The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.

step number one: read the book wintergirls.
tuck away every detail like you're cramming for a test.
dog-ear the pages and carry it with you like a travel guide.
decide that with your fingers and toes always icy cold for as long as you can remember,
you were destined to be a wintergirl.
reread it periodically, for inspirational purposes.

step two: download the myfitnesspal app.
use it to track every calorie you put into your body.
memorize that an oreo has seventy calories, an apple has one hundred, a cup of hot chocolate has eighty,
a bagel has two hundred seventy (a number that terrifies you),
and on and on and on.
let numbers float behind your eyes just before you go to bed,
and let them stay there as you throw off the covers to do guilty pushups and situps in your room
for twenty minutes (burning one hundred and twenty calories).
ignore the warnings shouted at you in red text
when you eat less than twelve hundred calories per day.
look at the projections it gives you for five weeks from now
with weights that seem both too small and too large at the same time.
when your net for the day hits the negatives after weeks of trying,
feel the slightest pang of satisfaction.

step three: find your "thinspiration".
make a tumblr just to look at pictures of jutting-out spines and thigh gaps and ribs.
hold your phone up next to your reflection in the mirror
and pick out everywhere your body differs from hers.
when the girls on the fitness blogs start looking too heavy for your goal,
find the eating-disorder blogs.
obsess over their bodies almost as much as you obsess over yours,
but not quite as much.

step four: begin losing weight.
imagine yourself floating away, feather-light.
imagine yourself becoming skin and bones.
imagine this as you drag your heavy body from class to class,
as your muscles waste from malnutrition.
imagine this as you have to clean your hairbrush out
three times while you work tangles from your hair.
imagine this as you snap at anyone and everyone,
as you spend hours locked in your room.

step five: become a poet and write about yourself.
romanticize your own demons, just by calling them demons.
use as many metaphors as you can,
to avoid the harsh language of the truth.
and especially avoid writing about the crippling guilt
that hits you when you eat too much,
you're fat you're worthless you'll never be anything,
and hits you when you don't eat enough,
what's wrong with you how did you let it get to this point
voices in your head never abating.
avoid writing about your lack of motivation and constant exhaustion and always,
always, use words that imply mystery.
describe your mind as foggy, call your body diminishing.
never say it how it is, because you could convince yourself to quit.
never say that it's torture and you're in pain
and you just wish you were eight again, never considering this path.
never say that you need help but you don't want help.

if you have the urge to say these things,
say only that this disorder is not one you would willingly give up,
because you finally have something to control.
because it is the truth,
but it is also the romanticized truth.

I see you, monster...
In your sockets bore dead, dark eyes
They hold the blackest of stares
Nebulous swirling pits of demise

Thin lips would spout the most sibilant of hisses
Every so often would curl into a snarl
Dry and chapped, almost unworthy of kisses

Large, rough snout, jutting out like a crag
You sniff around tirelessly for easy targets
Preying on the unsuspecting minds of those under your flag

Tapering chin, sprouting strands of coarse hair
Unkempt and gritty from your last meal
Decaying teeth, crooked due to little to no care

Your face is cratered; tales of trying adolescent years
Wearing a face only a mother could love
Expressionless but it screams out your fears

Ugly jointed limbs that grew out of sync
Disproportionate, misshapen, grotesque
Little noggin with sparse hair, packed within, a brain that thinks


I hear you, monster...
As you stalk your sleepless nights
Nocturnal ambience be your playground
Lurking in the dark; places with no light

Bulky, heavy feet but deft and silent
Can barely notice when you're up and about
As if cloaked yourself stealthy, with steps ever transient

Respire you do, exhaling breaths so gnarly
Ingesting good air, converting into fervid, loathsome notions
With which you paint a portrait so ghastly


I feel you monster...
Deep within the recesses of my heart
Destroying and distorting all that was pure
Testing my will till I should fall apart

You're but the twisted manifestation of conscience
Feeding on my trials and nurturing them into vile abominations
I despise that of you but I seem to have developed dependence


I see you, monster...**
You're horrid and beastly, an embodiment of absolute horror
I await the day that you would finally dissolve
For I am weary of seeing you staring back in the mirror

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt

RAJ NANDY
37 followers
AN INTRODUCTION TO THE ITALIAN RENAISSANCE IN VERSE
                                    By Raj Nandy
THE ITALIAN RENAISSANCE WAS A PERIOD OF TRANSITION
BETWEEN MEDIEVAL & THE MODERN  WORLD. I propose to
present in three installments my researched work for both the Art &
History lovers of this Site. Kindly take your time to read at leisure before commenting. Thanks, -Raj Nandy, New Delhi.

                   PART ONE: BACKGROUND
The Term Renaissance :
The word ‘Renaissance’ means ‘to be born again’ ,
Derives from French ‘renaistre’ and Latin ‘renascere’, -
both meaning the same !
Swiss historian Jacob Buckhardt by writing “The
Civilization of Renaissance in Italy”,
Helped to popularize this term during the 19th Century !
The Renaissance evolved out of ‘Christendom’ , which
was Medieval Europe ;
Ruled entirely by the Catholic Church and the Pope !
It formed a period of transition between the Medieval
and the Modern Age ,
And as a contrast to the preceding thousand years , -
Which the Latin scholar Petrarch christened as the
‘Dark Ages’ !
This era saw a revival of interest in classical learning
of Greek and Roman art and culture ;
Focused on individual’s life on earth , with a new spirit
of adventure !
Happiness was no longer shelved to an afterlife and
repentance for salvation ;
But it lay in the advancement of human beings on Earth , -
with secular contemplation !
Thus individualism , secularism , and humanism , were
chief characteristics of the Renaissance ;
With innovations in art, architecture , and a scientific
temper of thought !
Knowledge no longer remained confined within the cold
ecclesiastical walls ,
But it spread from Italy across Northern Europe , -
To distant English shores through France !
During the Renaissance era Humanism became its
dominant philosophy ;
And there begins our Renaissance Story, since knowledge
is no man’s monopoly !
Events leading up to the Renaissance were many ;
Let me now dwell upon some salient features which
shaped its History !

THE BLACK DEATH (Peaked between 1347-1352) :
It was brought by Genoese merchant ships from the Orient ,
The fatal bacillus of the bubonic plague carried in the blood
stream of rodents !
The plague from Sicily and Italy spread to Northern Europe ,
All medicines failed , and even the Church provided no hope !
After having raged for almost a decade it started to abate ;
But by then almost one-third of entire Europe’s population
lay dead !
This deadly plague which followed the Hundred Year’s War
between England and France ,
Created social , economic and political upheavals in Europe,
leaving little to chance !
People began to lose faith in the church and on sermons of
afterlife ,
Secular thoughts now prevailed in a world where only the
fittest could survive !
Shortages of labour brought an end to Medieval feudalism
and serfdom ,
And Europe gradually emerged out of those Dark Ages, -
to greet the rising Renaissance sun !
The meager labour force could now bargain for better
wages and individual rights ;
Later, merchant guilds protected specialized labour and
their human rights !
Cities got gradually built and a new social order began
to emerge ,
Historians say that Europe saw the rise of a new Middle
Class !
As Europe gradually begun to recover from the aftermath
of war , plague, and devastation ;
The City-States of Italy lit the torch of a new intellectual
emancipation !
But before moving onto the Italian city-states, I must
mention the Holy Crusades ;
Since the Crusades opened up the doors of knowledge
and trade ;
Helping this ‘New Learning’ of the Renaissance to spread !

THE HOLY CRUSADES (1095-1270) :
At the behest of Pope Urban II and his battle cry “God
Wills It! ” ;
The First Crusade was launched to recapture the Holy Land
from Muslim infidels !
Within a span of next two hundred years eight Crusades
were launched ,
The First one took Jerusalem , but the Second failed to make
Damascus fall !
The Third led by Richard the Lion Heart, made Saladin to
grant the rights , -
To Christian pilgrims to visit their Holy shrines in Palestine !
The Fourth Crusade had sacked Constantinople , - then a
commercial rival of the Italians !
Now cutting a long story short , let us see what History
has taught !
These Crusades helped in opening up the trade routes ,
For importing paper, spices, soap, silk and luxury goods !
Trade was carried out with the countries of Levant region ,
Which included the countries from Turkey to Egypt , -
Bordering the eastern seaboards of the Mediterranean !
These trade routes formed a major conduit of culture
and knowledge ,
And exchanges and interactions broadened the mental
horizon of the Italians !
From Constantinople, recently Christianized Spain , and
the Arab lands , -
The preserved ancient classical knowledge now reached
the Italian hands !
In their School of Salamanca the Arabs of  Spain ,
Had translated works of Aristotle and classical scholars
into Arabic , - thereby preserving the same !
Later scholars translated these precious works into Greek
and Italian ,
And thus the Ancient Classics saw a glorious revival !
The scientific, philosophical, and mathematical thoughts
of the Arabs had also entered Northern Italy ,
From Egypt and the Levant region , to enrich Pre-
Renaissance Italy !
And when Byzantine Empire fell to the Turks in 1453 ,
Its Greek scholars with their precious manuscripts flocked
into Italy !

THE CITY-STATES OF ITALY :
‘Italia’, once the epicenter of the mighty Roman Empire ,
Disintegrated into several small principalities breaking
up Italy entire !
Its mountainous rugged terrain was a barrier to effective
internal communication ;
And no strong unified monarchies emerged, as in other
parts of Europe !
Italy with its peninsula jutting out into the Mediterranean
Sea ,
Had begun to monopolize the trade routes, and also to
prosper economically !
During the time of the Renaissance , Italy had numerous
autonomous city-states and territories ;
Where a powerful leader called the Signore , ruled for
a fixed tenure initially ;
But later this post was declared as hereditary !
Kingdom of Naples controlled the south ;
Republic of Florence and the Papal States the center ;
Genoese and the Milanese the north and west respectively ;
And the Venetians the eastern part of Italy .
These Italian city-states prospered greatly from its growing
trade during the 14th century ;
Its cargo ships visiting Byzantine , and the cities bordering
the Mediterranean Sea !
It became a status symbol for rich families to patronize
art and culture ;
They vied with one another commissioning paintings
and architecture !
But the Italian city-state that had prospered the most ,
Was the city-state of Florence which became the host ;
And the ‘Cradle of European Renaissance’ !
...............................................................­­................................
* ALL COPY RIGHTS WITH THE AUTHOR -RAJ NANDY*
(My Part -II will contain the Story of Florence , - " Cradle of the
Italian Renaissance". Thanks for reading, do recommend this Verse to
your other poet friends!
Comments from Gita Ashok, an Educator, from ‘Poetfreak.com’:- A thoroughly researched erudite collection of historical facts presented in a very lucid and interesting manner. This write made me reminisce all those history lessons that I learnt in school many years ago - many of which I found boring as it was taught in an intimidating way. I feel like going back in time, becoming a student once again and learning history through such creatively written works of art. But I realize that we are all yet students of life and can still continue to learn and grow. I feel fortunate to have read this great piece of literary work and I look forward to reading the second part.-  by Gita Ashok | Reply
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AN INTRODUCTION TO ITALIAN RENAISSANCE was added 21 hours ago.

The obsession you have with the size of your hips.
They should be smaller,
Don't you think?
Oh, and be sure to do whatever it takes to have that thigh gap.
It's so worth it.
That thigh gap.
The more space the better.
The emptiness of your body.
The jutting collar bones.
Feeling dizzy.
Feeling depressed.
Worth every inch lost off your waist.
It is worth your once full and lushious hair now falling out like dead leaves.
Because you're dying.
You are killing yourself.
But it's all fine.
You're obsessed with telling yourself that it's all under control.
Isn't it?
Theres no sleep at night.
Not when your anxiety is this intense.
Not when your up planning how to skip the rest of the weeks meals.
Use that time to be productive.
Like right now.
Lying awake... obsessing.
Obsessing.
Obsessing.
But it's s all fine, right?
Because that thigh gap.
And bony fingers.
You're deliriously falling over every **** time you stand, and you think it's all still fine now?
You think it's still worth it?
Isn't it?

There is this place
It’s called Palestine
It used to be pretty
And peaceful and lively
The people lived as they do
Everywhere else.

Then there came to be this place
It’s called Israel
Which is basically Palestine
But mercilessly occupied
It attacked Palestine
And took over most of its land.

So now in Palestine
Or what’s left of it
Where there used to be quaint houses
There’s just a lot of rubble
With broken and burnt doors, utensils and limbs
Jutting out from underneath.

Where there used to be bright smiles
That could light up the world
There now are tears,
burn marks and bloodied cuts
That can rend any human heart
Except those that are not human.

It is a war, not between states
Not between races, nor between fates
Nay, this is a bigger war, one of faith
At least, that is how it started
But now, it is between
human and non-human.

Tell me, please
Is it human to **** innocent people
For the sake of self, and the sake of  hate?
Is it human then also, to remain quiet
And watch such tyranny be?
It must also be human, to  point guns at 4 year olds.

And by this definition,
Humans of this world, humans that feel
Are not humans at all, because they care
And those that don’t, well
They’re humans at their prime
The most evolved of them all.

Israel, I salute you, a salute full of mock
At your utter humanity, and benevolence
Your bombs when they land
With the cheers of your people,
And your guns when they point
At 4-year old terrorists; surely they can ****.

Palestine, I stand with you, sincerely
Your children, your people, your land and your peace
Are my children, my people, my land and my peace
Their bombs when they land, make my prayers fiercer
Their guns when they shoot, make my eyes water
But know this, Palestinians, we are one.

So when they shoot you, I bleed
And when they bomb you, I ache
When they hurt you, I feel the pain
And when you cry for help, I pray
We are blood, we are one body
We are the Ummah, we will rise.

Until then we pray, we pray and we try
Dear Palestine, stay strong, stay firm…
Help shall come, in ways unimaginable
Do not weaken, and do not grieve
You will overcome them, if you are true believers
Allah has promised, and His promise he upholds.

~Moniba.

BOOK I

     Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

     Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since.  Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

     It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep ***** tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!---though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:---O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

     As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.---I am gone
Away from my own *****: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.---
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must---it must
Be of ripe progress---Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he ******'d
Utterance thus.---"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"---That word
Found way unto Olympus, and made quake
The rebel three.---Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

     "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

     Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;---
Blazing Hyperion on his orbed fire
Still sat, still *****'d the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he---
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache.  His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,---
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came ***** upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

     He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire?  It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.---
Fall!---No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."---
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might.  Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,---hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.---Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:---No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire.  I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.---This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:---I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:---
But thou canst.---Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.---To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."---
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.

BOOK II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron.  All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Ty

"it's true what they say, the revolution will not be televised" he said to me hands in his pocket both our faces to the sky i had told him that when you walk by buildings in the shadows of their jutting brimstone, when you watch them go by overhead, it's more beautiful.

"the revolution is every day." i said. "every minute, every month, every lifetime we all have the choice to engage or not engage in the revolution of kindness and humanity. we have the power in us to contribute the the energy of our world in a negative or positive way."

it's true what they say.

the revolution won't be televised.

because the television has never told a real love story.

it starts out with one single revolution getting it's voice. then that revolution meets three other revolutions, and then those revolutions find five more revolutions to coalesce with, and soon they all find themselves drawn to hundreds of other revolutions, all bursting to the brim in a single room, in the middle of an obliviously sleepy city.

the revolution sings with a pretty voice and coats the city in warm sheets of sweet song, and he rolls over the pillow to awaken in awe to the revolution, with humbled eyes.

the city remembers last night when the revolution looked so beautiful in it's dress of vowels and consonants. they had tangoed and gone home together and the city knew the revolution was not a mad twist of fate it was destiny, not good luck, that had brought him to her feet, as he took off her shoes and placed them at the foot of the bed.

the revolution had been quiet, with a secret smile, dressed in dappled yellow rays of evening sun, the revolution saw honesty in the words that swam around them as they walked home under streetlights. the conversation had all been sweet truths.

the revolution doesn't have to hide it's skin under layers of fabric because of her beauty. the revolution is not afraid of hate, and the revolution understands how the world works, but loves like a millionaire and knows she can never go broke when there are endless possibilities.

the revolution makes kindness her job, and she didn't have to go to school to know how to be compassionate. the revolution doesn't think in failure, she looks at money and sees paper, learns to pay her way with a currency of empathy and never counts her losses, only the lessons she has learned and the ones she has yet to.

the revolution wakes the sleeping city and tells him she makes mean scrambled eggs and her coffee isn't that bad either. she tells him to live in this moment, don't think about past, chances and mistakes, not even the future and what is out there in it. think about now.
this moment when we can be.
where we can be.
where anyone can be if they choose to live fulfillingly.

learn to love a silence and tame the emotions that roil in your stomach. learn to put down your hands when you are feeling violent. learn to fill your mouth with goodness up to your teeth it's amazing how grace can be so poignant, and yet go down to effortlessly. we are so easily choked by hate that this stirring feeling of calm is welcome.

welcome.

you are welcome.
you are a piece of the revolution, wake up the city.

Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?

On the bank of a rushing brook
I sat for hours watching its course.
Peered into the clear gurgling mass
That cascaded down from a mountainous source

Like a slithering snake, it slinks and slips
It babbles downhill night and day
Rolling and gliding through plains and dales
It winds its way to the wider bay.

Dipping my fingers in its icy chill
How my hand got repelled as from a shock!
In its ripples stirred by the kissing breeze,
I saw trees, clouds and the jutting rock-

All floating in queer, fanciful shapes,
Shuddering, trembling and standing still
And the fishes leaving zigzag trails,
Swishing and swimming in the winding rill.

As I quietly watched her speedy flight
With her ***** rising in mournful heaves,
In my ears fell her whispering soft
Orchestrated by the rustle of quivering leaves

I hardly knew the time speeding by
Nor noticed the birds’ homeward flight
Or the Sun moving to the west end side
And the Sky reddening at his sight

As the brook thus continued her headlong ride
To be mingled finally with the ocean wide
I walked, brooding over man’s relentless stride
To be merged eventually with the Cosmic Guide.

INFJ - T

I grow exhausted at the exuberance of crowds.
Not able to ignore that nagging voice that whispers the evils of them
Feelings of fear overpower the simple formula of conversation
Jutting into remind me of my appearance compared to theirs -
Too weak to fight against it.

It’s not easy to speak my mind.
Never daring to even introduce myself
Following a very strict line
Just taking each day step by step -
Thinking someday I’ll be able to explain.

Inside, I judge everything.
New situations make the feelings shake
Fear and turbulence expand within
Jaw clenched and sweaty palms -
Thin skin begins to bruise.

Introverted and intuitive
Nervous, yet calm
From day to day
Just a puppet -
To a never-ending nightmare

Blackbird
shadow death
witness
the spiraling
madness

glide
silent over
once vital beehive
shorn gray
paper thin

sip
raw honey
hardening
in the merciless
heat

nourish
the suffering
concentration-camp thin
jutting bone
slack skin

reflect
the boundless light
of a shield
wrought from
love

honor
these golden
futile gestures
they are not
infinitesimal grains

Blackbird
with beaded sight
testify
*do not avert
your eyes

The new day still saw the man
Whose livelihood was rubber.
He had worked really hard; earning his darkened tan,
He was the plantation's tapper.

The evening sun had long set
Leaving the plantation in a shroud of darkness.
Relying on what little light the moon would let.
He treaded carefully; sidestepping potholes and jutting buttress.

His sack slung over one shoulder,
He found his way to his trusty ride.
Nightly routine he would execute over and over
Mounted his bicycle and rode off with the moon as guide.

All day long, he had been thinking of the night before.
He had then learnt that he was the target of a ghostly trick.
As he cycled, he got worked up, more and more...
He cursed the spirit who had made him the fool so quick!

As he looked ahead, straining his eyes to discern the sandy track.
His eyes caught something that came within sight.
Standing by the side against a background of black.
There she was again...all garbed in white...

“After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
  “Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe’s house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
  “While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, ‘You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people’s once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.’
  “We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
  “‘So far so good,’ said she, when I had ended my story, ‘and now pay
attention to what I am about to tell you—heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men’s bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men’s ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope’s ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
  “‘When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird
may pass, no, not even the timid doves that bring ambrosia to Father
Jove, but the sheer rock always carries off one of them, and Father
Jove has to send another to make up their number; no ship that ever
yet came to these rocks has got away again, but the waves and
whirlwinds of fire are freighted with wreckage and with the bodies
of dead men. The only vessel that ever sailed and got through, was the
famous Argo on her way from the house of Aetes, and she too would have
gone against these great rocks, only that Juno piloted her past them
for the love she bore to Jason.
  “‘Of these two rocks the one reaches heaven and its peak is lost
in a dark cloud. This never leaves it, so that the top is never
clear not even in summer and early autumn. No man though he had twenty
hands and twenty feet could get a foothold on it and climb it, for
it runs sheer up, as smooth as though it had been polished. In the
middle of it there is a large cavern, looking West and turned
towards Erebus; you must take your ship this way, but the cave is so
high up that not even the stoutest archer could send an arrow into it.
Inside it Scylla sits and yelps with a voice that you might take to be
that of a young hound, but in truth she is a dreadful monster and no
one—not even a god—could face her without being terror-struck. She
has twelve mis-shapen feet, and six necks of the most prodigious
length; and at the end of each neck she has a frightful head with
three rows of teeth in each, all set very close together, so that they
would crunch any one to death in a moment, and she sits deep within
her shady cell thrusting out her heads and peering all round the rock,
fishing for dolphins or dogfish or any larger monster that she can
catch, of the thousands with which Amphitrite teems. No ship ever
yet got past her without losing some men, for she shoots out all her
heads at once, and carries off a man in each mouth.
  “‘You will find the other rocks lie lower, but they are so close
together that there is not more than a bowshot between them. [A
large fig tree in full leaf grows upon it], and under it lies the
******* whirlpool of Charybdis. Three times in the day does she
***** forth her waters, and three times she ***** them down again; see
that you be not there when she is *******, for if you are, Neptune
himself could not save you; you must hug the Scylla side and drive
ship by as fast as you can, for you had better lose six men than
your whole crew.’
  “‘Is there no way,’ said I, ‘of escaping Charybdis, and at the
same time keeping Scylla off when she is trying to harm my men?’
  “‘You dare-devil,’ replied the goddess, you are always wanting to
fight somebody or something; you will not let yourself be beaten
even by the immortals. For Scylla is not mortal; moreover she is
savage, extreme, rude, cruel and invincible. There is no help for
it; your best chance will be to get by her as fast as ever you can,
for if you dawdle about her rock while you are putting on your armour,
she may catch you with a second cast of her six heads, and snap up
another half dozen of your men; so drive your ship past her at full
speed, and roar out lustily to Crataiis who is Scylla’s dam, bad
luck to her; she will then stop her from making a second raid upon
you.
  “‘You will now come to the Thrinacian island, and here you will
see many herds of cattle and flocks of sheep belonging to the sun-god-
seven herds of cattle and seven flocks of sheep, with fifty head in
each flock. They do not breed, nor do they become fewer in number, and
they are tended by the goddesses Phaethusa and Lampetie, who are
children of the sun-god Hyperion by Neaera. Their mother when she
had borne them and had done suckling them sent them to the
Thrinacian island, which was a long way off, to live there and look
after their father’s flocks and herds. If you leave these flocks
unharmed, and think of nothing but getting home, you may yet after
much hardship reach Ithaca; but if you harm them, then I forewarn
you of the destruction both of your ship and of your comrades; and
even though you may yourself escape, you will return late, in bad
plight, after losing all your men.’
  “Here she ended, and dawn enthroned in gold began to show in heaven,
whereon she returned inland. I then went on board and told my men to
loose the ship from her moorings; so they at once got into her, took
their places, and began to smite the grey sea with their oars.
Presently the great and cunning goddess Circe befriended us with a
fair wind that blew dead aft, and stayed steadily with us, keeping our
sails well filled, so we did whatever wanted doing to the ship’s gear,
and let her go as wind and helmsman headed her.
  “Then, being much troubled in mind, I said to my men, ‘My friends,
it is not right that one or two of us alone should know the prophecies
that Circe has made me, I will therefore tell you about them, so
that whether we live or die we may do so with our eyes open. First she
said we were to keep clear of the Sirens, who sit and sing most
beautifully in a field of flowers; but she said I might hear them
myself so long as no one else did. Therefore, take me and bind me to
the crosspiece half way up the mast; bind me as I stand upright,
with a bond so fast that I cannot possibly break away, and lash the
rope’s ends to the mast itself. If I beg and pray you to set me
free, then bind me more tightly still.’
  “I had hardly finished telling everything to the men before we
reached the island of the two Sirens, for the wind had been very
favourable. Then all of a sudden it fell dead calm; there was not a
breath of wind nor a ripple upon the water, so the men furled the
sails and stowed them; then taking to their oars they whitened the
water with the foam they raised in rowing. Meanwhile I look a large
wheel of wax and cut it up small with my sword. Then I kneaded the wax
in my strong hands till it became soft, which it soon did between
the kneading and the rays of the sun-god son of Hyperion. Then I
stopped the ears of all my men, and they bound me hands and feet to
the mast as I stood upright on the crosspiece; but they went on rowing
themselves. When we had got within earshot of the land, and the ship
was going at a good rate, the Sirens saw that we were getting in shore
and began with their singing.
  “‘Come here,’ they sang, ‘renowned Ulysses, honour to the Achaean
name, and listen to our two voices. No one ever sailed past us without
staying to hear the enchanting sweetness of our song—and he who
listens will go on his way not only charmed, but wiser, for we know
all the ills that the gods laid upon the Argives and Trojans before
Troy, and can tell you everything that is going to happen over the
whole world.’
  “They sang these words most musically, and as I longed to hear
them further I made by frowning to my men that they should set me
free; but they quickened their stroke, and Eurylochus and Perimedes
bound me with still stronger bonds till we had got out of hearing of
the Sirens’ voices. Then my men took the wax from their ears and
unbound me.
  “Immediately after we had got past the island I saw a great wave
from which spray was rising, and I heard a loud roaring sound. The men
were so frightened that they loosed hold of their oars, for the
whole sea resounded with the rushing of the waters, but the ship
stayed where it was, for the men had left off rowing. I went round,
therefore, and exhorted them man by man not to lose heart.
  “‘My friends,’ said I, ‘this is not the first time that we have been
in danger, and we are in nothing like so bad a case as when the
Cyclops shut us up in his cave; nevertheless, my courage and wise
counsel saved us then, and we shall live to look back on all this as
well. Now, therefore, let us all do as I say, trust in Jove and row on
with might and main. As for you, coxswain, these are your orders;
attend to them, for the ship is in your hands; turn her head away from
these steaming rapids and hug the rock, or she will give you the
slip and be over yonder before you know where you are, and you will be
the death of us.’
  “So they did as I told them; but I said nothing about the awful
monster Scylla, for I knew the men would not on rowing if I did, but
would huddle together in the hold. In one thing only did I disobey
Circe’s strict instructions—I put on my armour. Then seizing two
strong spears I took my stand on the ship Is bows, for it was there
that I expected first to see the monster of the rock, who was to do my
men so much harm; but I could not make her out anywhere, though I
strained my eyes with looking the gloomy rock all over and over
  “Then we entered the Straits in great fear of mind, for on the one
hand was Scylla, and on the other dread Charybdis kept ******* up
the salt water. As she vomited it up, it was like the water in a
cauldron when it is boiling over upon a great fire, and the spray
reached the top of the rocks on either side. When she began to ****
again, we could see the water all inside whirling round and round, and
it made a deafening sound as it broke against the rocks. We could
see the bottom of the whirlpool all black with sand and mud, and the
men were at their wit’s ends for fear. While we were taken up with
this, and were expecting each moment to be our last, Scylla pounced
down suddenly upon us and snatched up my six best men. I was looking
at once after both ship and men, and in a moment I saw their hands and
feet ever so high above me, struggling in the air as Scylla was
carrying them off, and I heard them call out my name in one last
despairing cry. As a fisherman, seated, spear in hand, upon some
jutting rock throws bait into the water to deceive the poor little
fishes, and spears them with the ox’s horn with which his spear is
shod, throwing them gasping on to the land as he catches them one by
one—even so did Scylla land these panting creatures on her rock and
munch them up at the mouth of her den, while they screamed and
stretched out their hands to me in their mortal agony. This was the
most sickening sight that I saw throughout all my voyages.
  “When we had passed the [Wandering] rocks, with Scylla and
terrible Charybdis, we reached the noble island of the sun-god,
where were the goodly cattle and sheep belonging to the sun
Hyperion. While still at sea in my ship I could bear the cattle lowing
as they came home to the yards, and the sheep bleating. Then I
remembered what the blind Theban prophet Teiresias had told me, and
how carefully Aeaean Circe had warned me to shun the island of the
blessed sun-god. So being much troubled I said to the men, ‘My men,
I know you are hard pressed, but listen while I tell you the
prophecy that Teiresias made me, and how carefully Aeaean Circe warned
me to shun the island of the blessed sun-god, for it was here, she
said, that our worst danger would lie. Head the ship, therefore,
away from the island.’
  “The men were in despair at this, and Eurylochus at once gave me
an insolent answer. ‘Ulysses,’ said he, ‘you are cruel; you are very
strong yourself and never get worn out; you seem to be made of iron,
and now, though your men are exhausted with toil and want of sleep,
you will not let them land and cook themselves a good supper upon this
island, but bid them put out to sea and go faring fruitlessly on
through the watches of the flying night. It is by night that the winds
blow hardest and do so much damage; how can we escape should one of
those sudden squalls spring up from South West or West, which so often
wreck a vessel when our lords the gods are unpropitious? Now,
therefore, let us obey the of night and prepare our supper here hard
by the ship; to-morrow morning we will go on board again and put out
to sea.’
  “Thus spoke Eurylochus, and the men approved his words. I saw that
heaven meant us a mischief and said, ‘You force me to yield, for you
are many against one, but at any rate each one of you must take his
solemn oath that if he meet with a herd of cattle or a large flock
of sheep, he will not be so mad as to **** a single head of either,
but will be satisfied with the food that Circe has given us.’
  “They all swore as I bade them, and when they had completed their
oath we made the ship fast in a harbour that was near a stream of
fresh water, and the men went ashore and cooked their suppers. As soon
as they had had enough to eat and drink, they began talking about
their poor comrades whom Scylla had snatched up and eaten; this set
them weeping and they went on crying till they fell off into a sound
sleep.
  “In the third watch of the night when the stars had shifted their
places, Jove raised a great gale of wind that flew a hurricane so that
land and sea were covered with thick clouds, and night sprang forth
out of the heavens. When the child of morning, rosy-fingered Dawn,
appeared, we brought the ship to land and drew her into a cave wherein
the sea-nymphs hold their courts and dances, and

It's called anxiety.
Sometimes, I can pay attention to you.
Sometimes, I can't.
Some days are better than other ones.
But the others,
Well, the other ones look a little like trains Going a little too fast for their tracks
Like clocks that break their glass fronts
And cartoon characters with smoke
Coming from their heels when they run
Running faster than the 60 seconds a minute allows
It is my body moving too fast for me to Catch my breath but I'm just sitting at my Desk tapping my pencil and I can feel the Teacher drilling holes into the back of my
Skull
I know the God-awful sound is killing her
But it is keeping me from going insane
It is chewing away the insides of my Cheeks
And scratching at my forehead
Looking for answers
But always coming up with hungry hands
It's hearing white noise
And glass shattering
And candles flickering
I know I should not be hearing a candle
Dance
But I do
It's just me spinning out of control
I know you've noticed I'm no longer using Punctuation but this is how I always feel
This is how my mind is
It is always racing
My foot swings back and forth like
Poe's Pit and the Pendulum swinging faster and faster towards my chest and it's Always on fire
My hands fumble with puzzle pieces
Because I identify with the one that's
Always missing
It is being lonely in the hands of someone
Who loves me
I feel his calloused hands hollowly like I
Don't have a right to them
It is wanting to scream to the hooded
Figure in the door "I'm scared" but it
Coming out as an inaudible crack in my
Voice
I find solace in the cracks between tile
I'm looking at my reflection in black Screens wishing I could just pick myself Up
From the bottom of orange bottles with
Safety-***** lids
A doctor once told me one day I would be
Okay
But one day seems to be miles and
Years away
I've shrunk to the size of a stick
My bones jutting out every which way
Paper-thin and too many words to fill the
Hole in my confidence a man once bore Into me
My hands shake when I step into a church
Like I've done something wrong
My mind goes over every event up until
Now wondering why my hands shake and
My chest drops below the floor
Grandmother tells me I will go to hell if I Do not act right and my mother tells me it Is
All in my head
But again a doctor gave me
An orange bottle with thirty tiny white pills And told me one day everything Would be
Okay.
I just want it to be okay.
My mind is always racing like the way "Normal"
Ones do before taking a test not studied for.
I'm sure you will consider this an episode
Of marked depression, but this monster is Anxiety.
Sometimes I can pay attention to you.
Other times I can't because of this
Infinitely.
Running.
Mind.

As we just finished a part of our lives
And started to sort our plans
Seeing the future glistening in our eyes
Ready to take the first step in broad lands

" I wanna be a doctor " " I wanna be a dentist "
" I wanna be a researcher " " I wanna be a scientist "
But life isn't wrapped within your fist
Sometimes, It decides to arrange some fences for you
If you can't overcome , then forget all dreams that you pursue
You beat one and fail in another
Then you begin to think, "Bad luck " is all you gather
Once you look around; searching for someone to take your hand
All you find; are punches that taste bland !
Offensive words destroy your plans
This is the worst disaster with people standing as fans ...

You feel stunned and all dreams fall apart
" Hey look around and seek a fresh start "
That's worse than having an arrow in the heart !

So keep going in your way
Don't care about what people say
No more places for weakness to stay
There is a long journey after the end of that frustration play ....

Chapter 1
A man wearing a black suit and tie stood at the pew of a church. He had an anxious look on his face. Where is she? He thought. It was his wedding day, yet the room was strangely empty. Not a single person had showed up so far. Not even the priest. There were no flowers, no music, nothing. All there was were empty chairs and an occasional cockroach scuttling across the floor. Maybe I got the date wrong...No, I doubt that. We talked about it all night. Just then the large mahogany doors creaked open and he saw her. Her dress…god it was gorgeous. Pure white, not a speck of dirt on it. It flowed around her shoeless feet. She appeared to be walking on air. He was utterly stunned, not able to say a word, not able to think. She was so beautiful…Her eyes, a deep shade of blue stared back at him and they became all he could see. But as he stared, something in them died. The light just left. The glimmer she always had disappeared. They looked more and more like glass eyes on a doll than the ones that belonged to his lover. Dark circles surrounded them as a thin film covered them and took away every bit of life that was left. And then they shut. The next thing he knew, he was standing over her dead body, crying. The soft velvet lining in the coffin turning the tears into little beads that rolled down the creases.
Chapter 2
My eyes opened and I took in my surroundings, wondering where I was until I realized it was just my own room. My pillow was wet with tears and my hands shaky. Then I remembered, she died. But that couldn’t be. It just wasn’t right. I rolled over in my bed too see if she was there. Much to my relief she was, her brown hair resting on the pillow. I reached out to touch it and took in the soft scent of lavender. It felt like silk slipping through my fingers. A soft moan escaped from her throat as she rolled over and faced me.
“Hi,” she whispered in a voice that was scratchy and barely audible but **** at the same time. I just stared back at her deep blue eyes and felt the tears build up behind my eyes. “What’s wrong?” she asked a pitiful look on her face.
“Nothing, just another bad dream.” I replied nonchalantly.
She sat up in the bed, stroking her hair. “You didn’t take your sleeping pill last night did you? You were tossing all night long.”
I just stared at her back. We both knew the answer. I hadn’t. I’d been skimping on my meds recently. I was getting married in a week and needed to give the meds time to completely wear off. I didn’t want the pills taking away my feelings. I wanted the full experience. Besides I thought I was getting better. There were no more voices whispering my name and I no longer talked to my dead sister, who apparently was just a hallucination my mind created to help deal with the pain of losing her. They said that it in no way meant I was insane. They called it a defense mechanism. They said it was my body’s way of protecting me. But I saw their thoughts in their eyes. I saw how frightened they were at my insanity, how they kept their distance from me, avoiding me like I was infected with the plague.
I remembered how healthy, how happy she had been. She’d had her whole life ahead of her but when she was nineteen I had taken her down to the Gulf of Mexico with Kasey, my fiancée. I couldn’t have one without the other. It was through Sarah that I met Kasey and through Kasey that I saved Sarah. I had figured that I would take the two most important people in my life to the beach for spring break but now I regret it.
I just remember Sarah’s smiling face, mocking me and Kasey as we held each other on the shore, our toes tickled by the gentle water.  Without warning a scream escaped her mouth as she was pulled under against her will. She didn’t leave the water until the following morning when her body washed up on shore. A shark had bitten one of her legs clean off. Her face was pale, her eyes open, not seeing through the milky film surrounding them and her lips stained a dark blue color. For so long I had been convinced that she had escaped. I saw her on the streets, in my apartment, in my car everywhere. Sometimes we just waved or said hi and we went on with our days but sometimes I had long drawn out conversations with her. I remember the day I proposed to Kasey that she had been waiting for me outside the apartment and we had talked for hours about how happy I was going to be with her and how I am so lucky to be able to have someone like her. Even seeing her body in that black coffin surrounded by white lilies didn’t bring the truth to me. It just felt like an insane dream when I stood up and recounted our good times during the eulogy and when I held Kasey tight in the cemetery where she now rests. I was absolutely convinced that she had lived. She couldn’t be dead I saw her, I talked to her, I hugged her. But all those psychologists said she was. They all said the hallucination was just how my brain was choosing to deal with it. Instead of becoming clinically depressed, I just chose to deny it.
Other than the hallucinations, I haven’t really dealt with her death. It still doesn’t feel real; even if I don’t see her anymore. Although she’s six feet under next to our parents, I can’t believe it. I’m just waiting for the day it hits me. The day I’ll want to do nothing but look at pictures of her as I’m locked in my room crying. But surely it won’t be soon. I’m marrying Kasey in a week and then everything will be perfect for a while.
Chapter 3
The weeks before our wedding was spent running about the streets of St. Augustine. Kasey boasted to me for days about how gorgeous she would be in her dress and how I wouldn’t be able to keep my hands off her. We were having a small wedding, neither of us really had a family left and we didn’t have too many friends being as I could never keep one job for too long, let alone live in one place for a while. I usually ended up working as a waiter somewhere or in a small store. I really relied on Kasey for most of my money though.
Kasey had modeled at one point in her life and still had some money left over from it. I kept telling her to get back into it but she always said no, claiming the people in the business were shallow and ignorant. A little over a year after we’d met, she was getting pretty well known. Her agent was a scumbag who would milk absolutely everything he could from her, even if it meant turning to pornographic modeling. He was going to get as much money as he possibly could from her so he paid, literally paid, a new male model to date her. His name was Jacob Fischer. Apparently the guy was stupid enough to tell Kasey that he hadn’t been paid enough to take her anywhere really expensive. I remember when Kasey showed up at my house drenched in rain, crying. I tried to make her as comfortable as possible in my dinghy apartment. Apparently all she needed was my love. That was the first time that we admitted how much we loved each other. The only other time we admitted it was when I proposed to her. Our wedding day drew nearer and nearer until the night of our rehearsal dinner.
It took place at the Sun Dial, where I worked. We were all wearing our dress suits and the ladies wore dresses that glittered and shone in the dim lighting. We sat and drank champagne as we watched the city of Atlanta revolve around us. You could see the street lights and malls and other buildings. From our view the Golden Dome looked beautiful. I sat down sipping my wine and letting the constant chatter of the place engulf me. I was completely lost in my thoughts as Kasey sat down next to me and everyone began clapping. “Go on,” She whispered, “it’s time for the toast.” I stood up and the volume of the clapping increased.
I cleared my throat. “I can’t tell you all how flattered I am to be able to have Kasey’s hand in marriage. It’s very rare that a guy like me ends up with someone as beautiful as her,” I paused, listening to the dead silence and continued, “No really though, I am honored to be able to have her become part of my family.” I looked at the very last table and saw Sarah sitting there smiling at me. “And I’m sure that Sarah is excited to have her as her sister-in-law. Isn’t that right Sarah?” There was no reply, only stunned faces staring back at me.
Sarah was gone. I could feel all those eyes boring holes in me as my face grew hot. Kasey stood up and took my arm, “Will you excuse us please?” she pulled me of the rotating floor and towards the door of the restaurant. “What is wrong with you?” she was practically yelling. I could see the tears welling up behind her eyes. “She really was there. Sarah was sitting in the back of the room smiling at me.” I tried to tell her the truth. “No. No Parker. You’re the only one who saw her. She’s been dead for over two years now.” She looked me straight in the eyes, begging me to believe her. “You can’t just quit taking your meds like that! Normal people don’t see their dead sisters at the rehearsal dinner and most of them don’t talk to her during the toast!” I couldn’t say anything; I just looked at her. “I love you Parker, I really do. You’re the only person in this world that I feel truly understands me but you’re insane! Nothing will bring her back. I know you don’t understand that she really is gone but you have to move on. It hurts me as much as it does you. I loved her too and if you would just pull your head out of your *** you would see that there are so many other people that did too but we’ve all dealt with it and moved on.” I could tell she was trying really hard to hold back the tears but they just kept rolling down her face, painting it with bleeding mascara.
I reached out and hugged her. “I’m so sorry Kasey. I just don’t know what happened back there…” she pushed me back and stared at me in disbelief.
“You know what? **** it. You’ve completely lost your mind. How do you expect me to be able to marry someone who talks to dead people?!” her chest was heaving with effort. She was yelling at me louder than she ever had before. “Just…Just come find me whenever you find your ******* mind.” She shoved me away from her slipped in the elevator just as its doors closed.
“Kasey! Wait!” I called desperately after her. I stood by the window completely dumbfounded. My breath fogged up the glass that my hand rested on.
Chapter 4
I lay in my bed that night, staring at the water stained ceiling. I couldn’t stop thinking about it. Thinking about how I had hurt her, of how she had run away and how I had been too stunned to go and face all those people that had just witnessed me talking to a hallucination. I hadn’t done that in so long…What happened? Why did she blow up like that at me? It’s not like I meant to, I mean just because it’s the first time I’ve done it in a couple months doesn’t give her a right to get so mad does it? I’m not insane…at least I don’t think I am. But maybe she’s right. Maybe I am. Insane and depressed. I thought as I rolled over in my bed and brought my legs up to my chest. My eyes landed where her head would usually be. I felt a wave of extreme hopelessness rush over me as I thought of her. I really did love her. But maybe she just can’t make herself love me. Maybe the insane aren’t meant to be loved. We’re all destined to a life of loneliness and tears. All those who try to help us don’t really care. They all just come and go like birds in the change of seasons. The world never stops changing, never stops moving. Neither do we, but we never go up, we only fall deeper and deeper until we’ve lost it completely. That’s when we start sitting in a rocking chair all day mumbling nonsense to ourselves. By then no one cares anymore; we all just become lost causes. There is no hope anymore. Not for us.
It felt like someone had ripped my heart right out of my chest. That was how bad it felt to know she didn’t want to be with me. I would rather her have died knowing that she loved me than have her living knowing she doesn’t give a ****.  This way she was dead to me, but only me; just like my sister was dead to everyone but me. She told me to come find her when I found my mind, but how do I find it if I’ve never lost it? I just can not believe I’m insane. Surely she would come back to me if I could just talk to her. She had always loved me no matter how crazy I got. What made now different? I had to make it up to her. I would find her in the morning and hold her tight for the rest of the day. We didn’t have to get married if she didn’t want to. If she was just looking for an excuse not to marry me, why didn’t she just tell me that she wasn’t ready yet? That would’ve been easier for me to take than this. Anything would be.
The beast that had my heart in their hands rolled it around, feeling the warmth and stickiness of blood on their hands. They held still for a moment and then squeezed it until it burst, gushing blood between their fingers. I screamed into my pillow and then succumbed to the unavoidable sobs.
Chapter 5
Sleep never came to me that night. I just lay there; thinking about her, imagining her, missing her. She was all I thought about. She was the only thing I thought about as I slipped some clean clothes on and headed out of the apartment that smelled like mildew.
The streets were too crowded for me to take my car and after ten minutes of waiting for a cab, I decided to walk. Besides, I didn’t even really know where I was going yet. I tried to think of where she would go if she felt like she needed to get away. Then it hit me, Oakland Cemetery. She would probably be visiting Sarah’s grave. I flagged down a taxi and went to find her.
Upon stepping inside the cemetery I became aware of the ancient graves. In a way it was a beautiful sight. The headstones jutting out of the ground; it just brought me a feeling of peace. A thousand souls rested here, many centuries old. Most people find it somewhat creepy, but it’s fascinating to me. There’s so much history buried beneath this earth, it just astounded me to think of all these people coming to rest all in one place. I could just imagine all the things these people did, all their accomplishments. I walked up hill towards Sarah’s grave. There it was. The graves were more modern here, no headstones stuck out of the ground, they all lay parallel to the bodies beneath them.  And just as I suspected a human figure was kneeling on the ground. It had to be Kasey, I mean how many people go the cemetery this early on a day when the sun shines bright and a light breeze tussles your hair? No one. No one would want to come here this morning.
I quietly crept towards the figure, whispering Kasey’s name. There was no response from the figure so I drew nearer and nearer.  With every step I took I noticed that something wasn’t right. Their backside was bare, and so far as I could tell, so was their front. They sat there, no movement at all, trapped in one moment of time. From the back, they looked like Kasey, they had the same hair and lying next to her was the dress that she’d worn last night. “Kasey?” I called out, waiting for an answer. Nothing stirred except for a couple of squirrels off in the distance. I reached out and touched her on the shoulder. I drew my hand back immediately as the awful stench of death filled my nostrils. I stood there stunned as the body fell back into the grass with a thud. It was definitely Kasey. She lay there, on top of Sarah’s grave staring up at me. There were long, deep gashes up her wrists. A knife clutched in her right hand, she had died, staining the earth with her blood. Her bloodshot eyes stared up at me with an eerie emptiness. Her face looked pained; you could almost see her last thoughts on it. Life isn’t worth living anymore, I’ve been betrayed one too many times so I’m just going to end it all right now and stop waiting for someone else to do it for me. My mind and body went completely numb. This wasn’t happening, No, I would wake up and it would all just be a dream. She couldn’t have killed herself, no, not her. She had always loved life. Always loved to go somewhere new, to get out there, try everything, and live life to the fullest. So why would she **** herself? It couldn’t possibly be my fault. I had never done anything to hurt her. I never could have. I had loved her way to much. I couldn’t be the re

But that's not his name.
He really doesn't have a name.
For starters no name could even hint at what he means to me.
No name could get anywhere near his sheer visceral naked beauty.
No name could delineate the slim ripple of his muscles.
His beautiful stiff ****--oh so suckable and lickable.
No name could hint at the smell of the dried **** on his *****.
No name could begin to describe the taste of his warm fresh ***.
No name would fit the feel of the shaft of his perfect stiff **** in my fingers.
No name could describe the shade of lavender of his exposed **** head.
The way his **** head fits in my mouth.
The feeling on my tongue as I slide it along the full length of the shaft of his stiff ****.
I call him Ben.
Weve travelled the world together for nigh on 29 years now.
Ive ****** his **** in ,my imagination on most continents,as ive laid in the same room tossing myself off imagining being ****** by him every night and during every day..
Ive licked his *** filled ***** in Bangkok and Delhi and London and Amsterdam and Barcelona and Deia and Kathmandu and Bodh Gaya and York and Paris and Dharamsala and Amravati and oh so many other places.
Ive swallowed litres of his warm fresh ***.
Ive rained typhoons of kisses on his upturned face.
Ive tossed him off to ******* too many times to count.
Ive loved him endlessly.
I call him Ben .
His diamond sharp intellect.
His smirky smile that lights up his face.
His oh so tasty tongue flickering in and out of my mouth.
Licking my lips--wrestling my tongue to a standstill.
The taste of his saliva --like the sharpest sweetest nectar.
His arms that wrap themselves around my nakedness.
His hands that never fail to connect to my *****
no matter how dark the room.
His fingers that tease and ****** my throbbing testicles.
My lovely boyman--my lovely lover.
I call him Ben.
His fingers wrapped around the shaft of my stiff ****
like ivy on an ancient wall.
they seem to grasp my ***** member so deeply
its as if they live below my skin.
I call him Ben.
When I kneel in submission to him and lick his *** filled *****
I am elevated into the land of adjectives and superlatives.
When I cringe servilely at his feet licking the full length
of the shaft of his oh so stiff and perfectly shaped *****
I become just a tongue tasting his dried ****.
I call him Ben.
Oh I so love and adore the taste of his dried ****
coating the lavender helmet of his bell end.
When I slide the whole of the head of his hard *****
between my lips filling my mouth completely
I am turned into a human shaped jelly quivering
with the anticipation of swallowing the cream of his pre ***
flowing out of that divine slit.
I call him Ben
When his naked hips ****** his stiff **** down my throat
I feel divinely graced with unconditional love
and I realise he owns me.
I am his ****.
I am his Slave.
I await the whip.
I long for the sharp sting of the lash.
I need the tender chastisement that only Ben can give me.
I call him Ben and he is  my Master.
He tells me stand with my hands on my head
and I immediately comply with his order for I am his Slave.
His very own *******.
There to give him the pleasure he gets from whipping me.
There to offer all parts of my nakedness to the whip in his hand.
Why is Sado-Masochistic love with Ben so lovely?
Why is the pain of his whipping so soft and gentle and tender and stinging?
Why do I stand with stiff **** jutting out and ***** dangling
begging him--beseeching him to take advantage and whip it as he does?
Each stroke of his whip making my **** **** and bounce and sway
turning it red and so mildly painfull?.
I call him Ben and I love him.
Ive loved him for 29 years.
But alas he does not love me unconditionally..
When we are together he humiliates me and I love him more--for his weakness in being the Slave of the Mind and Conditioned Identity.
I love feeling inadequate when I am near to him.
I want him to humiliate me.
To be humiliated is to be humble.
I do not care what people say.
I love him.
I call him Ben.
But oh how I wish wish wish that he were like me.
Mindless and Conditioned Identityless.
He could be such a nice guy if he weren't such an *******.

city in the shadow of a mountain
like denver on vacation
shady and deep
flowing down like the river
seeking centre
houses cling to the crags like barnacles
inverted ship cavity
jutting out of the rainforest

paradise of truants and travellers
eternally in transit to islands and misfit fringes, cold floors and warm couches
and displaced ***** enthusiasts
sailors without floatation
treading land and bills and PTA meetings
cast off travellers on their way to golden gates or northern lights
rivers under troubled bridges
fish suffocating underwater
living on the refuse of the nuclear generation
transmuting the lead into sustainable energy
recycling the atmosphere into breathable air
apathetic anarchists return from extremity
living on the dole
or working for the man
we are building something greater than this

It was 2 a.m. The moons rays shone brighter than a diamond in it's showcase. The 'thump-thump' of my heartbeat seemed to echo through my body. The forest was quiet that night. Quieter than it should have been. Not even a crickets back and forth harmony. Drops of sweat began to carve their way down my face. One thought repeatedly resonated  in my mind.
'Where is he?'
I started to question if the fallen tree I had taken shelter under, was hiding me well enough in this lightest of darks. I could see the moonlight dance on the keys of my cab, but if I could see it, so could he.
Snap!
I felt my heart stop beating. The sound was so close. A lot closer than I would have liked.
'Should I make a run for it?'
As I gained the courage to flee, I felt a cold leather glove on my shoulder. The glove yanked me towards him. Fear sank deep within me as I tried to shake free. His strength much mightier than mine, there was no fighting him.
He placed a cloth bag over my head with two mismatched holes cut out of them. They were meant for my eyes, but only my left managed to see through it's designated hole.
I saw my assailant.
He was not alone.
There were three others accompanying him.
All three were disguising their faces with white robes from their head to their toes.
It all came to a point at the top.
I noticed another white cloaked person, a lot shorter, hiding behind the leather gloved man.
That's when I felt it.
It snaked around my neck, it's threaded components piercing the cloth bag over my head, and jutting into my skin. It irritated and itched, but they arrested my hands together with a zip tie, so itching was impossible.
I felt one of the men grab me fiercely by the waist, and lift me onto what felt like my own cab.
I confirmed it by the yellow chipped paint out of the bottom left of my vision from when I backed into one of my clients mailboxes.
They said nothing the entire time.
Neither did I.
My tears were telling them everything that I wish I could scream.
One of the men nodded, followed by the approval nod of the leather gloved man.
He slowly raised his leather glove high into the air, confident of himself.
My stomach dropped.
I heard the cabs horn flare, and the tires squeal.
Gravity made an appearance.
I felt the snap of my neck, yet no pain followed.
The flaring horn silenced.
I opened my eyes. My vision was blurred.
The smell of my mothers pancakes, told me exactly where I was.

VII. TO DIONYSUS (59 lines)

(ll. 1-16) I will tell of Dionysus, the son of glorious Semele,
how he appeared on a jutting headland by the shore of the
fruitless sea, seeming like a stripling in the first flush of
manhood: his rich, dark hair was waving about him, and on his
strong shoulders he wore a purple robe.  Presently there came
swiftly over the sparkling sea Tyrsenian (30) pirates on a well-
decked ship -- a miserable doom led them on.  When they saw him
they made signs to one another and sprang out quickly, and
seizing him straightway, put him on board their ship exultingly;
for they thought him the son of heaven-nurtured kings.  They
sought to bind him with rude bonds, but the bonds would not hold
him, and the withes fell far away from his hands and feet: and he
sat with a smile in his dark eyes.  Then the helmsman understood
all and cried out at once to his fellows and said:

(ll. 17-24) 'Madmen!  What god is this whom you have taken and
bind, strong that he is?  Not even the well-built ship can carry
him.  Surely this is either Zeus or Apollo who has the silver
bow, or Poseidon, for he looks not like mortal men but like the
gods who dwell on Olympus.  Come, then, let us set him free upon
the dark shore at once: do not lay hands on him, lest he grow
angry and stir up dangerous winds and heavy squalls.'

(ll. 25-31) So said he: but the master chid him with taunting
words: 'Madman, mark the wind and help hoist sail on the ship:
catch all the sheets.  As for this fellow we men will see to him:
I reckon he is bound for Egypt or for Cyprus or to the
Hyperboreans or further still.  But in the end he will speak out
and tell us his friends and all his wealth and his brothers, now
that providence has thrown him in our way.'

(ll. 32-54) When he had said this, he had mast and sail hoisted
on the ship, and the wind filled the sail and the crew hauled
taut the sheets on either side.  But soon strange things were
seen among them.  First of all sweet, fragrant wine ran streaming
throughout all the black ship and a heavenly smell arose, so that
all the ****** were seized with amazement when they saw it.  And
all at once a vine spread out both ways along the top of the sail
with many clusters hanging down from it, and a dark ivy-plant
twined about the mast, blossoming with flowers, and with rich
berries growing on it; and all the thole-pins were covered with
garlands.  When the pirates saw all this, then at last they bade
the helmsman to put the ship to land.  But the god changed into a
dreadful lion there on the ship, in the bows, and roared loudly:
amidships also he showed his wonders and created a shaggy bear
which stood up ravening, while on the forepeak was the lion
glaring fiercely with scowling brows.  And so the sailors fled
into the stern and crowded bemused about the right-minded
helmsman, until suddenly the lion sprang upon the master and
seized him; and when the sailors saw it they leapt out overboard
one and all into the bright sea, escaping from a miserable fate,
and were changed into dolphins.  But on the helmsman Dionysus had
mercy and held him back and made him altogether happy, saying to
him:

(ll. 55-57) 'Take courage, good...; you have found favour with my
heart.  I am loud-crying Dionysus whom Cadmus' daughter Semele
bare of union with Zeus.'

(ll. 58-59) Hail, child of fair-faced Semele!  He who forgets you
can in no wise order sweet song.

It's not OCD
I'm just ****-rententive.

There are two
coffee urns
in my office kitchenette.
Each urn has
a spot to place your mug
beneath the spigot.
Each of these spots has
a circular insert
of gridded plastic
to mark the mug-placement area
and allow spilled coffee to flow through
so this spot
doesn't become
just a puddle of coffee
soaking the bottom of everyone's mugs.
Each of these inserts has
three indentations:
one on each side
at nine and three o'clock
small, arcing parabolas
like reversed parentheses
there to allow someone to
get their fingers into the
coffee mug spot
and under the insert
to remove it
and, presumably
clean it
and then another indentation
more like a groove
or a notch
much smaller, thinner, and deeper
at the top
that fits perfectly with
a matching
small plastic protuberance
jutting from the coffee mug spot
where the insert goes.
In an almost ****** fashion
this protuberance fits into
this last indentation
this notch
this groove
to secure the insert in place.

For some reason
I've never known
perhaps laziness
perhaps inattentiveness
more likely simple
couldn't-care-less-ness
this insert never seems to be
placed into the mug spot
properly.
It is always placed sideways
rotated a quarter-turn
so that the larger indentations
on the side
meant as finger holes
are placed top-to-bottom
noon and six
the small plastic protuberance at the top
being swallowed whole
by the too-large indentation
and its mate
the groove
meant to hold the plastic piece
so tightly
is left alone
to one side
empty
and useless.
This has always bothered me.
Bothered me more than I would like to admit.
It's such a simple little thing to get right
it would take almost no effort at all
and yet, day-after-day
someone
I don't know who
whoever is in charge of these things
insists
on doing it wrong.
And I cannot abide it.
So, day-after-day
when I go to get my morning coffee
I fix it
I twist the insert ninety-degrees
and secure it in the correct position.

Lately
I have noticed something.
Sometimes
when I go to get my coffee
one of the inserts
will already be
fixed.
Someone else has seen
what I have seen
and felt the same
had the same response
took the same corrective action.
This feels like winning something.
I don't know what
but it definitely smells like Victory.
And Conspiracy.

And it makes me happy.
Happier than I'd like to admit.

I seen this ****** photograph once, taken in lovely black and white
A beautiful figure framed by shadows,
A beautiful young dark-haired girl naked
kneeling on a stairway
With one hand draped across her *******
As if protecting herself from something, maybe even shielding her heart
Her face, it is turned away to one side
And buried in her other hand
As if she's suffering some great distress or sorrow,
Far from arousing in me ****** feelings, this photograph
It spoke to me of something else
Something quite different and much more significant
More than mere words could possibly say
It spoke to me...it spoke to me of my whole life.

Her body there, so youthful, beautiful without a blemish
Her lovely contours and curves smooth like the sand dunes of a desert
Her beautiful face made sad
Her petite delicate little shoulders and arms
Her wonderful *******, her lovely tummy/belly, the roundness of her hips
The bones of her knees jutting out from where she was kneeling
Her thighs and calves resting upon one another
Her ankles and little feet tucked in behind
Here was Youth in all its glorious splendor... and innocence
With all its wonderful promise,
Strangely, it reminded me of my own Youth and my own body once
Before age and the World had done their damage
This wonderful garment thrown over our eyes and our bones
And I remembered myself as a little child, running across the beach... across the strand
And I was talking to my legs, saying, "Come on legs! Faster! Faster!"
And I was hitting my hip with my hand as if it were a whip
And as if my legs were those of a horse galloping
Just like in the old Westerns we used watch (on TV)
Yes! There was a time once when I used to talk to my body, a private little world I had,
It was my closest, my most intimate friend
You'd do it when you were alone like it was the most natural thing in the world,
You needed a friend to talk to about this strange world you were in,
And then I remembered the little girl next door
They used put us together playing, us children, us being around the same age
She was such a sweet little thing, the way she used to laugh and smile all the time
Like the cutest little kitten
The joy in her eyes and that smile of hers
Where was it coming from... somewhere inside, somewhere within
And then I remembered, I too had it once, that same joy, that same smile
It had lived in me too once... that bliss.

                              2

That photograph, it struck me as being something almost holy
It reminded me straightaway, it reminded me of the Garden of Eden story
The beautiful body had been the Garden you see
And in the Garden there was no fear and no danger
Like a little kitten lolling about, rolling on its belly and stretching itself out
Without a worry or a care
Without a cloud on its horizon
A beautiful magical kingdom before the Mind ever existed.

But now looking again at the photograph and at her face made sad buried there in her hand
Now the photograph was telling me
Suddenly, all at once, there came a day and a shadow
Something from outside, it had entered her mind, some ugliness from the world
It had disturbed her for the first time
And this was a new sensation to her
And it had frightened her
"How could such a dark ugly thing exist", she was wondering,
'And how can I live now with this in my world,
Now that I've seen it, it will always be there",
And then another memory came back to me, That of myself as a little child lying in bed
Shaking my head from side to side, even bumping my head against the wall
There was something there in my head I didn't like, something I didn't want to hear or see, something disturbing
I didn't want it there, I wanted it to go away
I wanted it to stop,
But it wouldn't stop and it wouldn't go away
And you realised it'd always be there like some shadow hovering in the background.

                                3

Now dark clouds were beginning to gather over the Garden and the beautiful Body
Now the World was coming and the Tyranny, the Tyranny of the Mind was beginning
The Gates of the Garden, they were slowly starting to close
Yea, the fields of Arcadia were fading, the exotic fruits and feelings there were being taken away
Its lovely sweet river of ambrosia would now soon cease to flow.

Like the Snow Queen and her Icy Blizzard, like a cruel invading army
The Mind had awoken now like a sleeping dragon and the World, it was coming, coming now to feed
Starting to pour in like through a breached dam
The World with all its books and its lessons, its rules and examinations
The mental world forcefully asserting itself
With its bullying cajoling teachers and its many humiliations,
The Mind weighing down hard now upon the Body, leaning on it, squeezing it and straining it
Pulling it this way and that, hither and thither
All out of shape, all over the place
Rivers of outside influences flowing in now
You were like a tiny boat tossed upon stupendous waves
Always at the mercy of other people's words
Blown all over the place
Sometimes, sometimes I just couldn't stomach it, I couldn't digest it
Sometimes I could only just throw it all up.

                                   4

The Beautiful Body... Garden no longer, now just some hollow empty shell
The Mind alone was all that mattered now
All consuming and all devouring
The Body starting to buckle and to crumble
Underneath all that weight, the stress and the strain
Not knowing how to deal with it....lost and bewildered
Among the new feelings of emptiness and of pain
Overeating and undereating, unable to eat at all
Growing fat thinking that that could protect you from all the new fears in your brain.

                                5

The Body that beautiful Garden with its golden days
Were now long gone and forgotten
Thorns and briars had grown up in their stead
Just like some long lost fairytale Sleeping Beauty.
Made poor now and impoverished
I remembered... I had been a King once long ago back in my old Garden.

(The faint joys of the Mind y'know they were nothing in comparison
To what I'd known in that sweet Garden of old, that sweet Garden of mine).

Now when I look in the mirror I can hardly see myself anymore
But when I look at this photograph
I can see myself there.

this is irrational. in mathematics, the human reasoning - there will always be some sort of radical fallacy shoved into the equation. you. you sir, are what i call irrational. i can't lie when i say that i'm quite fond over how tall you stand, like a mountain. like a king. you don't rule the valleys and praries of your people, but you've found power along capalliries and veins. this box jutting irregularly in my chest is what you rule. i could construct motes and bridges and stone castle walls to keep you from getting in, but i can't deny i've always wanted to be a queen. your queen. i've never wanted so badly to rule your world. to take the throne and call you mine.

White rocks jutting from Ching stream
The weather's cold, red leaves few
No rain at all on the paths in the hills
Clothes are wet with the blue air.

“The rest is silence.”"-A. Crowley

I

I will know you only because
you are known to me deep down
beneath the subtle shadows carved
permanently upon your deceivingly
angelic face
sculpted by an artist
nameless to none but the heavy slab of stone
he used to create an ache
I’ve come to want to know as you
whose soft and silent rolling voice
where from there springs the torrents
of a turmoil melting like wax
in the mixed up chasm
of your mind
the destroyer of your smile
the reminder of bad times
that causes me to know you and from where you come
riding in bare-back
jet-black hair flying on
the hated molten roaring
riveted steel furnace
of inner anguish
again
and again
you beautiful deadly diamond black jewelry rose
of unworldly charm and perfected pain.

II

This is how I know you
in the steamy swelter of the nightfall’s
stifling bluish pall
you and I alone somewhere
anywhere
but probably nowhere
between the silken smooth heavenly legs of
here and there inside
the broken smoked crystal chandelier
of an ancient chamber room illuminated by
the flicker of more than fifty slowly disappearing
jutting candle-flames
I know you
because you make yourself known
to me
on the black-satin wrinkled bed-sheets that
we lie
writhing around upon like two
dying dancing angels
being swallowed by the suffocating oil
of a shame we bother created
just like gods
or dancing dancers dancing slowly
dying
in the pallid ***** fuming fog
…dancing with the gods.


you are as I know you
silhouetted in the silence of our
ecstatic shattered sighs
as we fly through lust’s futile passions where
we lie, we lie
we lie…

III

You are crawling across
the one-thousand mile mattress
stalking towards me
starvation’s fire fuels
your steely-sharp brown eyes
leopard-like your lithe,
tiny olive-brown body poised
ready to pounce
ready to strike
arrayed in skin-tight crimson lace
deadliness flashing on your face
your ******* dark and pointy ******* feel
fit for me to fed the song—
I smile—
then with healthy, stealthy fury
you leap
and pin me down
trapping
me between these shiny sheets of coal
and your sweeping feline glowing
perfumed-prison hair
polished glossy ruby fingernails
dig deep
into my massive arms
ivory razor-baring teeth
bite my hips
my neck
my chest
my thighs
you stop just in time
to devour me
delightfully
rocking, reeling in the sounds of us around
the intoxicating scent of your
flaming fountain-***
colognes my livid throbbing burning *****
I yell
I try to scream
I want to cry
…but instead, drift off to dream.

IV

You lie awake
aiting watching and waiting allowing
your imagination and your hands
on a journey to your ever-lingering
flaming fury far beyond the heights of hunger’s call
just as we have done no doubt
without each other
for a long time
in the cold
in and out
up and down
back and forth
body arches
thighs uptight
muscular calves quivering
toenails clenching like an eagle’s talons
on the bed
--lift high your sweet holy offering to the air!

Hands wet and warm fly from the glistening
magic perfect patch of forever music
that makes me want to weep
you scream
I awake
we breathe deep
we go back.
Repeat the scene.

V

Pre-dawn purple painted brush-strokes streak the sky
framed by the window where I know I will find you
in nothing more than a gown of sleek vermillion
light-chamois
that displays the room glow striking at your body’s faint
outline
your slender legs
your precious girlish hips
that golden chain around your waist
Divine
your blushing tearless chiseled cheeks
I arise
and walk behind you
run my trembling fingers up your spine
I still don’t really know you as your sighs compete with
mine
you reach around and lead me away
behind a peeling splintered door
warped and withered with
dismay
where you will teach me how to paint
by spilling your blood in
splatters
upon the floor
in said consequence I
calmly take the blade from
your tiny talking hands
pull your slashed and sliced torn wrists
to my tongue
and slowly lick
with a lingering criminal kiss
the dripping cuts that begin to fade
and go away forever in the day
now that the wounds have disappeared
becoming scarless
bloodless
sere
I can but heal your beaten lost youthful body
although I cannot convince you that
I care.
Daylight here.

VI

I know now that I know now
that I know you
and in the ****
with suntanned bodies wind kiss-hissing
through our hair
we walk side by side
on the blistering shoreline sand
avoiding bits of broken glass bottles
one by one
if we can
slowly strolling to the edge of the
abysmal eternal
emerald omniscient ocean-waves
breaking
ttundering
blanketing our feet
spraying its mist upon
our hands
I stop
you sprint
on diving headlong at the deep
the foamy water roars
and roars
you emerge and approach the shore
standing straight along
beside me
to stare
at a pair of grayish seagulls circling
in the air
squawking songs about themselves
when before the breathing of a minute
one
bird drops dying dead to feed
the never-ending belly
of the sea
the other screeches viciously
mourning
you look
at me
and then I come to know now how to know you
now that you have at last known me
as your part your pink and precious lips
for the first time
we will ever kiss
as you finally cry for
our
reality.

That is not sand left clinging to your cheeks
Just the salty tears we need
To set us free.

Now you can bury you and me.


(Threnody means “funeral chant.”)

Tall round beams standing
in salty water, connecting
fishermen and star-fish gazers
with a moon-shaped bay
on the eastern Pacific.

They stand on land and step into sea,
as rolling barrels from Arctic grounds
tickle their lower legs.
A centipede of wood, this
outward- jutting wharf.

The fishermen sink expectant hooks;
the surfers haul shiny glass
banana-shaped boards of foam;
the weekenders come posing
baby strollers for picture shooting.

Each passing wall of blue
energy slows at reach of
shallow sand, deciding
whether to keep rolling or
transform into a steep stack

of snapping water. On big days
the sea legs shake all the
fishermen. They lock away
their sacrificial bait in rusty boxes
and collapse their fibered rods.

On calm days I step out to a
wooden bench and hang my
face between the rails. Running
people pass below, between the
knotted hips and creosoted thighs.

August buries this preserve
in such drizzle. Gulls go bundling
inside their sleek robes
of white feather, leaning
windward on worn bent knees.

The sun rises tentatively through the forest heights behind the palace. In the pre-dawn light Jia Li has secured water and fuel for her visitors and despite the attentions of the pack horse men, who have returned from an evening at her village the worse for drink, she settles to feed her infant child. Meng Ning enters to seek her counsel. She already guesses his intentions and answers his brief questions with confidence. She knows the route to the Red Slate Path, perhaps four li distant. The path is clear, though little used. It is not a place those of her village visit, though she has learnt that the path itself defies nature’s attempts to cover its existence.
    Zuo Fen is standing on the terrace as Meng Ning returns to the Emperor’s Hall. She has slept deeply, is refreshed after a period of meditation and, despite the cold, has been washed and massaged by her maid. She appears dressed for walking, her boots, fur cloak and hat in purposeful combination. As she surveys the lake flocks of wild geese and duck chatter and squabble as they float on the surface. There are some experimental flights, pairs of duck taking off to fly in wide arcs only to return to the same stretch of water from where they rose in tandem. Soon the geese will leave to fly across the forests and moorland for distant harvested fields where they will spend the day foraging. Meng Ning points to a distant peninsula jutting out from the northern shore of the lake. Behind it, he says, lies the cove of the Red Slate Path. Perhaps there they will be able to understand more keenly the why of this mystery.

‘At such a distance,’ says Zuo Fen, ‘the detail of a boat would be quite lost. I imagine the peninsula acting like a pointing finger to its floating form. There is already fashioning within me a possible story that might explain this mystery.’

She smiles warmly at Meng Ning who bows his head rather than stare into her jade green eyes. She moves closer to his standing posture, taking his left hand secure but tense against the balustrade of the veranda. Lowering one leg before the other she slowly kneels, removing her hat, loosening her fur cloak that now spreads itself of its own accord beside and behind her. With both hands behind her neck she lifts her long hair found to parted and tied in simple peasant fashion. Raising her hands to full-stretch her sleeping hair warm from the bare skin of her back slowly cascades forward and across each of her ******* to curl like two cats in the bowl of her robe.

‘Mei Lim is with Jia Li’, Zuo Fen says curiously and with a voice Meng Ning has not encountered before. ‘I fell to sleep dreaming of your kind presence and the joy of being touched and kissed.’ He cannot see her face as she speaks, only the quivering fall of her hair across her kneeling body. ‘I awoke feeling your breath on my cheek and so brought your limbs to entwine with my own.’ He now senses the delicate unguents of her body; they compass him about, his hand falls from the balustrade to touch her hair.

Finding her right ear his fingers describe its shape, its sculptured relief of folded forms and crevices. He is becoming faint with something outside passion that requires him to go beyond her ear and flow of hair about his fingers. He unties his cloak, letting it drop behind him. He removes his boots and outer garments. She follows his example. He moves to her side, adopts the position of the swallow resting on the wind. They face one another.  To the accompaniment of their breathing, her hands begin a dance in the space between their lower limbs as though they are birds turning and falling in flight. Unlike the courtesans he sees at court her nails are short, her fingers long. Then, it is as though her hand holds a brush forming characters and she begins to write on his body with short deft movements this way that way describing her flight of passion. Some intuition tells him to allow this, and not to seek repricocity, as it seems from her breathing that these very actions give her the greatest delight, bring her to the edge of the first coitus. Eyes closed, he moves his nose into a glancing embrace with her own, feeling there a semblance of perspiration, that tell-tale sign of a woman’s readiness for the deeper embrace. She responds to this with sighs and swift movements of rapture that envelope him, and now, as she quickly brings her limbs into a right conjunction, he places one hand beneath her, the other to recline her body gently to the floor, her cloak becoming a pillow for her head.
    He now looks directly at her, her face expressionless as though all thought and feeling has entered her body in preparation to receive his own. She does not blink. There is a moment of great stillness, a great wave of calm breaks, moves forward and pulls back – and again, again. In an instant he will enter her Jade Gate to caress and kiss and move where only his Lord has visited. He knows that once there he will seal his own fate . . .
     It is the talk of poets that women are often at their most sensitive to love’s attention in the morning hours, and that this was, for so many reasons, the most impractical of times for men. Zuo Fen herself had written fu poems that took the reader to the most intimate moments of a concubine’s experience in the morning hours, those times when alone the body gathers to itself its essential nature, and is often caressed with the woman’s own hand and thoughts. To understand such circumstance, to hold its sweetness as an abiding taste during the formalities of the day, only to release its flavour in the pleasure hours of the night, was a manly attribute, said to be treasured, indeed honoured by women.
      When Meng Ning withdrew Zuo Fen lay for some while letting the unaccustomed circumstance and its location only gradually allow a return to conscious and present thoughts. She pictured now her journey to the Red Slate Path, Jia Li, her baby on her back, striding beside Meng Ning, then herself and finally Mei Lim - who would have entreated her mistress to be allowed to accompany her. There was the glade, a small bowl in the hillside where it was just possible to see a small cave from which, glistening, the broken patterns of the slate path fell after half a li into the lake. She would investigate the cave. She would walk to the water’s edge, where the trees stepped into and reached over the lake to lay a carpet of fallen leaves. Then to see the path gradually, gradually disappear into the depths.
    Whilst Zuo Fen, with her eyes closed, projected her thoughts forward in time, with accustomed tact Mei Lim left those accouterments a woman needs after the attentions of a lover. She feared for the young man, though she knew her Lord prized too much his Lady of The Purple Chamber to effect jealousy or display anger.
    As the sun cleared away the thin cloud and approached its zenith the company broached the crest of the hill above the glade. It was, Zuo Fen had to admit, just as she had imagined lying prone and in disarray in the Emperor’s hall. In silence, and in the company of her imagination, she now paced from cave to path to water, and standing at the very edge of the lake’s bank focused her mind to envisage the events of twenty years past.
     It was as though a rhapsody was already formed. She found herself recounting the tale in her world of characters where there is only present time. She felt her hand describe them with the flow of her brush, heard the sound of its movement across the thick parchment. She was slow to notice that Meng Ning had disrobed and was entering the water. Without a word she watched him move through the carpet of floating leaves, some sticking to his nakedness, and onwards, slowly, following the submerged path until his torso then only his shoulders were visible. She then knew what he hoped to find, even after the passage of so many years.

She saw it all, suddenly. The sorcerer Yang Mo and the Emperor’s second wife descending the Red Slate Path as a cavalcade of fire and smoke, loud flashes of light, noises of brass and clashing metal enveloped the glade and the boat itself. The watching company witnessed for a moment the couple disappear under the waters only for their collective sight to be shrouded in a climaxed confusion of the sorcerer’s devices and effects.

When, finally the smoke cleared, the boat and the lovers had vanished.

Zuo Fen watched Meng Ning disappear from view. She imagined him, as the pearl fishers she had heard tell of, diving down to the depths, holding his breath to seek what might remain of the illusory boat. But time passed beyond the possibility of what she knew could be endured by human-kind. The surface of the water remained unbroken. The division of open water made by Meng Ning in breaking apart the carpet of floating leaves was already reforming itself.
   Removing her cloak and her boots, and unpinning her hair, Zuo Fen stepped into the water. A memory floated towards her of bathing in the lake near to her summer retreat. Water held no fear for her, only now the cold consumed her. Her loosed hair, and her elaborate untied robe settled on the water’s surface: to surround her like a lily pad, she the budding flower at its centre. She felt her feet still firmly on the Red Slate Path, her chin now resting on the water’s surface. Whatever had happened to Meng Ning she knew her action to be compliant. She had immersed herself with the very element that had brought him either death or, as she knew in her heart, a most honorable escape.

~ dad said she'd be famous ~

"...a doctor
or diva
like lena horne," he said

he'd been doing odd day jobs
and driving cabs deep into the night
through  these mean city streets
since ella's debut
at the apollo

and his smile
grew wider than
jackie o's
reservoir in central park
when this bouncing baby girl
made her grand debut
into his world

the dimples on her
cherub caramel cheeks
were irresistibly pinchable

and those twinkling eyes
knew she'd be spoiled infinitely
like a fruit-fly in a box
of rotten apples

~ reality check ~

....if you look closely
you might still see one dimple;
but the twinkles departed
back in '75

....and the burns
on her fingertips
and blistered lips

....and the bones....
jutting  like the bones
of refugees and anorexics

....missing flesh

...and the tracks
on her forearms
and filthy jeans

.....and the eyes....
shifting like the eyes
of senators and thieves

....telling lies

.....and the rotting corpse
in a black garbage bag
in fresh kills

multiple choices removed
from the doctor
and diva of daddy's dreams

hijacked by dream-killers:
smack
      crack
  and addiction

~ P (Pablo)
(8/1/2013)

http://youtu.be/RGFytiWwsRo
(this is a link to a video that I created for this poem)
Ridgewood (Where We Wait)
We take the most delicious train
to the Queens-Brooklyn border to get here
Where everything is liminal, uncertain, undecided
Even the foundation, Arbitration Rock, at the house on Onderdonk
Was buried for centuries, dug up, and chucked on another imaginary line
The streets are on a grid, and the border on a diagonal
making a stair-stepping hypotenuse of the confused
A challenge to put your time to good use
even on the oz-like yellow brick road on Stockholm
You hear Poles on the street muttering “Marnowanie mojego
czasu tutaj” through the bachata dripping
from the apartments above the stores on Fresh Pond Road

Two of the best restaurants in the boroughs
Rosa’s pizza and Zum Stammtisch mark
the north and south borders of the hill where we wait  
During the seventy-seven riots, Ridgewood
seceded from her stepsister, broke from Boswijk and Breuckelen
-
There’s racism here like carbon monoxide smoke:
at the Ridgewood Y, a man sweats through his shirt
revealing swastikas pierced through the skin underneath
and the Romanian dentist down the street drilling
says “Cred ca am pierd timpul meu aici”
through the machinery scream and burning enamel
she won’t say this if you understand what she means

Walking past the 99 cent stores and the pharmacies,
remembering that there is good, fast, and cheap
But you can only have two of them at the same time,
Crazy Loretta, under her navy knit woolen hat
in her pink sweatsuit and winter coat, smokes
her shaking hand-rolled cigarettes below the train
trestle grinning with her jaw-jutting through
her inch thick specs.  She waggles her chicken bone fingers
saying, “Hiya honey” when you walk by.
If you are brave enough to stop and talk to her,
she’ll tell you that her nephew plays
for the Texas Rangers and her daughter
is a doctor and she’ll probably give you bedbugs
She’ll tell you, fascinated, like a child: “when you squish them - the blood comes out”
She’ll tell you the same thing tomorrow - Loretta forgets.  
In her mind, a phrase like green smoke from her youth
Ich glaube, ich bin meine Zeit hier

The playgrounds are packed with children
practicing how to swear, the girls huddled
reading Twilight like the Bible, and the boys
huddled reading the girls like the Bible
A woman yells to her son to come home a third time
and mutters “Creo que estoy perdiendo mi tiempo aquí”

Buried in Machpelah Cemetary less than a mile from my house,
is the place Houdini is still staging his greatest escape
He has a wide audience.  Sometimes I think there are more dead
residents of Ridgewood than living ones.  The cemeteries stretch
the borders of the appropriate spilling into Christ
the King high school’s front lawn.  Driving Cypress Hills street,
the Manhattan skyscrapers rise looking tomb-toothed parallaxed and
blurry through ephemeral sepulchres, stones, and cement angels pointing at the sky

On one of the stones it says simply: Videor perdo temporis hic
I think we are wasting our time here.

One could hardly distinguish between
the hue of the sky
and the industrial water tower jutting his head
above the horizon, the depths of the city’s
flat rooftops.
Smoking from steel grey
Rhodesians, controverting the horizon.

Skinhead
super short
military hair
with a strong jawline
jutting out

I saw you
One random
blindingly hot afternoon
In a jeep

I tried to squeeze in
the small space so the two guys
could scoot over

You’re the guy to my right
Reluctant to pass to the driver
my exact change

You sat upright
Your right arm lifted, hand
closed on the security rail

I could only see your profile
Your jawline and Aviators
Mouth set in a deadpan line

Lean, quietly confident
Dressed casually and carefully
Odd eggplant-colored shirt over
whitewashed jeans

You turned slightly,
your nose strong
chin dignified
skin clean, with slight
blemishes of stress
Pretty eyes
That never landed on me

Your lips slightly curved
as if remembering something

You are beautiful
Arrogant-looking
Bored
Worldly

You’re not from here
Not from common places
Not from this wretched community I belong to

Then my eyes traveled to the back of your head,
An inscription was tattooed
at the back of your skull.
Your hair growing, beginning to cover up
the past?
A dangerous past?
New life?
A mere change of look?

Where are you going?
Where are you from?
Why are you taking this route
to and from common places?

What is your agenda
on this high afternoon?

Are you a rockstar?
Are you a poet
A gangster?

Then finally it’s my stop.
I got up and wished you
were following behind
That we have the same destination
Just so I could look at you
in full view

I stepped into
the sad, bright afternoon

Then I turned around
You’re not there

You sped away
To some place
Some life
With your Aviators
And your principles


And it hurt
That I never even
knew what
your tattoo meant

I wake up and see so many things,
always different from yesterday.

Today I'm going fishing.
But I must not allow myself
to focus on the worms or
on the death of the worms,

We went out early in the morning,
before sunrise,
The early bird catches the worm;
the early worm catches the prize.

And we caught many more
than the others!!
Getting up before sunrise
is a secret known to the wise.

On the end of my cane pole, a bamboo stick, really,
hangs a thin fishing line, about twenty feet out,
Attached with a bobbin, a lead sinker and a hook

Threaded on the hook is the worm
which I've lowered into the water
from the pole I'm dangling from
the low dock jutting out into the pond

I see the first fish I catch!
I feel powerful and horrible
and proud at being the best!
My catch is the biggest one yet!

It is similar to a cat chasing a bird.
The bird is innocent,
but the cat gives in to the chase
with no ill will, instead,
blessed by God, the gift...to be a cat.

It is not easy being a cat.
God gave to the cat, nine lives
to fall back on, in case of being
thrown off a roof by a ruthless
boy who is curious to see
if it will land on it's feet.
The cat is now down to eight

A bird chased by a teenage kitten
must learn to fly if it's to survive.
Nature's timing for the offspring
does not support favoritism.

But it happens anyway.
There is always one in the nest
That the mother bird loves the best.

The Eclipse

The eclipse dose not become endless night
The reappearance of light is the same as the survival of soul
The eclipse
Such indeed a character of the historic hour through which the world was passing
Objects close to the eye shut out much larger objects on the horizon
A quiet  and unexpected  change,
That looked  the desultory range
Of happiness  and sprightly thought.
Where'er was dipped the toiling
oar,
The direction of winds  danced round us as
before,
As lightly, though of altered hue;
Mid recent coolness, such as falls
At noon-tide from umbrageous
walls
That screen the morning dew.
No vapour stretched its wings; no
cloud
Cast far or near a murky shroud;
The sky an azure field displayed;
'There was light  sheathed and gently
charmed,
Of all its sparkling rays disarmed,
And as in slumber laid:--
Or something night and day
between,
Like moon shine--but the hue was
green;
Still moon shine, without shadow,
spread
On jutting rock, and curved shore