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"noontime" poems
the preacher never wrote a poem about dahmer's baptism: 1. he leaned across the jail cell table and his eyes were honest when he said he believed in god deeply his eyes were honest when he said goodnight honey and gently draped his body in a tub of sulfuric acid his open jaw glistening in the moon dissolving in the dusty noontime soliloquy of crickets outside his apartment window 2. can an honest man bathe in those kind of wounds and be allowed to ask for a penance? 3. for two weeks they left his baptismal robes in storage they asked if he really believed it if he could believe in all this 4. “when i was a kid i was just like anybody else” he had said he seemed to think being like anybody else could dull the bloodstains reduce the skeletons still tucked into his closet to powder make his wishes into holy water 5. yes jeffrey, anyone can drink it but getting drunk on holiness isn’t enough to repent all of their fingers are wrapped around your heart doesn’t forgetting seem foolish to the brains in your refrigerator isn’t it just useless to the spare ribs, in your bureau drink all the holy water you want you will always carry their bodies on your chest have you ever had a heart other than the ones you collected and did you ever know what a soul feels like? 6. and that day they took him to a prison tub and his body glistened under the water like a drowning animal or a martyr jeffrey doesn’t float 7. as he opens his eyes his mouth wide he looks just like him suspended in white ripples curdling in currents across his pale skin a solar eclipse covers the sun as he comes up for air
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Sep 4, 2012
Sep 4, 2012 at 9:44 PM UTC
the preacher never wrote a poem about jeffrey dahmer's baptism
the preacher never wrote a poem about dahmer's baptism: 1. he leaned across the jail cell table and his eyes were honest when he said he believed in god deeply his eyes were honest when he said goodnight honey and gently draped his body in a tub of sulfuric acid his open jaw glistening in the moon dissolving in the dusty noontime soliloquy of crickets outside his apartment window 2. can an honest man bathe in those kind of wounds and be allowed to ask for a penance? 3. for two weeks they left his baptismal robes in storage they asked if he really believed it if he could believe in all this 4. “when i was a kid i was just like anybody else” he had said he seemed to think being like anybody else could dull the bloodstains reduce the skeletons still tucked into his closet to powder make his wishes into holy water 5. yes jeffrey, anyone can drink it but getting drunk on holiness isn’t enough to repent all of their fingers are wrapped around your heart doesn’t forgetting seem foolish to the brains in your refrigerator isn’t it just useless to the spare ribs, in your bureau drink all the holy water you want you will always carry their bodies on your chest have you ever had a heart other than the ones you collected and did you ever know what a soul feels like? 6. and that day they took him to a prison tub and his body glistened under the water like a drowning animal or a martyr jeffrey doesn’t float 7. as he opens his eyes his mouth wide he looks just like him suspended in white ripples curdling in currents across his pale skin a solar eclipse covers the sun as he comes up for air
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70
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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Feb 11, 2016
Feb 11, 2016 at 11:55 AM UTC
Pa wears a sweatshirt, ma carries a golden purse:
i. the poem has a beginning exactly as you’d expect it: pa in sweatshirt, ma with purse; the funny thing is i never used to call them those names: “pa,” “ma,” always found them too cowboy-ish, too un-me, un-like us: who held chopsticks before dinner time and shared stories of how grandpa came over from china. ii. (at the dinner table) there is no symbolism here. there has been none for a while now. this household eats and eats in quiet. my grandmother is a poet but their books all burned down back in ’45 when mao stormed into fujian and all her uncles could eloquent on was that “the communists were coming!” “the communists were coming!” and instead of poems took with them their children, and their gold to pawn and their clothes on their muddy mortar-stained backs and the japanese iii. my grandfather now comes twice a week to the hospital for chemotherapy. it is a nice hospital. good view of the cleanest part of our ***** city. there are lights and white folks now. two things my dad said did not used to be there. they used to be spanish. they tilled our rice fields and spent the money on living rooms with lots and lots of space to sleep. we on the other hand, worked. he claims. your grandfather and his grandfather and i iv. awake every sunday morning at precisely 8:30. made to go down to the temple in kalesas and told to fetch the office paper for noontime reading. see we weren’t spoiled: grew up just next to the pasig river which back in the 70s did not smell as bad as sin only sweatshirts and the sweat we soaked them in we reeled along steamed fish heads and chopsticks for picking at them with and bowls of rice we never really ate with spoons. v. (back at the dinner table) i listen to my mom and dad sweat profusely in the evening heat only we can have here he in his sweatshirt and she with her golden purse, preparing to leave - a wedding party awaits - an jacket draped over his shirt just like grandfather used to do it in a sense, but gripping the chopsticks delicately for all us to see: “pa,” “ma,” v. it is not cowboys that give us our names.
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60
mourning doves for late afternoons a lament for the golden hour the end of adventures a little girl comes in for dinner tiptoes upstairs strokes her mothers hair leaves little blue flowers by her bed.                        I let my hair go dark again-                           just like yours, do you see?                            I'm a woman now, I have your mouth. forget-me-nots for noontime where the little girl would lay violet blue healing shroud and disappear un-pixelating a photograph in the sky the portrait that made her father cry it was a five year old aesthetic of death.            I guess I never really knew you, did I?              music box hidden in the mystery of a closet shades of midnight, shades of dust a ballerina's slow pirouette called into life after forgotten years the haunt of Sleeping Beauty.                I know you didn't mean to miss my birthday.                    I begged you for a music box, you remember?                       It's my most dear treasure on this earth. mourning doves for missing you forget-me-nots for remembering you my music box will live for you How strange that such wonderful things should make me so sad.
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May 25, 2012
May 25, 2012 at 9:59 AM UTC
mourning doves
O Tulip Tree, Towering titan true, A fond memory I have Of splendorous ventures long ago! O Tulip Tree, Timid and taciturn, I remember when you, Paragon of the forest, Stood tall with power And eclipsed the noontime sun! O Tulip Tree, Tallest tree that be, I recall when you, Pillar of perfection, Were as mammoth in my youth As you are this day! O Tulip Tree, Tremendous yet tender king, I pray for you, Noble giant, That envious naysayer And usurper alike Stay their distance From your domain! And when the hour is nigh, O Tulip Tree, I shall stand tall with pride Between these vile fiends As you taught me to long ago!
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Nov 8, 2011
Nov 8, 2011 at 10:04 PM UTC
A Titan's Ballad
Oh Eliot, Poor Eliot, Your Fans Hung You in the Closet and I'm Feelin' So Sad^ <> we tithed thee with donations plenty, here a dollar, there a fiver, a coupon for free chips, worthy of somebody’s eternal gratitude, that would be you, da Duke, Duke of York the largest online free poetry site, a million visitors a day, why you must be the richest poet online billionaire, right? you, da Duke, Duke of York and occasional poet... in return, all we occasional poets demand steady on instant access, immediate satisfaction, after all, a part time job deserves your bestus-best, just like every other large online site, that never crashes, we’re not like just the rest, we are p o e t s, occasionally so keep the servers engines, well stoked with Newcastle coal, keep them up and running round the clock, using only alternative energy, of the unceasing sun light of merry old England! quit that other job, you must, instead of giving up on us, give in to us, a poetry break, a writing recharge, though please add a limited liability clause to the FAQ’s, that poets’ lives must deal with the hiccup occasional you, da Duke, Duke of York, newly now, an appointment royale as Major General,^^ you, the very model of a modern major general possessing information vegetable, animal, mineral and technical, who knows the Queens  of England, who, maybe even now is telling tales of your heroics with the hordes of hysterical occasional poetical globalists demanding light brigadests charging the redoubt and when you have a moment spare, a haircut, please. no, that is not a request, naturally <> 10/19/19 Noontime NYC natalino
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Oct 19, 2019
Oct 19, 2019 at 12:21 PM UTC
Oh Eliot, Poor Eliot, Your Fans Hung You in the Closet and I'm Feelin' So Sad
Oh Eliot, Poor Eliot, Your Fans Hung You in the Closet and I'm Feelin' So Sad^ <> we tithed thee with donations plenty, here a dollar, there a fiver, a coupon for free chips, worthy of somebody’s eternal gratitude, that would be you, da Duke, Duke of York the largest online free poetry site, a million visitors a day, why you must be the richest poet online billionaire, right? you, da Duke, Duke of York and occasional poet... in return, all we occasional poets demand steady on instant access, immediate satisfaction, after all, a part time job deserves your bestus-best, just like every other large online site, that never crashes, we’re not like just the rest, we are p o e t s, occasionally so keep the servers engines, well stoked with Newcastle coal, keep them up and running round the clock, using only alternative energy, of the unceasing sun light of merry old England! quit that other job, you must, instead of giving up on us, give in to us, a poetry break, a writing recharge, though please add a limited liability clause to the FAQ’s, that poets’ lives must deal with the hiccup occasional you, da Duke, Duke of York, newly now, an appointment royale as Major General,^^ you, the very model of a modern major general possessing information vegetable, animal, mineral and technical, who knows the Queens  of England, who, maybe even now is telling tales of your heroics with the hordes of hysterical occasional poetical globalists demanding light brigadests charging the redoubt and when you have a moment spare, a haircut, please. no, that is not a request, naturally <> 10/19/19 Noontime NYC natalino
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55
melancholy blanketed the whites scarred voices muffled by a ****** mind. an avalanche stuck in my soul severer than a bee at a forked road    how confused! red-cheeked petals and afternoon birds glare     in confusions at the footsteps : unbalance, shaded, muted! the green umbrella's warm, so scorchingly cold! all embittered, by solemn beams of the soulless sun.      their eyes widen,      for they had never seen such lone, for such lone, rare, is forbid to the sons of nature, never belong to happy child's arms, that dreams in a mother's charm. grieving droughts in the air and grass, no dews, why!,    yawned the madden, soporific rabbit Ah, so wild. the windless noontime cross, my quivers stopped, mild. lashes waxed, blacken like a coal,   mind stuck in a haze, or maybe a threatening maze. stiffness of the air injected to my nostrils into my white tongue they will soak, like perfumes to a clothe. Selene will gaze angrily at this and say,       why no, it shouldn't be in there! the midnight orchids waver and frown. soon the frothing dreams peter, but the bolded letters in a white board stay, my chair stays. creaks of an abominable burden became a din. The smudges of grey-white dust I smelt hover gaily in the air of pompous breath.     spellbound by the stagnant languor, mazy, in hallucinations of the heat and homesick.     I sought the fount of hypocrisy and vile, my hiding nonchalances rosen (towards a flock of friends) and loathes to an abominable sun frozen (I wished it to die!) Tilted to the windows, I saw nothing, but fatal secrets of a heart rosed like window dust to a nose.
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Jan 2, 2014
Jan 2, 2014 at 3:45 AM UTC
Rosen fury,
melancholy blanketed the whites scarred voices muffled by a ****** mind. an avalanche stuck in my soul severer than a bee at a forked road    how confused! red-cheeked petals and afternoon birds glare     in confusions at the footsteps : unbalance, shaded, muted! the green umbrella's warm, so scorchingly cold! all embittered, by solemn beams of the soulless sun.      their eyes widen,      for they had never seen such lone, for such lone, rare, is forbid to the sons of nature, never belong to happy child's arms, that dreams in a mother's charm. grieving droughts in the air and grass, no dews, why!,    yawned the madden, soporific rabbit Ah, so wild. the windless noontime cross, my quivers stopped, mild. lashes waxed, blacken like a coal,   mind stuck in a haze, or maybe a threatening maze. stiffness of the air injected to my nostrils into my white tongue they will soak, like perfumes to a clothe. Selene will gaze angrily at this and say,       why no, it shouldn't be in there! the midnight orchids waver and frown. soon the frothing dreams peter, but the bolded letters in a white board stay, my chair stays. creaks of an abominable burden became a din. The smudges of grey-white dust I smelt hover gaily in the air of pompous breath.     spellbound by the stagnant languor, mazy, in hallucinations of the heat and homesick.     I sought the fount of hypocrisy and vile, my hiding nonchalances rosen (towards a flock of friends) and loathes to an abominable sun frozen (I wished it to die!) Tilted to the windows, I saw nothing, but fatal secrets of a heart rosed like window dust to a nose.
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44
I was jealous of jade green oceans, and the way they dance when the sunlight hits them just right. Or, how I've ached to wear a shade unbroken, like the clear blue morning with its cloudless skies. I've even dreamed of dressing in that cold steel gray, that makes you want to stay on those lonely rainy nights. But, I've come to embrace my amber sands, that pull you in like the warmth of the sun at noontime. Only can my brown eyes blossom and burst, like the earth, so tender and soft after the storms subside.
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Aug 13, 2016
Aug 13, 2016 at 12:22 AM UTC
Brown Eyes
It dances through the morning With its thoughts all smug and loud. Oh, my brain, my brain, my brain, Oh how my brain sings aloud. It controls the mirrors Right through its glass Any reflective surface The brain is what it asks. It prances onto noontime With its judgmental stain Oh, my brain, my brain, my brain Oh, how my brain sings my pain. It glances at my edges It smirks at my thighs Oh the brain is a torturous man Filled with degrading, hurtful lies. It sprints into the evening With its cocky glow Oh, my brain, my brain, my brain, Oh, how my brain sings so low. It breaks me down quickly As if it doesn’t care at all That I’m sinking into nothing Or that my heart’s about to fall. It creeps into midnight With its final remark Oh, my brain, my brain, my brain Oh how my brain sings so dark. It goes to hurt me once more But I’ve changed up the game I’ve broken all of the mirrors To make my monster more tame. I crawl into dawn With my brain at my side Oh, my brain, my brain, my brain, Oh how my brain’s songs subside.
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Jul 16, 2014
Jul 16, 2014 at 4:31 PM UTC
My Monster
Long silver tresses grace her lovely sleeping face There peaceful on the silken moss Dreaming of rainbow skies and flitting butterflies In a dewdrops shimmering gloss She is off flying low with portly bumblebees Collecting nectar sweet From sunny flowers smiling up at the sun Glowing honey is the feast Noontime tea is spent with Black Widow Spider Reminiscing in her spinning weave Of days gone by when Old Moon would rise Waving as New Sun would leave She dreams on and on in such peaceful glee Playing leapfrog with Mr. Toad Scaling purple mushroom trees with a single bound Landing on her perfect tiny toes Oh, let us do not wake her from her dreamland Do not touch her silver hair Perhaps if we lie down and close our eyes We can all join her there
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Sep 14, 2010
Sep 14, 2010 at 1:36 PM UTC
Silver Fairy's Dream
•high in the mountains, he grew we- ary                 and ragged• •                     his sight turned                            cloudy, chin un-                              shaven and face hag-                                     gard•removed his boots                                     for his feet did stink•                                   sleep he wanted but not                                 without a drink•one big                               swig and he downed it all•                         then he was asleep before the                       sun could fall•many days visited,              many shadows cast•over this slum-      bering man, many moons had passed •one fateful day, his eyes did twitch and then did open•he sprung aw- ake to the life he had forsaken•his musket dusty, his clothes in di- sarray•his chin - a long beard that has seen countless days•he ran to his home before noontime chime•he found only disbelief, for he had slept a lifetime•
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Mar 6, 2019
Mar 6, 2019 at 7:08 AM UTC
Van Winkle
The familiar complaints, the cozy ones. Ambling through the hedges of grievance. I never know what I'm feeling at any one time. Usually more of the same. Bragging my inadequacies. Winter is coughed from the addled coalsmoke sky. Chimneys chugging ash. Clumps of duress. Blake's choir of children lying in a heap. Noontime streetlamps regaled in holly and poinsettia. A ***** moss enters from the vacant lot, cautiously. The homeless have been scraped from under the bridge. Geese call and flee. The snow is flakes of ash, the sun finally burnt itself down. Disused meanings are flushed. A carefully wrought vocabulary we have disabused ourselves of. Crumbling monologue. A new grammar forms. Light and Motion dances from the screen. A panoptican of laughs and serenades. Sometimes there is a magazine no one has a subscription to. It is the digest of a human heart dressed to the nines in thorns and flame.
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Mar 7, 2014
Mar 7, 2014 at 7:00 PM UTC
Following My Nose
Not for the faint-hearted The highest peak is Unconquerable is its tip Cold and misty, A stairway to heaven! Bold climbers ignore Step is the slope, Help is the rope, And the peak is their hope. Surmounting the rocks Resisting the freezing air Holding back against the pull of gravity Should the climbers do With the vertical That seemed infinite. Escapade began. In their heart, they held The step and hope. Crouching on the frosting rocks They moved higher and higher. 'Till they could glance At the abyss of horizons. Passing the halfway, Wild fortune they met. Wind with wrath roared. There came a snowstorm! Hope began to melt Their shriveling souls, too. Buried. Vertically jeopardized. Lives ended with the limit. Another team conquered The mighty mountain. Aroused a sense of adventure Spirits unleashed, Saying altogether, "We can!" As tightly holding the guide And pathway's light - Their nation's proud "stars ans stripes." Valiance flashed on their faces. Higher and higher they went Calmness danced with the rustling cool wind Glaring were the ice flakes Of noontime sun The journey was near to its end. Yet, a huge running bunch of snows met them. Keen climbers bombarded Explosive things. Boom! A hole was formed. They went down Into the hide site-like hole Awaited the "limit" to pass by then, it came. The hole was filled Shivering with cold Heroes bombarded again... Light rays entered as Dazzling as their smiles. Escapade continued. 'Till they stood and yelled The voice of victory, Overcoming the vertical's limit, On their success, On the most awe-inspiring place of their dreams - The earth's highest pinnacle!
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Aug 10, 2012
Aug 10, 2012 at 2:56 AM UTC
Vertical's Limit
Not for the faint-hearted The highest peak is Unconquerable is its tip Cold and misty, A stairway to heaven! Bold climbers ignore Step is the slope, Help is the rope, And the peak is their hope. Surmounting the rocks Resisting the freezing air Holding back against the pull of gravity Should the climbers do With the vertical That seemed infinite. Escapade began. In their heart, they held The step and hope. Crouching on the frosting rocks They moved higher and higher. 'Till they could glance At the abyss of horizons. Passing the halfway, Wild fortune they met. Wind with wrath roared. There came a snowstorm! Hope began to melt Their shriveling souls, too. Buried. Vertically jeopardized. Lives ended with the limit. Another team conquered The mighty mountain. Aroused a sense of adventure Spirits unleashed, Saying altogether, "We can!" As tightly holding the guide And pathway's light - Their nation's proud "stars ans stripes." Valiance flashed on their faces. Higher and higher they went Calmness danced with the rustling cool wind Glaring were the ice flakes Of noontime sun The journey was near to its end. Yet, a huge running bunch of snows met them. Keen climbers bombarded Explosive things. Boom! A hole was formed. They went down Into the hide site-like hole Awaited the "limit" to pass by then, it came. The hole was filled Shivering with cold Heroes bombarded again... Light rays entered as Dazzling as their smiles. Escapade continued. 'Till they stood and yelled The voice of victory, Overcoming the vertical's limit, On their success, On the most awe-inspiring place of their dreams - The earth's highest pinnacle!
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67
Round white clouds roll slowly above the housetops, Over the clear red roofs they flow and pass. A flock of pigeons rises with blue wings flashing, Rises with whistle of wings, hovers an instant, And settles slowly again on the tarnished grass. And one old man looks down from a dusty window And sees the pigeons circling about the fountain And desires once more to walk among those trees. Lovers walk in the noontime by that fountain. Pigeons dip their beaks to drink from the water. And soon the pond must freeze. The light wind blows to his ears a sound of laughter, Young men shuffle their feet, loaf in the sunlight; A girl's laugh rings like a silver bell. But clearer than all these sounds is a sound he hears More in his secret heart than in his ears,-- A hammer's steady crescendo, like a knell. He hears the snarl of pineboards under the plane, The rhythmic saw, and then the hammer again,-- Playing with delicate strokes that sombre scale . . . And the fountain dwindles, the sunlight seems to pale. Time is a dream, he thinks, a destroying dream; It lays great cities in dust, it fills the seas; It covers the face of beauty, and tumbles walls. Where was the woman he loved? Where was his youth? Where was the dream that burned his brain like fire? Even a dream grows grey at last and falls. He opened his book once more, beside the window, And read the printed words upon that page. The sunlight touched his hand; his eyes moved slowly, The quiet words enchanted time and age. 'Death is never an ending, death is a change; Death is beautiful, for death is strange; Death is one dream out of another flowing; Death is a chorded music, softly going By sweet transition from key to richer key. Death is a meeting place of sea and sea.'
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1.6k
The House Of Dust: Part 02: 05: Retrospect
Round white clouds roll slowly above the housetops, Over the clear red roofs they flow and pass. A flock of pigeons rises with blue wings flashing, Rises with whistle of wings, hovers an instant, And settles slowly again on the tarnished grass. And one old man looks down from a dusty window And sees the pigeons circling about the fountain And desires once more to walk among those trees. Lovers walk in the noontime by that fountain. Pigeons dip their beaks to drink from the water. And soon the pond must freeze. The light wind blows to his ears a sound of laughter, Young men shuffle their feet, loaf in the sunlight; A girl's laugh rings like a silver bell. But clearer than all these sounds is a sound he hears More in his secret heart than in his ears,-- A hammer's steady crescendo, like a knell. He hears the snarl of pineboards under the plane, The rhythmic saw, and then the hammer again,-- Playing with delicate strokes that sombre scale . . . And the fountain dwindles, the sunlight seems to pale. Time is a dream, he thinks, a destroying dream; It lays great cities in dust, it fills the seas; It covers the face of beauty, and tumbles walls. Where was the woman he loved? Where was his youth? Where was the dream that burned his brain like fire? Even a dream grows grey at last and falls. He opened his book once more, beside the window, And read the printed words upon that page. The sunlight touched his hand; his eyes moved slowly, The quiet words enchanted time and age. 'Death is never an ending, death is a change; Death is beautiful, for death is strange; Death is one dream out of another flowing; Death is a chorded music, softly going By sweet transition from key to richer key. Death is a meeting place of sea and sea.'
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37
in the balcony one late afternoon i saw a mossed cypress tree, with curved and drooping branches a shield from the glaring rays of the sun at noontime, i realized it was i sat on the wooden lounge chair as my mind started reeling brimming with words and lines stimulated by the ambiance provided, surrounded by the picturesque views....but i suddenly thought of a distant friend a good soul, a good friend i miss Cheryl, my friend she would have loved to be here in this seaside village, for some time off, to mix her colors paint something from the sea a touch of Neptune's world, maybe for her poems to write..... some fresh air, walks any minute of the day so worries and fears and uncertainties may vanish, evaporate like bubbles dissipate .....into thin air..... Sally Copyright 2013 Rosalia Rosario A. Bayan
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Oct 17, 2013
Oct 17, 2013 at 7:12 AM UTC
For Cheryl Love.....
It is noontime, Senlin says. The sky is brilliant Above a green and dreaming hill. I lay my trowel down. The pool is cloudless, The grass, the wall, the peach-tree, all are still. It appears to me that I am one with these: A hill, upon whose back are a wall and trees. It is noontime: all seems still Upon this green and flowering hill. Yet suddenly out of nowhere in the sky, A cloud comes whirling, and flings A lazily coiled vortex of shade on the hill. It crosses the hill, and a bird in the peach-tree sings. Amazing! Is there a change? The hill seems somehow strange. It is noontime. And in the tree The leaves are delicately disturbed Where the bird descends invisibly. It is noontime. And in the pool The sky is blue and cool. Yet suddenly out of nowhere, Something flings itself at the hill, Tears with claws at the earth, Lunges and hisses and softly recoils, Crashing against the green. The peach-tree braces itself, the pool is frightened, The grass-blades quiver, the bird is still; The wall silently struggles against the sunlight; A terror stiffens the hill. The trees turn rigidly, to face Something that circles with slow pace: The blue pool seems to shrink From something that slides above its brink. What struggle is this, ferocious and still-- What war in sunlight on this hill? What is it creeping to dart Like a knife-blade at my heart? It is noontime, Senlin says, and all is tranquil: The brilliant sky burns over a greenbright earth. The peach-tree dreams in the sun, the wall is contented. A bird in the peach-leaves, moving from sun to shadow, Phrases again his unremembering mirth, His lazily beautiful, foolish, mechanical mirth.
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1.5k
Senlin, A Biography: Part 02: His Futile Preoccupations - 07
It is noontime, Senlin says. The sky is brilliant Above a green and dreaming hill. I lay my trowel down. The pool is cloudless, The grass, the wall, the peach-tree, all are still. It appears to me that I am one with these: A hill, upon whose back are a wall and trees. It is noontime: all seems still Upon this green and flowering hill. Yet suddenly out of nowhere in the sky, A cloud comes whirling, and flings A lazily coiled vortex of shade on the hill. It crosses the hill, and a bird in the peach-tree sings. Amazing! Is there a change? The hill seems somehow strange. It is noontime. And in the tree The leaves are delicately disturbed Where the bird descends invisibly. It is noontime. And in the pool The sky is blue and cool. Yet suddenly out of nowhere, Something flings itself at the hill, Tears with claws at the earth, Lunges and hisses and softly recoils, Crashing against the green. The peach-tree braces itself, the pool is frightened, The grass-blades quiver, the bird is still; The wall silently struggles against the sunlight; A terror stiffens the hill. The trees turn rigidly, to face Something that circles with slow pace: The blue pool seems to shrink From something that slides above its brink. What struggle is this, ferocious and still-- What war in sunlight on this hill? What is it creeping to dart Like a knife-blade at my heart? It is noontime, Senlin says, and all is tranquil: The brilliant sky burns over a greenbright earth. The peach-tree dreams in the sun, the wall is contented. A bird in the peach-leaves, moving from sun to shadow, Phrases again his unremembering mirth, His lazily beautiful, foolish, mechanical mirth.
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42
The noontime breeze blows through my face Refreshing my memory of things I left behind. The summer sun scorches my dry skin. As I endlessly yawn and give in. I gaze at the clear, blue sky Humming the soothing tune of boredom. I let out a long sigh, To release the worry and rejection. I can taste the blandness of the afternoon And all the bitter aftertastes. The tingling sound of the glistening chimes above my head, Remind me of the lazy days lying on my bed.
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Oct 4, 2013
Oct 4, 2013 at 8:37 AM UTC
Lazy Days
She lied in the unmade hotel bed, in nothing but dark white underwear. Dark-green black-out curtains, with a slit in the middle, filtered and framed the sorrowful light of noontime; leaving a bar of sun That made dust waltz in the musky air, and illuminating the small Of the woman’s back and hips, making the skin shine. Her husband stood at the foot of the bed looking in the mirror and glanced back at her napping and she looked so harmless, like a child− or an animal; like she had never been hurt, or sunk her teeth in another. Two nights before they fought about silverware, and he watched a documentary on wildlife survival in which a hunter strangled a rabbit to death, and it made him wonder how it would feel to hold the animal by the throat, while it squirmed and cried for breath within the hand. For some reason, He concluded it would feel easier to smother someone to death with a pillow. The couple decided to leave the city, To pretend they had a fresh start, from the fact that it had been a whole season since they had last touched the room came with bed made, and complimentary soaps on the counter. when the woman got up, they walked to the shore a block away. The sun was turning red, and falling below the feminine silhouette of the earth, and the wind picked up moving the water, like a mirror unfolding and dividing indefinitely. The woman walked farther out on the gray sand and told the man to take a picture of her, the sun behind her illuminating each tendril of dead skin flouting round her head like threads of dark wine. She laughed, and the sound carried out through the water and came back, like an invisible twin. Later that night the man stood on the porch smoking. The moon was rising and full. He could hear the giggling of a young couple room beyond the courtyard. They were Skinny-dipping in the pool; the woman embraced in the young man’s arms legs wrapped our his waist. The old man suddenly felt warm, recalling his flash adolescence in extinct lukewarm nights like this. A tinge of nostalgia and regret that rose and fell for a second and then disappeared. He then scoffed, threw the smoldering smoke off the porch, walked back to his room, and slammed the door.
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May 7, 2014
May 7, 2014 at 2:50 AM UTC
A Brief Mid-life Crisis Before Spring
She lied in the unmade hotel bed, in nothing but dark white underwear. Dark-green black-out curtains, with a slit in the middle, filtered and framed the sorrowful light of noontime; leaving a bar of sun That made dust waltz in the musky air, and illuminating the small Of the woman’s back and hips, making the skin shine. Her husband stood at the foot of the bed looking in the mirror and glanced back at her napping and she looked so harmless, like a child− or an animal; like she had never been hurt, or sunk her teeth in another. Two nights before they fought about silverware, and he watched a documentary on wildlife survival in which a hunter strangled a rabbit to death, and it made him wonder how it would feel to hold the animal by the throat, while it squirmed and cried for breath within the hand. For some reason, He concluded it would feel easier to smother someone to death with a pillow. The couple decided to leave the city, To pretend they had a fresh start, from the fact that it had been a whole season since they had last touched the room came with bed made, and complimentary soaps on the counter. when the woman got up, they walked to the shore a block away. The sun was turning red, and falling below the feminine silhouette of the earth, and the wind picked up moving the water, like a mirror unfolding and dividing indefinitely. The woman walked farther out on the gray sand and told the man to take a picture of her, the sun behind her illuminating each tendril of dead skin flouting round her head like threads of dark wine. She laughed, and the sound carried out through the water and came back, like an invisible twin. Later that night the man stood on the porch smoking. The moon was rising and full. He could hear the giggling of a young couple room beyond the courtyard. They were Skinny-dipping in the pool; the woman embraced in the young man’s arms legs wrapped our his waist. The old man suddenly felt warm, recalling his flash adolescence in extinct lukewarm nights like this. A tinge of nostalgia and regret that rose and fell for a second and then disappeared. He then scoffed, threw the smoldering smoke off the porch, walked back to his room, and slammed the door.
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55
Not for the faint-hearted The highest peak is Unconquerable is its tip Cold and misty, A stairway to heaven! Bold climbers ignore Step is the slope, Help is the rope, And the peak is their hope. Surmounting the rocks Resisting the freezing air Holding back against the pull of gravity Should the climbers do With the vertical That seemed infinite. Escapade began. In their heart, they held The step and hope. Crouching on the frosting rocks They moved higher and higher. 'Till they could glance At the abyss of horizons. Passing the halfway, Wild fortune they met. Wind with wrath roared. There came a snowstorm! Hope began to melt Their shriveling souls, too. Buried. Vertically jeopardized. Lives ended with the limit. Another team conquered The mighty mountain. Aroused a sense of adventure Spirits unleashed, Saying altogether, "We can!" As tightly holding the guide And pathway's light - Their nation's proud "stars ans stripes." Valiance flashed on their faces. Higher and higher they went Calmness danced with the rustling cool wind Glaring were the ice flakes Of noontime sun The journey was near to its end. Yet, a huge running bunch of snows met them. Keen climbers bombarded Explosive things. Boom! A hole was formed. They went down Into the hide site-like hole Awaited the "limit" to pass by then, it came. The hole was filled Shivering with cold Heroes bombarded again... Light rays entered as Dazzling as their smiles. Escapade continued. 'Till they stood and yelled The voice of victory, Overcoming the vertical's limit, On their success, On the most awe-inspiring place of their dreams - The earth's highest pinnacle!
0
Aug 10, 2012
Aug 10, 2012 at 2:56 AM UTC
Vertical's Limit
Not for the faint-hearted The highest peak is Unconquerable is its tip Cold and misty, A stairway to heaven! Bold climbers ignore Step is the slope, Help is the rope, And the peak is their hope. Surmounting the rocks Resisting the freezing air Holding back against the pull of gravity Should the climbers do With the vertical That seemed infinite. Escapade began. In their heart, they held The step and hope. Crouching on the frosting rocks They moved higher and higher. 'Till they could glance At the abyss of horizons. Passing the halfway, Wild fortune they met. Wind with wrath roared. There came a snowstorm! Hope began to melt Their shriveling souls, too. Buried. Vertically jeopardized. Lives ended with the limit. Another team conquered The mighty mountain. Aroused a sense of adventure Spirits unleashed, Saying altogether, "We can!" As tightly holding the guide And pathway's light - Their nation's proud "stars ans stripes." Valiance flashed on their faces. Higher and higher they went Calmness danced with the rustling cool wind Glaring were the ice flakes Of noontime sun The journey was near to its end. Yet, a huge running bunch of snows met them. Keen climbers bombarded Explosive things. Boom! A hole was formed. They went down Into the hide site-like hole Awaited the "limit" to pass by then, it came. The hole was filled Shivering with cold Heroes bombarded again... Light rays entered as Dazzling as their smiles. Escapade continued. 'Till they stood and yelled The voice of victory, Overcoming the vertical's limit, On their success, On the most awe-inspiring place of their dreams - The earth's highest pinnacle!
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67
when it slips down the stairwell only then will you revel in the light of the moon passing strangers at noon lit by the spring sunlight imagining futures too soon. when it all goes to hell ignoring the noontime bell ringing with presence breathing remembrance always there to remind of your first winters hesitance.
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Apr 15, 2014
Apr 15, 2014 at 11:01 PM UTC
freeze
It is noontime, Senlin says, and a street piano Strikes sharply against the sunshine a harsh chord, And the universe is suddenly agitated, And pain to my heart goes glittering like a sword. Do I imagine it? The dust is shaken, The sunlight quivers, the brittle oak-leaves tremble. The world, disturbed, conceals its agitation; And I, too, will dissemble. Yet it is sorrow has found my heart, Sorrow for beauty, sorrow for death; And pain twirls slowly among the trees. The street-piano revolves its glittering music, The sharp notes flash and dazzle and turn, Memory's knives are in this sunlit silence, They ripple and lazily burn. The star on which my shadow falls is frightened,-- It does not move; my trowel taps a stone, The sweet note wavers amid derisive music; And I, in horror of sunlight, stand alone. Do not recall my weakness, savage music! Let the knives rest! Impersonal, harsh, the music revolves and glitters, And the notes like poniards pierce my breast. And I remember the shadows of webs on stones, And the sound or rain on withered grass, And a sorrowful face that looked without illusions At its image in the glass. Do not recall my childhood, pitiless music! The green blades flicker and gleam, The red bee bends the clover, deeply humming; In the blue sea above me lazily stream Cloud upon thin-brown cloud, revolving, scattering; The mulberry tree rakes heaven and drops its fruit; Amazing sunlight sings in the opened vault On dust and bones, and I am mute. It is noon; the bells let fall soft flowers of sound. They turn on the air, they shrink in the flare of noon. It is night; and I lie alone, and watch through the window The terrible ice-white emptiness of the moon. Small bells, far off, spill jewels of sound like rain, A long wind hurries them whirled and far, A cloud creeps over the moon, my bed is darkened, I hold my breath and watch a star. Do not disturb my memories, heartless music! I stand once more by a vine-dark moonlit wall, The sound of my footsteps dies in a void of moonlight, And I watch white jasmine fall. Is it my heart that falls? Does earth itself Drift, a white petal, down the sky? One bell-note goes to the stars in the blue-white silence, Solitary and mournful, a somnolent cry.
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1.3k
Senlin, A Biography: Part 02: His Futile Preoccupations - 05
It is noontime, Senlin says, and a street piano Strikes sharply against the sunshine a harsh chord, And the universe is suddenly agitated, And pain to my heart goes glittering like a sword. Do I imagine it? The dust is shaken, The sunlight quivers, the brittle oak-leaves tremble. The world, disturbed, conceals its agitation; And I, too, will dissemble. Yet it is sorrow has found my heart, Sorrow for beauty, sorrow for death; And pain twirls slowly among the trees. The street-piano revolves its glittering music, The sharp notes flash and dazzle and turn, Memory's knives are in this sunlit silence, They ripple and lazily burn. The star on which my shadow falls is frightened,-- It does not move; my trowel taps a stone, The sweet note wavers amid derisive music; And I, in horror of sunlight, stand alone. Do not recall my weakness, savage music! Let the knives rest! Impersonal, harsh, the music revolves and glitters, And the notes like poniards pierce my breast. And I remember the shadows of webs on stones, And the sound or rain on withered grass, And a sorrowful face that looked without illusions At its image in the glass. Do not recall my childhood, pitiless music! The green blades flicker and gleam, The red bee bends the clover, deeply humming; In the blue sea above me lazily stream Cloud upon thin-brown cloud, revolving, scattering; The mulberry tree rakes heaven and drops its fruit; Amazing sunlight sings in the opened vault On dust and bones, and I am mute. It is noon; the bells let fall soft flowers of sound. They turn on the air, they shrink in the flare of noon. It is night; and I lie alone, and watch through the window The terrible ice-white emptiness of the moon. Small bells, far off, spill jewels of sound like rain, A long wind hurries them whirled and far, A cloud creeps over the moon, my bed is darkened, I hold my breath and watch a star. Do not disturb my memories, heartless music! I stand once more by a vine-dark moonlit wall, The sound of my footsteps dies in a void of moonlight, And I watch white jasmine fall. Is it my heart that falls? Does earth itself Drift, a white petal, down the sky? One bell-note goes to the stars in the blue-white silence, Solitary and mournful, a somnolent cry.
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51
ephemeral laurels, those lullabies of may, became fungi while i was still asleep; none preserved for the non-punctual who dreamt of spring through spring– another missed migration. i walk along the ridge alone at noontime, songbirds seemingly on strike against the straggler– the prairie warblers so persistent in july have gone, with august, silent, nestled against the mountain walls of cicadas’ seventeen-year symphonies, those long encores– i listen but do not hear. i press my ear to the escarpment and feel i’m missing something– like ice ages are whirling still within the cool conglomerate in spite of summer and sweaty palms, like the passenger pigeons blurred and smudged into oneness under the strata have become, without my knowing, the stratus clouds above– or perhaps there is no spite in spindly evergreens that flower for flowering’s sake; that wilt to wilt; that winter with or without listening.
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Aug 20, 2025
Aug 20, 2025 at 12:31 PM UTC
ephemeral laurels
Golden bronze rays shower light and ooze heat in the noontime hour of the unforgiving days of wet June warmth. Sticky, moist, slick skin falters under pressure impregnated with exhaustion and unquenchable thirst. Steam rises from now viscous tarred streets after rain falls with no warning. Waves of lurid heat evolve from every surface in sight near and far. Wet, hot, moist, sticky, sultry, intense, stifling. Summer has made it’s entrance.
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Jul 13, 2014
Jul 13, 2014 at 5:02 PM UTC
Summer Sun
--- fuzzy denizens of desert strange, unearthly, every one they wake up softly to the morning reaching up to find the sun saguaros, huge, regal, majestic silent in their special ways pincushions the size of quarters brush protect from the sun's rays from the blazing heat of noontime to the freezing winter's gloom these living jewels survive the onslaught even burgeoning with blooms! looking out from my front porch there I see a bird who's home is made within the side of a saguaro within its chicks get warmth and shade I see beavertail and golden barrel mammalaria in special pots lining up along the ledges of where I sit, my favorite spot before the sun has even risen this is my safe and holy place then i feel the creeping warmth of the sun upon my face this is where I worship singing though the neighbors find it odd this is where I thank my Maker this is where I talk to God SoulSurvivor (C) 1/11/2016
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Jan 13, 2016
Jan 13, 2016 at 10:32 AM UTC
cacti
So closely, too long have I walked with Death, Nothing shall ever look the same again; Flaunting in face his tainted, foul breath, Stabbing me anew with tears of sharp pain. How many years ago it seems to be! When I mused beneath noontime's honeyed rays Dappling ev'ry lichened woodland tree, Whilst mocking and beckoning brighter days. May's gentle, sweet breath of pine-scented night Redolent with newly mown meadow hay Stifles song and dulls each thrill of delight, Reminding sweeter yet shall pass away. So closely, too long have I walked in dread, Crippled by pain within agonized breast; Too long lingered in the land of the dead Whilst only parting shall mock my request. The scythe of the grim reaper draws e'er near, Terrorizing each sleepless night and day, Making game of wildest nightmare and fear As a gleeful child delights at his play. ~Hilda~
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Jun 30, 2014
Jun 30, 2014 at 6:26 PM UTC
So Closely, Too Long, Have I Walked With Death