Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.

Messieurs les beaux esprits dont la prose et les vers
Sont d'un style pompeux et toujours admirable,
Mais que l'on n'entend point, écoutez cette fable,
Et tâchez de devenir clairs.
Un homme qui montrait la lanterne magique
Avait un singe dont les tours
Attiraient chez lui grand concours.
Jacqueau, c'était son nom, sur la corde élastique
Dansait et voltigeait au mieux,
Puis faisait le saut périlleux,
Et puis sur un cordon, sans que rien le soutienne,
Le corps droit, fixe, d'aplomb,
Notre Jacqueau fait tout du long
L'exercice à la prussienne.
Un jour qu'au cabaret son maître était resté
(C'était, je pense, un jour de fête),
Notre singe en liberté
Veut faire un coup de sa tête.
Il s'en va rassembler les divers animaux
Qu'il petit rencontrer dans la ville ;
Chiens, chats, poulets, dindons, pourceaux,
Arrivent bientôt à la file.
Entrez, entrez, messieurs, criait notre Jacqueau,
C'est ici, c'est ici qu'un spectacle nouveau
Vous charmera gratis.
Oui, messieurs, à la porte
On ne prend point d'argent ; je fais tout pour l'honneur.
A ces mots, chaque spectateur
Va se placer, et l'on apporte
La lanterne magique ; on ferme les volets,
Et par un discours fait exprès Jacqueau prépare l'auditoire.
Ce morceau vraiment oratoire
Fit bâiller, mais on applaudit.
Content de son succès, notre singe saisit
Un verre peint qu'il met dans sa lanterne.
Il sait comment on le gouverne,
Et crie, en le poussant : Est-il rien de pareil ?
Messieurs, vous voyez le soleil,
Ses rayons et toute sa gloire.
Voici présentement la lune, et puis l'histoire
D'Adam, d'Ève et des animaux ...
Voyez, messieurs, comme ils sont beaux !
Voyez la naissance du monde ;
Voyez ... Les spectateurs, dans une nuit profonde,
Écarquillaient leurs yeux et ne pouvaient rien voir,
L'appartement, le mur, tout était noir.
Ma foi, disait un chat, de toutes les merveilles
Dont il étourdit nos oreilles,
Le fait est que je ne vois rien.
Ni moi non plus, disait un chien.
Moi, disait un dindon, je vois bien quelque chose
Mais je ne sais pour quelle cause
Je ne distingue pas très bien.
Pendant tous ces discours, le Cicéron moderne
Parlait éloquemment, et ne se lassait point.
Il n'avait oublié qu'un point :
C'était d'éclairer sa lanterne.

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen *******,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones--
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone--
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.--
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe--
Few, who with gorgeous pageantry enrobe
Our piece of heaven--whose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades '**** oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.--The mighty deeps,
The monstrous sea is thine--the myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.

  Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.

                  On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:--when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.

                      Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;--then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.

  "What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-top--the sage's pen--
The poet's harp--the voice of friends--the sun;
Thou wast the river--thou wast glory won;
Thou wast my clarion's blast--thou wast my steed--
My goblet full of wine--my topmost deed:--
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss--
My strange love came--Felicity's abyss!
She came, and thou didst fade, and fade away--
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.--Dearest love, forgive
That I can think away from thee and live!--
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.

  The old man rais'd his hoary head and saw
The wilder'd stranger--seeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:--

  "Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?--
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some ******* pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!--
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, and--ah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.--By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"

  He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:

  "Arise, good youth, for sacred Phoebus' sake!
I know thine inmost *****, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."

  So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,--
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,--and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!--Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading ****,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.

  "I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.

  "Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost priv

Une jeune guenon cueillit
Une noix dans sa coque verte ;
Elle y porte la dent, fait la grimace... ah ! Certes,
Dit-elle, ma mère mentit
Quand elle m'assura que les noix étaient bonnes.
Puis, croyez aux discours de ces vieilles personnes
Qui trompent la jeunesse ! Au diable soit le fruit !
Elle jette la noix. Un singe la ramasse,
Vite entre deux cailloux la casse,
L'épluche, la mange, et lui dit :
Votre mère eut raison, ma mie :
Les noix ont fort bon goût, mais il faut les ouvrir.
Souvenez-vous que, dans la vie,
Sans un peu de travail on n'a point de plaisir.

so quick, so quick--
and it's over in appreciation's bloom
i run and kiss her- glad to be alive with you
adrenaline spread across
the slice of time i am
this life affirmed in downward rush
of vision    swallowing the whole
un    worded     awe
'i cannot be a poet now'

from reading on the drive there:
absurd psychology, it marvels at me
similizing downward flight    to that of two rakshasas thrown
from Angada's leap on Lanka
    palace tower kicked, another symbol falling
likened to Ravana's ego doomed,
ordering to **** that messenger
who revealing imminence alights the fate
of endings we all share,
how could i guess
i blindly follow orders--
the ten-headed ego writhes resistance
at the incapacity in me, the failure  
    to speak    meaningfully,
or trounce the message-bearer
routing through the speech
of others only    intoning at ten thousand feet:
om  earth   sky    cosmos
    contemplating that original love
perfect fullness     within and out
    let us realize our unity
om  peace   peace  peace
at the silence    in the noise
eudaimonic under breath as engine climbs
in moments    (i don't know how i got here)
i chant remembrance into time--
the solar warmth    a touch of ease
amid anticipation's quandary--
he has a helmet    unlike me  
    "Don't let those two mess with you,"
the camera-headed lady says to me before she jumps
her finger wagging    some distant familiarity
of jests to lighten fears    or twirl them in the air--
so cold the wind     and thin to singe the lungs--
his body hanging out the door     waiting for
her flight into his falling grasp    the plane rocks into the slamming door
the door...    is closed again for me to kneel beside
and think of next and after what has come before
    inching    'i love you' at the back of the plane
where crouched the one who whisked me here
in mystery to allow unveiling here today
from reading epic only--gazing down--"no signs" to give away
the open spaces felt and bright  treeless    vast
and getting out of car with closed eyes--
"surprise!" and there sits a plane or twenty over there
and "SKYDIVING" written on the door
which i am happy to dismiss as we walk the other way,
she wouldn't have the guts to surprise me with this--
but yes we turn around and here we are
with sky-crazies in pictures    peace and love on palms
strapped tandem     falling    living     back   still far from earth
we sign the papers under those smiles
faintly listen to the video  squawking 'court of law'
and 'choice of your own free will'
paid and signed away  we harness in and search for fear
windex for the goggles  (but how clearly will i see?)
my ***** are safe from straps or so i think
i'm conscious of the need to quip
and John and Paul--our parachutes--
become a double headed meet-your-maker Pope
for me to flatly joke about.
"Pain is good," says the pilot as
we learn the way to fall
and pile seven in a tiny cockpit,
we're off the ground before i know it
i 'woot' to sign my joy.   as much as to assent
conversations of little more than two lines
keep us feeling human as we swallow
popping in our ears,
--she'll have to keep her gum--
smoke stacks, mines, gray grids of residential scapes
seem to **** the green from curve of earth.
faintly i recall ecology, pulled into the sun
stumbling to cage the meaning of it all
a sentence forms into a trailing nonsense.
my breathing tests the press of straps on waist and chest
deafened, chanting. cease to chant.
the meaning overcome with wonderment beyond my mind.
am i missing something?
thank the pilot as a "Sir,"
"Door!!" "How long?!" "When!?!" --i hear the buckles faintly clicking,
the distance imperceptible a rush
of air i am infused with global letting be
the ball of tight electric fear
a nostril flare of otherworldly falsity--
i am here.
and tilting, instructions gibberish, shouting go! go!!
a kneeling fetal hop into the gust of void
so full the eyelash burns horizonal










.

Thus did they make their moan throughout the city, while the
Achaeans when they reached the Hellespont went back every man to his
own ship. But Achilles would not let the Myrmidons go, and spoke to
his brave comrades saying, “Myrmidons, famed horsemen and my own
trusted friends, not yet, forsooth, let us unyoke, but with horse
and chariot draw near to the body and mourn Patroclus, in due honour
to the dead. When we have had full comfort of lamentation we will
unyoke our horses and take supper all of us here.”
  On this they all joined in a cry of wailing and Achilles led them in
their lament. Thrice did they drive their chariots all sorrowing round
the body, and Thetis stirred within them a still deeper yearning.
The sands of the seashore and the men’s armour were wet with their
weeping, so great a minister of fear was he whom they had lost.
Chief in all their mourning was the son of Peleus: he laid his
bloodstained hand on the breast of his friend. “Fare well,” he
cried, “Patroclus, even in the house of Hades. I will now do all
that I erewhile promised you; I will drag Hector hither and let dogs
devour him raw; twelve noble sons of Trojans will I also slay before
your pyre to avenge you.”
  As he spoke he treated the body of noble Hector with contumely,
laying it at full length in the dust beside the bier of Patroclus. The
others then put off every man his armour, took the horses from their
chariots, and seated themselves in great multitude by the ship of
the fleet descendant of Aeacus, who thereon feasted them with an
abundant funeral banquet. Many a goodly ox, with many a sheep and
bleating goat did they butcher and cut up; many a tusked boar
moreover, fat and well-fed, did they singe and set to roast in the
flames of Vulcan; and rivulets of blood flowed all round the place
where the body was lying.
  Then the princes of the Achaeans took the son of Peleus to
Agamemnon, but hardly could they persuade him to come with them, so
wroth was he for the death of his comrade. As soon as they reached
Agamemnon’s tent they told the serving-men to set a large tripod
over the fire in case they might persuade the son of Peleus ‘to wash
the clotted gore from this body, but he denied them sternly, and swore
it with a solemn oath, saying, “Nay, by King Jove, first and mightiest
of all gods, it is not meet that water should touch my body, till I
have laid Patroclus on the flames, have built him a barrow, and shaved
my head—for so long as I live no such second sorrow shall ever draw
nigh me. Now, therefore, let us do all that this sad festival demands,
but at break of day, King Agamemnon, bid your men bring wood, and
provide all else that the dead may duly take into the realm of
darkness; the fire shall thus burn him out of our sight the sooner,
and the people shall turn again to their own labours.”
  Thus did he speak, and they did even as he had said. They made haste
to prepare the meal, they ate, and every man had his full share so
that all were satisfied. As soon as they had had had enough to eat and
drink, the others went to their rest each in his own tent, but the son
of Peleus lay grieving among his Myrmidons by the shore of the
sounding sea, in an open place where the waves came surging in one
after another. Here a very deep slumber took hold upon him and eased
the burden of his sorrows, for his limbs were weary with chasing
Hector round windy Ilius. Presently the sad spirit of Patroclus drew
near him, like what he had been in stature, voice, and the light of
his beaming eyes, clad, too, as he had been clad in life. The spirit
hovered over his head and said-
  “You sleep, Achilles, and have forgotten me; you loved me living,
but now that I am dead you think for me no further. Bury me with all
speed that I may pass the gates of Hades; the ghosts, vain shadows
of men that can labour no more, drive me away from them; they will not
yet suffer me to join those that are beyond the river, and I wander
all desolate by the wide gates of the house of Hades. Give me now your
hand I pray you, for when you have once given me my dues of fire,
never shall I again come forth out of the house of Hades. Nevermore
shall we sit apart and take sweet counsel among the living; the
cruel fate which was my birth-right has yawned its wide jaws around
me—nay, you too Achilles, peer of gods, are doomed to die beneath the
wall of the noble Trojans.
  “One prayer more will I make you, if you will grant it; let not my
bones be laid apart from yours, Achilles, but with them; even as we
were brought up together in your own home, what time Menoetius brought
me to you as a child from Opoeis because by a sad spite I had killed
the son of Amphidamas—not of set purpose, but in childish quarrel
over the dice. The knight Peleus took me into his house, entreated
me kindly, and named me to be your squire; therefore let our bones lie
in but a single urn, the two-handled golden vase given to you by
your mother.”
  And Achilles answered, “Why, true heart, are you come hither to
lay these charges upon me? will of my own self do all as you have
bidden me. Draw closer to me, let us once more throw our arms around
one another, and find sad comfort in the sharing of our sorrows.”
  He opened his arms towards him as he spoke and would have clasped
him in them, but there was nothing, and the spirit vanished as a
vapour, gibbering and whining into the earth. Achilles sprang to his
feet, smote his two hands, and made lamentation saying, “Of a truth
even in the house of Hades there are ghosts and phantoms that have
no life in them; all night long the sad spirit of Patroclus has
hovered over head making piteous moan, telling me what I am to do
for him, and looking wondrously like himself.”
  Thus did he speak and his words set them all weeping and mourning
about the poor dumb dead, till rosy-fingered morn appeared. Then
King Agamemnon sent men and mules from all parts of the camp, to bring
wood, and Meriones, squire to Idomeneus, was in charge over them. They
went out with woodmen’s axes and strong ropes in their hands, and
before them went the mules. Up hill and down dale did they go, by
straight ways and crooked, and when they reached the heights of
many-fountained Ida, they laid their axes to the roots of many a
tall branching oak that came thundering down as they felled it. They
split the trees and bound them behind the mules, which then wended
their way as they best could through the thick brushwood on to the
plain. All who had been cutting wood bore logs, for so Meriones squire
to Idomeneus had bidden them, and they threw them down in a line
upon the seashore at the place where Achilles would make a mighty
monument for Patroclus and for himself.
  When they had thrown down their great logs of wood over the whole
ground, they stayed all of them where they were, but Achilles
ordered his brave Myrmidons to gird on their armour, and to yoke
each man his horses; they therefore rose, girded on their armour and
mounted each his chariot—they and their charioteers with them. The
chariots went before, and they that were on foot followed as a cloud
in their tens of thousands after. In the midst of them his comrades
bore Patroclus and covered him with the locks of their hair which they
cut off and threw upon his body. Last came Achilles with his head
bowed for sorrow, so noble a comrade was he taking to the house of
Hades.
  When they came to the place of which Achilles had told them they
laid the body down and built up the wood. Achilles then bethought
him of another matter. He went a space away from the pyre, and cut off
the yellow lock which he had let grow for the river Spercheius. He
looked all sorrowfully out upon the dark sea, and said, “Spercheius,
in vain did my father Peleus vow to you that when I returned home to
my loved native land I should cut off this lock and offer you a holy
hecatomb; fifty she-goats was I to sacrifice to you there at your
springs, where is your grove and your altar fragrant with
burnt-offerings. Thus did my father vow, but you have not fulfilled
his prayer; now, therefore, that I shall see my home no more, I give
this lock as a keepsake to the hero Patroclus.”
  As he spoke he placed the lock in the hands of his dear comrade, and
all who stood by were filled with yearning and lamentation. The sun
would have gone down upon their mourning had not Achilles presently
said to Agamemnon, “Son of Atreus, for it is to you that the people
will give ear, there is a time to mourn and a time to cease from
mourning; bid the people now leave the pyre and set about getting
their dinners: we, to whom the dead is dearest, will see to what is
wanted here, and let the other princes also stay by me.”
  When King Agamemnon heard this he dismissed the people to their
ships, but those who were about the dead heaped up wood and built a
pyre a hundred feet this way and that; then they laid the dead all
sorrowfully upon the top of it. They flayed and dressed many fat sheep
and oxen before the pyre, and Achilles took fat from all of them and
wrapped the body therein from head to foot, heaping the flayed
carcases all round it. Against the bier he leaned two-handled jars
of honey and unguents; four proud horses did he then cast upon the
pyre, groaning the while he did so. The dead hero had had
house-dogs; two of them did Achilles slay and threw upon the pyre;
he also put twelve brave sons of noble Trojans to the sword and laid
them with the rest, for he was full of bitterness and fury. Then he
committed all to the resistless and devouring might of the fire; he
groaned aloud and callid on his dead comrade by name. “Fare well,”
he cried, “Patroclus, even in the house of Hades; I am now doing all
that I have promised you. Twelve brave sons of noble Trojans shall the
flames consume along with yourself, but dogs, not fire, shall devour
the flesh of Hector son of Priam.”
  Thus did he vaunt, but the dogs came not about the body of Hector,
for Jove’s daughter Venus kept them off him night and day, and
anointed him with ambrosial oil of roses that his flesh might not be
torn when Achilles was dragging him about. Phoebus Apollo moreover
sent a dark cloud from heaven to earth, which gave shade to the
whole place where Hector lay, that the heat of the sun might not parch
his body.
  Now the pyre about dead Patroclus would not kindle. Achilles
therefore bethought him of another matter; he went apart and prayed to
the two winds Boreas and Zephyrus vowing them goodly offerings. He
made them many drink-offerings from the golden cup and besought them
to come and help him that the wood might make haste to kindle and
the dead bodies be consumed. Fleet Iris heard him praying and
started off to fetch the winds. They were holding high feast in the
house of boisterous Zephyrus when Iris came running up to the stone
threshold of the house and stood there, but as soon as they set eyes
on her they all came towards her and each of them called her to him,
but Iris would not sit down. “I cannot stay,” she said, “I must go
back to the streams of Oceanus and the land of the Ethiopians who
are offering hecatombs to the immortals, and I would have my share;
but Achilles prays that Boreas and shrill Zephyrus will come to him,
and he vows them goodly offerings; he would have you blow upon the
pyre of Patroclus for whom all the Achaeans are lamenting.”
  With this she left them, and the two winds rose with a cry that rent
the air and swept the clouds before them. They blew on and on until
they came to the sea, and the waves rose high beneath them, but when
they reached Troy they fell upon the pyre till the mighty flames
roared under the blast that they blew. All night long did they blow
hard and beat upon the fire, and all night long did Achilles grasp his
double cup, drawing wine from a mixing-bowl of gold, and calling
upon the spirit of dead Patroclus as he poured it upon the ground
until the earth was drenched. As a father mourns when he is burning
the bones of his bridegroom son whose death has wrung the hearts of
his parents, even so did Achilles mourn while burning the body of
his comrade, pacing round the bier with piteous groaning and
lamentation.
  At length as the Morning Star was beginning to herald the light
which saffron-mantled Dawn was soon to suffuse over the sea, the
flames fell and the fire began to die. The winds then went home beyond
the Thracian sea, which roared and boiled as they swept over it. The
son of Peleus now turned away from the pyre and lay down, overcome
with toil, till he fell into a sweet slumber. Presently they who
were about the son of Atreus drew near in a body, and roused him
with the noise and ***** of their coming. He sat upright and said,
“Son of Atreus, and all other princes of the Achaeans, first pour
red wine everywhere upon the fire and quench it; let us then gather
the bones of Patroclus son of Menoetius, singling them out with
care; they are easily found, for they lie in the middle of the pyre,
while all else, both men and horses, has been thrown in a heap and
burned at the outer edge. We will lay the bones in a golden urn, in
two layers of fat, against the time when I shall myself go down into
the house of Hades. As for the barrow, labour not to raise a great one
now, but such as is reasonable. Afterwards, let those Achaeans who may
be left at the ships when I am gone, build it both broad and high.”
  Thus he spoke and they obeyed the word of the son of Peleus. First
they poured red wine upon the thick layer of ashes and quenched the
fire. With many tears they singled out the whitened bones of their
loved comrade and laid them within a golden urn in two layers of
fat: they then covered the urn with a linen cloth and took it inside
the tent. They marked off the circle where the barrow should be,
made a foundation for it about the pyre, and forthwith heaped up the
earth. When they had thus raised a mound they were going away, but
Achilles stayed the people and made them sit in assembly. He brought
prizes from the ships-cauldrons, tripods, horses and mules, noble
oxen, women with fair girdles, and swart iron.
  The first prize he offered was for the chariot races—a woman
skilled in all useful arts, and a three-legged cauldron that had
ears for handles, and would hold twenty-two measures. This was for the
man who came in first. For the second there was a six-year old mare,
unbroken, and in foal to a he-***; the third was to have a goodly
cauldron that had never yet been on the fire; it was still bright as
when it left the maker, and would hold four measures. The fourth prize
was two talents of gold, and the fifth a two-handled urn as yet
unsoiled by smoke. Then he stood up and spoke among the Argives
saying-
  “Son of Atreus, and all other Achaeans, these are the prizes that
lie waiting the winners of the chariot races. At any other time I
should carry off the first prize and take it to my own tent; you
know how far my steeds excel all others—for they are immortal;
Neptune gave them to my father Peleus, who in his turn gave them to
myself; but I shall hold aloof, I and my steeds that have lost their
brave and kind driver, who many a time has washed them in clear
water and anointed their manes with oil. See how they stand weeping
here, with their manes trailing on the ground in the extremity of
their sorrow. But do you others set yourselves in order throughout the
host, whosoever has confidence in his horses and in the strength of
his chariot.”
  Thus spoke the son of Peleus and the drivers of chariots bestirred
themselves. First among them all uprose Eumelus, king of men, son of
Admetus, a man excellent in horsemanship. Next to him rose mighty
Diomed son of Tydeus; he yoked the Trojan horses which he had taken
from Aeneas, when Apollo bore him out of the fight. Next to him,
yellow-haired Menelaus son of Atreus rose and yoked his fleet
horses, Agamemnon’s mare Aethe, and his own horse Podargus. The mare
had been given to Agamemnon by echepolus son of Anchises, that he
might not have to follow him to Ilius, but might stay at home and take
his ease; for Jove had endowed him with great wealth and he lived in
spacious

My mouth is dry with the taste of the smoke and yearning,
Incense sticks lit on my tongue with a lick of whiskey lighter fuel.
Burning down to each moment where the ashes of you
Would fall off my tongue,
Until there was nothing but ashes by the end of the night.

Incipit prohemium tercii libri.

O blisful light of whiche the bemes clere  
Adorneth al the thridde hevene faire!
O sonnes lief, O Ioves doughter dere,
Plesaunce of love, O goodly debonaire,
In gentil hertes ay redy to repaire!  
O verray cause of hele and of gladnesse,
Y-heried be thy might and thy goodnesse!

In hevene and helle, in erthe and salte see
Is felt thy might, if that I wel descerne;
As man, brid, best, fish, herbe and grene tree  
Thee fele in tymes with vapour eterne.
God loveth, and to love wol nought werne;
And in this world no lyves creature,
With-outen love, is worth, or may endure.

Ye Ioves first to thilke effectes glade,  
Thorugh which that thinges liven alle and be,
Comeveden, and amorous him made
On mortal thing, and as yow list, ay ye
Yeve him in love ese or adversitee;
And in a thousand formes doun him sente  
For love in erthe, and whom yow liste, he hente.

Ye fierse Mars apeysen of his ire,
And, as yow list, ye maken hertes digne;
Algates, hem that ye wol sette a-fyre,
They dreden shame, and vices they resigne;  
Ye do hem corteys be, fresshe and benigne,
And hye or lowe, after a wight entendeth;
The Ioyes that he hath, your might him sendeth.

Ye holden regne and hous in unitee;
Ye soothfast cause of frendship been also;  
Ye knowe al thilke covered qualitee
Of thinges which that folk on wondren so,
Whan they can not construe how it may io,
She loveth him, or why he loveth here;
As why this fish, and nought that, comth to were.  

Ye folk a lawe han set in universe,
And this knowe I by hem that loveres be,
That who-so stryveth with yow hath the werse:
Now, lady bright, for thy benignitee,
At reverence of hem that serven thee,  
Whos clerk I am, so techeth me devyse
Som Ioye of that is felt in thy servyse.

Ye in my naked herte sentement
Inhelde, and do me shewe of thy swetnesse. --
Caliope, thy vois be now present,  
For now is nede; sestow not my destresse,
How I mot telle anon-right the gladnesse
Of Troilus, to Venus heryinge?
To which gladnes, who nede hath, god him bringe!

Explicit prohemium Tercii Libri.

Incipit Liber Tercius.

Lay al this mene whyle Troilus,  
Recordinge his lessoun in this manere,
'Ma fey!' thought he, 'Thus wole I seye and thus;
Thus wole I pleyne unto my lady dere;
That word is good, and this shal be my chere;
This nil I not foryeten in no wyse.'  
God leve him werken as he can devyse!

And, lord, so that his herte gan to quappe,
Heringe hir come, and shorte for to syke!
And Pandarus, that ledde hir by the lappe,
Com ner, and gan in at the curtin pyke,  
And seyde, 'God do bote on alle syke!
See, who is here yow comen to visyte;
Lo, here is she that is your deeth to wyte.'

Ther-with it semed as he wepte almost;
'A ha,' quod Troilus so rewfully,  
'Wher me be wo, O mighty god, thow wost!
Who is al there? I se nought trewely.'
'Sire,' quod Criseyde, 'it is Pandare and I.'
'Ye, swete herte? Allas, I may nought ryse
To knele, and do yow honour in som wyse.'  

And dressede him upward, and she right tho
Gan bothe here hondes softe upon him leye,
'O, for the love of god, do ye not so
To me,' quod she, 'Ey! What is this to seye?
Sire, come am I to yow for causes tweye;  
First, yow to thonke, and of your lordshipe eke
Continuance I wolde yow biseke.'

This Troilus, that herde his lady preye
Of lordship him, wex neither quik ne deed,
Ne mighte a word for shame to it seye,  
Al-though men sholde smyten of his heed.
But lord, so he wex sodeinliche reed,
And sire, his lesson, that he wende conne,
To preyen hir, is thurgh his wit y-ronne.

Cryseyde al this aspyede wel y-nough,  
For she was wys, and lovede him never-the-lasse,
Al nere he malapert, or made it tough,
Or was to bold, to singe a fool a masse.
But whan his shame gan somwhat to passe,
His resons, as I may my rymes holde,  
I yow wole telle, as techen bokes olde.

In chaunged vois, right for his verray drede,
Which vois eek quook, and ther-to his manere
Goodly abayst, and now his hewes rede,
Now pale, un-to Criseyde, his lady dere,  
With look doun cast and humble yolden chere,
Lo, the alderfirste word that him asterte
Was, twyes, 'Mercy, mercy, swete herte!'

And stinte a whyl, and whan he mighte out-bringe,
The nexte word was, 'God wot, for I have,  
As feyfully as I have had konninge,
Ben youres, also god so my sowle save;
And shal til that I, woful wight, be grave.
And though I dar ne can un-to yow pleyne,
Y-wis, I suffre nought the lasse peyne.  

'Thus muche as now, O wommanliche wyf,
I may out-bringe, and if this yow displese,
That shal I wreke upon myn owne lyf
Right sone, I trowe, and doon your herte an ese,
If with my deeth your herte I may apese.  
But sin that ye han herd me som-what seye,
Now recche I never how sone that I deye.'

Ther-with his manly sorwe to biholde,
It mighte han maad an herte of stoon to rewe;
And Pandare weep as he to watre wolde,  
And poked ever his nece newe and newe,
And seyde, 'Wo bigon ben hertes trewe!
For love of god, make of this thing an ende,
Or slee us bothe at ones, er that ye wende.'

'I? What?' quod she, 'By god and by my trouthe,  
I noot nought what ye wilne that I seye.'
'I? What?' quod he, 'That ye han on him routhe,
For goddes love, and doth him nought to deye.'
'Now thanne thus,' quod she, 'I wolde him preye
To telle me the fyn of his entente;  
Yet wist I never wel what that he mente.'

'What that I mene, O swete herte dere?'
Quod Troilus, 'O goodly, fresshe free!
That, with the stremes of your eyen clere,
Ye wolde som-tyme freendly on me see,  
And thanne agreen that I may ben he,
With-oute braunche of vyce on any wyse,
In trouthe alwey to doon yow my servyse,

'As to my lady right and chief resort,
With al my wit and al my diligence,  
And I to han, right as yow list, comfort,
Under your yerde, egal to myn offence,
As deeth, if that I breke your defence;
And that ye deigne me so muche honoure,
Me to comaunden ought in any houre.  

'And I to ben your verray humble trewe,
Secret, and in my paynes pacient,
And ever-mo desire freshly newe,
To serven, and been y-lyke ay diligent,
And, with good herte, al holly your talent  
Receyven wel, how sore that me smerte,
Lo, this mene I, myn owene swete herte.'

Quod Pandarus, 'Lo, here an hard request,
And resonable, a lady for to werne!
Now, nece myn, by natal Ioves fest,  
Were I a god, ye sholde sterve as yerne,
That heren wel, this man wol no-thing yerne
But your honour, and seen him almost sterve,
And been so looth to suffren him yow serve.'

With that she gan hir eyen on him caste  
Ful esily, and ful debonairly,
Avysing hir, and hyed not to faste
With never a word, but seyde him softely,
'Myn honour sauf, I wol wel trewely,
And in swich forme as he can now devyse,  
Receyven him fully to my servyse,

'Biseching him, for goddes love, that he
Wolde, in honour of trouthe and gentilesse,
As I wel mene, eek mene wel to me,
And myn honour, with wit and besinesse  
Ay kepe; and if I may don him gladnesse,
From hennes-forth, y-wis, I nil not feyne:
Now beeth al hool; no lenger ye ne pleyne.

'But nathelees, this warne I yow,' quod she,
'A kinges sone al-though ye be, y-wis,  
Ye shal na-more have soverainetee
Of me in love, than right in that cas is;
Ne I nil forbere, if that ye doon a-mis,
To wrathen yow; and whyl that ye me serve,
Cherycen yow right after ye deserve.  

'And shortly, dere herte and al my knight,
Beth glad, and draweth yow to lustinesse,
And I shal trewely, with al my might,
Your bittre tornen al in-to swetenesse.
If I be she that may yow do gladnesse,  
For every wo ye shal recovere a blisse';
And him in armes took, and gan him kisse.

Fil Pandarus on knees, and up his eyen
To hevene threw, and held his hondes hye,
'Immortal god!' quod he, 'That mayst nought dyen,  
Cupide I mene, of this mayst glorifye;
And Venus, thou mayst maken melodye;
With-outen hond, me semeth that in the towne,
For this merveyle, I here ech belle sowne.

'But **! No more as now of this matere,  
For-why this folk wol comen up anoon,
That han the lettre red; lo, I hem here.
But I coniure thee, Criseyde, and oon,
And two, thou Troilus, whan thow mayst goon,
That at myn hous ye been at my warninge,  
For I ful wel shal shape youre cominge;

'And eseth ther your hertes right y-nough;
And lat see which of yow shal bere the belle
To speke of love a-right!' ther-with he lough,
'For ther have ye a layser for to telle.'  
Quod Troilus, 'How longe shal I dwelle
Er this be doon?' Quod he, 'Whan thou mayst ryse,
This thing shal be right as I yow devyse.'

With that Eleyne and also Deiphebus
Tho comen upward, right at the steyres ende;  
And Lord, so than gan grone Troilus,
His brother and his suster for to blende.
Quod Pandarus, 'It tyme is that we wende;
Tak, nece myn, your leve at alle three,
And lat hem speke, and cometh forth with me.'  

She took hir leve at hem ful thriftily,
As she wel coude, and they hir reverence
Un-to the fulle diden hardely,
And speken wonder wel, in hir absence,
Of hir, in preysing of hir excellence,  
Hir governaunce, hir wit; and hir manere
Commendeden, it Ioye was to here.

Now lat hir wende un-to hir owne place,
And torne we to Troilus a-yein,
That gan ful lightly of the lettre passe  
That Deiphebus hadde in the gardin seyn.
And of Eleyne and him he wolde fayn
Delivered been, and seyde that him leste
To slepe, and after tales have reste.

Eleyne him kiste, and took hir leve blyve,  
Deiphebus eek, and hoom wente every wight;
And Pandarus, as faste as he may dryve,
To Troilus tho com, as lyne right;
And on a paillet, al that glade night,
By Troilus he lay, with mery chere,  
To tale; and wel was hem they were y-fere.

Whan every wight was voided but they two,
And alle the dores were faste y-shette,
To telle in short, with-oute wordes mo,
This Pandarus, with-outen any lette,  
Up roos, and on his beddes syde him sette,
And gan to speken in a sobre wyse
To Troilus, as I shal yow devyse:

'Myn alderlevest lord, and brother dere,
God woot, and thou, that it sat me so sore,  
When I thee saw so languisshing to-yere,
For love, of which thy wo wex alwey more;
That I, with al my might and al my lore,
Have ever sithen doon my bisinesse
To bringe thee to Ioye out of distresse,  

'And have it brought to swich plyt as thou wost,
So that, thorugh me, thow stondest now in weye
To fare wel, I seye it for no bost,
And wostow which? For shame it is to seye,
For thee have I bigonne a gamen pleye  
Which that I never doon shal eft for other,
Al-though he were a thousand fold my brother.

'That is to seye, for thee am I bicomen,
Bitwixen game and ernest, swich a mene
As maken wommen un-to men to comen;  
Al sey I nought, thou wost wel what I mene.
For thee have I my nece, of vyces clene,
So fully maad thy gentilesse triste,
That al shal been right as thy-selve liste.

'But god, that al wot, take I to witnesse,  
That never I this for coveityse wroughte,
But only for to abregge that distresse,
For which wel nygh thou deydest, as me thoughte.
But, gode brother, do now as thee oughte,
For goddes love, and kep hir out of blame,  
Sin thou art wys, and save alwey hir name.

'For wel thou wost, the name as yet of here
Among the peple, as who seyth, halwed is;
For that man is unbore, I dar wel swere,
That ever wiste that she dide amis.  
But wo is me, that I, that cause al this,
May thenken that she is my nece dere,
And I hir eem, and trattor eek y-fere!

'And were it wist that I, through myn engyn,
Hadde in my nece y-put this fantasye,  
To do thy lust, and hoolly to be thyn,
Why, al the world up-on it wolde crye,
And seye, that I the worste trecherye
Dide in this cas, that ever was bigonne,
And she for-lost, and thou right nought y-wonne.  

'Wher-fore, er I wol ferther goon a pas,
Yet eft I thee biseche and fully seye,
That privetee go with us in this cas;
That is to seye, that thou us never wreye;
And be nought wrooth, though I thee ofte preye  
To holden secree swich an heigh matere;
For skilful is, thow wost wel, my preyere.

'And thenk what wo ther hath bitid er this,
For makinge of avantes, as men rede;
And what mischaunce in this world yet ther is,  
Fro day to day, right for that wikked dede;
For which these wyse clerkes that ben dede
Han ever yet proverbed to us yonge,
That "Firste vertu is to kepe tonge."

'And, nere it that I wilne as now tabregge  
Diffusioun of speche, I coude almost
A thousand olde stories thee alegge
Of wommen lost, thorugh fals and foles bost;
Proverbes canst thy-self y-nowe, and wost,
Ayeins that vyce, for to been a labbe,  
Al seyde men sooth as often as they gabbe.

'O tonge, allas! So often here-biforn
Hastow made many a lady bright of hewe
Seyd, "Welawey! The day that I was born!"
And many a maydes sorwes for to newe;  
And, for the more part, al is untrewe
That men of yelpe, and it were brought to preve;
Of kinde non avauntour is to leve.

'Avauntour and a lyere, al is on;
As thus: I pose, a womman graunte me  
Hir love, and seyth that other wol she non,
And I am sworn to holden it secree,
And after I go telle it two or three;
Y-wis, I am avauntour at the leste,
And lyere, for I breke my biheste.  

'Now loke thanne, if they be nought to blame,
Swich maner folk; what shal I clepe hem, what,
That hem avaunte of wommen, and by name,
That never yet bihighte hem this ne that,
Ne knewe hem more than myn olde hat?  
No wonder is, so god me sende hele,
Though wommen drede with us men to dele.

'I sey not this for no mistrust of yow,
Ne for no wys man, but for foles nyce,
And for the harm that in the world is now,  
As wel for foly ofte as for malyce;
For wel wot I, in wyse folk, that vyce
No womman drat, if she be wel avysed;
For wyse ben by foles harm chastysed.

'But now to purpos; leve brother dere,  
Have al this thing that I have seyd in minde,
And keep thee clos, and be now of good chere,
For at thy day thou shalt me trewe finde.
I shal thy proces sette in swich a kinde,
And god to-forn, that it shall thee suffyse,  
For it shal been right as thou wolt devyse.

'For wel I woot, thou menest wel, parde;
Therfore I dar this fully undertake.
Thou wost eek what thy lady graunted thee,
And day is set, the chartres up to make.  
Have now good night, I may no lenger wake;
And bid for me, sin thou art now in blisse,
That god me sende deeth or sone lisse.'

Who mighte telle half the Ioye or feste
Which that the sowle of Troilus tho felte,  
Heringe theffect of Pandarus biheste?
His olde wo, that made his herte swelte,
Gan tho for Ioye wasten and to-melte,
And al the richesse of his sykes sore
At ones fledde, he felte of hem no more.  

But right so as these holtes and these hayes,
That han in winter dede been and dreye,
Revesten hem in grene, whan that May is,
Whan every ***** lyketh best to pleye;
Right in that selve wyse, sooth to seye,  
Wax sodeynliche his herte ful of Ioye,
That gladder was ther never man in Troye.

And gan his look on Pandarus up caste
Ful sobrely, and frendly for to see,
And seyde, 'Freend, in Aprille the laste,  
As wel thou wost, if it remembre thee,
How neigh the deeth for wo thou founde me;
And how thou didest al thy bisinesse
To knowe of me the cause of my distresse.

'Thou wost how longe I it for-bar to seye  
To thee, that art the man that I best triste;
And peril was it noon to thee by-wreye,
That wiste I wel; but tel me, if thee liste,
Sith I so looth was that thy-self it wiste,
How dorst I mo tellen of this matere,  
That quake now, and no wight may us here?

'But natheles, by that god I thee swere,
That, as him list, may al this world governe,
And, if I lye, Achilles with his spere
Myn herte cleve, al were my lyf eterne,  
As I am mortal, if I late or yerne
Wolde it b

Like a captive, I capture rapture wrapping around stakes that matter
Joan of Arc battered
Also tattered but, easily dismissive
Refracted from fractured prominent phrases people play with
Distinctly persuasive and evasive, dressed boyishly attractive, lax stature, dawning armor crafted by absence as if asked about it-
I’m drifted
Protection is principle prerequisite, when fire is lit
I sort of implore your aorta before it’s incinerated to ashes
Dethatched as a habit, with swords or hatchets crafted to singe heartstrings that attached it
While I slash slick Rick as a quick fix,
To fend for pretend pretenses or presumed tricks,
I can’t quit
Cause I hit lips against hash spliffs fashioned with dashes of passion all while rationing fireball cinnamon sips
Martyr to avoidance
I gaze at fabled dazed gossipers galvanizing grips on gritty grapevines while licking warning labels through smoke haze on blurred lines
Capably unstable
Other eyes attending scandal circles able to shout lies and rekindle handed arguments on tables with locked smiles stay boxed in
Avidly amiable
Searching for counterparts when combusted or branded
Toying with matches loses meaning when rules reseed
Those vagabonds claim love is some all end hard bent to mend what the same above can’t comprehend.
Breaking boredom, I pillage pillows with night terrors
And ardent arsonists yearn for flames that churn, turn, liquefy and learn learned thoughts and smoldered feelings
Completely complacent
Melting in one another they are completing each other like two candles tryst true at a wedding day
However later the blaze is severed, smoke sears, and charred black wick stands alone for them.
Aggressive and progressive.
As for me never pleading, fire forever fleets to streets between iron bars I built that cage in deep heat and seep dire dreams once desired
Suppose I’m a skeptic
Roasted or disconnected
Just jaded, just met you
Always over it too soon
Burnt but I’m amused.
I’m useful.

Year after year
purity of fire
is challenged by evil,
appeased with offerings

A full moon looks on
as winds stoke embers,
flare flames
to a flickering dance

Right in the center
of crimson blaze
sits Holika,
Prahlad in her lap -
her arms a circle of heat

White sparks fly from her hair,
eyes smolder in fury;
her mouth ***** in air,
engulfs rice and wheat

Wood chars,
coconuts splinter,
flowers singe
smearing earth with ash.

Year after year
faith survives.
Holika burns to death.

By Unknown

Dear Mom,
Hey! How’re things?
So, LA is weird. It’s all sticks and stones and billion dollar homes. Last week on the Metro I forgot my headphones, but it all worked out because there was a homeless man who was naked from the waist down except for a pair of Spiderman underwear with the tag still attached who was singing “Sweet Caroline” at the top of his lungs.
Everyone here is someone important. They live the philosophy of Descartes like scripture.
I think therefore I am... exhausted. I haven’t been sleeping because my mind has taken up running, which means it’s acclimating to the culture here quicker than my body because everyone in this town ******’ loves running almost as much as they love vintage shoes and car horns.
It’s strange though, I can’t shake this feeling that I’ve lost something.
Anyway, I love you.

Dear Mom,
Thank you for the eyes.
Last afternoon a stranger told me they were beautiful, and on a day where every mirror seemed to be of the funhouse variety, it was a welcome compliment.
I’m sorry I haven’t called in a few weeks, please don’t think it’s because I don’t miss you.
It’s just, lately, I’ve been feeling a bit like a marionette whose had his strings clipped.
Slumped and crumpled.
Small.
Collapsed and sprawled cracked in some forgotten corner--the hollow knock of wood bouncing across the walls of this mezzanine dressed in finer things than me that have been fostered by
Father Time and his Mistress Stillness.
And I know how you worry.
You worry ‘til bones bruise and still your skeleton aches to shoulder my melancholy yourself, so I can’t bear to bridge this distance with crestfallen phone calls where the past year locks fully loaded on six-shooter lips--the way heels cling to cliffs edge--before finally, reluctantly, free falling; firing off each round.
Six words aimed with eyes closed as if it were up to God to decide where they’d hit:
“I wish I could come home...”
Then your silent, empty-cartridge, catacomb sigh would just teach this telephone how cavernously a mother’s heart aches for her children.


Dear Dad,
I know it goes without saying, but thank you for the check and the note attached to it.
It’s hard to describe how much home I find in the deft curves of your surgeon’s cursive.
I hope you’re doing well. Last time I saw you, you seemed a bit like a lit cigarette filter tip watching the singe approach.
Maybe it was just the embers of your eyes glazed over by one too many heavy handed nightcaps.
And this isn’t to say the Superman who stayed up late nights holding me through fits of anxiety has up and flown away, this is just to say you seem to be flickering.
This is just to say I hope you still laugh at bad movies with the thunderous bass of July fourth fireworks.
This is just to say I’ve been staying up late nights holding on to yesterday.

Dear Mom,
The care package was unnecessary.
I now have more Skittles than any one human should ever consider consuming in a lifetime. So thanks. I know I told you, at some point, years ago, that they were my favorite… but *******.
Really though, waking up to that box on my doorstep choked me up quicker than a swift kick to the nuts. You have a way of weaving through this heartland like a Middle-American interstate and I love you so much for that. It’s just next time, maybe try something that doesn’t have the nutritional value of flash-fried butter sticks.
But not too healthy. Maybe fruit leathers?
P.S. Keep the homemade fudge coming.

Dear Dad,
Forgive the handwriting of an earthquake.
My hands are shaking again like when I was young. I’ve been finding stillness, though, in between sips of five dollar coffee and midnight cigarette drags beneath and incandescent moon that seems to use breeze hands to play cat’s cradle with strings of smoke.
Life is fast here. It’s all gas pedal and touch-and-go breaks.
P.S. If you see mom, don’t mention the cigarettes.

Dear Mom,
I got your e-mail about smoking and the ensuing health issues it leads to. Graphic stuff. That was super informative and totally unprompted. Thanks for that.

Dear Dad,
...

Dear Mom,
Stop worrying so much, you’re making my bones ache.

Dear Dad,
In my dreams I am a lighthouse with an unfocused beam. I’m searching for something, I just don’t know what.
At least I’m sleeping right?

Dear Mom,
These days blur together with the fading speed of a half-life hardly lived to its fullest.
Was it different for you when you were my age? I shift between a drifting stick stuck in a current and desert stone.

Dear Dad,
In my dreams I’m a lighthouse.
There’s a fog horn distant.
I’m still searching for I don’t know what I’m searching for something and there’s a fog horn far off like it’s from someone elses dream but at least I’m sleeping.

Dear Mom,
Do you believe that streams take sticks where they need to be?

Dear Dad,
Have you dreamt of fog horns lately?
I am a lighthouse looking for a nameless something in fog so thick I should be choking.
But I’m not.
At my feet there are rocks and they’re jagged but I’m not anxious because they stay up late nights holding me.
And in the distance there’s a fog horn that seems to be saying “All is not lost.”

Dear Mom,
Do you think that desert stones are waiting for something?

Dear Dad,
In my dreams a lighthouse is built upon jagged rocks that are shaped like your hands. I’m searching for something and even though my lamplit electric torch eyes can’t touch the sky through this ******* fog, I keep them burning because I should be choking but I’m not, I’m finding stillness in the way breeze plays with smoke strings and far off there’s a fog horn distant promising “All is not lost.”

Dear Mom,
This town is all sticks and stones and broken home drifters.

Dear Dad,
All is not lost.

I want a Sunday kind of love—one that is as
comforting and warm as my favorite soft robe tied
tight around my ******* on a foggy morning.
The kind of morning that licks at my consciousness and
makes me still feel as if I’m dreaming—that hazy blur
where reality and my burning desire collides.
A love that wakes up with the sun, lips against my
shoulder smelling of last night’s whiskey kisses, strong
hands pulling me close, nestled into the soft
voluptuousness of my ******* and grabbing hold of your
dreams, the fit of an arm around my waist.
Our Saturday clothes full of adventure and sunlight will
be left carelessly crumpled on the floor of my room, little
bits of leaves and dirt scattered about—now nothing more
than just artifacts of our late night walk in the rain, but
still smelling like rusty promises and a desire so hot it
will singe your fingertips as they slowly undress me.
I want a Sunday kind of love.
Although you've been ******* me for a while now—
first my skepticism and sarcasm fell from my shoulders
like heavy stones to the bottom of a cold rushing river; I
stepped out of my insecurities and fears while you held
my hand and that now seem to have been misplaced
somewhere along the way.
My masks of who and what I should be that I wore for far
too long now collect dust and seem like nothing but sad
old memories that I have no need to cling to any longer.
Just when I will believe I couldn’t bare any more of
myself to you, you’ll take your hands and draw the soft
blue cotton of my dress up around my hips, my waist,
exposing my *******, over my head tossing it recklessly
aside ––and suddenly, there will be nothing left to hide
behind.
And so we will fall into the light of a thousand stars, the
dreams from the nightmares that woke us for far too long,
the sleepless nights and the breath choking in the back of
our throats, the words that burn to be said—all of it will
disappear into that one moment that will be caught in
between our lips as they meet.
And the night will last until the sun wakes us with her
light through heavy tender kisses, scratches along
ripened exposed skin deep with a passion and a fervent
rocking desire that will leave us both breathless.
It will be a night of sweet strawberry whiskey, the haze of
smoke circling around our heads and opening up our
eyes. It will be fiery grilled peaches sweetened with rose
honey and melted vanilla ice cream, it will be a million
moments that all will come down to one.
The moment where a Saturday Night turns into a Sunday
Morning.
I want a Sunday kind of love.
Last night’s laughter will still echo in the back of our
throats, but we will have lost our voices to the softness of
a Sunday morning. Barely speaking above a whisper I
will trace all of my secrets onto your skin with my lips,
waking you from your sleep as I press my bottom against
you, not needing words, because you will already know
what I want.
My mouth will seek out your neck, my fingertips tracing
the steps of a thousand journeys that have finally brought
you to me, and I’ll take you in my mouth, saying good
morning to you in the only way that I know how.
My bedroom hair will be messy and tangled, nothing but a
fallen halo of ***** nonsense falling over and around you
as I move, daring you to ever leave this bed.
Soft heirloom quilts holding the dreams of tomorrows in
shades of blues and greens like my eyes, but not nearly
as deep––or as passionate—especially when you’re the
one I’m looking at.
Mottled light through the shades creating warm shadows
across our skin, leaving the softness of bed wearing
nothing as I toss a smile over my shoulder and I leave
you lying in bed wondering how you ever got here, and
yet at the same time, how could you possibly ever leave.
I’ll bring you a heavy mug of steaming coffee smelling
like the exotic hills of Peru and tasting almost as sweet
as me, and though we will have every intention of
drinking it, the mugs will sit growing cold, as at first we
will laugh until I begin moving against you once again,
and you unable and unwilling to resist will come to play
with me once more.
I want a Sunday kind of love.
Eventually we will rise, and I’ll put on your worn t-shirt I
picked up from the floor—just because I can—and,
barefoot with music playing, I’ll make us pancakes.
Swaying my hips as I mix and fry them over a hot griddle,
the oil spitting and biting at my bare skin, just like I’ve
done a thousand mornings before—except this time I’ll be
making them for you.
We’ll sit in the dappled sunlight and have breakfast, the
air smelling like bacon and fresh coffee, and I’ll watch
your eyes as you see the maple syrup trickle down my
chin and land on the rise of my ******* begging to be
licked off by your hungry mouth.
I’ll ask you to leave the dishes where they are as I say I’ll
be in the shower if you want to join me—although there
was never a question as to if you would.
Because this is a Sunday kind of love; one that begs to
stay undressed and tasted slowly, one that lingers on our
lips long after it's passed.
I want a Sunday kind of love.

Incipit Prohemium Secundi Libri.

Out of these blake wawes for to sayle,
O wind, O wind, the weder ginneth clere;
For in this see the boot hath swich travayle,
Of my conning, that unnethe I it stere:
This see clepe I the tempestous matere  
Of desespeyr that Troilus was inne:
But now of hope the calendes biginne.
O lady myn, that called art Cleo,
Thou be my speed fro this forth, and my muse,
To ryme wel this book, til I have do;  
Me nedeth here noon other art to use.
For-why to every lovere I me excuse,
That of no sentement I this endyte,
But out of Latin in my tonge it wryte.

Wherfore I nil have neither thank ne blame  
Of al this werk, but prey yow mekely,
Disblameth me if any word be lame,
For as myn auctor seyde, so seye I.
Eek though I speke of love unfelingly,
No wondre is, for it no-thing of newe is;  
A blind man can nat Iuggen wel in hewis.

Ye knowe eek, that in forme of speche is chaunge
With-inne a thousand yeer, and wordes tho
That hadden prys, now wonder nyce and straunge
Us thinketh hem; and yet they spake hem so,  
And spedde as wel in love as men now do;
Eek for to winne love in sondry ages,
In sondry londes, sondry ben usages.

And for-thy if it happe in any wyse,
That here be any lovere in this place  
That herkneth, as the storie wol devyse,
How Troilus com to his lady grace,
And thenketh, so nolde I nat love purchace,
Or wondreth on his speche or his doinge,
I noot; but it is me no wonderinge;  

For every wight which that to Rome went,
Halt nat o path, or alwey o manere;
Eek in som lond were al the gamen shent,
If that they ferde in love as men don here,
As thus, in open doing or in chere,  
In visitinge, in forme, or seyde hire sawes;
For-thy men seyn, ech contree hath his lawes.

Eek scarsly been ther in this place three
That han in love seid lyk and doon in al;
For to thy purpos this may lyken thee,  
And thee right nought, yet al is seyd or shal;
Eek som men grave in tree, som in stoon wal,
As it bitit; but sin I have begonne,
Myn auctor shal I folwen, if I conne.

Exclipit prohemium Secundi Libri.

Incipit Liber Secundus.

In May, that moder is of monthes glade,  
That fresshe floures, blewe, and whyte, and rede,
Ben quike agayn, that winter dede made,
And ful of bawme is fleting every mede;
Whan Phebus doth his brighte bemes sprede
Right in the whyte Bole, it so bitidde  
As I shal singe, on Mayes day the thridde,

That Pandarus, for al his wyse speche,
Felt eek his part of loves shottes kene,
That, coude he never so wel of loving preche,
It made his hewe a-day ful ofte grene;  
So shoop it, that hym fil that day a tene
In love, for which in wo to bedde he wente,
And made, er it was day, ful many a wente.

The swalwe Proigne, with a sorwful lay,
Whan morwe com, gan make hir waymentinge,  
Why she forshapen was; and ever lay
Pandare a-bedde, half in a slomeringe,
Til she so neigh him made hir chiteringe
How Tereus gan forth hir suster take,
That with the noyse of hir he gan a-wake;  

And gan to calle, and dresse him up to ryse,
Remembringe him his erand was to done
From Troilus, and eek his greet empryse;
And caste and knew in good plyt was the mone
To doon viage, and took his wey ful sone  
Un-to his neces paleys ther bi-syde;
Now Ianus, god of entree, thou him gyde!

Whan he was come un-to his neces place,
'Wher is my lady?' to hir folk seyde he;
And they him tolde; and he forth in gan pace,  
And fond, two othere ladyes sete and she,
With-inne a paved parlour; and they three
Herden a mayden reden hem the geste
Of the Sege of Thebes, whyl hem leste.

Quod Pandarus, 'Ma dame, god yow see,  
With al your book and al the companye!'
'Ey, uncle myn, welcome y-wis,' quod she,
And up she roos, and by the hond in hye
She took him faste, and seyde, 'This night thrye,
To goode mote it turne, of yow I mette!'  
And with that word she doun on bench him sette.

'Ye, nece, ye shal fare wel the bet,
If god wole, al this yeer,' quod Pandarus;
'But I am sory that I have yow let
To herknen of your book ye preysen thus;  
For goddes love, what seith it? tel it us.
Is it of love? O, som good ye me lere!'
'Uncle,' quod she, 'your maistresse is not here!'

With that they gonnen laughe, and tho she seyde,
'This romaunce is of Thebes, that we rede;  
And we han herd how that king Laius deyde
Thurgh Edippus his sone, and al that dede;
And here we stenten at these lettres rede,
How the bisshop, as the book can telle,
Amphiorax, fil thurgh the ground to helle.'  

Quod Pandarus, 'Al this knowe I my-selve,
And al the assege of Thebes and the care;
For her-of been ther maked bokes twelve: --
But lat be this, and tel me how ye fare;
Do wey your barbe, and shew your face bare;  
Do wey your book, rys up, and lat us daunce,
And lat us don to May som observaunce.'

'A! God forbede!' quod she. 'Be ye mad?
Is that a widewes lyf, so god you save?
By god, ye maken me right sore a-drad,  
Ye ben so wilde, it semeth as ye rave!
It sete me wel bet ay in a cave
To bidde, and rede on holy seyntes lyves;
Lat maydens gon to daunce, and yonge wyves.'

'As ever thryve I,' quod this Pandarus,  
'Yet coude I telle a thing to doon you pleye.'
'Now, uncle dere,' quod she, 'tel it us
For goddes love; is than the assege aweye?
I am of Grekes so ferd that I deye.'
'Nay, nay,' quod he, 'as ever mote I thryve!  
It is a thing wel bet than swiche fyve.'

'Ye, holy god,' quod she, 'what thing is that?
What! Bet than swiche fyve? Ey, nay, y-wis!
For al this world ne can I reden what
It sholde been; som Iape, I trowe, is this;  
And but your-selven telle us what it is,
My wit is for to arede it al to lene;
As help me god, I noot nat what ye meene.'

'And I your borow, ne never shal, for me,
This thing be told to yow, as mote I thryve!'  
'And why so, uncle myn? Why so?' quod she.
'By god,' quod he, 'that wole I telle as blyve;
For prouder womman were ther noon on-lyve,
And ye it wiste, in al the toun of Troye;
I iape nought, as ever have I Ioye!'  

Tho gan she wondren more than biforn
A thousand fold, and doun hir eyen caste;
For never, sith the tyme that she was born,
To knowe thing desired she so faste;
And with a syk she seyde him at the laste,  
'Now, uncle myn, I nil yow nought displese,
Nor axen more, that may do yow disese.'

So after this, with many wordes glade,
And freendly tales, and with mery chere,
Of this and that they pleyde, and gunnen wade  
In many an unkouth glad and deep matere,
As freendes doon, whan they ben met y-fere;
Til she gan axen him how Ector ferde,
That was the tounes wal and Grekes yerde.

'Ful wel, I thanke it god,' quod Pandarus,  
'Save in his arm he hath a litel wounde;
And eek his fresshe brother Troilus,
The wyse worthy Ector the secounde,
In whom that ever vertu list abounde,
As alle trouthe and alle gentillesse,  
Wysdom, honour, fredom, and worthinesse.'

'In good feith, eem,' quod she, 'that lyketh me;
They faren wel, god save hem bothe two!
For trewely I holde it greet deyntee
A kinges sone in armes wel to do,  
And been of good condiciouns ther-to;
For greet power and moral vertu here
Is selde y-seye in o persone y-fere.'

'In good feith, that is sooth,' quod Pandarus;
'But, by my trouthe, the king hath sones tweye,  
That is to mene, Ector and Troilus,
That certainly, though that I sholde deye,
They been as voyde of vyces, dar I seye,
As any men that liveth under the sonne,
Hir might is wyde y-knowe, and what they conne.  

'Of Ector nedeth it nought for to telle:
In al this world ther nis a bettre knight
Than he, that is of worthinesse welle;
And he wel more vertu hath than might.
This knoweth many a wys and worthy wight.  
The same prys of Troilus I seye,
God help me so, I knowe not swiche tweye.'

'By god,' quod she, 'of Ector that is sooth;
Of Troilus the same thing trowe I;
For, dredelees, men tellen that he dooth  
In armes day by day so worthily,
And bereth him here at hoom so gentilly
To every wight, that al the prys hath he
Of hem that me were levest preysed be.'

'Ye sey right sooth, y-wis,' quod Pandarus;  
'For yesterday, who-so hadde with him been,
He might have wondred up-on Troilus;
For never yet so thikke a swarm of been
Ne fleigh, as Grekes fro him gonne fleen;
And thorugh the feld, in everi wightes ere,  
Ther nas no cry but "Troilus is there!"

'Now here, now there, he hunted hem so faste,
Ther nas but Grekes blood; and Troilus,
Now hem he hurte, and hem alle doun he caste;
Ay where he wente, it was arayed thus:  
He was hir deeth, and sheld and lyf for us;
That as that day ther dorste noon with-stonde,
Whyl that he held his blody swerd in honde.

'Therto he is the freendlieste man
Of grete estat, that ever I saw my lyve;  
And wher him list, best felawshipe can
To suche as him thinketh able for to thryve.'
And with that word tho Pandarus, as blyve,
He took his leve, and seyde, 'I wol go henne.'
'Nay, blame have I, myn uncle,' quod she thenne.  

'What eyleth yow to be thus wery sone,
And namelich of wommen? Wol ye so?
Nay, sitteth down; by god, I have to done
With yow, to speke of wisdom er ye go.'
And every wight that was a-boute hem tho,  
That herde that, gan fer a-wey to stonde,
Whyl they two hadde al that hem liste in honde.

Whan that hir tale al brought was to an ende,
Of hire estat and of hir governaunce,
Quod Pandarus, 'Now is it tyme I wende;  
But yet, I seye, aryseth, lat us daunce,
And cast your widwes habit to mischaunce:
What list yow thus your-self to disfigure,
Sith yow is tid thus fair an aventure?'

'A! Wel bithought! For love of god,' quod she,  
'Shal I not witen what ye mene of this?'
'No, this thing axeth layser,' tho quod he,
'And eek me wolde muche greve, y-wis,
If I it tolde, and ye it **** amis.
Yet were it bet my tonge for to stille  
Than seye a sooth that were ayeins your wille.

'For, nece, by the goddesse Minerve,
And Iuppiter, that maketh the thonder ringe,
And by the blisful Venus that I serve,
Ye been the womman in this world livinge,  
With-oute paramours, to my wittinge,
That I best love, and lothest am to greve,
And that ye witen wel your-self, I leve.'

'Y-wis, myn uncle,' quod she, 'grant mercy;
Your freendship have I founden ever yit;  
I am to no man holden trewely,
So muche as yow, and have so litel quit;
And, with the grace of god, emforth my wit,
As in my gilt I shal you never offende;
And if I have er this, I wol amende.  

'But, for the love of god, I yow beseche,
As ye ben he that I love most and triste,
Lat be to me your fremde manere speche,
And sey to me, your nece, what yow liste:'
And with that word hir uncle anoon hir kiste,  
And seyde, 'Gladly, leve nece dere,
Tak it for good that I shal seye yow here.'

With that she gan hir eiyen doun to caste,
And Pandarus to coghe gan a lyte,
And seyde, 'Nece, alwey, lo! To the laste,  
How-so it be that som men hem delyte
With subtil art hir tales for to endyte,
Yet for al that, in hir entencioun
Hir tale is al for som conclusioun.

'And sithen thende is every tales strengthe,  
And this matere is so bihovely,
What sholde I peynte or drawen it on lengthe
To yow, that been my freend so feithfully?'
And with that word he gan right inwardly
Biholden hir, and loken on hir face,  
And seyde, 'On suche a mirour goode grace!'

Than thoughte he thus: 'If I my tale endyte
Ought hard, or make a proces any whyle,
She shal no savour han ther-in but lyte,
And trowe I wolde hir in my wil bigyle.  
For tendre wittes wenen al be wyle
Ther-as they can nat pleynly understonde;
For-thy hir wit to serven wol I fonde --'

And loked on hir in a besy wyse,
And she was war that he byheld hir so,  
And seyde, 'Lord! So faste ye me avyse!
Sey ye me never er now? What sey ye, no?'
'Yes, yes,' quod he, 'and bet wole er I go;
But, by my trouthe, I thoughte now if ye
Be fortunat, for now men shal it see.  

'For to every wight som goodly aventure
Som tyme is shape, if he it can receyven;
And if that he wol take of it no cure,
Whan that it commeth, but wilfully it weyven,
Lo, neither cas nor fortune him deceyven,  
But right his verray slouthe and wrecchednesse;
And swich a wight is for to blame, I gesse.

'Good aventure, O bele nece, have ye
Ful lightly founden, and ye conne it take;
And, for the love of god, and eek of me,  
Cacche it anoon, lest aventure slake.
What sholde I lenger proces of it make?
Yif me your hond, for in this world is noon,
If that yow list, a wight so wel begoon.

'And sith I speke of good entencioun,  
As I to yow have told wel here-biforn,
And love as wel your honour and renoun
As creature in al this world y-born;
By alle the othes that I have yow sworn,
And ye be wrooth therfore, or wene I lye,  
Ne shal I never seen yow eft with ye.

'Beth nought agast, ne quaketh nat; wher-to?
Ne chaungeth nat for fere so your hewe;
For hardely the werste of this is do;
And though my tale as now be to yow newe,  
Yet trist alwey, ye shal me finde trewe;
And were it thing that me thoughte unsittinge,
To yow nolde I no swiche tales bringe.'

'Now, my good eem, for goddes love, I preye,'
Quod she, 'com of, and tel me what it is;  
For bothe I am agast what ye wol seye,
And eek me longeth it to wite, y-wis.
For whether it be wel or be amis,
Say on, lat me not in this fere dwelle:'
'So wol I doon; now herkneth, I shal telle:  

'Now, nece myn, the kinges dere sone,
The goode, wyse, worthy, fresshe, and free,
Which alwey for to do wel is his wone,
The noble Troilus, so loveth thee,
That, bot ye helpe, it wol his bane be.  
Lo, here is al, what sholde I more seye?
Doth what yow list, to make him live or deye.

'But if ye lete him deye, I wol sterve;
Have her my trouthe, nece, I nil not lyen;
Al sholde I with this knyf my throte kerve --'  
With that the teres braste out of his yen,
And seyde, 'If that ye doon us bothe dyen,
Thus giltelees, than have ye fisshed faire;
What mende ye, though that we bothe apeyre?

'Allas! He which that is my lord so dere,  
That trewe man, that noble gentil knight,
That nought desireth but your freendly chere,
I see him deye, ther he goth up-right,
And hasteth him, with al his fulle might,
For to be slayn, if fortune wol assente;  
Allas! That god yow swich a beautee sente!

'If it be so that ye so cruel be,
That of his deeth yow liste nought to recche,
That is so trewe and worthy, as ye see,
No more than of a Iapere or a wrecche,  
If ye be swich, your beautee may not strecche
To make amendes of so cruel a dede;
Avysement is good bifore the nede.

'Wo worth the faire gemme vertulees!
Wo worth that herbe also that dooth no bote!  
Wo worth that beautee that is routhelees!
Wo worth that wight that tret ech under fote!
And ye, that been of beautee crop and rote,
If therwith-al in you ther be no routhe,
Than is it harm ye liven, by my trouthe!  

'And also thenk wel that this is no gaude;
For me were lever, thou and I and he
Were hanged, than I sholde been his baude,
As heyghe, as men mighte on us alle y-see:
I am thyn eem, the shame were to me,  
As wel as thee, if that I sholde assente,
Thorugh myn abet, that he thyn honour shente.

'Now understond, for I yow nought requere,
To binde yow to him thorugh no beheste,
But only that ye make him bettre chere  
Than ye han doon er this, and more feste,
So that his lyf be saved, at the leste;
This al and som, and playnly our entente;
God help me so, I never other mente.

'Lo, this request is not but skile, y-wis,  
Ne doute of reson, pardee, is ther noon.
I sette the worste that ye dredden this,
Men wolden wondren seen him come or goon:
Ther-ayeins answere I thus a-noon,
That every wight, but he be fool of kinde,  
Wol deme it love of freendship in his minde.

'What? Who wol deme, though he see a man
To temple go, that he the images eteth?
Thenk eek how wel and wy

We come before you Almighty God,
Policeman, Fireman and EMT
to say a prayer before we go
Our ways to each his own Duty

Together now we've come to pray
In case we forget to
During our busy day

The Policeman steps forth,
“Dear God above
Keep us save
and also those we love.

We pray for your unending favor
that we never need use
the rounds we chamber

Our Vests that we wear
for our own protection
please keep 'em bullet proof
and our safety never question”

The Fireman steps up, and then takes a knee
“Dear God above I need you now
I know you're always watching me

In the Fires of our Hell
or on the highway to there
Please keep us from hurt
and not singe a single hair

Give us the strength to lift a wall
or tenderness to pick up a tiny child
give us peace when others are losing it
and peace if the scene starts getting wild”

The EMT takes his stand
“God I guess it's my turn
Not really safety out there
or the protection from a burn

But rather Lord I need your help
let me make the right decision
on every patient that I care for
Their lives in my hands I've been given”

Then all Three stand together
with their heads all bowed low
Dear God above, to all of us
please your mercy would you endow

Keep us safe and bring us home
to our wives and our children
And each time a truck roles out
let it come back safely to it's building

Lay rest your flashing glaze of wishes
Down received for a moment
Breathy bow lifts to hold
and waver across few measures
Sienna and topaz
Sienna and topaz
Singe and simmer
Shine and glimmer against
All the thoughts born and dead

What makes you eager to rise
If it is not sensing gone away stories
or nursing the aches that lunge through anywhere else but here
While you replay and delay all creation
the blossoming goes unseen

She, the maiden is reigning
Une palais à remplir
Une palais à remplir
where she is her own queen
Her oceans made of no time channel open mouths
flooding its spill

She waded into The archer
Downed in his own vessel he mistook himself the pilot of

He, marooned in the surrender of damp and fertile places
where in Death he is still recovering
Soldiering and sullen
Soldiering and sullen
He is choking, and can not stop to see or savor the blossoms rising from his own till

i was weaving through lit-up boxes
with lollipops as joysticks.
i was following a fairy that left
a trail of violet pixie dust
behind her iridescent wings
and streams of what do you want to play?
i sensed the glare of a drunken owl's eyes
singe into my back as i traced letters
on the surface of a toy chest:
i'm sorry baby, it read,
yet he lowered his gun until it reached
just the tip of his wings
and he fired.
he fired life into the words i wrote,
life that made the words i wrote surround me,
suffocate me.
he was drunk on restless nights,
wanting to
f
  e
    e
      l
         love again.
love, love, lust, love;
does he even know the difference?
suddenly i felt the flat surface
of a blade stroking my back,
teasing me of my death.
are you having fun?

     do you want to know what real fun is like?

his embrace stole innocence from my lungs
and the kisses he planted on my cheeks
burned holes into what was once a rosy pink,
into what was once of joyful skin.

you lost weight, he acknowledged with a smirk,

     *you look amazing.

I can’t help but wonder if you still have tucked away all the letters and the notes and the list of reasons why I loved you.
I wonder where you left the guitar strings that I gave you for your wrist
I thought I saw them in a picture of you,
the one with the girl.
I could be wrong.

I think about the things I wrote to you and wonder if you’ve ever looked at them again
And felt the warm singe of pain when you read the words that we meant
when we were naïve enough to think that we were different.

I wonder if I still cross your mind when you scoop ice cream
Because you know how I hate skimpy scoopers.
Or when you find a hair on your arm that's freakishly longer than the rest,
if you wish I was there to pull it out.

Sometimes I think of your mom
And I wonder if she kept my picture, the one she kept on the mantle right beside yours.
What did she do with my Christmas stocking?
I can’t help but wonder if it’s been passed on to your new girl
And I don’t know if they’ll watch West Side Story together,
If she’ll enjoy it the way I did.

I imagine you never thought twice
When you came across a hair still on your pillow, or the faintest of my scent
Or my bobby pins on your bedroom floor.

I remember finding the bobby pins and hair binders of other lovers
when I came back to you for the last time.
They were scattered across your carpet like cruel reminders of all the other heads
that lied in the bed that was always mine.
I wonder if she ever finds mine and feels the same.
Probably not.

I imagine you’ll reread that book someday,
The one I got you in high school when you went through your philosophical phase.
And I wonder if you’ll notice the inside cover where I wrote “I love you”.
I’d always thought there was something special about a book with an inscription.

I remember sitting there for a long while, trying to think of something heartfelt
to say to you,
But all I could manage was “I love you”.
Maybe that’s because I knew that anything else I felt for you would have an expiration date
And I’d wonder if you’d read it when I was gone, and those words wouldn’t be true anymore.
Or not to you.
But I think of you reading it now and it won’t seem silly because it will
always be true.
For both of us, I think.

I think about the time when I first moved to your big city
And I got lost in your neighborhood and I saw you from my car.
You were walking right towards me.
I drove away as fast as I could and I couldn’t breathe or talk or smile.
Did you see me too?
I looked in my rearview mirror, and you never looked back as I drove.
I wanted so badly for you to move away.

I can’t help but wonder if you wonder
About your drawings and your notes and the music you showed me and if I still listen to it.
I do.
If I still wear my black pants that made you go crazy
or if I refuse to listen to The Joker, despite my favorite song lyric of all time,
because it reminds me of the time on your uncle's dock
When we decided we needed a song but we were both too drunk to think of anything sentimental.

I wonder if you imagine a bittersweet feeling coming over me
when I hear the Bee Gees and think of you singing in your Elmo voice,
Or if i ever find myself recalling one of your "facts of the day" and wondering where I learned it.

******, I hope you wonder.

Fable XIII, Livre II.


En Chine, un animal, singe de son métier,
Crut, comme bien des gens, que, s'il changeait de cage,
Il changerait de personnage.
Profitant donc de l'heure où le saint du quartier,
Chez le peintre où le charpentier,
Se trouvait en raccommodage,
Il se loge en sa niche ; et, composant son ton,
Du béat qu'il supplée affectant l'air paterne,
Il se dit, on le croit le patron du canton.
Le petit peuple se prosterne ;
Mainte dévote aussi. Cent fois j'ai rencontré
Mainte dévote aux pieds de saints de moindre étoffe.
L'exemple avait gagné quand un jeune lettré,
Fils de Confucius, apprenti philosophe,
Avisant le magot, qui, toujours méconnu,
De sa guérite parfumée
Humait les vœux et la fumée,
Lui donna cet avis, qu'on a peu retenu :
« Hors d'ici, que l'on ne te chasse,
Sot qu'un plus sot vient adorer ;
La place ne peut t'honorer,
Et tu déshonores la place. »

Isn't it about time we redecorated in here? the new orphan asks,
Ripping down old wallpaper until she can't
Rip
Any 
More

It keeps on growing back,
Like the smell of smoke.

Twisted
    lingering brightness
Twirl
  of firey flames
Released
    thown
       with thrusting
    rhythmic arms
Caught
    in strong hands
         dark and powerful
Tribal hip sway
   fast
     and nimble
Practiced
   muscle memory
      instinctual
Bare
  stong legs
      red heat
    flare
        glowing
            smooth skin
         angular
            unsinged
footfalls
      beat down
           syncopated
                heart beat
pulse points
   harmonize
civilization fails me
    entranced
       primal
wanting
   beautiful man
      with fire

The horizons ring me like *******,
Tilted and disparate, and always unstable.
Touched by a match, they might warm me,
And their fine lines singe
The air to orange
Before the distances they pin evaporate,
Weighting the pale sky with a soldier color.
But they only dissolve and dissolve
Like a series of promises, as I step forward.

There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To funnel my heat away.
If I pay the roots of the heather
Too close attention, they will invite me
To whiten my bones among them.

The sheep know where they are,
Browsing in their ***** wool-clouds,
Gray as the weather.
The black slots of their pupils take me in.
It is like being mailed into space,
A thin, silly message.
They stand about in grandmotherly disguise,
All wig curls and yellow teeth
And hard, marbly baas.

I come to wheel ruts, and water
Limpid as the solitudes
That flee through my fingers.
Hollow doorsteps go from grass to grass;
Lintel and sill have unhinged themselves.
Of people and the air only
Remembers a few odd syllables.
It rehearses them moaningly:
Black stone, black stone.

The sky leans on me, me, the one upright
Among all horizontals.
The grass is beating its head distractedly.
It is too delicate
For a life in such company;
Darkness terrifies it.
Now, in valleys narrow
And black as purses, the house lights
Gleam like small change.

They tell me I can do anything.

          Looking down the throat of a challenge.
          Hanging on to the coat tails of life by the fringe,
          above a fire that is trying to singe...
          
                          ...Who I am
                             My Identity
                             Targeted by
                             a self created entity.
          
          To bring me down...

                          ...Below my potential
                             to see what is essential
                             through consequential actions.

I AM A MAN!
   no matter my wingspan... I CANNOT FLY!
         And those childhood encouragements are a lie.

                   But through accomplishing what I am capable
                          I find that my boundaries are escapable.
    
  
         I'm not shooting for the stars,
         or looting and ending up behind bars,

but I am me, myself,
doing what I can so I'm not rotting on a shelf.

The horizons ring me like *******,
Tilted and disparate, and always unstable.
Touched by a match, they might warm me,
And their fine lines singe
The air to orange
Before the distances they pin evaporate,
Weighting the pale sky with a soldier color.
But they only dissolve and dissolve
Like a series of promises, as I step forward.

There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To funnel my heat away.
If I pay the roots of the heather
Too close attention, they will invite me
To whiten my bones among them.

The sheep know where they are,
Browsing in their ***** wool-clouds,
Gray as the weather.
The black slots of their pupils take me in.
It is like being mailed into space,
A thin, silly message.
They stand about in grandmotherly disguise,
All wig curls and yellow teeth
And hard, marbly baas.

I come to wheel ruts, and water
Limpid as the solitudes
That flee through my fingers.
Hollow doorsteps go from grass to grass;
Lintel and sill have unhinged themselves.
Of people and the air only
Remembers a few odd syllables.
It rehearses them moaningly:
Black stone, black stone.

The sky leans on me, me, the one upright
Among all horizontals.
The grass is beating its head distractedly.
It is too delicate
For a life in such company;
Darkness terrifies it.
Now, in valleys narrow
And black as purses, the house lights
Gleam like small change.

So you've decided to cut your losses
leave here before it gets any more complicated
and you know I won't stand in your way
love should be voluntary
not a war,
not something I should have to earn
not something I should have to win.

So before you leave,
before you stumble out that door
won't you say something hurtful
make it sting to the core
say something that will singe
and leave a mark on my heart.

Because one day
should melancholy
unexpectedly
breathe life to your memory
I don't want to regret
the ghost of someone
who was gone too soon
like breath
lost on the windowpane of my soul.

This atmosphere lacks a certain kind of beauty
It's all too low, it must rise to the sky
The night is much too dark for me
I will ignite the fire, I'll bring the light

The sky is too blue, I'll turn it charcoal
The streets, they're far too serene, I'll make them sizzle
The people, too quiet, they'll soon be scorching with pain
The alley is dark, I'll make it flashing white
The wind is too calm, the ashes shall  flutter in no time
My skin, too smooth, I'll  singe it till it's rough

I'll burn this city down until the residue means something to you.
I'll make it all disappear
They'll all finally hear
They'll celebrate today, every year
The day I saved us from here.

The soft whirling hum of a fan works its way from one corner of the room to the next. I succumb, defeated, deflated, shoulders slouched over, to passing wafts of air that briefly foam over the drooped skin of my emotionless face. Its touch invigorates the senses, momentarily reminding me to take in a breath of the foul and arid air that lingers lifelessly in this second story bedroom. As a sliver of light makes its way slowly up my chest and falls back to its original place, a muffled sound of pain boils over slowly softly searing through my torpid ears. Meanwhile, transparent tendrilous hands of memories begin to curl through my mind appearing and quickly vanishing like steam before I can grasp the true gravity of their presence.
        It must be ninety seven degrees in here. A drop falls from my face onto the back of my clenched hand and for a moment the fan is at it again pulling my head with it from side to side. Oscillating, it dictates a hypnotic lullaby, an ***** riddled rhythm sanding away at my rigid thoughts. Another drop falls toward my wrists driving me away from the blissful moment. Then losing its grip a metallic clang reverberates throughout the room as the object leaves my hand and finds the old wooden floor. Looking back at my hand I see where the two drops had fallen, now glistening in the dimly lit room. Were those tears? When I direct my sight down to meet with whatever had fallen a rush of blinding pain jaggedly inhibits my vision with a flaming wall of white instinctively calling my eyelashes into the backs of my eyelids painfully. My voice cracks and I hear the same singe of grief from earlier reflect ballistically throughout the room and into the hallway where ghosts gargle back an echo of my anguished voice. Am I hurt?
        Afraid now of what I may have done,I cautiously work my foot away from the chair and navigate it across the floor until it hits the handle of something sending it spinning around. Reaching down, the once trance like hum of the fan falls deaf and gives way to a steady beat of drips that are accompanied by an ever increasing tightening of my chest. When I reunite with the object I had dropped the image of blood and steel mesh a murderous hue onto my fingers as I fumble to recover it. Realizing what has happened my mind fizzles and pops with panic and I begin to beg for respite, for a chance to revisit the moment before I had slit open both wrists. Cold anguish flushes the heat from the room and out into the hall as the dam of reality breaks and in with it a torrent of emotions and images of the blood peppered hardwood floor that now seeps dauntingly with the new life it is drinking. In desperation my eyes fire off in every direction, finding an open journal perched on a coffee table. The pages are in a fretful fury revealing pages dotted with smudges and smears of bloodied ink and teary paragraphs. Confused, I begin to search the room again and there beneath the window blinds lies the woman I have loved for eleven years lifeless in a pool of blood. Lorraine.
        My head lashes violently backward as if to howl toward the moon of time in an attempt to beckon the falling grains of sand to return to me what had once been mine. A sobering clarity strikes me and I begin to recall the events that led up to this moment. Beginning with a distressed phone call from Lorraine. I came,I told you I would come. And then I recall the strange feeling that scaled through my body slithering down my arm until it coiled its nervous grip around my fingertips as they bit into the **** of our bedroom door. As it creaked open, I had thought, I'm here baby, but you were already gone. Lorraine. It took what felt like hours to reach the part of the journal where you had confessed your infidelity that resulted from the tangles of promises I never kept, from the things I hadn't done, and should have said. Oh Lorraine why didn't you tell me. I would have changed, would have done anything for you. I'm so sorry,I forgot, I hadn't noticed. After seven years I thought you knew, but I will show you now. I will give you my life as you had given yours. I would have forgiven you ******, they were only kisses that meant nothing. Lorraine...and then nothingness.
        A grey shadow in a once enraged Congo of colors and emotions in an otherwise empty room now fill my eyes until I'm choking on its thick smoke and drowning in tears. When one of those tears fall, this time on my bloodied wrists I'm called back to the present moment. Once more the fan catches my sight directing me toward your lifeless body, and then a warm hand from the deepest recesses of my mind begins to cradle my shoulder. Lorraine. My eyes flutter open and find you placing a kiss on my forehead as you say something sweetly into the soft embrace of night. The scent of your hair bristles around my cheek and ears while you caress the short hairs along the ridges of my neck. All I can manage in the moment is to pull you in closer as I whisper "I'm sorry Lorraine. I love you. I can show you." A tear catches a lock of your hair as you kiss my lips and with your love I am drawn back into our bed and out away into sleep.

The words are so hard to form
The memories singe my eyes
I burnt the bridges I built
Let go off the person I love the most
Let go off myself to being lost
Lost in eternity
I miss the warm smile which held my heart
I miss the feeling of your touch
The crinkle around your eyes
The sparkle in your eyes beholding me
The warmth of your touch
The touch of your lips
I miss you; I miss us
I know I burnt your trust

My tears singe my eyes
The scars hurt me deep inside
The wounds in me burn me
The memory lasts forever
Can love be violent
I miss being alive
The screams fill my ears
A part of me dies everyday
A part of me is lost
Lost in eternity

Raindrops falling as we walk
Pitter pat, on the umbrella we share
Fingers intertwined,
The crisp air flows over our skin
As we walk in lock-step.

We splash in the puddles
Left behind from the dips
The leaves sticking to our boots
As we search for a soft dry place

To spread our coats
Under the boughs of a pine
Feeling the crunch of the needles
As I lay you down

Our lips meet
Cool from the weather
Warm tongues chase away the cold
As a fire is lit

It burns. Slow, and hot.
Out here, it melts everything away
Skin exposed, it knows no chill
As mouth and hands keep warm

Wet and salt we crave
The fire burning hotter
Our legs woven together
As the warmth fill us both

We near the spark
Touching the flame
Feeling its sting
Tasting its warmth on our lips

Fire consumes us
Burning within the depths
Ablaze with passion
No longer contained

Wildfire dances within us
Billows blow
Flames fanned
flashpoint

Dwindling, we breathe
Smelling the singe, fall together
Skin steaming
Aching from the burn

Pitter pat, the leaves remind us
The flames die down
Arms like coils release
To adorn the robes we wore

Fingers entangle again
Lips warm, bodies embrace
Water drops cool on our heads
Eyes sparkling at one another

Onto the trail
Our alter fire diminished
We slowly walk away
A spark burning within her

Buzzing emerald jungle swoons—
           hip kitty soul eyes embrace the red wanderer.
It’s a tactical chess game,
        both aware of the other’s presence.

Nebulous black perched in shadows,
     desert red fool skips like a rock.
          when eyes eclipse each other
an electric hummmmmmm buzzes
as their hearts start glowing like a peridot ember
the wind whizzes and twists
through their perfect curly hirsute
           rushing luscious aurora energy pulsing
           to and fro like giddy hearts exchanging notes in class…
Their blurry bodies bound forward
    fox scorching ground while panther burns branches
        lightning leg movements paws calls thunder
          sun red hot fuzz lunges up
           midnight cool moon goddess panther slams down  
            colors collide and crash and cling and clap
            spines ignited in tye-dye holographic rainbows
their claws singe each other’s skin
their eyes swirl black holes
holy howls and breath coalesce
as one love
as one sight,
all encompassing
mythical tail told to all
through campfire gypsies and artists canvas
panting the dancing fox and panther
the bhavacakka.

Ricky May singe at Jupiter Moon, the after life



You see I was a Maori, who suffered a heart attack
It was because I ate too much food, and I felt like ****
But then I found this place up here in the solar system
And everyone was cheering me on, as if I was really known
You ser I stopped to ask the crown, how do you know me
This was something that really puzzled me
But then I looked around and saw John Lennon
And Adam Walsh,and I said to him, it was terrible what they did to you
And I walked around and I spoke to this man
And he told me he was a victim of a car accident
I asked him, how he survived and he said back
I didn't and then he took me by the hand, and said to me
Noone on earth can see us now, cause now we are in the afterlife
You see my heart left my body quick
And I wanted that heart to stay
You see I ain't ready to go, there are so many games I like to play
So some people said, play with us, we are playing Rugby League or Union
And then after that we had a BBQ
Where the coach bought out some methane
And I had some, and I thanked him
Yes, I felt good about being in the afterlife
You see I am living in a cave in Jupiter
Where we can view earth. Through the eyes of our earth bodies, oh yeah we can
And I see my family in New Zealand, and see them doing so very fine
It made me unhappy till Graham Kennedy said
Life is not so bad up here, you should know that
Because, have been up here longer than me, in the afterlife
Just rock the afterlife till it stops, oh yeah

In a misguided attempt to escape you
I fled to Nietzsche.

Weak
Inconstant
They are cats and birds
At best, cows,
he mocked.

I don't know about that
But I've never stolen glances at a cow
And felt my heart turn to ash
At the gentle devastation of its beauty
While praying that the mild curry in my mouth
Somehow shrivel up my tongue
And singe off the unspoken entreaties simmering within.

(And my affection for cows
Extends only to veal cutlets)

Today
Nietzsche and curry failed me
Tonight
It'll be the familiar embrace of alcohol
Until you fly back to Beijing.
After which
Are other substances and their derivatives
To deal with the fallout
Your transient smile
Wrought on my worn soul.

I admire you.
The honesty, the purity
The seconds of happiness
The moments of passion

How does this moment last forever?
Without secrecy...but the same intimacy.
How does one feel?
How should we react?

What is right doesnt mean it will lead to happiness.
What is wrong doesnt mean its worth loosing what is.
But how do we know?
We dont.

Its all risks. A risk worth taking?
A risk worth fighting for?
Whatevere it was...
All it took was a single spark.


All it takes is a singe spark.
A single spark that set ablaze not just the heart.
A spark felt throught.
It never felt so good to be on fire.

But how does a spark end?
Pour water on it?
No. Not this kind of spark.
This is one that merges.

Before it dies out,
It catches fire with someone elses spark.
Fight fire with fire.
And all you get is a bigger fire.

Could the flames burn for eternity?
Die out in a day?
But, how did the spark catch on this much?
Whats so special?

Sirens preserve theirs under the moonlight.
Where the smoke creates the plantes.
The planets then orbit the earth.
Fall down and blaze up the fire again.

The Sparrow is a little more chaotic and less poetic.
She lights up her home, but she keeps adding the twigs.
Does she destroyed her own home?
Or has she created a weapon?

All it takes is a single spark,
To start a fire, a revolution, a war
And the most important thing of all.
To start the shimmerin your eye.