for a heart's worth of stone,
will the mind
hardly succumb to
the sponge...
             easily ingested,
yet hardly
          perforated
to give off a worth
of a translation...

                         let alone,
        a chance to print less money,
and more,
postage stamps..
               my heart to no mind
belongs, even if it's the crucible
of my own...
                 the mind goes one way,
the heart, another,
    and by death,
in pristine inversion,
relocated to their former
bearing...

              the heart begins to speak
for the mind,
   and the mind:
"forgets" to speak for the heart...

   my worst "fear" of death,
is that...
   it will never be the akin justification
for taking repose,
   for sleeping...
how,
   somehow death will
                transcend sleep...
and i will be forced into...
        dignifying,
or undignifying dogmas,
based upon the whims from
a dream...
   conjuring...

                    i can stomach
a forever-slumber,
    when it comes to death...
but to have to put up
with...
           fears of dream
being realized?
             cats don't sleep
during the night,
they pretend to,
            you can pass one by,
and he or she is: "snoozing",
with eyes half-open...

                     peering at shadows
of shadows in the daft night,
then...
   also...
                  prying on
the eternal silence of man's
rested set of comforted body
to bid him and his fellow:
a good night...

             audacious, some will meow
akin to the sparrows come morn,
but between the 11pm and the 4pm
mark?
     the house falls silent...
a drunk shuffles...
     itching to tattoo his fingertips
with texture of the wallpaper...
a cat sleeps...

                    i can almost always,
find myself,
   ascribed to a haunting,
           like the atypical english
out-suburb house...
  a house, whereby the natives
care so much for a garden...
but then actually use it...

             glued to their "castle"...
bonsai felines...
ever notice, that they have
eyes, akin to reptiles?
       large cats have mammal
eyes..
   when their pupils constrict,
they are not akin
to their bonsai counterparts,
i.e. reptilian slits?

                   i sense there's a spy...
what was once a serpent,
became a bonsai tiger,
a cat...
    when these felines
are bound to rest
i almost alway find them suspect...

         pandemonium spies...
i never allow myself
to be comfortable in
the presence of a cat,
                spy of: beelzebub,
spie of moloch...
  and the whole milton litany
of names...

               i don't trust them,
they're mammals...
but they have reptilian eyes...
esp. when the pupil slits
appear...
   a normal mammal would
have the same shaped
     pupil dilation and constriction,
like a lion...
but little bonsai tiger over here?

            venus in furs...
reptile in fur...
             i think the dinosaurs did a sly
one on us, when we arrived
with the capacity to breed these
bonsais...
                
         you'll still find the cool kids,
"petting" / more or less: keeping
snakes, lizards, chamaleons,
      spiders...
        i honestly don't think cats
are that much different...
             were you ever fed a deception,
so good,
that you, "somehow",
began questioning the authenticity,
after many years of
convincing yourself it was "true"?

        a cat, a bonsai tiger,
is about as much mammal...
    as i'm a ******* cyborg right not...
it's a reptile, in a mammalian
disguise...
   a bonsai doesn't behave
like a mammal...
     not even a mammal...
that hasn't been domesticated...
esp. a mammal that was been
quasi-domesticated,
    for the worth of cow,
or pig...
             or horse...
                        sly little *******...

i'm suspicious of cats,
and the cats i "own" are suspicious
of me...
       they're nothing more
than a dinosaur remnant of a spine
and a brain in a pickle jar
of lost eye-lids (snakes)...
  with a taste for fashion,
furs, masochism...
                
           cats are deceptive...
looking at their eyes...
they're ******* reptiles!
                        that and the birds...
pseudo-mammals...
                reproducing via
the aid of the reptile egg...

         hell... sure... "it's all about
the bees and the birds"...
more like it being about
the cats and the birds...

    why else wouldn't a reptile fake
"being afraid" / or seek to find a mammalian
reply for: endearing?
  than expand their slit eyes...
into a fully dilated pupil?
           as a mammal...
my pupil either contracts
or expands... it's either
                                    o or O...
a cat's eye?
                        O or ()
    and that's still stating a "compliment"
with the () curvature of the slit...
       that's not how a mammal's
eye should behave...
   fur,
    and as much does for birds...
also with fur, but no female womb,
instead a plot of egg
                    and greedy omelette...

    sure sure, i could have owned
a snake, if a wanted,
    or a tarantula...
   but cats just freaked me out
to begin with...
   that whole fur bit of *******
is an act of subversion...

               as is the whole bird:
feed me a budgerigar clock...
   because the whole beak...
was never going to be akin
                                  to a horse's hoof...

cats, when they're faking it,
turn all O puerile with their pupils...
but then they revert back
into their reptile calculating
demure of the slit ()
                                pupils.

big cat,
                 elephant, dog,
the eye dynamic is either
from o to O or from O to o,
to conscript their allowance
for the traffic of light...
    once again...
      whatever categorical divisions
we have constructed
to process information?

               to me,
cats are the old fashioned
fabble of a hushed variant
of chimera.

Reptile conscience


Liars eyes, reptile conscience,
Forked tongue whispers, secret heart.
Your fire, echoes of broken promises,
Far gone is all that which we are.


Ice berg, the ruination,
Your words all begin to disintegrate.
My words are now a termination;
No chance of our love lasting past the end of this day.


Heart break, this is your hotel,
I am just your ******.
My life, my life; my Hell.
I think that you should go.


You can take all of the lies with you,
Scatter clothes across the floor.
I see no future, no way through;
I change the locks on all my doors.


Taken away, never to be returned,
This should have been a beautiful day.
Now I am torn, now I have heard,
No place I can escape to; nothing left to say.


The damage is done, we are no more.
Chasing dreams away for they are only nightmares.
You had your fun and watched me fall;
The grenade you leave inside my chest leaves me without air.


(C)2017 Aa Harvey. All Rights Reserved.

drinking all night,
watching a soulless reptile
talk about his company
and trying to sell a sea of nerds
overpriced videogames
drinking all night on some ***** LA heat

I'm a Cowboy, a villain in black
I drink whiskey as if it was going out of fashion
and yell ye ha, as I ride wild creatures
the coarseness of my words
is the amour of my cold tipped heart

My pain is reptilian and waiting
for I have eyes so very steady and firm
and no matter how you hide
one slow as me will by numbers
have the will and tongue to find you

I may crawl on my belly
on most days and evenings
I may be a lost soul on a barren twig
yet my name is rebellion
and I don't give a fig

I ride storms that are too much for most
I push myself to the limit
and when things go wrong
my claws do dig deep
and I never relinquish my prey

By Christos Andreas Kourtis aka NeonSolaris

© 2011 NeonSolaris (All rights reserved)

PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort

The castle in the smoke
sneaking
like a reptile foraging
in the city
tirelessly
the blue-colored flame
awaiting the servants
the colors of sounds
staining
all over shadiness
the scarecrow with a hat
stumbling through
the dark
the wand of a magician
melts away
the ancient bed
and the love
locked in the sarcophagus.

Have we forgotten so easily,
About the creature we refuse to see.
Waiting for the day when we open the door,
Allowing it to break free.

You hide from it under the bedsheets at night,
It is the monster under your bed,
It is the presence in your room,
It is the voice inside your head.
You can run from it,
You can hide from it,
But it will always be there,
Lurking in the darkest corners of your mind.

The reptile within is stretching over me,
Soon it will consume me,
Then I will become,
The reptile I was born to be.

“I want blasphemy,
I want **** and ******,
I want hate and propaganda,
I want everything and anything bad,
For it sustains me,
Sends a rush down my spine,
It makes me feel alive”.

This is what the reptile wants,
This is what the reptile needs,
In order to stay alive.

The lizard approached
the beautiful tree..
made his play
you might say.
Started to climb
with such glee
intentioned to stay
all the day.
He then went limp
down he fell.
What had happened
no one could tell.
He was checked out
when he lost his function.
Found to have
a dreaded problem..
    ... called...
Reptile Dysfunction.
------------------------------------
The Lizard might have
stopped to See Alice
before the charge or his friend
Viguana.

(C) 03-2014. John stevens

I dance like a lizard on hot sand
by the light of the sun I've done this before
it's like that, one minute waltz times four

Reptile be what reptilian is
on rock lazily warming in the sun
as my slow constitution has began

After midday hiding in shadows
with darting tongue, I smell my pray
by their nest I wait till the last of day

Then out they come in the cool of the night
a feast frenzy for all
yet this ***** lizard is so small

By Christos Andreas Kourtis aka NeonSolaris

The mind is reptilian in nature
Shedding its skin each passing day

The hollow remains seem that of someone else
Where they haven't changed, but we know they're not the same.

We slither around in our new found skins
Slowly adapting to each situation
Forever shedding to meet need after need
Sometimes to a point when we bleed

Our skin my shed and our colors the same
But some of us change skin so much we forget our names.

Mother fish sees her eggs devoured
by alligator that gulps everything on the sand
save her own eggs and children.

Mother fish cries her eyes out
and seems not to be heard
neither by the heaven,
nor by the sea (their common abode),
that bore them, and now assists to her boredom
indifferently and silently,

which silence she condemns and curses.
She goes to the beach; she weeps
and seeks revenge in vain.
Now she sees a python that creeps
from the bush around the beach.

The creature she has never seen before,
as immense as the world,
eyes first the alligator
whose blood becomes as cold
as the ice under the sea.

They stare at each other
like someone intruder,
at a home where he is not wished as guest,
who faces the anger
of the owner who would not him host
but from there him usher out.

They look at each other
with sulks on their ugly faces
and fear as each one faces
this kind one for the first time.
However intimidations from each party
can’t touch the other party.

The cold war ends and becomes hot:
The Python and the alligator
get ready to come at each other
like warriors of different kings
ready to defend their kingdoms’ colors,
ready to defend the pride of their lords,
and ready to die for their honour
though they’d prefer to live
unnoticed and live longer.

Furious, the python throws her head up,
her dart flies like flash out and in
between the jaws of horrible sight,
and the beast tests she’s still unrivaled in
cruelty. She gets ready to attack.
As for the alligator, all her muscles she does check,
her arms dig into the sand,
And she flies to crunch the enemy.

She bites hard the neck of the python,
yet her teeth can’t tear the strong scales
of the mammoth reptile.
The python pretends to be provoked;
She wildly crawls and coils around the alligator
and holds tight her body from the tail to the head.
And alligator’s jaws, strong to weaker preys,
become useless.

Her mouth opens wide and starts to swallow the alligator
as the latter did when she chewed the eggs and children of the fish.
From distance the fish watches, admires
and enjoys the scene as the python
seems to be her avenger.

In the end the whole body of the fallen fighter
disappears into the trunk of the strange predator.
Then the fish wonders, “Am I avenged
or this strange creature merely needed food
as did the poor alligator
when she thought to rule over
our lives and made my children her food,
causing my eyes to shed floods of tears,
that she did not notice ‘cause mixed
with the waters?
And she ignored the mightier one existed.”

In conclusion the fish realizes
were herself or her children the first seen by the python,
they would face the same fate as the alligator she cursed
and that alligator’s killer may not be by the Maker blessed.
The most powerful predator
cannot be of the fauna liberator.

The greatest warriors
fight to shed the blood of their victims.
Only their aim they follow,
and they turn deaf their ears to the tears
of any fellow.
And as the fish thinks of this predator,
no ****** war winner will rule better
than a beaten dictator.

Part I
The night, no moon in the sky
The wind, full force as to fly
The cold, as to numb the blood
The trees, shadows the vision flood
The night, dark blue in the water
The wind, of rose is the howled attar
The cold, close to freezing the lake
The trees, static dormant to a shake
The night, solitary is the dark
The wind, momentary is its mark
The cold, nearly settled is the doubt
The trees, silent is their spout

The night, the wind, the cold, the trees

A Swan glides with an asynchronous thread
Feathers in the umbra, the heart partly dead
He has lost his dearest, his alluring arch
Spring isn't coming, no September or March
Once there was another swan
To make the lake shimmer with dawn
Their courtship was the core of the pond
A rare gem of opal coloured their bond
Unlike gems, though, be crushed love can
And it was time's deed right there and then
She now is in a new safe haven
And left was him with an egg of a raven

In the midst of this midnight dreary
The Swan was forlorn and weary
But the clouds of metal became of cotton
The grey marsh sudden, was brief forgotten
A shred of light, two lions glowed
Their manes of fire their passion showed
"What a scene" the Swan had thought
"That's the fervor my heart had sought
Forever bound by a curse of ice
I am void and there's no price
To unlock me from the eternal dream
And let me find my lion gleam"

Still, the sky is yet so white
And the past gloom cannot him fright
At his right the Swan stare
Intrigued by the unceasing flare
A piglet and a spider, what a scene
Why are they ringed by a sheen?
In the night, they play like friends
Fight, discuss and make amends
A web of favours and support
Parades of gratitude are never short
"Oh, is it fondness what I am lacking?
Is this why I am ever cracking?"

Now the display is certainly over
And the Swan hopes to find his clover
No more than ever he is so keen
To live anew and be serene
The night enjoys the happy mood
And let the moon stop its brood
The clouds, at once, no more than mist
An ethereal cast, will this be a tryst?
The moon glitz on a past reflection
A female black swan of mystic complexion
An owl hoots afar and is dismissed
As the hero sings after being kissed:

"Where have you been, my dove?
Why did you leave, my love?
I was so lost in here
Without your voice to hear

Without you to kiss me
Without you to bliss me
I was just a shadow
Missing the rain and the rainbow

But now I can see life
And each thing is so rife
I will give you my heart
So we won't fall apart"

Part II
Night, the moon is sublime
Wind, tame like no other time
Cold, feeble against heart's motion
Trees, mere pawns in this ocean
Yet silence cannot much contain
The disturbing growls of owl disdain
It thrives with strength, to fill the lake
To **** the love and pleasure take
The Swan, still, has just eyes... no ears
So to halt death from ousting his tears
Joy runs his body with iron vigor
His love denies dearth of such rigor

The courtship swims with celestial sync
In an opal ballet of black and white ink
Lastly, his arch the Swan can complete
With a dubious promise of endless heat:
"Our past is antiquity and shall be erased
The future, fertile, a wish to be chased
Let us embrace and with nature be one
Me and you, the rest will be none.
Though, I will only expect your happy devotion
No fear, no sadness, no other emotion
You are my minion, and mine in exclusive
Is this what you craved in your hope elusive?"

The Swan is soon hesitant of the deal
His novel grasp masks her appeal:
"Your words of ice burn down my feathers
Your crooked intentions prevent us together
I was foolish in you to trust my belief
Your offer won't stop my desert, my grief
Love can't ever be monochromatic
Yes, there are moments one's ecstatic
But endless joy is not the way
It will prevent freedom and will me betray
The value of love is shallow without anguish of partition
The bones of love are brittle without a conflict's remission"

The eyes of the black swan fumes in red
The clouds, the moonlight they shred
A tempest thunders over the misty lake
Out of the haze, the bird is now a snake:
"Your faith is missplaced in a callow profile
Your passt came closse to you beguile
You think your luck in love issn't departed
But you are full of sself-pity, fainthearted
Honesst love iss the piercer of my power
And IF you find it, I will to you cower
Yet you have nothing; you're dessperate for ssomeone
Had welcomed the deal, you wouldn't be undone"

The water spreads cold with every heartbeat
The quick rime sings Swan's defeat
The snake reveals its fangs of ink dark
And bites the Swan, a sanguine red mark
All seems lost to this tragic hero
A heart's betrayal in the absolute zero
Until a hoot echoes through the trees
And the bird finally the owl sees
With claws of steel, the snake it slashes
In response, lightning flashes
It breaks the ice and the reptile sears
The Swan is now saved, but not from his fears

A boy wakes up in a nice little room
With a painting of the lake and a flower in bloom
A bee buzzes around about the place  
And in the White Rose, lends with grace
Both make a sound akin to a chatter
They seem happy with their talking matter
The angered boy, annoyed by the insect,
Into the painting, the bee he projects
With a new aspect thrown away
He burns down reality's display
And when a dove finds its way out
The man its wings brake and his out route

A sharp tongue with shark teeth
and a malicious smile with venomous saliva.
The reptiles eyes are like an alien planet.
It's soul lost within the depths of it's pupil.
It's like seeing tectonic plates shift
as they leave a black scar across a sandy red desert.
A reptile's eyes.

Dragon scales cover my skin.
For this world is filled with shattered hearts,
it is like stepping in broken glass,
I should protect myself from all your scars!

I've grown coldblooded from these cold emotions.
Icy stares and frozen thoughts.
Because your souls are trapped in arctic ice,
drifting in the same tides
every day of your cryogenic lives!

Witness the fiery eye that is the Sun.
It shines dimly behind radio active clouds.
Particles of chemical ash act like a mirror
spitting back solar rays in the face of God!
The arrogance that is man!
Earth radiates golden shadows
and the reptile is denied of heat.
I am forced to store my dragon's breath
inside the belly of my beast.

On her way to work one morning
Down the path along side the lake
A tender hearted woman saw a poor half frozen snake
His pretty colored skin had been all frosted with the dew
"Poor thing," she cried, "I'll take you in and I'll take care of you"
"Take me in tender woman
Take me in, for heaven's sake
Take me in, tender woman," sighed the snake

She wrapped him all cozy in a comforter of silk
And laid him by her fireside with some honey and some milk
She hurried home from work that night and soon as she arrived
She found that pretty snake she'd taken to had bee revived
"Take me in, tender woman
Take me in, for heaven's sake
Take me in, tender woman," sighed the snake
She clutched him to her *****, "You're so beautiful," she cried
"But if I hadn't brought you in by now you might have died"
She stroked his pretty skin again and kissed and held him tight
Instead of saying thanks, the snake gave her a vicious bite

"Take me in, tender woman
Take me in, for heaven's sake
Take me in, tender woman," sighed the snake
"I saved you," cried the woman
"And you've bitten me, but why?
You know your bite is poisonous and now I'm going to die"
"Oh shut up, silly woman," said the reptile with a grin
"You knew **** well I was a snake before you took me in
"Take me in, tender woman
Take me in, for heaven's sake
Take me in, tender woman," sighed the snake

(For Thomas Davis)

A reptile carved, a breath of language, one
That one imagines to be real, like
A lizard given life, pretend for fun,
Perhaps, a supervening thought, so like
A kite, but not airborne at all: We hold
Its substance in our hands and come to think
That this is all there is. We even hold
It in our thoughts, still nameless, and we think
That its vital beauty make it a part
Of God. Soft, small, patina-rich, handmade
From stone or bone, rhinoceros horn: its art
Is in its existence, perfection paid
For by its half-life in our hearts and hands.
So reptilian, what poetry demands.

© Jim Kleinhenz

My mind keeps pictures of you up on its walls
                            again
                         ­         and again
I find my thoughts drifting down that river of memory
orbiting around you, like forces of gravity drawn
to the idea of us (if there even is an us)

If I could then I’d lock you outside my brain, leave you out there to rot
in the abyss, where your words couldn't penetrate me
and your lips that work like anesthesia forbidden to numb me again

I won't do you the injustice of romanticizing your imperfections
You're no nebular, you're a black hole, a gaping flaw in creation
Your eyes that held millenniums of history, now hold me no future

You made me forget what it feels to have stability
To not walk out of a room and forget why I left
You make me want to shred the skin you touched
Like a reptile, to become reborn, purified from my past.

There never were any butterflies in your stomach, only parasites
but you fed them to me readily like a disease

So no, I won’t dedicate you another love poem
                 no I want (deserve) better
This isn't what love should be
I’ll write you a poem where the words convulse on the page
and you’ll forget to read it (you always do)

sample size excavation:

urbanity forsake the village-metality
of the undisclosed biological
credo...
                     urbanity became
a pawn & pauper in a "clues",
which replaced facts...
                         i am more mushroom
than reptile or genital mutilation
grammar asking...

              finally! cricket has come home!
well... in between watching
roland garros,
and the ICC?
             even i can agree...
of all the h'american sports?
  baseball... sure...
ice hockey... sure...
     basketball... sure...
   h'american football?
esp. when watching rugby?
  i don't get it...
         scuffling in the middle...
pass back... one throw forward...
a decent runner...
         ball hits the deck...
"regroup"...
      reinforced rugby-esque scrum
drama...
    play-stop-play-stop...
ad. revenue interlude...
   start-stop-start-stop...
             doesn't it get boring, ever?!

i had to turn to cricket!
oh i'm enjoying the cricket...
it's like chess + braille + bridge
dynamic of tactic... sure...
it's not baseball...
       it's cricket!

   international test matches...
50 overs...
         50 x 6 = 300 throws of the ball...
1 over = 6 throws...
no other sport was so much
beautiful jargon,
so much stat.,

             and so many idiosyncratic
terms...
what do they call english
cricketers? tourists...
west indies (the carribean team?)
the windies...
          
          349-8 (349 runs...
         8 wickets)...
              
                   imagine a sport...
where it lasts so long that it errodes
your attention span like
a Tolstoy novel...
      come morning,
it finishes in the early hours of
the evening...

                cricket... quintessential
Dickensian replacement narrative...
and i've never seen more
laid back referees (umpires)...
what's a 4 to a 6
in terms of body language?

you have tactic akin to bowlers
throwing spin-accents...
so there's a minimum of a 1-2 1-2
runs... rather than 4 or 6 worth
of smackers...

            cricket isn't the worst
of games... by far h'american football...
that's the worst game, ever...
then, golf...
             **** me... table tennis
beats those two games,
even without all the glamour...
but itching chinese pretending
to be fast paced insect-esque
reaction time automatons...

                 i mean two female sport
events make complete sense...
tennis and gymnastics...

i don't even know why i enjoy cricket...
after all,
i am not exactly english "born and bred"...
bred from the age of 8...
hybrid mongrel...
i would still like to appreciate
the sports celebrated by the land
of my birth...
        żużel (speedway) and
(szczyptarze... almost a googlewhack...
2 results)...
                 hand-ball... and volley-ball...
greek wrestling...
      archery...
             sport is so under-represented
these days...
        only the major sports...
and at times, the monopoly associated
with their funding, their subsequent
traction of spectator numbers...
  it's so boring!
             it becomes too tribal!
totteham hotspur f.c.: born and bred!
there are so many other sports...
that do not entertain tribal ergonomics!
most of the olympic sports, for starters!

  today i was watching pakistan take
on england in the ICC world cup...
             ****- beauties all round...
      and then... for some "weird" reason...
the shadow of Rotherham...
     the cube didn't fit into the square
hole a gorilla was supposed
to push the prism through...
            
       there are just so many underrated
sports! it's not even worth criticising
sports per se...
         it's the sports that appeal to
the masses, that elevate the sport beyond
the sport per se, and craft trivial and
tribal affiliations that bothers me!

           i still think h'american football
is the dumbest sport available...
considering it as, rugby: devolved.
there's as much sense of passing the ball
backwards, imitating a charging wave
against a coastline of defence...
as there will ever be any sense found...
in scuffling in the middle
like some pretend boxing match...
allowing only one pass backwards...
and one runner maneuvering past the pointless
scuffle in the middle...
pass back, one throw, one catch...
                       run Forest! run!

o.k. even i found cricket a bit *******...
asparagus... ****... asperger syndrome
with its overt analysis...
   but even cricket looks better
than that ******* irish pub brawl
take on boxing that h'american football
represents...

bloated egos in armour...
           sorry, even ping pong looks
more appealing...
the ******* sumo diet worthwhile
to compete with...
        it's the cricket world cup...
and the time it takes to play out
100 overs?
    maybe chance upon a 6 run...
   8 wickets...
                      elsewhere
handball is pop, as is volleyball...
ski-jumping...
          
        sport per se isn't the problem...
it becomes a problem when
sport becomes tribal,
and the initial per se pleasure
of the spectacle of a sport is drained...
when people have to take sides...
when the sport per se cannot
be appreciated...
            hence the "concept" of the sport,
the logic of behind the sport is lost,
lost in the fact that it is lost to
it being monetized...

              when sport, resembles....
the kind of live performance,
akin to Heilung - Alfadhirhaiti...
while i am left, bound to the greater desires,
of moving to Greenland...
or the Faroe Islands...
        because even the English summers...
are starting to resemble
Indian summers more and more...
**** being your atypical English
sun-worshipper who "miraculously"
moved outside of London...

                         not, far, enough!
give me Greenland, give me the Faroe Islands,
give me Alaska!
    i can't stand this surge in
the creeping Summer heat about
to grind England to a halt!
                   however long it will take,
i wish to plan my escape to these lands...
i don't want a year's worth more,
in this little saudi land of the north,
with pubescent saudi ******* racers
bragging their diesel lamborghini *******
down Knightsbridge!

I cannot spare water or wine,
Tobacco-leaf, or poppy, or rose;
From the earth-poles to the Line,
All between that works or grows,
Every thing is kin of mine.

Give me agates for my meat,
Give me cantharids to eat,
From air and ocean bring me foods,
From all zones and altitudes.

From all natures, sharp and slimy,
Salt and basalt, wild and tame,
Tree, and lichen, ape, sea-lion,
Bird and reptile be my game.

Ivy for my fillet band,
Blinding dogwood in my hand,
Hemlock for my sherbet cull me,
And the prussic juice to lull me,
Swing me in the upas boughs,
Vampire-fanned, when I carouse.

Too long shut in strait and few,
Thinly dieted on dew,
I will use the world, and sift it,
To a thousand humors shift it,
As you spin a cherry.
O doleful ghosts, and goblins merry,
O all you virtues, methods, mights;
Means, appliances, delights;
Reputed wrongs, and braggart rights;
Smug routine, and things allowed;
Minorities, things under cloud!
Hither! take me, use me, fill me,
Vein and artery, though ye **** me;
God! I will not be an owl,
But sun me in the Capitol.

Frenchie. there's a lot that i'll probably never tell you. either in fear that it will drive you away, in spite of the numerous times that you've told me you won't leave or run because the chance of something scaring you off is slim. or simply because it slips my mind. trauma, am i right? you say a lot, and i mean this in the best way.  you can talk, and you can tell me as many things as you want, and i'll never properly believe them because i've learned that words are ****. then again all we have are words, smiles, and through-the-phone, air-blown, crush-induced kisses that bring back memories, and yet rewrites them as something entirely new and, of course, much much better. something ours. i hope it's never given to another person, this sweet kiss of life, the final kiss of death, an angel brings me to heaven, enter whatever aesthetically pleasing line you want but it will never be as good as, "and so the lion fell for the lamb." haha. it's 11:16 pm, August 9th. and i'm laying in bed. for reasons i'll try to explain in a second, i'm tearing up, as i have been for a while. i think i first started tearing up the first time we called, which isn't so much a bad thing as it is a surprising thing. because it was a sad happy cry. it's similar to breaking a piece of jewelry that you really enjoyed, but then buying something much better. you loved that plastic, feeble, oversized, first love bracelet, but now you have a moonstone or (enter favorite gem) filled, perfectly fitted, wifey-made promise ring. you'll keep the bracelet somewhere, forget about it, find it again, and again, and again. discovering it under blankets, and pillows, and promises that we've tossed around ourselves. it will peek from inside my black coffee, in the dirt i praise, in the trees, in the music we'll listen to together. in the color brown, Frenchie, that's where you'll see, i'll see, we will see, that piece of plastic. dark brown, the colors of his eyes. my favorite color for the longest time. i don't want it to mean him, so it doesn't. but that's where it comes from. i'll find it, we'll find it, up until you get tired of seeing it, of seeing me see it, and take my hand, begging to throw it out. but, my to be discovered favorite gem filled, wifey-made perfectly fitted promise ring, it might take a while, with me quietly begging for your help, to get rid of him. not because i want to wear it, but because i horde emotions the way i horde stuffed animals. it's a labrinth to find the bracelet, we have no map and somehow we have to get from this forever smile to the closed-off corners of my mind, where even i, as it's supposed owner, struggle to collect, and comprehend, and conquer my horrid thoughts. but Frenchie, we laughed. and it was the first time in so long that i've been able to laugh with someone like that, and not worry, and not expect, and not be afraid. except, since we're here it's already obvious, that ended up making me afraid anyways. Random, but there's this song in my head right now. "make me behave like an animal." Sir Chloe's Animal, everything by Sir Chloe is absolutely incredible. but, let's continue. you may not believe me when i say this, but i'm scared out of my mind so entirely that every second between our conversations is an hour added to my inevitable future breakdown. how weak, and pathetic, and disgusting, i know. i have told you so many times that i can't like people, that it's so hard for me to connect to someone new, and yet it's day three and i'm imagining that i'll be happy if only you'd hold me, as if that's what you want to do, as if that will heal me, as if that should happen. as if i'm taking things slow the way i want to, and yet don't want to. if i could properly explain in words, i'd tell you with lengthy descriptions, both vastly and vaguely, calmly and excitedly, slowly and quickly covering deep hidden and obvious and in-between meaning, proving how desperately i want to be with you, be yours and you be mine, and how, ****, how i hope you don't **** me up. because all i can think when we talk is "****." you breathe, and, between each of your heartbeats, i figure out that i like you more, and more, and ****! the way your face looks so angelic when you sleep makes me just think "god, she's going to really hurt me. she's gonna **** me up, and chances are i'll thank her for it." to be hurt by you? that would be a blessing, and yet i'm shaking. what a interesting concept. i'm sure this is proof that i'm ****** up already. i keep bringing up the time. three days, Frenchie. Three. and that's it. that is literally it. that's all we've been. so explain, please, why the first few words you said had me ranting to my friends. please, tell me, how within a day, everytime your name popped up on my screen i would giggle like a child. please, explain to me, why everytime i talk about you, my cheeks hurt so much from smiling. i'm crazy, absolutely crazy, and i know my friends have to be thinking so too, because it's been. three. *******. days. but why? as in, why is that so bad? three days, what's so wrong with that? why does liking someone have to have a time? let me explain something that i've been thinking about. two years, on and off, thirteen breakups. that was Justin and I. roughly six months after the final one, i met you. "cause everytime you hurt me, the less that i cry." i'm way too good at goodbye's. i never particularly got that song the way i do now. had we stayed apart the first to the maybe fifth time we broke up, i would have took longer to heal. but it was time thirteen, so it was all expected, hurtful of course, but expected and so, it was almost boring. almost. it would have been if it didn't rip my heart out. i rebounded. hard. many times. many people. zero regrets. but this connection to you, sometimes i catch myself fearing i'm picking up where Justin and I left off. which, yes, is really toxic. but then i remind myself, this is how a good portion of relationships start. if i like you, i'll act like it. if i want to be with you, regardless if we just met, i should act like that. right? right, that's what normal people do. but we already explained i'm not normal. i'm ****** up, and i overthink. i'm ******* up. so ******* up that i can't hold eyecontact with you because i was "trained" not to, because i'm not used to, because it makes me nervous, because i hate the way my eyes look and i believe that you shouldn't have to look at something so disgusting. god here we go, i'm talking about him again. blaming him with my "trained not to" rather than blaming myself for letting it  happen. i let myself feel like that, i let myself bow down. that's on me, that was my weakness. admittedly so, yes. i'm scared of looking in your eyes. maybe out of submission. or maybe i'm afraid of seeing what i once saw in his. but truth be told, i think i'm scared of looking into anyone's. maybe i'm once again overthinking things and it's just regular anxiety. "regular anxiety," what an interesting statement that even I can't properly explain. and by the way, i never want to compare you to him, not even the good things. (just realized this entire thing is bipolar and has been written and rewritten to a point where the overdramatic stuff became simple conversation). but why not the good things? because i don't want you to be like him in any way, and i don't want to be with someone like him again. i realize that i will eventually, and might have already without properly realizing it, compared you to him. but, as i like to say, if i don't look at it, it isn't there. so we're not going to pay this any mind. there's so many things that i can say behind all of  this but my mind is going too fast, and it also just realized that most of this is literally so ******* stupid that i should shut up about, i was truly overreacting. maybe if i remember, i'll retype this until it sounds less crazy and obsessive. good thing i edit before i show, so yes i was planning on showing someone. but probably not a lot. only a few trusted people. but now that i read and reread i might just keep this to myself. not that it will matter if i explain, seeing as i might never show this to you, but it's nice to give this to a ghost of you, although it leaves my imagination running wild trying to figure out how you would respond. everytime i type something i want to rewrite it, and i have been rewriting it by the way, because there's no way in hell this captures a fraction of a fraction of the surface of how i'm hurting, even though i've been typing for almost two hours trying to find better words and longer sentences. this all sounds so meek and weak and pathetic in comparrison to the metaphoric erruptions and hurricanes and other natural disasters. haha. this doesn't feel natural. it's like i'm begging for attention, or manipulating you more. fun fact, he called me overdramatic, and manipulative, and tons of other things i won't get into, so i often use the words on myself. because it was and is accurate. i keep making myself out to be a victim and he said i always did that too, that i always victimized myself. he said it a lot. let me explain: i panic so much, i get sad over the smallest things. for example, he was mourning over the death of his mother and started yelling at me and wouldn't tell me that he loved me back, which i shouldn't have gotten mad over but i did. he told me "jesus, i can't even ******* miss my mom without having to make sure you're not having one of your episodes." of course i apologized, and tried to fix my issues myself when he got tired of me or in general and hung up. literally, believe me. i'm so ******* sensitive and it's annoying and i'm annoying, i'll never understand how i got the amazing friends that i do. Apollo knows that i don't deserve them. and please ******* please, i just want to stop crying because it hurts so bad. but after writing it down i feel so much  better. i stopped crying, this is part of my editting by the way, and i feel much better writing to you, ghost Frenchie. but really. it. hurts. so. bad. so bad to a point where my heart seemingly stops, i'm left breathless and NOT in the best of ways. and then said heart explodes. over. and over. and over. in milliseconds, again and again and again, all while the usual me laughs and tries to make my eyes look lively, you might get this but there's so many hours of the day where i hope no one can see the pain i'm in. because i literally have zero ******* clue how to explain the way that i feel. eeehhhh, how edgy. i'm sooooo misunderstood haha. when it hurts, my jaw clenches, i'm no longer in control of my breathing, my head hurts, my brain becomes helium and all i can think is "fuuuuuuck." but ****, as well, because. "i don't wanna be your friend, i wanna kiss your lips." i just want to touch you, and lay on top of you, legs around your waist, snuggled into your neck, breathing in your scent and finding shelter in it, listening to you sing whatever song you put in the background, the smell of **** and cigarettes and us. and beg you please, between each kiss, each time my hand finds yours. please, promise ring, please, please. please. learn how to love me. love me, please. heal me. please fix me. please make me okay. because i'm not. and i haven't been. and i don't know if i ever will and, ****, i swear i'm calm now. but knowing that, knowing that i will never be okay? that hurts worse. because it's proof that i'm aware i'm nowhere near good enough for you. i added on to Justin's issues. I don't want to add on to yours. "But J, remember, I told you that making sure you're okay is giving me something to take off of my life." but you need to focus on you, i can't just take all of your attention. i know that seems like i'm wanting you to tell me "i want you to have it," but that is literally the way i feel, please don't tell me that. i want you to drink water, and eat, and call me. god i feel awful for not calling you today, holy absolute wow. Frenchie, you're hurting on your own without my added everything. You deal with so much, you've dealt with so much, from your birth to the girls and boys of your past, and **** it. ****. we're talking and i should make the most of it, but i really just want to make you okay. i lied to you, y'know. you asked me about my best quality. i told you that i gave good advice, but truth is i probably don't. i think that my best quality is that i make jokes out of everything, i try to make people laugh all the time. that's not always a good thing. last time i texted, i said something about holding you and giving you a watermelon to make you happy. that might have ****** you off. truth is, i doubt there's something only seen as good in me. there's always a second face to everything that i am, i'm a two faced, four faced- no no. twenty faced *****, and not even like a bad ***** i mean like. little ***** baby type faces. and i know for a **** fact that your life has been worse than mine, Frenchie, my issues are literally nothing compared to yours. so, once again, i can't let you add my issues to your own, and yet here i am pouring myself out and begging ghost you to fix me. i mean what you don't read can't hurt you, but something tells me that i want to give it to you. everytime i think about showing you this, i cringe. because jesus three days, man, and i'm writing this absolute *******? and yet i can't just stop. i can't just leave. i'm too selfish for either of those. i have **** to say, and call it growth but i'm gonna ******' say it! y'know? someone's gonna read it eventually. half of me hopes that they send it to you without my permission, but the fact that i'm writing this out proves that it's more than half of me that hopes. and yet the thought of you reading this makes me wanna swallow rat poison. i can't just let you free, y'know? give you the chance to run without wanting to grab you by your legs, pull you back, breakdown and just ******' scream that you're mine, MINE MINE MINE, until you feel sorry for my hoarse voice from crying, scared because now you know, now you ******' know, Frenchie. the opening to run, the ability, it's here, it always has been. but you won't take it, you won't, will you? will you? no, i don't think so. because you've been through worse, because you want to convince me i'm not as bad as i make myself out to be, because you're not afraid, because "it takes a lot more than this" to scare you. don't you see? i'm manipulating you into liking me, Frenchie, i am. i know what to say, how to say it, i read people, i get under their skin, and then i play victim when they flee my spiders web. and i love it and hate myself, haha! ******* ****, please, ****, oh, please, like me. oh, Artemis. please. i want to try, and i will, but, seriously, don't. do not trust me. don't love me. don't like me. run. please. please. you shouldn't, i'm not good, i'm really not. and no one gets that. i'm the Jerry of the world, people are attracted because they feel sorry for me. that's my magnet's secret. pity. **** it. listen, i'm proud and upset at the fact that i'm doing this to you. i've admitted it, dearest Ghost Frenchie, and yet continue. because in the ways that i want to show you my crazy, use it as a "please help me" and keep you here, i do actually want to try for you. read that as many times as you want, I want this. I want to try, but this is my warning that maybe no one will read. this is an entire universe of new things and old things i haven't or thought i couldn't feel. i've thought about it, and i've almost done it, but i can't block you, save you, and leave it at that. because i actually want to try and be good enough. i had cried to my friends saying that you would hurt me, but i wonder if i'd end up being like your exes and just be more proof that you don't need that this world is ****** up. oh wow, there i go again with my manipulation. just. ****. i want to be with you, even though i don't deserve it, even though i have no right to, even though i know that you, lovely butterfly, have a life ahead of you. though small, i'm still a spider. this has been on my mind for so many hours that i've spent typing this, but i should have said so much more to you when you told me that you were having a bad night. you admitted that you were too stressed to even eat and that you didn't want to take it out on me, calling wouldn't be a good idea because you didn't want to snap at me. can i please just say that, good Aphrodite, the fact that you're humane enough to say that, to warn me, means so much. you don't want to take it out on me, you didn't know for sure if it would happen but you wouldn't even let it happen because? ****, because you're, ****,  you're a good person. you care about me already, and that's so ******* heartbreaking and heartlifting at the same time because, AH! ****, she LIKES me? likes, me? likes. me. Frenchie. likes. J? and at the same time. why? Frenchie seriously likes J? Haven't they warned her? i almost didn't text you, i almost just left you on open, just so you could come to me when you wanted to. i don't know why, but i responded. sort of like a puppy, y'know, that's just been yelled at. or, rather since you have cats, a kitten literally just purring and rubbing themselves along you even though they clawed your wall and you screamed. i was hesitant, but i knew that you'd try to be nice, i think? truly, i don't know my reasoning behind that, but you responded anyways. and maybe i'm wrong, but you sounded so soft and it made me smile. because you were trying, and it's dumb that i have to say that but, relationship wise, it's been so long since anyone has TRIED. when you leave me on opened or when you don't respond, my heart drops. which isn't to make you feel bad, because i know you're either frustrated, or busy, or it's a habit, but it scares me. because, again, three days??? and yet you leaving for a little just freaks me out. also, allow me to admit this. while we called, i have reasons for why i'd wake up everytime you moved. i was scared that i'd wake up and you'd be gone. not to be creepy, this is supposed to be romantic, but at least twice i remember waking up, and you were asleep, and i looked at you. god, you're literally so beautiful, Frenchie. you're literally so unbelievably gorgeous that the sun pales in comparison to your radiance. can i say more depressing, Justin related things? i shouldn't, because him being mentioned is literally making me look worse, but i never really feel up to talking about it with anyone besides, well, you. talking about exes with you, it's just, comforting. you telling me you were having a bad night gave me these wretched flashbacks and- oh, ****! this isn't meaning never tell me, like, please, please, always tell me, just, uh, let me explain cause, uh, ****, oh, Hades, it hurts. it's dreadful, really. he, uh,  he would get upset about something, or really anything that he could think of, and uhm. just, haha, stop talking. for uh, for literal hours.. and hours. and hours. out of nowhere. i wouldn't know why, so i'd blame myself and then i'd spam him, thinking that would make him want to answer and begin my whole, "please, don't leave, please, Justin, please, i'm sorry, i love you, don't leave, you're supposed to be my daddy, please, you're supposed to be mine," skit. i mean, see? proof. he couldn't deal with his own issues because i needed attention and reassurance. all. the. ******. time. i won't give excuses, he really just needed space. but space felt like a break, which sometimes he made for. but, right, for me, Justin was famous for his "just leave me alone's" and then the "i don't want this anymore" or "i'm really tired of you" haha. or it was the whole, "you're just not what i need in my life." or i mean "there's someone else" or, of course, haha, the, uh, last one, my personal favorite "we're just not compatible." like, oh, really? i mean, yesterday you hit me and told me that i was a ****, like? we're not? we? we aren't? compatible? wow, like, really? so, no future together? like, uh, oh! c'mon Mistah J!  ouch that hurt to say, but please laugh because haha, TRAUMA, am I right? but, wait? does that count as trauma? hm, i mean some of it was traumatic, right? wait hang on, yes. wait. being beat- ? well, not beat! i mean, like, i could still, y'know, move-? jesus **** what is wrong with me. i don't want to call it traumatic cause victimizing. haha, ****- but uh anyway. i'd be left trying to off myself in some petty way. because i felt like if he couldn't love me, if he, Justin Ryder, the long-legged **** who knew me better than anyone, couldn't love me, honestly, who would? "But, J like. you have friends!" yeah, i do, and i did then, too. but these lovely, amazing friends didn't come to mind the way they sometimes do now. sometimes. i mean, why do i feel like it has to be romantic for "i love you" to count. i say "i love you" to my friends all the time, honestly, because they need to hear it and i've lost so many people without telling them, y'know? but anyhow, right, no one came to mind. just him, and his lack of love for me. i mean, he was God. he was MY God. he was my world, everything, my reason to breathe, the reason i existed. i loved him. more than i've ever loved someone in my entire life. and, i mean, that's why i let him come back so many times, with open arms and apologies from me that should have slithered from his own serpent lips, the reptile. they rained from mine, eagerly, harshly, on repeat, no questions asked. he hit me, i apologized. he made a mistake, i said "i'll never do it again." i blamed myself for a lot of things that he did to me, gave excuses for him, too. y'know, the cliche "you don't know him like i do." god, i mean, i was right about that. no one knows Justin Ryder the way that i do. i hope no one ever does. Frenchie, dearest promise ring i keep referring to for poetic purposes, you asked me if i was over him. i am. i don't want him back. but if he ever texted or called, i'd break down, lose myself, hysterical hurricane J. not because i miss him, just because of the **** that i went through with him, Frenchie. it's small, y'know, compared to what others have went through. but it really, i mean, REALLY, made a huge impression. i don't want him. i keep saying that, everytime i do it becomes less believable but please understand that it isn't him, it's what he did. but **** there i go putting the blame on him again. Frenchie, are you over her? see, the fact that someone came to your mind means that sometimes you question it. unless you really just thought to yourself, "who, am i over who J?" maybe i'll never know. but you should know this. desperately, quite desperately, i want to tell you that your smile makes me feel safe. and i haven't been able to feel so safe from such a small thing in months, almost a year. because how could i trust his smile, y'know? even before the very end, in the middle, in the first time, how could i ever trust his soul-stealing smile? especially when i saw him making it at whatever girl he chose next or, funny thing, even during our time together. i want to explain to you, Frenchie, that i know you need space, and that, even though i realize that, i'm so terrified of ******* up the way i did with him. when i'm upset, i need to be smothered. not everyone is like that, i have to cope with it. haha, wow what a *****, i have to cope with your ways of coping, god i annoy myself. but. regardless of the amount of friends i have who assure me that, "J it wasn't your fault, Justin was the issue, J you weren't the toxic one" i can't believe it. i refuse to think that it was just him. another lyric so a song i enjoy "it takes two to toxic," i keep thinking of songs, but i think you understand that, too, my adhd love. i should have, could have, done better as a person for him. not saying that i regret not, but the fact that i could and i didn't? maybe i should have shut up, maybe i should have said more. everything was beyond the severity of walking on eggshells, which he said often that he had to do around me because, i mean, i've explained that. it's just more proof, you see, that i was too sensitive, proof that i should have been tougher, said less, comforted more. but didn't he know how he made me feel? that i was trying, truly trying my hardest? didn't he know that i loved him so entirely that i gave up my best friends so he'd look at me. didn't he know? didn't he? honestly, how could he have not. i worshipped the literal ground he walked on, didn't i? did i? or am i exaggerating again? should i have ran? yes, no. yes. maybe, or maybe he should have? i don't know. **** me, this? this really, this isn't about him. but it is. because he made my head all ******, the time with him anyways, cause once again it was me, too, and everything is like, oh, ****, a minefield or something. and i don't want you to think that i'm not over him. because i am. him, as himself, i'm over. but the way he made me feel, the experience, the way he changed me? i don't know. did i change for the better or the worst? i wish you could have known me before, maybe you would be able to tell me if the me that i am that now is better. but maybe if i knew you before, my time with him never would have happened. but i hate myself for it. "it" as in everything from the time i got with him to now, every word i've now spent almost three hours revising and rewritting, i hate myself for. that's what's ******, i don't even hate him for it or this, i literally just hate myself. i sound like such a ******* idiot for all of this,  but i'm not, Frenchie. i'm not. well, hang on, i mean i am. i'm a literal ******* *******. haha. but this is how i'm trying to explain to you, and if you ever read this maybe you'll get it. but, i want to make you happy. me. i want to make you smile more and laugh like you did, like WE did. and i know that i got attached so ****** quickly so my whole "it's hard to love people" thing seems fake. but it isn't. i can't. i literally can't tell you how hard it is. and this right here, this is hard, too. because i'm fighting with the "oh, J!! this is different" side of me and the "**** her, *******, everyone is the same" side. i'm pretty sure i told you this, but i broke up with my last girlfriend because she actually gave a **** about me. and it made me want to puke. when i did, when i left, she told me that she was in love with me. and i ran to the bathroom. and proceeded to cry, getting rid of my lunch and dinner, and almost just ended it right there because i thought, "****. if someone can love me, can say those three sacred words, to me? TO ME? i must be hiding so much from them." i just want to scream. yknow? to the world, to my friends, my family, you, that "i'm ****** UP IM ****** UP IM ****** UP PLEASE LEAVE" but "oh, gods, don't leave." please, ******* ****, if you're not ready, if you don't want me, please, tell me. if i'm too much, especially after all of this, holy ******* ****, please, tell me. because i can't take it. i can't. tell me now, these three days in where i'm confessing i want to be with you, that you can't. because i wouldn't be able to handle it much longer than from here. oh, **** yeah, it's going to hurt so much. i kept saying that i didn't want to like you. but everything draws me in, dearest Edward, and it ******* *****. it. *****. because i'm beyond aware of possibilities of the failure. and, yet, i couldn't be happier. in the middle of my frequent breakdowns, i'm so entirely full of joy. my mother tells me that i'm glowing from how entirely, like, happy i am. you're miles away, Frenchie, and yet you make me happier than i've been in a long, long, LONG time, dancing and singing around my room like an absolute idiot because i'm thinking, y'know, MAYBE. MAYBE THIS IS THE ONE. "J MAYBE YOU CAN BE LOVED, AGAIN. MAYBE SHE'LL LOVE YOU, MAYBE YOU AREN'T AS BAD AS YOU MAKE YOURSELF OUT TO BE." and everything looks so ******* amazing with you in the picture. and, still, i always ask myself, is this too fast? am i still not ready, still taking things too fast, should i shut up, am i hiding too much, doesn't she get my bipolarness and bpd? you do right, you do? oh ******* ****- **** all that, those last few questions are entire other things, and it's now 2:07 in the morning and i'm ******' done. the end done, I won't write anything else. except this. Frenchie, I know you love being called that, but there's something so entirely personal about being called by your name. sometimes I catch myself slipping on typing. maybe it was a mistake to tell me your real name.
frenchie.
sydney
a rose by any other name would smell just as sweet

theres blood on the wall
theres blood on them all
they just don't see it
like
you
do
.

frog feet lean towards him
they bound
  and leap
     but
reptile
metaphors
hold
no
agency
when
frogs
are
   actually
amphibians.  
gills or no gills,
the feet pendulum.
One reptile life is not enough.
lay
out
options
lie to me.
give me lungs AND gills.
The water murks and reflects a familiar hue,
the land beckons
i want to breathe

A mountain
A shark fin
A hang-man
A seven
Candelabra
Insects
Test tubes
Disease
Full moon
Candelabra
Umbrella
Whipping cane
Crook
Herder
Candelabra
Alpha
Elves
Pretty Alps
Hollow
Candelabra
Light bulb
Reptile
Annulus
Coil
Candelabra
A skirt
A birth
A girth
A first
Candelabra
Sunspots
Patterns
Blinded
Heaven
Candelabra
Spid­er
Structure
Front door
Glass fracture
Candelabra
Animals
Aliens
Threatening
Harmless
Candelabr­a
Money
Dead leaves
Decay
Potpourri
Candelabra
Peace
Horns
Antennas
Intercours­e
Candelabra