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robin Mar 2013
can’t be sure.
can’t be sure.
can’t be sure that it’s dead until its heart is in your hand
can’t be sure that you’ve won until the competition is all dead,
hearts in your hands,
can’t be sure so don’t turn your back on the bodies.
can’t be sure(surety: n; the state of being sure
surety: n; certainty
surety: n; ground of safety
surety: n; is when it’s all over
when the moment is crumpled at your feet
and the guts of the present are clenched in your hands
like the trophy you’ve ached for since the past.
surety: n; is when it’s all over
when you bleed wax from the candles in your chest
and the ball ends so abruptly
chandeliers clinking over fallen dancers.
surety is when it’s all over,
the jig is up and the game has been played
and all the characters are dead on the stage
but the fool who gives the final line.
surety you’re sure,
because your hands have grown now so large,
rolling knuckles and long fingers
enough to hold all the strings
and now you know what they meant when they told you watch out for the puppeteer
[[it’s you, it’s you,
you’re the puppeteer and the malevolent god,
you’re the one that they told you stories about at night,
the one that pulls naughty children to bits
and laughs at the good children because how long will that last,
how long before you’re stealing and murdering and ****** and
]]
surety you’re sure,
starving with a distended gut
the guts of the present too insubstantial when what you want is
to eat blind justice whole
surety you sure are pretty,
prettiest hangman i ever did see
a noose and a knot, we can waltz all night long,
sing me the convict,
the convict’s song
surety it’s sure to be,
surety it’s sure -
the universe has ways of getting what it wants,
has ways of dragging everything it hates
down to its gut
to rot and die at the bottom of the universe.
to rot and die in a pile of stardust.
survival’s a game and you’re losing fast,
but ******* if you’re going down you’re going down swinging,
you’re going down with cracking skulls
and you’ll take the world down with you.
surety you’re sure to leave
the world in a pile of stardust.
surety you’re sure to be
the killer in the operahouse:
the best and the brightest shot through the throat before they can sing the last verse,
because the end is always the worst part,
the conclusion where all the worries are ended because they never tell you how
the villain hung himself from loneliness.
the hero died purposeless with no-one to oppose.
so don’t end until you end it right
don’t end until you tell the ******* TRUTH.
death is not grand and ****** and beautiful.
death is the pathetic puff of stardust
stirred up by your last breath
as you rot and die in the gut of the universe.
surety you’ll show them how
the universe meant to die

and blind justice weighs your heart.)
Steven Cole Aug 2018
If I could be a better man,
I'd have enough insight
To always come up with a plan.
In times of trouble, danger, or distress,
I'd keep my emotions under control,
And never run out of rational sense.
No circumstances would ever drown me,
Or rise above my head,
Because I'd know how to swim the currents,
And land on solid ground instead.


If I could be a better man,
I'd have enough courage to follow through with every noble goal I set.
And every appeal to selflessness
I am tempted to forget.
There'd never be a task
I couldn't undertake,
Even if it meant
My life was at stake.
Money, time and resources
Would never grow on me,
But I'd give of these objects endlessly.
And at the end of the day
I'd still know how
To be completely and utterly free.


If I could be a better man,
I'd never fear the entity of change.
I'd embrace this shrewd reality,
Unhindered by its pace.
I'd keep a face like solid flint
When revolution
Threatened to derange.
At will I'd change my emotions
To better fit each phase;
Each chapter of life
From page to page;
I'd wire my brain to electrically flow
Smoothly and flawlessly,
Everywhere I'd go.


If I could be a better man,
I'd never struggle with uncertainty;
I'd always know what choice to make,
No matter the options that lay before me.
I'd never have to second guess,
Overthink, obsess or stress:
The presented realities and decisions of life;
A special wisdom I'd possess.
A knowing in my gut and heart
Of all that is my destiny,
With the calm assurance of having what it takes
To get to where I want to be.
The truth itself would become my eyes,
And never from my heart escape or flee.


If I could be a better man,
I'd always be a man of my word;
Letting my actions always
Positively confirm the things you heard.
I'd mean every syllable I spoke to you,
With fiery convictions I knew to be true.
I'd always know how to communicate,
And wouldn't let grievous words
Separate
Relationships so vital and true;
The stuff we're made for,
And shouldn't undo.


If I could be a better man,
I'd be a fountain of virtues flowing,
Ever going;
Like a rumbling and roaring
and rushing waterfall,
Dazzlingly Tall:

Wisdom

    Prudence

   Diligence

  Patience

Courage

  And Emotional Intelligence

     Faithfulness

   Rectitude

  Purity

  Relentless tenacity

    Fortitude

      And overall confidence

                                            With surety


If I could be the perfect man,
There'd be one thing I'd always know how to do.
And that is, my friend, in all sincerity:
Faithfully and infallibly
Loving God and You.


But since I know
I am far from perfect,
I will do the best I can.
And though I fail now and then,
I will get back up
And stand.
I will seek forgiveness
Down on my knees;
Ask God for humility,
Grace and Mercy please.
My weaknesses I'll count as blessings,
And thank God I don't have to be:
The Savior of the world -
Superman -
Who for comfort, has no need.
#perfectionism vs. brokeness
#Grace
#I find myself in Christ
Nat Lipstadt Apr 2016
~
words given life's first breath by this comment from
SE Reimer  
"thy tiller has found a storied port"

~~

captain of a city street ferry,
upon the choppy holy waters of
scarlet fevered spotted gum stained
christened concrete streets

daylight guided by the starlight
of quartz sparklers sidewalk embedded,
resurrecting, overwhelming,
the grayness of men's mortared materialism,
these textured bright city lights,
from murk morn steam-pipe risen,
signposts of a city boys life,
navigation tools on his
steerage cruises

'tis only my poor torso
I captain,
my bus driving days retired,
single masted, obedient to the sun's paths plotted
on a personalized AAA TripTik,^
my cargo, my tiring physique,
the refined mettle product of a
sixty five year too short voyage of
deep diving mining defining,
and for surety, water divining

city walking life driving,
debtor-in-possession of a
city infection
of perpetual motion sickness

enabled inability
for standing stilled,
lane weaving,
people receiving and perceiving
as buoyed obstacle objects
to be passed by
in a higher lane
of shaken and stirred
city waterways

muscle's squeak in sonnet speak

Why speed thy errant boots
upon lanes of wandering men,
is there not time enough,
words suffice,
in history's future present
unlived long life,
to recompense
all your recorded stanzas,
mariner's tales and wrote recitations of seafaring voices?

sea nat run.
sea nat go.

dodging tween his fellow citified citizens
and the puzzled and puzzling drowning tourists,
sea nat write his unsecreted visions,
sailing from street to shining street poetry

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee I am composed

when my decomposing time scheduled arrival
lately comes on time,
bury me in its cemetery of memories,
within the soft earth of a watery grave
that the jackhammers drill bit paddles can uncover,
in rough canvas toss my worn smooth
failed frame overboard,
so I may become but one more
fable
in your fabulous liquefying
cement oceans

~~~

3:53 am
5/18/16
nyc

^
http://pearlsoftravelwisdom.boardingarea.com/2014/01/remember-triptix/
with apologies to all the great poets from  I liberally borrowed
I gave into a subtle beating,
Wrought once by Eros’ tasked -entreating,
The winds confound I lost my heart and…
…she of black-haired, eyes, dark beauty;
warm-rosined cheeks of nature gladdened.
For Pallas' claim, -said we both were saddened.
And me a farmer, she a princess,
I of yoked-labor, while her suitors, -the best.
Doth Father-King did mantic challenge, that challenge being sought in no jest.

Accosted me the low-ly suitor,
He gave of me a challenge -the worst. He sent me to the serpent’s folly.
With dagger and heart, whirlwind passion, sought I did the guiles’ jolly.
Up the cragged wind-swept mountain, past laurel berries, trees of holly,
Into white polished marble temple to the folly of a lair-born beast.
Gave my most but just a farmer, heart of swelling beat untempered.
As he set out, devour meal thus conquered, came she the dark-haired raven beauty, with shrieks and wails doth shocked the serpent, he surprised I plunged my dagger. Serpent dead she held her finger to my lips and then did whisper;

“We of Pallas judgment true did, find our love rise from ash-field –lister.
Tell of this you will to no one, you the boy who captures fair-heart,
To father you shall be a hero, deception we of female -impart,
Cleverness you must now fashion, must fashion your will to a high art,
Something of a nature now you must know,
Like the serpent-challenge dealt your passion a blow,
Apples will not save you once and,
Once as King and you my hus-band,
We the two of Pallas’ favor, love forever shall we savor,
I the half of you shall sing, you the half shall make me King,
We together, rule forever, we of two sides brawn and clever,
No serpent ever come between us, now that we a love -Athena’s!
Go now and this be our se-cret, marry me and never re-gret, all is yours and I your egret!”

Of this I did sit and ponder, on that hill of temple, off at yonder,
Me of fields, dirt-laden squire, she at court make of me a liar,
Is her beauty, hand a console -to the surety and loss of my soul?
Run I did to the city my way, storm gates to the court and did say;

“These, the teeth of folly’s serpent and she will be my wife on this day!”

Aged now and sit here, grumble...

Kingdom of deceit into which I crumble;
Woe to me how didst I tumble?

In rush to love perhaps did stumble?
In later years now here I humble;

...love was not worth all the trouble.
Old English-style rhyming verse. The classic mythology of the man entranced-by or enslaved by the serpent and rescued by cunning, trickery or deceit on the part of the female. This tale is as old as written history.
Beloved,
In what other lives or lands
Have I known your lips
Your Hands
Your Laughter brave
Irreverent.
Those sweet excesses that
I do adore.
What surety is there
That we will meet again,
On other worlds some
Future time undated.
I defy my body's haste.
Without the promise
Of one more sweet encounter
I will not deign to die.
In the current financial system we never can
   Know the future increase of money supply as
      This is decided by a few powerful people who
         Are not elected or chosen by the citizens, yet
            Rig the game for the benefit of those in power
               Monetary Inflation rate for 2024?  We don’t know              
                  Monetary Inflation rate for 2025?  We don’t know
                     Therefore
                  Let’s gain surety by using a Bitcoin Standard
               Which has a perfectly predictable issue rate
            The new coin inflation rate for 2023?  1.78%
         Inflation rate after halving in 2024?   1.1%
      Knowing these figures exactly for the next
   100 years and more gives people surety
And businesses foresight and stability

Stats on Bitcoin Issuance when this poem was written 6/14/23
Total amount of Bitcoins to be mined:  21,000,000
Bitcoins in Circulation:  19,401,756
Total Bitcoins left to mine:  1,598,024
Bitcoins Generated per day: 900
Bitcoins Generated per day after halving: 450
You can see this poem on a background here - https://www.bitcoinpoems.pro/delivery058Surety.html
If from the public way you turn your steps
Up the tumultuous brook of Green-head Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story—unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of Shepherds, dwellers in the valleys, men
Whom I already loved;—not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.

     Upon the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd’s calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and oftentimes,
When others heeded not, he heard the South
Make subterraneous music, like the noise
Of bagpipers on distant Highland hills.
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say,
“The winds are now devising work for me!”
And, truly, at all times, the storm, that drives
The traveller to a shelter, summoned him
Up to the mountains: he had been alone
Amid the heart of many thousand mists,
That came to him, and left him, on the heights.
So lived he till his eightieth year was past.
And grossly that man errs, who should suppose
That the green valleys, and the streams and rocks,
Were things indifferent to the Shepherd’s thoughts.
Fields, where with cheerful spirits he had breathed
The common air; hills, which with vigorous step
He had so often climbed; which had impressed
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which, like a book, preserved the memory
Of the dumb animals, whom he had saved,
Had fed or sheltered, linking to such acts
The certainty of honourable gain;
Those fields, those hills—what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself .

     His days had not been passed in singleness.
His Helpmate was a comely matron, old—
Though younger than himself full twenty years.
She was a woman of a stirring life,
Whose heart was in her house: two wheels she had
Of antique form; this large, for spinning wool;
That small, for flax; and, if one wheel had rest,
It was because the other was at work.
The Pair had but one inmate in their house,
An only Child, who had been born to them
When Michael, telling o’er his years, began
To deem that he was old,—in shepherd’s phrase,
With one foot in the grave. This only Son,
With two brave sheep-dogs tried in many a storm,
The one of an inestimable worth,
Made all their household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease; unless when all
Turned to the cleanly supper-board, and there,
Each with a mess of pottage and skimmed milk,
Sat round the basket piled with oaten cakes,
And their plain home-made cheese. Yet when the meal
Was ended, Luke (for so the Son was named)
And his old Father both betook themselves
To such convenient work as might employ
Their hands by the fireside; perhaps to card
Wool for the Housewife’s spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

     Down from the ceiling, by the chimney’s edge,
That in our ancient uncouth country style
With huge and black projection overbrowed
Large space beneath, as duly as the light
Of day grew dim the Housewife hung a lamp,
An aged utensil, which had performed
Service beyond all others of its kind.
Early at evening did it burn—and late,
Surviving comrade of uncounted hours,
Which, going by from year to year, had found,
And left the couple neither gay perhaps
Nor cheerful, yet with objects and with hopes,
Living a life of eager industry.
And now, when Luke had reached his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while far into the night
The Housewife plied her own peculiar work,
Making the cottage through the silent hours
Murmur as with the sound of summer flies.
This light was famous in its neighbourhood,
And was a public symbol of the life
That thrifty Pair had lived. For, as it chanced,
Their cottage on a plot of rising ground
Stood single, with large prospect, north and south,
High into Easedale, up to Dunmail-Raise,
And westward to the village near the lake;
And from this constant light, so regular
And so far seen, the House itself, by all
Who dwelt within the limits of the vale,
Both old and young, was named The Evening Star.

     Thus living on through such a length of years,
The Shepherd, if he loved himself, must needs
Have loved his Helpmate; but to Michael’s heart
This son of his old age was yet more dear—
Less from instinctive tenderness, the same
Fond spirit that blindly works in the blood of all—
Than that a child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.
Exceeding was the love he bare to him,
His heart and his heart’s joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For pastime and delight, as is the use
Of fathers, but with patient mind enforced
To acts of tenderness; and he had rocked
His cradle, as with a woman’s gentle hand.

     And, in a later time, ere yet the Boy
Had put on boy’s attire, did Michael love,
Albeit of a stern unbending mind,
To have the Young-one in his sight, when he
Wrought in the field, or on his shepherd’s stool
Sate with a fettered sheep before him stretched
Under the large old oak, that near his door
Stood single, and, from matchless depth of shade,
Chosen for the Shearer’s covert from the sun,
Thence in our rustic dialect was called
The Clipping Tree, a name which yet it bears.
There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestowed
Upon the Child, if he disturbed the sheep
By catching at their legs, or with his shouts
Scared them, while they lay still beneath the shears.

     And when by Heaven’s good grace the boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old;
Then Michael from a winter coppice cut
With his own hand a sapling, which he hooped
With iron, making it throughout in all
Due requisites a perfect shepherd’s staff,
And gave it to the Boy; wherewith equipt
He as a watchman oftentimes was placed
At gate or gap, to stem or turn the flock;
And, to his office prematurely called,
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise;
Though nought was left undone which staff, or voice,
Or looks, or threatening gestures, could perform.

     But soon as Luke, full ten years old, could stand
Against the mountain blasts; and to the heights,
Not fearing toil, nor length of weary ways,
He with his Father daily went, and they
Were as companions, why should I relate
That objects which the Shepherd loved before
Were dearer now? that from the Boy there came
Feelings and emanations—things which were
Light to the sun and music to the wind;
And that the old Man’s heart seemed born again?

     Thus in his Father’s sight the Boy grew up:
And now, when he had reached his eighteenth year,
He was his comfort and his daily hope.

     While in this sort the simple household lived
From day to day, to Michael’s ear there came
Distressful tidings. Long before the time
Of which I speak, the Shepherd had been bound
In surety for his brother’s son, a man
Of an industrious life, and ample means;
But unforeseen misfortunes suddenly
Had prest upon him; and old Michael now
Was summoned to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This unlooked-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.
As soon as he had armed himself with strength
To look his trouble in the face, it seemed
The Shepherd’s sole resource to sell at once
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart failed him. “Isabel,” said he,
Two evenings after he had heard the news,
“I have been toiling more than seventy years,
And in the open sunshine of God’s love
Have we all lived; yet, if these fields of ours
Should pass into a stranger’s hand, I think
That I could not lie quiet in my grave.
Our lot is a hard lot; the sun himself
Has scarcely been more diligent than I;
And I have lived to be a fool at last
To my own family. An evil man
That was, and made an evil choice, if he
Were false to us; and, if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him;—but
’Twere better to be dumb than to talk thus.

     “When I began, my purpose was to speak
Of remedies and of a cheerful hope.
Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free;
He shall possess it, free as is the wind
That passes over it. We have, thou know’st,
Another kinsman—he will be our friend
In this distress. He is a prosperous man,
Thriving in trade and Luke to him shall go,
And with his kinsman’s help and his own thrift
He quickly will repair this loss, and then
He may return to us. If here he stay,
What can be done? Where every one is poor,
What can be gained?”

                                          At this the old Man paused,
And Isabel sat silent, for her mind
Was busy, looking back into past times.
There’s Richard Bateman, thought she to herself,
He was a parish-boy—at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the neighbours bought
A basket, which they filled with pedlar’s wares;
And, with this basket on his arm, the lad
Went up to London, found a master there,
Who, out of many, chose the trusty boy
To go and overlook his merchandise
Beyond the seas; where he grew wondrous rich,
And left estates and monies to the poor,
And, at his birth-place, built a chapel floored
With marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Passed quickly through the mind of Isabel,
And her face brightened. The old Man was glad,
And thus resumed:—”Well, Isabel! this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
—We have enough—I wish indeed that I
Were younger;—but this hope is a good hope.
Make ready Luke’s best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
—If he could go, the boy should go to-night.”

     Here Michael ceased, and to the fields went forth
With a light heart. The Housewife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare.
Things needful for the journey of her Son.
But Isabel was glad when Sunday came
To stop her in her work: for, when she lay
By Michael’s side, she through the last two nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, “Thou must not go:
We have no other Child but thee to lose,
None to remember—do not go away,
For if thou leave thy Father he will die.”
The Youth made answer with a jocund voice;
And Isabel, when she had told her fears,
Recovered heart. That evening her best fare
Did she bring forth, and all together sat
Like happy people round a Christmas fire.

     With daylight Isabel resumed her work;
And all the ensuing week the house appeared
As cheerful as a grove in Spring: at length
The expected letter from their kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy;
To which requests were added, that forthwith
He might be sent to him. Ten times or more
The letter was read over, Isabel
Went forth to show it to the neighbours round;
Nor was there at that time on English land
A prouder heart than Luke’s. When Isabel
Had to her house returned, the old man said,
“He shall depart to-morrow.” To this word
The Housewife answered, talking much of things
Which, if at such short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

     Near the tumultuous brook of Green-head Ghyll,
In that deep valley, Michael had designed
To build a Sheep-fold; and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which by the streamlet’s edge
Lay thrown together, ready for the work.
With Luke that evening thitherward he walked:
And soon as they had reached the place he stopped,
And thus the old Man spake to him:—”My Son,
To-morrow thou wilt leave me: with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; ’twill do thee good
When thou art from me, even if I should touch
On things thou canst not know of.—After thou
First cam’st into the world—as oft befalls
To new-born infants—thou didst sleep away
Two days, and blessings from thy Father’s tongue
Then fell upon thee. Day by day passed on,
And still I loved thee with increasing love.
Never to living ear came sweeter sounds
Than when I heard thee by our own fireside
First uttering, without words, a natural tune;
While thou, a feeding babe, didst in thy joy
Sing at thy Mother’s breast. Month followed month,
And in the open fields my life was passed,
And on the mountains; else I think that thou
Hadst been brought up upon thy Father’s knees.
But we were playmates, Luke: among these hills,
As well thou knowest, in us the old and young
Have played together, nor with me didst thou
Lack any pleasure which a boy can know.”
Luke had a manly heart; but at these words
He sobbed aloud. The old Man grasped his hand,
And said, “Nay, do not take it so—I see
That these are things of which I need not speak.
—Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Received at others’ hands; for, though now old
Beyond the common life of man, I still
Remember them who loved me in my youth.
Both of them sleep together: h
Brittany Ann Jan 2021
I can hear the way someone is able

to hold the notes in a harmony

like the angels themselves sing

within them from the heavens.

I can see the way a light shines

in the corners of someone's eyes

as they hold the hand of a patient

knowing that is exactly where they're meant to be.

I can feel each graceful stroke

of an artist's paintbrush

where their body and whole being meets.

And all these moments,

I admit,

have made me envious

of their absolute surety.

I have become so engulfed by a life

that is not made to be my own.

Wanting desirably to have the assurance

of a solid purpose like theirs.

But in doing so, I have lost focus

of the recognizable aspects of myself.

Aspects that deserved to be admired

by my very own senses.

For, I can hear the way the softness of my voice

is able to ease the mind

of a troubled soul.

I see the way a light shines

in my child's eyes when she looks at me

before her.

I can feel each graceful stroke

of the pencil I hold where

my body and whole being meets.

And all of these moments,

I must admit,

are just the beginning

to what is my surety.
SassyJ Jul 2018
I though he carried the light
where words would illuminate
driving me to a euphoric ******
a man without a face or a trace
unhindered in a double live and lies
a bubble of psychotic psychic surety
his passion was an addiction
my reservations moved a notch
addicted to a body of ideology
the stances of philosophical terms
uncovering ancient possibilities
the unfelt mysteries of history
veiled in icicles of pretence and lies
as if a Marxist, a closet bourgeoise
The stoicism of present bargains
questioning Socrates and morality reasons
a fatal dose ,examining the unexamined
as colourful as his mind blew my inner glow
he was lost in sad and low dialogues
afraid to face the earthly shallow shadows
yet his spirits moved deep within mine
and it paralysed and fed on my energy
and his delusion became my seduction
but he woke my inner poetic tongue
letting it caress all his inner wounds
A shadow hiding behind Frankenstein’s
a sly monster who lied to my eyes
ghosting in with the a pen that weakens
romancing with letters of a fiery doom
a penpal whom I met within my lowest
but whose words lay in a deep unending quarry
his warmth I could never ever tell
his kiss only a draft on the dewy grass
Ben Balserak Sep 2014
Upward-curled, gleam of white
But as yet, something missing
“I swear, I’m quite alright!”
My wonder turns to stressing.
Is she really quite alright?

No-one wears their shoes,
Socks upon the carpet
Browning fog turning loose,
But purple mist diffuses.
Is she really quite alright?

My wonder turns to worried health,
I turn my focus to myself,
I pull a beer down from the shelf,
Indulging still our failing health,
She smiles, as if to say that she’s alright.

Trading sweat between our hands,
A greeting shared from man to man
We speak ambition, WE ARE PROUD
Our cigarettes, they make no sound.
They know that it will soon be their turn.

To be or not… I have forgot.
Our wasteland, wasted, seems alright
It skips my mind I’m all I’ve got
I’ve never put up much a fight
I hope I’ll quickly be all right.

But there are NO PROMISES
And no safe-houses.
smoke arouses surety,
But holds the door for vanity.
But as for me,
I highly doubt she's feeling free.

Charging, useless, up the hill,
The last endeavor of it's kind,
Cry peace, peace, but peace is killed,
Fulfill the end of southern mind.
There is no way that she's okay.

As men in grey
Lay on the ground
Bleeding with untempered sound
I cast my eyes about the house
I find her broken, fading lips
Pressed limp against assailant’s kiss

Those pearls that were
Her sentient eyes,
They cast upon me smiling sighs
She clings the arm of shifty eyes
And leaves the party, new inside.
And now I know she’s not alright.

But then again, nor am I.
References to T.S. Elliot's "The Wasteland", The Civil War, and Shakespeare's "The Tempest"
Lou Costello’s
bronze semblance
dipped and danced atop
his granite pedestal
spinning miasmatic tales
of enigmatic hope and
resplendent labor

“the sweet
unbounded
expectation of
hope once
surged down
this city’s streets”
... said Lou

"I was a self made man
until someone thought up
the idea to cast a bronze
caricature of me and
bolt it to this grand rock”

nostalgia
is the boldest form
of fiction
culling from the past
the things hoped for
in the now

“growing up
here
I clipped school,
played ball,
rolled drunks
and fought
nickel ante
prize fights
to get my
daily bread,
I literally
punched my
way out
of this town”

a smith smelts a
batch of liquid bronze
pouring molds full of
a fervent wish
a madman's delusion
a priestly promise
a Pollyannaish illusion?

baskets overflowed
gushing hope, offered
at the holy altars by
honorable workers

it was said that
a morsel of labor
could feed 5000
starved families
breeding hopes as large
as a half cup of water

hope
the size of a
mustard seed sparked
recovery of 1000 sick children
dying from the Asian Flu
at St. Joe's

hope
willed an end to war’s slaughter
which ironically was bad for
Paterson's war profiteers
forcing layoffs
sparking labor actions

hope
ignited conflagrations firing
the resurrection of dead industries
lately there is a lot of hope
circling this one

miracles spring
from the pronounced
lips of trembling hearts

the hopeful amassed
slogging forth on bloodied toes
along razor thin slices
of expectation
hoping to begin again
eager to build anew

new starts sometimes
grow old fast soon
hope expires
winging back home
on broken wings of
misspent labor

hoping for the snow to stop
a lump of coal to last
the labor of a budding crocus
rewarded, breaking through
the hard crust of winters end
blooms for a day then expires

hope is a beggars wish
gods give yearnings heft
prayers earnestly chanted
willing paradigm shifts

prayers of absolution
play the angles
calculating odds
of probabilistic mathematics
a sure thing long shot
the prayers of the
righteous availeth much

we hoped for jobs
we hoped for leisure
we hoped for love
we hoped for labor
we hoped for rest
we hoped for luck
we hoped for a life
wealth health blest

laughing at our follies
crying over defeats
our city a tragic star
a comedy of schemes

our
hope and labor
is the keystone of
our self construction
cornerstone of
a grand city’s edifice
its negation our
deconstruction

tragedy and comedy
invested and spent
falling and laughing
foibles and faith

belief trumps evidence
happenstance slays surety
horror and beauty
compose a life's mural
nothing happens
by mistake

learning and ignorance
fate and chance
the risk of randomness
expiration dates arrive fast

predetermination a bold
conviction, suspicion,
intention a splendid  
kismet  

banality becomes
sublime  
laughter is ******

...the mystery is in
the loam... says WCW
...the finished product
is what I’m after...

“what the
**** are you
doing here?"
the bronzed Louis
gagged

"Hey Abbott
look at these clowns
in the yellow plastic
garbage bags!

bobbing in a sea of
midnight mist

a posse of
neon clowns
donning glad bags
on the most dismal
night of the year

twinkling under the
gloom of my playgrounds
faltering streetlamps

“twinkling targets
easily tracked,
a trained eye,
a steady hand
could pick you off
at a thousand paces
what gives?

“what the **** are
you doing here?

“what the **** am I doin
here for that matter?”

“the second question
is easy to answer,

“I’m Paterson’s
finest son....

...“Wherever he is tonight, I want him to hear me," and went on with the show. No one in the audience knew of the death until after the show when Bud Abbott explained the events of the day, and how the phrase "The show must go on" had been epitomized by Lou that night....

"Mr. Bacciagalupe
he use to live on
Cianci Street

“who’s on first?
what’s on second?
I don’t know is on third?
was a riddle one recited
to get into his speak

“his Ginnie Red was legendary
and no one was ever known to
die from drinking his bathtub gin”

the old world ways
are made new
by the arrival of
new old worlds
supplanting old Italiano

“where is all the goodwill capital
we invested in this place?”

successive generations
thought it best to export
the capital of the
expired generations
elsewhere

it was ferried
across the river,
crossed the
city boundaries,
leaving for Wayne
and the fairer lawns
of Wyckoff and the
greener grasses of
Franklin Lakes

all the old wise guys
died off or were sentenced
to life by their children,
some still doin time in
old age homes in
Rockaway

all the sport clubs
boarded up but their spirit
lingers like an espresso
ring on a post slurp
demitasse cup

“hell my body is buried
in Hollywood but here
I am, holding court in
Costello Park
talking with you
knuckleheads
a baseball bat
my royal scepter
a brown derby
my crown, truly a
King of Nothing,
Lord of All

“the soul of my city is
eternal,  like the comedy
of tragedy or is it
tragic comic?

“here I remain
omnipresent,
spinning about
frozen forever
in a magnificent
bronze age,
erected to my likeness
beholding me
to stand witness
to this litter strewn park
decorated with corrugated
Big Mac boxes, plastic
Big Gulp tops and discarded
rubbers bagging the ****
of this cities arrested
citizenry”

never actualized
never naturalized
citizenship denied
at the commencement
of ejaculatory flows
of joy

unfulfilled spirit
of citizenship
never to experience
the splendor
of yesterday’s
modernist
metropolis and
Lou’s stand up
routines

“look at that John
over there, that guy
wheezing like a
ruptured blacksmith’s
billow, pounding away
laboring to get off

“the poor little
******* just hopes it
will end soon

it does
**** he’s done

I” knew that guys
grandfather,
getting off
runs in the family
and remains one
of the few things
that draws the progeny back
to the old neighborhood

“you can still glimpse
snippets of the old ways
rising in new ways

“an Armenian
sports club
around the corner
is a new
incarnation of
the old Neapolitan
social clubs that
once demarcated the
neighborhoods

“these days
great grandsons
of once proud
Sons of Italy
come back to the
old neighborhoods
begging for hand-jobs
from crack ******

“welcome to my
burlesque world

“since the Gumbas
moved to Franklin Lakes
the wannabe wise guys
became ***** whipped
dumb *****
making ***** of
themselves with
their painted ****-job
Jersey Housewives

“they ***** their families
out for a bit parts on
MTV and a free lunch
at the Brownstone

“their grandfathers
labored long hours
to assure the well being
of their families in the expectant
hope of a better shot at life
but the children squandered
the hard earned bequest lovingly
bequeathed by reverent forebears

“in the wee hours
one can sometimes hear
a weeping chorus
of concrete Madonnas
musing melodious lullabies
to the sleeping
Lombard's lying
in uneasy repose at
Holy Sepulchre Cemetery

“they twist in their graves
dreaming of a last dance with the
Lady of Unending Sorrows
at weddings for unrepentant
wayward daughters and prodigal sons

“its small
recompense for a
lifetime of an
honest day’s work”

the dashed hope
of squandered labor
begets a city of ruin”

at the
parks northern corner
the Salvation Army’s
rumbling bivouac rests
in a dreamless sleep
its residents
patiently waiting to
inherit this city
abandoned by
nuevo wise guys

this tragedy
is all comedy
the comedic hope
of tragic labor
buried snoring
the millenniums away
awaiting resurrection
day

Lou was getting ******...
“get outta my park

“the artists
in the rehabbed
factories across
the street
are resting

“nothing much
going on there

“if you're hoping
to find some
homeless slogs
head over to the river
you should find some there”....

Music Selection:
Frank Sinatra, High Hopes

jbm
Oakland
3/26/13
Part 5 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Hope and Labor is the city motto of Paterson NJ, nick named The Silk City.
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo
I feel unsure...
Unsure about me
Unsure about you
And ultimately, unsure about us
But then again, I'm unsure about being unsure.
It's an uncomfortable feeling,
Plunging me deeper into my ever-expanding mind
An abyss of permanent midnight.
Us being together invites a lot
A lot of ridicule, difficulty, and stress
That should be enough to keep me from you.
But, nevertheless
I continue to stay
Regardless of all the red flags, problems and parents who press.
Because you are someone who cares
And that's the most important thing to me.
You never fail to impress.
Your loyalty reaches my heart,
And I hope we never part,
In the name of love,
And blue skies above.
Earl Jane Apr 2016


I.
Ohh, longsuffering,
This love cure all the aches,
Replaced with surety.


II.
Yearning and longing,
Are heightened each precious days,
Thirsty for your lips.


III.
I hunger for you,
Your warmth and touch I dreamed of,
You, so close to me.


IV.
Angelic visage,
Played in my heart, mind and soul,
Each single moment.


V.
Vision of future,
Lock fingers with you my love,
Conquering the evil.


VI.
Together with God,
Praying, praising Him always,
This love to exist.


VII.
These tears there'll be none,
Our love covers it with joy,
Pure and bona fide.


VIII.
Oh thank God above,
For heaven inside our hearts,
Keeping us stronger.


IX.
No storm can vanquish,
No trials can separate,
Invincible love.


X.
Jointly, me and you,
Bonded for everlasting,
Brandon & Earl Jane.


with love <3 <3

© Earl Jane
♥ E.J.C.S.
For Brandon <3 <3

i love u ssoo much my king happy 8th monthsary i love u with all my heart and soul, ssoo ssoo much !!! Meee mmoosstt my loveeee
1656

Down Time’s quaint stream
Without an oar
We are enforced to sail
Our Port a secret
Our Perchance a Gale
What Skipper would
Incur the Risk
What Buccaneer would ride
Without a surety from the Wind
Or schedule of the Tide—
"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke
Curled like a feather in the darkening sky.
A blinding gush of fire burst, flamed, and broke.
A voice like a wind spoke.
Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;
His head sought out the stars, his cupped right hand
Made half the sky one darkness. He was mute.
The sun, a ripened fruit,
Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!
Thy prize awaits thee; come, and hug it close!
A noble crown thy draggled nets have won
For this that thou hast done.
Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flared
Across the sky in one great bloom of fire.
Poised like a toppling mountain, it hung bared;
Suns that were jewels glared
Along its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I owe
To thee, thou fool, thou fool. Come, canst thou sing?
Yea? Sing then; if thy song be brave, then go
Free and released -- or no!
Find first some task, some overmastering thing
I cannot do, and find it speedily,
For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,
And if at first his voice was weak with fear
And his limbs trembled, it was but a doze,
And at the high song's close
He stood up straight. His voice rang loud and clear.


The Song.

Last night the quays were lighted;
Cressets of smoking pine
Glared o'er the roaring mariners
That drink the yellow wine.

Their song rolled to the rafters,
It struck the high stars pale,
Such worth was in their discourse,
Such wonder in their tale.

Blue borage filled the clinking cups,
The murky night grew wan,
Till one rose, crowned with laurel-leaves,
That was an outland man.

"Come, let us drink to war!" said he,
"The torch of the sacked town!
The swan's-bath and the wolf-ships,
And Harald of renown!

"Yea, while the milk was on his lips,
Before the day was born,
He took the Almayne Kaiser's head
To be his drinking-horn!

"Yea, while the down was on his chin,
Or yet his beard was grown,
He broke the gates of Micklegarth,
And stole the lion-throne!

"Drink to Harald, king of the world,
Lord of the tongue and the troth!
To the bellowing horns of Ostfriesland,
And the trumpets of the Goth!"

Their shouts rolled to the rafters,
The drink-horns crashed and rang,
And all their talk was a clangor of war,
As swords together sang!

But dimly, through the deep night,
Where stars like flowers shone,
A passionate shape came gliding --
I saw one thing alone.

I only saw my young love
Shining against the dark,
The whiteness of her raiment,
The head that bent to hark.

I only saw my young love,
Like flowers in the sun --
Her hands like waxen petals,
Where yawning poppies run.

I only felt there, chrysmal,
Against my cheek her breath,
Though all the winds were baying,
And the sky bright with Death.

Red sparks whirled up the chimney,
A hungry flaught of flame,
And a lean man from Greece arose;
Thrasyllos was his name.

"I praise all noble wines!" he cried,
"Green robes of tissue fine,
Peacocks and apes and ivory,
And Homer's sea-loud line,

"Statues and rings and carven gems,
And the wise crawling sea;
But most of all the crowns of kings,
The rule they wield thereby!

"Power, fired power, blank and bright!
A fit hilt for the hand!
The one good sword for a freeman,
While yet the cold stars stand!"

Their shouts rolled to the rafters,
The air was thick with wine.
I only knew her deep eyes,
And felt her hand in mine.

Softly as quiet water,
One finger touched my cheek;
Her face like gracious moonlight --
I might not move nor speak.

I only saw that beauty,
I only felt that form
There, in the silken darkness --
God wot my heart was warm!

Their shouts rolled to the rafters,
Another chief began;
His slit lips showed him for a ***;
He was an evil man.

"Sing to the joys of women!" he yelled,
"The hot delicious tents,
The soft couch, and the white limbs;
The air a steam of scents!"

His eyes gleamed, and he wet his lips,
The rafters shook with cheers,
As he sang of woman, who is man's slave
For all unhonored years.

"Whether the wanton laughs amain,
With one white shoulder bare,
Or in a sacked room you unbind
Some crouching maiden's hair;

"This is the only good for man,
Like spices of the South --
To see the glimmering body laid
As pasture to his mouth!

"To leave no lees within the cup,
To see and take and rend;
To lap a girl's limbs up like wine,
And laugh, knowing the end!"

Only, like low, still breathing,
I heard one voice, one word;
And hot speech poured upon my lips,
As my hands held a sword.

"Fools, thrice fools of lust!" I cried,
"Your eyes are blind to see
Eternal beauty, moving far,
More glorious than horns of war!
But though my eyes were one blind scar,
That sight is shown to me!

"You nuzzle at the ivory side,
You clasp the golden head;
Fools, fools, who chatter and sing,
You have taken the sign of a terrible thing,
You have drunk down God with your beeswing,
And broken the saints for bread!

"For God moves darkly,
In silence and in storm;
But in the body of woman
He shows one burning form.

"For God moves blindly,
In darkness and in dread;
But in the body of woman
He raises up the dead.

"Gracile and straight as birches,
Swift as the questing birds,
They fill true-lovers' drink-horns up,
Who speak not, having no words.

"Love is not delicate toying,
A slim and shimmering mesh;
It is two souls wrenched into one,
Two bodies made one flesh.

"Lust is a sprightly servant,
Gallant where wines are poured;
Love is a bitter master,
Love is an iron lord.

"Satin ease of the body,
Fattened sloth of the hands,
These and their like he will not send,
Only immortal fires to rend --
And the world's end is your journey's end,
And your stream chokes in the sands.

"Pleached calms shall not await you,
Peace you shall never find;
Nought but the living moorland
Scourged naked by the wind.

"Nought but the living moorland,
And your love's hand in yours;
The strength more sure than surety,
The mercy that endures.

"Then, though they give you to be burned,
And slay you like a stoat,
You have found the world's heart in the turn of a cheek,
Heaven in the lift of a throat.

"Although they break you on the wheel,
That stood so straight in the sun,
Behind you the trumpets split the sky,
Where the lost and furious fight goes by --
And God, our God, will have victory
When the red day is done!"

Their mirth rolled to the rafters,
They bellowed lechery;
Light as a drifting feather
My love slipped from my knee.

Within, the lights were yellow
In drowsy rooms and warm;
Without, the stabbing lightning
Shattered across the storm.

Within, the great logs crackled,
The drink-horns emptied soon;
Without, the black cloaks of the clouds
Strangled the waning moon.

My love crossed o'er the threshold --
God! but the night was murk!
I set myself against the cold,
And left them to their work.

Their shouts rolled to the rafters;
A bitterer way was mine,
And I left them in the tavern,
Drinking the yellow wine!

The last faint echoes rang along the plains,
Died, and were gone. The genie spoke: "Thy song
Serves well enough -- but yet thy task remains;
Many and rending pains
Shall torture him who dares delay too long!"

His brown face hardened to a leaden mask.
A bitter brine crusted the fisher's cheek --
"Almighty God, one thing alone I ask,
Show me a task, a task!"
The hard cup of the sky shone, gemmed and bleak.

"O love, whom I have sought by devious ways;
O hidden beauty, naked as a star;
You whose bright hair has burned across my days,
Making them lamps of praise;
O dawn-wind, breathing of Arabia!

"You have I served. Now fire has parched the vine,
And Death is on the singers and the song.
No longer are there lips to cling to mine,
And the heart wearies of wine,
And I am sick, for my desire is long.

"O love, soft-moving, delicate and tender!
In her gold house the pipe calls querulously,
They cloud with thin green silks her body slender,
They talk to her and tend her;
Come, piteous, gentle love, and set me free!"

He ceased -- and, slowly rising o'er the deep,
A faint song chimed, grew clearer, till at last
A golden horn of light began to creep
Where the dumb ripples sweep,
Making the sea one splendor where it passed.

A golden boat! The bright oars rested soon,
And the prow met the sand. The purple veils
Misting the cabin fell. Fair as the moon
When the morning comes too soon,
And all the air is silver in the dales,

A gold-robed princess stepped upon the beach.
The fisher knelt and kissed her garment's hem,
And then her lips, and strove at last for speech.
The waters lapped the reach.
"Here thy strength breaks, thy might is nought to stem!"

He cried at last. Speech shook him like a flame:
"Yea, though thou plucked the stars from out the sky,
Each lovely one would be a withered shame --
Each thou couldst find or name --
To this fire-hearted beauty!" Wearily

The genie heard. A slow smile came like dawn
Over his face. "Thy task is done!" he said.
A whirlwind roared, smoke shattered, he was gone;
And, like a sudden horn,
The moon shone clear, no longer smoked and red.

They passed into the boat. The gold oars beat
Loudly, then fainter, fainter, till at last
Only the quiet waters barely moved
Along the whispering sand -- till all the vast
Expanse of sea began to shake with heat,
And morning brought soft airs, by sailors loved.

And after? . . . Well . . .
The shop-bell clangs! Who comes?
Quinine -- I pour the little bitter grains
Out upon blue, glazed squares of paper. So.
And all the dusk I shall sit here alone,
With many powers in my hands -- ah, see
How the blurred labels run on the old jars!
***** -- and a cruel and sleepy scent,
The harsh taste of white poppies; India --
The writhing woods a-crawl with monstrous life,
Save where the deodars are set like spears,
And a calm pool is mirrored ebony;
***** -- brown and warm and slender-breasted
She rises, shaking off the cool black water,
And twisting up her hair, that ripples down,
A torrent of black water, to her feet;
How the drops sparkle in the moonlight! Once
I made a rhyme about it, singing softly:

Over Damascus every star
Keeps his unchanging course and cold,
The dark weighs like an iron bar,
The intense and pallid night is old,
Dim the moon's scimitar.

Still the lamps blaze within those halls,
Where poppies heap the marble vats
For girls to tread; the thick air palls;
And shadows hang like evil bats
About the scented walls.

The girls are many, and they sing;
Their white feet fall like flakes of snow,
Making a ceaseless murmuring --
Whispers of love, dead long ago,
And dear, forgotten Spring.

One alone sings not. Tiredly
She sees the white blooms crushed, and smells
The heavy scent. They chatter: "See!
White Zira thinks of nothing else
But the morn's jollity --

"Then Haroun takes her!" But she dreams,
Unhearing, of a certain field
Of poppies, cut by many streams,
Like lines across a round Turk shield,
Where now the hot sun gleams.

The field whereon they walked that day,
And splendor filled her body up,
And his; and then the trampled clay,
And slow smoke climbing the sky's cup
From where the village lay.

And after -- much ache of the wrists,
Where the cords irked her -- till she came,
The price of many amethysts,
Hither. And now the ultimate shame
Blew trumpet in the lists.

And so she trod the poppies there,
Remembering other poppies, too,
And did not seem to see or care.
Without, the first gray drops of dew
Sweetened the trembling air.

She trod the poppies. Hours passed
Until she slept at length -- and Time
Dragged his slow sickle. When at last
She woke, the moon shone, bright as rime,
And night's tide rolled on fast.

She moaned once, knowing everything;
Then, bitterer than death, she found
The soft handmaidens, in a ring,
Come to anoint her, all around,
That she might please the king.

***** -- and the odor dies away,
Leaving the air yet heavy -- cassia -- myrrh --
Bitter and splendid. See, the poisons come,
Trooping in squat green vials, blazoned red
With grinning skulls: strychnine, a pallid dust
Of tiny grains, like bones ground fine; and next
The muddy green of arsenic, all livid,
Likest the face of one long dead -- they creep
Along the dusty shelf like deadly beetles,
Whose fangs are carved with runnels, that the blood
May run down easily to the blind mouth
That snaps and gapes; and high above them there,
My master's pride, a cobwebbed, yellow ***
Of honey from Mount Hybla. Do the bees
Still moan among the low sweet purple clover,
Endlessly many? Still in deep-hushed woods,
When the incredible silver of the moon
Comes like a living wind through sleep-bowed branches,
Still steal dark shapes from the enchanted glens,
Which yet are purple with high dreams, and still
Fronting that quiet and eternal shield
Which is much more than Peace, does there still stand
One sharp black shadow -- and the short, smooth horns
Are clear against that disk?
O great Diana!
I, I have praised thee, yet I do not know
What moves my mind so strangely, save that once
I lay all night upon a thymy hill,
And watched the slow clouds pass like heaped-up foam
Across blue marble, till at last no speck
Blotted the clear expanse, and the full moon
Rose in much light, and all night long I saw
Her ordered progress, till, in midmost heaven,
There came a terrible silence, and the mice
Crept to their holes, the crickets did not chirp,
All the small night-sounds stopped -- and clear pure light
Rippled like silk over the universe,
Most cold and bleak; and yet my heart beat fast,
Waiting until the stillness broke. I know not
For what I waited -- something very great --
I dared not look up to the sky for fear
A brittle crackling should clash suddenly
Against the quiet, and a black line creep
Across the sky, and widen like a mouth,
Until the broken heavens streamed apart,
Like torn lost banners, and the immortal fires,
Roaring like lions, asked their meat from God.
I lay there, a black blot upon a shield
Of quivering, watery whiteness. The hush held
Until I staggered up and cried aloud,
And then it seemed that something far too great
For knowledge, and illimitable as God,
Rent th
Yenson Oct 2022
When reared in the real of realness
with emotions real and true
and salient love temperate yet unconditional
and every spoken word held what they mean
as did the laughter's and the tears
you know yourself on the ground you tread
and in surety do know
you can never be lonely

when reared to welcome the light of day
and heed the clarion call
trek and toil for answers to grace the morrow
to reap in sweet sweat salts of past and future
respecting the homage of the aged
walk wetlands with yourself and your hopes
and in surety paying dues
you can never not know who you are

When reared in the heady brew of truth
and daily drink its light
and cleanse the tides of your mind in its wake
knowing no safer ground is yet to eclipse its lay
and you run no errands of fools
hearing as told and telling as heard is seeing
and in surety you abide
you can never know fear
Geno Cattouse May 2014
Bob Marley threw this one on the fire
It burned brightly fo me from his song
RAT RACE.
Dont know if this is a borrowed line but it has become one of mine when describing the hive mentality and closed consciousness of group think

Anything bigger than a basketball team makes me leery.  ;-)
Luka Love Dec 2012
Can the unstoppable force overcome the immovable object? The waves have been a teacher with more wisdom than any I have ever had before. Something so constant, so committed, so unflappable as the lapping or crashing of the waves upon the shore. If you need any evidence of her relentless nature, look no further than the foreshore, great boulders and cliff faces worn down to grit. A true mechanical entity, with precise surety, well versed in engineering, mathematics, weather patterns and fluid dynamics. Who would have thought a philosophical question would have an engineering solution? The answer is no, but the question lacks precision, it doesn't quite paint the picture as it happens. I dive into the crashing waves, stretched out long, offering no resistance, the wash thunders around me but still I glide forward in the water like a shark, no resistance. I am the immovable object. Suspended weightless I overcome the unstoppable force by holding ground, offering no resistance as it rages around and past me, trying to capsize me or push me backwards. The way of the seas, the ultimate peacemaker.

The parallels to life do not need pointing out thus, especially to those who fight for justice, the Davids versus their Goliaths. History's great peacemakers have been here before, the art of war is in passive resistance, principled adherence coupled with civil disobedience, your silence is considered tacit acceptance, so be not silent but give unto Caesar that which is Caesars. The fight is an uphill playing field, you must play by their rules, or the game is over, but you can win by their rules if you know where they bend. So stand peacemakers, face rows of riot shields, plow fields as Te Whiti did, collect salt as Gandhi, be not silent, tip toe that fine line between real change and hard time, wherever you see injustice speak, and seek conciliation. Peace is not achieved when nations put down their guns, peace is achieved when people embrace their neighbors as their brothers and sisters. It is achieved when people no longer speak of peace with longing in the same breath as cursing the person that parked in their carpark. Be peace and you will see peace, wish not to see it in the world if you cannot be it in your world. Change yourself and the world changes with you. So can the unstoppable force overcome the immovable object? That much is up to you.
mk Nov 2015
she sat on the beige satin couch
looking down at her feet
which were designed with intricate patterns made of mehndi
her nails painted a light pink
a color much like the subtle blush on her cheeks
she was fair, but not pale,
she had a shine to her, a glow
her face was hidden for the most
with a white lace dupatta
like the midnight moon hidden behind translucent clouds
most of her hair was tucked neatly away
except the loose strand which rested on her forehead
a curl, the color of sweetened caramel
soft, delicate; and ever so sweet
she brushed it back with her small hands
but it bounced right back, falling on her face
she looked up, slightly titling her head towards the light
the way sunlight hit her eyes made you want to never look away
oh, her eyes
lined with kajal, they stood out
the kind of eyes you could find yourself getting lost in
hazel and green- with specks of yellow and blue
there was a universe within those eyes
like the rainforest after a summer sprinkle
lush, pure, mesmerizing
but they were quickly hidden once more
as she delicately pulled the dupatta closer to her face
and smoothed down the crease in her silk kameez
her movements were entrancing
you could not look away
the more you looked, the more you craved to catch one more glance
gentle, soft, kind
never in a rush
you couldn't help but imagine what it felt like to feel her touch
the only words we heard her speak
was right when the sun began to set
and the orange-red rays reflected in the pearls around her neck, the only jewelry she wore, yet enough to adorn her
her puckered mouth opened softly
and she was bearly audible as she spoke
her voice like honey: sweet & melodious
if she never stopped speaking, you'd never stop listening
she spoke with a tender sort of confidence & surety
*"qabool hai, qabool hai, qabool hai"
nikkah is the official marriage ceremony for muslims. here's what i've always imagined a bride in an eastern nikkah to seem like. the whole image is rather enchanting, i must say.
-
mehndi: henna
dupatta: shawl often worn by women in the east
kajal: kohl
kameez: shirt
qabool hai: i do
For James Weldon Johnson**


the clock fast approaching
an appointed midnight click
it was time to punch in
for my avocational shift

we sauntered up creaky steps
of the old weathered rectory
its planks loose, its bricks chipped,
the gabled roof still leaking

a CDC on the outer verge
leaning over a bankrupt precipice
catastrophic failure predicted
from chronic cash flow distresses

we’ve  been on the ropes
since doors swung open
to fulfill a sacred mission,
25 years in the hood
keepin the devil in remission

a young ED with firebrand cred
emerged from a cubicle partition
his erudition and abundant zeal
would save many from perdition

he commenced his brief
in the entrance hall
laid out maps of the Silk City
articulating a canvasse plan
bereft of fear and blithe pity

he stood ***** announcing
the surety of his calling
handsome face and balding spire
lent a stern presence of authority

The PIT a Point In Time
Homeless Census annual review,
to root out and count the heads
of the lost and out of view

from Bed Stuy to Boston
Baltimore and DC
San Antone, Windy City Frisco
vols be countin to see

what happening with
America’s homeless folks
who, what, how they got there;
what can we do to help them
besides a hot, a cot and a prayer

last week in January  
in cities all over the nation
missioners fan out  to uncover
the most lowly of station

we’ll discover and recover
lost lambs and prodigal sons
we’ll find street walk daughters
falling through cracks
and criminals on the run

some junkies and crack pied pipers
be yodelling sickness, death and fear
mental illness, castaway children
may licit sorrowful tears

like gnats strained
through the gaping
holes in failing
social safety nets
this night is about
good shepherds
gone forth with no regrets

this mission
is most important
to our agency as well

each head you count
every calf you cull
the coffers of the
agency will grow

program grants are tied
to an index of misery
our streets give ample evidence
of an abundant presence in this city

no poverty pimps
work harder to improve
the blighted human condition
the quality of our work
speaks for itself
its no liberal sedition

we got a dog in the fight
that's undoubtedly true
tending to add an urgency
to the critical work we do

our shelter, food pantry
and job training programs
keep jumpers off the ledge
we attempt to arrest fallers
its the agency’s solemn pledge

for what profit a man
if he inherits the earth
and finds only strife
and devastation?;
community development
our diligent charge
workin hard to build
a better nation

so as your
caravansaries
cross the city’s
food deserts

to search the oases
of supermercados
surreal revelations
may manifest a few
midnight bizarros

E 18th St bonito bodegas
where long shot scratch offs
and stale coconut macaroons
staples of community sustainability
the hoped for lift from poverty soon

busy parsing the three squares
bagged in paper thin brown balsa
cool ranch dorito, a teriyaki slim jim
frothy Colt quart to chase
the winkin sip of dog hair gin

that's where this
story begins...

yes beloved
the road is wide
the gate is narrow
for the many prodigals
off the path living
a life of shadows

they're out there
trudging
making a way
through the  gloom
hoping to be given
one more day

sojourning on
trying to get back
to the ***** of love
searching for the room
lit with light from above

take courage beloved
know that Jesus walks
the streets with you tonight

he’ll be your
present helper
as you mine
the dank waste
of the desolate
factory shells
the post industrial
monuments to the
expended labor of
six dead generations
now squatter
encampments
for urban nomads
moving through
the sarcophagi of
a nations
wasted labor

remember
afterall, we are
all fallen people
hurtling downward
into torn safety nets
slipping into the
tattered threads of
a handy hangman's
noose

who among us
has not fallen
through yesterdays
best expired dream?
waking to find yourself
in a midnight
nightmare scream

we'll catch them
round em up
as their falling
to build em up
lost sheep knows the
voice of the masters calling

Jesus will
walk before you
as you enter the
closed parks
were swings
of life fly
high and low
merry go rounds
zip by like a terrible
carousel that won't stop
to let you go

and may the
Good Deliverer
guard you as
you descend
into the screaming
rooms of
condemned
crack dens

here the fallen
angel finds comfort
in the resounding
chorus of misery
woefully regretted

Lucifer eloquently
hums beguiling
holy smoke tunes
to his doleful
acolytes sadly
lamenting
bluesy
blue
blues

you are the
Good Shepherds
leading the lost
back through
the gate

tell the beloved prodigal
children that the good
news of salvation
patiently awaits

we lucked out
its warm tonight
for the past few years
its snowed

heres a clipboard
filled with questions to ask
a box of supplies for lost sheep
and a yellow plastic poncho
so the cops know
you're one of God's own


Mary Lou Williams
Black Christ of the Andes
Praise the Lord

Paterson
1/30/13
jbm
Part 2 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  The Silk City is a nickname for Paterson NJ.  An ED is an acronym for Executive Director.  A CDC is an acronym for Community Development Corporation, a non-profit agency that provides development services to urban communities.  James Weldon Johnson is an African American poet.  This piece is written in a style and manner of God's Trombones.
Third Legacy May 2018
along the lines, t'was paths that crossed
of fates to dust, the fates accost
probability - it just so happened
that I'd stumble across you  

of all the times and of all the chances
as winds would blow, a tree then dances
uncertainty - it just so happens
that I'd fall in love with you

as droughts would bring a land to famine
a love that grew though soils were barren
possibility - how could it happen?
that I'd fall again for you

times have past, we've spent the chances
the winds have blown, and comes the silence
surety - and so it happens
~I'd want to spend my life with you~
'time and chance happens to them all - Ecclesiastes 9:11
-
'fate, to us all. destiny, to each his own''
-
Smoke Scribe Sep 2017
best believe!

don't use this expression
much in my northern parts,
when you hear it spoke,
then you well,
best believe!
what comes next is **** serious

choose words more than with mere extra care,
when you true
believe

it is a surrender to surety,
a gift released,
to own the grit courage of trust
and all that is
best

when you give it up and write in
pixel perfect unretractable,
now know it immutable,
asking pointless,
there is fact that

I love you
(best believe it!)
*
too
mk Dec 2015
her churiyan clashed
submerging in the red, orange and green
of her sharara
as she spun round and round
a blur of striking colors
her laughing face hidden
among those of her cousins
as they danced in a circle
each girl wearing colors of the rainbow
smiles like the sun brightening their faces
their bare feet decorated with mehndi
as they spun on their toes
letting their hair follow them like velvet curtains
the pitter patter of their restless feet
becoming one with the music around them
the elders of the family
throwing rose petals and clapping
watching the new generation
bless the married couple
with laughter, colors & life
the girl with curls in her hair
pulling down the bride-to-be
off the stage and onto the dance floor
her fiancé nudging her and watching his future
twirl with the young girls
as families became from two to one
he looked upon his love with eyes full of wonder
as she pushed back her dark hair and hid her face
refusing to dance
but even the blushing bride couldn't stop the girls
from convincing her to join them
they took her by the hands
and let the music guide them as they threw their arms in the air
swaying to songs about boundless ishq
and the stars which shine upon those who fall in the arms of endless love
the bride's red gharara shimmering under the lights
complimenting the red in her cheeks
the sparkle in her teeka bright
but never brighter than the twinkle in her euphoric eyes
her mother teared watching her baby all grown up
and her father looked at her as his success
seeing his only daughter so full of joy
others onlooked
as the girls embraced their youth
and with the bride created a circle of joy
for that moment,
the love was shared between them all
they forgot all about their heartbreaks
and the everlasting love which never lasted
they forgot all about the boys with pretty eyes and even prettier lies
as they rejoiced over the love of their loved ones
with a little inch of hope in their own hearts
that someday someone would look at them
as the smiling groom did the stunning bride
passion. surety. serenity.
*pyaar
wedding celebrations in the family always leave you wishing it were you who was going down the path of eternal happiness & love.

churiyan: bangles
sharara/gharara: eastern wedding attire
teeka: jewelry item (head-piece)
mehndi: henna
ishq: highest degree of love
pyaar: love
poetryaccident Sep 2018
The question springs to mind
is today the time to take my life?
look to the certain, it will arrive
the tick-tocks drifts on by

this surety comes with dread
that outcome none should indulge
even if this fated path
is the one that’s close to mind

anger feeds the fixed focus
co-conspirator with stalking fear
with no escape but to flee
into routes that are one-way

that plan kept in close reserve
safety chute with crossbones doors
don’t let the icon spoil the mood
the smile is there to reassure

no flowers last from kind delights
another waits to sprout instead
that poison seed in dank earth
blooming where the other fails

caring is the saddest jest
illusion smiling without hope
the curtain hiding nothing more
than the ugliness of mankind

the certitude is always there
remedy near at hand
if only life could be pursued
with the promise death ensures.

© 2018. Sean Green. All Rights Reserved. 20180910.
The poem “This Surety” is about the pain of ideation.
Francie Lynch May 2015
The red-breasted robin's
My first sign of Spring;
A seasonal surety
We all know.
The second sign
Glows through your hose,
The weather's right
For red, red toes.
Love those toeless shoes. I understand female visitors to prisons aren't allowed to wear toeless shoes. Too exciting.
love runs deep
and true like the Isar

flowing as an
amorous stream

immersing lovers
in the surge of
golden currents

its thrilling
buoyancy
lifting the
beloved

reaching sanctuaries
on soft grassy banks

finding solace
in trickling eddies

sustaining the
most hungry
of hearts

Isar springs
from a far off
continental
pinnacle

tipping from the
mystic peaks of
mythical Valhallan
tables

royally set to feast
the unabashed love
of Tristan and Isolde

she
pours
as an
ambrosial
libation
brewed
by master
Brewmeisters

coursing through
the veins of all
Bavarians
she sweeps across
lush Alpine meadows
anointing the water
with nectarous
edelweiss fragrance
and budding sprigs
of mountain laurel

generous streams
gently cascade
down the Alp’s,
sloping through
picturesque
valleys,
sustaining the
blue on white
Maypoles of
busy hamlets
crafting the
things of life

the glacial melt
of Spring swells
the flows of
a rising Isar

bringing new things
from far off places
heralding arrivals
revealing epiphanies
washing the
deepest stains
carrying away
the unholy flotsam
of loved
starved souls

proclaiming fidelity
tributaries are joined
in a holy union

once submerged
hidden doubts
yearnings and
unrequited
longings
are banished
in a mornings
lifting mist
charting new
courses for
companionship

summer reveals
sparkling waters
winding its way
through beds
of polished stones

during the
easy season
the river offers
respite from
pressing heat

clear waters
invite bathers
to dip a toe,
wade deep or
fully submerge
oneself in pools
of rejuvenation

British Gardens
offer spectacle
of self affirmed
nudists and
surfers tacking
atop waves,
while spectators
marvel from
protected alcoves
yearning to
peel off
extraneous
layers of cloths
to experience
the joy of naked
freedom

during gay times
carefree summer
lovers intoxicated by
the sweet scent of
blooming tulip trees
rendezvous in
hidden glades

breathlessly
relishing the
intimate reveries
of seclusion
embracing
renewed
discoveries of
fathomless desire

along canals
laborers find
the recompence
of a well earned
day of rest

families lay blankets
to define the space
where circles of trust
are assembled,
where identity
is sculpted
and family folklore
is handed down,
entrusted to the  
guardianship of
a new generation

the boughs of
broad leaf trees
seat heralds
of songbirds,
gracefully shading
the resting with
a welcomed lullaby
while shielding loungers
from the remorseless
hum of a busy city

water and
love unite
forming a base
compound element
nurturing companionship
gleaned on the gentle ebbs
of a green river calling  
its estuaries to rejoin
its fluxing host

in Autumn
the foliage of
the glorious season
paints a Monet
masterpiece
a life of love
has wrought

dazzling
watercolor portraits
are splayed onto the
glass surface of her
magnificent face

revealing
the depth
and dimension
of loves full
pallet of life's
seasons
beheld
in living
color for all
to behold

enthralled we
marvel at the
wondrous
portraiture
nature
composed
urging us to wade
into the golden pools
baptized by the grace
of reconciliations from
the dislocations of
expired seasons

as the hard times of winter arrives
serrated edges of ice floes creep
across the snow laced stones
reminding us how jagged
seasons may be

the gray steel water challenges
the warmest hearts of love

but elegant bridges
crowned with
statuesque keystones
arch across the water
joining the river walkways

the knowing statuary
of a city's mythic guardians
are ever watchful
assuring the Isar’s flow
remains unimpeded
and uncorrupted

the beloved of
Munchen sleep well
during the harshest
Bavarian nights
knowing the Angel of Hope
gleams through the darkness
her fluttering wings
sounding surety
to the faithful

her protective pinions
sprinkle gold upon the frozen river
planting the hopeful seeds of spring
whispering reassurances that
love will never be extinguished

Music Selection:
Bette Midler, The Rose

Composed for the marriage
of Maxine and Glendon McCallum
Munchen
7/4/14
Composed for the marriage
of Maxine and Glendon McCallum
Munchen
7/4/14
Nat Lipstadt Dec 2013
This was written a few Septembers ago.  Walking on the streets of a now deserted beach island, only the leaves, in various states, to keep me company.

September,
walk with me,
under bridges of wedding tree canopies,
still green aplenty,
tho subtle marked for change,
making summer illusions,
environmentally unsustainable.

September,
stroll on pathways
of lesser, off the track, shaded lanes,
the sun blocker trees wear new necklaces,
brown and yellow diamonds,
a coming attraction of
their denouement,
their denudement.

The September trees are:

Ever so slightly stooped,
bent with weight of a surety,
knowing with high certainty,
their future, bleak,
bowed and drooped,
discouraged by the
cold travails soon to arrive.

Living in the recent past,
I am dressed inappropriately,
white tee and shorts,
past pretender,
still dressed in my
Gap issue summer uniform,
summer suspended animation.

Island streets are de-humanized,
gone home are the children,
newly fallen leaves have,
their place, taken.

The leaves are:

magically organized along
the sidelines of empty streets,
quiet stadiums of would be
kid's touch football fields.  

browned, crisp and soulless,
first greet this solitary stroller,
like a cheering throng of ghosts,
celebrating a sighting -
man, as a seasonal fossil,
one that still is living
and worth reminding, yet
human too shall pass when
his fall arrives.

the leave's cheers make over
into jeers and mocking laughs:

Oh humans, they say,
your summer songs naive,
mais tres charmant.

On Crescent Beach,
the driftwood sadly forlorn,
looking more adrift than ever,
for no one passes to express
admiration at the past seasons
Nouveau Expressionism,
an objet d'art lonely,
for the beach gallery shuttered,  
raising questions existential.

Is driftwood on the beach sans
human admiration,
art, truth or refuse?

I am looking backwards as the
Earth moves forward.

My own axis, my eyes,
conscientious objectors
refuse to be pressed
into service of the seasons.

No, no,
to involuntary servitude,
to rotation and revolution.

Nature's witnesses,
trees and leaves write
their own poem,
of foolish men who:

Bow and droop,
discouraged by the
travails soon to arrive,

Delaying their own fall,
finally shed summer delusions
like leaves upon the ground,
summer poetry silenced,
summer suspended, no more.
an old summer~fall poem, revived, out of season, like me. See August 25
I am a Summer-Man
Philip Connett Apr 2021
Brown Brown brown
A majestic salute
Of this **** on bone
Into my mouth
Irreverent despise
This effigious moment
Of makes my surmise
Of this meat from this plate
Surety tu sate
It's Satan's will
In deep do I swill
Of all the kingdom's fawn
Fauna's adorn
Adorn ornate
From the midth of my plate
Into my bellies belie
Belittle my sweet tooth
From tooth suit sooth
The feel of my carnivorous desire
And it's encroach
To ****** from the animal kingdom
A bane or benign male
Or of femality
A skinned creature or scaled
Once skinned then scaled
To the nth of my teeth
From it's evolutionary course
To my 'mmms' whence eat
"I farm therefore I am"
My requite
My requiem
It's internment within my duodenum
If we as homosapien
We're a little lower
Of the evolutionary ladder
A little closer
To the whipchuk and adder
Perhaps this incongruity
Would seem of insurmount
That we would not take from the platter
Of that skitter skatter
Of paws and of hoof
Of feather and of scale
For it not our right
To interrupt the plight
Of species cultural agare
And of universal development
Of ******* disposition
And it's extant
Perhaps we'd be more likely
To drop a tear
Than a longe long of langue
A salivating spittle
Like the whistle and the sizzle
Of that press upon the plate
Of heated black iron
The steam and the vapour
Testament to the savour
To the saviour of the meal
As any connoisseur can tell you
Unless they alien to meat
The saviour of the meal
That muscular tender form
That reared from the twinkle
To the wink
The seed met it's drink
The phoetus
To the expressed
******* delight
This formling's fledgling plight
As it's eyes burn to new light
Of its heart and marrow and sinew
All fodder to our ensue
Of it's marriage to this world
Now married to our plate
Its existence to sate
Our sensory intuition
And if questioned
The lesser the tuition
Of salt and fat to the sate
Of blood and metal to the taste
Of bone and cartilage the waste
Unless hungry enough to chew
And **** it's marrow clean
And this meal
As if adieou
Of all memory
Of that beast's sense
Of this reality
And this brown brown brown
The king and capital of plate
And our position upon the evolutionary ladder
A little less seemingly madder
Of this culture of interrupting culture
For the satisfaction of our tongue
And of this insanity
Most seemingly insane
Shall affirm of our humane
As our cultural attest
To the other species detest
That the brown brown brown
Be a salute
From fork to mute
Of our common humanity
For whose going to stop us
The birds or the bees
And this brown brown brown
Be the flag of the humanity we wear
From infamy of mind
To the pork and the pear
Laid bare
Upon our shirt or lapel
Surely if we are to grapple
With ideas of genocide's justification
It's after picking the brown fibre
Of a pig's won't to pork
Upon your new shirt
With a clean silver fork
Or after dessert
An introduction to veganism...
Victoria G Mar 2014
I used to see the future in clearly defined terms
The geometry, the surety comforted me
(Rocking chairs on the porch
TV in the den, us on the couch)
But now it all seems wrong.
Water spilled on a crisp ink drawing
(An empty swing on the porch
TV by the bed, me on the couch)
I have to take off my glasses
Because your edges are too harsh
(Maybe I won't have a porch
Or a TV, I'll be on my parent's couch)
Geno Cattouse Oct 2012
What was it exactly about this rasta.
He seemed so to be out of time an oddity then.
He stroked the gong that resonates still

Nothing can dim his light
His message still reverberates
With all who hear his call.

A natural mystic sinking tap roots from far out.
Kaya budz meets Buffalo soldier and they journey to Transendentia.
Dread lion with Dread locks . Earth shoes and soccer socks.

Ras Nesta walking through di concrete jungle.
Nevah know what sweet rest is in disya concrete jungle.
When you think it's  peace and safety.A sudden destruction
Collective security, for surety.

From the Tenement yard to  a Pimpers paradise .
Lining up to run in the rat race.
Live if you wanna live .

Glazed over Duppy conqueror. Seeing past all limitations
Rastaman vibration. Positive.
Francie Lynch Apr 2015
I recognized her familiar gait
As she left ambulatory care
At Bluewater Health,
Once St. Joseph's Hospital.
I knew her as a devout care-giver.
Her spring showed her hope
In the gods within,
And faith in her God without.
A surety in her higher power.
I share her faith crossing bridges,
Or waiting for autumn's bulbs
To sprout and flower.

The Sisters have retreated
To the Mother House,
Mission accomplished,
No longer caring
For the sick and worried.

The civilians marched in,
Diagnosing annuities,
Giving change.

The Sisters wait for Pentecost,
For the whosh and whirl
Of expectant miracles
They once ministered.
Annie Setter Dec 2021
If I moved a muscle right now a window would break.
If I took a solitary step the tiles beneath me would crack.
Submerged in the oscuridad save for a small pulse of luz called optimism because that’s just how I was raised.

I know I can’t pretend to make an oasis
Because how well did that work out for me last time
The lightbulbs can yell and scream and punch the air
But nothing will make them turn on without a power source.

I can’t be breathing hard or else the candle stub I have left will blow out I have to
Guard it but keep looking for my next step using its meager light trusting
That the beacon I look for is not further than the reaches of my
Light that I will with the remaining shards of my life to keep on
Reining now is uncertainty that is
diametrically opposed to the concept that the sun is gonna rise tomorrow I promise so let me stroke your hair and shroud you until it does.

I exist in this limbo of heeding the hours that come. The ticking of the clock drudges yet I gulp every last second as it arrives.

I voraciously **** the teaspoon of trust I have left that the
Audience is just watching the plot arc to progress and that
The dramatic irony of  some surety is just beyond the radius of the hardly illuminated path beneath my shuddering feet.

Maybe someday I will stumble upon the next candlestick or something.
Maybe someday I’ll find a working light bulb buried in the snow or something.
But here I progress or something.
Un día a la vez or something.
Grappling foot by foot for something.

Something.
nicholas ripley Mar 2010
It was considered expedient
To change the unit of measure
To change scale,
To make redundant all
That could be wasted,
Naturally.

Internal communications
Will contrive suitable verbs
To conceal the brutality of profit
To provide surety as required
To the senior management team
As for the rest:

To those whose insecurities
Are relied upon, whose
Middles have expanded, aged
Receded, human resources
Will issue notice of packages
And opportunities of relocation.

The restructure will require
The recruitment of some
Of the hungry young;
Fresh graduates on the newly
Introduced basic scales.
What of your work you enquire?

Those value added strategies
Of differentiation
Of corporate responsibilities,
Family friendly policies?
In this age of austerity
Such approaches, old man,

Are as relevant as a hard drive,
Or hard copy, this is a cloud
Sourced post-crunch
Twitterverse we inhabit,
This is a time for new prospects
This is cloud cuckoo land.
Copyright Nicholas Ripley, March 2010. Written today to mark my joining this community.
Geno Cattouse Nov 2012
Ah here sits the stone on the ground
The shrub on the hill. A
Natural state of affairs if you will.
Retched Earth, abominable stone

Why the nerve of the rag tag tree
To perch ones self in stark relief
Blocking the skyline, space invader.
Thief.

Why the unmitigated gall.
Of the rain to fall on withered
Pate..

Tis the empty barrel that rumbles profusely.
The shallow stream that muddles  at the bottom.

Pyramid craniums, issues forth babble.
Slackjawd mouth-breather.
Knee ****, Buffoon.

Perched in perpetuity,howling
at the moon.

The my way or the Highwayman, astride a cocked horse.

The cant see the beauty of  the  Forrest for the treeman.

Bull headed, Ram goat Salty old ******.

Failure to Communicate.
Rush to excommunicate
Monolythic seer

Cotton eyed joe

Constipated thinker.

Oh the comfort and surety
of riding in the ruts.





.
Geno Cattouse Feb 2013
The truth set me free along tome ago.
A lightness of mind like vapor from a Tennessee still
nestled way back in the Blue Kentucky hills.

Carefree as a bird swiftly winging  to buckshot every feather in place.
The song of my nature driving me forward. To be or not.
Easier to forward than crash into false recollections.
Like a roaring inferno set upon the land. Reckless.

A mind too lazy to conjure in webs of reckless  fantasy. Encased with  surety.
A perch above the turmoil where the view is forever and blue.
Yes there is a price however. The winged truth is easy target for the hunter.

He lies in the brush well concealed and leads the mark by a hair.
Placing projectiles in the way of surety with devastating precision.
Truth falls to earth in a death spiral ****** feathers waft behind.
Fire and destruction. Fire and resurrection. Fire at will.

The heady substance is a snare.
a small price to pay. The Phoenix will rise  however.

The outcome will replay.
The Phoenix will rise yet still. Stubborn in his way.
Set free to soar and fall to ground
Set free to soar.
Set free.
Ashmita Jan 2013
This is not a poem, but its close to my heart, so I thought I'd put this up.

"We're walking these streets like they're paved with gold
Make any old excuses not to go
Neither one of us want to take that taxi home."

She came out of the movie hall with a new soul. A new life, a new beginning. As he held her hands, for the first time, in a long time, she felt safe. Even if what she had, posed the greatest threat to her. Disappointment. All over again. But in that one moment she knew what she wanted.    
She'd never leave that hand. No matter what it took, she'd be there, holding on. She swore she'd never let this go. And with that conclusion, she was born again. With hot tears, she was rejuvenated.
This time, her tears were the reason she smiled.
This time, she got back the heart she had once given away.
This time, she was loved.
Her knees were week, her heart palpitated, butterflies in her stomach. Her mind, not working.
Time stood still. And it felt perfect.
"I'll be back in a moment", he kissed her hand so delicately as if she was so fragile. As if she'd break in an instant. She would have. She was a crystal waiting to be damaged. But there was something in his eyes which told her, he'd be back.
Reluctantly, but gradually she let him go. He took one look and turned and ran away. Her gaze followed him. He felt it. He looked back, winked and carried on.
He came back. Not with a horse carriage, but with a old taxi. it really didn't matter as long as he was in it.
"Come on in"
His presence invited her in. He took her by the shoulders. And she was where she belonged. She closed her eyes for just a moment to take it all in. He took her hands and held on tight. And as the road went on, she found herself wishing it would not lead home. Wishing it could just take them away. She didn't care were that away was. As long as it was away.
She smiled. Holding nothing back, she laughed.
She was no longer the girl with a broken smile.
The taxi driver kept looking back. They were as bad as newlyweds. Shy, yet nothing could possibly keep them apart. And from the corner of her eyes she caught the old taxi driver deliver a smile of acceptance.
With both hesitance and surety, she kept taking risks, going further and further closer to home, together, in each other's arms. Because for the first time in her life, she HAD something to loose. Because the risk was worth it. every moment of it.      
She understood what she had in her hand. It was something familiar. Something warm and cozy. It was love.
A love which wasn't understandable. A love unknown. A strange and sudden development.
Her wall had been broken once again. This time, easier than before.
And it only took a taxi ride home for it to be realized.
Nat Lipstadt Jun 2018
dedicated to E.B.
a man of faith
~

the-third-of-three-of-thee queries,
ask this poet anything variety pack,
3 permission-granted non-deniable answers,
though somewhat unsurprisingly,
the demands are the common deeper commonality,
yet finds the poet
flat footed, tongue raveled, searching
repeatedly for le mot juste, answers he doesn’t prefer to task,
by asking himself ever
directly

fingers and tips knotted,
their cooperative sensation severed,
unprepared to answer
deferring, with a weakish,
“it’s buried in plain sight in the
thousand + poem answers resting here
for a someday funeral oratory anticipatory”

all the tired, tried and refried and endless recycled responsa tossed into a barrel of formaldehyde;

in dissolution, perhaps the solution?

numerous are my recorded “dialogues,”
verbal battles with spirit authorities,
plenty of cursing and finger pointing
and not of the Sistine Chapel variety;
mutual forgiveness for human and supreme  errors,
not always, hardly ever,
on the tabula rasa menu

but you think
a principle, responsum est constituta
(from the principal, the answer can be derived)
therefore, yes, he must be...

but
the poet replies faith in what,
meaning he has the surety of none

then!
the phone rings and the poem begins:
in a voice of heretofore unknown register,

<•>


“I am the highest authority
none greater

I am but and only the first creator;
my touch operates at the spiderweb level,
the muse of muses,
present in the first grazing garden of lips,
the cacophony clarity of the avians swapping stories
in the early morn,
my worldwide alarm clock,
the wafted word,
breeze born when any poet stumbles on what comes next,
I am scented cherry blossoms, the breath in the iris newly come, and quickly gone,
the spiders web
where there yesterday there was none,
I am the first poem,
and will be the last

the new skin neath the scab,
the cooing of a grandchild that
sun melts hardy men grizzled who think
there is nothing new under the sun

the counter movement of every wave that shushes,
requesting global silence,
even when no human present to applaud

I am the smile upon the surgeon exiting
the operating room,
his right hand of confidence,
the arm draped upon a strangers shoulder
who weeps unabashedly for
undisclosed reasons that do not matter

you ask the poet
is he a man of faith
a bewildering query that obtains
diffident daily responsa, for the very question
is an ever changing variable

easy come and easy go
for what is faith but a traveling circus,
a summer day, forgot as it melds with next,
faith in?
me? hardly...

who could sustain a belief in the invisible hand that is the breeze between blades of grasses where the snowflakes will later accumulate as if nesting

even faith in himself
is a passing cloud,
a short term rental

but in that instance
he is faithful personified
for he “discovered”
the next word to close and complete,
the poem that did not exist prior

thus faith stored and restored
he believes once more if but for
a seconds-long knowing a defining of
faith

  thus he is neither solved or dissolved;
yet, is resolved to keep getting
closer to that completion
that affords him, or any poet,
to own the faith that affords belief
Nat Lipstadt Nov 2015
~for Steve R. & Stephen Y.~

"two regrets are mine -
not finding you earlier in life when...words would have carved for me a better road, and...not hand-ing you a touch, the perfect tightness-shake of one's hand reserved for fondest friends and the light press on one's back deserved for dearest brothers!"
~~~

the light press surety of five fingers on one,
oh, what messages it composes, oh, what duty weighty it transmits

dear brothers:

tho this hands-on handoff, this fly-over, is still a  
mission unaccomplished,
yet no regrets, please!

men don't overuse superlatives,
what you lovingly uncover in my rocket-verbal Mars probes,
is more telling, more revealing of  who you are,
than any hand-tightness shake,
any touching grasp, could e'er convey

yet I promise, forsworn upon the cross
of the north west Pacifico latitude and longitude
a latitude that just happens to intersect
my olden, new english state,
knowing that Interstate 90
a straight transcontinental shot,
and the car keys just an impulse grab away

to tell your arms, your face, your back, our hands,
that when you love my poetry,
you love me,
you friends,
are an affirmation of  Pablo Neruda's words:

"whoever discovers who I am
discovers who you are"


fondness is not distance constrained,
touching grasps pay no obeisance to time,
the honor of your affection permanent
affirmed and enflamed,
all mine, sublime, to lead my heart,
where to lay hands upon your back,
to realize even more
our single united rhyme
November 7, 2015
4:50 pm
nyc/nl
Still Crazy Aug 2014
no mean feat to reestablish,
palpitating those few seconds
when arms-in-motion wave frantic,
in desperation,
in fall-prevention mode,
comical and tragical,
a salty suite,
and the semi-familiar
taste of fall/failing
the freshest fear,
jalapeño hot on the tongue

some months ago,
the thinnest tightrope,
not an obstacle feared,
what I lacked for,
I could not say or now recall

the kindness of calm prevailed
now tension lines drawn,
under the feet,
around the neck,
high voltage wires that
no artist-survivor-breadwinner
can walk without trepidation
though you don't see my arms flailing,
there are faint marks on my soles,
parallelograms on my throat,
where fear has tested
the prowess of its equipment

my life retrospected,
have miracles
made and gained,
given and taken

nine lives used up so many times,
thought my allotment was
nine X nine to the power of nine,
stupid-stopped looking over my shoulder

the poems came so easy,
every phrase overheard was a
story explicated, and the insights slid
from throat to paper so fast
I did not count myself blessed,
just merely fortunate

well fortunes veer,
turn left bad right,
no direction home,
and what was easy,
now impossible

how the story final beds,
will keep you posted,
right now all I can predict
with 100% surety,
the fall is surely coming
for the summer-man

the sun cannot burn off
the fog that paralyzes his
ship to shore,
invisible the safety of port,
the horn sound more of a croak,
his voice, ashamed of failing,
has this man both
landlocked
and lost at sea
this poem was once centered
too

— The End —