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5.1k · Aug 2013
In My Salad Days
Nat Lipstadt Aug 2013
In My Salad Days



Salad Days

Wikipedia:
Modern use, especially in the United States, refers to a person's heyday when somebody was at the peak of his/her abilities, not necessarily in that person's youth.

                        ~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~

The Salad

Hints of tints of golden
pear skins,
combine with
ruby'd cranberries
each a face, the cheeks of alcoholic old men,
each wrinkle,
a life's recording.

All are mates for the
marcona almonds
nestling, playing hide n' go seeking
tween silk sheeted leaves of
butter lettuce.

All dressed to the nines,
underneath a top hatted, cravatted, Fred Astaire
marinade.

Coated, bathed, loved,
protected by a vinegar of balsams,
aged grape must, pressed,
a lovely, desirable color,
a brown and bronzed rust,
pressed, then left,
to easy rest for
oh so many years,
like I do, easy resting,
when  you feed me in
My Salad Days.

The Days

Though it was a life,  decades destructed
Millenniums of de minimus,
Forty plus Seders of exile, of hell,
Marked by promises, whispers, horseradish tears of
Next Year and Jerusalem,
Time steeped in a tradition of patient waiting.

Each year, recorded by a spot of red wine
Purposely Spilled,
By my father on unbleached Passover tablecloth,
To example, to symbolize that
Messiness in life,
Is O.K.

The Salad Days

Salad served with irony generous,
When beard greyed and scraggly,
White speckled, wisps of sea salt,
All my youthful greenery, long wilted.

Yet the words herein writ are my
Afikomen, my just dessert,
My victory song of Hallelujah
Just before we eat, celebrating
My Feast of Ascension, marking a
Delayed Arrival, yet right-on time of
My Salad Days.

It was only when
I was resurrected as two bodies,
A pair of cuffed links coupled,
In My Salad Days,
With the taste of freedom,
A first-born infant survivor,
Was I rebirthed, and to the fore, risen.
When words fell from smiling lips, and
Rain and tears flew upwards, and
Each and every breath was an
Amen.
5.1k · Apr 2019
My Prize for Waiting
Nat Lipstadt Apr 2019
My Prize for Waiting
~
tucked in all by myself,
resting dark and quiet
in the thin place^
where the distance between
this world and the next,
is no distance at all,
but  a few inches separating,
easily fordable, back and forth-able

my palms, hands down,
come to rest on my *******
and the two thumbs in unison,
begin to sweep the streaming space of their in-between,
conducting a radar sweep-search for the precise point
passageway to poetic mystical places,
hoping to snag any residuals for safekeeping

no hurry to either arrive or depart,
in patient attendance for
rhythms of woven word arrivistes,
coming in no particular order,
asking to be seized, greedy to be
nominated and recognized, immortalized,
as great poetry, prize worthy,
kept for all time inside others poetry chests

but in the thin place,
dream records are not kept,
hazy scraps at best retained,
a recipe for a witnessed totality,
is only a soupy reduction of a
few seconds of hazed video,
that can neither give nor get
no satisfaction

the plastic surgeons attempt to reconstruct
the body of the meal, the real deal,
alas, there are no prizes either
for botched surgeries and pretty but meaningless
poetry scraps

the only evidence of my travels,
a flushing, blushing residual flow,
slow to dissipate, a hangover makers mark
of a sojourn best described as unsatisfying,
my blush, a prize for waiting but failing,
“the most peculiar and most human of all expressions”^^

woe to me when returned in ignominy,
medaled in only base irony,
me and philosopher Pliny,^^^
both dying while recording our own private Vesuvius,
our bodies preserved by voluminous volcanic ash,
but alas, you cannot recite the ash of poetry

so one waits, cut and pasting brown edged
burnt photographs epistles,
that are clinging and clung to the distaff spindle,
insufficient to weave a flax complete

and yet we return perforce twenty four hours from now,
to snag another prized piece of meaningless,
my prize for waiting
in the solitude of the thin place


3:35am Saturday April 6th, 2019

~
last nights scrap

cease your whining,
seize your waiting,
therein is your own paid price
for the prize of inspiration


inspired by Jean Fisher,
a real prize winning poet
^”It turns out these destinations have a name: thin places. ... No, thin places are much deeper than that. They are locales where the distance between heaven and earth collapses and we're able to catch glimpses of the divine, or the transcendent or, as I like to think of it, the Infinite Whatever”. The New York Times

^^ Charles Darwin on blushing

^^^ “For my part I deem those blessed to whom, by favour of the gods, it has been granted either to do what is worth writing of, or to write what is worth reading; above measure blessed those on whom both gifts have been conferred. In the latter number will be my uncle, by virtue of his own and of your compositions.”   Pliny the Younger to his uncle, Pliny the Elder, who most likely died in the eruption of Mt. Vesuvius while trying to save a friend.
Nat Lipstadt Jul 2013
Wrote this eons ago, tonight, once more,
spend some human capital, editing...
Something to think about
as we tuck ourselves in.

the young'uns keep on asking me for tips,
secrets, to this art, magical poetry gig,
as if I had any left unrevealed.  

recalled this old'n,
from a vintage poetry year,
as a suggestion,
a stating-starting place,
for young poets:

do not self-chain,
let the words take you
where
they lead, write them up
for the rhyme is waiting,
in the heart chest deep down,
not on the screen.

I read you Goodnight Moon,
Falling asleep beside you.


<•>

People stop rhyming...

When first you overcome your fears,
And dare to put on paper your tears,
Give it up, set yourself free from the shackles,
Of thinking a rhyme is a necessity for a
Rooting tooting writing of a
**** good poem
or a barrel of
crackles

If you feel lost,
Want to share the cost,
Feel not bossed,
By a newbie's need
to believe that if it rhymes
Everyone will like your poem
Just fine

And if you get past this stage,
And advance to the next page,
Do not think that writing down a sentence of
Your mind's first up, innermost thoughts,
Is something that will make you
Less lost, heralded, worthy of a parade,
And be blessed with an A  
In your Teacher's pet grade book

My heart broke.
I feel bad.
I feel sad
Cause my man/woman left me
And I hope
Someone kicks his or her ***

That Ain't No Poem Neither...

And if you can't help but complain repeatedly
How life ***** and you're feeling blue
extremely indiscreetly,
Don't make me try on your scribblings
intimately indiscriminately,
Read a million, even wrote a few myself

You think you can write?

Then employ a word outside your comfort zone,
Go it alone,
Write just four sentences that will make
The hopeful reader stand up and you,
Twice as much, and shout

Hallelujah *******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it.
Let it come easy, then let it rest,.
Then spend days editing every comma,
And when you love it so much,
You are chest busting bursting,
Why have you not pressed Send already?

Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)

G' nite!
Why is that parents plant ideas in your brain as you're falling aslee..............

Just a suggestion....what do I know,
Nat Lipstadt Dec 2013
After reading about some tribal warfare in a far away land, I wrote this true story down. Now re-published every year on this day. Seems more appropriate than ever

one July 4th,
many years ago
walking the streets,
of the city of Nice,
situe on the Cote D'azur of France,
on the Mediterranean Sea,
where ships of navies
may safely park their sailors,
sending them ashore for R&R,^
they, leavened to disembark^^

how I came to be there is a
poem for another time

walking the streets,
palm tree resort,
along La Promenade Des Anglais,
coming at me,
Three Sailors,
unmistakably
American

one white,
one black,
one brown from California,
which I believe,
is still part of the USA

how we fell upon each other
in warm embrace,
smiling, bestowing
blessings of grace
not as strangers,
but as fellow signatories
on the Declaration of Independence

brothers,
long lost, reunited,
as if it had been many years,
since we last had our arms entwined,
one family from one far away united place

dialectical differences ignored,
even the wide-eyed 'Bama boy,
totally comprehensible, for on that say,
we spoke a language that
encompassed a single brotherhood,
a common histoire,
all on that
holy day

no tribes in America, no colors,
no religions,
only sisters and brothers-in-arms

I need not choose to believe,
for it is certainty guaranteed,
that should it happen again
twenty years hence,
perhaps with their great grandsons,
my embrace will,
exactly the same be,
for I know it true,
there are
no tribes
in an

American heart
^ Rest and recreation
^^disembarked to be leavened....either ok

written in 2013, but true story that occurred many years prior
how timely for this day and time
Nat Lipstadt May 2013
My Solace

when every aperture is a tunnel narrowing,
a light pin diminishing when nearing,

when the desk drawer yields up unused theater tickets,
for performances concluded yesterday,

when the denouement is nothing new but worse,
revealed in the coming attractions trailer,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.
Nat Lipstadt May 2018
~for Maya, the Persian Canadian farmer in the dell~

your poetic riddling questions without hesitation re
my claim conceptual
refuting with factoids actuarial experiential derived,
that cows need milkshake making daily by sunrise

nonsense
so you wake me up groggy on a Miami Saturday 6:00am
with a reciprocal poetic to a dashed off to contra my
code of conduct poem-mine;
and all that stumbles through my almost reset rested,
main stem cortex is an a ancient hebrew homily:

on Sabbath Saturday, even the cows sleep late

ok;
just tween us rare passes the day that a glancing phrase doesn’t register a stabbing whine “of me, of mine do sing” and your point counterpoint incision demands inspiration instant re-mission

around 10am when the amiable barn aminals sipping cuppa #3,
and the chicken children want a weekend brunch xtra feeding
are done, in the yard, put out to
pack n' peck n’ play

so that’s an intro to this work
that jumps the line of a
hundreds of other’s poems promised and overdue:

insight inside your crafted wake up slam slap was
pretty **** near the makers mark bourbon of this distillers
bourbon barrels bulbous poem’s bibliothèque that
has an  impatient waiting list
of poems waiting anointing

each a personage~poem of that day it was birthed inscribed

this particular one for you,

~
my complexity non-Napoleonic
just humanoid each, here are my leaders from and
into a veining so lovely colored

each poem a waving wheat stalk
before these old tired eyes close to closing hear once more

“of me, of mine do sing”

so I follow all of you by dimming yellow light,
for this is the soil of nutriment rich from where my
words grow taller and the yellow infusion feeds my wheats,
the amber, the red hard and soft, the whites, the durums,
and mon préféré, prairie spring white,
which is my secret nickname for a duality woman,
poet and farmer,
posing riddles
that deserve answers


maybe


—-
https://hellopoetry.com/poem/2503650/little-ole-me-a-riddle-of-sorts/
Nat Lipstadt Nov 2013
5:00am and folding laundry

when the inspiration tank is yellow lit,
and E stands for more than empty,
but evacuation,
try this remedy,
a first generation family secret!

fold the laundry.
all kinds.
his n' hers,
blacks n' whites
really clean and

and the kind that never get clean,
no matter how much d e t e r-g e n t
you use, how oft you wash 'em...


Instructions:

1. fold only when wearing t- shirt, tank top, briefs (optional)
2. put on Pandora 60's rock n ' roll (folk rock - highly recommend Runaround Sue by Dion and the Belmonts, The Wedding Song, The House of the Rising Sun)
3. dance, shake, improve your moves when nobody's looking
3a. control yourself, if you must sing, at the top of your lungs is not acceptable.
If alone skip, skip to no. 5
4. every third piece give a sniff, get high on
fresh starts, clean notions, the idea that all can be washed away
4a. Every third piece of hers give an extra sniff,
so you can know why love keeps you alive
5. if you have to sing, then only loud is acceptable
(***** the others, you're doing the folding, they're sleep-dreaming)
6. drink lots of water
7. have pen + paper handy cause ain't no doubt
the poet puppet muse masters gonna smack you down
when folding sheets alone.
8. finish the write and post it ASAP
9. always leave the single socks on top of the dryer,
a prayer to the laundry gods for the
safe return of their better halves
10. finish
11. If done correctly, you need to shower (wash hair!)
12, around 6:00am, all scrubbed and clean,
fold yourself back into her arms. Snuggle, spoon.
13. when she mumbles you smell clean, you reply,
                                  "been folding laundry, writing poetry,
                                   and the clean smell done fell on me"
14. if alone, despair not, read this poem and know we are together
15. believe this day is full of possibilities,
write me a poem, put the load right on me

there are stains that cannot be removed,
deterred by this gent, and his a-gents,
they are history, treat'em with respect
and not more
deter-gent

every poem must end,
so when the folding is done,
whisper:

*the day ahead is full of possibilities
like the pleasured reinvigorating of my clothes,
once happy soiled, now happy cleansed,
so I possess an excuse, a reason,
a rationale for living
to fold laundry again!
I have no idea where these crazies come from.
"But it's sad and it's sweet
And I knew it complete
When I wore a younger man's clothes"
Maestro Bill Joel

For Harriet Tecumsah Watt

11/24/13
Nat Lipstadt Jul 2013
Seven New Poems For Seven Days #1: Shiva

Shiva means seven. For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night.
*
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~


I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.
https://en.wikipedia.org/wiki/Shiva_(Judaism)
^ Sitting Shiva:
The word Shiva comes from the Hebrew word shiv'ah, which literally means "seven". The tradition was developed in response to the story in Genesis 50:1-14 in which Joseph mourns the death of his father Jacob (Israel) for seven days.
When my mother passed away a week ago, her three children observed the custom of shiva at her apartment.  Numerous visitors came for days. People who knew her, family from both sides, people who knew us from the communities, schools, camps we lived in over the past 70 years! My father passed away forty years ago. Both of my parents were outgoing, considerate human beings, who  touched many lives in ways we often did not know about. Stories about both of them told, retold, retold again, driving me crazy, but as an expiation of sadness, the shiva process works...
Nat Lipstadt Mar 2014
"sumulat ng mga "paano kung" sa buhay ng isang tao
may mga pag-ikot o pagbabago sa mga konklusyon
sansaglit nguni't mahaba nung nilikha
may mga tainga sa mundong ito, nag nagkukusang-loob
bukas and mga palad at bukas ang mga labi akong tatanggapin
nangingibabaw sa kanilang isipan ang pagbating ito:
"Maligayang pagdating, Makata,
Sabihin mo sa amin..."

welcome poet, tell us....

Translated-for me by Sally, who welcomes everyone...

Just an an excerpt from http://hellopoetry.com/poem/615068/where-has-writing-gotten-me/
"write of the ifs of a man's life,
and come aboutface to conclusions,
instant and long in the making,
there are willing ears on this globe,
welcoming me open armed, opened lipped,
knowing firstly this open-eyed greeting,
welcome poet, tell us."
Nat Lipstadt Mar 2019
a quote of Bernard-Henri Lévy

~~~

the divers’ recovery, diverse,
shipwrecked salvage from different locations,
auctioned to the highest bidder,
tho the excised excerpts are exceptional,
none come to do the bidding,
for the provenance of words
belongs to all, and to none

~~
“so oft we trifle words,
expel them from the country of our body,
without passport and earnestness,
as if they were the cheapest of footnote filler,
day tourists, to be treated as leavings,
refuse for daily discardation,
barely noting their fast comings and faster disappearance,
but leaving not, a mark of distinction”

“the addicted pleasure words granted to we privileged few,
like every enslaved soul to the mind, which I am, I am,
evening dreams, midnight thinkings, sunrise seeings,
how can I infect and thus protect the young to the liberty
to love the crafted content of our human essence to better
comprehend that a moment caught on tape of our shared
words is a holiday, a celebration for the ages...and every molecule,
becomes a human tuning fork in concert, in pitch identical, in blood tainted with the simplicity of we are all the same, only words, this will transmit”

“murmur me, with soft downy charms,
these words discovered
recoursed and intended well to
pointedly offset and contradict
their very own tumultuous discovery uncovering,
tear tongue me
with calming, lapping word  wages,
hymns harmonious and fine homilies,
a call, a request,
a bequest
to sedate my shrill life

“some cells, microscopic, preserved digitally,
aged to imperfection, thrash my eyes,
making me speak in tongues I do not recognize,
but fluently possess, no wonder there,
the memory place fairly empty,
room aplenty for passerby's and the imagery
                                                         ­­ of the vaguest of dearly departed

skin is not the only mot shed,
                                                sloughing of woeful words

“speak them slow and distinct,
for they arrive slow to you,
a trickling of refugees for your sheltering,
harbor them as full companions,
protected by natural law,
provision them well,
prepared and ever ready for a quick departure,
moor these words at the embarcadero,
for the next restless leg of endlessness,
which they themselves will inform you
will last longer than eternity,
long after there are no humans to speak them”
excerpts from a few old poems, after reading an interview with Bernard-Henri Lévy
https://www.newyorker.com/news/q-and-a/bernard-henri-levy-on-the-rights-of-women-and-of-the-accused
March 27, 2019 4:48 am
Nat Lipstadt Aug 2019
a love poem, of new & old,
why I am the summer-man!^

summer is winding down,
sky’s multi blues freezer safe stored in ziplock see thru bags,
marked and named by hue, the where and the when,
so when the eyes finally fail, when the squinting don’t help,
when the good things those good blues aroused,
poems, lush and morning thanks for being alive come-not-at-all,
quite the opposite, these cold blues
may help, to recall why it was worth breathing

summer is winding down,
so am I, the synchrony no accident, time,
the Pharmacy kitchen calendar
claiming another victim, willing or not,
those cars and the blue eyed models,
are now but blurred wishes and hopes, even these words, spoken,
not finger scribed, for the keyboard a
jumbled jungle of alpha-numerical
of confusion hellish and
my sons don’t come to clean up my pathetic messes, sending
their little children, beloved concubines of my heart

the daytime watcher, spanglish her native lingo,
tho single words she’s pretty good at too, but that don’t help much;
the grands, toddlers to pre-teens, the eldest a womanly eight,
tries but soon frustration bored, slips away quiet like
replacing her with her two year old sister, who knows her alphabet
which ain’t an exactly a help, but her five pencils stored^ nearby,
tagged with her name, awaiting her poems, her one true legacy

try to imagine her as a grandmother, farseeing the day when she
occupied this too too hard to-get-out-of-by-myself “easy” chair,
making rhymes with her next-next generational  descendants,
faint remembering the silliness sorcery that I secreted in her brain;

zingo, bingo, lingo
tango, ginkgo, jingo,
** ** oh no, oh no!

ashes, gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!

which she acts out with giggles galore,
adding a teacup embellishment,
a creme fraiche pearly teeth smile topping,
the day watcher agrees, verrry verrry funny,
but time to me *** and take a needed morning *****

no poppy! no poppy! no poppy!
no nap, no ***, no *****!
thinking the call out is for her,
stomping her feet in an alternating rhythm and rhymes

I, happy poppy, ecstatics drooling out,
foreseeing the rhyme is strong in her,
get wheeled away crinkled and crackling,

zingo, bingo, lingo
tango, ginkgo, jingo
** ** oh no, oh no!

ashes gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!



a new genre me of gibberish summertime love poems
Nat Lipstadt Nov 2013
Unreality: Thanksgiving Miami Style

It is 70 degrees, afternoon,
sunny Miami winter style.
Nike shorts, flip flops,
polo shirt white,
music, pandora, and
no place he
needs to be.

the collected works and
worries, left behind,
the boy, and he is taking
it to the limit,
wanting a day of no cares,
one more time.

yet, recollecting, writing
impertent, dissatisfied,
no reason, none that I can
irrationally explain.

previous night,
my eyes have
seen the
second-coming.

everybody smiles
happy, looking fit,
tight black dresses
the law of the land.
food flows like wine,
wine flows like water.

lose track of the numbers,
glasses of Cortese di Gavi,
cold and white refilled
in the Miami heat,
exactly, how old am I,
and where
my eyes should
not be staring,
bodies intended
to maim,
after they
**** you.

it is a long-short tale,
how it came to be,
that I am living thanksgiving
in the unreality of Miami style.

was supposed be at the
head of the table carving,
giving secret tastes to
numerous grandchildren,
multiple dogs,
defrosting after the
Macy's Day Parade.
my children, their
kith and kin.
that was supposed to be
my New York reality,
at the head of the table.

divorce, monkey wrench,
I am in a different state,
a different table, a
welcome bystander,
but her love,
my love,
has brought me,
to unseasonal places,
higher and higher,
where I am welcomed
as her man.

not a bad unreality,
but still someone has torn
off a piece of me,
a tasty combo of
sad and guilt,
that I ******* up,
which is why this
writing is my re-righting
the ship of perspective.

maybe I am dreaming
of what was never,
could have been,
should of been,
kidding myself, with an idyll,
the unreality of an idol,
though I vague recollect,
there were meals like that.

think this is my fourth trip here,
sort of, almost a tradition.
BobbyDylan, he reminds
what that woman,
done for me,
been doing to me.

"I was in another lifetime
one of toil and blood,
when blackness was a virtue
and the road was full of mud
I came in from the wilderness
a creature void of form.

"Come in" she said
"I'll give you shelter
from the storm".


so she did,
a new reality born.
so semi-sad poem, but
happy thanks to give,
for this day,
new family
embracing, and I am
recollecting,
read somewhere,
you cannot be thankful
for having,
only for giving.

Thanksgiving

Not
Thanks-having
Thanks-receiving

New Reality: Thanksgiving Miami Style.
4.6k · Jul 2013
I. Offshore Oil Exploration
Nat Lipstadt Jul 2013
Offshore Oil Exploration

Months of preparatory work,
Permits obtained.
Maps explored, sited,
Ground and beneath scanned,
Each contour drawn, plotted, named.

Equipment assemblage.
Platform designed and towed,
Pre-commencement government inspection
Constant.

We test. Slowly, the loose, easy dirt,
Gives in.  No rejoicing yet, premature.
The diverter in place, functions well.

The deeper the bit, the harder the resistance.

The camera's eyes monitor until
We reach depths too deep for their functioning.

The derrickhands order about the junior roustabouts,
Check the mud pumps, check the pH levels,
Do this, do that. The pecking order on board clear.

The kings of the rig, the drillers, in charge.

Then, disaster.

Oil spill.

Worse.



Not only smiling,
She has
Opened her eyes and
Ceased purring.

P.S. This would as is my custom be,
Re-entitled properly:
First Poem of the Day:** Offshore Oil Exploration
Wink.
Research and technical guidance obtained at:
http://www.shmoop.com/careers/oil-rig-worker/typical-day.html
4.6k · Jun 19
The Poem Writes Me
Nat Lipstadt Jun 19
a gift for Aladdin Aures H
from his 3rd follower...

<>><<>
the inescapable need,
unformed firmament
inquiring; am I capable?

the impulse palpable,
the urge to urgent,
to gorge and disgorge?

instead of morning prayers,
precomposed and ordered,
morning poem plucked from

morning fog, gusted breezes,
early-on, newborn sun rays,
progeny of disheveled skies

words fused, in irregular sizes,
senses censured by drowsy eyes,
but the chest beating arrhythmia

means bursts of free verses
superimposed on reluctant eyelids,
jigsaw puzzlement be re-conformed

and the first poem of the day,
emerges from the intersection
of mind, pale dreams, and the

first is special till the neu morrow,
when fresh bursts explode inward
to windward, and the first is just

yesterday's mesh of hash,
once formidable, now last,
pinned, yellowing, purely a
*descendant of the recent,
but always, ancient past
^
3:07pm
a bright sun grilled day, in a cold June
Juneteenth 3025

on the Isle of, in the piet's nook
4.6k · Aug 2018
3 X 5 index card poems
Nat Lipstadt Aug 2018
3 X 5 index card poems

3 smallish poems in five minutes
~
reheating

honey can I make you something to eat?

no babe, you know I hate to see you cooking, frying
standing over pots and stirring sauces
trying to brush
wisps of bangs from your eyes
  while wearing kitchen mitts


What I would prefer is something leftover,
reheated served with a smiling grin from my ear
to wayover down under there,
next to you

<•>
old words are better than than new ones

hey, hi! how you doing, old friend?

“yo, out of the hospital feeling so much better;
had some kind of ‘itis’ which they cured with an ‘yisis’!”

glad to hear; impressed by all those new big scientific words;
frankly preferred your old ones,  that were rediscovered and
reoriented in new ways in your poems verses;

me?
never better cause to hear from a man
whose optimism has yet to meet a
match
that he can’t best,


heals all our wounds

<|>

if you told me

that I could spend three successive rainy days in almost all silence, perfectly contented by myself,
i’d said you crazy,


isn’t that true babe?
4.6k · Jan 2014
Dearest Sally,
Nat Lipstadt Jan 2014
Let us not keep our secret,
secret any more!

Thousands have read your poem,
from your tributary, they have drunk.

So I am re posting once more
to remind grandmother,
so many
you,
adore.

I will not stop
till ten
thousand new admirers
have you paid homage.
then I will
              post it again.


~~~~~~
Oct 6, 2013
The Banyan Tree (A Tribute to Sally)
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Whose very names breathe poems,
In others too, like me and so many,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."
-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
Nat Lipstadt Apr 2016
~took a walk in the city today,
and this happened in the O'Henry traditional way~


the blind man crossing E. 15th,
does not look, nor does he care,
all foes on-coming,
come hither, he dares

his light is red,
yet his cane extended,
he click clacks steadily ahead,
unaware and unbeknownst,
his new step by step sidekick,
Sheriff Natty,
is writing an air poem to a
taxi driver with his
shotgun *******,
a NY gesture of
welcoming *******...

a green light means passage
is a taxi's right,
but my left shoe firm
attached to his bumper,
plus multiple looks mine,
any of which could ****,
his argumentation poses
do somewhat chill...

the sheriff of the city, his motto,
sic transit finger gloria

~

among the sadder sights
of city life
is contrast...

the dark-only coolness
of an Irish bar,
on a bright spring day
when life and love
is bud sprouting
while old white men,
on single soiled solitary stools,
their colored cheeks green
from the reflection of
TV emerald diamond fields,
sipping many pre-game $3
Guinness draughts

around the second inning,
they switch, onto
boilermakers to make
the languid afternoon stretch on,
this I know for sure,
for in the large gilded mirror
behind the bar,
see the barkeep's back asking me,
"what will it be for you
this fine spring day?"


~


next to the bar, in the corner market,
an old man's hands tremble in an old man's way,
in a way I only know thru his testimony,
as he does his daily self-feeding,
his wallet removed, fumbling for two
single soiled solitary one dollar bills.

the shopkeeper's fingers
beat the counter impatiently,
the old man's beer brown bagged,
transport ready, though the old one
rather be next door,
the extra Dollar saved causes
a last minute delay, shaky fingers,
asking for an extra purchase,
a small can of dog food please,
so he can watch the game at home
and share the same meal
with the man's real and best,
and only true spring weather friend

~

the mayor proclaimed as a matter of
public safety, public decorum,
a pack of three or more woman
wearing all black Lululemon athletic wear,
were now banned from being outside after nightfall

later this night, in Carl Schurz Park,
many vamp(ire) voices were heard
singing the lyrics to
"i want to do bad things to you,"
but they staked him only
to a free color reeducation

~

these takes I witnessed,
all or some,
these tales I took
some or all,
from beneath my skin,
where city streets grit
injected beneath my skin
came with the title,
City Boy,
and honored me
with its O'Henry life and lore,
and the vision to believe what is
in my bloodstream
just another true tale of life in Manhattan.com~
published her 4/14/14
4.5k · Aug 2013
The Continuum Prayer
Nat Lipstadt Aug 2013
August 21, 2010

Sometimes I take time out from reading yesterday's news,
playing video games,
deleting e-mails,
worrying about the future,
spilling my coffee,
cursing my no mechanical ability,
eating when no one's looking,
blessing n cursing,
willpower n technology,
simultaneously,

Sometimes, not often,
I make the bus,
hit no traffic,
never get sick,
depart on time,
stick to my diet,
make a decent rhyme,
stay awake at the theatre,
hit a golf ball consistent,
and more important,
do them all,
and live, straight n true.
But not often, not enough,
and this too,
Is Not Enough

This continuum is a seesaw,
lurching smoothly from one extreme to another,
But where's the progress,
the forward motion is absent,
the up down noises mask
the no development,
the forward notion
****** down into static abyss,
by emotional gravity,
the daily chores pockmarked
by occasional sugary smores
and nothing more,
Life just don't
satisfy
and the mind rebels and
calls for a constitutional congress, a new one, write just for me,
to ratify
so I can reconstitute
my dreams

When I wake up Monday next want my desk to be a guitar
and my job,
wandering troubadour

On Tuesday best,
will hijack an aeroplane,
drive the Feds crazy,
take everybody on board,
on vacation,
to Hawaii

Wednesday I will fall in love,
every hour on the hour,
become a vampire,
get me an entourage  
and
each episode will air on HBO
and I will dance with a star
on Hollywood Blvd.

Thursday I will rest,
in order to upset and fool
the juggernaut that will
ally against me,
to defend my threat
to law and order and
the sanctity of the Continuum

Friday I will celebrate,
placing swimming pools on Fifth and Sixth and Seventh Avenues,
even got one for the snobs on
Park AvenYoohoo

Saturday, I will hide in plain sight,
after offering ten million for my arrest and capture,
and/ or, your choice,
eternal rapture
(Hint; When In Times Square
Don' t tie your shoes)

Sunday, my name will be blessed in houses of worship globally,
cherished as an American Idol,
after I proclaim Freedom of Choice to pick any day, any time,
as your legal, personal,
private, unique, day of rest

By fiat I do declare, one a month be Travel Day,
each citizen and resident alien,
must google map
a desired location
and embarcadero ASAP, to someplace I ain't never been,
So we can be boon friends, and for evermore,
traveling companions

Recite this daily prayer,
Fear not to err,
If you omit one or two of its directives; just get off the continuum of daily ire;
Just one of the notions below will
Make every day a week end!

The daily prayer:

By decree of me each human be obligated to do one of
these daily!

Be forever young n humble;
Feel ancient and royal;
Ride tall in the saddle;
Do something nifty;
Take someone's hand unexpectedly.
Drive home in the slow lane;
Do the minimus;
Do the maximus;
Leave a book on a park bench;
Use pen n paper, write a letter;
Take a chance, make people laugh;
Barrel into contention;
Show mercy to the confused,
Show anger to the abusers.
Bless a child with both hands;
Grasp your soul, thrown it down,
And raise a child to the sky
Straight up,
A continuum, you and they,
A ladder to heaven
This is one...FYI. I stumbled
On a bunch of poems 2~3 years old.   Very different style.   Hohoho Merry Chanukah to me,   Most very long, will fire at will;  long so not suitable for the 10W crowd....sigh. Oh yeah, one more thing, I wrote them on my cell phone, usually in the bathtub, yes, I went thru a lot of  corporate phones...
Nat Lipstadt Oct 2013
~~
dedicated to Ashleigh Riddle,
who knows that forwards and backwards can both be the right way



<>
Homework assignments, please pass them in!

Mmmm ok who didn't submit?

Stand up please!

Ah Mr. LIPSTADT, I should have known!
No poem?

Oh yes sir, I have a poem, even three!

But the dog et them, so if you want, I'll
Recite them please?

{general laughing and snorting in the classroom}

Oh really, Mr. Lipstadt,
why don't you come up to the front
And share with us but one of,
(big sneer on teach's face)
Your creativity!

Shuffle up to Buffalo, where hysteria breaks out,
For now the world is informed that I am wearing
One black and one brown shoe,
The din is attracting the notice of the class
next door, room 402.

Order! Order! Settle down.

Ok let us hear what you dint write!
(Dint, oh boy)

The Poem (the one the dog et):

A special day this quiet Tuesday,
For when I awoke, looked outside,
I saw what I saw,  quickly realized,
That this was the day to
break the norms.

Why must I wear two shoes of similar hues?
My can't my hair be color enhanced by the pink of you!

You just noticed my shirt and pants are  on backwards?
Perception in the eye of the beholder,
Beholder that be me, because,
Today, behold!
It is break the norms day!

Moon in the sky morning,
It knows the way, its place
When gravity, cycles, temporarily shelved,
On the break the norms day

Kissed my mom before I left for school,
My dad, my brother, my sis, too whoo hoo,
** **, you shoulda seen their faces,
When I sauntered out the door,
Humming, C'mon baby light my fire

The crossing guard gave me my usual,
A whistling hello,
Today, I whistled back,
The whistle of
Hey babe, looking good,
She blushed so hard,
The drivers thot the light was
Stuck on red!

This is how I spent my morn,
On the day of breaking the norms!


But even on break the norm day,
Somethings are constant, forever,
For instance, the path to the
School office, La Principal, unchanging,
Her grimaced visor in place,
Till she closes the door.

Then she says tell me honey child,
One of my unusual ones,
What trespasses have you committed today?

Well, the dog et my poetry,
But knew it well and true,
Offered to recite, not a riot incite,
May I please say one for you?

She said:
I know for a fact that you don't have
A dog, but nonetheless,
Sing to me, child,
Give me words
That justify
Giving most of
My lifetime to
Children.

So I gave her a listening
Of one I writ the week before, called,
"He taught them well."

She wept.
Ok, teary-eyed glistening,
She said, as punishment for class disrupting,
You will be suspended for the rest of the day,
You will have spend the rest of this diurnal,
Sitting next to me, thus,
We will break one more norm, together....

---------------------
For Helen, "I have so many partial poems I'm thinking of just mashing them together and maybe the dog will eat them..."
In all poems, I swear there is always a kernel of
Truth.

HE TAUGHT THEM WELL
<>
He cared enough,
So much so to
reason with them.
Never diminishing their simplest prose,
Even if it rhymed with rose....

He loved them in his way,
A teacher, once his student,
This year, then forever.

Their woes he read,
In every submission,
No threat treated idly,
He knew but one grade,
Caring.

One rule strictly observed,
No touching,
In this sad age, a crime without
Any absolution.

Then came a day.
School arrived, pre-bell by ten minuets,
His customary arrival time.

This day different.

The long corridor to the classroom entree,
Lined like Noah's ark, two by two,
On each side,
His students past and present aligned,
They would not let him pass,
Till he hugged each and everyone.

Thus, they taught him well the meaning of
Just rewards,
For they were his,
Yes, they were his,
Not for the taking,
But for the giving.

His subject,
of course,

Creative writing!
Nat Lipstadt Aug 2013
"Nothing is so healing as the human touch."


Started:    June 21, 2011
Finished:  August 14, 2011

"Nothing is so healing as the human touch."

Purportedly, the final words of Bobby Fischer, the reclusive, oft bizarre-acting Chess Grandmaster, whose life deserves your examination.  

I wasted decades of my life in a loveless, sexless, miserable marriage. I read his dying words, and the poem~notion was born, but the words had their own timetable and it made me crazy.

All the facts you need to read this old poem are now in your possession.
~-----------------------------------------------~
Mos­t poems used to just tumble out,
Sudoku words combos,
Gunslinger I was,
poetically licensed to shoot
from the hip (the lip?).

Then you go mute, until that second,
When once again,
machine gun stanzas fall like
Cheerios
spilling all over the kitchen floor,
as they always do at Two Am
when quietude is in high season,
And the whole house is sleeping.

Once in awhile,
the title~idea recorded,
but the poem unwrit,
just won't come.
*** but no ******.

The words smack you,
write me, I deserve it,
a challenged duel glove
goes kissy kissy on your face,
but the words,
the choice of weapons
eludes for weeks, months.  

So Bobby,
your challenge
long ago accepted,
but my reply imperfect,
has lain bound and gagged,
a poem-in-progress
hid in the trunk of my heart,
unable to escape, even when
escape attempted, unsuccessful.

From June till August moon,
your dying words have been
a cancer growing, within,  
hiding from my bullets
invented to radiate,
your final words, explicate,
Explode and expose.

Your life,
an essay on life in solitary,
anti-social would immodestly describe your life best.

How came you then to exclaim,
re the glories of human touch?


Ah a dying man's last regret,
a simple cri du couer,
nothing extraordinaire,
a basic 101 shoulda/woulda
of "I coulda done it better,"
what's the big deal?

Until this exact second,
Sunday rain jolted body from bed
do I instant understand my obsession,
the import to me,
the need to capture
the haunt of the healing
of your dying words.  

Life is small, miniaturized
when numbered in decades -
five, six, seven,
maybe,
eight nine or even ten.  

How came I to pass so many,
discarded whole decades,
of the few we garner
without the sustenance of
Human Touch?

How came I to allow this
disaster to pass?


How did I advance to the next grade/decade
when a failing grade was scarlet tattooed
In ****** scars upon my chest?

Would be easy to dismiss
as just another
whiney rant
that is no longer relevant
to you,
lies I told myself,
no longer resonate,
over, now.

Never.  

Everything matters.  

Summation.  Accumulation.

Day Counter Totals
reveal gaps of years
that cannot be refilled
so your accounting
must include a retelling of the
wasted days and acknowledge
with your dying breath,

Nothing is so healing
as the human touch.


Thank you my love.
Thank you, Mr. Fischer.
Summer
2011
Nat Lipstadt Jun 2023
(and I cannot live
from with-out)

<>
a poem in appreciation to Rossella Di Paolo

<>

I, too:
          - am an embryonic work in progress,
well into my seventh decade, with no ending in sight


                                I too,    
live in the house of poetry, the address likely differs,
but suspect the innards of the houses differs little,
the decor,  quite similar

         - my house shrewdly requests a rethinking,
                                    noting, it lives my artifice,

with in & with out

Then, we are a We:
                                  
          - my cavities house her, She, Poetry is of Ruth (1) born,

          - Poetry, She, reminds me, ”whither thou goest, I will go”


This duality:
          - where the haunting of words providential,
             emanate, both inhabiting & inhibits my breathing
              She, a fearsome creature, a fearful-something,
for it tears me and shreds tears its demands be wrung
from with in to with out

She, Poetry:
          - leaves me gaping, hollow, fills me with
            depressurizing boreholes exposed to the elements  of
            externalities of an admixed atmospheres, that nature demands             be refilled, fresh in, stale out,
for which the artifice trick is knowing which is which

when Poetry’s  birthing:
          - chest pounds, heart-rate beats heavy metal,
            abdomen contracts, there then, no languid in my language,
            no help untangling the alpha-bet jumbling,
            product of the screams of pushing,
squeezing it forth

you’re hoping to quick-catch newly formed combinations,
for if you fail, a poem
noisily crashes to and through the floorboard cracks,
where poetry’s chaotic glinting etes
maliciously glimmer~winks at me
with a sarcastic thank you

“ah, too bad, another creation stillborn,
gone to rest, biting the nether dust,
without hope of resuscitation…”*

just another unfinished work in progress

periodically
a survivor clean caught, transcribed, edited to be finished,
amniotic fluids cleared,
poem resurrected
blessed with eternal life,
readied to be shared and delivered,
affirmed

and you say to no one and to everyone:

this poem will be our poem,
wither it goes, ascending, descending,
all live in the house of poets,
one house,
many apartments,
each poem a god,
and
my God will be our God,
your God, my God,
in the House of Poetry
https://hellopoetry.com/poem/4717212/leave-if-you-can-ii-by-rossella-di-paolo/

(1) And Ruth said: “Entreat me not to leave thee, or to return from following after thee; for whither thou goest, I will go, and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my God.

——
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
4.4k · Mar 2016
my Mumbai woman (2016)
Nat Lipstadt Mar 2016
my Mumbai woman

~~~

to my Indian poets & friends
all be advised,

my piety, my muse,
has decamped me for weeks on end
to your
yon far and fair lands

the red dot beside her
electronic signature
a sign of her absence,
seemingly to have been
magically transferred
to her forehead

so perhaps my love poetry
will become absent, reticent,
quiescent

or perhaps

it will build brighter, effervescing
in my very own Taj Mahal,
an edifice built by great love past
and yet ever still present,
for I testify,
I have many times it,
seen imbued,
lovingly observed
between a certain
men and women here writ large,
who there permanent reside,
and in my heart as well

spend a minute many,
all my fingers and
toes employed
how many, so many,
Indian fellow travelers
on poetry lanes and yellow dust encrusted roads,
in cities unpronounceable
that this illiterate literary fool
has come to know and multi-arm entwine

to you,

I commend and command to you
her safety,
asking immodestly for
an imposition, an interference

pray to the local gods,
your heads of state and highest nature's,
that they be her
beside,
her unobserved
safe-keepers,
as she treks your country's
Northern pastures

let her skin glow from
your brighter rays,
eyes even wider~wiser opened
by the newness of your antiquity,
your glorious,
poetic place
in our world
of words
Nat Lipstadt Apr 2014
Thus spake and quested
another, younger poet to me,
a far better one than I,
but obligations thus provided,
are serious business,
to those who understand
poetic responsibilities, and
under his own Rules of Order,
an answer,
though long in coming, AR,
must be provided.*

Well well well
all is not well,
the faucets offers choices....
chrome hot
chrome cold

there is no such thing as
lukewarm truth in
clear waters that
run run,
yet never
run stilled,
birthed at turned-on conception,
to drain death removal,
another daily poetic miracle,
unappreciated by most,
overly consumed by their
own passage on this Earth

peddler wayfarer,
passing through with truth
poem pots and rattling pans
(nowadays, mostly panned),
a historic factoid,
and not what Amazon delivers...
truth is a genetically modified
bitcoin currency, misunderstood,
prone to sometimes useful,
but never ever, to stick or stain,
for I got excuses and who gives a ****,
yesterday is forgotten instantly

The coldest truths,
the confirmation of same
by mirrored image text sent,
(immediacy a necessity,
for though poor, it is 'real')
the twitter that methodically
A-lists your major crimes
B-lists your petty,
hope-you-didn't miss my
exposé of latest misdemeanors

the hot truths,
only whispered,
merely mint hinted
in a hot cuppa,
the heat itself
a cover up,
for what you do not
wish me to plainly speak
or plainly sell,
is accursed truths,
won't sell, even if free

Can't write about moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies

The way I write is
just the way I think, believe,
from my eyes to paper
there is no misdirection,
just silent labor conception

Poor poor real truth
is out of favor these days,
because there is nothing
no one won't cease or hesitate
to expose himself,
flaunt the anguish,
copy other's jive,
but that is real,
but it is not truth

Had a bad day,
You need to know about it
Right away!

Though I meander and excuse,
there is one state of truth,
I need yet to annotate

Too oft when tapped turned on,
it is rusty water and rusted truths
expelled and this, my stuff, my days,
not in vogue, or a top seller

I love the color rust,
overused in my poems,
but compulsion is not a
conditional, but a must

This then is the form
they spill in these,
my final days here

You might think that rust implies
lack of use,
a non-caring
for his voice,
his well practiced instrument

Au contrarie, amigo!

My rust is from overuse,
my eyes don't see
what the popular want nor
could I provide it
even if
it was demanded,
which it is not....

Rusted but unvarnished,
undisguised by fancy words
or silent cries, what you read
is what you get
until I find
a more "authentic" voice,
one that satisfies the world
not just me...he sneers....

Feel for me in the summer breeze,
from whence my best stuff
has always been plucked
sent on its way, to you,
in self-same wind,
to kiss your cheeks,
slap you alert

I used to write
on both feet
upstanding,
then Hillel was asked for
the whole truth
while standing
on just one leg

His reply:
"Love they neighbor as you love thyself"*

So I switched
and now compose,
in quiet ignorance,
a wrong footed poet,
left only with his what's left,
and to put his left foot truths
first, forward and foremost,
is what he got, and
what I got, you'll get....

But a cautionary note,
drinking riposte rustys,
bad for the body,
but kindly
for your mental
wealth,
if your have the
only other element
most needed,
in your pocket posses,

courage
Rambling, unedited, and yet fresh so off to the presses..and at 4:21am,
I frankly, Scarlet, don't give a **** anymore...
4.4k · Dec 2013
Ben-Oni, Son of Sorrow
Nat Lipstadt Dec 2013
"Ben-Oni" is a Hebrew term meaning "son (Ben) of sorrow (oni)," and the name of an 1825 manuscript describing a chess opening.

"Whenever I felt in a sorrowful mood and wanted to take refuge from melancholy, I sat over a chessboard, for one or two hours according to circumstances. Thus this book came into being, and its name, Ben-Oni, 'Son of Sadness,' should indicate its origin." - Aaron Reinganum.  

From  the Old Testament,
Genesis 35:18;

“Her dying lips calls
her newborn son Ben-Oni,
the son of my sorrow.
But Jacob, because he would not
renew the sorrowful remembrance of his
mother's death every time
he called his son by name,
changed his name,
and called him Benjamin,
the son of my right hand."
~~~~~~~~~~~~~~~~~~~

Ben-Oni, Son of Sorrow

Love,
you can fall in
and out of.

Happy,
comes and goes,
in waves,
cycles of differing amplitudes.

Its schedule of
arrivals and departures,
most erratic.

It is always
a two sided affair,
don't blame this messenger,
it's the way of the world
that it comes,
then it goes

Tho certain sorrows,
special, may
wax and wane,
they, a once, then a forever guest,
a full time resident,
taste, once acquired,
cannot be erased.

Part of your museum's
permanent collection,
an addiction affliction
that can't be undone,
be beat back,
ain't no emotional methadone,
to inhibit its delicious lows

Like a passerby,
a mound of stones espied,^
a grave marker au naturel,
compelled and compulsed,
duty bound to add a stone
to keep the pile intact and sound,
another 'sorrow' poem to add
to the internet's dustbin.

Sorrow,
a rich, old moneyed patron,
with a wealth of ancient lineage
orders and commands
yet another a poem
to celebrate its entrenchment
in our constitution personal

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.  

If you spoke Hebrew,
understood you would
the quality of the sound of
Oni.

It is a soundless sigh,
a virulent scream, part wail,
part exclamation, part groan,
say it slow - oh nee.

You alone,
a father,
can own,
the sorrow of a son,
who denies you.

It cannot be denied,
expiated, signed away,
a syllable of grief
that says mine, all mine.

Watching the sun push away
the backdrop,
the stage curtain of the randomized
but they a-keep-on-coming,
summer thunderstorms
that have scattered
all living creatures
to the comforts,
the shelter
of loved ones,
but yours, present, or not,
return your message
either marked "well received'
or sadly, postmarked
"addressee unknown, get lost."

Curse me to stop,
and I can't,
already accursed,
add your curse to my collection,
makes no difference to my pile,
of sorrowfully fresh recollections

We slept together,
so many good night moon
stories read,
pillows shared,
side by side,
a stock exchange of
kisses and hugs,
trades that can't be cancelled,
having been entered officially
on the books and records of
our-sorrowful hearts.

Lesser men
cry to themselves,
their loneliness, their tragedy
a soliloquy, revealed in a
one man show,
Off Brodway,
before an audience of none.  

Not me kid, my oni,
is a public theater
of a visible shriek  
in every breathe,
but the Supreme Court
gone and ruled against me,
and now there is no possibility
of injunctive relief.

Will travel to faraway lands,
asking different courts
for a hearing, knowing full well,
that I will be plea-denied,
having no standing,
for here,
there and everywhere
I lack proofs
and my son-accuser
wears masks and presents
no charges,
and even if he did,
I would gladly confess,
if he but presented them
face to face.  

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.

Come let us exchange
new names, new poems,
for we, though both poets,
do not read each other's
Works.


It is time.
I have a first born son who I rarely see and only, very, very occasionally hear from, and then it is by email or text.  I do not judge for he is the product of my *****, and who cannot wonder if...

^a Jewish custom is to place a small stone on the tombstone you are visiting at a cemetery. The custom, ancient, is derived from when a mound of stones would be a marker of a burial.  It became customary for a passerby to add a stone to the mound to perpetuate its existence.
Nat Lipstadt Jul 2013
A true story of a chance gathering of strangers in the back room of a Gelato Parlor *** restaurant, two years ago, in a little village near the bay, on a land surrounded by vineyards. Come visit.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~~~~~~~~~~~

Gelato Nation

There is a place,
location secret,
mine to keep,
mine with which
you to tease,
make you envious,
a back room 'office'
jealous guarded
by a barkeep,
whose chosen invites sweeps
you into a reality that is
what you will it to be.

But nota bene, note well,
remembrances of things swell
from your past be the
only tongue spoken here.  

Code word entry only,
a shared whisper.
Perhaps One Woman,
may reveal its pleasures,
if she so chooses,
which are:

gelato laughs, poetry snaps,
Beatle songs sung ensemble,
by rag tag strangers
self-collected accidentally,
sung de rigeur off key
by voices lubricated by
cognac, laughter, and
the coldest of white wines,
issue of the very soil
upon which we sit.  

Words to value properly,
not in my possess to capture
the few moments in time when;

Strangers transform themselves
into a triple A nation united,
that will never be
S&P; downgraded.

A holy alliance
celebrating July 4th
all night long,
all participants
signatory witnesses to
its gelato conception,
as well as pallbearers
to its last drink dissolution,
the fullness of its lifetime
a vintage of a few hours extant,
a vintage, once drunk, is
a history, forever gone.

Mixologists please record:

One playwright, a psychologist, bond trader and a social scientist
with a dash of museum director,
and do not forget the
Hundred Year Old Woman,
whose Dowager Princess Daughter
(she, a mere eighty)'
from Central Park West
clarifies all of life dilemmas with
the singular analytical tool of:

But is it good for the Jews?

But t'is the barkeep
who is the leavening
in this evenings human
pastry-petrie dish.


He makes the pastiche,        
the ions of personalities,
coalesce best,
guitar strummer,
singer of songs that were our
multiple national anthems
when we were pseudo-rebels
starting out on our
long and winding roads.  

Long the King of the Keep!
Long live the memory of our
Gelato Nation,
may it stay sweet in
our antique collection of
the best moments of
our intersecting lives.

July 2011
You couldn't make this stuff up...it was an Amerian moment....Frank the owner instigator passed away in 2019.  we  take the grandkids to his gelato place very time they visit
4.3k · Nov 2014
On Being Four Years Old
Nat Lipstadt Nov 2014
the child of the child of my woman,
cries in the night,
rooming next door,
down the hall
and
he is
all children that cry in the night,
but he is
more mine
by right of quantity

numerous are the kisses lavished,
this biannual visit upon,
his four year old
oversized head,
(so full of 'bains')
his undersized,
protuberanced belly body,
a combo making him
no longer baby,
nor a grownup,
both states,
he denies accurately,
maturely in a wobbly voice
of utter certainty,
but lacking the adjectives
of what lies between,
he debates his state thoughtfully,
until distracted by other
more pressing matters of state

he is boy, little but vociferous,
quiet, pensive, his head a weapon
of...confusion and certainty that
being four years old,
he must perforce be
permanently
in skeptical awe of the world

this is the best position ever,
he has ascertained,
to filter and behold anything,
whatever newness arrives,
which is constant,
streaming and unending
until new is
fully digested, analyzed, and classified,
as if he were
a zoologist in
a wild and untamed land

only certain of what he knows
with perfect certainty,
he consults with me still,
"you kidding?"

such a sophisticated analytic interrogatory,
wise in the ways of grownups,
who, prone to deceive gleefully
his very
suspecting mind,
so much so,
they must be challenged and
rebuffed all too frequently

he cries in the night,
normal tears of discomfort,
physical or mental,
I cannot tell,
for his father
his parental hearing
more practiced, refined,
has preceded me,
such,
as it should be,
and I am dispatched back
to my 3:00am bed,
left only to ink
contemplative ruminations
on the state and nation
of being four...
and sixty,
and still uncertain, even more
than the little boy
of wizened age of annualized four,
the child of the child of my woman,
on
what is real, what is kidding,
in a quest unending
to better ascertain,
the state of my own being

and the transitory nature of
everything

all of what is thought certain,
falls aside,
under the withering,
unwavering,
critique of
"you kidding?"
and in this we are
more kin
than if our blood was
physically shared
Nat Lipstadt
     Oct 14, 2013      

"You kidding?"

Lived a long time coming,
Picked up yesterday my three year old boy,
Third of a third of a third of a third
of a notional half of me,
Who I only see once or twice a year,
And we fall in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion.

Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to mine, on Long Island
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clears spoke sabered wisdom,
But in the juvenile voice soft sleepy, of a babe of three,

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When wisdom and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.

Columbus Day
Oct. 14th 1492
When I "discovered" the Americas.
You kidding?
Maybe.
Nat Lipstadt Oct 2013
The wallet where the hidden secrets are to be believed

The boy, a lap climber of some renown,
Age, could have been six or seven,
Had a favorite cliffside to ascend and ride,
When done, down to earth, slide.

Up he would go, on a treasure hunt,
A game to play, called pickpocket,
On a forest of a man of coffee smells and a tickly goatee,
Hamburg born, a man who actually wore
a homburg hat on his head.

First the glass case, the snappy kind,
From the snap, crackle and Pop days.
Inside a cloth, good for emergency cleaning of
Runny noses when it was crying time.

Into the crevices and pockets, he dug and delved,
Jangly keys guaranteed to somehow disappear,
A silver and gold fancy pen and pencil set,
A money clip, folded papers he didn't understand.

But the bonanza, the jackpot was the wallet,
Finding pictures of himself, asking the goatee,
Slyly, smiley, all grown up likely, kiddingly
Who's that?

Between the pictures of him and his sisters,
Was a weird discovery, five twenty dollar bills.
His money was in a clip, so these twenties
Had no earthly purpose being there.

There is nothing more unstoppable than the curiosity
Of children under the age of ten,
So a grand inquisition of nagging began,
Centering on the age old torture tool,
Why?

Goatee said someday you will see men,
Lying on the street, some with hands outstretched,
Some, hands beneath, hidden neath their legs.  
They won't smell as good as you,
They may even be a tiny bit *****,
with no bathtub to play in.
When you should see such a man,
If he asks or not, our job is to give him
One of those special notes.
When its your turn to have wallet,
You will understand better.

Dissatisfied was the explorer,
The words did not fully explain,
Why this money was different from all others?
Upon these five bills, were hand written bold
Three words, which he could read.

God Bless You!

Goatee smiled and hugged me that hug,
Where you can't breathe and its a-ok,
But please be quiet now young one...

This poem a total fantasy.

Someday Izzy and Alex will be forward scouts,
Investigators and detectives with prying frying fingertips.

If they get to Poppy's wallet,
Between the pictures of them and the West Coast team,
There just maybe, five folded twenties,
Magic marker signed, but not by a Treasury official,
With words of a similar ilk.

If they should inquire what's the point,
Poppy might answer them with one particular
Poem.
Created on October 20, 2013
Nat Lipstadt Sep 2018
“there are no lines or lies in my writings
there are no definitions and
perception is only your truth”

Jackson *******


my poems are splats and drips.
you make them into paintings that hang
in your own private museum,
signed by you, truthfully, forever,
as first viewer,
and thus as,
co-creator


Nat Lipstadt
https://en.m.wikipedia.org/wiki/Jackson_Pollock
4.2k · Jul 18
I like laughing at myself
Nat Lipstadt Jul 18
For so many reasons;
When the wow creativity
Of the young, new baby poets,

Bursts all over me,
Making me question
My egotistical perception,
Not a slap, but a belly laugh!
At the old fool, who once thought
Ever so secondary briefly, momentarily,
Unofficially, of his own esteemed self-worth,
Only to be reminded, deaf~dumb & blind~sided
By the fresh air, the aggravating sight of new insight
The delicious!delight  of reading the whole of all night
The explorations, the baby hallucinations, the trembling,
Insights of the explorers of the old, not re!newed, but, but.
Made anew, re~viewed with perspectives boldly unknown,
With crazy wisdom to expound, here, you! right here, right now,
I leave you and return to delight, taste, new extra languages, that
                                               I must
                                         learn not to speak
                                       but to peak, even to
                                     Cry, Laugh even Smile  
    
                              In all my new native tongues



Friday, July 18
5:39 AM,
2025
In the sunroom

Dictated in one fell swoop, not a moment to lose, dispatched while
Still laughing at myself...
Nat Lipstadt Sep 2023
~My portrait was painted by Jackson *******~

<|>

there are no lines or lies in my writings
there are no definitions and perception is only your truth.
Therefore,
my poems are splats and drips, you make them into paintings that hang in your own private museum,
but signed by me as first passenger



<|>

when did I write these words?

can’t recall, though undated,
they seem all too familiar, and thinking that if I didn’t,
I should have…
for the title of this ‘poem painting’ has lain in quietude,
a resident in my file of
“someday writs, awaiting,”
when the itch demands you will
essay
the admixture of words and swords
that will cut a newborn reciprocity of thee and me,
an unbound bind that ties and frees us
from and by our shared senses…

today, an  inadvertent blinding sunlight stumble is demanding a
fulsome scratching

<|>

the portrait of each is the irrational intersectional of splats and drips,
each viewer, reader, filters the image through a common
uncommonality,
which is as it should be,
for if we are each created in His image,
how glorious is the diversity of our deities,
each of us a tiny drop of paint on a tableau
of a small planet, insignificant but
uniquely beautiful intelligent species of godlike creatures,

human

<|>

the précis of this conundrum conversation bewilders,
a single word drops,
of plaint, paint, blood,
a seconds blush blurred
that is the building blocks of imagery
I state is mine,
but now realizations swiftly fertilize,
the portrait is not of me,
but of me blended into thee,
and this poem,
is our composition

that hangs in each of our primary
museum,
newly re-titled,
**A Passenger, Realized
Sept 13, 2023
8:35AM
NYC

sunlight direct in a tall building blocks away sneaks into my room,
blinding me into awareness
4.2k · Sep 2013
Parenting (the baby monitor)
Nat Lipstadt Sep 2013
Parenting

organizing the day,
while the baby room adjacent
makes dreaming rock n' roll noises
siren calls to lay in bed,
semi-alert, on guard duty,
scheming about dis n' dat,
you are sleeping, dreaming,
wide awake seeing,
multitasking eyes closed simultaneously.

lesser of a poet, more a notate-er,
list keeper, note taker,
arguing with yourself inside the head,
actually feeling the thoughts
coursing, lurking, seeing both sides now,
parentally, washing the dishes
of the hours and years ahead.

while the woman-mother
makes her soprano dreaming noises,
you laugh at the orchestra of
*******, sighing somnolent noises,
a cadenza of love dancing in your
irresistible wide awake dreams.

paying the bills, lying in the dark,
you wonder-worry about the agenda
unknown that will overgrow you,
fast creeping up the grain of your skin,
ivy on stone skin walls.

lala lala
you borrow baby's lullaby,
yourself calming,
keeping time, silly rhyming,
organizing the days ahead
in you head, while,
recording the harmonies of sensory inputs.

the dark provides the cloak
where you alone
feel and hear the worry and laugh lines knitting
into a single stitch of parenting.


1/20/2013
4.2k · Jul 2018
that poem breach
Nat Lipstadt Jul 2018
Prologue

casual glance at my notifications while driving even though
I’m all ready a bad bad boy, cruising at a sedate,
cruise-controlled 70 mph  vs. the bureaucrat bifocals 55,
a remnant regulation of the Eighties,
all the while humming with Gilligan
“a 3 hour tour,
2 passengers set sail that day”

then execute a four lane 180,
gotta get highway sideway grassed ,
cause i’m gassed...
by a Poem Breach

of the poems promised by me,
to write of thee,
you, my best inspiration,
the list grows longer, faster
than the hours provided

pull over fast emergency for my composure breached,
my vision wetted, my eyes hit by an unplanned unexpected,
sudden summer thunderstorm

<•>

The Poem Breach

once more into the breach thy words breeze through my chest,
like on a flamed stick, night roasting, toasting beach summer marshmallows,
that cut direct to the ineffable sadness that resides resists within,
that sticky, white mess,
a human heart melting

a thank you message that I’ve read before,
many times more than once,
how my unasked poem, a sun unique,
arrived at the
precise time and place,
to lift and even save,
how could I’ve know?

I did not know

but these messages collect on my chest,
unsought words of purple ribbon metal that make a
less burdened cowardly lion,
grown man cry,
do crazy things for it is a possible solution to his
age old quest

Why do I exist, is this my purposed plan, don’t understand, all
but the answer peaked and peaceful accepted in the breach unreasoned,
my port of entry, a gateway to the scales, a bridge it is, over a time-life river styx and unstuck, yet certainly always confused...



“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”


thank you so insufficient
Nat Lipstadt Feb 2014
slept and soaked
the sabbath Saturday away.
the body, achey breaky,
cranked and croaked,
slewed by a slew of common miscreants.
one, a stitch in my side,
feeling like someone's inside,
wanting to be born, feet first,
coming out the side of my chest,
instead of my ******

so,
promised poems and bills to pay,
put aside for a more poetic bill paying day.

awoke once near midday,
an unusual wake up call,
my nostrils do attend,
when the honey odors of
cinnamon and vanilla invade
the french shores of my subconscious.

I love three things French:
the elegance of their language grande,
their frenchified fries and frenchified toast.

was fed some french toast,
bathed in vanilla and cinnamon,
thus drugged,
went back to bed again.

as I drifted off for the third time today,
heard the woman dramatic say:
"must have, must have,"
two words that I from my past,
consider a curse,
a grave phrase of choice of my ex-wife,
her way of saying I didn't measure up.

must have
paprika
to roast your chicken
for Sunday dinner.


relieved beyond measure,
as I to dreamless sleep dispatched,
vague recall a poem forming about the
spices in my life.
Nat Lipstadt Jun 2013
She lifts her head

She lifts her head
But a few inches from pillow,
Where head, a blonde mess,
Has night time rested

Is it dawn or day,
Sky or rain,
Time to rise, coffee make or time to lay
Back down.

I answer all,
For I've been up for h/ours,
(You know doing what),
Place my hand  'pon her head
and gentle it back down.

Pillowed, I thrown in a few kisses
To that tangled mess,
For my hands, my lips,
My writing utensils,
Write her poem,
This poem,
And answer all her questions,
never spoke, never asked,
N'ere a single word out loud passes.
At 5:45 AM, just now.
Nat Lipstadt Sep 2013
Thirty Hours

Who are these men,
Do they have daughters,
Mothers, sisters, granddaughters?
Do they call tenderly their loving
Wives
Their ******,
Behind closed doors?

Thirty hours
In the country
I live, love and worry and wonder about...

This is Justice blinded,
But worse,
Publicly, proclaiming,
I am
Deaf and Dumb,
And lost in Her way.

Thirty hours.

I too, have a question.

Have you no shame?

---------------------------
WASHINGTON — For roughly 30 hours over several days, defense lawyers for three former United States Naval Academy football players grilled a female midshipman about her ****** habits. In a public hearing, they asked the woman, who has accused the three athletes of ****** her, whether she wore a bra, how wide she opened her mouth during oral *** and whether she had apologized to another midshipman with whom she had ******* “for being a **.”


http://www.nytimes.com/2013/09/21/us/intrusive-grilling-in-****-case-raises-alarm-on-military-hearings­.html?emc=eta1&_r=0
Nat Lipstadt Dec 2015
~~~
Disappearing Ink Thoughts:

"Nothing that involves the love of an honorable man"

~~~

One checks in
with the periodicity of
semi-regularity,
a
how ya doing?
sent off by mounted Messenger
to:

good friends,
fellow poets,
former lovers

yes,
it can be
either,
both,
and
even
one and the same...

her reply arrives -

"I am fabulous"

you twinge
with curiosity and whimsical,
mortal fantastical,
creaking regret

for it's from the one
you didn't keep closer
but
so easy was it,
it well might have been a

been

disappearing ink thoughts
start to pen themselves,
on both sides now
of your
two-sided containment chambers
of the heart

does it mean
she's found
another lover?

so you
dancingly
not-so-innocently,
add-on a moonshot probe,
a reply comes...

"nothing
that involves the love of
an honorable man"


are you so obvious,
you groan, forehead smack,
is everything that lies
between your simplistic but
not-so-cunning lines
so easy apparent,
in this game of
liar's poker?

disappearing ink thoughts
start to pen themselves
on both sides now of your
two-sided containment chambers
of the heart


a mixed bag evoking,
a whizzing admixture of
guilty and sad,
fond memories,
sutured together
by alternating slews of
"what ifs" and "what is"

maddening, your mad imbalances

the heart is divided-
left and right

what you have
left
behind,
the seen and the unknown

what you have checked off as
rightly acts of both
rare and well done,
simultaneously

and

you separate the darks
from the lights,
as you subdivide
this conflicted
second-place-derived
"honorable mention,'
the complimentary multiplicity,
of a most pleasant
yet withering assassination,
winning by losing,
by being called

an honorable man

something makes one uncomfortable,
as you write/lay this
epistle *** elegy down
when you are up,
beside your truly
"love the one you're with"

leaving one unsure of where to place
this particular, peculiar,
inscription

are you left or right
sided here?

hard pressed
to uncover honor here,
as shameful, don't-go-there's,
reddens the face
in a darkened
bedroom

but
there is some
softener within
all this disappearing ink

recalling that you knew yourself
well enough,
to give up,
when to walk away
so rightly so,
when you heart knew
what wasn't left,
wasn't just quite
meant
to be
ship-righted

meaning
fair superseeded implanted desire,
and you
left-leaving, left-leaning,
on
the right stuff

here you sign off,
almost forgiving certain sins
so flawed for being so
human,
such as contemplating,
the wonder of wonderment,
the fragility of frailty,
the knowing of never
perfectly knowing



~~~

Dec. 31, 2015
7:59 am
Flight  #1011
Seat 16C
Somewhere over the
human landscape
Nat Lipstadt May 2013
There Is But One Law (The Dancer's Coda)


There is but one set of laws,
One that need be obeyed,
One that brooks no heresy,
One that gives no absolution.
One that needs no priests, no canons,
One that that refuses disobedience.

We all bend knee at altar invisible,
Though feasance never requested.

The Laws of Physics.

A body at rest, a body in motion.
Laws immutable, unconditional,
Equations, proofs, demonstrable,
Inequalities inexcusable, banished.

Dancer says:

I am heretic, even these laws I refuse.
My body denies limitations,
My mind believes I will make do
What it could not, but yesterday.

Defiance from wire to wire is the
Fuel in my veins, fear but a detail,
Leaping from from ten meters more,
My Declaration of Independence.

My body plastic, my mind ethereal,
Some mock, call it trickery,
Some hail, call me hero.

There are forces greater than mine,
Forces irrevocable, mathematically superior.
Each day my force grows as well,
Visions imagined supersede the
Tedium of definitions, of boundary lines.

Bend the law, conquer the null, fill the void.

Each day sketch, devise, organize a
New rebellion, follow only one command,
Honor but a single battle cry.

Leap, then fall!

That dancer, your only law,
That heretic, thine only coda.
Action is freedom.

For you are dancer,
Whisper as you leap:
The Fifth Freedom I possess,

The Freedom to Fall.

May 17th, 2013
May 17th, 2013
Nat Lipstadt Jun 2014
written two years ago and a bit, but suits still....

Weather Advisory: A long poem pouring ahead

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Be not fooled,
by the evening-tide,
be not deceived
by the quietude,
tis not a reprieve
of day before dark.

Be guarded,
for the easy transformation,
a tranquil shedding
of the day's husk,
into the faded light of dusk,
just one of nature's machinations
to delay the inevitable.

Evening-tide,
a colored compilation
of a few mischievous hours,
when sunlight is invaded by
streaks of pink, azure and gold,    
just before the
palette is plunged
into a stainless steel can
of gothic black,
skyied glory rendered into
common house paint.

Evening-tide,
an alleged easy calm
surfeits some souls,
supposed easy passage from  
the day's contusions to
a relaxation from humankind's regulations and rules,
but not for me.

Evening-tide,
when appetites unsated, simmer,
the in between hours when
humans transform themselves,
from day laborers to creatures
desiring, aroused, hungry  
for night time pleasures,
searching with false courage for
boundary lines to sever.

Evening-tide,
it was at evening-tide that
David espied, desired and
stole Bathsheba for his own,
with a King's arrogance
rent a kingdom,
murdered for profit,
birthed an Heir,
a prince, who wrote,
by evening-tide:

I have seen all the works
that are done under the sun; and,
behold, all is vanity
and vexation of spirit.

Evening-tide,
fear closes my throat,
confusion reappears,
a low grade flu infects
deemed persistent, incurable,
revisits, medicine resistant,
my insights, my speech,
to blind and bind  

Am I Gloucester,
blinded, but faculties
possessing vision,
the future to clarify?

No, no, it is to a king,
Lear,
to whom I am
son and cousin,
kith and kin

Sunset visions of
ultimate demise
ours eyes behold,
but plainly put,
at Evening-tide,
our dementia -
a precursor,
a periodic but hostile guest
in the hostel of our memories,
cracks and fractures us,
spirit first, body second.  

We are bound helpless
by a knotted tongue,
slow dying malingerer,
inside a head of ill repute,
unable to locate our knowing,
and every word selected,
a battle galactic, oft lost

Evening-tide,
I am cold,
and the issued command
is bring an umbrella
to warm and cover.  
What an old fool am I,
tis not blanket or a
Bathsheba I seek,
but at Evening-tide,
Babel's nefarious treasury of words
unlocked, for tis closed,                    
the gatekeepers,
drunk and absent,
drunk on absinthe,
and creme de mentia
and I have no key

Evening-tide, prithee,
I beg of thee,
consideration please,
check this hideous amusement,
that makes this
King's speech confused,
odor of smokeless cordite ignited
where the synapses have burnt,
injured, beyond repair
injured, by mine own aging.  

Reverse the diagnosis
of the panel of wordsmiths:
Alas, weep and be comforted...

Evening-tide,
a reverie of colored tears,
downward sloping,
arrive to tingle my tongue,
warming comfort for an *****
willing but unable,
a wounded soldier,
a veteran of poetry,
now prone and pained
beyond repair,
beyond healing,
immunized to the
heat and solder,
drugs and salves,
that heretofore
might have closed
the cracks of rack and ruin

Evening-tide,
Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
All the king's horses and
all the king's men couldn't
put Humpty together again^

Evening-tide,
my hair, the color of old age.
Irony, my skin yet smooth,
unwrinkled, not in need of the
toxins that are employed
to fill crevasses on
the outer banks of age of comedy

Alas, the toxins natural from within
have seeped from their
latent resting place and have
contaminated the groundwater
that lubricated my mind,  
from siege engines poured,
a contamination of
mine own making.  
After a life long battle,
my Jericho walls have fallen.

Lear and I faint recall the love
of our beloved Cordelia,
but try as we might
her name escapes our grasp,
******* by bite of aging's asp.

We grow drunk by night
on a drink not of choice,
unhappy fury,
the residue within
the imprisoned poison
of our polluted tears,
that come only after our
misspoken and misshapen
guttural croaks
of our Eveningtide prayers
are both
unintelligible and unrequited
Written 6/01/11, after seeing Derek Jacobi as King Lear. This poem is about my fears of dementia which people close to me suffer from, sadly.  Now, I struggle to recall names and places. Poetry, not so much because I get to pick and choose words at my own speed. But someday, who knows....the time between day and night, is a metaphor for a beautiful slow, slipping away but be not deceived, by the quietude, tis not a reprieveof day before dark.

^ this rhyme, purportedly a child's view of siege engines that could not break the walled of the City of Gloucester (how ironic!)  in 1643

An abbreviated version of this poem goes like this:
Nat went to see King Lear,
Then went down to the beach
To watch the sun set, the evening arrive,
They both reminded him, of his fear
That someday he'll probably sunset like Lear
And end the play, the eve, mad, his mind deceived,
De-worded, defanged, his poetry retired, but not relieved
Nat Lipstadt Sep 2023
“The executioner’s face is always well hidden”

a Bob Dylan lyric

<>
mine own “ex,” in chest encased, silent, with grimacing smile,
happy to be of sir-vice, sent home unhappy, cause his cut,
not quite deep enough
this time,
though nearly succeeded,
but his biz is an-all-or-none inclusive Swifty tour, disillusioned,
he don’t get paid unless he brings my punched ticket to a glorious
sadness conclusion

someone asked (axed in local accent) if I’m nearer my god
having survived despite my best efforts at self destruction,
to which I’m smiling when uttering a “heartfelt prayer” of
Hell No!

cause the channel always been open and either side can initiate when so desired, the gates of love always open,
so wasn’t surprised when playing with my matches,
he went silent, but knew fully well, Mr. G a risk taker,
put his roulette chips on a “basket bet,” (1)
needing a double 00, to collect,
because, shoot, the timing was good…

Me?

ain’t naive enough to hope that a prayerful request
would not be met with a “now you want some intercession?”
and a heavenly sneer, cause we always been perfectly clear,
with each other, ask and you won’t receive, and none of that
what have you done for me lately razzamatazz,
nah, the record impurities gray
and no pencil erasures allowed…

knowing that the executioner will be back’ round someday,
my wounded heart too tempting to pass up twice, and
that’s ok, this old man learned to live with
a not entirely pleasant uncertainty,

”This old man, he played one,

He played knick-knack on my thumb;

With a knick-knack paddywhack,

Give the dog a bone,

This old man came rolling home.”


but he didn’t play two, having no kazoo!
Basket Bet

(1)
A basket bet, also known as a five-number bet, is where you bet that either 0, 00, 1, 2, or 3 will hit. It’s always these five roulette numbers. Since you need the 00 to make this bet happen, it’s limited to American roulette.
Nat Lipstadt Apr 2014
Prosecco cocktails, être pour la danse,
cassis pour moi avec limoncello,
madame, passion fruit, and blood oranges

très grownup, breakfast at Tiffany's,
she is all sunglasses and Audreyfied,
me and George P., struggling writers,
checking if i got enough cash
or have to exit smooth, just in case,
maybe we leave our
coats behind, as ransom?

lincoln center plaza cross-dressers,
past the opera,
the sun, a balmy thirty five degrees,
laughing at us teasingly,
cause tonight and tomorrow,
******* all the day,
winter kisses
in case we forgot,
early March
first belongs to the Ides of Winter

Afternoon of a Faun,
another ballet, origin,
a Mallarmé poem.
(you begin to comprehend)
yes quite so,
a perfect synopsis of the day,
Acheron imported from Scarlett Liam
who lives in the U.K.,
but comes to choreograph here,
for gloria Americana

sundown, soul cold back,
"lest we forget,"
but the dancers bid us adieu
with a rousing waltz, frenchified,
La Valse, une poème chorégraphique,
by Ravel, bien sûr!
aroused and heart gladdened,
return home for

for veal chop love

two hours of *** banging,
kitchen banishment, (Yay!)
chanterelles steeped in red wine,
coverlet for a non-vegan tasting,
English peas, red and purple potatoes,
and for desert,
a diet dream of verbal exchanged of detailed
I love you's

He: I love you,
She (happy), replies: I love you more.
(this repartee ballet, has been rehearsal danced before)
He: Why?
She: Because you are kind and generous, to street beggars, my single friends, good and smart, love art,
and never let me down, and love my cooking, leave space for others when you park, go thru life making waiters and ticket takers smile and laugh, sleep for hours your head on my hip, write me crazy love poems about veal chops
He: What's for desert tonight?
She: A ****
Just an afternoon in the city...whatever
Nat Lipstadt Jul 2016
<>

Every summer, I relearn a new language.
Every winter, it departs for warmer climes,
Its charms and naked arms,
Its own alphabet,
Clean forget.

Multi-lingual in the summer's peculiar
One language, one aleph bet,
With a mega-millions of dialects,
Know them all, cold,
know them all, hot.

I speak Woman.

Summer is soft, shapely, sweet,
Clean, bare, lush in a sparse way,
And Woman is spoken thusly.

There are no harsh sounds,
Guttural exclamations, nein!

I speak Woman.

There is no ugly in the summer.
Ugly being an ugly word.  
It cannot exist in an atmosphere of
Sun, greenery, sand, carefree days,
vacations, no school, no ways
Is there ugliness in any woman of the summer?

You could take this writ many places.
Most of them wrong,
So sputtering sexist or other labeling words,
Makes you ugly and wrong.

Could not give a good *******,
In the summer of 2013,
There should be no ugly, no prejudice.

In any summer,,
There should be no ugly, no prejudice at all.

Long past my primal,
I still speak Woman
With almost perfect fluency,
Au naturel,
Naturellement, à la française.

Gym clothes, denim short shorts, yoga pants gone mad,
A-line skirts swishing in the breeze,
High, god, so high the heels,
Flats clip clopping, flips flip flopping,
Stilettos making love craters,
All over my heart, like a surgeon doing good work.

It is the bare arms and the fluorescent, mint stripe hints of
Summer Cleavage, the short skirts,
Body hugging one piece fabrics,
stretching from here to down there
That do not hint.

The shoulder strap of the underthings,
Asking, commanding me to
Wonder where these paths lead...

Even the light shoulder wrap,
Casual over bare shoulders slung,
A late night elegance that mocks me,
Like gift wrapping over a
Smile demure, a teasing blindfold...

All these say:

Write us poetry in our very own tongue of
Woman.

Will oblige.

I curve with curve of the *****,
Invert geometry of the S arc of the waist,
Mystifying, how it is the designed place
For my hands to grasp, never failing...never letting me fall

The crayola musical colors of flesh variations,
Boggle the senses...
How can
Tan and pale,
Dark and Light
Have so many
Symphonic variations?

Adagio, slow and leisurely, a pas de deux
For two eyes, following ******* by eyes sparkling,
Timpani crashing heart and thunderous pulse quickening,
Violin heart crying out, joyous wailing need and desire sparking.

Just as Byron wrote:

"Music arose with its voluptuous swell,"

Yeah, just swell,
a voluptuous sea swell.

Well,
Enough.

My eloquence is a poor instrument to portray my
Fluency.

Early May man glorious loves life,
Late July, sadder man,
Knowing  the summer foliage colors will soon, fall-fade,
Come August, my vocabulary, already diminishing.

But
Never forget
how to say in the language of Woman, this:

Without you,
I am nothing,
With you,
I am more than everything.


Tho I can no longer say it well,
It is is still true and
Beyond belief.

My one true language of love
In a world gone mad.


August 2013 ~ July 2016 - May 2017
First posted here on August 22, 2013
Edited July, 2016, May 2017
Nat Lipstadt Mar 2017
rose at the wee three hour,
to verify the factual, "they" have cancelled
this particular Tuesday in NYC due to celestial inclemency
named
ma Bella Stella

the guv and the mayor,
a creator's doctored note received
from the supreme being of their choosing,
** ** **, whaddya know, we city folk and grownup kids get a day off,
cause we got a special kind of cold, called a nor'easter

sho'nuff, an atmosphere perusal
shows a whiteout sensual ensual,
through a sleepy bedroom window,
visible the commencement of 18,
maybe 24, inches, can't be too sure

but it's all about safe over sorry which is why,
really good poets rewrite a new poem countless times

rose at the wee three hour,
a snowy add-on found to our raging winter,
a poem~note^ from you, patty girl,
about transition and juxtaposition
which leads me here, here being on the
writing couch roundabout the now wee hour of four

for the juxtaposition of the blizzard external
and your early-morning poetic missive
has transitioned to blizzard inferno internal,
visible the commencement of 18,
maybe 24, lines, with poetry, one can't be too sure

you can lead a horse to water but not make him drink,
you cannot lead a poet to certain words without making him think,
you phrased me a phrase, so consequential, guilty you are of
robbery in the first degree, stealing my mind in furtherance
no mas sleep

the providence words you provided shot off
so many alt-poem routed roots that I must now provide
a trigger warning to you dear reader, that I am near to
dangerously drowning in an internal blizzard of very
l e n g t h y poem possibilities

transition and juxtaposition

dumbstruck

are not our entire lives consistent of transitions
by the elemental random juxtaposition of
consequential accidental, just happen to happen happenings

to all my friends here,
how did our juxta-wooded paths happen to cross
we are citizen~strangers of the planet
Never Met
who exchange secrets and confidences as if we,
transitional, friends but, of one family born

dumbstruck

now past the five,
my torrential impulse powered thoughts
have slowed to tortoise speed
and someone has mercy on my soul
calls me back to the
snowed-in blissful bed

but this my parting pattyshot

if i ever get the shoulder tap,
"kid,would you like to update the
Five Books?"^^

I know instinctually intuit,
the first book, no more
Genesis

the first chapter of the
nattyman version
**Transitions and Juxtapositions
^" I decline
to align
my spirit or word
preferring instead
to tread
upon rules
CREATED
by
FOOLS

But the alignment of body and soul
defies
transition and juxtaposition,
as prayers unfold.
How beautiful is poetry
a raging rant or fervent plea,
expressed exquisitely.

hugs
patty m

^^the Five Books of Moses a/k/a the Old Testament
5:45am
march 14 2017
-------------
Storm Stella whips the US Northeast. The monster snowstorm, expected to bring winds of up to 60 mph and reduce visibility to zero, put 31 million people under a blizzard warning and has already resulted in the cancellation of over 7,000 flights and the Falcon 9 rocket. CNN predicts the heaviest snow between 6am and 9am ET.
Nat Lipstadt Dec 2017
at the point of entry (explicit)

it does not strike me strange
at the point of entry
when the heightened senses and the dark subconscious merge

when the lust and the sweat intersect
with ego desire and self is everlasting everything
that the ***** words secretion is sticky on my tongue

when I pant poems born in rawness and tears
on this the last day of the year
and eyes closed see visions extraordinaire
and the Maker whispers in both ears see!

it is the see of what is me,
it is the point of entry and departure,
one and the same,
conception an immaculate mess,
the emptying and the fulfilling, when unkempt promises
are born free flowing and semi-truths transform into
actualities unforeseen and my child cells of new poems
are injected, stored, awaiting the birthright
and the death of publication,
my moment of privileged perfection passes
and frowns and smiles are
one and the same, silken thread wove open and shut

the precision precious circumcising of flesh and soul departing

the utter collapse from within, the drowning in the amniotic,
rebirthing rebutting my denying that I have no more to give

I believe I belong to you for it is what the desire firing cylinders
say repeatedly in the union of the up and the down cycle:

come, come inside me,
I am the pleasure
you are the treasure
in one cup measured
conjoined container
when the point of entry is the point of departure
and with eyes closed from satisfaction and prayer
I see everything all at the same time, uttering:

I am undone utterly and the difference between
the end and the beginning can be seen only
at the millisecond long seven decade coming
point of entry

12/31/17 5:38am dawn dying and new day mourning
explicit point of entry 12/31 nml
4.1k · Apr 2017
in the river of good company
Nat Lipstadt Apr 2017
in the river of good company

I dedicate this poem to
Mr. Harlon Rivers,
one of the best poets (here)
and from his good company,
i could drink all day and
never be quenched


~

Preface

sometime, the heart wants it wants,
denial, temporarily from your vocabulary, excised

sometimes, beauty keelhauls you, gets you
awestruck inspired, then arrogance overcomes
the brilliance of common sense and you go ahead and
mess with perfection despite every sensor flashing
uh oh, duh, oh no, fool on the premises, lockdown needed!

do believe this condition can be found in the medical books
under I, for Inspiration, Incantation, or S for Stupidifacation

my heart wants to write a poem,
cause I was a witness, sitting twenty feet
from the heavenly crime scene,
and every intonation swept my brain into that secret place,
when I heard KD Lang singing "The Valley"^

~~~

in the river of good company**

simple sentiment but good god
all I ever wanted and so oft lacked
such was my fate, one I made,
had plenty good words for boon companions,
the occasional touch of a woman rippling waves
cross my face, a love lapping slapping
of concentric pebble rings,
till like most good things
gone good goes bad,
it just happens to evaporate and
you think someday, maybe,
you will walk again in good company

the brain says quit right here
but the heart brooks no damning tantrum of sanity imposition,
for those handful of deepest, not quite six feet under
palpitations of insensible, cutting glimpses of that word I hate so,
memories,
of when
you walked in good company

men women no different - it is that heated aura
tween bodies that confirms that you are once again
a human being, just a being, temporarily
enhanced, elevated, by good company

so go ahead sweet talks ya, that devil id a/k/a desire, says -
one more for the road can't hurt ya,
write that poem -
and perhaps one good man, glory hallelujah, a good woman,
will read it and you can stop weeping you idiot,
do it so you will be back, nuttier but nurtured,
drinking from the river of good company,
mouthing not even dare whispering,
satisfied satiated, loving and loved
~
all reposts greatly and  grateful appreciated!



4/2/17 9:24am
the perfection...
~

K. D. Lang - The Valley (Jane Siberry Lyrics)

I live in the hills
You live in the valleys
And all that you know
Are these blackbirds
You rise every morning
Wondering what in the world will the world bring today
Will it bring you joy or will it take it away
And every step you take is guided by
The love of the light on the land
And the blackbird's cry
You will walk
You will walk
You will walk in good company

The valley is dark
The burgeoning holding
The stillness obscured by their judging
You walk through the shadows
Uncertain and surely hurting
Deserted by the blackbirds
And the staccato of the staff
And though you trust the light
Towards which you wend your way
Sometimes it feels all that you wanted
Has been taken away
You will walk
You will walk
You will walk in good company
I love the best in you
You love the best in me
Though it's not always easy
Lovely, lovely
We will walk
We will walk
We will walk in good company
The shepherd upright and flowing
You see
Nat Lipstadt Jul 2013
Got A Sunburn On My Belly Button

Yup. Thought I had it covered.
The lesson learned,
When they say they got your back,
Ask 'em,
Why not the front too?
Part I
June 22

Do Not Economize on Sun Lotion!
This weary lesson well learned,
A life long notion, worth keeping.

If you think, this is insufficient
To qualify as poetry, I won't disagree,
For I think of all the words unused,
Saved for you to send to me!
Nat Lipstadt Nov 2013
Ethereal: A Commissioned Poem


This one knocked me askew! What do I know of
"an ethereal world created through the poetic imagination."

I am a flea of simplicity, a blunt and direct man, who scribes the small, cherishes the little, grabs the middle.
So many here are so far linguistically superior, when matters light, airy, and heavenly are involved.
Hell, I even call god, my buddy, by his first name when ****** stops by to make confession.
But first take nine minutes, patiently, to listen to this, all the way to the end.
http://youtu.be/xxTF2umRtqY
Then, and only then, read.

— ethereal (adjective)

light, airy, or tenuous; "an ethereal world created through the poetic imagination;" extremely delicate or refined: ethereal beauty; heavenly or celestial; gone to his ethereal home; of or pertaining to the upper regions of space.

My ethereal is:
Autumn leaves, piled,
wet and slimy,
stench rotted.

Human waste smeared,
in the the diaper
of the olden, enfeebled.

Burnt flesh,
the sulfuric acid kiss
from a rejected hand.

Cigarette smoke stains
yellow post-it's stuck
on human skin.

Men who live in cardboard boxes,
knowing this is
the all of their days
existence.

Scowling smiles, a
coin of death,
on the faces of those forced
to sell themselves for money.

Cursing accident traffic,
until you pass the overturned car,
see the car seats, teddy bears,
just litter now, amidst the
safety glass highway tree decorations.

What did you expect,
some of your favorite things?

Raindrops on roses and whiskers on kittens
Bright copper kettles and warm woolen mittens
Brown paper packages ******* with strings
Cream colored ponies and crisp apple streudels
Doorbells and sleigh bells and schnitzel with noodles
Wild geese that fly with the moon on their wings
Girls in white dresses with blue satin sashes
Snowflakes that stay on my nose and eyelashes
Silver white winters that melt into springs


Ethereal is Sandy swollen-springs
drowning mother and child in their SUV.

Froze dead vagrants
under white pristine,
suffocating,
beneath lovely snowflakes
that ****,
no strudel for them.

Mean ones pouring punch
on white prom dresses,
ruining dreams,
such a big scream,
put it in the yearbook,
don't forget the smiley face,
*******.

State troopers ringing doorbells
with so sorry so sorry ma'am,
she is not coming home
any more.

Stop!
Why?
You all grown up, learn the real,
this ethereal is the real too.

Wipe that *** look off your face.

You want gossamer and lace?
Wrong poem.
Beat it.
Go whine about your heartbreak
to somebody else,

Ether is the aromatic odor and sweet, burning taste, derived from the action of sulfuric acid.
Look it up, disbeliever, if it matters, it is so
real.

If you gonna use a word,
then know it.
If you gonna claim
the title of human,
try being it,
earning it.

Ethereal is the orderly,
cleaning the *** of the helpless,
one more time,
softly singing.

Ethereal is a car seat, belt,
that saves a child, a teen.

Ethereal is soup,
not a folded twenty,
hot hot soup for the
lying on the sidewalk.

Ethereal is miles of flags
receiving our dead
from overseas.

Ethereal is writing a poem about
someone else's pain
in your words.
just once,
straying away from the word I.

Ethereal is saying,
hey, to the blind,
careful,
wet leaves ahead.

Ethereal is human justice,
most un-divine.

Ethereal is not a thing,
nor even an adjective.
But a way of seeing the world.

Part II

Went out into the night,
back to The Village,
Bleecker Street.
where I used to live (#308).

Heard voices. Human voices.
A Room Full of Teeth.
They sang a Partita.
"A simple piece.
Born of a love of surface and structure,
of the human voice,
of dancing and tired ligaments,
of music, and of our basic desire
to draw a line from one point to another."

It was ethereal.
As I wrote these words in my mind,
My ethereals did not battle but blend,
the ugly and the beauteous.
They coexisted in peace?
I think not.
They coexisted in humanity.

All that is delicate,
is only because there is rough.
All that is soft,
is only because there is hard,
Listen to the lines drawn from points on earth.
You cannot choose which points to connect.
For all point to
Ethereal.

Ethereal is not a thing,
nor even an adjective.
But a way of hearing the world.
Nat Lipstadt Oct 2013
The groove, the rut, and the cut
were walking down the street.

As good friends do oft,
Cousin in name and in shape,
They strode sided, but said not a word.
Still understood that three
So different, nonetheless, one design.

The cut was old yet still bled
From time to time.
The groove and the rut, always in touch,
T'issued spear-carriers, armed and
Loving, dabbed and blotted the cut clotted.
For that is what the friends are 'the for,'
For the clotting, the knitting and the closing.

The bleeding came when it came,
They jested that they could never leave him,
For tho he bled regular, there was no schedule,
No knowing the when, but the why, that they
Understood. They would not have left him anyway
Exception of course now and then, but leave
Their man, their cuz, was not to be conceived.

The rut was long, thin, you had to look down
To see his full length, for he grew bottom-down,
Every day another ring, another inch, on the soles
Notched, they dared not, count them, so many days
Rutted in the tedium of a blood count of unable,
Incapable of being broken, his enemy, arch, was his friend.
Tedium his companion, his drug dealer,
When groove and cut were at work, failing to supervise.

Rut could only sigh. Sole solitary sound, except for the
Quiet ringing only he could hear, rings forming,
Day after day, and he could not count that high,
So instead each rut was given a name,
For blessed endless the world of words that say
I am a daily existence, nothing more, nothing but less.

The groove, hero to the cut and the rut,
Had his moments.
But he had secrets he did not share with them,
But as an outside-looker-in, I was privy to the
Privy of everything.

The groove was oval, wiry, snakey shaped,
But prone when prone to twisty turns when
Objects like objectives met, in counter ed.
But when groove was grooving,
There was full blown full mo, the world observed.

Strict silence for the poems that
Shook lose from his frame,
Bad his eyes, wept he,
Lines of ones and twosies,
Fat and wide his fame,
For when the groove was
Cooing and cooling,
Life infused him and sips of tea,
Each transformed into the heat of ooh and the ahh,
When the cup was empty, he had his finished 'aha,'
Of a new parting, gift giving in his heart.
For he she see saw the angle of simple, and thus could
Groove on grooving.

The rut and the cut were happy for him,
Watch with incredible incredulity and an itty bitty
Jealousy of which they never rudely spoke.
But they would board his poetry-train sled,
Down they rode, the white snow
Of being a a lookalike groovy kid,
Even if and but, for just a few minutes.

Everyone loved groovy, and watch his every movie,
Licked the whiskey wooden snowball words from his lips,
but would not admit they kept them hid,
So they could be reread when they were at home
In the closet with flashlight, and the weeping was easy.

The three cuz went to the carnival.
Fun house with mirrors that made you look like
Who You really were.

But not them, for "the for" was different,
For when they strode sided before those mirrors,
They could plainly see that the
Groove, the rut the cut
Looked exactly alike,
Exactly alike,
All looked
Like
me.
For Rebecca, just because.
Created October 19th, 2013
Nat Lipstadt Oct 2017
still be on my feat*

oh Joni you showed up at my door once more, Saturday morn,
blonde bangs and ***** voice, two octaves below shrill,
right about where the register intersection of
heart piercing, me humming, memory smiling,
poetry inspiring, yeah memories crying, that too

together, we have had more than many,
one case of you, a million sips, and I am writing
to see *how you're feeling
and to let you know
I never drank a case of you that left me,
being still, left me standing on my feat

my feat?

drank de-feat like it was the sea, boundless but not soundless,
sweet waves repeating, sea tears tinged with bittersweet cries of
Tupelo honey,
cause you were one of my angels,
lifting me higher when love was saying
not!
this time kid,
place, babe, not this peculiar particular apparition,  
wrong rendition,
and at last, finally, long time later, sheepishly, sweetly only,
what was her name

your voice stood me up, your words still slap my face with
cases of kisses upon my neck, tune-turning prophetic notions of
what's next still  be only just around the corner,
waiting on a new, simple twist of feat,
another song, poem, lover, and yet another,
case of you, so we can always see both sides,
and when I think of you Joni
my mind seesaws,
and I, still be on my feet, and thanks to you
ready for my feat

<•>
10:59am 10/28/17
Nat Lipstadt Jul 2023
early daylight across my face sweeping,
gingerly ginger-yellow heated by the low-
risen sun, it confirms what my beating heart
yet signals, granted us, a new twenty and four,

but no more,

for certainty is not a human condition, so we cover
our eyes, not from the sun-rays, but in deference and
thankfulness and  gratitude, that we have one more chance
to the world distribute, blessed human loving kindness, unique,
the greatest gift most excellent we human possess to give away freely!

Jewely 23, Twenty Twenty Three
8:30am
4.0k · Jan 2017
The Leonard Cohen Trilogy
Nat Lipstadt Jan 2017
a birthday present for his admirer-in-chief, R.A.


http://hellopoetry.com/poem/1833523/for-leonard-cohen-who-by-fire/


http://hellopoetry.com/poem/1833538/for-leonard-cohen-the-musicians-minyan/


http://hellopoetry.com/poem/1844090/for-leonard-a-man-cleaning-up-after-himself/
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