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Terry Collett Mar 2015
Mum says she can't
afford for me
to have a hula hoop
Helen says

as I meet her
by Baldy's shop
early Saturday morning
but I have had a go

on my friend's
not that I'm
very good at it
she says

but it would have been
good to have had my own
o come on
I say

it's a hoop of plastic
and you put it
around your waist
and do a wiggle

of your body
and it goes round
continuously around
your waist

if you're lucky
I say
that's nothing
to mope about

she stands
by the side
of the shop
looking up towards

the railway bridge
in Rockingham Street
but I did like
having a go

she mutters
I'd like to ride a horse
like the Lone Ranger
but I wouldn't want

to own a horse
I say
where'd I put it
if I did?

I'd love a horse
she says
white one
with a long

hairy tail
and she dreams
for a moment or two
about the horse

but you're right
she says
where to put it?
we walk down towards

the post office
to post a letter
of her father's
and then walk along

the Newington Causeway
what colour horse
would you like?
Helen asks

black shiny black
I say
she talks of her brother
dropping her doll

Battered Betty
and an arm
coming off
and how her dad

managed to
fix it again
but it was
back to front

and he had
to take it off
and put it
the right way around

and she's
at home resting
Helen says
resting after

the operation
and we come to
the New Kent Road
and walk along

to the Trocadero cinema
and pay out money
for the morning matinee
and we sit

half way back
ready to watch
the cartoon
and black and white

Batman film
then the big feature film
which I hope
won't be

a cowboy film
with kissing in it
which really
gets my goat

and Helen sits
next to me
waiting for the lights
to go out

still talking
about her doll
and the arm
and one eye

I watch the screen
not wanting to know.
A BOY AND GIRL IN LONDON IN 1950S
Bows N' Arrows May 2015
Standing at the grocery store
Purchasing some tea
Eyeing magazines of kings
And queens
I approach the counter and see those
Icons of notoriety who love the people who
Worship them
To see what the masses heart belies...
False idols on pedestals
Dripping nectar, donning diamonds and
Pretty halos of foxglove-laurel.
What Is it that gives us purpose?
Your likeness caught within a picture
Hung up with tacks
A poster In some teen's boudoir?
Mirrors shattered and
Speculations
Will my person be controversial?
Completely surrounded by
Rumors and
The flashy sparks of cameras.

So Vogue says you need
Plastic surgery
And collagen.
Redeem your youth
(Slice thy skin)
After all ugliness is a sin

Am I special?
The Presley of Instagram?
A showcase in everyone's dream
The Monroe of Tweets
You James Dean fiends
You know taking
Selfies is the new disease
I pray! Matinee idols
Do you want to live forever?
Facebook me a savior
Re blog me till I'm real and
Could you tell me who I am?
I've lost myself in Wonderland
#******* #lookism #socialmedia #celebrityworship #youthculture #selfobjectification
zebra Dec 2018
come here with the jackknife
and see what I'm made of

i'm **** candy she said
taffy and blood
a steaming deli
doomed chicken of the sea
doll parts, splayed pomegranates
femurs left in a ******; wish bones
eviscerations to admire
peaches and cream sprinkles
skin like cold grey soap

barbed wire ******'s
spin like a toilet flushing
in spirographic squiggles
at the museum of modern art

video girl
video girl
video girl
like
butter flies flutter bye

dead movie star dancing
a matinee cyclops

everybody wants a glitter ****

shes a incandescent candy store
take a piece
take home in little bite size chunks
in a heart shaped pink box leaking red meat
enshrined crucifix; kosher

god is whatever is in your heart

i pray to modernism
to be saved
by *** death and resurrection
and a bigger ****
impregnation ghoul
like a solar ******* hero
*** heroine

a Bedouin and a Jew ******* each other off
in a New York City
Holiday Inn
while the Kabbalah and Koran read each other

I packed the suit case
with a yellow mucous colored rubber tube,
a razor and stockings
I don't know what ill do with it,
but ill think of something

God spins death
so why cant you; or are you to good for that
albeit a narrow construction
to carve my fate in such short order

ill get into my short short funeral skirt
and girly bobbles
ill go up and down on you like a yoyo

sea Venus foaming *******
til you flip me over
like a deli sandwich
and cut me in two
with a splatter of ketchup
on the blue plate special
while a huddling sabbath of *******,
in extra ******
groan like Pisgah turned to mulch
writing indigo shards suicide note
ending in
i don't mind
and precise instructions

please chew slowly
while I **** on your teeth
stuck rot
still kissing you
better bring a napkin and floss

you know I would get hot,
seeing my one way ticket next to your return one

wish we could
**** candy
pastel chew
blood bubblegum
melts in my mouth like
hissing fruity drops looping
that go down like squid
clawing its way back up
half chewed with that hurt look

you wont need a head stone
your feet will look good sticking out of the ground
with anklets
except upside down
your funeral; a foot kissing ritual
religion; follow dead feet, to paradise

head down
*** up
you know
the position of power

your the new aeon
grave stone arches with toe ring twinkles
rectitude striving
hot head buried in dirt
antagonizing worms
because your too hot to chew

a zombie ******
velvet tabernacle
smooth leg art
and pretty pointy toes
ascending
where glitter lights shine
pickle brine
green
in a
Promethean ******* ballet
phantasmagorias dark embrace

this is no ordinary love
dialog of paraphilias
surreal horror subversive
a poem about the non-rational sacred
untethered poetry
song of a shattered world


Across the spectrum of religious experiences—from the archaic and chthonic experience of sacred power to organized religion—surrealism arises in that elusive threshold between the sacred and the profane, between the illuminations and of everyday life and the more formal expressions of the sacred. The mysterious, contradictory nature of this liminal zone is embodied in surrealist literature and art: matter becomes metaphor; the ordinary object becomes extraordinary; and images evoke emotional disturbance and ambiguity rather than specific ideas. The ambivalent force of the surreal resists conventional rational categories of intellectual discourse. Behind its elusive potency of mood and charged associations lie the fundamental ambivalence and non rational power of the sacred.
—Celia Rabinovitch, Surrealism and the Sacred
Terry Collett May 2015
What's arsenic?
Lydia asked

she broke the word down
into two components
making it sound  
a bit rude

it's a poison I think
I said

POISON?
she said loudly

we were walking up
Meadow Row
it was Saturday morning
and we were
on our way
to Saturday matinee

why?
I asked
looking at her sideways
taking in her lank hair
and thin frame

my mum said this morning
that she'd put arsenic
in my dad's tea
and poison can **** you
can't it?

can do yes
I said

and where does
she get it from?
Lydia asked

don't know
chemist I expect
it's a sort of chemical thing
I said

what if she gets me
to buy it
will I be arrested
for helping Mum
poison Dad?
will I hang
if I'm found guilty?
she said in desperation

we crossed the bomb site
off Meadow Row
over rough bricks
and rubble

I think she was kidding
just saying it
I said

she sounded serious to me
Lydia said

why'd she say it?
I asked

my dad came home
drunk again last night
singing at the top
of his voice
in the Square
I'll walk you home
again Kathleen
and  Mum was none
too pleased

I see
I said
looking at her
as we walked
the faded flower dress
she wore had seen
better days
and the cardigan
of off white
had only two buttons
I don't think
you can buy
arsenic that easy
these days
and they wouldn't sell it
to a nine year old girl
I said

they wouldn't?
she said

no not these days

but what if Mum buys it
and kills my dad?

she won't
she loves your old man
too much
I said

I don't think she does
Lydia said
not this morning any way

we walked across
the crossing and along
the New Kent Road

if she does
I said
and your old lady hangs
then I'm sure
my mum will adopt you
as my sister

Lydia looked at me seriously
I don't want
to be your sister
she said
I want to marry you
when we're older
and I can't marry
my brother can I?  

I looked ahead
as we approached
the ABC cinema
I guess not
I said

the thought hadn't entered  
my little boy's head.
A BOY AND GIRL IN LONDON IN 1958.
RW Dennen Sep 2014
Have you forgotten
your pristine ways enhanced with giggles?
And you stood by the roadside,
your hair was tossed by winds
that caressed you

You sang yourself a love ballad,
a soliloquy bestowed
by gentleness

Calmness never circumvented
your kind curiosity

Cotton candy was the imagined
clouds that melted
on your palate
as the world sang

Your hurt was
always kissed away
by kind compassionate lips
And strong nurturing arms
that held you tight against worldly stings

You couldn't spell the word  "spaghetti"
but would say, "passketti"

You dreamt dreams of Popeye,
Spiderman and sometimes monsters

You also dreamt no dreams
made of pure restful darkness

You skipped, danced, and screamed
with excitement at the slightest
silly whimsical gesture

Things that were everyday
primitive and mundane
belonged in the "Smithsonian Institute"

And friends were abundant
And baseball cards were abundant
Adult space was never
emotionally measured
because emotional bridges in friendliness
always bridged gaps

You became the hero or ******
after every Saturday matinee
The moon followed you
The sun shone forever
on summer days
Mia Lee Mar 2016
Spy Kids (the original)
A 5 dollar matinee with your mom
A box of Bunch A Crunch
Or a plastic sack of
Dip N Dots

Ninja Turtle walkie talkies
Flare denim cargo pants
Bobby Jack zip up hoodies
With blue Fla-Vor-Ice stains
And hide and seek

Now That’s What I Call Music
Volume 17
Playing from a 10in x 10in
Silver box TV
And high frequency noise
To accompany
Akon’s latest bass line

A razor scooter
The foot powered kind
When the Preacher’s Daughter
Has a shiny blue one with a motor

Weeping to Secondhand Serenade
Because your mom won’t let you have
A Wii
And your crush checked “no” on the
Note you gave them last week

Detention after pre algebra
From shooting a girl two seats over
At “close range”
With a hornet
And she was unfamiliar with the school wide
NO SNITCHIN’
policy

The words
Beastly
And epic
Used to describe what your
8th grade field trip is gonna be like

A phone call from your best friend
About finally finding Ben Franklin
In Tony Hawk’s Underground 2

Now
The OK symbol is your most used emoji
There are too many guys with long hair
And beards
White girls all have a weird obsession
With house plants
We’re all at least 50 thousand dollars  in debt
And I think we all
Just really hope Donald Trump
Isn’t our next president
SøułSurvivør Mar 2014
Summer 1986 Sunday 5:30AM

Misty morning in Malibu.
Seagulls stitch the sea to a subtle
silver sky. They sputter stridently.
Each elegant gull hovers effortlessly.
Entreating each other. Echos bounce
off the sound of the surf into eternity. The screeching of many a
soliloquy akin to silence.

I sit on the pier. The water before
me washes onto the staccato legs
of tiny waterbirds who wander
in and out of the surf. Little
windblown ***** of ecru and grey
wool. I worship in the womb of
the great goddess ~ nature. I wasn't to know the Creator was watching patiently...

6:30AM
I make my unhurried way up the
pier to my car. A cheap but
comfortable convertable. Nobody
walks in LA. I punch in a tape.
Don Henley. Boys of Summer.

I take PCH up to the incline that
takes you from the beach. Pushing
the pedal slightly as I slide by the
colossal bleached cliffs of
Palacades Park. There the homeless
sleep under the benches dedicated
by friends and family in
rememberance of loved ones.
Small plaques attatched for
posterity.

My hands are on the steering wheel
at 7 and 12 o'clock.I look at the cast
I wear on my right wrist. A token
of rememberance from an angry romance. He and I parted
respectively, if not at all
respectfully. I drive.

7:00AM
Venice beach. Not yet boysterous.
But never boring. The young people
(and old) still bundled together in bed. Saturday night hangovers will
be had by most of the denizens of
Venice beach boardwalk. A grainy
eyed few wander around abstractidly. Shopowners enter
their buildings, their storefronts
almost as small as booths. Graphitti
and giant works of art grace walls
everywhere ~ Jim Morrison and
Venus in workout leggings much
in evidence.

I smoke my cigarette and drink my
hot coffee carefully in the open cafe'.
I consider the eyefest of the crowd
that will congregate here to enjoy
the clement weather.
The cacophony and the clamor.
Touristas and Los Angelinos alike
drawn In by calculating vendors
and coyote souled street performers.
I look forward to seeing the
non conformity usually. But not
today. For now I sit in the quiet cafe'.

Venice beach. Vulpine. Vacuous.
A strangely vunerable venue. The
***** and the beautiful. The talented and the ******.

A street performance pianist trundles his acoustic piano on
casters out onto the boardwalk.
I ask him if I may play. He looks
at my cast doubtfully.
"I can still play..." I tell him.
He ascents and listens thoughtfully
as I play my compositions. He really
likes them. I ****** the ebony and
the ivory with insistant fingers.
The smile on his face is irrepressable. I smile back and we
flirt in self conceous, fitful fashion.
Time to leave.

9:00AM
Radio is on in my car now. A cut
from the musical Chess. One night
in Bangkok makes the hard man
humble...
I like the driving beat.
I'm going up I-10, a single blood cell
in the main artery that brings life
to the flesh of this mamouth town.
Traffic is tenuous. A boon here in
this conjested city.

I drive to Fairfax and Sunset, where
I lived with in a tiny one-bedroom
apartment with my mom. An
ambitious actress. I an ambivalent
artist.

Sunset. The Roxy and Whiskey-a-
Go-Go. Cartoon characters Rocky
and Bullwinkle casually cavort on
the top of a building. Billboards
as tall as the Hollywood sign. The
street of broken hearts for many
an actress -slash-model. They
wander about on street corners
looking haughty and haunted.
Waiting for who knows who to
honk. Their dreams have flown
away like the exhailation of smoke
from the mechanical lungs of the
Marlboro Man. Schwab's drugstore
and diner. The place where some
famous starlet was discovered.
Delivered into the arms of the
Hollywood machine. I opt to go
to the Sunset Grill.

11:00AM
I'm walking down Hollywood Blvd.
Perusing shops and persuing
pedestrian pleasures. Everyone
talks of the star-studded sidewalks.
To me they look tarnished and
filthy. Stars from a sultry smog
laden sky come to earth. The names
of some of the folks honored on
them I don't recognise.

I'm here to view movies today.
I'm definitely not going to
Grauman's Chinese Theater.
Been there. Done that. Gave the
very expensive T shirt to
Goodwill. I look around at the
proud and the plebian. The pedantic
and the pathetic. No prostitutes
out yet that I could see. Probably
toppled into bed to sleep
(for once). Deposed kings
and queens of the monarchy of the
night. The homeless hobble along
with their hair matted and askew.
Shopping carts with stuttering
wheels de reguer.

A couple of tourists with Izod shirts,
plaid shorts to the knee and deck
shoes sans socks gaze in a shop
window. It's borded by tarnished
and faded silver garlands... tinsel
Christmas tree.
"Want to buy a mood ring today?"
One of them querys his buddy,
laughingly.

I find my small theater and enter
the air conditioned lobby. I purchase
a soda and pass on the popcorn.
As I enter the theater's modestly
plush, dimly lit cocoon sanctuary
I notice very few patrons are here
for the matinee. GOOD. I finally
watch the premiere product of
Los Angeles. Movie after movie
slides across the screen. The callus
morally corrosive corporations
conspire with the creative to produce
the culmination of many art forms
in one. Cinema.

LA. Languid. Luxurious. Legendary.
Rollicking, raunchy rodeo.
Seaside city. Sophisticated. Spurious.

SPECTACULAR.

8:00PM
I wend my way up Mulholland Dr.
Another tape is playing in the deck.
One of my favorites. David + David.
Welcome to the Boomtown.

I pull over at a deserted vista. From
this viewpoint I can see the city
spread out like a blanketfof brilliance. The gridiron of LA.
Glitzy and glamorous. Generating
little gods and goddesses. A gigantic
gamble for the disingenuous and
gouache. Tinsel town. Titillating.
Tempestuous. Only the very brave
bring their dreams here... or fools
rush in where angels fear to tread.
All but the fallen angels. They thrive.

Oh! If this place could be bottled it
would be such sweet poison. I
look up at the auburn sky and back
down at the breathtaking panorama
The metropolis that is LA with awe
and angst. I carefully stub out my
cigarette and flip it irreverantly
toward the lagoon of lights.

I get in my car to drive home.
Home?
Could this imposing, inspiring,
impossible place be called home?

Well. Home is where the heart is.
And I live in the heart of a dream.
This is the city of dreams...

CITY OF ANGELS.

Soul Survivor
Catherine E Jarvis
(C) 2005
You can rest your eyes now...

I only have enough funds to
produce one spoken word
set to music... should I
do this one?
Johnnyqu33r May 2021
I've gotten too old for this angst
Paint on my smile alongside
My contour and eyelashes
My pain is a personal serving

I'd like to think time served here
Means something for later on
When I collapse in my grand finale
Curtains close and the symphony stops

You have no idea the lengths I go
To keep this silly old show on the road
Pointless battles on bathroom floors
The shadows kept behind closed doors

But, I've gotten too old for this angst
So I stay grateful and wide awake
Never biting the hand that feeds
Wiping crumbs and dirt from my knees
Lucy Tonic Dec 2011
This trap
Creates a trance
Looking down
Things would be different
How natural is it
Inside a snow globe
Run by computers
Practicing witchcraft
As accidents happen
In cars an in houses
And the crooked ones
Create more Holdens
More scapegoats
Who’re dumber than rocks
In a storm with a raincoat
Looking up
Things should be different
As Santa claws through our heads
Our minds wish for mud dolls
What will they look like
In heaven’s matinee-
Blood on the snow
Under a blue sky
Olivia Kent Oct 2013
And So The Wind Came!

Clouds amassed in morning sky.
Grey and dancing.
Breeze fresh.
Blowing as the winds of change
Legions, brimming full with rain.
Appearing as sentinels.
Protecting the concealed sun.

Matinee brings with it the weather.
Acting out her violent scenes.
And so the wind came.
Lashing of legs tied in her bite.
A thrashing inferno that's burning with pain.
So stealthily the rain it came.

Let not Saint Antonio visit.
The saint of fellows lost.
May the blast not purge us in it's wild whip.
Let the wind not bring amass of rain.
Dispatch not floods our way.
Let the hurricane play and bay.
Her heart's content.
As wild hungry hound.

Barometer pointer swivels.
Storm it shrieks.
Melee over land.
Let Heaven guard the seas.
May the sea control her swell.
Keep all safe and well!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
We are due a hellish storm today!
No matinee today
from my blackbird,
the robin too, is off sick
and the rain is so insistent,
that the shoosh of the wind
in the birch tree is just a whisper.

On days like this,
lonely people in lonely lives
give over and give up;
here in this gun free country
the gas oven, the dressing gown cord
and stored up sleeping pills,
are enough and enable the tired
to leave without saying goodbye.

The dead do not read obituaries,
are not here to unravel confusions,
to answer the question. Why?
to answer the question. Why?
to answer the question. Why?

Now there is one less setting at table
a bedroom door stays shut and
in the bathroom
the toothbrush goes dry in the mug.
The clean shirts at the dry cleaners
are picked up and  on their hangers
with the new heeled shoes in their bag
are fresh goods for the charity shop.

And in this big city village
no one cares
no one really cares
The music is "Le Pas de Chat Noir" by Anouer Brehen  It is truly depressing!
JJ Hutton Sep 2011
"I'm madly in love with you."

"I wish that could mean more."

"Me too."

Tethered to concrete,
enlightened by laptop screen,
the summer went out with a scream,
autumn ends like flicking light switch.

I'm cashing in time cards with three,
Diseased, daring to get off cheap
with three sets of teeth,
crooked spines,
and
milk thistle dreams.

The bluebirds you can keep,
over-the-shoulder vultures--my scene.
Death hands me a cup of coffee for free,
and I have written up to the ending.
I have written up to the ending.
Ending the writing,
waiting for you to compose
the siren's song--
whether in hospital gown
or naked and strapped to splintered mast,
autumn ends by flicking a switch,
while your screams echo backwards
in the chambers of my memory.

"I don't know how to say, what I want you to say."

"Please try."
Gerardo SanDiego Jan 2010
maybe it's supposed to happen this way.

whenever Joe the convict raked leaves within the compound,
he would always find scraps that had blown in from the other side
of the double chain link fence

--a ticket stub to a weekend matinee that
young lovers could barely afford to see, a fast food napkin
with lipstick and ketchup stains, an incomplete note
written on rainbow-colored paper, a square cotton
pad the size of a ring box--

these he would gather along with the other leaves,
using both hands to shovel everything into burlap sacks
as fast as he can, as fast as he can, as fast as he possibly can
until there was nothing left
but grass and his tired breathing.

maybe it's supposed to happen this way.
I thought you would have made the most grandiose of lesbians, as women go, you were quite sublime. You caught me with your androgyny of  hair and your boyish shoes. Too safe to listen to country music, your exquisite headphones blasted out some beligirent cross-hatch nonsense. So i tailed you, so i went to where your footsteps had inwittingly left their mark. I followed you into bars with organic juices, and book shops for the intelligentsia. I watched you across a crowded room, in smokeless bars, whilst you laughed gently at friends jokes; and how i wished i was the punchline, what i would give for that mouth to smile at me. Mirror-red, i would take off your head if you would let me.....

How i wished you were dead, so i could mourn you in a proper fashion. Looking glass. Paper hearts. Ancient things i had forgotten when i looked at you - so exquisite, so shiny, so super and new. How everyone envied me. I had been so good uptil now - the modern bride, wedded to my mind. Singleton screams soprano from my face, orange peeled lips. Unzip me, my handbag head spills on the pavement. Confused by you, confounded by you. Oh you majestic awe-inspiring lesbian, you seem to tick all those (non-conformist) boxes. I, a brilliant lazy yorkshire matinee; you, a grandiouse west end friday night opening. I read the script, somewhat deja-viewed. Are you shocked i worked thee out?

A date with your phone. oh, how, very..... original. Though i cannot but tear my eyes away from what you are doing....a penny in a handful of silver. Drop from my fingers, remove your eyes from my sight. REmove, my sweet experienced delight. Watch as i drive away..the weight of my absence must crush you surely.....? Do alarm bells ring?...No wait..does the heaven sing and mourn your loss? what a pity, a-fly-by-the-night-at-any-cost-i-don't-care-because-i'm-toooooooo­o-cool-for-you, sorta pity? I am not your shadow, your stripes were blacked out by the light, i didn't care to see anymore, and i knew you would not follow so i chose my leave to go. (just so you know, this is me...leaving, you)

Too many lips for me to count, you talk tooo much. You sit there and all i can think of is lying you down and making you stop, talking. Too much? My oh My. Let me take you from here, make you forget who you are. Walk down a beach, hold hands, even if its raining. Too much to ask? Oh so many task. So many standards and obligations, too many notes and standard citations. I just want to do, anything, but listen to you talk. Again and again, i wonder when you will stop to look at me. I guess you would always be the girl, who was afraid to know, the truth. For the lack of you, do something. Four seems better than three, don't you think?
If you think you're lonely now, you probably are
Do you find yourself wishing upon stars?
Friends and family are mere garments for your soul
When the night falls, you're still left feeling cold
Do you find yourself more busy than usual?
Are you occupying your mind with things that are trivial
Will you drown yourself in poetic verses
Let me say this again I don't think you heard this
Will you drown yourself in poetic verses
If you think you're lonely now, there's no app or service
Do you place yourself in a crowd of people
Do you bow your head and pray under a steeple?
Praying your soul to rest and that God may keep you
Yet still among the masses no one can see you
Love lost love never found, the loneliness is equal
When you tap on your keys and reach out overseas
looking for someone to greet you
If you think you're lonely now
You'll feel lonelier knowing they'll never meet you
Oh the disparity of it all, the pain to just be you
Are you praying again, for life to just leave you?
Or will you occupy that single seat at a matinee at the Bijou
if you think you're lonely now, I believe you.
Richard Riddle Nov 2016
The armies gathered on the vast expanse, poised for battle. Shields were raised, and the blades of their swords glistened in the morning sun. Led by the knights of  Arthur's table, they would be invincible, to fight for king and country..........so we thought. After all, it seemed like every country, mostly Normans and Saxons, wanted to kick Britain's ***.(and still do).

I was seven years old, as best I can remember. The 'vast expanse' was our backyard in that cul-de-sac in Corpus Christi, Texas, back in the 1940's. With 16 kids on that short block, it didn't take long to organize armies in order to re-enact the movie we saw earlier at the Saturday Morning Matinee at the then Ayers Theatre, whether it be about knights of the realm, or a Roy Rogers western.
Bless those days before televsion took its unyielding hold. A time when we could let our imaginations run rampant, making up our own scenarios, emulating our movie heroes, and there were many,  and most of all, "playing outside," something we don't see much of......... *anymore.

No one ever got hurt in those weekend battles. Of course, mom and dad, along with the other parents on that block kept the 'silent' watch on us, intervening only if they felt it was getting too loud or rough. I sit here, in my chair, recallng my dad saying, "At least, if we can hear them, we know where they are."

Our shields and swords were mostly made from poster and cardboard, sometimes rolled up newspapers.

copyright: r.riddle 11-17-2016
Thanks to Arthur Pendragon, Sirs Lancelot and Galahad, Merlin, and to Guinevere, Prince Valiant, and Aleta, 'Queen of the Misty Isles'. And last, but not 'least', Vivien, the "Lady of the Lake."
Terry Collett May 2013
After morning matinee
and after dinner
of sausages and mash
and baked beans

you met Helen
by the post office
at the end
of Rockingham Street

she had on
the red flowered dress
you liked
and held Battered Betty
her doll
by an arm

her hair was held
in plaits
by elastic bands

and her thick lens spectacles
were smeary where
she'd touched them
but not cleaned them

where are we going?
she asked
how about London Bridge
train station?
you said
we can watch the trains
come and go
and watch the porters
rush about with luggage
and things

she gazed at you
through her thick lens
shall I tell my mum
where we're going?

sure if you think
she'll worry
you said

be best if she knows
Helen said
don't want her to worry
where I've gone

ok
you said
and so you both
walked back
to her mother's house
and she told her mother
and her mother came out
and looked at you
and said
ok so long
as you're with Benedict

and so you walked back
along Rockingham Street
and got a bus
to London Bridge
railway station

and sat on the seats
downstairs
by the conductor

and this guy with glasses
and a thin moustache
gazed at Helen
from the seat opposite
his eyes moving over her
his gaze focusing
on her knees
where her dress ended
he licked his lips
his hands on his thighs

Helen looked away
pretending she didn't
see him looking
you stared at the man
watching his eyes
dark and deep
they say it's rude to stare
you said

the man looked at you
kids should be seen
not heard
he replied

and you're seeing a lot
you said
he muttered something
and got off
at the next stop
giving you
a hard stare

Helen said nothing
but seemed relieved
after a while you got off
the bus at the railway station
and went inside

there were crowds
of people
and the smell of steam
and bodies washed
and unwashed

and the sound of trains
getting ready to leave
and voices and shouts
of porters and rushing
and going and coming
of people

and you sat
with Helen
on a seat
on the platform
she with Battered Betty

and you with your
six-shooter in your
inside pocket ready
to get any bad cowboys
who came your way

and Helen said
why was that man
staring at me
on the bus?

just a creep
wanting a peep
you said

peep at what?
she asked
I'm not beautiful

yes you are
you said
anyway it wasn't
your beauty
he was looking at
you said

what then?
she asked

oh something
he oughtn't
you said

and a loud blast of steam
echoed around
the station
and a voice called
and a whistle blew

and you all
sat watching
Helen
and Battered Betty
and six-shooter
carrying cowboy
you.
As Monday mourns the weekend's passing
men are massing
at the shipyards,steelyards,
good men ,hard men
waiting at the coal mines
I wonder were they better times.

Mass employment,enjoyment
a wage to take home Friday night
a beer or two
to set the world to rights, and a couple more
before the saloon bar door was closed.

Saturday and up on market street
set out to meet friends
old and new.

The Matinee,
a treat for kids on Saturday and then some chips
and dad slips in to see the accountant
(turfing the lawn,I suppose,but who knows)

Then Mum and Dad dressed to the nines
aye, yes
much better times,
and down to the dance at half past eight where they'll stand in a queue till a quarter to, and dance the night away.

A different time
a different day
when a workman worked for a workman's pay.
It was a long time ago,
and not in Bethlehem.
Terry O'Leary Nov 2013
’Tween hither and thither we wended our way
skipping, dancing through sand dunes, in seascape croquet.
While woven in waves watching dolphins at play
I first tasted her lips in the ocean’s wild spray.

Mystic moonbeams, suffusing clouds’ shimmering sails,
unleashed us and whisked us down sensuous trails,
soon evoking the trills of untamed nightingales
as our passions pervaded green valleys and dales.

Being spectres of splendour in wanton sashay
we mastered our meaning in love’s matinee –
the breezes, in passing, slowed down to survey
blazing bodies embraced in youth’s blooming bouquet.

With the wind as our wings, till the Never we flew,
two gypsies, on junkets through dusk’s residue
gently floating like pollen to everywhere new,
so eluding pearled teardrops that paint the past blue.

Yes, we gamboled and gambled, two waifs led astray,
with our shackles afire and anchors aweigh –
rising higher and higher, the sun lured our sleigh,
teasing time was our temptress, night’n day after day.

Having stars in our eyes and all time as our view,
we’ve drifted, like dreamers where sprites rendezvous
and feasted on laughter and sipped morning dew
while rambling forever as one made of two.
Vipers vipe another's life
by the flavor of their bites.

Constrictors construct another's death
by stacking slim breath upon breath until no more is left.

Adders addle able bodies into meal,
and Rattlers crackle should you come too near,
but not in here.

Boomslangs sling their back jaws into prey, to chew the venom in.
Black mambas leap even at thawed white mice.  

This is where a permanent tranquilized matinee meets a life sentence,
all year long and every year hence.

Fang glands churn and produce venom to no productive use.
Serpent jaws pitch surge and yaw to locate the same frozen rabbit as yesterweek and the procession of all the weeks which preceded.

Though kneeless, to me they seem to be kneeling,
praying for prey to cross their path.

I make my way past the Coral Snake, Anaconda, Python and Asp, all lax, medicated or meditating on this wilderness where their hisses are merely reminiscent gasps.

Through the anesthetized malaise, we observe the faces of a most ancestral and mammalian fear, and they can gaze back at us, but rarely do, reduced as they are to being expensive jewels, on display behind the fingerprint smudged windows in the Snake House.
Gant Haverstick Feb 2019
saw a movie once where a submarine
went into a tunnel underneath a
glacier and surfaced in a tropical
paradise full of dinosaurs and cave
people, then a volcano erupted
and destroyed a bunch of stuff.  i thought to
myself, "this movie is really about
people's hearts", but i guess everything is.
sometimes the world speaks to you in weird ways.
Gant Haverstick 2019
Terry Collett May 2012
Fay managed to get out
while her father worked
and she came

and knocked at your door
and said
You want to go out?

Sure
you replied
and you both went down

the stairs of the apartment block
across the Square
and down the *****

up Meadow Road
crossing over
the bombsite

behind the coal wharf
and on to the main road
where you walked along

side by side
Let’s see what’s on
at the movies

you said
and you stopped outside
the movie house

and peered at the programmes
Fay said
My daddy doesn’t think

movies are right for children
he says they’re sinful
and full of lust

and ***
and greed
and she stopped

and stared along the road
at the people passing
and the cars and lorries

going by
on the main road
and the evening air

choked up with fumes
and the street lights
giving a false perspective

It isn’t all like that
you said
Some movies are about love

and laughter
and people enjoy going
it takes them out

of their dreary lives
Fay said
I’ve never been

inside a movie house
never seen a movie
Well why don’t you come with me

to the matinee on Saturday
I can squeeze some money
from my dad for the two of us

Fay looked at you
and seemed interested
but then said

No I can’t
if my father caught me
there’d be hell to pay

and apart from the lecture
on the immorality
of the arts and such

he’d belt me some
and not let me out again
for some time

and  you said
Ok but some day
you’re going to find out

things aren’t always
as the parents say
then you’re going to

have to find your own road
and walk your own way
and she looked sad

and walked away
from the movie house
along to the subway

and down the steps
into the bright lights
and noise of traffic

over head
and you touched her hand
and she gripped yours

and you walked down
through the subway tunnel
she in her flowered dress

and brown shoes
slightly scuffed
and you

in your tee shirt and jeans
and you pretended
not to notice

the bruise on her thigh
which caught your eye
as she skipped along

her dress rising high
as she went holding tight
your hand

her fingers wrapped
about yours
and up and out

on the other side
of the subway
with its bright lights

and evening sky
and too many questions
and not an answer why.
Derik M Smith Jul 2013
She liked to play games,
Not in the malicious way,
And not in a way that didn’t make me want to stay,

She played like the way people feel the need to light up the night’s sky in the cities that she loved,
To make what is there different,
To shine a comforting, milky, glow over the natural state of sky that is known well by those
Whose veins pump a wealth of that dense black nothing into their chests until their hearts are heavy,
And their fun loving games are just an actor’s play,
Complete with a weekly Sunday matinee,
Featuring scenes from the girl who they think about too much during their day to day;
So just let it be what it is.

Let the sky at night make you feel small,
Like a strand of hair lost in a shifting pit of snakes,

Let your fear be too overwhelmed by awe,
To speak about things like you were on a hazy carrousel,
A fun up and down ride with no real need to dwell,
Because we are young and still have many coins left in our pockets to feed the machine,

Things do look funny when you pass by them quickly,
But if you would stop the ride,
And take the time,
To focus fully on the things outside,
You may still find yourself spinning.

The truth is, is that the truth is, as direct and striking as a visit with the night’s sky without the comfort of our own lights,
With a black that’s not broadcast,
Like the sleek coats of dark and powerful horses buried by the overwhelming snow of a crashing roof,
Trapped and still for an untold amount of time,
Because the memory of the image is too emotional to be measured by things as precise as seconds, minutes, hours.

They were poetry from a beautiful girl,
Who liked to play games,

She made my week by stepping off her carrousel,
And ridding on mine,
Until the golden sun fell,
And I ran out of time,
Too bad she died.
Francie Lynch Jun 2016
On Sunday, my S.O. and I
Drove to see Chorus Line
At the Stratford Festival.
A matinee. Beautiful day.
We left the Refineries of Sarnia
For fine entertainment.
The Avon flows gently
Buoying white swans gracefully.
Blah... blah... blah.
All very real.
You can see why it's called, Stratford;
There could be no other name.
A good choice.
Best Shakespearean Festival in N.A.
She explained all this to me on the drive.
If contrary people suffer
From low self-esteem, I didn't help
The situation.
As we drove through rich, green farmland,
Grazing cattle.
She asked why some barns
Have ramps leading to the barn doors.
Well, says I,
The farmers, because of the economy,
Have to sell their livestock in parts,
So the ramps give easy access for the animals
Back to their stalls.

Huh, said S.O.
That's so thoughtful!
Timing is everything.
Sincerity in voice, critical.
Hurry on to a new topic.

Someday, for sure, she'll tell someone, somewhere
About the considerate farmer.
She will.
Timing.
Like the kick line.
Like a *punch line.
Stratford, Ontario, Canada
Sarnia, Ontario, Canada
P E Kaplan Apr 2014
As they walked along after the matinee, the older brother teased his sister, “Hey, guess what, Frankenstein lives in the attic and he’s goin’ get you.”  With a flushed face the little sister responded, "Nah-ah, besides the attic door is locked."  And her brother smirked, “Think Frankenstein cares about locked doors?"

Throughout their childhood, the brother jumped out behind closed doors, terrifying his little sister, and with each fright he gave his own fear seemed to lessen.  After a startle the sister thought, ‘Does my brother love me, like I love him?’, and she concluded, “He must, why else would he try to scare me to death?’

Within the decade, a sudden brain hemorrhage took their dearly loved mother.  Now, untethered in their mother’s love, the siblings changed, tightened, within,  While their father, a traumatized, war veteran, swiftly fell off the wagon, and the brother and sister cast off, rudderless, uprooted into troubled waters.

And with their hearts snapped shut, immersed in relentless grief, they parted ways.  Some years later, their father died, bequeathed them both his unhealed pain. The brother, the sister, slid secretively into alcoholism, conceded the family custom, invested deeply in their despair, the two went on, married, raised families, conformed.

And time went by, as alcohol soothed the pain until the brother breathed his last, his belly taut with fluid, his liver destroyed, a life sentence ended.  While she, the lone survivor, mysteriously yielded unto Grace and was pardoned, recovered, she finally understood, she knew deep inside; everyone did the best they could, even her.

…and within a circle of one; I loved them all forever and ever.
cirhttp://mladzema.files.wordpress.com/2013/07/il_fullxfull-362602814_18vc.jpg
We,
if we were good
got an Easter Egg
from teacher,
she said,
it was donated by,
William Smith,
which surprised me because he was
old and didn't know us at all.

But
it was at the Giant Axe on Easter day
where we jumped for joy at
the three-legged and
the egg and spoon race,
five a side, the football teams
girls and boys from the North and South
streams of chocolate on their chins and
in their mouth and Mother with the
kids in  t'pram looking at t'stalls
full of home made jam and books and things.

Me and bro' just out from the Saturday morning
matinee show at the ABC
pretended to be
Zorro,
we used to borrow the entrance to the
back door of the cinema
to get us in, to sit in sin and watch the screen
then with sixpence saved would buy ice cream and
still have change for a bag of chips.

How time slips away but Easter day,
stays forever young
forever fun and
tastes like chocolate
fairy tales.
I was reminded by my Sister in-law of Easter festivities on the Giant Axe when we were kids, which was a stadium where Lancaster City played football, so named because from the air the outer wall looked like a giant axe head The William Smith festival was a yearly event now sadly discontinued.
Terry Collett Apr 2015
Without God we cannot and without us God will not, Sister Bonaventure, the Italian  said, in R.E  at the school, where Fay sat looking at the nun's plump features and a second chin that lay on the nun's wimple. Cannot what? a girl said from beside Fay, a thin girl whose hand was raised above her head. Others stared in Fay's direction as did the nun. What do you think it means, Gloria? the nun asked, her dark eyes peering at the girl. The girl shrugged her shoulders. Salvezza, the nun said, salvation. Fay took the word and tongued it in her mouth like a boiled sweet. Salvezza. The other girls in the class sat mute; some looked at each and smiled either out of indifference or bewilderment, but Fay sat straight-faced, the words in her mouth, both Italian and English. Salvation? A girl asked, pushing her luck, seeing the nun's features harden like cement on a hot day. To be saved, the nun said, saved from damnation. The girls all Catholic and bought up from the cradle knew this, but it was a hot day and they had lost interest as soon as Sister Bonaventure had entered the class with the ease of a hippo into a muddy swamp. But Fay took the words and packed them away inside her head to **** upon in her nightly hours when she failed to sleep. After school, walking along St George's Road, she saw Benedict standing by the subway waiting for her. He stood with hands in his pockets, his school tie untied, hanging loose, his shirt collar unbuttoned. She smiled when she saw him; her stomach did a somersault; her eyes moved over him like hawks seeking prey. He smiled like Elvis, which he had mastered by studying the photograph in the paper and had cut it out and sellotaped it to his wall. Didn't know you were going to meet me, Fay said, thought you said you were busy. Benedict smiled. Wanted to surprise you, he said. Did you run home from school to get here by this time? No, got the bus, he said. She touched his arm with her thin fingers, felt the cloth of his school blazer. He looked at her; took in her fair hair, straight, but pinned at the sides with hair slides; at her eyes that were as pure as silk; at her features that he wanted to capture in his mind so he could conjure up in bed at night when he found it hard to dream about her. She looked past him, making sure her father-who didn't like Benedict- wasn't around; making sure that her father wasn't amongst the crowd across the way or in a passing bus. They walked back towards the flats together, side by side, hands not touching, but close, near touching. She told him of her day at school, about the Italian nun and the words that she had captured that day in R.E lesson. Salvation? he said, taking the word and moving it around his head and mouth like a puzzle to be solved. Sounds like something you put on if you've got a sore spot, he said. She smiled. It means saving our souls from sin and the consequences of sin, she said. They walked down the subway side by side, the words echoing along the walls. He looked at her as they walked, his hand near touching hers. Sins? What are they when they're at home? he asked, probably knowing the answer, but wanting her to say. Violation of God's will, she said. Violating our relationship with God, she added. He allowed his knuckles to brush against hers gently, letting her words float about his ears. Violate God's will? He said. She nodded. Defy, God's will, she said. Mm-mm, Benedict said, got you. Whether he had or not, Fay had no idea, she sensed his knuckles brush against hers, gentle, soft, skin on skin. They came out into the late afternoon sunlight, on to the New Kent Road, passed the Trocadero cinema, their hands brushing close. Changing the subject, before Fay could venture further into the words, he said, do you anything about periods? She stopped by the entrance to the cinema and gazed at him. Periods of what? History? Geographical times of changes? She said. No idea, a boy at school was talking about it, said his big sister was having her periods and was a dragon when she was, Benedict said, gazing past, Fay, at the photographs in the framed areas inside the cinema walls. She blushed, looked at the photographs, too. How old are you, Benny? She said. Same as you, twelve, he replied, taking in the photo of a cowboy, at how the cowboy had his guns set in his holster. And you don't know? she said, shyly, looking at him, blushing. He tried to copy the cowboy's stance ready to draw his imaginary gun from imaginary holster. No idea, he said, looking at her briefly before gazing at another photo. What do you learn in biology? she asked. O usual ******* about plants and sunlight and butterflies and bees and so on, he said. About butterflies or birds, then? he said, taking in the cowboy's stance again. Yes, she said quickly, not wanting to elaborate further.  They walked on passed the cinema and the used car area and walked over the bomb site towards Meadow Row. So what's the connection between this kid's sister and ****** birds or butterflies and periods? Benedict asked. She shrugged and smiled. Ask your mum, she said, she might know. He smiled, leaned down, picked up a few stones from the bomb site for ammunition for his catapult later, guess so, he added, taking in her blushing features. They paused half way across the bomb site and stared at the the coal wharf where a few stragglers of coal men loaded up the lorries and wagons again for last bit of business. He wanted to kiss her, but didn't want to take the liberty of just plunging his lips on her cheek as he'd seen them do in the cowboy films. She watched the coal men at work. She sensed him beside her, his closeness, his hand brushing against hers, skin on skin, flesh touching flesh, but she didn't want her father to see her touching Benedict's hand, because he'd go mad at her. I  want you to focus on your school work and what the nuns tell you about matters, not gallivanting with the likes of him, he said last time he saw her with Benedict, even though they lived in the same blocks of flats, he downstairs and she upstairs. Likes of him? What did that mean? She mused, looking away from the coal men and taking in Benedict beside her. God knows what her father would say if she kissed Benedict and he saw them. A few years ago he would have spanked her, but nowadays he just threatens her with it. Benedict turned and looked at her. Are you coming to the cinema for Saturday's matinee? Don't know; depends, she said. Depends on what? he asked. My dad and what he's up to and if he'll let me, she said. She paused, looked past Benedict to see if her father might be around. What's wrong with Saturday matinee? Benedict asked. She looked at him. Daddy thinks it's sinful to stare at those kind of films, although he did take us to see the Ten Commandments with Yul Bryner and Charlton Heston  a few years ago, she said. But you've been with me before, Benedict said. I know but only if Daddy's away on business or is away on religious retreat. Benedict raised his eyebrows and pulled a face and pouted his lips. She smiled. See what I can do, she said, looking over at Meadow Row making sure her father wasn't in sight. He wanted to kiss her, but didn't want just to plunge at her as he'd seen them do at the cinema, but what to do? She gazed at him, her body tingling for reasons she couldn't fathom. Best get home I suppose, she said, in case Daddy's there wondering where I've got to. They walked on across the bomb site slowly. Could I? He asked, pausing by the wall of  bombed out house. Could you what? Fay asked. Benedict looked at her. Kiss your cheek? She blushed and looked around her then back at Benedict. Why would you want to kiss my cheek? She asked. I've seen cowboys do it to women in films I just wondered what it was like, he said. Is that all? she said. All what? He said. That reason? She said. No, he said, looking past at the coal wharf, I like you a lot, wanted to show you how by kissing you. She felt out on a limb, beyond her comfort zone, yet something about it seemed satisfying, the gesture, the idea, the reason he wanted to kiss at all. She knew she was blushing, knew that her body was reacting in away unknown to her before. She looked across at Meadow Row, at the people passing over the way. Do I dare? She asked herself. What if Daddy sees? Not here, she said, maybe on the staircase of the flats if no one is around. He nodded, looked at her, touched her right hand, warm, silky soft. He wasn't sure of himself as he usually was; felt as if he were in bandit country and bad cowboys were at large. They walked on down Meadow Row, passed the public house with doors open and the smell of beer and a piano playing out of tune, passed houses and the crossed over by the corner leading into Rockingham Street. Their hands were apart from each other just in case. Her father in her case and other boys seeing, in his case, thinking he was breaking the schoolboy code into cissiness. They walked up the ***** and into the Square and walked towards the block of flats where they lived. She talked about Sister Bonaventure and sin and he talked about the boy's sister's period problem whatever it was. Half way up the second staircase landing they paused. Now? He asked. She looked up the stairs then down. Ok, she said softly. He kissed her cheek, damp, soft. She looked at him, then for reasons she didn't know she drew him to her and kissed his lips, then let him go. What happened to her or him they didn't understand just felt the inner glow.
A BOY AND GIRL IN LONDON IN 1960 AND A KISS.
JR Rhine Jul 2016
My eyes are on the screen,
but my mind is on your hand,
lying pensively on the arm rest,
the screen's flashes dancing upon its frame--

Exposing the space between fingers I'm dying to cease.

Your hand lies there like a puzzle piece--
My heart races and fingers twitch
as my mind interlocks them with yours
to complete an image of grace,
one I've fantasized for nights on end.

Your eyes are set forward as mine,
I cannot even fathom what lies behind
this silent countenance of beauty.

How wholly engrossed are you in this movie,
are you tormented same as I?

As far as I'm concerned,
we are the only ones in this theater.

The popcorn in my lap,
the soda in the cup holder between us,
moments where our fingers touch
then retreat--
All without our eyes ever leaving the screen,
peripheral fantasies.

But that's where my intentions lie,
your hand dancing with mine
in the corner of my eyes
and the forefront of my mind.

How you weave through the popcorn,
your hand bumping against mine like an atom,
plucking the greasy morsel
and tossing it into your mouth--

What if our fingers lingered?

The soda our lips shared at separate times,
a middle-man between a kiss
I could only dream of.

These transient ecstasies
that pale in comparison
to the real thing.

But I'll take it,
in these peripheral games we play
in a darkened movie theater
on a Tuesday night.

Matinee screening,
our parents waiting impatiently in the parking lot outside,
nearing the end of the movie,
I've yet focused your hand in the frame--
These peripheral games.
A schlepper ground with stars alight round movie
marquis a rightful pocket will pop a leader
to weigh in his conversation where

fire tight dreamer's surreptitious delight
when eggplant has garnished the haunt tonight
and there in a mercurial trance these numbers abound
in a matinee where such tones are plush.
Locked up in the stocks
and they're all laughing their socks off at me.
Soon I will be free
unlike
those other poor souls who are swinging in the morning breeze
up on the freshly painted gallows
made especially so more could see
the face of death,
what they could be.
Come and watch the matinee
where three more souls will swing today.

A party atmosphere
a dead man here or there
it's like a summer fayre with jugglers and a clown
and 'Hey presto' magic
one more soul drops down to meet his fate.

Lately I have noticed that the police are getting tougher
and the rough and ready treatment
meted out to those who fall foul
of the local law enforcement
has become a talking point in boardrooms
by the Admiralty Lords
who were often heard to cry when in their younger day
'hang them high,hang them high
make those malefactors pay.
It's a sin
you try to live and all these people want to give you is some grief
you can't get by on the sly
and if you try to you will die as so many have found out
to their cost
I do not doubt that ii could happen here to me
I could be up there swinging free.

So today I'm in the stocks
you can laugh your socks off
laugh your heads off if you please
but I'm not swinging in the breeze
just yet.
Steve Page Jul 2020
Kindness is not nice.

Nice is soft and inoffensive.
Nice is easy and effects no change, it's cotton wool - not stuffed tight, but just resting on the surface ready to be blown away or trodden into a muddy disinterest. Nice is a damp whisper, a mouse cowering in the corner, taking up as little space as possible, lest it be noticed, lest it presume too much and cause a whisker of offence.

Kindness isn't like that -

Kindness pushes in, claws out, quick and heavy, uninvited, unexpected, taking pleasure in disturbance, in leaving nothing unsaid and little undone in its pursuit of creating a disruption of difference. Kindness counts everyone a target, anybody a likely candidate for a three act matinee and evening performance of loud Kindness. Surprise is its currency, smiles its language, common humanity its passport to lands yet explored, to vast pink territories with drumbeats of gratefulness for the opportunity to march in with regiments of compassion and to leave a signature devastation of brutal Kindness.

Kindness is not 'nice'.
Kindness is loving awe-ful.
Galatians 5
The fruit of the Spirit is...kindness.
Titus 3:4
4 But when the goodness and loving-kindness of God our Savior appeared, he saved us....
eatmorewords Sep 12
in a dream I robbed a bank
and one of the cashier fell in love with me

I wore a mask and when asked to describe me the cashier said I resembled a matinee film star
all chiselled cheek bones

I sent her a £1,000 and a note saying thanks

she thinks about me daily

— The End —