ego.

Let me explain
myself to myself.
You may tag along for the ride.

Writing is more important
than any of the individual
Five senses
That feed this addiction.
Without sound, sight, touch, smell and taste,
I can live quite well,
Thankee.

But ****** boy mind needs to write
Simple survival.
No write, no life.

But ****** bad boy ego is a curse,
A contaminate of each and every
Line, stanza,word and verse.

"Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin”


At first, for an audience of three
I performed,
Me, myself and I.

But the suckiness creepeth in,
and etches my distorted face,
Salutations and gradations,
demanding confirmation
Of Shakespearen magnification.

Do you like me?
Do you love me?
****** all.

Curse ye King Ego and your vainglorious occupations,
Divorce me, from the sad isle of
Self
Self worth,
Pride, vanity insurance,
The most deadly of the seven
Deadly sins.

Ego desperate in kind responds:

"I live with bread like you, feel want,
Taste grief, need friends: subjected thus,
How can you say to me, I am a king?”


Slime and slippery, want is what you feel,
Taste grief, need friends,
Sly devil, you twist thy cunning tongue,
The reverse, your plain meaning!
You need nothing but subjects,
In earnest and forever praise,
Absent them, you mood and whine,
A pretender, a poseur, a drug addict cursed!

Let us purpose to dispose of thy spirit earthly,
Slow starvation too good for you,
Poison, arrows, the hilt of my blade,
The neck, thine bowel,
Let me embrace,
Prefer your steel hot or cold?

If we both must expire, then it be so, for
My honor taken, my life forsaken,
My poetry in disrepute,
Until that day when I write for me alone,
And ally my scripts, in coffin, with me interred.

"My dear, dear Lord,
The purest treasure mortal times afford
Is spotless reputation; that away
Men are but gilded loan or painted clay...
Mine honor is my life; both grow in one;
Take honor from me, and my life is done.
"
PostScript:
Number me thus, in the company of
The good but the forgot,
Still will be of cheer goodly,
For tho ***** could not be saved,
Not one good man found in the ****** lot,,
Except for one, the truest audience of one,
Thus I will be saved, thus, call me, Lot.

-----------------------
My battle to destroy my ego is minute to minute hand to hand combat.  That is me, and my truth.
---------------------------------------------------------------
Fully expect a few reads and even fewer "likes."
Which if the poem you comprehend, that would be,
Validation.
5.2k · Oct 2017
once upon a wrote
Nat Lipstadt Oct 2017
once upon a wrote


here and there, in fables and tales,
some in no guile and others
in chancier disguises,
some sine-known and some sign-unknown,
some dead in stillbirth,
some penned these words,
some a few decades old,
some of but a moment ago eyelash distant,
making me think that
someday I will scribe,
cobble some truths and
some falsehoods into one
leaping heaping melting scoop,
letting you decide,
which for better,
which for worse...


<•>

"No matter that plain words
are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say,
about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?"

<•>

the reason we say so oft,
in whispers emboldened,

I love you

to our children
is not the utility of
its summarizing brevity

no, no.
it is because
the eloquence of simplicity
supersedes any other poem
any of us could ever write...

<•>

is this craft that chose you,
not defined by machine millimeters,
precision absolute,
curvatures, so eye-pleasing,
they demonstrate no tolerance
for tolerance of the ordinary?

the skill of words, too, cut so fine,
find the  extraordinary within,
refine, refine, refine,
shave away the trite,
the reused,
discard the instant recognition,
unusable

<•>

There are natural toxins in us all,
if you wish to understand the
whys, the reasons,
of the nearness of taking/giving away
what soully belongs to you,
do your own sums,
admit your own truths,
query not the lives of others,
approach the mirror...

<•>

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drop in and upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

<•>

come, sit for awhile, in poet's nook,
soft pillows for our hard Adirondack chairs,
situe hard by the bay, if too hot, we'll slow
drift to the sun room of
lace curtains and suicide poems,
still we'll observe the water, the rabbits, the cacophony low,
listening to all the noisier, nosier
creatures asking themselves,
and the trees and leaves,
where did all those poets come from?

<•>

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity,
subsidiaries of centricity,
tributaries of complexity

<•>

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, welded and wedded,
neither snow or sun,
can ever extinguish


<•>

now I ken better distance 'tween
artist and art,
I, a workingman's
daily dallying in simplistic machine craft,
my works deservedly lost in
the water-falling
of the endless also rans

non-nebulous distances.between skies of
Oregon country blue and
the worldy worn asphalt grayed words of
a graying man aging,
then let clarity speak, in plainest harmony,
know my deference’s soars to the high above,
one of us at birth, god gifted,
was not I,
it ain't me babe, but
one of us, his tongue,
like Moses-stung
with a hot coal
of language's divinity


<•>
5.2k · Aug 2013
Unhook-a-Bra
Nat Lipstadt Aug 2013
http://m.wikihow.com/Unhook-a-Bra

Pinch the eyelets but oh so gently,
To properly unhook the device to safely release paradise
From it's containment chamber.
This be one of many secrets to unlocking
The mechanism that holds some of the happy things
The human body artist conceived
To perpetuate the
Species.

According to the internet,
To extract joy to the world correctly,
Depends upon both your station and your
Positioning.

Thus, it helps to have GPS,
Which most men think is that pointy thing
Between their legs,
But is not.

Given the laws of gravity,
And other natural limitations,
Sadly that utensil of little avail
In this surgical operation.

If one desires to release the tension
Between the connectors of the protectors,
Guardians of her heart,
It will be necessary to
Let your fingers do the walking.

So cut and paste the title above,
In your web browser place!
Do your homework or risk feeling
As petite as a schnauzer.

Seems your natural tendency,
Righty or lefty, matters in this endeavor,
Of which I was unawares, oft pressing the incorrect lever.
This, the likely cause of my spectacular
Teenage
Fumblings and failures.

Had I known that fact,
In the days before the Internet,
Surely I would have brought along my
Catchers mitt
To step up my game.

Sage advice the article provides:
Get a bra, and practice, practice, practice!
It gets easier with experience.


But methinks that is a bit of a
Risky adventure,
Lest you be seen boy,
Practicing upon yourself,
Or even a dummy,
Dummy!

So cut and paste the title above
In your web browser,
Do your home work or risk feeling
As petite as a pocket schnauzer.

But the most important tip
This wealthy article of information provides,
The conclusion.

In the hour of your desperate struggle,
Drooping
Ego
And
Crushed
Pride,
Ask for assistance from one more practiced,
Hopefully nearby,
Whose help usually comes with a charming smile
of touching condescension
For your male idiocy and verbal in-articulation.

She, unawares, that you have got her
Positioned precisely where you want!


For when you lift her up,
In a free state, the one Divinity intended,
and in your arms, enfolded and protected,
In one grand poetic gesture,
Sweep her off her feet,
Her surprise will be

..
O

So Touching!
No comment.   Nah changed my mind. If you ain't smilin or laughing by now, you need to practice
doing that as well!


Go to

**http://m.wikihow.com/Unhook-a-Bra**

Further research on the subject as suggested by a reader:
Names of Bras - see  http://shop.lululemon.com/products/clothes-accessories/women-sports-bras/Itty-Bracer?cc=4528&skuId;=3503835&catId;=uswwearit1

My fav is Ta Ta Tamer
5.2k · Aug 2013
Everyone a Sailor
Nat Lipstadt Aug 2013
Everyone a Sailor

Sept. 2010

Everyone a sailor,
everyone a waiter,
everyone a planner,
everyone an executive chef,
charting courses for grownuphood,
planning meals, banquets.

foolishness, selecting the ingredients for
an award winning recipe of life ,
marking stars,
sextant in hand,
make meetings,
scheduling a conference call,
practice risk taking,
serving, while multitasking

serendipity is mine to
make and behold

marry this one,
add a little cumin,
travel seven seas and
have seven sons,
the eighth I'll discover and
name it after me,
Son of Mine Own Stolen Days

Lighting or storm,
illness and thunder,
ne'er will be disturbances,
on my voyages

But we forget,
we err,
the danger of being becalmed is the one we ignore,
the slowest leakage,
drowned by seepage,
the small risk that transforms us from
sailors to one who
waits,
alone on a lost isle,
with nothing of substance on which to survive,
we slow starve to death on a
diet of our own
mixed metaphors

There was a time,
when I did not value time,
discarded days like seeds
random scattered in garden,
more curious than hopeful
what might appear, and uncaring if
they were all winded away

Who spent days like cash,
thinking I had plenty and
more to make,
gave away in haste
what had no redeemable value,
thinking time was refuse and waste

Becalmed,
what need for chances,
daily escapades,
gave twenty years of mine
away to the undeserving, punished by God, cancer stricken
*****, who made me so miserable for so long,
in one grand gesture,
signed it away,
and asked the devil
for nothing in return

Did not drink,
Did not take pills,
Did not smoke,
But life disdained,
I try to **** myself
By eating TV dinners
six times daily

Do not laugh,
it nearly worked
and my obit
would have been the lead
side splitting ar-tickle in the
New York Times
Science Section!

But here I am
a survivor,
and I have formed
an association of one;
The Society of Explorers, Planners and Plotters
And Those Who Serve By Waiting

We meet once every day
for the rest of my life,
call the meeting to order,
Consult Robert's Rules,
Quorum of one present?
No new business?
Meeting adjourned!

Meeting Summary:
You may plan with good
intent
You may buy or you may
rent
You may be bereft or
content
You may plan or just
wait
**but if you let a day pass
without recording one
poetical truth
in your own manner,
of your own choosing,
then you have failed
yourself,
do not wait,
set sail!
This is one of them...
FYI. I stumbled
On a bunch of poems 2~3 years old.   Very different style.   Hohoho Merry Chanukah to me,   Most very long, will fire at will;  long so not suitable for the 10W crowd....sigh. Oh yeah, one more thing, I wrote them on my cell phone, usually in the bathtub, yes, I went thru a lot of  corporate phones...
5.2k · Aug 2013
In My Salad Days
Nat Lipstadt Aug 2013
In My Salad Days



Salad Days

Wikipedia:
Modern use, especially in the United States, refers to a person's heyday when somebody was at the peak of his/her abilities, not necessarily in that person's youth.

                        ~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~

The Salad

Hints of tints of golden
pear skins,
combine with
ruby'd cranberries
each a face, the cheeks of alcoholic old men,
each wrinkle,
a life's recording.

All are mates for the
marcona almonds
nestling, playing hide n' go seeking
tween silk sheeted leaves of
butter lettuce.

All dressed to the nines,
underneath a top hatted, cravatted, Fred Astaire
marinade.

Coated, bathed, loved,
protected by a vinegar of balsams,
aged grape must, pressed,
a lovely, desirable color,
a brown and bronzed rust,
pressed, then left,
to easy rest for
oh so many years,
like I do, easy resting,
when  you feed me in
My Salad Days.

The Days

Though it was a life,  decades destructed
Millenniums of de minimus,
Forty plus Seders of exile, of hell,
Marked by promises, whispers, horseradish tears of
Next Year and Jerusalem,
Time steeped in a tradition of patient waiting.

Each year, recorded by a spot of red wine
Purposely Spilled,
By my father on unbleached Passover tablecloth,
To example, to symbolize that
Messiness in life,
Is O.K.

The Salad Days

Salad served with irony generous,
When beard greyed and scraggly,
White speckled, wisps of sea salt,
All my youthful greenery, long wilted.

Yet the words herein writ are my
Afikomen, my just dessert,
My victory song of Hallelujah
Just before we eat, celebrating
My Feast of Ascension, marking a
Delayed Arrival, yet right-on time of
My Salad Days.

It was only when
I was resurrected as two bodies,
A pair of cuffed links coupled,
In My Salad Days,
With the taste of freedom,
A first-born infant survivor,
Was I rebirthed, and to the fore, risen.
When words fell from smiling lips, and
Rain and tears flew upwards, and
Each and every breath was an
Amen.
5.2k · Apr 2019
My Prize for Waiting
Nat Lipstadt Apr 2019
My Prize for Waiting
~
tucked in all by myself,
resting dark and quiet
in the thin place^
where the distance between
this world and the next,
is no distance at all,
but  a few inches separating,
easily fordable, back and forth-able

my palms, hands down,
come to rest on my *******
and the two thumbs in unison,
begin to sweep the streaming space of their in-between,
conducting a radar sweep-search for the precise point
passageway to poetic mystical places,
hoping to snag any residuals for safekeeping

no hurry to either arrive or depart,
in patient attendance for
rhythms of woven word arrivistes,
coming in no particular order,
asking to be seized, greedy to be
nominated and recognized, immortalized,
as great poetry, prize worthy,
kept for all time inside others poetry chests

but in the thin place,
dream records are not kept,
hazy scraps at best retained,
a recipe for a witnessed totality,
is only a soupy reduction of a
few seconds of hazed video,
that can neither give nor get
no satisfaction

the plastic surgeons attempt to reconstruct
the body of the meal, the real deal,
alas, there are no prizes either
for botched surgeries and pretty but meaningless
poetry scraps

the only evidence of my travels,
a flushing, blushing residual flow,
slow to dissipate, a hangover makers mark
of a sojourn best described as unsatisfying,
my blush, a prize for waiting but failing,
“the most peculiar and most human of all expressions”^^

woe to me when returned in ignominy,
medaled in only base irony,
me and philosopher Pliny,^^^
both dying while recording our own private Vesuvius,
our bodies preserved by voluminous volcanic ash,
but alas, you cannot recite the ash of poetry

so one waits, cut and pasting brown edged
burnt photographs epistles,
that are clinging and clung to the distaff spindle,
insufficient to weave a flax complete

and yet we return perforce twenty four hours from now,
to snag another prized piece of meaningless,
my prize for waiting
in the solitude of the thin place


3:35am Saturday April 6th, 2019

~
last nights scrap

cease your whining,
seize your waiting,
therein is your own paid price
for the prize of inspiration


inspired by Jean Fisher,
a real prize winning poet
^”It turns out these destinations have a name: thin places. ... No, thin places are much deeper than that. They are locales where the distance between heaven and earth collapses and we're able to catch glimpses of the divine, or the transcendent or, as I like to think of it, the Infinite Whatever”. The New York Times

^^ Charles Darwin on blushing

^^^ “For my part I deem those blessed to whom, by favour of the gods, it has been granted either to do what is worth writing of, or to write what is worth reading; above measure blessed those on whom both gifts have been conferred. In the latter number will be my uncle, by virtue of his own and of your compositions.”   Pliny the Younger to his uncle, Pliny the Elder, who most likely died in the eruption of Mt. Vesuvius while trying to save a friend.
Nat Lipstadt Sep 13
and it emits a cry, of sudden surprise,
a howl for the hole in its roundtable tummy,
when it pleads for knowing, for it knows not of
knowledge, why this light comes, who bids it enter,
and why this entity they call mother,
has all the answers required,
and why the father,
moves so
stealthy
to hug
them
both
and
squeeze them together

7:33am
Sat Sep 11
2025

in the babies room,
in the keep
Nat Lipstadt Jul 2013
Wrote this eons ago, tonight, once more,
spend some human capital, editing...
Something to think about
as we tuck ourselves in.

the young'uns keep on asking me for tips,
secrets, to this art, magical poetry gig,
as if I had any left unrevealed.  

recalled this old'n,
from a vintage poetry year,
as a suggestion,
a stating-starting place,
for young poets:

do not self-chain,
let the words take you
where
they lead, write them up
for the rhyme is waiting,
in the heart chest deep down,
not on the screen.

I read you Goodnight Moon,
Falling asleep beside you.


<•>

People stop rhyming...

When first you overcome your fears,
And dare to put on paper your tears,
Give it up, set yourself free from the shackles,
Of thinking a rhyme is a necessity for a
Rooting tooting writing of a
**** good poem
or a barrel of
crackles

If you feel lost,
Want to share the cost,
Feel not bossed,
By a newbie's need
to believe that if it rhymes
Everyone will like your poem
Just fine

And if you get past this stage,
And advance to the next page,
Do not think that writing down a sentence of
Your mind's first up, innermost thoughts,
Is something that will make you
Less lost, heralded, worthy of a parade,
And be blessed with an A  
In your Teacher's pet grade book

My heart broke.
I feel bad.
I feel sad
Cause my man/woman left me
And I hope
Someone kicks his or her ***

That Ain't No Poem Neither...

And if you can't help but complain repeatedly
How life ***** and you're feeling blue
extremely indiscreetly,
Don't make me try on your scribblings
intimately indiscriminately,
Read a million, even wrote a few myself

You think you can write?

Then employ a word outside your comfort zone,
Go it alone,
Write just four sentences that will make
The hopeful reader stand up and you,
Twice as much, and shout

Hallelujah *******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it.
Let it come easy, then let it rest,.
Then spend days editing every comma,
And when you love it so much,
You are chest busting bursting,
Why have you not pressed Send already?

Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)

G' nite!
Why is that parents plant ideas in your brain as you're falling aslee..............

Just a suggestion....what do I know,
Nat Lipstadt Dec 2013
After reading about some tribal warfare in a far away land, I wrote this true story down. Now re-published every year on this day. Seems more appropriate than ever

one July 4th,
many years ago
walking the streets,
of the city of Nice,
situe on the Cote D'azur of France,
on the Mediterranean Sea,
where ships of navies
may safely park their sailors,
sending them ashore for R&R,^
they, leavened to disembark^^

how I came to be there is a
poem for another time

walking the streets,
palm tree resort,
along La Promenade Des Anglais,
coming at me,
Three Sailors,
unmistakably
American

one white,
one black,
one brown from California,
which I believe,
is still part of the USA

how we fell upon each other
in warm embrace,
smiling, bestowing
blessings of grace
not as strangers,
but as fellow signatories
on the Declaration of Independence

brothers,
long lost, reunited,
as if it had been many years,
since we last had our arms entwined,
one family from one far away united place

dialectical differences ignored,
even the wide-eyed 'Bama boy,
totally comprehensible, for on that say,
we spoke a language that
encompassed a single brotherhood,
a common histoire,
all on that
holy day

no tribes in America, no colors,
no religions,
only sisters and brothers-in-arms

I need not choose to believe,
for it is certainty guaranteed,
that should it happen again
twenty years hence,
perhaps with their great grandsons,
my embrace will,
exactly the same be,
for I know it true,
there are
no tribes
in an

American heart
^ Rest and recreation
^^disembarked to be leavened....either ok

written in 2013, but true story that occurred many years prior
how timely for this day and time
Nat Lipstadt Aug 12
<>
"for the vanity of man is as porous as dust...and, in their supreme wisdom, because of this failing, the Gods have decreed, that mankind deserveth no more, no less than his designated allotment of being.
And such it shall be."
writ by
The Marshal Gebbie
June 2023
<>
rise up, rise up,
son up, sun up!
see for yourself a newly birthing day,
the early rays licking the unlocking of a grinning earth's face,
humbling humans and their perpetuity e~mo/notions of eternity.
how are the daily~we, to measure ourselves, versus our ancestry,
by whom shall we~be set forth as examples to our posterity
what tools we fools think, we possess, an etch~a~sketch,
to imprint of who we are,
what we were, and
who we might become, and
be  beauty becoming,
marking our time with ensigns of
words of integers in some giant network
authored, offered, up unashamedly

and even though the sun
does not always greet & meet
the discombobulated human riffraff
every diurnal,
daily identical,
when it shines,
it shines for us all
in an equality of glorious,
it shines upon us all in equality,
it, great equalizer, who restores and
replenishes our colored planets blue green,
a methodology of air, soil and water interactively,
for we are all chemicals, forever effervescent rebirthing

and so it goes.
our cells, are a
rare earth depository,
we plant ourselves
eternally, fed by
foodstuffs of
our ancestors cells,
their brewed ***** dust,
and thus each of us singly
is thus remembered, reconstructed
as are we, both, individually and collectively,
from dust we are, to dust we return, this matériel future prepped


postscript

We Hebrews have a knowingly foolish,
a most beauteous custom, gifted to us by
our forefather Jacob, who when espying a
solitary grave by the road, a nameless marker of
piled-on stones, marking an unknown person last remains,
added one more, add-on to ensure this nameless one yet remembered,
so we too do not pass by without adding a stone, a tiny pebble,
we encumbered, to solidify, perpetuate, renew, ever sustaining,
cannot pass by without adding another rock,
another pebble, that time will surely shift,
but as long we follow this custom,
spiting time's erosive nature and until today,
yet the same, for at a cemetery, every grave,
all marker, ego big, humbled small, topped,
festooned, with small stones, we top them
signaling that this, very spot here, here!
for now, until for ever
shall never
be forgot

<.
and so this peculiar, deteriorating canister places
one more smoothed handy beach pebble, upon
this, his unmarked resting spot
nml
<>
Monday morning
7:10am
an august, August dream day
specified as the 11th day of this
eighth month in one particular
calendric methodology
and as the
17th of Av 5785
in his ancestral calendar
sJews place stones on grave markers as a long-standing tradition symbolizing remembrance and respect for the deceased. It's a way to show that the person hasn't been forgotten and that someone has visited their final resting place. Unlike flowers, which are temporary, stones are seen as enduring, representing the everlasting nature of memory
Historical Roots:
The practice may have roots in ancient times when graves were marked with piles of stones
Nat Lipstadt May 2013
My Solace

when every aperture is a tunnel narrowing,
a light pin diminishing when nearing,

when the desk drawer yields up unused theater tickets,
for performances concluded yesterday,

when the denouement is nothing new but worse,
revealed in the coming attractions trailer,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.
Nat Lipstadt Jul 2013
Seven New Poems For Seven Days #1: Shiva

Shiva means seven. For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night.
*
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~


I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.
https://en.wikipedia.org/wiki/Shiva_(Judaism)
^ Sitting Shiva:
The word Shiva comes from the Hebrew word shiv'ah, which literally means "seven". The tradition was developed in response to the story in Genesis 50:1-14 in which Joseph mourns the death of his father Jacob (Israel) for seven days.
When my mother passed away a week ago, her three children observed the custom of shiva at her apartment.  Numerous visitors came for days. People who knew her, family from both sides, people who knew us from the communities, schools, camps we lived in over the past 70 years! My father passed away forty years ago. Both of my parents were outgoing, considerate human beings, who  touched many lives in ways we often did not know about. Stories about both of them told, retold, retold again, driving me crazy, but as an expiation of sadness, the shiva process works...
4.9k · Jul 28
Pithy #7: lush
Nat Lipstadt Jul 28
lush.

one of those words,
whose sounds conjures
but does not onomatopoeia
like chirp or oink.

the irony is rich for me,
in the sunroom, with others,
no one speaking
and it is a harmonious sound,
the quietude,
indoors, outdoors,
is a good thick, rich and plush,
invisible & unbearable, but
like soft, spreadable butter,

…the quietude is the
hush and hug of lush…
Nat Lipstadt May 2018
~for Maya, the Persian Canadian farmer in the dell~

your poetic riddling questions without hesitation re
my claim conceptual
refuting with factoids actuarial experiential derived,
that cows need milkshake making daily by sunrise

nonsense
so you wake me up groggy on a Miami Saturday 6:00am
with a reciprocal poetic to a dashed off to contra my
code of conduct poem-mine;
and all that stumbles through my almost reset rested,
main stem cortex is an a ancient hebrew homily:

on Sabbath Saturday, even the cows sleep late

ok;
just tween us rare passes the day that a glancing phrase doesn’t register a stabbing whine “of me, of mine do sing” and your point counterpoint incision demands inspiration instant re-mission

around 10am when the amiable barn aminals sipping cuppa #3,
and the chicken children want a weekend brunch xtra feeding
are done, in the yard, put out to
pack n' peck n’ play

so that’s an intro to this work
that jumps the line of a
hundreds of other’s poems promised and overdue:

insight inside your crafted wake up slam slap was
pretty **** near the makers mark bourbon of this distillers
bourbon barrels bulbous poem’s bibliothèque that
has an  impatient waiting list
of poems waiting anointing

each a personage~poem of that day it was birthed inscribed

this particular one for you,

~
my complexity non-Napoleonic
just humanoid each, here are my leaders from and
into a veining so lovely colored

each poem a waving wheat stalk
before these old tired eyes close to closing hear once more

“of me, of mine do sing”

so I follow all of you by dimming yellow light,
for this is the soil of nutriment rich from where my
words grow taller and the yellow infusion feeds my wheats,
the amber, the red hard and soft, the whites, the durums,
and mon préféré, prairie spring white,
which is my secret nickname for a duality woman,
poet and farmer,
posing riddles
that deserve answers


maybe


—-
https://hellopoetry.com/poem/2503650/little-ole-me-a-riddle-of-sorts/
Nat Lipstadt Aug 2019
a love poem, of new & old,
why I am the summer-man!^

summer is winding down,
sky’s multi blues freezer safe stored in ziplock see thru bags,
marked and named by hue, the where and the when,
so when the eyes finally fail, when the squinting don’t help,
when the good things those good blues aroused,
poems, lush and morning thanks for being alive come-not-at-all,
quite the opposite, these cold blues
may help, to recall why it was worth breathing

summer is winding down,
so am I, the synchrony no accident, time,
the Pharmacy kitchen calendar
claiming another victim, willing or not,
those cars and the blue eyed models,
are now but blurred wishes and hopes, even these words, spoken,
not finger scribed, for the keyboard a
jumbled jungle of alpha-numerical
of confusion hellish and
my sons don’t come to clean up my pathetic messes, sending
their little children, beloved concubines of my heart

the daytime watcher, spanglish her native lingo,
tho single words she’s pretty good at too, but that don’t help much;
the grands, toddlers to pre-teens, the eldest a womanly eight,
tries but soon frustration bored, slips away quiet like
replacing her with her two year old sister, who knows her alphabet
which ain’t an exactly a help, but her five pencils stored^ nearby,
tagged with her name, awaiting her poems, her one true legacy

try to imagine her as a grandmother, farseeing the day when she
occupied this too too hard to-get-out-of-by-myself “easy” chair,
making rhymes with her next-next generational  descendants,
faint remembering the silliness sorcery that I secreted in her brain;

zingo, bingo, lingo
tango, ginkgo, jingo,
** ** oh no, oh no!

ashes, gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!

which she acts out with giggles galore,
adding a teacup embellishment,
a creme fraiche pearly teeth smile topping,
the day watcher agrees, verrry verrry funny,
but time to me *** and take a needed morning *****

no poppy! no poppy! no poppy!
no nap, no ***, no *****!
thinking the call out is for her,
stomping her feet in an alternating rhythm and rhymes

I, happy poppy, ecstatics drooling out,
foreseeing the rhyme is strong in her,
get wheeled away crinkled and crackling,

zingo, bingo, lingo
tango, ginkgo, jingo
** ** oh no, oh no!

ashes gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!



a new genre me of gibberish summertime love poems
Nat Lipstadt Nov 2013
5:00am and folding laundry

when the inspiration tank is yellow lit,
and E stands for more than empty,
but evacuation,
try this remedy,
a first generation family secret!

fold the laundry.
all kinds.
his n' hers,
blacks n' whites
really clean and

and the kind that never get clean,
no matter how much d e t e r-g e n t
you use, how oft you wash 'em...


Instructions:

1. fold only when wearing t- shirt, tank top, briefs (optional)
2. put on Pandora 60's rock n ' roll (folk rock - highly recommend Runaround Sue by Dion and the Belmonts, The Wedding Song, The House of the Rising Sun)
3. dance, shake, improve your moves when nobody's looking
3a. control yourself, if you must sing, at the top of your lungs is not acceptable.
If alone skip, skip to no. 5
4. every third piece give a sniff, get high on
fresh starts, clean notions, the idea that all can be washed away
4a. Every third piece of hers give an extra sniff,
so you can know why love keeps you alive
5. if you have to sing, then only loud is acceptable
(***** the others, you're doing the folding, they're sleep-dreaming)
6. drink lots of water
7. have pen + paper handy cause ain't no doubt
the poet puppet muse masters gonna smack you down
when folding sheets alone.
8. finish the write and post it ASAP
9. always leave the single socks on top of the dryer,
a prayer to the laundry gods for the
safe return of their better halves
10. finish
11. If done correctly, you need to shower (wash hair!)
12, around 6:00am, all scrubbed and clean,
fold yourself back into her arms. Snuggle, spoon.
13. when she mumbles you smell clean, you reply,
                                  "been folding laundry, writing poetry,
                                   and the clean smell done fell on me"
14. if alone, despair not, read this poem and know we are together
15. believe this day is full of possibilities,
write me a poem, put the load right on me

there are stains that cannot be removed,
deterred by this gent, and his a-gents,
they are history, treat'em with respect
and not more
deter-gent

every poem must end,
so when the folding is done,
whisper:

*the day ahead is full of possibilities
like the pleasured reinvigorating of my clothes,
once happy soiled, now happy cleansed,
so I possess an excuse, a reason,
a rationale for living
to fold laundry again!
I have no idea where these crazies come from.
"But it's sad and it's sweet
And I knew it complete
When I wore a younger man's clothes"
Maestro Bill Joel

For Harriet Tecumsah Watt

11/24/13
Nat Lipstadt Mar 2014
"sumulat ng mga "paano kung" sa buhay ng isang tao
may mga pag-ikot o pagbabago sa mga konklusyon
sansaglit nguni't mahaba nung nilikha
may mga tainga sa mundong ito, nag nagkukusang-loob
bukas and mga palad at bukas ang mga labi akong tatanggapin
nangingibabaw sa kanilang isipan ang pagbating ito:
"Maligayang pagdating, Makata,
Sabihin mo sa amin..."

welcome poet, tell us....

Translated-for me by Sally, who welcomes everyone...

Just an an excerpt from http://hellopoetry.com/poem/615068/where-has-writing-gotten-me/
"write of the ifs of a man's life,
and come aboutface to conclusions,
instant and long in the making,
there are willing ears on this globe,
welcoming me open armed, opened lipped,
knowing firstly this open-eyed greeting,
welcome poet, tell us."
Nat Lipstadt Sep 16
~commissioned accidentally by a melody,
a passing glance, a purring perchance,
an idle innocent comment,
to be born as the first poem of this day,
@7:00am
Tue Sep 18 2025,
writ in haste, before
departing over many islands to
another place called "home"~

---~<>~---

sometimes,
not so secret,
anon, ^
sometimes,
so much more,
than that but a glancing of favoring,
a handshake secreted, is actually felt,
actually secreted,
and rare though via~able,
it passes through a longing traveled voyage,
over wire, under sea's cabling, through space,
hoisted from & by satellite over continental divides
just a hop, skip and jumpstart
over this tiny planet,
and though, but, an amorphous 👍 thumb,
a colored 💙 or collared,  
or a pointing 🫵
body part
the like,
bears more than just a passing resemblance
to another


f o u r   l e t t er   w o r d

its often lost & found
dear cuz ^^
full of meanings hidden,
or even
anon,
"I'll be there shortly"^
                                                         magic!                                               ­         
                                                       ­                                                           nml
(1)
a 'follow up' poem to
https://hellopoetry.com/poem/1378516/imagine-likeswho-and-why/
scripted ten years earlier

^
anon
"Anon" has two primary meanings: it is an abbreviation for anonymous, referring to something or someone without a known name or author, and it is also an archaic adverb meaning soon or at another time. The context determines the meaning; for example, you might see "anon" as a tag for users on a dating app to indicate they prefer not to share personal details, or you might read it in an old text to mean "I'll be there shortly"

^^
cuz
Yes, "cuz" is a common, informal abbreviation for "cousin," though it can also mean "because". The usage of "cuz" for cousin dates back to the 16th century and is a recognized slang term, often used as a term of address for friends as well as actual relatives
Nat Lipstadt Sep 20
inspired by Ben Noah Suri
<>

come to us in twilight, and just before sunrise,

in the in~between times, when souls exit and enter.

through microscopic cosmic windows, and there

is nothing but you and the full emptiness of earth

and then!

fill our void with words as yet unborn,

and aid all our passages from nether to glory...

for you,

we, await...

for guidance inherited from

all your visions of greater-than-us metamorphosis

<
>
upon first awakening and reaffirmation of life,
reading the first poem of the day
6:59am
Sabbath
Sep 13
2025
writ originally for  Ben Noah Suri
upon reading
https://hellopoetry.com/poem/5157140/is-this-goodbye-i-know-not/
amended title9/20/25
Nat Lipstadt Sep 19
Airborne Muse #2: Once I wrote: (1)

if it cannot be said
in ten words, it cannot

(but now, older wiser, more intuitive)

I be~leave five is plentiful

and I'm still
                                        working on
                                                              ­                   the three of:

thee and me

&
and one day,
I"ll get to maybe, and
reveal a bare skin
of brotherly love,
and speak of the
trinity of two;
but I'm open to your suggestions,
                                                                ­             re that too:

note tho,
must be superior superlative than:
above beyond
                                              just merely

we two


11/26/24
12:27pm
last updated
7:07am
9/28/25
Nat Lipstadt Mar 2019
a quote of Bernard-Henri Lévy

~~~

the divers’ recovery, diverse,
shipwrecked salvage from different locations,
auctioned to the highest bidder,
tho the excised excerpts are exceptional,
none come to do the bidding,
for the provenance of words
belongs to all, and to none

~~
“so oft we trifle words,
expel them from the country of our body,
without passport and earnestness,
as if they were the cheapest of footnote filler,
day tourists, to be treated as leavings,
refuse for daily discardation,
barely noting their fast comings and faster disappearance,
but leaving not, a mark of distinction”

“the addicted pleasure words granted to we privileged few,
like every enslaved soul to the mind, which I am, I am,
evening dreams, midnight thinkings, sunrise seeings,
how can I infect and thus protect the young to the liberty
to love the crafted content of our human essence to better
comprehend that a moment caught on tape of our shared
words is a holiday, a celebration for the ages...and every molecule,
becomes a human tuning fork in concert, in pitch identical, in blood tainted with the simplicity of we are all the same, only words, this will transmit”

“murmur me, with soft downy charms,
these words discovered
recoursed and intended well to
pointedly offset and contradict
their very own tumultuous discovery uncovering,
tear tongue me
with calming, lapping word  wages,
hymns harmonious and fine homilies,
a call, a request,
a bequest
to sedate my shrill life

“some cells, microscopic, preserved digitally,
aged to imperfection, thrash my eyes,
making me speak in tongues I do not recognize,
but fluently possess, no wonder there,
the memory place fairly empty,
room aplenty for passerby's and the imagery
                                                         ­­ of the vaguest of dearly departed

skin is not the only mot shed,
                                                sloughing of woeful words

“speak them slow and distinct,
for they arrive slow to you,
a trickling of refugees for your sheltering,
harbor them as full companions,
protected by natural law,
provision them well,
prepared and ever ready for a quick departure,
moor these words at the embarcadero,
for the next restless leg of endlessness,
which they themselves will inform you
will last longer than eternity,
long after there are no humans to speak them”
excerpts from a few old poems, after reading an interview with Bernard-Henri Lévy
https://www.newyorker.com/news/q-and-a/bernard-henri-levy-on-the-rights-of-women-and-of-the-accused
March 27, 2019 4:48 am
Nat Lipstadt Nov 2013
Unreality: Thanksgiving Miami Style

It is 70 degrees, afternoon,
sunny Miami winter style.
Nike shorts, flip flops,
polo shirt white,
music, pandora, and
no place he
needs to be.

the collected works and
worries, left behind,
the boy, and he is taking
it to the limit,
wanting a day of no cares,
one more time.

yet, recollecting, writing
impertent, dissatisfied,
no reason, none that I can
irrationally explain.

previous night,
my eyes have
seen the
second-coming.

everybody smiles
happy, looking fit,
tight black dresses
the law of the land.
food flows like wine,
wine flows like water.

lose track of the numbers,
glasses of Cortese di Gavi,
cold and white refilled
in the Miami heat,
exactly, how old am I,
and where
my eyes should
not be staring,
bodies intended
to maim,
after they
**** you.

it is a long-short tale,
how it came to be,
that I am living thanksgiving
in the unreality of Miami style.

was supposed be at the
head of the table carving,
giving secret tastes to
numerous grandchildren,
multiple dogs,
defrosting after the
Macy's Day Parade.
my children, their
kith and kin.
that was supposed to be
my New York reality,
at the head of the table.

divorce, monkey wrench,
I am in a different state,
a different table, a
welcome bystander,
but her love,
my love,
has brought me,
to unseasonal places,
higher and higher,
where I am welcomed
as her man.

not a bad unreality,
but still someone has torn
off a piece of me,
a tasty combo of
sad and guilt,
that I ******* up,
which is why this
writing is my re-righting
the ship of perspective.

maybe I am dreaming
of what was never,
could have been,
should of been,
kidding myself, with an idyll,
the unreality of an idol,
though I vague recollect,
there were meals like that.

think this is my fourth trip here,
sort of, almost a tradition.
BobbyDylan, he reminds
what that woman,
done for me,
been doing to me.

"I was in another lifetime
one of toil and blood,
when blackness was a virtue
and the road was full of mud
I came in from the wilderness
a creature void of form.

"Come in" she said
"I'll give you shelter
from the storm".


so she did,
a new reality born.
so semi-sad poem, but
happy thanks to give,
for this day,
new family
embracing, and I am
recollecting,
read somewhere,
you cannot be thankful
for having,
only for giving.

Thanksgiving

Not
Thanks-having
Thanks-receiving

New Reality: Thanksgiving Miami Style.
4.7k · Sep 2013
10 Words
Nat Lipstadt Sep 2013
If it cannot in ten words be said,
It cannot.
4.7k · Jun 19
The Poem Writes Me
Nat Lipstadt Jun 19
a gift for Aladdin Aures H
from his 3rd follower...

<>><<>
the inescapable need,
unformed firmament
inquiring; am I capable?

the impulse palpable,
the urge to urgent,
to gorge and disgorge?

instead of morning prayers,
precomposed and ordered,
morning poem plucked from

morning fog, gusted breezes,
early-on, newborn sun rays,
progeny of disheveled skies

words fused, in irregular sizes,
senses censured by drowsy eyes,
but the chest beating arrhythmia

means bursts of free verses
superimposed on reluctant eyelids,
jigsaw puzzlement be re-conformed

and the first poem of the day,
emerges from the intersection
of mind, pale dreams, and the

first is special till the neu morrow,
when fresh bursts explode inward
to windward, and the first is just

yesterday's mesh of hash,
once formidable, now last,
pinned, yellowing, purely a
*descendant of the recent,
but always, ancient past
^
3:07pm
a bright sun grilled day, in a cold June
Juneteenth 3025

on the Isle of, in the piet's nook
4.7k · Jul 2013
I. Offshore Oil Exploration
Nat Lipstadt Jul 2013
Offshore Oil Exploration

Months of preparatory work,
Permits obtained.
Maps explored, sited,
Ground and beneath scanned,
Each contour drawn, plotted, named.

Equipment assemblage.
Platform designed and towed,
Pre-commencement government inspection
Constant.

We test. Slowly, the loose, easy dirt,
Gives in.  No rejoicing yet, premature.
The diverter in place, functions well.

The deeper the bit, the harder the resistance.

The camera's eyes monitor until
We reach depths too deep for their functioning.

The derrickhands order about the junior roustabouts,
Check the mud pumps, check the pH levels,
Do this, do that. The pecking order on board clear.

The kings of the rig, the drillers, in charge.

Then, disaster.

Oil spill.

Worse.



Not only smiling,
She has
Opened her eyes and
Ceased purring.

P.S. This would as is my custom be,
Re-entitled properly:
First Poem of the Day:** Offshore Oil Exploration
Wink.
Research and technical guidance obtained at:
http://www.shmoop.com/careers/oil-rig-worker/typical-day.html
4.6k · Jan 2014
Dearest Sally,
Nat Lipstadt Jan 2014
Let us not keep our secret,
secret any more!

Thousands have read your poem,
from your tributary, they have drunk.

So I am re posting once more
to remind grandmother,
so many
you,
adore.

I will not stop
till ten
thousand new admirers
have you paid homage.
then I will
              post it again.


~~~~~~
Oct 6, 2013
The Banyan Tree (A Tribute to Sally)
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Whose very names breathe poems,
In others too, like me and so many,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."
-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
4.6k · Sep 2013
Parenting (the baby monitor)
Nat Lipstadt Sep 2013
Parenting

organizing the day,
while the baby room adjacent
makes dreaming rock n' roll noises
siren calls to lay in bed,
semi-alert, on guard duty,
scheming about dis n' dat,
you are sleeping, dreaming,
wide awake seeing,
multitasking eyes closed simultaneously.

lesser of a poet, more a notate-er,
list keeper, note taker,
arguing with yourself inside the head,
actually feeling the thoughts
coursing, lurking, seeing both sides now,
parentally, washing the dishes
of the hours and years ahead.

while the woman-mother
makes her soprano dreaming noises,
you laugh at the orchestra of
*******, sighing somnolent noises,
a cadenza of love dancing in your
irresistible wide awake dreams.

paying the bills, lying in the dark,
you wonder-worry about the agenda
unknown that will overgrow you,
fast creeping up the grain of your skin,
ivy on stone skin walls.

lala lala
you borrow baby's lullaby,
yourself calming,
keeping time, silly rhyming,
organizing the days ahead
in you head, while,
recording the harmonies of sensory inputs.

the dark provides the cloak
where you alone
feel and hear the worry and laugh lines knitting
into a single stitch of parenting.


1/20/2013
Nat Lipstadt Apr 2016
~took a walk in the city today,
and this happened in the O'Henry traditional way~


the blind man crossing E. 15th,
does not look, nor does he care,
all foes on-coming,
come hither, he dares

his light is red,
yet his cane extended,
he click clacks steadily ahead,
unaware and unbeknownst,
his new step by step sidekick,
Sheriff Natty,
is writing an air poem to a
taxi driver with his
shotgun *******,
a NY gesture of
welcoming *******...

a green light means passage
is a taxi's right,
but my left shoe firm
attached to his bumper,
plus multiple looks mine,
any of which could ****,
his argumentation poses
do somewhat chill...

the sheriff of the city, his motto,
sic transit finger gloria

~

among the sadder sights
of city life
is contrast...

the dark-only coolness
of an Irish bar,
on a bright spring day
when life and love
is bud sprouting
while old white men,
on single soiled solitary stools,
their colored cheeks green
from the reflection of
TV emerald diamond fields,
sipping many pre-game $3
Guinness draughts

around the second inning,
they switch, onto
boilermakers to make
the languid afternoon stretch on,
this I know for sure,
for in the large gilded mirror
behind the bar,
see the barkeep's back asking me,
"what will it be for you
this fine spring day?"


~


next to the bar, in the corner market,
an old man's hands tremble in an old man's way,
in a way I only know thru his testimony,
as he does his daily self-feeding,
his wallet removed, fumbling for two
single soiled solitary one dollar bills.

the shopkeeper's fingers
beat the counter impatiently,
the old man's beer brown bagged,
transport ready, though the old one
rather be next door,
the extra Dollar saved causes
a last minute delay, shaky fingers,
asking for an extra purchase,
a small can of dog food please,
so he can watch the game at home
and share the same meal
with the man's real and best,
and only true spring weather friend

~

the mayor proclaimed as a matter of
public safety, public decorum,
a pack of three or more woman
wearing all black Lululemon athletic wear,
were now banned from being outside after nightfall

later this night, in Carl Schurz Park,
many vamp(ire) voices were heard
singing the lyrics to
"i want to do bad things to you,"
but they staked him only
to a free color reeducation

~

these takes I witnessed,
all or some,
these tales I took
some or all,
from beneath my skin,
where city streets grit
injected beneath my skin
came with the title,
City Boy,
and honored me
with its O'Henry life and lore,
and the vision to believe what is
in my bloodstream
just another true tale of life in Manhattan.com~
published her 4/14/14
4.6k · Aug 2018
3 X 5 index card poems
Nat Lipstadt Aug 2018
3 X 5 index card poems

3 smallish poems in five minutes
~
reheating

honey can I make you something to eat?

no babe, you know I hate to see you cooking, frying
standing over pots and stirring sauces
trying to brush
wisps of bangs from your eyes
  while wearing kitchen mitts


What I would prefer is something leftover,
reheated served with a smiling grin from my ear
to wayover down under there,
next to you

<•>
old words are better than than new ones

hey, hi! how you doing, old friend?

“yo, out of the hospital feeling so much better;
had some kind of ‘itis’ which they cured with an ‘yisis’!”

glad to hear; impressed by all those new big scientific words;
frankly preferred your old ones,  that were rediscovered and
reoriented in new ways in your poems verses;

me?
never better cause to hear from a man
whose optimism has yet to meet a
match
that he can’t best,


heals all our wounds

<|>

if you told me

that I could spend three successive rainy days in almost all silence, perfectly contented by myself,
i’d said you crazy,


isn’t that true babe?
4.6k · Aug 2013
The Continuum Prayer
Nat Lipstadt Aug 2013
August 21, 2010

Sometimes I take time out from reading yesterday's news,
playing video games,
deleting e-mails,
worrying about the future,
spilling my coffee,
cursing my no mechanical ability,
eating when no one's looking,
blessing n cursing,
willpower n technology,
simultaneously,

Sometimes, not often,
I make the bus,
hit no traffic,
never get sick,
depart on time,
stick to my diet,
make a decent rhyme,
stay awake at the theatre,
hit a golf ball consistent,
and more important,
do them all,
and live, straight n true.
But not often, not enough,
and this too,
Is Not Enough

This continuum is a seesaw,
lurching smoothly from one extreme to another,
But where's the progress,
the forward motion is absent,
the up down noises mask
the no development,
the forward notion
****** down into static abyss,
by emotional gravity,
the daily chores pockmarked
by occasional sugary smores
and nothing more,
Life just don't
satisfy
and the mind rebels and
calls for a constitutional congress, a new one, write just for me,
to ratify
so I can reconstitute
my dreams

When I wake up Monday next want my desk to be a guitar
and my job,
wandering troubadour

On Tuesday best,
will hijack an aeroplane,
drive the Feds crazy,
take everybody on board,
on vacation,
to Hawaii

Wednesday I will fall in love,
every hour on the hour,
become a vampire,
get me an entourage  
and
each episode will air on HBO
and I will dance with a star
on Hollywood Blvd.

Thursday I will rest,
in order to upset and fool
the juggernaut that will
ally against me,
to defend my threat
to law and order and
the sanctity of the Continuum

Friday I will celebrate,
placing swimming pools on Fifth and Sixth and Seventh Avenues,
even got one for the snobs on
Park AvenYoohoo

Saturday, I will hide in plain sight,
after offering ten million for my arrest and capture,
and/ or, your choice,
eternal rapture
(Hint; When In Times Square
Don' t tie your shoes)

Sunday, my name will be blessed in houses of worship globally,
cherished as an American Idol,
after I proclaim Freedom of Choice to pick any day, any time,
as your legal, personal,
private, unique, day of rest

By fiat I do declare, one a month be Travel Day,
each citizen and resident alien,
must google map
a desired location
and embarcadero ASAP, to someplace I ain't never been,
So we can be boon friends, and for evermore,
traveling companions

Recite this daily prayer,
Fear not to err,
If you omit one or two of its directives; just get off the continuum of daily ire;
Just one of the notions below will
Make every day a week end!

The daily prayer:

By decree of me each human be obligated to do one of
these daily!

Be forever young n humble;
Feel ancient and royal;
Ride tall in the saddle;
Do something nifty;
Take someone's hand unexpectedly.
Drive home in the slow lane;
Do the minimus;
Do the maximus;
Leave a book on a park bench;
Use pen n paper, write a letter;
Take a chance, make people laugh;
Barrel into contention;
Show mercy to the confused,
Show anger to the abusers.
Bless a child with both hands;
Grasp your soul, thrown it down,
And raise a child to the sky
Straight up,
A continuum, you and they,
A ladder to heaven
This is one...FYI. I stumbled
On a bunch of poems 2~3 years old.   Very different style.   Hohoho Merry Chanukah to me,   Most very long, will fire at will;  long so not suitable for the 10W crowd....sigh. Oh yeah, one more thing, I wrote them on my cell phone, usually in the bathtub, yes, I went thru a lot of  corporate phones...
Nat Lipstadt Oct 2013
~~
dedicated to Ashleigh Riddle,
who knows that forwards and backwards can both be the right way



<>
Homework assignments, please pass them in!

Mmmm ok who didn't submit?

Stand up please!

Ah Mr. LIPSTADT, I should have known!
No poem?

Oh yes sir, I have a poem, even three!

But the dog et them, so if you want, I'll
Recite them please?

{general laughing and snorting in the classroom}

Oh really, Mr. Lipstadt,
why don't you come up to the front
And share with us but one of,
(big sneer on teach's face)
Your creativity!

Shuffle up to Buffalo, where hysteria breaks out,
For now the world is informed that I am wearing
One black and one brown shoe,
The din is attracting the notice of the class
next door, room 402.

Order! Order! Settle down.

Ok let us hear what you dint write!
(Dint, oh boy)

The Poem (the one the dog et):

A special day this quiet Tuesday,
For when I awoke, looked outside,
I saw what I saw,  quickly realized,
That this was the day to
break the norms.

Why must I wear two shoes of similar hues?
My can't my hair be color enhanced by the pink of you!

You just noticed my shirt and pants are  on backwards?
Perception in the eye of the beholder,
Beholder that be me, because,
Today, behold!
It is break the norms day!

Moon in the sky morning,
It knows the way, its place
When gravity, cycles, temporarily shelved,
On the break the norms day

Kissed my mom before I left for school,
My dad, my brother, my sis, too whoo hoo,
** **, you shoulda seen their faces,
When I sauntered out the door,
Humming, C'mon baby light my fire

The crossing guard gave me my usual,
A whistling hello,
Today, I whistled back,
The whistle of
Hey babe, looking good,
She blushed so hard,
The drivers thot the light was
Stuck on red!

This is how I spent my morn,
On the day of breaking the norms!


But even on break the norm day,
Somethings are constant, forever,
For instance, the path to the
School office, La Principal, unchanging,
Her grimaced visor in place,
Till she closes the door.

Then she says tell me honey child,
One of my unusual ones,
What trespasses have you committed today?

Well, the dog et my poetry,
But knew it well and true,
Offered to recite, not a riot incite,
May I please say one for you?

She said:
I know for a fact that you don't have
A dog, but nonetheless,
Sing to me, child,
Give me words
That justify
Giving most of
My lifetime to
Children.

So I gave her a listening
Of one I writ the week before, called,
"He taught them well."

She wept.
Ok, teary-eyed glistening,
She said, as punishment for class disrupting,
You will be suspended for the rest of the day,
You will have spend the rest of this diurnal,
Sitting next to me, thus,
We will break one more norm, together....

---------------------
For Helen, "I have so many partial poems I'm thinking of just mashing them together and maybe the dog will eat them..."
In all poems, I swear there is always a kernel of
Truth.

HE TAUGHT THEM WELL
<>
He cared enough,
So much so to
reason with them.
Never diminishing their simplest prose,
Even if it rhymed with rose....

He loved them in his way,
A teacher, once his student,
This year, then forever.

Their woes he read,
In every submission,
No threat treated idly,
He knew but one grade,
Caring.

One rule strictly observed,
No touching,
In this sad age, a crime without
Any absolution.

Then came a day.
School arrived, pre-bell by ten minuets,
His customary arrival time.

This day different.

The long corridor to the classroom entree,
Lined like Noah's ark, two by two,
On each side,
His students past and present aligned,
They would not let him pass,
Till he hugged each and everyone.

Thus, they taught him well the meaning of
Just rewards,
For they were his,
Yes, they were his,
Not for the taking,
But for the giving.

His subject,
of course,

Creative writing!
4.5k · Mar 2016
my Mumbai woman (2016)
Nat Lipstadt Mar 2016
my Mumbai woman

~~~

to my Indian poets & friends
all be advised,

my piety, my muse,
has decamped me for weeks on end
to your
yon far and fair lands

the red dot beside her
electronic signature
a sign of her absence,
seemingly to have been
magically transferred
to her forehead

so perhaps my love poetry
will become absent, reticent,
quiescent

or perhaps

it will build brighter, effervescing
in my very own Taj Mahal,
an edifice built by great love past
and yet ever still present,
for I testify,
I have many times it,
seen imbued,
lovingly observed
between a certain
men and women here writ large,
who there permanent reside,
and in my heart as well

spend a minute many,
all my fingers and
toes employed
how many, so many,
Indian fellow travelers
on poetry lanes and yellow dust encrusted roads,
in cities unpronounceable
that this illiterate literary fool
has come to know and multi-arm entwine

to you,

I commend and command to you
her safety,
asking immodestly for
an imposition, an interference

pray to the local gods,
your heads of state and highest nature's,
that they be her
beside,
her unobserved
safe-keepers,
as she treks your country's
Northern pastures

let her skin glow from
your brighter rays,
eyes even wider~wiser opened
by the newness of your antiquity,
your glorious,
poetic place
in our world
of words
Nat Lipstadt Jun 2023
(and I cannot live
from with-out)

<>
a poem in appreciation to Rossella Di Paolo

<>

I, too:
          - am an embryonic work in progress,
well into my seventh decade, with no ending in sight


                                I too,    
live in the house of poetry, the address likely differs,
but suspect the innards of the houses differs little,
the decor,  quite similar

         - my house shrewdly requests a rethinking,
                                    noting, it lives my artifice,

with in & with out

Then, we are a We:
                                  
          - my cavities house her, She, Poetry is of Ruth (1) born,

          - Poetry, She, reminds me, ”whither thou goest, I will go”


This duality:
          - where the haunting of words providential,
             emanate, both inhabiting & inhibits my breathing
              She, a fearsome creature, a fearful-something,
for it tears me and shreds tears its demands be wrung
from with in to with out

She, Poetry:
          - leaves me gaping, hollow, fills me with
            depressurizing boreholes exposed to the elements  of
            externalities of an admixed atmospheres, that nature demands             be refilled, fresh in, stale out,
for which the artifice trick is knowing which is which

when Poetry’s  birthing:
          - chest pounds, heart-rate beats heavy metal,
            abdomen contracts, there then, no languid in my language,
            no help untangling the alpha-bet jumbling,
            product of the screams of pushing,
squeezing it forth

you’re hoping to quick-catch newly formed combinations,
for if you fail, a poem
noisily crashes to and through the floorboard cracks,
where poetry’s chaotic glinting etes
maliciously glimmer~winks at me
with a sarcastic thank you

“ah, too bad, another creation stillborn,
gone to rest, biting the nether dust,
without hope of resuscitation…”*

just another unfinished work in progress

periodically
a survivor clean caught, transcribed, edited to be finished,
amniotic fluids cleared,
poem resurrected
blessed with eternal life,
readied to be shared and delivered,
affirmed

and you say to no one and to everyone:

this poem will be our poem,
wither it goes, ascending, descending,
all live in the house of poets,
one house,
many apartments,
each poem a god,
and
my God will be our God,
your God, my God,
in the House of Poetry
https://hellopoetry.com/poem/4717212/leave-if-you-can-ii-by-rossella-di-paolo/

(1) And Ruth said: “Entreat me not to leave thee, or to return from following after thee; for whither thou goest, I will go, and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my God.

——
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
Nat Lipstadt Sep 13
to more than I can be...

a sad isolated man,
throes of an agonizing,
stretched by her for painful
revengeful gain,
kissed with pointless avarice, divorce.
children deeming
him alienating, his faulty
insensitive sensitivities,
to easy blame

little do they know of the
piercing lowliness, the looniness of
nights he listened to sad-eyed singers,
and his late-of-mid of night scribbled scripts,
where he
off loaded the agonies of a midlife
disaster, not entirely of his-own
sown making,
but still his to bear and bare alone...

some accidents happens for unintentional,
unintended intentional new seasons appear,
stumbled, tumbled, fumbled his way onto
this H~oly P~lace, where someone might listen
to his explanations, expiations, excoriations
of his all too common tragedy, and said:

this broken human, he's got his reasons,
read his overly long treatises, his entreaties,
to those that prowl, rowing, in this corner
of the silence of the internet, where only the
trolls, the cold, the easier to-be-meaner oft thrive,
and found none of that, but an oasis of sheltering,
embracing comforting, those who actually admitted
his writings could be loved, and perhaps the writer
himself, was
deserving
of a second chance, a verbal embrace. a rereading forgiveness,
a pat
on his natback, a sympathetic sensory intaking,
and perhaps-this debt, eternal, that put the
for and the fore in a new baby born, named -
new forever
came into existence
the very same
e
that begins those conjoined words
e~ternally grateful

"
and now  I sleep in peace when the day is done"


but the night time
is still the
write time
4.5k · Nov 2014
On Being Four Years Old
Nat Lipstadt Nov 2014
the child of the child of my woman,
cries in the night,
rooming next door,
down the hall
and
he is
all children that cry in the night,
but he is
more mine
by right of quantity

numerous are the kisses lavished,
this biannual visit upon,
his four year old
oversized head,
(so full of 'bains')
his undersized,
protuberanced belly body,
a combo making him
no longer baby,
nor a grownup,
both states,
he denies accurately,
maturely in a wobbly voice
of utter certainty,
but lacking the adjectives
of what lies between,
he debates his state thoughtfully,
until distracted by other
more pressing matters of state

he is boy, little but vociferous,
quiet, pensive, his head a weapon
of...confusion and certainty that
being four years old,
he must perforce be
permanently
in skeptical awe of the world

this is the best position ever,
he has ascertained,
to filter and behold anything,
whatever newness arrives,
which is constant,
streaming and unending
until new is
fully digested, analyzed, and classified,
as if he were
a zoologist in
a wild and untamed land

only certain of what he knows
with perfect certainty,
he consults with me still,
"you kidding?"

such a sophisticated analytic interrogatory,
wise in the ways of grownups,
who, prone to deceive gleefully
his very
suspecting mind,
so much so,
they must be challenged and
rebuffed all too frequently

he cries in the night,
normal tears of discomfort,
physical or mental,
I cannot tell,
for his father
his parental hearing
more practiced, refined,
has preceded me,
such,
as it should be,
and I am dispatched back
to my 3:00am bed,
left only to ink
contemplative ruminations
on the state and nation
of being four...
and sixty,
and still uncertain, even more
than the little boy
of wizened age of annualized four,
the child of the child of my woman,
on
what is real, what is kidding,
in a quest unending
to better ascertain,
the state of my own being

and the transitory nature of
everything

all of what is thought certain,
falls aside,
under the withering,
unwavering,
critique of
"you kidding?"
and in this we are
more kin
than if our blood was
physically shared
Nat Lipstadt
     Oct 14, 2013      

"You kidding?"

Lived a long time coming,
Picked up yesterday my three year old boy,
Third of a third of a third of a third
of a notional half of me,
Who I only see once or twice a year,
And we fall in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion.

Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to mine, on Long Island
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clears spoke sabered wisdom,
But in the juvenile voice soft sleepy, of a babe of three,

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When wisdom and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.

Columbus Day
Oct. 14th 1492
When I "discovered" the Americas.
You kidding?
Maybe.
Nat Lipstadt Apr 2014
Thus spake and quested
another, younger poet to me,
a far better one than I,
but obligations thus provided,
are serious business,
to those who understand
poetic responsibilities, and
under his own Rules of Order,
an answer,
though long in coming, AR,
must be provided.*

Well well well
all is not well,
the faucets offers choices....
chrome hot
chrome cold

there is no such thing as
lukewarm truth in
clear waters that
run run,
yet never
run stilled,
birthed at turned-on conception,
to drain death removal,
another daily poetic miracle,
unappreciated by most,
overly consumed by their
own passage on this Earth

peddler wayfarer,
passing through with truth
poem pots and rattling pans
(nowadays, mostly panned),
a historic factoid,
and not what Amazon delivers...
truth is a genetically modified
bitcoin currency, misunderstood,
prone to sometimes useful,
but never ever, to stick or stain,
for I got excuses and who gives a ****,
yesterday is forgotten instantly

The coldest truths,
the confirmation of same
by mirrored image text sent,
(immediacy a necessity,
for though poor, it is 'real')
the twitter that methodically
A-lists your major crimes
B-lists your petty,
hope-you-didn't miss my
exposé of latest misdemeanors

the hot truths,
only whispered,
merely mint hinted
in a hot cuppa,
the heat itself
a cover up,
for what you do not
wish me to plainly speak
or plainly sell,
is accursed truths,
won't sell, even if free

Can't write about moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies

The way I write is
just the way I think, believe,
from my eyes to paper
there is no misdirection,
just silent labor conception

Poor poor real truth
is out of favor these days,
because there is nothing
no one won't cease or hesitate
to expose himself,
flaunt the anguish,
copy other's jive,
but that is real,
but it is not truth

Had a bad day,
You need to know about it
Right away!

Though I meander and excuse,
there is one state of truth,
I need yet to annotate

Too oft when tapped turned on,
it is rusty water and rusted truths
expelled and this, my stuff, my days,
not in vogue, or a top seller

I love the color rust,
overused in my poems,
but compulsion is not a
conditional, but a must

This then is the form
they spill in these,
my final days here

You might think that rust implies
lack of use,
a non-caring
for his voice,
his well practiced instrument

Au contrarie, amigo!

My rust is from overuse,
my eyes don't see
what the popular want nor
could I provide it
even if
it was demanded,
which it is not....

Rusted but unvarnished,
undisguised by fancy words
or silent cries, what you read
is what you get
until I find
a more "authentic" voice,
one that satisfies the world
not just me...he sneers....

Feel for me in the summer breeze,
from whence my best stuff
has always been plucked
sent on its way, to you,
in self-same wind,
to kiss your cheeks,
slap you alert

I used to write
on both feet
upstanding,
then Hillel was asked for
the whole truth
while standing
on just one leg

His reply:
"Love they neighbor as you love thyself"*

So I switched
and now compose,
in quiet ignorance,
a wrong footed poet,
left only with his what's left,
and to put his left foot truths
first, forward and foremost,
is what he got, and
what I got, you'll get....

But a cautionary note,
drinking riposte rustys,
bad for the body,
but kindly
for your mental
wealth,
if your have the
only other element
most needed,
in your pocket posses,

courage
Rambling, unedited, and yet fresh so off to the presses..and at 4:21am,
I frankly, Scarlet, don't give a **** anymore...
Nat Lipstadt Dec 2015
~~~
Disappearing Ink Thoughts:

"Nothing that involves the love of an honorable man"

~~~

One checks in
with the periodicity of
semi-regularity,
a
how ya doing?
sent off by mounted Messenger
to:

good friends,
fellow poets,
former lovers

yes,
it can be
either,
both,
and
even
one and the same...

her reply arrives -

"I am fabulous"

you twinge
with curiosity and whimsical,
mortal fantastical,
creaking regret

for it's from the one
you didn't keep closer
but
so easy was it,
it well might have been a

been

disappearing ink thoughts
start to pen themselves,
on both sides now
of your
two-sided containment chambers
of the heart

does it mean
she's found
another lover?

so you
dancingly
not-so-innocently,
add-on a moonshot probe,
a reply comes...

"nothing
that involves the love of
an honorable man"


are you so obvious,
you groan, forehead smack,
is everything that lies
between your simplistic but
not-so-cunning lines
so easy apparent,
in this game of
liar's poker?

disappearing ink thoughts
start to pen themselves
on both sides now of your
two-sided containment chambers
of the heart


a mixed bag evoking,
a whizzing admixture of
guilty and sad,
fond memories,
sutured together
by alternating slews of
"what ifs" and "what is"

maddening, your mad imbalances

the heart is divided-
left and right

what you have
left
behind,
the seen and the unknown

what you have checked off as
rightly acts of both
rare and well done,
simultaneously

and

you separate the darks
from the lights,
as you subdivide
this conflicted
second-place-derived
"honorable mention,'
the complimentary multiplicity,
of a most pleasant
yet withering assassination,
winning by losing,
by being called

an honorable man

something makes one uncomfortable,
as you write/lay this
epistle *** elegy down
when you are up,
beside your truly
"love the one you're with"

leaving one unsure of where to place
this particular, peculiar,
inscription

are you left or right
sided here?

hard pressed
to uncover honor here,
as shameful, don't-go-there's,
reddens the face
in a darkened
bedroom

but
there is some
softener within
all this disappearing ink

recalling that you knew yourself
well enough,
to give up,
when to walk away
so rightly so,
when you heart knew
what wasn't left,
wasn't just quite
meant
to be
ship-righted

meaning
fair superseeded implanted desire,
and you
left-leaving, left-leaning,
on
the right stuff

here you sign off,
almost forgiving certain sins
so flawed for being so
human,
such as contemplating,
the wonder of wonderment,
the fragility of frailty,
the knowing of never
perfectly knowing



~~~

Dec. 31, 2015
7:59 am
Flight  #1011
Seat 16C
Somewhere over the
human landscape
4.4k · Dec 2013
Ben-Oni, Son of Sorrow
Nat Lipstadt Dec 2013
"Ben-Oni" is a Hebrew term meaning "son (Ben) of sorrow (oni)," and the name of an 1825 manuscript describing a chess opening.

"Whenever I felt in a sorrowful mood and wanted to take refuge from melancholy, I sat over a chessboard, for one or two hours according to circumstances. Thus this book came into being, and its name, Ben-Oni, 'Son of Sadness,' should indicate its origin." - Aaron Reinganum.  

From  the Old Testament,
Genesis 35:18;

“Her dying lips calls
her newborn son Ben-Oni,
the son of my sorrow.
But Jacob, because he would not
renew the sorrowful remembrance of his
mother's death every time
he called his son by name,
changed his name,
and called him Benjamin,
the son of my right hand."
~~~~~~~~~~~~~~~~~~~

Ben-Oni, Son of Sorrow

Love,
you can fall in
and out of.

Happy,
comes and goes,
in waves,
cycles of differing amplitudes.

Its schedule of
arrivals and departures,
most erratic.

It is always
a two sided affair,
don't blame this messenger,
it's the way of the world
that it comes,
then it goes

Tho certain sorrows,
special, may
wax and wane,
they, a once, then a forever guest,
a full time resident,
taste, once acquired,
cannot be erased.

Part of your museum's
permanent collection,
an addiction affliction
that can't be undone,
be beat back,
ain't no emotional methadone,
to inhibit its delicious lows

Like a passerby,
a mound of stones espied,^
a grave marker au naturel,
compelled and compulsed,
duty bound to add a stone
to keep the pile intact and sound,
another 'sorrow' poem to add
to the internet's dustbin.

Sorrow,
a rich, old moneyed patron,
with a wealth of ancient lineage
orders and commands
yet another a poem
to celebrate its entrenchment
in our constitution personal

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.  

If you spoke Hebrew,
understood you would
the quality of the sound of
Oni.

It is a soundless sigh,
a virulent scream, part wail,
part exclamation, part groan,
say it slow - oh nee.

You alone,
a father,
can own,
the sorrow of a son,
who denies you.

It cannot be denied,
expiated, signed away,
a syllable of grief
that says mine, all mine.

Watching the sun push away
the backdrop,
the stage curtain of the randomized
but they a-keep-on-coming,
summer thunderstorms
that have scattered
all living creatures
to the comforts,
the shelter
of loved ones,
but yours, present, or not,
return your message
either marked "well received'
or sadly, postmarked
"addressee unknown, get lost."

Curse me to stop,
and I can't,
already accursed,
add your curse to my collection,
makes no difference to my pile,
of sorrowfully fresh recollections

We slept together,
so many good night moon
stories read,
pillows shared,
side by side,
a stock exchange of
kisses and hugs,
trades that can't be cancelled,
having been entered officially
on the books and records of
our-sorrowful hearts.

Lesser men
cry to themselves,
their loneliness, their tragedy
a soliloquy, revealed in a
one man show,
Off Brodway,
before an audience of none.  

Not me kid, my oni,
is a public theater
of a visible shriek  
in every breathe,
but the Supreme Court
gone and ruled against me,
and now there is no possibility
of injunctive relief.

Will travel to faraway lands,
asking different courts
for a hearing, knowing full well,
that I will be plea-denied,
having no standing,
for here,
there and everywhere
I lack proofs
and my son-accuser
wears masks and presents
no charges,
and even if he did,
I would gladly confess,
if he but presented them
face to face.  

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.

Come let us exchange
new names, new poems,
for we, though both poets,
do not read each other's
Works.


It is time.
I have a first born son who I rarely see and only, very, very occasionally hear from, and then it is by email or text.  I do not judge for he is the product of my *****, and who cannot wonder if...

^a Jewish custom is to place a small stone on the tombstone you are visiting at a cemetery. The custom, ancient, is derived from when a mound of stones would be a marker of a burial.  It became customary for a passerby to add a stone to the mound to perpetuate its existence.
Nat Lipstadt Jul 2013
A true story of a chance gathering of strangers in the back room of a Gelato Parlor *** restaurant, two years ago, in a little village near the bay, on a land surrounded by vineyards. Come visit.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~~~~~~~~~~~

Gelato Nation

There is a place,
location secret,
mine to keep,
mine with which
you to tease,
make you envious,
a back room 'office'
jealous guarded
by a barkeep,
whose chosen invites sweeps
you into a reality that is
what you will it to be.

But nota bene, note well,
remembrances of things swell
from your past be the
only tongue spoken here.  

Code word entry only,
a shared whisper.
Perhaps One Woman,
may reveal its pleasures,
if she so chooses,
which are:

gelato laughs, poetry snaps,
Beatle songs sung ensemble,
by rag tag strangers
self-collected accidentally,
sung de rigeur off key
by voices lubricated by
cognac, laughter, and
the coldest of white wines,
issue of the very soil
upon which we sit.  

Words to value properly,
not in my possess to capture
the few moments in time when;

Strangers transform themselves
into a triple A nation united,
that will never be
S&P; downgraded.

A holy alliance
celebrating July 4th
all night long,
all participants
signatory witnesses to
its gelato conception,
as well as pallbearers
to its last drink dissolution,
the fullness of its lifetime
a vintage of a few hours extant,
a vintage, once drunk, is
a history, forever gone.

Mixologists please record:

One playwright, a psychologist, bond trader and a social scientist
with a dash of museum director,
and do not forget the
Hundred Year Old Woman,
whose Dowager Princess Daughter
(she, a mere eighty)'
from Central Park West
clarifies all of life dilemmas with
the singular analytical tool of:

But is it good for the Jews?

But t'is the barkeep
who is the leavening
in this evenings human
pastry-petrie dish.


He makes the pastiche,        
the ions of personalities,
coalesce best,
guitar strummer,
singer of songs that were our
multiple national anthems
when we were pseudo-rebels
starting out on our
long and winding roads.  

Long the King of the Keep!
Long live the memory of our
Gelato Nation,
may it stay sweet in
our antique collection of
the best moments of
our intersecting lives.

July 2011
You couldn't make this stuff up...it was an Amerian moment....Frank the owner instigator passed away in 2019.  we  take the grandkids to his gelato place very time they visit
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