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Shofi Ahmed Nov 2018
The hallowed turf is a six-seasonal
always one step ahead on Earth.
So exceptional a land is out of the box
acutely drawn down the Moon
and sublimely unique is written in stone!

A patch of land every star loves to touch
so much so the Mintaka know they can mirror
the pyramid on the surface of the earth
but not the tucked away zenana here
the planetary gem, the earth's gold dust:
Matches the lead Prophet's birthplace!

Open and globular star clusters
up above the mundane Himalayas peak look
diagonally into Sylhet down the Meghalaya stardust
eying on for a shortcut to Earth's gold dust
that only gushes out elixirs Abe Hayat.

Lovely sought after by the water nymphs
that won't tarry scurrying to the waterfront of paradise
in Ma, the space between, while the waxing moon
takes a waning pause only to roll down and croon
in deep tranquil, thaws the midnight moonlit blue pond
amidst silhouetted bamboos, the sun after a night pause,
there it blooms new again bathing in the morn!

Boarding in such a serendipitous moment, they dream,
carried out just these hidden elixirs in their pitchers
before Queen Fathima The Queen of Heaven.
Perfectly spherical she zeroes in the cosmic loop
and spills in the open sea one more colourless scoop
without a pinch of salt there the sunrise and set troupe
pause and lay in once again the most colourful swoop.

Up above heaven's Saal Saabila River
on the empyrean Moon, she hops on one foot
and down the evergreen Earth's spring dips a toe
without a shadow without a footprint, tone on tone
ties both worlds forever in bloom!

Blow the wrap off, score a preserved geometry
somewhere in Sylhet, even the Hebrew King David here
would offer his thousand and one melodic symposium
and King Solomon princely his whole affluent shebang.
'Cause the prevailing sun from heaven this time
could roll down on a palm simply like a handful of earth!

Oh, what will it land in Sylhet, the pearl of the earthy depth?
Art in light, the spark from the Earth's foundation stone?
Eyes gaze on so firm like the solid sky yet surge like kite
in the air looking here over a truly pristine drop of water
with the ocean is inside until it shows up down the blue sky
though rainbows oft pop out tantalising every looking eye!

The fairy that ascends then is a stealer no hand can touch
seven colours shine on a patch of blue unspoiled untouched
took on a meaning for Sylhet in a handful of earth
matching the soil of Makkah the centre of the Earth
the birthplace of the lead prophet Muhammad (PBUH)!
One who is in the know hops on the foundation stone
and rose to heaven in the Night of Ascension.

How a regular soil mirrors the very pivotal one?
The labyrinth is out of this world, relates to Queen Maab
let alone a native maestro that no genie can describe!
Every atom loves to discover the meaning of that
it knows the constant vibrations of the never-ending dance
keeping it on its toe the choreography comes from outside.
The feet are most polished and motions are butterfly dance,
still the canvas is blank, light one more candlelight!

Light a candle in Sylhet I wonder here the moonlight
spills through even into an atom's black canvas and the sun
lovely drops down on a handful of earth on the flipside!
Meet here the open future shows up at the Earth's hub
the moon's anew rallying to the untouching-sea
the Indian subcontinent's corner to the ancient wind!

Go with the southern breeze on play with the sun
here it colours the wind, gives it its Midas touch
and strikes a deal to part a silhouetted cloud.  
That a beauty spot raises the eyebrows of the day on a high,
on the shining face of the golden Bangla in broad daylight!

Hark the morning birds, follow singing deep in the midst
mellifluous-shrills fill the air unveiling the dream scenes!
Ah, the deep footed earth how mystique,
every morning the sun off the heaven's hill
lays in a new diaphanous gold-light-rug beneath it,
only to loose its colours in a colourless magic
let alone painting its footprint!

Every time is new numerates the bounties of our land
craving to sip in a dew-potion on our blossoming rose
cirrus clouds dancing over the seas here they drop
banish the midday blues singing the deep sea's song!

Nestled amidst the Rivers Surma, Kushiara and Monu
perched on the shades of the trees, each one is a canvas.
Returning melodic birds crescendo by the downstream  
hail from the autumnal breeze on the upstream.
Six seasons rebound alike leap and swing on the trees
unpacking their intricate and mesmeric fluid designs
often make a meal of the obvious and work of art alike!

Stunned angels on their way heaven taking one more sunset
potted in the starry bowl look back here at the wee hours.
They can hear pianissimo on this preserved perennial land
it never falls asleep is awake with a perfectly round
360-degree circle of spiritually impowered dynamos
dead but live on a different level Dervishes
keeping an ear on the hallowed Sylhet's ground.    
A deep-seated truth, rock-solid Shilahatta in Sanskrit
clothed in an enduring vesture minted Sylhet loops in
with the Hebrew Bible's Shalet, a ruler, a shield!  

A little drop makes the mighty ocean
likewise with one single word on the lips,
the maestros' great epics begin to be told.
Just with a mundane handful of earth
pristine Sylhet's masterpiece begins to unfold.

With the whole ball of wax keeping us onboard
lo, before the face of the Earth, it unveils the mirror!
With the whole nine yards on her least hold
believe it or not, Sylhet is cherry-picked chosen by God!
The subject matter is about a land possessing a deeply seeded truth. The prime significance of which is it's scattered afar and matches the pivotal soil of the centre of the earth!
Skaidrum Sep 2015
"    Legend has it,
      he could talk the sun
          into setting.    "

    He's a tragedy the zodiacs still gossip about,
               metal wounds glower by the fire,
    flames sneering at druid flesh,
                  crystal bones are decaying,
    wrapping willow branches along my neck~

             Love isn't a prophecy.

Telling time to ghosts who cannot read,
      these shadows ache in the pupils of sunlight~
Lupus showers us in dire blessing;
         so start lighting the torches of war from Osiris,
he's illiterate in your dead language of poetry,

      I can't help but notice you don't pick fights with death anymore.

There's no sunlight on this side of history,
       spider webs become cave paintings to gods~
look north for the tails of dragons and hurricanes,
   cast your doubts to frigid chambers and feverish graves;
A prayer for the day we have no names to mourn,

           His loyalty falters as autumn grows sicker.

You've melted golden eyes upon heavens in ink,
        and he's crippling under silver lightning again;
masquerading demonic skin plastered in snow,
        is a game you like to play to injure gods,
an incredible contradiction between love and lies...

     Pick your poison wisely, wolf girl.

So there's been a few contracts with the dead,
          I swapped my soul with Lupus,
bargained my sins with Sirius,
          traded these miracles with Artemis,
as eight sapphire flames bleed this heart dry from it's curse;

     Don't **** your hopes for the greater good.

Illusions are born when nightmares grow lonesome,
         if the book of the moon spells traitor and betrayal,
then these sinister rouges cannot quell what's been written.
        Our love song was a dark sonata drenched in lead;
discard the sounds that tremble in pianissimo~

    An omen of war divided Yin from Yang.

I'm forcing fangs to ripen by first light,
       while tricking secrets into fusing with fairy tales.
Auburn daggers whine to slither deeper,
      into the spines of star crossed lovers;
beating on drums of moonlight to call me to this world;

    Grief and mosaics relapse in my palms tonight.


"     The birth of a lapis sword
               plunged in the stone
                           of her wolven
                                         heart.      "

"Sometimes love makes puppets of darkness out of all of us.*"
The crow ain't worth much.

<><><>    © Copywrite Skaidrum     <><><>
Dorotea Dec 2014
Play me.
Play me like piano keys.
Play me piano, pianissimo.
Play me forte, fortissimo.
Play me like a song, gently.
Play me with feeling.
Play.
Samm Marie Sep 2016
I sat upon my bench so black
So battered
So lonely
My brother sat in the chair to my right
To my consciousness
To my awareness
On his way out I asked him to **** the lights
**** the distractions
**** the white noise
And I sat in the dark after opening that dusty lid
Sleek lid
Smooth lid
And there were my emotions
Poured out into my foot and flighty fingers
I closed my eyes to deepen my thoughts
To clear my mind
And for the first time in a long time
I felt my soul being touched
Being warmed
Being remembered
I prayed outloud as the strings of the piano
Reflected the strings of my heart
I allowed the tears and mascara to freely run
And the anger to burn fiery red
Fading into an abusive purple
Melting into a blue depression
And finally waltzing into yellow hope
Splattered with a foxtrot of grey forgiveness
In the dark basement
All alone tonight
I found myself again
"I thought you were lost"
"I wasn't lost, you just needed to search"
Fortisitisimo might have sounded like truth
But the most sacred things I've ever learnt
Have been in life's rare
Pianissimo moments
Arke Jun 2018
find a lover who writes you sonnets
who uses the darkest flecks of your eyes as ink
and the shades of your skin as paper
writing along the edges of your wrists and arms
with tongue and teeth
with purpose, truth, and love

find a lover whose heart sings to yours
a pianissimo summer sonata, dolce
using their words sotto voce against your ear
melodiously humming against your body
with their lips pressed to your neck
with passion, fire and tenderness

find a lover who creates art
using line weight in colloquy and canvas alike
to paint you with diamonds, as they see you
watch them carve your essence
with rainbows and pearls
with intensity, feeling, and beauty

find a lover who gives to you
who presents all the joys of life
unselfishly and without expectation
and when they give freely and openly
ensure that you, too, become a lover
who writes, sings, creates, and returns
Rachel Lynn O Nov 2011
Where tears would have met, the silence falls
Crashing into explosions of empty
Where words would have ricocheted, violins play
The cello enters where you would have departed
Where decibels would have pierced my ears
My heartbeat pounds the only sounds
Where broken pieces should have flown
Tension lingers- leaving me bound to the bed
My eyes will not open
My heart will not hush
My thoughts will not calm
Until you sing
Sing violence into our walls
Sing forgiveness into my lips
Sing anything at all
Anabel Jun 2017
I’ve been running to the shore, to the sunset, to the sand
where my toes and the breeze compose a symphony in secret
it starts piano, almost pianissimo, no one has to know that we,
We share the talent, the gift of an emotional crescendo
that we all stamp our feelings on staffs and our hearts are in sync
in sync we are always we are always following the smooth tempo of
time and we’re just all harmonizing with the beach
with the muffled sopranos that flutter around someone who waltzes
with a guitar between their arms, in an alley filled with graffiti
in a salty atmosphere and fresh beans and rice
A little mambo here and there while strolling
down the piano tiles that make up the streets
a little mambo here and there, to keep us going
pianissimo, we must keep it pianissimo
so the world won’t know… yet… that we’re all an impromptu group
we are all interconnected, living under the same staff but different clefs
rarely sharing the beats of our cultures
rarely following canons
it always vibrates, the lingering nostalgia
buzzing, missing the old jazz and the shores, sunsets, and sands
that we shared in our old homes, away from here
We hope it makes sense that our lives are ran in decrescendo
but the connections within each other always form the same ensemble
percussion and wind, forming the shore we stand in front of
the orchestra itself becoming the sand slipping from our hands
and we form the sunset, the sunset that leads everyone here
we all know how we go back home.
this was for a contest but it didn't win anything so wtv
theresa the tree Jun 2014
“you shall carry my bones up from here” (Genesis50:25)
yea Little nymph of numbers has six teeth each with ******-chic epiphanies
protrusion of epiphyses thirsty for a fresh bonejuice deathblast
stringy strung theoroized skelecoded out arieal fractal sonix
lix hits antigravity dreambeats chew on infra-red-infractures
to explosively burn constellations out into dust bowls all heavily cranio-******
up with a soul narrowed down to a skelleconex technoillogical prototype
a freshly teased nanoNymph_2.0 osteo-tissue paper thin prototype
designed to bemuse, amuse and be a muse to forgotten infinite epiphanies
endlessly download digitisternums, clavicles whatever desired by the cranio- ******-
enough to risk phantom organic pain in time to playback biofeedback turnt up to deathblast
It’s the artificial cardiaudio arteries show featuring manibrium marrow leakage from infra—red-infractures
and six skinny feminine femora to sing blackened covers of diva demeter love sonix
diamond data mapped thick with smokey persephone bloodkiss shadow sonix
peruse the meanderings of the nanoNymp2.0 a double(triple) pianissimo prototype
fragile: prone to falling (ie) misunderstanding sharp blades pulled from infra-red-infractures
***** bonebuzzed off nothingness nectar numb drunken epiphanies
triangulated ossification between 1st 2nd and 3rd eyes lead up to deathblast
fossilized iconoclastic forethought will achieve status of cranio-******
this poem has no need to lobotomize fetal craniotomies; it’s all cranio-******
betwixt BANG BANG banging is clatter clix scatter bone-dance sonix
electricity sings in the key of major deathblast
crack open a bone on a nanoNymph skelleconex system and a replacement will be sent of the latest prototype
well calculated little nanoNymph’s all programmed  to know as why approached one, X approached ∞ -of cracked open epiphanies
triangle shaped fire, ▲shaped heart, equilateral to a dead sea, sacred geometric infraRed-infractures
biowired endless visions of these infraRed-infractures
Anthrenusverbasci (carpet beetles) eat away at bleached bone clean cranio-******
vertebrae of the Ouroboros eating itself epiphanies
grinding jaws brittle scurvy romantic-suicide die sonix
son of nyx an erubus have mercy installation psychopomp prototype
bring on one more broken septum to end =sempiternal deathblast
“bone of my bones” (genesis2:23) indeed; bring on an ablazed deathblast
fragmented spiraled and inside out infraRed-infractures
every one ends up broken, every bone of every prototype
smashed open coronal suture in everyone cranio-******
thanatos shadow between eros supraorbital sonix
godless and wandering without but epiphanies
soulless nanoNymph burns into dusty nothingness of a prototype
and the emptiness of silence is the deathblast sonix
some exposed spine litter vallies of dry bone epiphanies
josh nunn Nov 2013
The moon hangs, like the main decoration on a very eerie christmas tree, gloomily in the night sky.
Its gentle glow illuminates the world which is otherwise consumed in darkness.
The giant orb, plump like a ripe fruit-
yet glazed over with a chilling moss, inches higher and higher through the starry Milkyway.
When the clock strikes twelve it reaches summit and stops - as if basking in its own awe.
Gently, ever gently the music of the moon wafts through its carressing waves of moonshine - which hug the world below...and in the light of the full moon the fairies seem to dance and glow.
Their tunes and merriment are in celebration of the magic of dreams and fantasy in the air;
But suddenly it's not there anymore, and terror strikes the fairyfolk as they are abandoned in pitch black -
The moon has disappeared.
A candiflossed cloud eclipses the globe and steals the magic from the world.
But soon the moon is free from its disguise and the merriment continues.
Late into the night, when the goddess has long since begun her decent, like a silver'd over balloon, deflating - ever so slowly.
The fairies go back to their flowers and trees, go back to sleep and the world begins to lose its magic again...the soft symphony starts to die, in a slow pianissimo.
And just as she disapears, and sinks into the horizon, just as the dawn approaches, the world is engulfed in a deafening silence - in anticipation.
And as if the interval had gone on for hours, the sky bursts out into a carcophany of trumpets, and orchestra;
a crescendo jubilation as Apollo then edges into existence.
He brings a new kind of magic;
The magic of life.
All this I see, all this I hear when I play my sonata.
I feel the softness of the moon.
I feel the magic as I dance across the keys.
I see the world in a different light, through the music notes sketched into my mind.
And then as the night dies, I experience the rebirth of a new day, through the rise and fall of my melody -  
All in the span of just a few minutes and then its gone, all gone -
And I am left starring, alone at the blank pages.
Crystal June Jul 2016
There is no experience in the world
      that I cherish more
            than hearing my father play the piano.

It's imperfect and beautiful and
                                                       sounds
                                                          ­     like
                                                            ­      home.

The notes are often choppy, and there are pauses
      as his mind turns over what keys to play next --
            sort of like our lives as a family.

We're awkward
      and have
            broken             periods,
but altogether we're making music.

Every breath a note,
      every laugh a chord,
every      "I love you"      a harmony
            that
only our family
      can hear.

And there's staccato! arguments,

and there's fortissimo days with pianissimo nights,

and there's repeat on repeat on repeat,
      making our lives seem
      constantly       andante.

But life is like a series of randomly placed fermatas --
unpredictable, yet musically enriched because of it.

            And I wouldn't want it any other way.
The day my father stops playing piano is the day a piece of my soul dies.
Those were the times — exclaimed master's maid;
When youthful glow was understood —
As dust on shelves — did beauty fade;
Completely changing fair Sir's mood.

The ceremony of served tea
Remains — a consolation sweet,
As beauty brings us — peaceful glee  
The Twinings charms — the air suite.

My master is for — Pianissimo;  
He plays piano — violin —  
Splendidly Fast and Fortissimo;
All sounds swirl into my ***** like Dream!

I'll master perfect iambs late at Night
And Metre and Rhyme will be Sir's Delight!
~
Imagined by
Impeccable Space
Poetic beauty
~
Lavender Joy Jan 2011
clink clink clank cling ding
ding-ding clack
ding ding clink clink clack

masquerade
pianissimo charade
heart strings pulled taught
by a known gentleman
transformed into an unknown savior

flying faces
other worldly in expression but not intent
all are drawn blankly lustful
craving distinction from
a sea of flamboyant feathers
stretched personas

masquerade
freedom is her trade
the light in your eyes
the corners of your lips
for a mask
and a fanciful freedom
alive in compartmentalized limits

clink clink clank cling ding
ding-ding clack
ding ding clink clink clack
ding ding

the song masked musicians play
isn't a song at all
but  a simple masquerade
what is this tip toe dance I’m doing
around a purple room
without me moving a limb?
this pursing of lips and
imaginary fingers catching their kiss
at the other end

and this song?
I know this song
the sounds climbing my frame
up and down, up and down
from pianissimo to forte to pianissimo
why sing it now, in my dressing gown
smiling in front of a mirror like a dumb man
staring at his feet in a summer puddle

a child is blowing soap bubbles through a straw
in my head
and while my hat is still on
and no one can see a thing
I'm going to corner him
I'm going to catch him
I'm going to grab him by the hand and ask him:

what is this? what is this?
Robert Peck Sep 2015
1 the chemical essential to the covalent bond, that is amorous,
2 the non-verbal communication that’s equivalent to conversing for hours,
3 Vibrations
4 The aromatics of bed sheets and perspiration
5 The forte of a night club and the pianissimo of a night spent star gazing
6 Libations
c Dec 2018
I’ve begun thinking
In terms of music.
We are a decrescendo,
Falling from forte
To pianissimo
As the clock ticks
It’s rhythmic warning.
Your voice is always
In crescendo,
A cello when you laugh,
Mournful viola for those moments
Your strings are wound
Too tightly.
The way your fingers
Glissando across my rib cage,
Playing con amore upon my skin.
You taste like a symphony,
Brass and woodwind,
An opus on my lips.
Some days
You make me forget
How playing someone
Can be bad.
peter oram Dec 2011
II
They snore in turn: a soft antiphony
of hoarse vibrations, left, a dull Darth Vader,
and right, though sometimes slipping off the radar,
a tremolando shudder. Stiff, uneven,
a third threads in a slow polyphony,
divisions on a ground that swell or fade, or
pause, then unexpectedly cascade, a
purred glissando, an epiphany
of coarse cadenzas. Soon an overwhelming
sadness percolates from other realms
where yellow stains an ocean’s perfect white
and who can say how many hours to go
till, rallentando, pianissimo,
the music is dissolved into the night.
Gabriel Nov 2016
What makes you go on?

As a singer near your pianissimo?
As a runner near your halfway mark?
As graying hair near your dark, thin veil?

When you face cannons, naught but a swordsman on your horse, how do you charge headlong into the fray?

I can't help but be captivated, an observer seeing something surreal, like time flowing backward, or a fire cool to the touch.

I'm not another species... I am you, minus your enlightenment. So enlighten me.

How is it that, a vicious, peaceful rebel to your circumstances, you charge with a hearty call, you greet death as an old friend, you run harder than you ever had before?

How is it that when your pianissimo comes, you hold the fermata twice as long as you could with air alone?
Gigi Tiji Oct 2014
Synchronicities coalescing
like an orchestral crescendo
bubbling up all at once
no longer guessing
no shorter waiting
the *** is boiling
moreover
I might
   be synch
                    i                        
                      n
                  g
            ...
a pod
of killer whales
crash-splashing
quite a commotion
up, out, and back
down into the ocean
born into the storm like
a frightful forte
a front brake
endo
the

feathered
fickle angel
screams pianissimo
on tiptoes, reaching out
toward tomorrows

continuously
contagious incapacitation
tells me it straight like an arrow through time
like a taught fishing hook line
and sinker —

trying to figure out
your reason your rhyme
parsley, sage, rosemary and crime
please, let me in on your
pickled paradigm

a stormy sea, all your own,
decides for you, where
you're thrown.
'Seems that the wrath of the Gods
Got a punch on the nose and it started to flow;
I think I might be sinking.
Throw me a line if I reach it in time
I'll meet you up there where the path
Runs straight and high.'
(Going to California - Led Zeppelin)
Hands May 2010
I can't stop this
Jittering of the wrists,
Maniacal half-splat
Splutterings of the gist.
1 and, 2 and, 3 and,
Up and down again,
1 and, 2 and, 3 and
Works 'til measure ten.
I cut down time,
And do it once more;
1 and, 2 and, now chime,
Notes shatter on floor.
I splitter,
I splutter,
While Mister
Just mutters
My horrible,
Dreadful mistakes;
One more take,
So try it again.
1 and, 2 and, 3 and,
Jee jee, eff eff, eeh,
1 and, 2 and, 3 and,
See see, eff sharp, bee.
Ay, bee, ay-
F SHARP
SCREAMS THE OFT WRONG HARP
OF JITTERING FINGERS
AND PIANO FARTS ENRAGED
WHILE MOVING UP AND DOWN
WHITE AND BLACK KEYS
FURIOUSLY ENGAGED.
BUT CUT THE TIME
AND DO IT AGAIN.
1 and, 2 and, 3 and,
Keep thumb under hand,
1 and, 2 and, 3 and,
Though left hand's undermanned.
"More fingers, more,"
It sputters into the night,
While sore fingers, sore,
Start a whole new blight.
1 and, 2 and, 3 and,
Now 4 and
Rest.
Everything is winding down,
Flushing away into soft,
Pianissimo serenades
Of sweet, sweet See-
BUT BEE FLAT
MAKES SEE RATS
EAT THEIR MOLDY FLESH,
BECAUSE BEE FLAT
TO SEE RAT
MAKES EVENING NOT SO FRESH.
Piano farts,
Just do it again.
1 and, 2 and, 3 and,
Now 4 and
Rest;
Second time through
Makes it the best.
Ralph E Peck Dec 2011
Keepers of the time hold the harps, and pluck the strings,
Sending the resonance of the future forward, and back
In the listeners ear, plotting every move, filling
The voids and molding, shaping, creating the destiny.

The sounds first pure, then impure, a learned amateur
Taking the expected mistakes in playing new notes,
Leading, guiding, misdirecting, sounds so close
To perfection, so close to tragedy.

Keepers of the time hold the harps, each listener
Discerning the tones and changes, the falling of a key,
The breaking of a crescendo, winds swept with music;
The calm of the pianissimo, direction to the end.
Isaac Sands Apr 2013
Welcome to the Adagio of my Soul,
Where that slow, slow, sad and sweet melody
Drags me ever deeper and deeper below,
As demons and monsters in panoply
Frolic, full of cheer, in the blazing abyss.

Salute, from the Allegro of my Mind,
That dreadfully cheerful, quickening time;
The one that comes when burnt bridges I find
All around me, as insanity's rhyme
Taunts me terribly, all my world's amiss.

Enter the Fortissimo of my Heart,
While it screams out loud, oh so silently,
To its love, desperately wanting part,
The slimmest, smallest of portions to be
Returned in kind, brush of the lips, a kiss.

End.  Pianissimo of my Body.
Lost love, burnt bridges, demon and monster,
Surround me. Overwhelm me.  Defeat me.
I lay alone.  The music grows quieter.
The song of my life, comes now to but this...
Iambic Pentameter
ababc-dedec-fgfgc-hihic rhyme scheme
13 May 2014
Fortissimo -A
The great fall,
into eerie suffocating darkness
piano pianissimo
leaving smiles on faces inverted,
frozen tears that never rolled down.
The menacing overture
grim and heavy,
crushing fortitude, grief and joy
clawing each other out,
lucidly.

Agitato -B
The angst builds,
wrenching the mind from its rational gaze
chromatic disorder seeps in,
another descent begins.
Agitation bleeds
into rivers of melancholy
flowing fervently to the ******
where famished ears await
the soulful drop of anticipation and girth.
Seduction, no heart could withstand
submission, no slave would surrender.

Coda -A*
Returning to where it began,
the exposition of extremes
a collapsing sky, a violent dream.
At the edge of belief,
madness is melody
poignantly orchestrated.
Fingers that questioned doom
have retorted swiftly.
The closing is at hand;
it ends quietly.
Morceaux de fantaisie (MDCCCXCII)
*Prelude in C-sharp minor, Op. 3, No. 2.*
Posted on October 25, 2013
Maryanne M Jan 2013
My art
My passion awakes
My fingertips
From your tailpiece
Your tailpiece
To your neck

Pulsating change
Change of pitch
Rigorous vibrato
My fingers
On your strings
In an extreme tremolo

My hands
Are bewitched
By your slender auburn corpo
Your firm belly
Twitched
In a perfect falsetto

I pluck
You whisper
Bisbigliando
Your fingerboard
Wildly opens
In stile concitato

I play your chord
Your nakedness
In a gentle adagio
You whimper in a rich
Sonorous
Pianissimo

In my warmth
You arouse
In intense crescendo
Swollen, overwhelmed
By our wonderful
Concerto

You rest
Satisfied
In a climactic finale
Crafted
In good music
By an ******* play

My little secret
My little piece
A jewel on my chest
You are my cello
I am your
Cellist
Natalie Jane Jun 2013
For Dr. Harry Braeuer

The day is mercifully warm when we come to visit you on Christmas.
All is calm o’er the city by the gulf; the salt in the air is sweetly gleaming.
All is bright with glowing hearts by his cradle we stand.

I play with a kitten that looks like Lily because I cower from the realities of your dying mind:
Of silent and holy nights;
Of sins and errors pining;
Of falling on your knees;
Of demanding to know what you’ve done to deserve the larghissimo dying from a disease that makes you forget the intricacies of Chopin’s Nocturnes or your daughters’ names.

You hold your face in your hand and study the eggshell white tile while Michael plays Clair De Lune.
Oh, hear the angel voices!
As if every flowing wave of moonlight of Debussy would cease the decrescendo of life or bring the lucid dawn of redeeming grace.

And after the final note pianissimo, you try so hard to rise from your wheelchair to give your grandson a loving ovation.
You clap your wrinkled and meticulous hands that cannot forget what it is like to cut open the mortal
—to bury the dead.

But please don’t get up, Dr. Braeuer.
A thrill of hope the weary world rejoices.
Stay warm in your bed.
For yonder breaks a new and glorious morn.
Bravo, my sweet grandfather!
Oh, night divine!
Lay down your sweet head.
Oh, night! Oh, holy night!*
Enjoy the tender music instead.
Jai Rho Feb 2014
It isn't music, really
not really
not the kind that you can
dance to
or sing words to
or hum along to

but maybe tap your foot
a bit to
or rock your shoulders
a little bit to
and sway your head
a little nod or two

It's more like rustling leaves
from pianissimo
to crescendo
above the tapping
drips of rain
in puddles circling
round the dangling feet
of waterspouts

and the trilling ring
a brassy bell delivers
swinging from the strike
of an opened door  
as dampened shoes
skip shuffle and slide
inside the musty lair
of an old bookstore

all measured by
the syncopated
clapping beat
of hooves
on cobblestone
in time with
carriage wheels
and drumbeat hoods
of rocking cabriolets

He paints from sound
that whistles in the wind
and freefalls from the sky
that bounces in the streets
and whispers to his eyes
that nestles in his pallet
and mixes in his dyes

It isn't music, really
not really
not the kind that you can
dance to
or sing words to
or hum along to

but maybe tap your foot
a bit to
or rock your shoulders
a little bit to
and sway your head
a little nod or two

when you see his aria
composed by strokes
from brushes
dipped in sound
brooke Dec 2015
ode to the flower next to belladonna
the trees on south-facing mountain slopes
silently musing into the nights and not
the avalanche's daughter whom the hills
sing praises and woes

her soul's a quiet unison, meno mosso
a choir and composer spun through
***** pipes, doors cracked and never
fully closed, (there's light beneath the
lids...) she'd like to think of herself as
the wind but she's content as still air
between prayer beads--

and if not the star dust--then who? why else
do we call pauses rests? Why then is there
beauty in fermattas? In crescendos that vibrate
the material of the immaterial--if such things
happened to be true for the unwild and untangled
the perpetually pianissimo, the leading and kerning--
because she would much rather be an empty vessel
or a plate without food, a seed or a grape on a vine
because neither go without lords or masters and

she is not her own.
it's been a while.

(c) Brooke Otto 2015
Nigel Morgan Dec 2012
IV

Pizzicato pianissimo
its sound gestured into resonance
a slight plosive of winds sustained
Arco – a lament in falling thirds
whispering towards an upward leap and a hold
crescendo  decrescendo
Imagine his imagining in nature’s realm
(that patient catalyst for the solitary maker’s mind)
now guarding here its assembly in a sounding out
Adagio – in a three-fold telling
A measured preliminary to the music’s soon-to-dance theme
before rising scales and emphatic chords – Allegro Vivace

V

Words on the rise
bricks on the going
then in the hall on the wall
A poem you simply have to read so
crouch close to the Suffolk brick
don’t mind those  descending shoes
The verse is laced with words of sound
breaker march cry rumble clap
cueing memory into remembrance
And why why here
where formal musicking lives and rules
are we noised down steps by a boiling kettle?

VI

As the water holds its breath
so a dense cloudscape
forms and floats
Inverted
mirrored
wholly still
it replaces the water
with horizonless sky
and extended reflections of grass
But as water exhales
clouds coalesce
a right perspective restores
2013 marks the centenary of the birth of the composer Benjamin Britten. In 2011 I made a pilgrimage to the part of the Suffolk coast where he made his home and established the Aldeburgh Festival.
She sings from her wrist
And watches in marvel as the lyrics flow from her
Pulsing to her own personal beat
And with each opening, she harmonizes
Creating a chorus of voices
To drown out the ones in her head

It’s beautiful, artistic, natural
It’s filled with emotion that she bottles
And she lets it bubble forth
In red notes on soft, fleshy paper
Her thoughts finally able to find a release
Through something sharp and physical

Because her own voice is broken
Hidden, under a mountain of lies
And drowned under a sea of promises long forgotten
Devoured by a nightmare of regrets
And threatened by mistrust
She sew her mouth shut

And she covers her hands over her ears,
Stubbornly, as I try my hardest
To let my own melody slip in
Intermingle, and rearrange
to something softer, calmer
to sooth those painful voices screaming from her skin

I try to sing louder, she has to hear
It has to reach her, it must
Through late nights and dawnless mornings
Through adrenaline filled marathons home
And patient rantings to burst through the stitches
I want to quell the tempest of her mind

But my voice is growing raspy
Each song burning my throat raw
To where I can only manage a whisper
And once again I can’t be heard
And her ensemble crescendos full force
A fortissimo against my pianissimo

And I can only beg for those hands
To become weary and slip from their vice grip,
From her determination to not listen
To hear my quiet humming, because that’s all I can do
And hope that happiness will take her by the hand
And have her dancing to my quiet tune.
Universal Thrum Jan 2015
Silence now, but oh that the sound would surely shake the earth
And bring maiden knees to tremble
My death song could crumble the mighty walls of Troy
And throw brave Achilles down to dust
Running mad at night through the empty city streets,
Though none would see my nakedness in the black wet reflection of the lights
the twinkle of buried moonlit diamonds scattered on perfect snow
Can only match my brilliant solitude
The bathroom mirror reflects my fevered emptied eyes
Not one cares to see into these red-rimmed holes
destined to stare and burn as forgotten candles
I cannot blink,
a sweaty man with slick black hair sits alone
hunched over a piano
the keys dance pianissimo, evoking slow seductive suicide
a morphine dose in a rainy manhattan subway,
looking out from a window onto the frozen darkening ice,
slumped in a wooden bench seat, overnight
I want to scribble on every abandoned wall, in ******* letters,
Tomorrow I shall die

Alas, it does not matter
For what am I?
Robb Sep 2013
Con spirito
By days
then weeks
then months they go
Bouncing around in my mind
spiccato
Refrain from hope
Don't trust in those
Markings telling you to go
fast or slow
Allegro or adagio?
Make up your mind and
tell me so
I can come off of the strings
col legno
Pianissimo
to a crescendo
and steal away
in ritardando
Rest.
arubybluebird Oct 2013
I feel as though I am drowning in a song with no sound
Faceless voices echo the anxiety reflected on my keyboard
The mirrored image in your midnight gaze is that of my own
After life, oh my god, what an awful word
You should have held my hand
You should have kissed my *******
You should have busted my lip raw and tender
Perhaps then would spill the poetry lost and forlorn inside of me
Inside of me, you want within?
Your ears pressed softly against my chest
My thighs pressed tight against your hips
Mezzo forte, pianissimo, fortissimo
....

*Do you want to step outside, or do you want it right ?
I don't know just what I feel, but I feel it all tonight .
Mikaila Jan 2018
I wish your parents would come to watch your shows.
I know it hurts you.
Seeing you sad
Is like every orchestra on earth playing out of key all at once
Pianissimo
So softly that the sound only buzzes against the skin
But casts a dulling shadow on the whole world.
And you wouldn’t be you
If you understood,
But I wish
They did.
I know it hurt you when we were kids-
They didn’t show up then either.
I always noticed,
And I think that it wasn’t enough
To know that we all watched you with awe
Your group
Your people
Your little army of girls
We would probably have followed you into hell
But
I think you felt the empty seats where They should have been
Even as you succeeded over and over,
Even as you wondered why everyone thought you were so great.
I used to try and explain,
And
You wouldn’t be you if you
Understood
But I wish
They did.
And I’m sorry
And I hope you know
It’s their **** loss
Because whenever I saw you perform when we were younger
And whenever I see you sing now
I feel like someone has turned the sun on
Indoors.
Everybody does.
That’s how you make people feel
Without trying,
That’s why they get so stuck on you.
And you wouldn’t be you
If you understood,
But I wish
They did.
I wish your mom and dad
Could see the way you light up the room when you make music
And I wish that they wanted to
Because they have such a gift in you
As a performer, as an artist, as a human being
And you wouldn’t be you
If you understood,
But I wish
They did.
They should understand
They could have watched you change us and inspire us
They could have watched you create
They could have admired your kindness and your talent
And they still could now,
And I think
It’s so sad-
That they waste their chance to enjoy the person you became
While they
Were too busy to look.
Martin Narrod May 2017
the maze

inside the rules of the car
you promise me that no matter what
insane or compromising thought might
have arisen from either our mouths,

there would always be the maze to keep us as friends- naked friends. ******* friends. hot, ****, blonde and brown haired beasts summoning our human equity to arouse and arraign each other, each's other:

say,
drowning in internacional shipping bombings, lost at terminals, aboard flights.

noting our beasts

the minimalist pianissimo of black and white keys, the growing spirits of a Richter violin filling us up
with anti-matter, inside this hours black tideless extremes. this place's mooring soporific tinders. You placed this cart of humanness too close to the life you live

even say,

rules i wanted to know but
never have to practise in your absence
nowness self-less and losing to the light, losing to the ocean, each ounce of life is now vastly different

inside of me
where dead worms
cannot crawl
i continue to die beside your sprawl
where heavy night brings memories of
your skin affixed n entwined
each of your twelve unspoken names
each of these hours that won't be mine

and as this box of earth resigns
its peace, i wish never to have known
this haunting sea, where quaffing like
the enigma of misery
my secret voice cannot be free
my eyes cannot bare their sight to see
if ever chance should be
Argentum Nov 2015
6/8 timing
Breathe in,breathe out
don't make eye contact
Golden squares of precious sunlight
fall staggered on the table in the morning
don't cry at beautiful things
pianissimo,false cadence
a major chord unfolds like a bird's wings
close your eyes and lift your head
to the sky
keep a low profile and
let your deeds speak for themselves
the countermelody fades in and out
sneaking out the
back door before they realize
it came in
swallow the fury scalding your tongue
and keep it down,
and try to keep your face straight
even as it festers and burns your insides
staccato sixteenth notes
the spaces wedged neatly
between each one
Karma is only an anime character,
but justice runs invariably
in the marrow of our bones.
even if you hold the world
in the palm of your hand
you cannot hold onto it forever.
time eats everything you have,
so savor it while you can.
enjoy this life;
they don't have room for mortals
in paradise.
Keep walking,keep playing,
until the end of your line
with one eye on the conductor
and one on your music
with your heart on your sleeve,
as your very soul flows through each note.
Yes,there's an actual anime character called Karma.He lives up to his name well.
Audrey Jun 2014
Time drips slowly down kitchen cabinets
Like cello music, sweet and dark,
Spilling over the edges of fingerboards and eyelashes,
Arpeggios of stillness cascading through the
Silence that is really music reigning the gaps between each whisper of breath and tick of the clock and soft drumming of raindrops on the street, an ensemble of intimacy.
I love it here.
I love the way it's vulnerable and honest inside your walls of false, forte confidence;
There are no cliché expressions of love at first sight, just the words of your heart,
Like notes played on an old piano, each separate and round and the tiniest bit halting but beautiful nonetheless.
They are rough truths, a little out of tune and not in quite the right key,
But they are the truth,
And that strikes more chords in my heart than a perfect rendition of well-rehearsed Beethoven harmonies
Fitting too perfectly to my rhythms.
And the cadence of your laugher flutters in my rib cage like
Triple-tongued fanfares,
The brush of your fingertips on mine
Sending vibratos of warmth through my soul,  
Yours eyes, honey brown, speaking as powerfully as a Stradivarius
Without even the smallest pianissimo whisper of voice,
My synapses firing in double-time, heart thumping adagio, allegro, presto,
Neither of us conducting, just riding out the jazz and operas and fiddles and symphonies of our love
I wish for books of blank pages to keep composing the
New melody of our lips, dancing along crescendos of
Instinct and softly thrilling secrets
On the gentle sonata of a rainy day in June.
Esther L Krenzin May 2019
I fear I am an wallflower
ethereal
pianissimo to your fortissimo
head bowed
malleable as clay
molding
stretching
shaping my tongue to be silent

You took the beast within and
removed it's claws
it's fangs
any defense it had
I smiled all the while
baring the pink of my gums
the shade of welts
and a soft flowers bloom

To you, I am the wrong note
in a roaring crescendo of a
symphony
nevertheless, stirring embers come to rest
in the corners of my mouth
and I like them.
Penelope Winter Apr 2017
She was a rest in a bar full of staccatos.
She was the note played pianissimo and the key that didn’t sing.
She had no forte in her soul, her steps were slurring phrases.
This girl was the music of a broken string.
Hers were the fingers stiff and cold; and the lip plate never kissed.
A metronome of self-doubt always ticking in her ears.
Never allowed a change in tempo, never shown to spread her wings.
Singing lessons from the deaf for 15 years.

The other was a pickup note, anxious to play the tune.
The dancer skipping steps up ledger lines.
The crescendo of passion, the diminuendo of a lullaby,
This girl no blaring trumpet could outshine.
But though her eyes were made of stardust her heart pulsed slowly, portato.
No accompanist, no duet, no conductor to keep the beat.
Her cheeks stung from the disguise, her worry slowed her, legato.
Compensating for loneliness with quick tempo deceit.

But, like broken triads, fate had it the two would somehow fit.
Drawn together as tied notes, destined to play their piece.
One so controlled by the orchestra, the other yearning for a duet.
The enchanting harmony within them had always burned to be released.
They played as one instrument, arpeggios overlapping in a heavenly key.
Swinging in synchronization, the melody swam magically through the night.
No longer controlled by metronomes, no longer stuck singing solo,
Forever, together, their own sheet music they would write.

- p. winter
~ for the one who was never shown to spread her wings, and who taught me what a friend is ~

— The End —