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Jeff Gaines Mar 2018
OK Reader, I'm going to tell you a tale … with great trepidation. You see, this tale, well, it's kind of like telling someone that you've seen a UFO. They want to believe you, but … it's never really been proven scientifically. Not to mention the fact that most folks who believe in such things are often the tin-hat wearing types, written off as … lets be nice and call them “odd”. And, of course, the more you swear to it, the crazier you appear. It's an epic tale, spanning 30 years of my crazy life.

  But, It's a story I want to tell, because it happened to me. I can barely understand it myself, let alone explain it. So … I'm just going to launch into it and you take it any way you wish.

*  *  
Where Can You Be?

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I'll search with gazes and I'll search with cars,
I'll search the cities and I'll search the stars, well …
I'm gonna find you, oh, wherever you are,
I'm gonna find you baby …  near or far, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I thought I'd found ya, but she wasn't you,
that girl she left alone and blue, well …
I know that's something that you'd never do,
your love has always been strong and true, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

If you must settle for some other man
and deviate from our immortal plan, well …
I hope you realize I will understand
and I'll try and do the best that I can, but …

Where will I be?
Where will I be, my love?
Hoping the next life sees …
our destiny!


Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

~Wednesday, April 1st, 1987
10:30 P.M.



  I was singing in a band back in those days and, as it happened, this was the last song I'd ever write for it. Just after this, as it does, it all came crashing down and the band was finished. But in those last days, they pondered this song, with great puzzlement. You see, it was unlike anything I'd brought them before. It wasn't rock … It wasn't a ballad … it wasn't even structured like a “normal” 80's rock song.
  
  No bridge, no solo, no loud grinding guitars, etc. It even had bits where I hummed, yes hummed, the melody, like a lullaby. As they read the lyrics and I described how it went, they all looked at me like I had three heads and asked where this had come from. It was nothing like anything I'd written before. I could only tell them when and where I'd written it, but had no explanation of what inspired it. It had just came to me, so I wrote it down. They didn't know what to make of it, or even what to do with it.

  One of them said it sounded like a late 70's or early 80's adult contemporary song or even in the vein of The Eagles. Another asked if it was about reincarnation … And I honestly, until that moment, hadn't thought of it that way, I didn't think like that at 24 … but then, one of them said it was “Haunting” …

  “Haunting”?

  “Wow”, I thought, I'd never had anything I'd written described as that before. When I asked him what he meant by that, he told me that it was haunting to think that this poor guy is desperately seeking a girl, that may or may not even know that he exists … in a world with billions of people in it. To top that off, he fears that she may off and marry someone else if he doesn't find her in time.

  This, along with the suggestion of it being about reincarnation made me rethink and rewrite the song. Well, a few lines in the last verse and chorus anyways. It actually made the song flow better and seem more complete. In a way, it actually made the song make more sense … to me and them. Sadly, we never did anything with it. There wouldn't be time. Ha … Time … how ironic. Over 10 years later, came this …


For Someone I've Never Met

Please save a place for me,
deep inside your heart.
Always know that I think of you,
as we both practice our arts.

Our worlds are full of temptations,
so very hard to resist …
and the good Lord knows
we're both far from,
sixteen and never been kissed.

Wealthy men with jaws divine …
Temptresses with looks so fine …
Paths that lead our hearts away …
Paths that surely lead astray …

They'll lead us there every time.
They'll leave us there … so  unkind.
Our hearts must shine,
night and day.
Through any darkness … they'll light our way.

If you never touch my face …
If I never look into your eyes …
We'll always have the comfort of sharing
the same
big, blue sky.

If I never smell your hair …
If you never kiss my lips …
Always know the search for your smile
has launched a thousand ships.

So, I hope you save a place for me
in your heart so sweet and kind.
Please, save a place for me …
Heaven knows you've one in mine.

~Thursday, September 9th, 1999
9 A.M.



“For Someone I've Never Met ” poured out of me in the midst of another breakup from the second, and last, girl that I wanted to marry. That emotion, never found me again. I looked at it on my computer screen and smiled, seeing “Where Can You Be”, in my mind, on my tattered old note pad that I called my “Song Book”. The memory of me writing it while sitting in my Z-28, looking out over the Gulf of Mexico as a beautiful heat lighting storm sent bolts across the sky, came flooding back; as did the debate of reincarnation I'd had with my pals in the rehearsal room all those years before. Here I was, again, writing about “someone” that I sensed, for lack of a better term, was out there … somewhere.

  Well Reader, do you believe in reincarnation? I was never really certain, but, as you can see, I had twice written pieces to someone I wasn't completely sure existed. I had always “sensed” someone out there beginning with the period after I wrote “Where Can You Be?” and thereafter. So, there they were, each written after losing someone I was deeply in love with. Each came out of nowhere, as they usually do. By the time I was in my 40's, I began to think I was either imagining it all (a side effect of being a hopeless romantic) or that I had just somehow missed this person and our “moment”.

  And then …



Epiphany

There was a place.
There was a time …
There, I stood … still unknowing
and everything seemed fine.

But there in that place …
at that moment in time …
the moment I saw the eyes,
I'd never believed I'd find.

Well, what could I say?
What could I do?
In a world filled with billions …
and there … was a you.

I'd always known you were out there …
even written of something amiss.
I never, ever stopped looking for you …
because my heart always said you exist.

My breezy Fall became harshest Winter.
My crazy life left my health running out.
I'd resigned myself that our moment had passed …
but this moment … it removed all doubt.

Well, what could I say?
Tell me, what could I do?
There we stood, staring … alone … in a city of millions …
yes, there … there was a you.

Oh, that mistress fate, she is just so cruel.
Frustration, a curse to be mine.
   I'd searched for you my entire life …
but now … my clock … knows a limit of time.

You see, I would never venture a love with you,
while knowing I'd have to leave you … hurt and alone.
I could only admire from afar … stoic and aloof …
while turning my heart into stone.

Nothing I could ever say and nothing I could ever do …
But now, at long last … at least I finally knew.

There, you stood … green seas, gazing up … into skies of blue.
My long-awaited revelation … become sorrow-laced realization.
There really is … a you.

~August 12th, 2009
  

  Typical of my life-long Charlie Brown syndrome … After being told in 2005 that I had “the lungs of an eighty-year-old man” and that I had “Six to Ten years” to live, I made a conscious decision in that Doctor's parking lot that I could never have another girlfriend and that I must face this alone. I don't see woman as objects. They are glorious creatures that are here to be our partners and friends and to make our lives amazing. I could never, ever knowingly let a woman fall in love with me, all the while knowing I was going to die and leave her. It's not in me to do such a thing, lonely or not.

  Yes, I'm still alive, I'm stubborn like that. But, some days are better than others and my new doctors say that they don't give people “time limits” anymore … because of people like me. I can't afford the lung transplant. So, as Bono so aptly put in one of his songs: “The rich stay healthy, while the sick stay poor”. It is what it is … and like the energizer bunny, I'm still going. Good for me.

  In the moment that I met her, the morning that followed, and the amazing speed of our nexus over the next several months combined with a string of synchronicities (Coincidences? Did I mention that she too, was a poet and writer?) that not only came after I met her on the sidewalk in front of the publisher we shared, but in those pieces I had written before and in several after; I was pretty much convinced I had actually found her. I have NEVER experienced anything like this, or her, in my entire life.

  So, after all this time, here she was … and there wasn't a **** thing that I could do about it. Besides, she was much younger than I and it probably would never have worked anyways. ****, the universe is rotten sometimes, huh? Maybe, if I'm lucky, things will balance out better in the next life. I can only hope. But I'm reminded, worryingly so, of the **** The Alarm song: “Collide”:

“All of these thoughts pounding in my head …
with the words I've wrote, in the letters I've never sent.
The distance in our lives may change …
Times that you can never erase …
But will our worlds collide?
Will our worlds collide, the next time?”



  Only time will tell.



  “Colors”, and a few others, were written about/for her. But, I could never show them to her. I would never endanger my friendship with her. I just wanted to keep her in my life. That, and that alone, was the only motive I'd ever had with her. I looked forward to seeing her marry, hearing her stories of her three kid's adventures; Hubby, all greasy, working on the car in the driveway, rabbits in her garden at night, eating her precious organic veggies or even about her new curtains. Just to know that she was alive, happy and doing well. I found a solace in her voice I could never describe and I was completely content to just have her in my life and watch hers unfold. Only I could end up in this odd position.

  I feared that she might get weird-ed out because I'd never displayed any romantic inklings toward her, so, to suddenly read these might make her feel a bit, lets say: uncomfortable. Actually, I didn't write them with any romantic intentions, per se; I just did what I always do … write what comes out. Still, there's no denying that they come across romantic. Again, so, so Charlie Brown. (long sigh)
  
  It is what it is. I also have to ponder the fact that maybe all those Charlie Brown moments in my life were preparing me for this one big, painful one. That does makes sense … ******' Universe.


Colors

Well when you're Green, I'll be your Brown.
Like the earth that loves the flowers,
I'll will be your solid ground.

And I'll be your Azure, when you are Verdigris.
We'll be thee most beautiful ocean
that eyes have ever seen.

And when you're Black, I'll be your White.
Mixing all of the colors … I'll make everything alright.

Now when you're Blue, I'll be you're Red.
If something should make you wanna cry,
I will feel your pain instead.

And I'll be your Orange, whenever you are Pink.
We'll be thee most amazing sunset,
that the sky could ever ink.

And when you're Black, I'll be your White.
I'll mix all of your colors … and make everything alright.

Should you be Violet, I will be your Beige.
Like a sleepy moonlit desert,
pasteled in dunes and sage.

And when you're Grey, I will be your Rainbow.
We'll be thee most soothing rainstorm
the world has ever known.

And when you're Black, I'll be your White.
I'll mix all of your colors … yes, I'll make everything alright.

With love on my palette, painting a glorious sunrise …
I'll color all your mornings with a smile and brighten up your skies.
If you should find yourself in sorrow from someones hate or lies …
I'll take the stars down from the heavens … and paint them in your eyes.

So whenever you are Black, I will always be your White.
I'll mix all your colors with a promise … everything will be alright.

Yes, I'll mix all of your colors with a promise … Everything's gonna be alright.

~  Winter 2012



  I wrote this after she had rang me up one afternoon lamenting about her life at the moment, troubled that her latest novel hadn't done as well as she'd hoped and now she had to be waitressing to make ends meet. I tried my best to cheer her up and assured her that she was strong enough to handle anything and that she must keep chasing her dreams. I wrote it as a poem, but I can't help but notice it looks like a song, though I've never heard music for it. Those repeated verses look just like choruses to me.

  Earlier in the day, I had been looking at a booklet of paint swatches. I guess, up there on my roof looking at the Manhattan skyline, her sadness and me looking at all those colors melted together somehow and, as happens, out came this piece. Even this, became another synchronicity as she would name her next novel “Show Me All Your Colors”. I remember seeing it in the bookstore and looking straight up … shaking my head at the sky. Was this the universe telling me to show and tell her all this?

  Well, if it was, I stuck with my gut and kept it to myself. My God, if you only knew how many of these synchronicities there were between her and I. It simply boggles my mind. I wanted to call them “coincidences”, but there were just so **** many of them … Each so unique, they just couldn't be called that. I don't want to tell them all here, because like I said, the more you swear to it, the crazier you sound. And I'm sure your questioning my sanity by now, aren't you? (Smirk)


  OK, OK … this one is definitely romantic. I wrote it one night, drunk to the bejeezus. I'd done what we called “The Crosstown Crawl” with my pal Tristan and a gaggle of assorted waitresses we knew. This involved starting at Brass Monkey on the west side highway in the Gansevoort District and ending at my favorite hookah bar, Karma, on the Lower East Side … Drinking in, and often being “asked to leave” (Read: Kicked out of) every bar that took our interest as we walked (Read: staggered) west to east, staying below 14th St.

  On my way home from the city on the J train, I thought about all the phone conversations we'd had while I was on this train crossing the Williamsburg Bridge. Being drunk, I guess, I caught a bout of sadness that I'd never get to tell her any of this or even how I felt about it all. Before I hit my elevator, this piece was swimming in my head. It's about as mushy a piece as I've ever written … if not thee most! Not the norm for me, but this is, after all, a lot to keep pent up inside you. I wouldn't wish this predicament on anyone.


For My Little Red-Haired Girl …


You …

My Love.
My Queen.
This Shining Light in my eyes.

My Laughs.
My Dreams.
My Soft, Contented Sighs.

My *****.
My Lavender.
My Dew Covered Rose.

My Smile.
My Cinnamon.
The Joy in my heart … ever inspiring my prose.

My Best Friend.
My Co-Star.
My Fearless Partner in Crime.

My Breath.
My Cohort.
My Side-kick throughout time.

My Snow-capped Mountain.
The Wind caressing my face.
My Vast Green Field.

The Ivy Covered Wall
that harbors my soul … ever refusing to yield.

In a different time ...

You … would have been my Life.

You … would have been my World.

You … would have been my Everything

and I will always love you for my own special reasons.

It is just a shame … and I'm so, so sorry … that you … must never, ever know.

Maybe next time.


~Charlie Brown




   When I came-to in the morning and read what I had wrote, I had to laugh a bit. It is borderline corny, very beautiful, very telling and very sad … all at once. I shook my head, laughing and told myself :

  “*******, Sam … yer losin' it. Get your **** together, will ya?”

  I guess in my stupor, I was imagining what it would have been like to write something for her. I don't know … There it was and I was stuck with it. I almost deleted it, but, my finger wouldn't press the key. As I told you before … I'd NEVER show this to her. She'd probably never speak to me again.

   As a sadder epilogue, that eventually happened. I still don't know why, but we haven't spoken in years. Maybe she sensed this emotion in me and ran away. Or maybe, just maybe … she thought I'd pushed her away somehow … but for whatever reason, we drifted apart. I guess I'll never know.  As you can see by reading this, that was never my intention. But, like I keep reiterating … It is what it is.

  One day, I called her number to catch up and shoot the breeze. I hadn't spoken to her in a few months as she'd been busy promoting her new novel and I didn't want to pester her. But … it was disconnected … I checked my emails … nothing. I'd never been so confused, she just closed me out. I didn't want to bother her. I was sure she had her reasons and if she wanted to reach out to me again, she would. She had my email and my phone number. But, for now … she was gone … and that was that.

  So, what do you think, Reader? Do I get the Tin hat … or a Badge of courage? Am I bat-**** crazy … or just eccentric? I'll leave it up to you to decide, because as I said, this all happened to me and there isn't a thing I can do about any of it. I just had to get it off of my chest. Thanks for letting me vent.

  Wherever she is … she will always mean the world to me. I can see her green eyes if I close my mine and look for them. Sometimes, on occasion, her face haunts my sleep. Still, I like to picture her, kids playing in a sprinkler behind her, digging in her garden, wearing gloves too big for her hands and a smudge of fresh dirt on her cheek … it makes me smile.


-Sam Webster
Brooklyn, New York
2013
OK, you can stop scratching your head. I'm sorry if you feel like I tricked you or was playing a prank … That was not my intention. This piece is experimental writing, of sorts. If you are wondering, it's titled “Somewhere … Out There”. But I didn't want to put a title at the head of the page, as that might have clued you in too early.

I also confess that “Sam” the narrator is, on no uncertain terms, based loosely on myself. But hey, what better way to string you along? Besides, as Stephen King said, you “Write what you know”. As far as I 'm aware, using poetry within a short story like this, or in this manner, has never been done before. Welcome to the future!

It really belongs in my “From Thee Edge” Collection with the rest of my Twilight-Zone-esque short stories. (You can now read some of these fiction short stories here, posted in my "NoPo@HePo" posts, along with some non-fiction essays. I hope you enjoy them.) But, because I pieced together several of my poems to not only tell the story, but as a vehicle to carry it along as part of it; I wanted to put it here on Hello Poetry just to see if I could convince you long enough to get you through the story … while having you believe it was me speaking to you and that it was all very real to me. Thus, making it feel real to you as you read it.

Was I having you along right up until it was signed by someone else? Or, at least until the narrator addressed himself as “Sam”?

If so, then I accomplished my mission. I'd love to hear your comments on it. If you've been reading any of my other posts, I'm sure you've figured out that I like to run wildly outside of the box sometimes. This was just, as I said, an experiment in a different way to tell a story … fiction or otherwise. As always, I hope that I took you on a journey and, more importantly, that you enjoyed it.

~Jeff Gaines
L.A.
(Lower Alabama)
2015
Stephen E Yocum Oct 2013
The Island Moorea,
backpacking Tahiti,
In the heat, the sun,
The rhythm of my footfalls
crunching loose gravel road,
The swish of pack swaying
in conert to my measured pace.

Breeze pushing branches of Palm,
Ocean waves breaching shoreline long.
Island vehicles passing, occupant's laughing,
a man laboring under large pack, alone walking,
Who could have been freely riding,
Unthinkable to Island Folk,
in hot tropical places.

Some humble homes passed along the way.
Greetings exchanged with smiling faces there.
Not long afterward a new sound approaching,
crunching gravel, rolling up behind me.

A lovely young girl, perhaps nineteen,
long brown naked legs bike a peddling.
Hair jet black, long to her waist, wearing
a sarong, split up the side,
Shoulders bare and brown.
Dark eyes of wonder, sparkling of youth.
A radiant smile adorning a splendid face.

We went for a time at my even pace,
looking and smiling each in our place.
"Hello there," I said, she giggled, beamed
even bigger. Perfect teeth displayed.

"Why you walk?" She asked in heavily
accented puzzlement.

"To get to where I'm going". I replied
This response producing a pleasant laugh
from the girl. In which I too joined in.

"You go One Chicken?" She asked
I stopped then and turned to her.
"Where is One Chicken?" I questioned
with a grin.

She raised her graceful arm,
one finger pointing up the road.
"One Chicken there," she informed.

It was a store/bar, sort of place,
In the very midst of nowhere.
Indeed, more than one chicken roamed,
Many chickens did and a pig or two,
mingling free and doing their thing.

We entered out of the bright daylight,
into the deepest of darks,
Like in a movie theater, when arriving late.
Eyes adjusting slowly to what lay ahead.

A few Island Beers later,
I had acquired several new friends,
The girl my invitation to the party of
already happy people a little drunk on beer.
The Music was mostly of French persuasion,
With a bit of Bob Dylan thrown in.
The Beatles also had a tune or two.
The Liverpool beat resounding down Tahiti way.

Before the light did fail, I shouldered my pack
and walked some distance from Chickens and Pigs.
Found the beach, hung my Hammock for the night.
Built a small fire and opened a can of Spam delight.

She appeared again about ten,
looking beautiful in the new moonlight.
Newly washed hair, still damp and
smelling fresh of Lilacs,
Or some such aromatic scent.
We did not speak, no words were needed,

Made love on the sand, 'till the retreat of the
tide and sand ***** did come out, in their
eerie numbers, to eat what was at hand.
I suppose even us if we were still and let
them.

We retired then both to my hammock,
A pretty neat trick if you can swing it.
And we did.

She was so childlike and yet,
very much a woman grown.
There was no pretense shown,
no false inhibitions rendered.
These were not limitations of her culture.
people that respond to their emotional
impulses. An open and free spirited
people living passionately within each
minute shared.

It all felt more akin to a dream than real,
All around me there was beauty,
Loving and being loved without hurry,
Free of guilt or even a single expectation.
Living in that wondrous moment,
of uncomplicated human splendor.
Like some Garden of Eden surrender.
A real-life Gauguin painting.

In the morning, we swam naked in the sea,
frolicked like kids having a day at the beach.
Made love in the sand, I dozed in the sun.
Upon awaking she was gone.

I waited an hour or two, packed up my camp,
shouldered my load and returned to the road.
A few minutes later, again I heard the now
familiar crunch of rubber tires, rolling road
surface and there she was, a straw basket in
her Bike's basket, a huge smile on her
unforgettable, beautiful face.

We sat in a grove of trees, among birds singing,
in sight of the sea, upon a Palm log and ate fresh
bread and fruit. Drank strong black coffee
(French Roast I presume,) nibbling some
marvelous cheese.

We tried to talk, but she understood little of
what I tried to say, my French was nearly
nonexistent, only adding to confusions sake.

She leaned her head on my shoulder,
the way lovers do and tenderly held
my hand within her two,
As if not wanting to let go,
Those gestures said all there was to say,
And we savored each silent moment.

We parted there, she on blue, rusty bike
and me on "shanks mare",
Off in two different directions,
Each out into the depths of our own lives,
Gone just like that. . . And yet,
Indelible, never to be forgotten or replaced.
Some days and nights, that young maiden of
Moorea does still visit me, in dreams as real
as can be. She never grows old, nor does the
beauty we shared for that one brief moment in
time immortal.

Someplace among the Islands of Tahiti
there is a woman in her sixties, most likely
a Mother, even a Grandmother yet living.
I hope she recalls as fondly the American blond
man with the big Orange Backpack, that in 1972
she met upon the road, near "One Chicken" and
loved freely and completely for two days and a
night, as that man does so fondly remember her.
False Poets Oct 2017
does the moon get tired?

~for the children who never tire of moon gazing upon the dock,
by the light of the fireflies,
till the angels are dispatched by Nana,
to sprinkle sleepy dust in their eyelashes so long and fine~


<•>
while walking the dog I no longer have,
a happenstance glanceable up over the River East,
there you were, mr. moon, in all your fulsomeness ,
surrounded by a potpourri of courtier clouds,
all deferentially bowing, waving,
passing past you at a demure royal speed on their way
perhaps,
to Rebecca's northern London,
of was it south to grace of  v V v's Texas^,
in any event,
the cloudy ladies, all bustling and curvaceous,  
all high stepping in recognition of your exalted place,
Master of the Night Sky

We,
the word careless, poets excessive,
sometimes called silly poppies, old men,
left footed, still crazy after many years,
most assuredly poets false all of us,
without a proper prior organized thought train,
outed,
bludgeon blurted,
an inquiry preposterous and strange,
strait directed to the sombre face,
to mister moon himself!

tell me moon, do you ever tire?*

the obeisant clouds shocked
as that face we all uniform know,
unchanged anywhere you might go  to gaze, be looking upon it,
watched the moon's face turn askew.

He looking down at our rude puzzlement,
with a Most Parisian askance,
a look of French ahem moustacheoed disbelief,
while we watched as the moon cherubic cheeks
filled with airy atmosphere,
then he sighed

so windy winding, was it,
so mountain high and river deep,
that those chubby clouds were blown off course,
from a starless NYC sky
all the way past Victoria Station,
only to stop at Pradip and Bala's
mysterious land of
bolly-dancing India,
on their way to Sally's Bay of Manila,
magic places all!

Mr. Moon looked down at this one tremulous fool representative  
(me) and in a voice
basso beaming and starry sonorous,
befitting its stellar positioning,
squinting to get a closer look at the
who in whom
dare address him in such an emboldened manner!

Mmmmm, recognize you, you are among those
who use my presence, steal my lighted beams, my silver aura,
my supermoon powered light, borrow my eclipses,
reveal my changeling shaped mystery without permission,
only mine to give, you tiny borrowers who write that thing,
p o e t r y

head and kneed, bowed and bent,
I confessed
(on y'alls behalf)

we take your luminosity and don't spare you
even a tuppence, a lonely rupee, no royalties paid
to you-up-so-highness,
and we hereby apologize for all the poets
without exception,
especially those moon besotted,
only love poem writing,
vraiment misbegotten scoundrels....

with another sigh equality powerful,
mr moon pushed those clouds across the Pacifica,
all the way to the  US's West Coast,
up to Colorado,
where moon-takings from the lake's reflecting light
so perfect for rhyming, kayaking,
and moonlight overthrowing,
once more, the moon taken and begotten,
nightly,
as heaven- freely-granted

yes, I tire
and though  here I am much beloved,
usually admired though sometimes even blackened cursed,
seen in every school child's drawing,
in Nasa's calculations,
of my influential gravitational pull,
moving human hearts
to love and giving Leonard a musical compositional hint,
and while this admirable devotion is most delighting,
would it upset some vast eternal plan,
if but one of you once asked,
you fiddler scribblers
my prior permission,
even by just, a lowly
mesmerizing evening tide's tenderizing glance?

yes, I tire,
even though my cycles are variable,
my shape shifting unique, my names so at variance
in all your many musical sing-song dialectical languages,
my sway, my tidal currents so powerful a deterrence,
unlike my boring older sunny cousine  who just cannot get over
how hot looking she is,
I,  so more personally interesting,
yet you use me as if I were a fixture,
on and off with
a tug of the chain string,
never failing to appear,
even when feeling pale yellow and orange wan,
and worse,
mocked as an amore pizza pie,
do you ever ask how I am doing?

yes, I tire,
of my constant circuitous route that changes ever so slowly,
but yet, too fast for me to make some nice human acquaintances, especially those young adoring children
who give me their morn pleasurable squeals when they awake and my presence still there,
a shining ghost of a guardianship protector still
watching over them

how oft in life do we presume,
take for granted
grants so extra-ordinary
that we forget to remember
the extra
and see only the ordinary

how oft in life do we assume,
the every day is always every,
until it is not,
only an only
a now and then,
till then,
is no longer a
now*

<>
oh moon, oh moon,
our richest apologies
we hereby tender and surrender,
our arrogance beyond belief,
what can we offer in relief?

silence heard loud and clear,
mr. moon was gone,
a satellite in motion,
so our words burnt up in the atmosphere
unheard

we did not weep
nor huff and puff,
blow those clouds back to us,
for we knew
the extraordinary
would return tomorrow,
we will be ready,
better another day,
to prepare
a lunar composition,
a psalm of hallelujah praise,
for mr. moon
of which
mr moon will never tire,
for filled with the perma-warmth
of our affection
for the one we call mr.moon
False Poets is a collective of different poets who write here, in a single voice,
hence the confusing interchangeable switching of the pronouns.    sorry bout that.


^ HP - give them back the claimed  V name!
Jeff Gaines Aug 2018
Mark A. Williams
                            SEPTEMBER 14, 1962 – JULY 23, 2018

___________________­

Wow Mark,

Was so, so saddened to hear this news. I haven't seen you in over ten years, but as kids, we had some amazing adventures, didn't we? Partying, camping and swimming at the Hudson lime pits. Mowing down on Pizza and pitchers of Pepsi (and as we grew up, BEER!) at Pizza Hut. (We knew the numbers to ALL the songs on that jukebox by heart!) Hanging out and looking at the stars through Budvido's telescope, listening to Doctor Demento. Laughing hysterically as we ran through Monty Python skits as everyone looked on in total puzzlement because THEY wouldn't discover them until YEARS later!

Building underground forts in the North Woods. You, Budvido, Zeke and I playing pinball at 7-11 for hours and hours. Watching Bands, chasing girls and playing Foosball or Pool at the Touch of Class Teen Club. You gave me my first Imported beer . . . a Lowenbrau. I will always owe my passion for those German beers to you and it was fitting that Budvido bestowed you with that moniker.

All through Jr. High, sharing a seat on the school bus. You, Matt, Tom, Buddy and I cruising around late night on our bikes for hours. Hanging around in the Jasmine Lakes sign with hijacked beer or getting free bags of Burgers from Burger Queen when they closed at night! Jousting with shopping carts on our bikes in the Winn-Dixie parking lot. Sitting up all night in Jimi's room after climbing in through the window or going on endless space cruises with him and Raymond in the Toyota.

(RIP Jimi Carlsen)

Sneaking into the nudest Colony and skinny dipping! Always cracking up at the school lunch table. Swimming in my pool and terrorizing my sister and her friends. (Allegedly) Trashing that crook Fast Eddie's produce stand after he refused to pay us for a full day of picking watermelons!

Good times, indeed . . . Some of my most precious memories.

I can only pray that you know that I wouldn't trade my youth or you in it for anything in the world and you will be sadly missed, Lowenbrau, my old friend.

I hope that where you are, your beers are ice cold and that you and Jimi aren't having to glue the Hookah  back together.

Jeff Gaines
July 28, 2018
Such a sad task, to say goodbye to a friend with last words that may never had been spoken up until then. As it happens, this friend and I often relished in our youthful exploits, but still ... I'd not seen him in ten years. Because ... life happens. He had fallen on hard times and was bouncing place to place and I too was moving and living all over. We had spoken on the phone here and there and that would have to suffice.

I  haven't posted in weeks and I haven't read in almost 2 months. THANK YOU to those who have the patience with me to still read me, even though I can't reciprocate at the moment. I will, when time permits, come back and catch up on all of you. It will take me days and days!
Zolayshia Apr 15
Puzzlement.
It's not like I'm confused or puzzled but like.
Have you ever just had that one person you warn and they don't listen and you just wonder why?
Then you sitting here confused while they're getting upset when something doesn't go their way.
Then they end up puzzled.
You knew it was going to happen, I told you this over and over again.
Yet again you ignored me and now this situation is about to blow up because YOU.
DON'T.
*******.
LISTEN.
I want a ******* break, I hate wasting my breath and you come to me confused and I try to be patient but I'm puzzled myself.
On why I'm still friends with you.
After all this time.
You mentally broke me.
I never wanted this to happen.
You dragged me in everything you do.
I never thought I was seen as a puppet.
Until you told me how you see me.
You're messy.
Can't pick which side.
You made me run away.
In complete.
Puzzlement.
Puzzlement..
Puzzlement....
I took an old draft and made it into this.
“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,

Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.
Nat Lipstadt Feb 2019
a man privately asks, can you help?
you say, sure-no-hesitation

let me think on it for a day or two, he says
yet you act even before he comes back,
too late, you say, when he returns,
too late, he repeats in puzzlement,
yup, my check is in the mail,
cause one senses the need is dire plus,
plus you well recall the immutable obligation when  
a vague commitment of “just ask” was inked in a long ago message,
a poem born from/in the days when you slept in the car on the street

this vague promissory,
a more enforceable judgement in your own court of law
than any state construct or the judgmental eyes of a silenced god

word, honor, do.

thus it begins, an unwritten contract inked,
an egregious interest rate of 0% proffered and agreed,
commences a plain white envelope trickle,
a check inside, by postal mail, slowly it came,
month by month, inch by inch, Niagara Falls ^

years go by, and then comes a day,
when the accompanying check and its gift wrapped note says,
Paid In Full!

and so much for the tedious minutiae...

like kindness, I do,
Thank You and Your Welcome
are high on my list of proofs of
daily human extensions existential,

Paid in Full,
now rests at the top of the list

let me be blunt, the thrill of being a party
to a deal with no handshake, just coated in the
honorable words waterproof sealant,
with a person I likely may never meet,
made me so better assured of whom many claim I am,  
a mathematical proof revered and kept mind inscribed,
it was an aspirational ****, an unforeseen monthly blunt,
the best feeling good smile,
a kick in the pants about what really matters

being paid twice over and me,
getting by far,
the humanity confirmation,
the better half of the deal

write too often of honor,
and yet, will instinctual do again,
again overpowering my rays of will,
for there is no deflection, only reflection

for the glorious riches gifted and received,
without compare
the return on my honorable investment the best ever


oh brotherhood, oh brotherhood,
I am paid in the currency coined from brotherhood...
^ from a Laurel and Hardy routine
yup, true story
"This above all: to thine ownself be true"
which denies the escape
of being false to any human.”
saw:

the adoration of the daddy,
as his red haired babes
leaned into
either side of him,
courtiers to a king
on the way to school this AM,
transfusing his magical super~fatherly,
by inhaling his special powers through
their nostrils, direct from his
broad and powerful brave-heart chest,
for use later in the wild jungle
of second grade
•••
an elderly gent whose walker rattled
with every lift and kerplunk on
the street~steppes of a dangerous city
for the brittle of bone and the easily dentable,
and the crowd that gathered round walking
at precisely the same pace he required
to make it across the widest boulevard
which was thirty seconds more than the
Dept. of Transportation's asinine calculations
and a miracle from Lourdes occurred -
not one horn honked in ire as the court
escorted their Long Live the King
safely across the street, as if
idiocy was like rain, against the law,
until after sunset as in Camelot

•••
an elegant germanic man,
in homburg and velvet collared overcoat,
taking care of sales and distribution of
newspapers and candy at the corner paper "stand"
while the elderly owner, whose partner~wife of
fifty years had recently passed, now had no one
but someone's pop whose was out
walking our cocker spaniel,
to tend the place while said candyman
obeyed nature's callings

and all his fans and friends who passed
on their way to the adjacent subway station,
exclaimed Erwin, Erwin what are you doing?
his twinkled crinkled eyes replied,
enjoying their puzzlement, laughingly saying
"making spare change"
•••
where I lived these little miracles occurred so frequently,
was told a story that the ministering angels
could not keep up with their duties,
complaining to the On High, who resoundingly loudly
commanded their silence! by reminding them that
all these, his creatures, were his own precious,
the reason for creation and why they were needed,
and the sum of all these small acts gave them their own
existential purpose, now angry at himself for loss of temper,
soft spoke as a parent and told them better,
hush my children, we have much to do!
•••
so now you impatiently need to know
why this scripture
came to be known as
$$$$$
for I was witness to all of this,
all on that day,
that was twenty fours hours long
across many hard hearted Hiroshima decades,
that made me
temporarily
the richest man in the world
a proud member of the collective of the false.
Leonoah Apr 2020
It's that usual time of the year again – where everyone’s starting to feel that depression crippling in. The year has just started yet everybody is too concerned with the goals they had in mind since last month, as if they’re running out of time when it clearly just begun.

    In a dull-colored house located in a small town that’s not too known nor too popular – is a man in his 30s, an artist, sitting in the very corner of his room. Beside him was the last bottle of sleeping pills that he have. Every night, you can see him through the small window of his dimmed-light house downing those pills before the twenty-second of the clock hits. Some of his neighbors who sometimes see him buy those pills thought that it was weird for a man in his 30s to regularly drink sleeping pills every night, yet never sleeps.

    Little did they know, the man was clinically depressed, and he was not getting any better but still tries to maintain his medication that was prescribed to him during a free and quick mental check-up from several months ago. The pills were not of help anymore after a month but still he drinks as the idea of doing something for his mind, even if ineffective, comforts his soul. Well, it’s not like an unknown artist would be able to afford medicines that are being sold by the rich capitalists, he thought. The man’s arts were not something that everyone who sees understands. From the lines and strokes down to the colors and spaces he use, their eyebrows strike up as they can’t grasp the concept he’s going for.

    The sun shone and suddenly, the man in his 30s is no longer sitting in the very corner of his small room. He was now sitting in front of an old tree, looking at a lady who seemed to be in her late 20s. The lady was in her all-white uniform smiling gently as she hands the generic medicines to the seniors of that small town. Meanwhile, the man in his 30s was uttering words that only the dead leaves can hear.

    “She looks good in yellow,” he whispered, and the wind blew. The man in his 30s felt cold but did not mind as it’s not like he had any other choice but to endure. Suddenly, the lady in an all-white uniform turned her head and saw the man in his 30s.

    Ever so slowly in his eyes, the lady walks towards the man’s direction. At her soft and gentle hands was a blanket she kept for times like this.

    “It’s cold, have this. Are you going to show me your works again?” she asks gently while she wraps him in that blanket. ‘This feels warm,’ he thought. And that was a new thing for him.

    “Would you look?” in a stammering small voice he asked. The lady in her late 20s nodded and that was when everything has hit him. This gentle yellow lady always feels new to him, and he loves the feeling of this new. The yellow lady has always been gentle and soft and he loves it – it feels new and he loves it. She smiles brightly to him and the feeling of always wanting to see it surprises him every time because ever since he was born, this is the first time that he does not feel anxious or mocked. He finally feels loved, and there was hope; and it feels new.

    The yellow lady learned everything about the artist in his 30s – from his childhood that feels blurry yet clear (to him), how he came to that small town, how he started painting, why he started painting, the meaning of his works, his frantic days, his medications, and many more that the artist in his 30s never thought he would ever share to anybody. The yellow lady even started to learn that she has feelings for the artist in his 30s, and she was very willing to entertain and develop more together with the artist.

    Years gone by and they now live in an averaged-size house – average because it just fits them perfectly and they thought that was more than enough. The couple earns money together and they always feel that their money is perfectly enough for the family they are dreaming of. The husband gets paid by painting buildings located in the city, and every after he finishes his work, he rushes home to see his yellow lady. Yes, the artist who is now in his early 40s still refers to his partner as the yellow lady. No matter what day, occasion, or whoever they are with, she was still his yellow lady and that was so much more than he could ask for.

    Sometimes when the artist watches his wife work in her all-white uniform, he would talk to the children which he enjoys. He thought that children are much better than adults as their curiosity was never with malice. “Children might say mean things, but they will eventually grow up and be apologetic for their innocent mistakes. But grown-ups are never mistaken innocently nor are they sorry about it,” he once said to his wife.

    That day in January came and while he was waiting for his wife, a child came up to him and asked him where he could ask for a cough medicine. He touched the child’s shoulder, and pointed his finger to the yellow lady.

    “Can you see that lady in yellow? Ask her and she will answer you softly.”

    The child was confused; everyone’s either in white or ***** clothes, who is this man talking about?

    The artist in his 40s understood the child’s silent confusion and then said, “My apologies for your puzzlement. Just look for the only lady who smiles softly and lovely, she’ll help you.”

    The child ran towards the group of people who are either in white or ***** clothes, and looked for the only lady who smiles softly and lovely. He kept turning his head in order to look and when he found the lady who was smiling so gently to other children around, he ran to her direction and asked her if she was the lady in yellow.

    The yellow lady nodded her head and then kindly asked the child about what he needs. The child’s feet moved back and forth while patiently waiting for the medicine. He asked the lady why she is being referred to as the yellow lady, to which the latter kindly replied: I can tell you but you won’t be able to understand yet, love.

    That day ended and just like how every day usually happens, the couple walked home together while talking about their day and made plans about their dinner. After dinner, they proceeded to their bed and continued talking until the artist in his 40s fell into sleep while the yellow lady gently caresses his hair.

    Each day for them was always new yet familiar – and that never changed. Even when they had a child, when they had their worst fight and made up a week after, when one of them started losing hair, or even when they found out that the man who was once in his 30s is now being chased by cancer – the feeling of familiarity but different was never gone.

    When the man finally decided to take his rest, his wife started to wear yellow – everyday. And when she was asked by her son why, she answered with her utmost sincerity that she was afraid she might forget who she is and how deeply valued she is just because the one who reminds her every single day has physically left.

    Years after, and the son was now a working adult. He sighs as he sits in front of his late parents’ tombstones. He placed his military bag beside him and looked at the smiling photos of his mother and father. He was once again reminded of how much he missed them and how he wishes they were still there beside him or in their house waiting for his return after every war he fights. And in a small voice he said to his father, that he has now found his lady in blue, and how he wishes they were watching over them for he’s always going to need their guidance.

LEONOAH
i really really enjoyed writing this :)

unedited ever since i finished writing
Joe Hill Mar 2013
I once had a hand-basket filled with red
roses, and gave it as a springtime gift
to my love. She called them beautiful, but
an unvoiced disappointment seemed to reach
out more clearly. I did not understand
what more the basket should have contained, so
I asked her if she liked better yellow
or pink roses. She told me that color
was not the source of discomfort, rather
that I had called her my love when she had
yet to know who I was. I began to
stammer, shocked by her sudden ignorance,
but I didn't have a chance to explain
before a store clerk ran up to us. He
grabbed the roses and called an officer
over because they were not payed for. The
officer grabbed my arm and asked how I
had gotten out again. I inquired
as to what I had gotten out of, but
we were already inside the car. He
mumbled numbers into his radio
and we came to a wide white building that
I seemed to remember from a dream, but
the large blue words over the doorway were
both foreign to me. PSYCHIATRIC WARD.
Logan Robertson Nov 2017
Her orchards I often dream,
buries of my eye,
lost in my fairy book
of beaten pages,
of sunken tears and of mind.
I kept turning the pages, racing,
racing,
looking for her,
between the lines,
now gone,
gone ... are those
lovely high hanging trees,
elegant and so berried,
swaying and smiling,
her,
her saintly smile,
haunting,
yet shadowing me forever
in my mind.
Each page turned, a sad tear falls
deep and deeper,
for the pages are blank.
Her absence ferreting out
blackness,
skeletons and silhouettes,
the pages turning,
weeping ...
my heart pains
for the book of love
unwritten and unfinished.
The wishing well of ink unspent.
Her essence forever corked
from my heart ...
I now lay arrest,
peas in a pod,
aberration and distortion,
for
lovely those high hanging trees,
elegant and so berried,
gone.
Sullenly the music plays
to a different song.
Indelible was happenstance,
our chance encounter,
a special one at that,
puzzlement lays a longer shadow
... of why she walked,
without any words.

Logan Robertson

11/09/17
Michael Kusi Oct 2017
My cousin came to my house
And stayed after Thanksgiving
I thought that Thanksgiving food was enough
Boy, was I wrong.
He woke me up at noon
At noon.
Didn’t he know I had to sleep off the Thanksgiving meal?
And he said
As if I should have known.
Could you get me the cheeseburger pizza salad slice?
I replied, From where?
Who would have such a concoction?

But I knew him.
He would be the type
To ask for a cheesy gordita crunch taco from Burger King
And look at their confusion with his own puzzlement.
Then when they told him, we don’t serve that.
He would reply, It’s okay, I have the recipe
I can tell you how it is made.
So I get up and put on my coat.
And gloves.
Because I don’t want grease all over me
And start to walk.

And just my luck
The first snow of the season starts.
Not heavy enough for me to turn back
Just enough snow to turn it into an experience
That made me wish I would have slept upstairs
In the closet
So my cousin could not find me.
Its like the Making the Band 2 show
When Puff Daddy tells them
That he wants cheesecake in a different borough.
So I guess my cousin’s Puffy now.
He said he was into producing….

I get to the pizza place
And tell them what my cousin wants
But it took me three tries to get it all out.
They said, I’m sorry, but we don’t have the cheeseburger pizza salad slice
But we have the chicken pizza salad slice
I said Good enough
I’m sure my cousin would be happy
I would regret those words
I brought the pizza home.
And told him that I got it.
He seemed happy
Until he saw that the meat was chicken
Not cow.

He asked me
Had the audacity to ask
Couldn’t they remove the chicken
And put hamburger meat?
I tried to tell him, That is not how it works
They don’t respect your recipes
They have their own
What is the difference?
He then pointed at the pizza and said
Chicken goes on burgers
It does not go on pizza!
I was stunned into silence
By that logic
I don’t know how cheeseburger and pizza go together.
I told him I would eat it for lunch
So at least one of us was satisfied.
The other had his own ideas
But couldn’t find a store to cook them.
Paul Butters Jul 2017
I was a Communist kid back in the fifties
And a seventeen-year old Socialist.
The Americans made me laugh even then:
Afraid of “Commies”
When they really meant Soviets.

For me Socialism meant
Equal Shares
And humanitarian Christianity,
With the fall-back of a Welfare State.
All Good.

But as I’ve got older I’ve come to appreciate
The other side of the coin.
Not Fascism as such,
But with Socialism
Where is Aspiration?
Where is the Incentive to do more
And better?

We don’t want a society of clones,
Sitting on their backsides
Living on the dole.

But then again, what should we aspire to?
Should I have aimed to be a mega-rich dictator
Of some parasitic world empire?

I’m all for developing talent to the full,
Encouraging people to make a positive contribution
To the wellbeing of all.

And there’s the rub.
There doesn’t seem to be a political system – yet,
That is just and fair
Whilst helping us all to blossom.

Until we invent something better,
A bubbling cauldron of Socialism and Free Enterprise
Is the best we have to work with.
Unless you know better.

Paul Butters
More political soul-searching.
Lesli Vallecillo Mar 2017
"I am truly losing faith in humanity." This is the phrase that provokes so much frustration in me. Tell me how this does not hurt you just by being okay with speaking it or writing it. Are you not humanity, are you not of the same bones and flesh as me. Do you not battle through struggles and have the livest moments as me. Have we not mourn the same when we lose something precious or realized the hate that tries to consume our people? Are we not one race of people? Tell me how you do not sit in puzzlement having stated that you do not have faith in yourself. Do tragedies put out your flame so quick. Instead of rising to conquer change no matter the time or loses, you crumble. My sisters and brothers, I am Honduran but my love does not stop at my roots. My kindness does not only affect people of my own ethnicity or skin color. We're a human race and no I do not speak that we should be blind to our cultures and each other's beginnings. I speak that being so different does not mean we are not as well immensely similar. Recognize my skin, recognize my language, recognize my roots, my religion, my traditions, my scars. Recognize all of me. And LOVE me still to no end. These tragedies will not further prosper when you have faith that, with a race with this much diversity, we will find the solution and stop these hate-crimes that make some of us even ponder the thought of defeat. I have grown to learn that this is the change, seeing the enormous difference in each other but seeing all the similarities and having it urge us to close the gap with knowledge and understanding. This is our peace. Learning of one another. This is our hope.
Poetic T May 2017
I'm three years old,
        my mummy asks me?

"What ya wanna be when ya grow up,

"A serial killer mummy,

After that she hide the knifes?

[Puzzlement] covered my face, now that's
a big word for someone who's three, spell
check if you want to see.....

"Baby you ok?

[Puzzlement,] "I know go me. She looked
as I did was this look was it somewhat
[contagious] "I know I'm three,

"Yes mummy I'm a cereal killer. I plunge
my spoon in to my breakfast till it seeps
milk then when I've finished I bury it.

"Bury it, yes in the bin mummy there
remains rot and make fertilizer.
"My mummy looked relived,

But I didn't tell her I bury them in the garden,
in the little black bags in the flower bed.
Decaying cereal feeding the flowers nourishment.
I'm three years old, cereal killer
Ashley May 2013
You confuse me
You send my assurance astray
Have me decided by the night
But I forget in the day

There are times
When I feel only for you
But more often than not
I feel you have some growing up to do

Really you drive me crazy
Hauling me around through hallways
Or chasing me through my dreams

Sometimes I'd be content with you
You'd ****** me with those eyes
And touch me with those hands
And you're actually quite sweet
If everything goes as planned

But other times I can't stand you
You take things too far
With your feminine rage
And stop playing around
******, just act your age!

And I give you the benefit of the doubt
As you toss me back and forth
So it'd be nothing but tragic
If you left me carrying the torch
Donall Dempsey Feb 2016
"...IS A PUZZLEMENT?"

I give her that six across look.
She gives me the 2 down come on.
"Mmmmm....the beast with two backs...17 letters?"
L B Sep 2012
the girl was always strange...a little different from the rest...she stayed to herself in her room after school...and loved animals the best...talked to them out loud in funny voices...her long hair covering her face and eyes...so one day it really came as no surprise to her to find she was growing a funny bump on her backside...that sorta looked like a tail...at first it was easy to hide...she stuffed it in her pants and no one was wiser...except it felt a bit strange sitting on that thing...and when she was happy, darned if it didn't start to wag...all by itself...a few weeks went by and that tail started growing...longer and furry red like a setter dog...at least the back part anyhow....and her parents wondered why she never wore shorts anymore...one day she answered a question at school...and a happy bark slipped out of her mouth!....classmates eyes round looking at her...teacher smiled and thought it was a joke...of course that is how she passed it off...but by golly if she didn't control... her cheers for a team....yips and growls popped out in excitement...her friends really thought she was strange...but the more it happened the more the girl liked it...she enjoyed being different...and by golly...her dog loved her just the same (as he always did.)..but her folks wondered why there were furry dog hairs inside her clothes...just down the one pants leg...hmmm...
well that gal grew mighty strange...funny things like barks and howls sang out in the middle of church choir....they started calling her wolf girl at school....and darned if her ears didn't start pointing at that remark...at night she'd stick her head out the door...gaze at the street waiting for a bark...from a little yorky across the street...and when that dog caught sight of her... man...the barks went crazy...all from her!....soon she got the urge to run...so down she went when no one was about...and raced like the wind on all fours...man she could rip...faster than her dog...they'd zoom about the back yard...after a ball...and she caught it first...parents watching her one day...seeing her playing like a pooch...worried the heck out of them...they wondered what to do...they took her to a doctor...doctor saw that growing tail...well he scratched his head in puzzlement...and darned if the girl didn't lick his face!....and offer him her hand to shake...like a dog!....well time went on since then...that girl is still stranger than strange...running round barking scratching at fleas...got a collar now and tags that say her name....guess she's got the best of both worlds..being human...and being man's best friend...''

by L B
On the first night
of the full moon,
the primeval sack of ocean
broke,
& I gave birth to you
little woman,
little carrot top,
little turned-up nose,
pushing you out of myself
as my mother
pushed
me out of herself,
as her mother did,
& her mother's mother before her,
all of us born
of woman.

I am the second daughter
of a second daughter
of a second daughter,
but you shall be the first.
You shall see the phrase
"second ***"
only in puzzlement,
wondering how anyone,
except a madman,
could call you "second"
when you are so splendidly
first,
conferring even on your mother
firstness, vastness, fullness
as the moon at its fullest
lights up the sky.

Now the moon is full again
& you are four weeks old.
Little lion, lioness,
yowling for my *******,
rowling at the moon,
how I love your lustiness,
your red face demanding,
your hungry mouth howling,
your screams, your cries
which all spell life
in large letters
the color of blood.

You are born a woman
for the sheer glory of it,
little redhead, beautiful screamer.
You are no second ***,
but the first of the first;
& when the moon's phases
fill out the cycle
of your life,
you will crow
for the joy
of being a woman,
telling the pallid moon
to go drown herself
in the blue ocean,
& glorying, glorying, glorying
in the rosy wonder
of your sunshining wondrous
self.
zebra Jun 2020
body genre
at a carnal address
sensory and sensuous effects
materiality
digital images
anthropology of desire

she tied a knot around his ****
a wedding band made of licorice shoelaces
for the art of tongue and ****
driving it in her pink throat
back and forth
like a shift stick

flared for the retina
a puzzlement and fascination
haptic screen of fiction

adventure of  being pinned down
an unpremeditated punctum
fucktum sucktum

the stadium of desire
a shop window
banality transcending banality
the literal transformed
into the ******
a ****** smiles red

girl in a suitcase
with a hole to ****
a treasure chest
the leaky boundaries of erotica
sing in
musical blood whistles

I packed her up
limbless and threw
her on the bed
and with tender kisses
of endless
wet permutations
banged
three oozing holes
into finger ponds of oblivion

she taunted   
age play- ageless
***** class
a weird ethnicity
from Timbuktu
racially motivated lust for a
conveyance of
fleshy intensities
way past help

a big **** dips
a tender dimple
like a barnacled whale
in a deep dive

the violence of
a preemptive strike
for everything imaginable
across raw lips
in her cosmos
of swinging hips
and cross bone riddles

oh happy *****
suicide ******
at the computer screen
**** bullets birthday cake
in a River Styx of flames
Edna Sweetlove Dec 2014
EDNA: Hello there, Dan my dear, please take a seat, but before you sit down, just let me put a plastic sheet over the chair.

DAN: Thank you so much, Mrs Sweetlove.

EDNA: Now, Dan, please tell me why you are known far and wide as Dan, Dan, the ***** Old Man. How did you come to acquire such a salubrious soubriquet? Don't spare us any of the more sordid details. My readers are all agog.

DAN: Well, there are three aspects to my dirtiness. Firstly, my sanitary arrangements and personal hygiene. How can I put this delicately? [scratches head in puzzlement and several lice are dislodged, much to Edna's distaste. She squirts them with super-strength LICEOKILL.] To be blunt, Edna, I don't wash much and I very seldom change my clothes. This means I smell quite strongly. And, as you will observe, my skin is quite grimy and unpleasant to behold; the boils and sores are not attractive to many people.

EDNA: Fortunately I am afflicted with a rather bad head cold at the moment, so I can't really whiff you too strongly. However, I can see your skin is disgusting and your clothes are a total disgrace. Tell me, is there any particular reason why you are so careless of your hygienic duties?

DAN: Well, I see it as a vicious circle. If I were to take a bath or a shower, I would only get ***** again quite soon. And anyway, getting dressed again in my old clothes means any olfactory benefit would be negated. Again, if I were to put on some clean clothes, they would only be rendered odorous by my unwashed body. And defecation and urination tend to get your lower parts ***** two or three times a day anyway, even if you wipe thoroughly which I don't. So what's the point, unless you want to waste all your life on synchronising cleansing activities? Also, between you and me, I quite enjoy the stench of my own unclean body. And it has several benefits: I always get a row of seats to myself at the cinema and I normally have no problem with queues when I go shopping: people tend to give way to me as a mark of respect.

EDNA: And the second aspect of your dirtiness?

DAN: May I talk to you freely about ***, Mrs Sweetlove?

EDNA: Oh yes, be frank! [nods eagerly] Be frank!

DAN: Well, let's put it like this: I am not very particular when it comes to ***. I can honestly say I have never ever turned down a ****** approach of any sort. I am, of course, bisexual and when I feel like a bit of impersonal *******, I nip down to the public lavatory in the park and have some there. What I normally do is wait by the ****** and whip out my grimy, stinking **** and flash it whenever someone comes in. I don't care who it is. What does it matter? Most people run away in horror, a few attack me and shove my face down a pan, but one or two let me **** them.

EDNA: What sort of people would that be, dear?

DAN: Usually tramps, the short-sighted, people with no sense of smell, degenerates, psychos, masochists, you know. A reasonably varied selection. Buggers can't be choosers. Who cares anyway? I've been arrested by the cops a few times, but they don't like to put me in their nice clean police car, so they usually let me go with a bit of a thumping. Which I quite like anyway, although it's cost me several teeth [shows hideous maw of rotting stumps].

EDNA: And how about when you feel like a little bit of the old hetero rumpy-pumpy action, Dan, my love?

DAN: To be honest, I don't get much rumpy-pumpy, even though that's probably what I'm most famous for. Speaking candidly, not many women fancy anyone as filthy as I am, even lady tramps have to draw the line somewhere. So I tend to have to be a bit pushy when I feel like a bit of female company. What I usually do is lurk around girls' schools, ladies' gyms, ballet dancing classes, hockey grounds, netball pitches, the park where the young mums push their babies' buggies, anywhere really where you get women and girls in reasonable numbers. When I see someone I fancy, which is anything female between sixteen and the grave, I just drop my pants and show them what I've got down there. They scream a bit but I can usually get a quick one off the wrist before they've run too far. I've been arrested a few times for that too, but it's a hazard of the game of love, I feel.

EDNA: [gulps excitedly] I think you mentioned three reasons why you are known as a ***** Old Man par excellence......

DAN: Yes, well the third one is a bit more personal. You see, I have a very sensitive stomach and I often get very bad indigestion, which means I **** and burp a lot. And I frequently ***** too, as you can see from the state of my trousers - this is probably a reflection of the fact that my kitchen is crawling with rodents and insects large and small. And did I mention this last bit? I really like eating my own snot in public [voids nostrils onto grimy paw and gobbles product thereof].

EDNA: I'd like to thank you, Dan, for sharing your opinions, emotions and ambitions with me and my readers here today [switches off tape recorder]. You truly are an unusually repellent *******. Get out of my lovely house.

*[END OF INTERVIEW]
Graff1980 Sep 2018
A small pale faced figure stands, enshrouded in darkness, while a hauntingly sweet song softly echoes through the cave.

“There’ll be days
precious moments
see them sunning
by the bay
till, the sea
sees the star light,
blinking angels
dissipate.”

Somewhere in this sightless void a larger form slumbers. Moans of agony pass this man’s parched parted lips.  Tears moisten his painfully swollen face. The stench of sweat, *****, feces, and fetid breath fill the air around him. An alarm sounds as the last battery from the compact heater finally dies. Sloan shivers as the temperature within the cave begins to drop.
Mother mercy watches with a well-practiced stare of concern. She slides a thin, torn, and brown stained sheet over Sloan’s shuddering body. It does little to comfort the sick man. His ragged breaths slowly shift to slightly less raggedy breaths. Mother Mercy watches for a few more moments to make sure that he will not die, then settles down in a corner for the night.
Electric dreams of long ago float in the forefront of her mind. A bone thin boy of barely teenage years stumbles into a broken-down building that was once the Canadian Gazette. Stray rays of light from an overhead window brighten the small room, illuminating gun black filing cabinets, and dark wooden cubbies, colored with well-worn grey paint, which hold crumbled bits of old newspapers; One of the papers read, “Mass Methane Leak Poisons Ground Water and Air”.   Each step stirs up dust causing him to cough. Mother mercy can hear the congestion in his cough and see the fever in his scarlet flushed face. His eyes are a rabid red flitting left to right, searching for any sign of danger. A loud noise causes him to flinch. Mother Mercy moves forward, trying to speak to the boy, but like a doe sensing danger he prepares to dart.

She finds her voice. “Please. Do not leave. I can help you.” She pleads mechanically.

He moves forward, tentatively attempting to touch her. She can see a sharp scar that runs from under his right eye down to his thick dry cracked lips. He tries to speak, exposing his yellow and browning teeth and the many gaps therein.
Suddenly, daggers of light push past and through his young body. He does not cry out, but merely succumbs to disintegration. Then……
Then Mother Mercy awakens to a new morning. Waves of light bring the cavern to life.
Sunshine moves in and across the cave to expose uneven earth, and a dirt encrusted cave wall, which is oddly void of any insect life. Her hazel eyes quickly adjust to the oncoming onslaught of daylight. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls in an unsteady rhythm, which is all she can really hope for.
She slides dark brown locks of long hair out of her eerily symmetrical face. She brushes the dust off her tattered tan coat, and her holey faded jeans. With a couple of rapid sweeping motions, she removes almost all the dirt, and pebbles from the breast of her inner shirt.
Off to the left of the cave, and still covered by shadows a small machine awaits her inspection. She examines each tube, cord, and gauge with a military proficiency. Then using the jury-rigged straps, she places the machine on her back. Heading out of the cave, Mother Mercy stops, picks up the batteries from the small heating device, and checks Sloan one more time. Finally, with her bare feet fully outside she sets off for the day’s labor.
The sky burns a bright orange interrupted by barely perceptible vapors of methane, and bluish grey cotton clouds. Despite the splendor of the morning there is nothing but silence; No dogs barking, or bees buzzing about their honey making business. There is no life to be found except for minor patches of multi-colored fauna that are randomly situated along her route. So, Mother Mercy breaks the silence with a song.

“There’ll be years
yarn unspinning
as we stumble
towards our graves,
but the seconds
in-between breaths
are what make
this life so great,”

A few miles along the way, she stops singing, and begins to check the tiny traps she has planted along her daily path. Each carefully constructed device is sadly empty. Three or four more hours after that the silence evaporates and she can hear a small stream of water running. She stops and stares down at her bare feet.

“There is something I forgot to put on my feet.” She queries to herself while continuing to walk.

A few moments pass as she puzzles out the minor mystery. Once she makes it to the edge of the stream, an awkward smile fills her tiny round face. Mother Mercy removes the machine from her back, letting it fall to the ground. It makes a loud thud and sinks several inches into the slightly softened earth.  In a movement so swift human eyes could barely perceive it, she jumps up, rising several feet in the air while crossing a considerable distance, and finally lands in the stream. Soft sizzles sound from her bare feet, as she slowly grinds them into the mud. Then Mother Mercy sloshes sloppily out of the water wearing a thick layer of dark brown mud on her feet.

“Of course, how could I forget. I need mud to cool my feet.”

She walks back to the machine, pulls it out of the ground with ease, and returns to the stream. Next, she submerges the device. Waiting till it is completely full of water, she pulls it out, and begins fiddling with knobs and switches. She waits as the water boils, completely evaporates, filters, cools, and finally condensates back into liquid. Deftly, she removes one of the filters and shakes out all the unknown particulates. Then she opens a tiny compartment, and places a small sensor device within in the water to check its quality. After a satisfactory reading she places the water filtration system back on her back and heads down a different path.
The mud on Mother Mercy’s feet dries; Dark brown shades lighten, crust up and chip off in little flakes. Irritated, she begins to slide her feet through the almost nonexistent foliage to scrape off the remainder of the drying mud. With each small patch of grass Mother Mercy moves her feet faster and faster. Her left foot flows back and forth with incredible speed and strength. There is a loud clink and a chipped piece of rock soars across the air.
In puzzlement, Mercy stares down at her foot and finds that it has split open. Red and black fluid streams from the seam of torn skin, which expands and exposes metallic bone. As she moves, the wire insulation from within her foot ruptures, revealing cheap copper conductor. The hot metal sparks, lighting up the methane in the air. A scorching white, orange, and bluish outlined fireball expands with enough force to launch Mother Mercy up and back off her feet.

She hits the ground hard, and curses,” ******* methane!”

White synthetic skin begins to melt, shifting and swirling into grotesque shapes, and darker shades of red. Mother Mercy rises, unsteadily. Wincing in pain, she unloads her heavy water filter burden. Again, she checks all the tubes, cords, and gauges. What was once a thing of ease now becomes quite burdensome. She places the filter system on her back again, and resumes her journey. The red and black liquid continues to leak. Each steps becomes slower than the last. Until, she reaches her destination. Mother Mercy collapses next to a series of solar panels. With what little strength she has left, she detaches one of the charged batteries. A look of distress crosses her already agonized face.

“I’m sorry.” She softly sobs to herself. “I need this one.”

Mercy pulls a flap of skin from the right side of her waist. An intricate maze of wires, metal, and fake flesh pulsates. Her hand plunges deep within the slimy cavity, twists, and removes a damaged battery. It is bent, and cracked leaking a thick acid liquid which viciously burns her hand. She tosses it aside then slips the unbroken battery inside the cavity, twists it, waits for the click, then removes her acid, and viscous liquid covered hand.
The synthetic skin slowly starts to unburn, shifting in reverse till it returns to its previously pristine quality. Her foot begins to pop and all the parts snap back into their original place as the split skin slowly stiches itself back together.
Mercy harvests the rest of the charged batteries and places the used ones in their charging slots. Finally, with the days labors done she heads back to the cave.
Once she is at the cave she washes a stray rag. Then cleans her hands. Cradling Sloan, she slowly serves him some water. Once he has had his fill. She gently rolls him on his side moves his shirt up searching for any sores, then proceeds to softly scrub them. She rolls him in the opposite direction and repeats the process. Then she checks his inner thighs, and **** cheeks. Sloan winces in pain but remains quiet. She gently lays him back, and rolls up his pant legs, washing the bare skin which is littered with more nasty sores. She finishes by washing his face, hands, and his feet.  Finally, she sends him to sleep with a sweet song

“and the children
that we leave
littles daughters
full grown sons
are like blooms
that lose their trees
as our roots
wither and flee.”


Mother Mercy is consumed by an unnatural fatigue. She resists slumber for a few minutes, but inevitably succumbs. Everything becomes nothingness, then changes to nothingness with dizzy brown spots. Yellow sparks split from the tip of her consciousness. The darkness dissolves and becomes the cave again. Small streams of water worm their way in from the cracks on the wall, which seems to breath unevenly. Suddenly she realizes the cave stinks like sewage. Fresh wind works its way in then blows out a stark stench of rot. Each exhale sounds like a human moaning in pain. The last flickers of light die a long-protracted death.
A wheezing breath stirs Mother Mercy from her dreams. She awakens quickly to see Sloan gasping violently.  She rushes to his side, and sees a thick yellow and greenish gooey fluid mixed with blood sliding down the side of his jaw. With her left arm she flips him over holds his upper body inches off the ground, wipes away the disgusting fluid, and checks the abscess with her free hand.

“Spit it out.” She pleads.

Sloan continues to gasp. Tears swell but refuse to fall.

“Pleebees, helpep, me.” He struggles, coughing violently.

Mother Mercy cradles him in her arms, singing,

“Till, the song
that I am singing
becomes the song
that they passed on
and the love
that I was bringing
are the wheels
that just roll on.”

Sloan, gasps and wheezes for several minutes more. Tears and sweat fill his face.

“Mob where’s my mob?” He cries between gasping breaths.

Two hours later slumber finally reclaims Sloan. An hour after that Mercy gently places his pained body back into its original position. After another half an hour she to surrenders to sleep. She sees nothing.

A stern voice commands,” **** the enemy.”

Mercy cries in response, “There are no more enemies.”

Mother Mercy awakens to a new morning. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls. She wipes off a spot of pus and blood left over from last night’s abscess leakage.  The swelling has slightly receded, but his face is still feverishly warm to the touch. She switches out one drained battery from the heater for a fully charged one then grabs the water filter, and heads off to start the day’s labor, singing.

“So, goodnight
little planet
precious place
that I lived on.
I know you won’t
miss me one bit
but I was grateful
to call you home.”
Keiya Tasire Dec 2021
In this place poets care, share, and like
Encouraging each other along.
Lifting hearts up from deep trenches
of Ignorance, ill traditions, misconceptions and lies.
Drawing back curtains, just enough
to quench the masses ceastless wondering,
"There must be something more?!"

Your creative holy work has a great purpose!
Escorting the hopeful aspiriant to the place
Where the shadow dawns into explosive light!
Gently nudging, englightening cognizence of new awareness
As pieces of puzzlement merge into a glorious whole!

Dear Poets, you matter
Nevermore, doubt your place!!!
You are among the Inspiritors of the Earth!
Each person who writes has a purpose beyond their awareness.
We never know who or how we our word will touch someone else and literally change their world. By all means caring, sharing and liking each others work. We are a community, helping each other and others outside of our community to grow.
Nat Lipstadt Sep 2023
“the unbound unbinding: an admixture of words and swords…
that will cut a newborn cord of reciprocity of thee and me,
miracle!
thereby, an unbound binding that ties and frees us from
and connects us nonetheless by our shared senses…”

<!>
these words, recalled well,
for they but a newborn issue of a few days, and the notion of binding that
frees us into reciprocity yet buzz~hums
in my brain

the contradictory nature of a cutting
which ties us together,
that an unbinding binds us even more tightly,
I struggle, to better understand the nature how an unraveling
of our connection somehow ties us closer

but re-envisioning
Michelangelo’s Sistine Chapel in my mind’s eye,
that sparking space tween God’s finger outstretched
to bring the enlivening of his spirit to His first enervate, Adam,
the original of we humans,
somehow sates my confusion

to touch each other
at the most primitive basis,
we require a space
between us, in order to fulfill,
a contract contact
of completion and binding


and this bestills and bestirs
my puzzlement,
a space electric necessary
to permit us to
close the human circuitry

!and I am contented,
the contradiction
no more, I sense the
need to close gaps
tween us certify our human resources
for it is the permanent invisible grasping
of our loving minds that transcends
overpowers gaps,
bringing tears of joy to my eyelids,
even as I write these words,
and greet this morning
with
optimism
that every space
brings a richer
closure!
!
9/16/2023
9:48AM
Debbie Malloy Jan 2015
A poem that will celebrate
all the wonders of my man's hair.
A poem that feels sorry for
his hair no longer there.

A poem that shows puzzlement
from him at women's weaves.
A poem that sympathizes
with his hair-line as it leaves.

A poem that says a "YAY!"
to the people who are bald.
A poem that blows a kiss and says
"I'm sorry dear, that's all!"
baldness hairless hairline
diana_rae Sep 2009
I remember creeping reverently past
The yawning maw
Snarling braches, overgrown foliage
Sad eye sockets
The defeated roof
Listing drunkenly to the left
The black spirals on the ground
Where the fire had scored earth bare
Crouched from the sanctity of the sidewalk
Damp palm snaking back to
Clasp tight
My best friend’s hand

Fear skittering up our spines
We skirted past poisonous green weeds
That swayed in the yard
Unkempt and our eyes
Darted, seeking, feral
For movement in that open doorway
Her shadow
The witch

Years pass

Looking out into suburbia
Manicured green boxes
And cookie-cutter plans
From my own cracked window
My newly acquired reno,
I spot a flash of moving colour
From beyond the overgrown hyacinths
A tousled flash of curls between the green
Puzzlement ripples as
Three lanky preadolescent forms
Snake from the protection of my shaggy firs
Thin chests taking a breath before
Their whippy arms point accusing
And I barely see a flash before
The clutched rock leaves the
Stupid-looking red headed one’s hand
Crashing through my upstairs master

And I hear it

Witch, witch, where’s the witch?

And I feel it.

My eyes beadily narrow
Peering over my bulbous nose
Shoulders hunching
Toes curl
And I reach for
The broom leaning next
The painter’s cloth
Grabbing on with knobbly fingers
Hurling myself
Out
Of
The door

Their eyes widened
Disbelieving
As they spot me  
And thumbs clutched between index fingers
They run
Leaving me cackling
Breathless

While my familiar
Looks up from
Sunning her black self
On the step.
Paul Hansford Feb 2019
We named you Daisy
for your white fur, because
we liked to name our cats after flowers.
But you were not only a white cat;
you were "odd-eyed white",
one orange and one blue.
Everyone loved your beautiful quirkiness.

You lived as our other cats did,
tame house-cat in the day,
but free to come and go;
half-wild at night,
following your instincts,
even if they were dangerous at times.

Then, one sunny morning,
I saw you from the bedroom window,
running back home, across the road,
and that time it really was dangerous,
as a car came past, exceeding the speed limit,
because in a race between speeding car
and running cat,
in the event of a tie,
the cat loses.

I ran downstairs and found you
by the gate,
warm, unmarked,
but unmoving, unbreathing

Carrying you gently to the back garden,
I laid you on the ground,
preparing to dig your grave,
as Marmaduke, our tomcat, came by.
Not the father of any kittens,
but surrogate to all our females.
After a birth
he knew what to do.
He would visit briefly,
sniff the mother, sniff the kittens,
walk off, apparently unconcerned,
and a day or two later
return with a mouse for mother.
That’s what father cats do,
even surrogates.

Only that day there was no birth,
no kittens,
and this time
he sniffed at you,
sniffed at the hole I had started digging,
and walked off
in complete puzzlement.
This time he did not know what to do.
If you're interested, you could try another, rather similar, one of mine -
https://hellopoetry.com/poem/1844825/drowning-kittens/
Serenity Elliot Sep 2014
He watched her in her white dress on the way to church,
And to and from work
Chatting and laughing with her friends.
Each day before she got home he would lay a single red rose at her door,
Scurrying away as she walked around the corner,
Timing it perfectly so that her father wouldn’t find the secret flower instead.

Each time she’d lean down to pick up the rose,
Smiling with puzzlement,
And look around her, and each time he’d feel the urge to rise from the bushes and show himself.

Finally, one day before she turned the corner to her house,
He walked straight up to her and handed her the rose.
Her smile turned from recognition of the rose,
To a frowning bewilderment.
‘Why?’ she asked.
‘Because I love you’.

‘I’m sorry, I can’t accept these any more’.
Head lowered, she moved past him and closed the door firmly.
He ignored the hot trickle of his blood as he clutched the stem into his fist and stared after her.

Now that she knew him, at church she would see him out of the corner
Of her eye and look pointedly away.
His heart tore at his chest.
He wanted to go up to her,
To explain,
To talk to her,
But he was too scared of another rejection.

At night he hid in the bushes, ignoring the little ****** of the twigs, and watched her silhouette at her bedroom window, longing to climb through and confront her.

One night, as if she could sense his watching,
She came to the window and drew the blinds forcefully.

On the way back from work one day a small boy ran up to her and Handed her an envelope,
Then scurried away in embarrassment.
Smiling,
She took it from him and opened it.
Dried rose petals drifted to the ground

like desert scented snowflakes.

He watched as she turned pale and tore up the envelope so that the rose petals and paper alike blew away along the dusty streets.

The next night she found a pile of dried rose petals on her pillow.
Angrily she ****** them from the window,

Creating a furious red rain.

When she was changing the next day into her work clothes,
She found another rose folded into her clothes.
Heart pounding, she bolted her window before she left.
Now, to and from work, she kept her head down and glanced around her feverishly.

Days soon past and she received no roses, and it seemed that the mysterious man had vanished.
Now, the letters she received were from suitors and she kept them in a box at the end of her bed,
Tied with a ribbon.
On the day she came into her room glowing with a diamond shining On her left hand,
She found her room filled with bouquets of roses.
Confused, she asked her father who had put them there.

Someone knocked on the door.
The man that she had loved had been stabbed on the street in the Balmy evening,
And no one had seen who it was.
In his button hole had been a red rose.
The constable handed it to her; ‘I’m guessing this was for you’.
Then she collapsed.

The next day they found the body of an unknown male drowned in the river.
In his hand was clutched a white handkerchief embroidered with roses.
She sat in her room, looking in the mirror at her pale face and the eyes Absent of their usual glow.
Suddenly she saw his face in the mirror next to hers, and heart leaping She swung around.

There was no one there.

Turning back to the mirror she saw only her reflection,
But a red rose lay on the table in front of her.

That evening the body of a woman was found drowned in the river,

In the exact same place as the previous body had been found,

With roses in her hair.
Countless words are painted into eternal stars above
Inspiring my soul and waking me anew
With wondrous eyes, I see verses of sweet love
I learn them by heart
And paint them too

Words of dreams with visions rare, I see painted too
Twinkling from shadow dusted rays
Softly held within a precious lighted view
Calling to my tireless pen
Come and play

I view a canvas stretching into an endless sea
Completely full of mysteries unsolved
Faintly crying out to all this ink inside of me
To ponder all their puzzlement
Until they are resolved

Countless words are painted into eternal stars above
They greet my pen and paper every day
With a wondrous heart I smile back at them in love
Begin painting everything
I can see them say
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
Nat Lipstadt Dec 2014
Our Verse into Psalm

"who massages our words
into a masterpiece,
our verse into psalm..."

sourced from a dialogue one year ago: http://hellopoetry.com/poem/548741/the-contriving-is-all-that-remains/

~~~~~~~~~~~~~~~~~~~~
humbling words,
just now discovered,
a reflection invitation,
commenced and ended,
an essay of simple facts

two topics theme,
revealing a man's evolution

a confession oft repeated,
he writes too much, (used to)
a readily apparent truth

but when the self-soul-peering
hits bottom,
forced to reflect
back and up, and around,
acknowledging self is a four letter word,
a poking from reviewing
a year ago gone prior scribbled response,
leads to a conclusion
to answer his puzzlement

easy acknowledges
he has prior peaked,
certified and certifiable,
his best words gone by,
bye and bye,
so how now antiquated,
this tiresome task
of endless interior internal examination,
once more
he asks of himself
the Psalmist's question (121:1)


"I lift my eyes up to the mountains:
From whence shall my help come?


from you,
y'all

my poems are now and will be
just stories told,
stories of you

of a lost wedding ring,
of a young woman's striving
to answer her most essential question,
reflections on being four years old,
on Eastern Seaboard geography
Thanksgiving Day air turbulence,
a young woman's sobriety celebrated,
her poetry, richer and health effused,
of lovers who cannot ever be,
of jobs lost and freedom gained,
physical pain that knows only
the optics of poetic relief to salve,
aching and unrequited awed and flawed love
that has no remedy defusing,
older schemers, puppy love rediscoverers,
of special young men
who see by their nature,
far better into
nature's window that answers the human soul,
children foreign born, here & passed,
whom I have never met, but,
who are poems
dearest in my breast,
as if, no,
as they are mine own...

and on and on

could travel and travail,
but the clickety clock says
bread to be earned,
wistfulness hour over,
all that's need is a conclusive,
one octave,
a summarizing single note,
a lady last rinsing of the soul

your stories are my psalms,
your heartache and triumphs
my masterpieces,
thy foibles are my filament,
your stories, my revelations

turned my eyes to the mountains,
seeing only my own mountains,
that engulf and surround,
hearing a single,
simple voice answering,
it is their mountains
that deserve written attention,
and therein and thereby
can you write humbly
and walk upright
^
^Psalm 37:37
I miss feeling you.
Your grip on my thigh,
you caressing my hand,
you biting my skin,
you playing with my hair.
Wiping the grass of me
after trips to the park and
both your hold on my hip and
the bottom of my spine.

I miss hearing you.
The sound of your voice,
your attempts at sarcasm and
the way you’d laugh
when you really find something funny.
How you’d always swear in French
and speak to your Mum in Bulgarian,
the exhale you make when you’re happy
and when you’d sing in the car.
How your voice is barely audible
late at night and early morning.

I miss seeing you.
Seeing you cook,
seeing you drive,
the look of puzzlement
when trying to remember something
or the look of happiness
when you hear a song you love.
Seeing you buzzed and rosy cheeked
after a couple too many drinks.
Seeing you snug in my bed
at the end of the night.

I miss kissing you.
Lazy kisses, limbs tangled
in the early hours of the morning.
Kisses in the back of your car and
rushed kisses when saying goodbye.
Kissing your nose, kissing your neck
and you kissing my neck.
Kissing in the park, kissing in cafes
and kissing in art galleries.
Toothpaste kisses, prickly kisses
and kissing in one another’s beds.

I even miss the things that once annoyed me.
You always correcting my words,
getting frustrated when driving
and when you’d tease my lisp.
How’d you get up to change the song
in the middle of getting it on and
finish every intelligent ramble
with a defeated “I don’t know.”
Your need to check your hair
in anything reflective,
how you’d drink all my water
instead of just buying your own
and pick all the food I didn’t want off my plate.

I miss everything about you
and I hope maybe you miss me too.
I think this may be one of the best poems I have ever written, but now I look back and it and feel quite sad for myself. I held onto things for far too long, but I can see how far I've come.
Poetic T Jan 2016
the voices scratch at the paint work
Of my soul, these voice howling
in my mind gazing at the stars of
Confusion above my head.

Can a thought swim in tongues
Of obscuring waves, sink or swim
With no buoyancy as voices pull
At my body and at my mind.

I walk on puzzlement, shards of
Thought bleed under foot. I read
My last moments of sanity as they
Evaporate and all now I have left.
Steven Fried Jun 2013
Definition: Poetry that does not rhyme or have a regular meter
Free verse is not just poetry
Free verse is an expression
Free verse is an escape
The beauty in free verse poetry is it's lawlessness
Poets become Jesse and Billy; they break rules, they break hearts, they break tradition.
The difference is their words are far more cutting than a bullet can ever be.
The beauty in free verse poetry is it's adventure
Poets become Columbus and  Sacagewea; they break barriers, they explore new lands, they become wild.
They explore the boundless blank page rather than the limited natural world.
But the real beauty in free verse poetry, is it's structure.
The structure of a free verse poem is new and varying every single time.
The reader not only yearns to find the meaning of the poem, but the dual meaning of the structure.
Definition: self-expression and puzzlement of the mind and for the soul
Wk kortas May 2017
When I was a child, we’d lived on the edge of some woods,
Slightly hilly land, crossed with the odd stream or cowpath.
I’d walked there frequently, aimlessly,
Throwing the occasional stone here and there
(Skimming the smaller ones off the surface of the creek,
Displacing mosquitoes and dragonflies,
The larger rocks reserved for thickets of trees,
Rewarding me with a rich thwack if the missile found its target.)
Once I had tossed a great gray projectile
(All but shot-put sized, probably nicked and nibbled
By fossilized trilobites on its edges)
Into a stand of old horse chestnuts,
But the sound that emerged was not the woody report expected,
But an anguished and almost astounded cry,
Nearly human in its astonishment and pain.
I’d winged (more than that, in truth **** near killed)
A hawk sitting inexplicably low in the branches.
In my panic and puzzlement, I’d wrapped the bird in my jacket
(The hawk all but shredding its lining,
Adding to my mother’s already fervent agitation
Over having a wild bird in her kitchen not destined for the oven)
And taken it home, where we’d put it in a cage
(Not a bird cage per se, but the old crate for our dog
Who had wandered into these woods
A few months before when she’d sensed her time was at hand)
Where it sat silently for a couple of days,
Refusing food, water, or any other succor,
Simply staring at us with a searing look conveying a hatred
Which transcended species, language,
Any and all experience a child may have been privy to,
As, in those fresh-scrubbed, clean-linen days of youth,
I had nothing of the hawk’s knowledge of cages.
As an aside, if you ain't readin' Masters, you ain't readin'.

— The End —