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CK Baker Dec 2016
Cinque Terre
The napalan man in a violet cape  
descended the stair with a lopsided gait
a wretched procession, subscribers in cue
rattling off as they stream from the pew  

sounds and smells from a shadowy place
a catholic priest to gin up base
lanterns strung from bolted doors
cobbled streets and wooden floors  

stepping stones and iron bell
fortified by the citadel
hallowed halls and sepulcher
dragon cane for the horse drawn tour

castle turret,  archer holes
centaur scribed in chamber bowls
garden columns in courtyard view
the blood ballet and hullabaloo  

ancient tombs on warrior grounds
gods and saints who made their rounds
goliath still with battered scythe
knelt in prayer and mummified  

battle fires and crowds that roar
gallows, caves, abysmal war  
gargoyles flock the terraced *****
pearly gates to bring on hope  

serpents, snakes and burning ash
lava bombs and trident clash
mariners drift in absentee
as neptune rises from the Tyrrhenian Sea
#italy #travel #history #rome #europe
Continue reading...
Carl Sandburg
Broken-face Gargoyles
ALL I can give you is broken-face gargoyles.
It is too early to sing and dance at funerals,
Though I can whisper to you I am looking for an undertaker humming a lullaby and throwing his feet in a swift and mystic buck-and-wing, now you see it and now you don't.
  
Fish to swim a pool in your garden flashing a speckled silver,
A basket of wine-saps filling your room with flame-dark for your eyes and the tang of valley orchards for your nose,
Such a beautiful pail of fish, such a beautiful peck of apples, I cannot bring you now.
It is too early and I am not footloose yet.
  
I shall come in the night when I come with a hammer and saw.
I shall come near your window, where you look out when your eyes open in the morning,
And there I shall slam together bird-houses and bird-baths for wing-loose wrens and hummers to live in, birds with yellow wing tips to blur and buzz soft all summer,
So I shall make little fool homes with doors, always open doors for all and each to run away when they want to.
I shall come just like that even though now it is early and I am not yet footloose,
Even though I am still looking for an undertaker with a raw, wind-bitten face and a dance in his feet.
I make a date with you (put it down) for six o'clock in the evening a thousand years from now.
  
All I can give you now is broken-face gargoyles.
All I can give you now is a double gorilla head with two fish mouths and four eagle eyes hooked on a street wall, spouting water and looking two ways to the ends of the street for the new people, the young strangers, coming, coming, always coming.
  
It is early.
I shall yet be footloose.
Continue reading...
Onoma Nov 2013
Gorgeous Gargoyles
Ganders...gargantua--ensconced in far-fetched space...
(attrition)...LOOK AT THAT LINE...LOOK AT IT...
ROUND THE CORNERS OF PERPETUITY...predilections.
A soul's inalienable fracas...on bend and knee...hop...and
whoop...miasmic gargoyles poppy-wreathed...
for all-too-lucid dreaming...chanting etceteras of bare riff raffs.
Golden breastplates...weeping willow wings...empurpled--
fending fang trumping lines of: yuck, cluck, claw and kook.
...Listless eyes...alphabetize...think a blind oracle's informed
absentia...holy and bovine.
Redolent airs...perspiration of spume's most distancing shore--
eyepieces for the specks and logs in the oculos of brothers
and sisters.
As dust to dust doth not settle...heart's yonder score...nay cease
of interstice...off-world amorousness.
Gather ye yarrow sticks...hurl them at days...roofless arcady...
live into the spectra of their worlds, come friend or foe...Fate's foundling.
Lines strung as prayer beads...curs-ed beads...forget-me-nots
enclosed in letters baiting Long Farewells, in the great literary
correspondence of authored and Author.
...Ye gorgeous gargoyles come perch and push.
Persona non grata...the wide world...unisex prodigal...All--returneth.
LOOK AT THAT LINE...LOOK AT IT...(attrition)...ROUND THE
CORNERS OF PERPETUITY.
NEBULAEIC FANFARE...come perch to push...lo...ANGELS!
Continue reading...
Mitchell Jun 2012
Life Crashes, It Does Not Land Gently
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
Continue reading...
SøułSurvivør Mar 2015
of angels
and gargoyles


v  v  v
>     an     <
> angel <
###          down          ###
######          from         ######
########/heaven sat on########
#######/a gargoyle's wing#######
#####/said she, "too bad youre#####
###/hideous! such an ugly thing!###
###\the gargoyle said nothing/###
so the angel said, nonplussed
"too bad you have to
stay on earth and
cannot fly with us"
the gargoyle just sat
there. The angel left
alone. the gargoyle
shed not one tear
for he was made of
///////stone*\\\\\\\
////////////////\\\\\\\\\\
///////////////////////\\\\\\\\\\\
///////////////////////\\\\\\\\\\\
/////////////////////////\\\\\\\\\\\
V               V
#sad #angels #fly #stone #gargoyles
Continue reading...
Michael R Burch Mar 2020
Heretical Poems
Heretical Poems by Michael R. Burch including "The ur Poems" and  "GAUD poems"



Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

NOTE: I came up with this epigram to express my conclusions after reading the Bible from cover to cover, ten chapters per day, at age eleven.



Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).



Multiplication, Tabled
for the Religious Right
by Michael R. Burch

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



***** Nilly
for the Demiurge, aka Yahweh/Jehovah
by Michael R. Burch

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please . . .
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.



Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.



Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



Redefinitions
by Michael R. Burch

Faith: falling into the same old claptrap.
Religion: the ties that blind.



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.



fog
by michael r. burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



thanksgiving prayer of the parasites
by michael r. burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



no foothold
by michael r. burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



u-turn: another way to look at religion
by michael r. burch

... u were borne orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



You
by Michael R. Burch

For thirty years You have not spoken to me;
I heard the dull hollow echo of silence
as though a communion between us.

For thirty years You would not open to me;
You remained closed, hard and tense,
like a clenched fist.

For thirty years You have not broken me
with Your alien ways and Your distance.
Like a child dismissed,

I have watched You prey upon the hope in me,
knowing “mercy” is chance
and “heaven”—a list.



I’ve got Jesus’s face on a wallet insert
by Michael R. Burch

for the Religious Right

I’ve got Jesus’s face on a wallet insert
and "Hell is for Queers" on the back of my shirt.
     And I uphold the Law,
     for Grace has a Flaw:
the Church must have someone to drag through the dirt.

I’ve got ten thousand reasons why Hell must exist,
and you’re at the top of my fast-swelling list!
     You’re nothing like me,
     so God must agree
and slam down the Hammer with His Loving Fist!

For what are the chances that God has a plan
to save everyone: even Boy George and Wham!?
     Eternal fell torture
     in Hell’s pressure scorcher
will separate **** from Man.

I’m glad I’m redeemed, ecstatic you’re not.
Did Christ die for sinners? Perish the thought!
     The "good news" is this:
     soon My vengeance is his!,
for you’re not the lost sheep We sought.



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
"little ones to him belong"
but if they use their dongs, so long!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
    yes, jesus fleeces!
    yes, he deceases
    the bunny and the rhesus
    because he's mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my active brain,
that will drive the "lord" insane!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first priests tell me "look above,"
that christ's the lamb and god's the dove,
but then they sentence me to Hell
for using my big brain too well!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!



and then i was made whole
by michael r. burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Beast 666
by Michael R. Burch

“what rough beast...slouches toward Bethlehem to be born?”―W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking―
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



I AM
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.
I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.
I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please! "
I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.
I am not one of ten billion, I
AM!



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate).

We like to hook a little tail.
We hope there's decent ** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



Unwhole
by Michael R. Burch

What is it that we strive to remember, to regain,
as memory deserts us,
leaving us destitute of even ourselves,
of all but pain?

How can something so essential be forgotten,
if we are more than our bodies?
How can a soul
become so unwhole?



Nonbeliever
by Michael R. Burch writing as Kim Cherub

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).



evol-u-shun
by Michael R. Burch

does GOD love the Tyger
while it's ripping ur lamb apart?

does GOD applaud the Bubonic Plague
while it's eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.
But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche's sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Alien
by Michael R. Burch

for  a "Christian" poet

On a lonely outpost on Mars
the astronaut practices "speech"
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro―
far colder than Jesus's words
over the "fortunate" sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until its sheds red-gilded leaves:
then heaven grieves
love's tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem's retrograde star,
we point out now, in resignation:
You asked too much of man's beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good...
just, O greatest of Poets!, misunderstood.



Advice for Evangelicals
by Michael R. Burch

"... so let your light shine before men..."

Consider the example of the woodland anemone:
she preaches no sermons but―immaculate―shines,
and rivals the angels in bright innocence and purity,
the sweetest of divines.

And no one has heard her engage in hypocrisy
since the beginning of time―an oracle so mute,
so profound in her silence and exemplary poise
she makes lessons moot.

So consider the example of the saintly anemone
and if you'd convince us Christ really exists,
then let him be just as sweet, just as guileless
and equally as gracious to bless.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
I'm upwardly mobile; this one thing I know:
I can only go up; I'm already below!



Shock and Awe
by Michael R. Burch

With megatons of "wonder, "
we make our godhead clear:
Death. Destruction. Fear.

The world's heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!―
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!―
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go...
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin...
lay down your pamphlets; now no one will "win."

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through...
so lay down your hymnals, or write something new.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here―
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It...
But, if so, still, I must ask:

why is it God that they fear?



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love's wild insurrection
yield no certainty of a resurrection.

Man's tried them both, has added tears,
chants, dances, drugs, séances, tombs'
white alabaster prayer-rooms, wombs

where dead men's frozen genes convene...
there is no answer―death is death.
So bury your son, and save your breath.

Or emulate earth's "highest species"―
write a few strange poems and odd treatises.



Flight
by Michael R. Burch

Poetry captures
less than reality
the spirit of things

being the language
not of the lordly falcon
but of the dove with broken wings

whose heavenward flight
though brutally interrupted
is ever towards the light.



Winter Night
by Michael R. Burch

Who will be ******,
who embalmed
for all eternity?

The night weighs heavy on me―
leaden, sullen, cold.
O, but my thoughts are light,

like the weightless windblown snow.



Tonight, Let's Remember
by Michael R. Burch

July 7,2007 (7-7-7)

Tonight, let's remember the fond ways
our fingers engendered new methods to praise
the gray at my temples, your thinning hair.
Tonight, let's remember, and let us draw near...

Tonight, let's remember, as mortals do,
how cutely we chortled when work was through,
society sated, all gods put to rest,
and you in my arms, and I at your breast...

Tonight, let's remember how daring, how free
the Madeira made us, recumbently.
Our inhibitions?―we laid them to rest.
Earth, heaven or hell―we knew we were blessed.

Tonight, let's remember the dwindling days
we've spent here together―the sun's rays
spending their power beyond somber hills.
Soon we'll rest together; there'll be no more bills.

Tonight, let's remember: we've paid all our dues,
we've suffered our sorrows, we've learned how to lose.
What's left now to take, only God can tell.
Be with me in heaven, or "bliss" will be hell!

I do not want God; I want to see you
free from all sorrow, your labor through,
a song on your tongue, a smile on your lips,
sweet, sultry and vagrant, a child at your hips,

laughing and beaming and ready to frolic
in a world free from cancer and gout and colic.
For you were courageous, and kind, and true.
There must be a heaven for someone like you.



I, Lazarus
by Michael R. Burch

I, Lazarus, without a heart,
devoid of blood and spiritless,
lay in the darkness, meritless:
my corpse―a thing cold, dead, apart.

But then I thought I heard―a Voice,
a Voice that called me from afar.
And so I stood and laughed, bizarre:
a thing embalmed, made to rejoice!

I ran ungainly-legged to see
who spoke my name, and then I knew
him by the light. His name is True,
and now he is the life in me!

I never died again! Believe!
(Oops! Seems it was a brief reprieve.)



To Know You as Mary
by Michael R. Burch

To know You as Mary,
when You spoke her name
and her world was never the same...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard You exclaim―
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech's brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear―
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don't quite understand) ,
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Gethsemane in Every Breath
by Michael R. Burch

LORD, we have lost our way, and now
we have mislaid love―earth's fairest rose.
We forgot hope's song―the way it goes.
Help us reclaim their gifts, somehow.

LORD, we have wondered long and far
in search of Bethlehem's retrograde star.
Now in night's dead cold grasp, we gasp:
our lives one long-drawn rattling rasp

of misspent breath... before we drown.
LORD, help us through this spiral down
because we faint, and do not see
above or beyond despair's trajectory.

Remember that You, too, once held
imperiled life within your hands
as hope withdrew... that where You knelt
―a stranger in a stranger land―

the chalice glinted cold afar
and red with blood as hellfire.
Did heaven ever seem so far?
Remember―we are as You were,

but all our lives, from birth to death―
Gethsemane in every breath.



A Possible Argument for Mercy
by Michael R. Burch

Did heaven ever seem so far?
Remember-we are as You were,
but all our lives, from birth to death―
Gethsemane in every breath.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men―
men rejoicing to have known you
in the familiar manger's cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright―
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope's long-departed star!



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



The Gardener's Roses
by Michael R. Burch

Mary Magdalene, supposing him to be the gardener, saith unto him, "Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away."

I too have come to the cave;
within: strange, half-glimpsed forms
and ghostly paradigms of things.
Here, nothing warms

this lightening moment of the dawn,
pale tendrils spreading east.
And I, of all who followed Him,
by far the least...

The women take no note of me;
I do not recognize
the men in white, the gardener,
these unfamiliar skies...

Faint scent of roses, then―a touch!
I turn, and I see: You.
"My Lord, why do You tarry here:
Another waits, Whose love is true? "

"Although My Father waits, and bliss;
though angels call―ecstatic crew!―
I gathered roses for a Friend.
I waited here, for You."



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of "morality" around me.
Surround me,

not with law's restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,

and not to fly to You, my only sin.



Cædmon's Face
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and Time blew all around,
I paced that dusk-enamored ground
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked here too, their spirits freed
―perhaps by God, perhaps by need―

to write, and with each line, remember
the glorious light of Cædmon's ember:
scorched tongues of flame words still engender.



He wrote here in an English tongue,
a language so unlike our own,
unlike―as father unto son.

But when at last a child is grown.
his heritage is made well-known:
his father's face becomes his own.



He wrote here of the Middle-Earth,
the Maker's might, man's lowly birth,
of every thing that God gave worth

suspended under heaven's roof.
He forged with simple words His truth
and nine lines left remain the proof:

his face was Poetry's, from youth.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus, played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Star Crossed
by Michael R. Burch

Remember—
night is not like day;
the stars are closer than they seem ...
now, bending near, they seem to say
the morning sun was merely a dream
ember.




Well, Almost
by Michael R. Burch

All Christians say “Never again!”
to the inhumanity of men
(except when the object of phlegm
is a Palestinian).



O, My Redeeming Angel
by Michael R. Burch

O my Redeeming Angel, after we
have fought till death (and soon the night is done) ...
then let us rest awhile, await the sun,
and let us put aside all enmity.

I might have been the “victor”—who can tell?—
so many wounds abound. All out of joint,
my groin, my thigh ... and nothing to anoint
but sunsplit, shattered stone, as pillars hell.

Light, easy flight to heaven, Your return!
How hard, how dark, this path I, limping, walk.
I only ask Your blessing; no more talk!

Withhold Your name, and yet my ears still burn
and so my heart. You asked me, to my shame:
for Jacob—trickster, shyster, sham—’s my name.



To Know You as Mary
by Michael R. Burch

To know you as Mary,
when you spoke her name
and her world was never the same ...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain ...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard you exclaim—
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



Bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
according to your strange Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before made a “god”?
if so, half your Bible is libel!



stock-home sin-drone
by Michael R. Burch

ur GAUD created this hellish earth;
thus u FANTAsize heaven
(an escape from rebirth).

ur GUAD is a monster,
**** ur RELIGION lied
and called u his frankensteinian bride!

now, like so many others cruelly abused,
u look for salve-a-shun
to the AUTHOR of ur pain’s selfish creation.

cons preach the “TRUE GOSPEL”
and proudly shout it,
but if ur GAUD were good
he would have to doubt it.



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



yet another post-partum christmas blues poem
by michael r. burch

ur GAUD created hell; it’s called the earth;
HE mused u briefly, clods of little worth:
let’s conjure some little monkeys
to be BIG RELIGION’s flunkeys!
GAUD belched, went back to sleep, such was ur birth.



wee the many
by michael r. burch

wee never really lived: was that our fault?
now thanks to ur GAUD wee lie in an underground vault.
wee lie here, the little ones ur GAUD despised!
HE condemned us to death before wee opened our eyes!
as it was in the days of noah, it still remains:
GAUD kills us with floods he conjures from murderous rains.



Untitled ur poems

since GOD created u so gullible
how did u conclude HE’s so lovable?
—Michael R. Burch

limping to the grave under the sentence of death,
should i praise ur LORD? think i’ll save my breath!
—Michael R. Burch



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any gaud
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!



wild wild west-east-north-south-up-down
by Michael R. Burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable Gaud decreed, Theo-retically,
if indeed He exists
as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).



The Strangest Rain
by Michael R. Burch

"I ... am small, like the Wren, and my Hair is bold, like the Chestnut Bur?and my eyes, like the Sherry in the Glass, that the Guest leaves ..."?Emily Dickinson

"If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry."--Emily Dickinson

The strangest rain, a few bright sluggish drops,
unsure if they should fall, run through with sun,
came tumbling down and touched me, one by one,
too few to animate the shriveled crops
of nearby farmers (though their daughters might
feel each cool splash, a-shiver with delight).

I thought again of Emily Dickinson,
who felt the tingle down her spine, inspired
to lifting hairs, to nerves’ electric song
of passion for a thing so deep-desired
the heart and gut agree, and so must tremble
as all the neurons of the brain assemble
to whisper: This is love, but what is love?
Wrens darting rainbows, laughter high above.



Note to a Chick on a Religious Kick
by Michael R. Burch

Daisy,
when you smile, my life gets sunny;
you make me want to spend all my ****** money;
but honey,
you can be a bit ... um ... hazy,
perhaps mentally lazy?,
okay, downright crazy,
praying to the Easter Bunny!



Untitled Heresies from The ur Poems and GAUD poems

& GAUD said, “Let there be LIGHT VERSE
to illuminate the ‘nature’ of my Curse!”
—michael r. burch

reverse the Curse
with LIGHT VERSE!
recant the cant
with an illuminating chant
,etc.
—michael r. burch

Can the darkness of Christianity with its “eternal hell” be repealed via humor? It’s time to recant the cant, please pardon the puns.

if ur GAUD
is good,
half the Bible
is libel.
—michael r. burch

Christianity replaces Santa Claus with Jesus, so swell,
and coal, ashes and soot with an “eternal hell.”
—Michael R. Burch



day eight of the Divine Plan
by michael r. burch

the earth’s a-stir
with a GAUDLY whirr...

the L(AWE)D’s been creatin’!

com(men)ce t’ matin’!

hatch lotsa babies
he’ll infect with rabies
then ban from college
for seekin’ knowledge
like curious eve!

dear chilluns, don’t grieve,
be(lie)ve the Deceiver!

(never ask why ur Cupid
wanted eve stupid,
animalistic, and naked.)

ah-men!



lust!
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

He called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.

Published by Lucid Rhythms, The HyperTexts and Black Waters of Melancholy


A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.



Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.

Keywords/Tags: god, Jesus, Christ, Christian, prayer, Bible, angel, atheist, faith, blasphemy, heresy, heresies, heretic, heretic, heretical, pagan, pagans, god, gods, mrbhere



He Lived: Excerpts from “Gilgamesh”
loose translation/interpretation by Michael R. Burch

I.
He who visited hell, his country’s foundation,
Was well-versed in mysteries’ unseemly dark places.
He deeply explored many underworld realms
Where he learned of the Deluge and why Death erases.

II.
He built the great ramparts of Uruk-the-Sheepfold
And of holy Eanna. Then weary, alone,
He recorded his thoughts in frail scratchings called “words”:
But words made immortal, once chiseled in stone.

III.
These walls he erected are ever-enduring:
Vast walls where the widows of dead warriors weep.
Stand by them. O, feel their immovable presence!
For no other walls are as strong as this keep’s.

IV.
Come, climb Uruk’s tower on a starless night—
Ascend its steep stairway to escape modern error.
Cross its ancient threshold. You are close to Ishtar,
The Goddess of Ecstasy and of Terror!

V.
Find the cedar box with its hinges of bronze;
Lift the lid of its secrets; remove its dark slate;
Read of the travails of our friend Gilgamesh—
Of his descent into hell and man’s terrible fate!

VI.
Surpassing all kings, heroic in stature,
Wild bull of the mountains, the Goddess his dam
—Bedding no other man; he was her sole rapture—
Who else can claim fame, as he thundered, “I am!”



Enkidu Enters the House of Dust
an original poem by Michael R. Burch

I entered the house of dust and grief.
Where the pale dead weep there is no relief,
for there night descends like a final leaf
to shiver forever, unstirred.

There is no hope left when the tree’s stripped bare,
for the leaf lies forever dormant there
and each man cloaks himself in strange darkness, where
all company’s unheard.

No light’s ever pierced that oppressive night
so men close their eyes on their neighbors’ plight
or stare into darkness, lacking sight ...
each a crippled, blind bat-bird.

Were these not once eagles, gallant men?
Who sits here—pale, wretched and cowering—then?
O, surely they shall, they must rise again,
gaining new wings? “Absurd!

For this is the House of Dust and Grief
where men made of clay, eat clay. Relief
to them’s to become a mere windless leaf,
lying forever unstirred.”

“Anu and Enlil, hear my plea!
Ereshkigal, they all must go free!
Beletseri, dread scribe of this Hell, hear me!”
But all my shrill cries, obscured

by vast eons of dust, at last fell mute
as I took my place in the ash and soot.



Reclamation
an original poem by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me—progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically—her dowager figure,
and there is something about her that my words transfigure

to a consuming emptiness.
We are at peace
with each other; this is our venture—
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts

to the first note.
Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.

Keywords/Tags: Epic of Gilgamesh, epic, epical, orient occident, oriental, ancient, ancestors, ancestry, primal



Double Dactyls and Dabble Dactyls

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.
―Michael R. Burch

Donald Double Dactyl

Higgledy Piggledy
Ronald McDonald
cursed Donald Trump,
his least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs
saying upside is down!"
―Michael R. Burch



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.

Think of Me as the One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



Listen
by Immanuel A. Michael (an alias of Michael R. Burch)

1.
Listen to me now
and heed my voice;
I am a madman, alone,
screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black
and white is white
and in between lies gray,
I have no choice.

Does a madman choose his words?
They come to him:
the moon's illuminations,
intimations of the wind,
and he must speak.

But listen to me now,
and if you hear
the tolling of the judgment bell,
and if its tone is clear,
then do not tarry,
but listen,
or cut off your ears,
for I Am weary.

I desire mercy, not sacrifice.

2.
Listen to me now: I had a Vision.
An elevated train derailed, and Fell.
It was the Church brought low, almost to Hell.
And I alone survived, who dream of Mercy:
the Heretic, who speaks behind the Veil.

3.
Listen to me now: I saw an airplane
fall from the sky. And why should I explain?
The Visions are the same. It is my Heresy
that I survive, because I sing of Mercy,
while elevated "saints" go down in flames.

4.
Listen to me now: I saw in Nashville
how those who "soar" will plummet―Fame in flames!―
and fall on those below, as if to **** them.
The lowly, saved, will understand their names.

5.
Listen to me now: I heard another
say, "That which died shall Resurrect and Live."
An angel with a Rose bestowing Mercy!
What can it mean, but that my Visions give
fair warning to the world that God wants Mercy.
My Heresy is that we must forgive!

6.
Listen to me now: she heard god calling―
O, who will love me, who will be my friend?
Does he want Perfect Saints, the whitewashed Purists,
who frown down on their "brothers," without end?

7.
Listen to me now: you are not perfect,
and your "wise counsel" helps no one at all:
unless it's sweetened with the sweetest Mercy,
it's pure astringent antiseptic gall.

8.
Listen to me now, and learn this lesson:
If God wants mercy, why dig at the speck
in your brother's eye, when even now the Beam,
your lack of mercy, spares, no, neither neck,
becomes the Hangman's Millstone. We're all children,
all little ones! Be patient with the fleck!

9.
Listen to me now: for the Announcer
explained that wars have given Presidents
the precedents to soon assume all Power.
Vote, citizens, or be mere residents!

10.
O, listen to me now: I saw the Warheads
stored safely underground, except for One.
A red-haired woman with a bright complexion
seduced the guard. Translucent blouse, red thong,
white bra―these were her fearsome antique weapons.

I saw the Skull and Crossbones! Heed my Song!

11.
O, listen to me now, and hear my Gospel:
three verses of such sweet simplicity!
God is Light: in Him there is no darkness.
In Christ, no condemnation: Liberty!
God want no Sacrifice, but only Mercy.
O, who could ask for sweeter Heresy?

12.
Theology? I swear that I disdain it!
If Love can be explained, why then explain it!
If Love can't be explained why, then, should God,
if God is Love? Nor hell nor cattle ****
is needed, if God's good, and God's supreme.
Ask, children, what "re-ligion" truly means:
"return to *******! " Heed the bondsman's screams!

13.
Heed, children, which Theologies you dream
when Hellish Nightmares wake you, when you Scream
for comfort, but no comforter is there.
Which Voices do you heed, which Crosses bear?
If god is light, whence do Dark Visions come
which leave the Taste of Venom on your Tongue,
with which you **** your brother for one Sin
you do not share, ten thousand underskin
like Itching Worms that Squirm and Vilely Hiss:
"Your brother's sin will keep him from god's bliss,
but You are safe because god favors You! "
If God is Love, how can this voice be true?

14.
For God is not a favorer of men.
Amen. Amen. Amen. Amen. Amen.
#christianity #christian #religion #bible #god #jesus #christ #heaven #hell #salvation
Continue reading...
Chrystos Minot Apr 2015
My Favorite Things
Hailstorms with big winds, trees writhing in breezes
Coyotes howling in moonlight, dogs when they sneezes
Alloys and carved toys, stone gargoyles with wings
These are a few of my favorite things.

Skunk smells carried gently on nocturnal breezes
Sly double entendres and tickley teases
Beautiful salmon colored sunsets that make my jaw drop
Smell of pine 'n cedar in my sauna and wood shop!

Dolphins and doggies and toddlers and mooses
Saunas and cold plunges and honking V-flying gooses
Small mutts and storytellers and Pixar cartoons
Crazy call of the Maine dark of night loons
These are some of my nurturing tunes!

Volcanoes with lava and magma all oozing
Cross country skiing just gliding and cruising
Receiving massages unwinding and unbruising
I love my collections of adhesives and strings
These are a few of my favorite things!

So when the wasps sting
When the bored people whine
Wen I'm feeling dispirited and sad
I just think of a few of my favorite things
And I don't feel…so…bad!
Written July-13-2013
#favorite #kids #children #wind #volcano #dolphin #massage #skunk #sauna #pixar
Continue reading...
Martin Narrod Feb 2014
The Checkout Line
The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten
Continue reading...
K Balachandran Dec 2011
fair treatment to gargoyles and scarecrows
scarecrows seek
fashion make over;
gargoyles crave
beauty care.
The most ill treated lot, everywhere, the poor gargoyles and harried scarecrows, need to be treated fairly, after long last, you would agree.No more prejudice, be ethical , give these two a much needed make over, at the earliest..ye good people, world over...
Continue reading...
S Smoothie Dec 2015
Gargoyles and peaches
It's a painful stretch to re-loving
Gargoyles in clusters clutch at my heart
Talons pierced and locked wings wrapped upon layers
Pulling each one away takes insufferable self violence
Just to clear a small space to let you through
Too many years of inequity
have placed needs burning in my heart  
you struggle to relinquish your control,
Your gift of consideration is noted.
Your changes have exceeded my expectations
Though we are nowhere near even.
Still, I play it peachy,
Your tenderness, your keeness to please me
Is unnerving,
too little,  too late
Your heart whispers squeal like whistles in the hunt
Unsettling the watchdog beasts
Growling and snarling
Clawing tighter at the leather pith of a stone heart
Your own needs are barking
Your expectations are going to be laid,
I'm letting blood Before your debt is even paid
It's going to be different this time...
Claws tighten, wings gripping tighter
Artehoke heart,
just another set up
I keep anticipating the fall.
I go on pretending in the hope It will become real
Your darkness permeates
your dark love kills
Still, there's something about you
I can't live without.
Folder the kind of pain love rubs in your face
#love #heartbreak #pain #users #redo #lovefool #gargoyles
Continue reading...
Aleister Crowley
Dumb
Gabriel whispered in mine ear
His archangelic poesie.
How can I write? I only hear
The sobbing murmur of the sea.

Raphael breathed and bade me pass
His rapt evangel to mankind;
I cannot even match, alas!
The ululation of the wind.

The gross grey gods like gargoyles spit
On every poet's
holy head;
No mustard-seed of truth or wit
In those curst furrows, quick or dead!

A tithe of what I know would cleanse
The leprosy of earth; and I -
My limits are like other men's.
I must live dumb, and dumb must die!
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Kunzite Hewitt Aug 2010
The Unexpected Journy of the Gray Asety
First, I would like to introduce Grayasety. She was a young girl, had soft strands of medium-short caramel hair, and she had green-blue eyes that looked like miniature earths. She was indeed a pretty girl and she was of average height, and had a healthy body. She also had a slight southern drawl; her mother was from Texas. She loved going on boat voyages as her father was the captain of a ship named Gray Asety, named after Grayesty, so she was often training to go on voyages.
                  One morning, just like any other ordinary morning, Grayasety left her house for the next-door stable with her baby sitter, Kinberly, which was part of her father’s crew.  Today was the big day, the day when Grayasety was going to go on a voyage with her father as an official crewmember. Today was Grayasety’s 13th birthday; today was the day when she was old enough to work on her father’s ship! Therefore, she gaily whistled and skipped along the road. It had always been her dream to work on her father’s ship, and today, finally, her dream was coming true. When she got to the stable she blew her small, pink whistle that, to human ears would make no sound, and like every morning her best friend, (which had the ability to morph into animals) trotted tiredly out of the stable in the form of a beautiful brown mare. The huge animal yawned and said, “Morning Kin!” And then addressing Grayasety she said, “ Well, well, little missy what do you want me to be today?” Today Grayasety wanted Mila to be a green parrot, Grayasety was obsessed in the color green, and Mila had reluctantly obeyed, the trio set off for the fresh smelling bay.
Kinberly, and Mila worked on the Gray Asety. Mann Forumest, or Captain Daddy as Grayasety called him had met Grayasety’s mom working as a crewmember on the Majesty, a steamboat. Grayasety’s mother, Magnolia Scott Forumest was the assistant cook. They married, but kept their jobs until one day when Grayasety was about five, the Sea Bandits, a notorious group of pretty woman stealers, kidnapped Her mother.
                        While on sea, Grayasety shared a rather large suite in the ship with her father. In the Bedroom were two desks, one big and one small, and in the corner was a bunk bed, the top bunk badly painted in green and the bottom bunk still bearing its natural mahogany color. Grayasety was sitting in her little green desk, scribbling madly in her deep green diary. Grayasety *** a liking of scribbling and those who have know her long enough could read her scribbles like one would writing. She could read and write although she was nowhere near a strait A student.
                   After a while Grayasety decided to bother her father and, forgetting to switch into her lime green boots, shinnyed up the main stairs to the deck in her faded fluffy mint green slippers. Mila, perched comfortably on Grayasety’s shoulder, started telling her that she was wearing her slippers when Grayasety shoved a faded green pacifier in Mila’s mouth; Grayasety often did this to keep Mila quiet.
Mila, not enjoying the dusty, stale taste of the pacifier unhappily decided to keep her mouth shut until Grayasty got in a better mood. In truth Grayasety was in a marvelous mood and rather liked shoving pacifiers in Mila’s mouth. As the girl got closer to the deck, she started to hear chanting from the kind crew. She especially heard Kinberly’s familiar raspy voice chanting,” Laaa dee daaa, the Gray A rolls along,” and as she emerged to the *****, wet deck she noticed that her father was talking to someone else already. “Botherin’ will have to wait some,” she whispered to Mila. Then she took the pacifier out of Mila’s mouth and scolded,” why didn’t you tell me that I was still wearin’ my slippers eh? Wanted to make me look like an idiot?” Mila simply rolled her eyes.
                    Right then, Captain Daddy, apparently finishing his conversation, came over to the pair and said affectionately, “How are my darlings doin’ today?” Mila especially enjoyed this for Captain Daddy always gave a loving stoke on her back and a whole chocolate chip cookie if he had one. Although Grayasety always stole some of the cookie Mila was happy enough with half. Grayasety, on the other hand was happy with a whole cookie so she begged Captain Daddy to give her another one. Captain Daddy gave her another cookie but chided her not to steal any more from Mila.
                    After the lecture on not stealing other people’s food, Grayasety clambered up the crow’s nest and almost knocked over Franz, a tall, but gaunt boy a couple years older then Grayasty getting in. ”Anythin’ unusual yet?” asked Grayasety hopefully. “Nope,” answered the calm boy quietly. ”Hi Franz. Do you have any cookies?” asked Mila mockingly, Franz just laughed and said,” If I had any I would of eaten it by now! Gray, can you get me somethin’ from the kitchen?”.
                   Grayasety got Franz a basket of food and got her self the same amount; Grayasety was basically always hungry, and had a little picnic on the roomy crow’s nest. After they finished their meal Grayasety decided to let Franz rest and did lookout. Franz had a small room to himself, which was about the size of a normal bathroom with all the stuff taken out. In the corner was an old, squeaky army cot and next to it was a rotund desk with a stack of blank paper, a jar of Indian ink, and a fountain pen laid precariously on it.
                    Franz was quite a writer and he spent his free time eating, sleeping, or writing and unlike Grayasety he actually wrote not scribbled. He was working on a story about gargoyles that came to life at night. It was an interesting story, really. He would of loved to stop working on the Gray Asety and go get his books published but he stayed for his family was a poor one and needed his help to make a living and also, Captain Forumest provided free paper. And, his daughter was the first friend he ever had; Franz was convinced that she was the best one.
                   Grayasety enjoyed being on ships. She liked feeling the cold air rush through her hair and she enjoyed the great view of the vast sea that surrounded her. She even liked the feeling of being so small compared to the humpbacks that swam by. She thought that the ship food was good, and she felt that the sea was truly where she belonged. Grayasety was very cranky when she was not at sea, (though she did like their big, ocean green house), so her father tried to include her on as many voyages as he could.
                     Captain Daddy, or Mann as I will call him spent most of day in a booth on the deck. He often worried about his daughter’s mental health (even though it was completely unnecessary). He talked to Grayasety’s doctor about this and Dr.Metalos, Grayasety’s doctor, gave them a list of mental deceases she could have, but none of them seemed like some thing she would have. Mann was sure that his daughter did not have one sickness; Much Too Much Time At The Sea Syndrome. If any one knew where Grayasety belonged it was Mann and he knew perfectly well that his daughter would go insane if she wasn’t at sea for too long. For one thing she preferred to sleep on her uncomfortable bunk at sea rather then on her fluffy green bed as soft as a feather at home.
                        Right then the ship did a tummy- flopping lurch and knocked off the map and compass from Mann’s desk, which interrupted his thoughts for a while. Below deck Franz’s desk toppled over, and Franz accidentally made a long and ugly scribble across his writing and on the crow’s nest Grayasety was having trouble standing up and she almost vomited right onto Kinberly’s hair. This was rare for Grayasety for she lived on the sea and was used to lurches; she had once survived a shipwreck, which explains her golden earring on her right earlobe.
                   That night as Grayasety lay in bed Mann quietly crept out of his bunk and scurried up the stairs to the deck. He wanted some time to himself. Ahead was Cape Horn; a very dangerous place where so many ships had sunk it could fill the biggest port in the world, but more personally, this was near the Sea Bandits main head quarters, 8 years ago the beautiful Magnolia Scott Forumest was captured here. Even though it was impossible in the foggy mist, Mann tried to make out the cave that marked the entrance to the headquarters. Only few people knew this entrance, and publicity stated that it was a “mere mystery” why most captives were capture near Cape Horn. Mann felt a chill run down his spine and then he thought he felt someone’s hand grab his shoulder. He looked down and saw what he dreaded most; a hand tinged with brown firmly held his shoulder.
                      Grayasety woke up feeling wonderful but apparently Mila didn’t. She kept screeching something about Captain Daddy being kidnapped and soon she found that what Mila had just screeched in her ear was true. She stormed into Franz’s cabin and told him what she discovered and they soon agreed to do what no one else wanted them to do; steer the boat right into the Sea Bandits’ headquarters and take back what, and who was theirs no matter how hard it could be.
                      Grayasety had Franz steer the boat and she herself navigated, Kin was lookout and the rest of the crew helped out. Franz dropped the passengers off at Puerto, and Mila morphed back into a human; what she really is, and helped out. Separated from the frenzy, Grayastey was quietly thinking to herself. She wondered why the Sea Bandits captured her father. They were well known for capturing pretty woman but not average looking men. Just then she heard a knock on the door. “Grayasety?” said the raspy voice of Kin. “There ya are. I just thought ya might wanna know why ya daddy was captured.” “Can you please tell me,” asked Grayasety, trying not to sound too eager. “Well rememba when ya daddy would be gone when ya woke up at mid night an’ I told ya that he had gone to the store to get some groceries? Well if you had thought some you woulda noticed that the store was closed.” Grayasety interrupted Kin in mid-sentence and said irritably, “Of course I rememba. Just get to the point Kin!” Kin flinched at Grayasety’s frustration and mumbled,” Well ya daddy was a spy. One of the best ones at that. He did all he could to stop organized crime, an’ he specialized in the Sea Bandit’s. They captured him ‘cause one less police the better for them.” Grayasety sat with her mouth hanging wide open. She never imagined that her father was a spy. But now every thing made sense. “ Sorry I didn’t tell ya before. Ya fatha simply wouldn’t allow it.” Kin apologized. Grayasety managed a squeak and then Kin left her.
                      After she repeated this to Franz and then Mila, Grayasety went down to her bedroom, she hated having to be near Her father’s belongings but she hated having people see her crying much more and cry she did, leaving her father’s mattress a soggy mess. Then she decided to clean that mess up for if they rescued her father she was sure he did not want to sleep in a soggy bed. Noticing it, she picked up her dad’s picture of her dad and mom’s wedding and became suddenly aware of how much she looked like her dad. The hair, the eyes, the quirky grin, every thing. Her mother had soft blonde hair and violet eyes that almost made you smell the pungent smell of lavenders and had a beautiful smile with bright red lips. All in all she was the most beautiful woman Grayasety had ever seen. She almost made Grayasety feel jealous.
                     “Hey! Gray. So are we gonna bring any weapons? Kin was a whole chest full of ‘em!” Said the distinctively low voice of Franz. “Well, I dunno. I suppose we should bring a couple guns. Always nice to be well prepared.” Replied Grayasety.

                     Franz was on lookout when the carrier pigeon came. The note it had on its leg was from Mann. It said:

Dear Grayasety and friends,

Do not come to save me. I’m with my wife in their dungeon but they want you guys to come too. You see, I’m like a bait. You’re the fishies. They want to erase all traces of the Forumest family. That means they have to dispose of those who would remember them. I will manage okay. Kin, Please take Grayasety and Franz home and forget about me for you and the children’s sake. Grayasety, I love you. Dispose all of my belongings and try to tell yourself that Kin is your mother. Believe me. It’s all for the better. Franz, I meant to tell you but your parents caught tuberculosis and died the other day. Your sister committed suicide soon after. Please take care of Grayasety.

             Mann

                    The trio stood silent for a long moment and then without warning Franz burst into tears, and scrambled to his cabin. Kin and Grayasety looked at each other sadly and went to their cabins themselves. Grayasety tried to sleep that night but images of Mann and her mother strapped up in chains kept her staring into the darkness with wide eyes. She reached over and got her personal music player, trying to distract herself but after a few seconds she turned it off again, for she could not bear listening to the lyrics; “It’s past midnight and something evil’s lurking 'round the dark” of Michael Jackson’s “Thriller”.
            The next morning, Mila and Kin steered the boat near the cave that marked the entrance to the Sea Bandits secret headquarters. Mila then morphed into a seagull and flew into the old, damp cave. From a safe distance Grayasety and her crew awaited Mila to return with some news. After swooping into the creepy cave Mila found the opening to the headquarters and perched on a ledge near it. There, she morphed into a rat, and scurried up into the opening.

                 After crawling along several hallways, Mila came across a steel door bolted very firmly marked “CELLS”. Luckily Mila was small enough to crawl under it. Scurrying along the bureau of prisons, Mila finally saw a cell with Mann and a stunningly beautiful woman captured in it. Mila slipped between the bars and trying not to gain the woman’s attention for fear that she would scream, climbed the steep hill of Mann’s arm to try to reach his ear. “Mann?? Don’t make any sound OK?? I’m Mila. I’m the rat on your shoulder. Kin, Grayasety, and Franz say they miss you a lot.” Whispered Mila. Then she saw a humongou
A short story instead of a poem, but I hope you enjoy!
Any corrections, edits, suggestions etc. and greatly aprecciated!
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Aaron LaLux Mar 2017
American Dream
American Dream

Losing it one memory at a time,
how can I keep track of my friends all over the world,
how did America become a shell of it’s former Self,
what happened to the my American Dream?

I mean,
I have everything,
every,
thing,

been to every continent still not at all content,
really though mostly because I don’t know the reason,
for my discontentment I’m in contempt when I try and defend Consciousness,

because most people don’t want to hear it,
myself usually included,
but this day is different an exception to the rule,
in a moment when nothing is excluded,

all inclusive with no illusion to allude to,
only positive punctual true proof,
that ever experience we gain,
is another memorie we lose,

and I suppose that’s the trade off sort of,
lost my money got my freedom feeling strung out like Adolf,
in this Waking Dream that's beginning to feel like a Ponzi Scheme,
was gonna blow the whistle on the whole thing until I got paid off,

hey Madoff,
I just got laid off,
or rather laid on,
a beautiful bed by a beautiful mare that's more like a Stallion,

and that’s the difference,
between the Exceptions to the Rule,
and the “normal human beings”,
I’m between and Exception and the Rules,

I’m losing things but Perfection costs a lot of jewels,
so I'm donating all my Championship rings and useful tools,

got,

to pay the Piper,
there’s a toll at the bridge,
and a troll under the bridge,
and I'm tough not a Billy Goat Gruff with,

Red,
Hot Chili Peppers,
with Kiedis in Budapest,
got The Good Life high as Ini the Hotstepper,

whatever,
nothing seems normal,
shouldn’t be so formal,
let the record play let the drums roll,

in times of gargoyles and turmoil,
having a drink at the bar and it's purple,
at Gresham Palace Bar & Lounge,
up high and getting down with a surplus,

outstanding,
with Anthony in Budapest,
at the Four Seasons Hotel,
on the River Danube,

the River Danube,
brings up memories,
of Lovers and Poems,
and all of the things that continue to make Me,

me and my memories,
I remember you and yours too,
when we walked across that bridge,
above the River Danube...

I can’t stand Truth,
He can be such a fickle creature when He’s free,
and I’m losing memories it’s true I just hope I’m not also losing you,
because She can be such a fickle creature when She’s free,

losing,
one round at at time,
gaining,
on ground that was never mine,

and I know you don’t know the answers,
“But excuse me could you at least tell me the time?”,

to this you turn from your Enamore,
“Well since you asked I’ll tell you it’s almost One Two.”,
in other words what you said,
was it’s almost 12 which makes this the 11th Hour of Youth,
and I know we’re losing all of our memories,
but the only thing I fear losing is you,

Because I’m,
I’m,
I’m,
losing it,

Losing it one memory at a time,
how can I keep track of my friends all over the world,
how did America become a shell of it’s former Self,
what happened to the my American Dream?

∆ Aaron LA Lux ∆
#dreams #real #america #mood #immortality #hollywood #amnesia #thelife
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Wk kortas Mar 2017
In Which John Lee Crow Comes Back To Montmorenci Falls
Well, why not me, I reasoned
(No surprise to friends and loved ones,
As I have always considered my time
On this spinning patch of rock
As something of a monument to the value of pragmatism)
But there were still the normal sine-wave vacillation
Between tenuous optimism and odds-driven grim reality,
Fanciful discussions of Chinese herbs and Mexican clinics
And, later still, of time frames and stock transfers,
All the while various folks attired in suits and clinic coats
Debating matters pertaining to the coda of my personal symphony
(Doing so as if yours truly wasn’t even in the room)
Until, deciding my input might be somewhat pertinent, I said
If it’s all the same to you, I would like to go home.

It was, in a sense, like getting back on an old Schwinn
(Fender dented, rubbing on the front tire just the least little bit,
The chain needing oil, grudgingly giving in
To the demands of the crank)
Sitting, unused but inordinately patient, next to the barn,
The whole notion of settling back into a pace you’d forgotten,
Like dialing back a metronome from allegro to andante
Without missing a beat or flubbing a note.
What’s more, there were the sensations you’d never made time for
While under the thumb of daily deadlines and train schedules,
Greeting you like friends you hadn’t seen for twenty years
But started gabbing with as easy as slipping on old jeans:
The scent of the lilacs, overpowering but borderline mystical,
The informal yet precise ballet of the cattails and jewelweed,
The fields of cows that, even though you know it can’t be the case,
Are populated by the same Bessie and Bossie
You taunted and pelted with watermelon as a child
(I have made it a point to proffer my apologies),
The dark, pine-choked hills,
Formidable but accessible, even comforting.
Sometimes, when I am not paying attention,
I catch myself all but tearing up,
And I say to myself, ever so softly,
As not to disturb the squirrels and the wrens,
I had almost forgotten.  Christ forgive me,
I had almost forgotten.


I’d assumed (sometimes, I can be astounded
At the full extent of my own foolishness)
That she would merely take a leave of absence;
She has, after all, an alphabet full of advanced degrees,
A rainmaker’s reputation and the billable hours to match.
Columbia and Harvard Law, after all,
But she grew up down the road just a piece in Ebensburg,
So this is all part and parcel of her as well
Hard coded in the DNA for better or worse, she’ll say,
All the while shaking her head and laughing softly.
Surely you don’t want to stay here, I’ll say,
Boorishly rational in the face of everything
Which would argue to be otherwise,
You’ve read enough Forbes and Fortune;
Altoona is dead, Johnstown is dying,
And she allows that, for a time, coming back
Was the source of some misapprehension on her part,
Until it dawned on her that on those rare occasions
It had occurred to her to glance skyward in mid-town,
She had seen faceless tiles of windows
Sufficient to sheet a Great Pyramid,
An Armageddon’s worth of angels and gargoyles in the cornices,
But she had not, even once, ever seen the stars.
#montmorencifalls #thanksquiz
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Brett Jones Jan 2013
Dither Collective
The moth with newspaper wings sat under the arrow lungs of the eyeless
blood dripped falcon, more whole than the super-glued roman sculpture.

Next door a 50’s con held up church with a roulette table in the kitchen,
and boarded up the massage parlor
downstairs.

The eye of the man was a centrifuge of ducks, mallard and hen, spiraling
outward into evaporated roach-ground
asphalt.

Next door, slits in the picket fence displayed perfectly formed **** & broach,
empty shoes made of feet below, blending
fields.

The marble foundation formed from twine lollipops and fuzzy candy tabs,
ice-etched to the frequency of splintered seashell
angels.

Next door through the forest of knives a spaceship bearing gargoyles peaked
bodies through collages of faces in technicolor sepia
mitosis.

The heiress molted into tiled pieces, her own dog and sunhat caught in blizzard
cuneiform, kaliedescoping again to fractalled inchworms cemented in motion.
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Chase Fire Jun 2013
gargoyles
gargoyles perched
on the hidden ledges of my dreams,
stalking nightmares

Published in my new Ebook!

http://www.bookemon.com/book-profile/three-line-poems-to-read-in-the-dark/289541
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Jabber Alexander Sep 2015
Alien Mom (The Green Card)
red lights yet, seeing
signs in the green.
are you friend or fiend?
may we both come in peace?
crop circles get dusted off.
all curfews must dissolve.
if our virtue is up to par,
please let us be.
upheld laws
will get disregarded.
cops caught off guard
by gargoyles gawking
at dawn's sweet offspring,
this broad's in a stand still.
villains chill alleys
these foes just can't ****
as the girl cops an anvil
ready to drop her mans
onto a large canvas
full of hurt,
red paint and tequila
as her quills dry up does she
still see city lights as freedom?
curbside dances in the moonlight
earning keeps for a teen son.
"How do we have laws that inhibit a woman's body?"
#society #capitalism #prostitution #citizenship
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Jo Swan Oct 2018
Broken Boy
Broken Boy, Broken Boy, Please do not cry!
Your eyes is filled with terrified tears.
Can you see your father is nearby?
His eyes burns with the fury of Ares-
Causes your spirit to whimper in fear.
Like fragile porcelain dolls been shattered,
He brutally beats your bruised body-
Leaves your spirit broken and battered

Broken Boy, Broken Boy, Please do not cry!
Oh be a sweet darling good boy and listen!
Can you hear the sound of your father’s fist crunch?
Drowning in deluge of emotional distress,
Your eyes has lost its innocent glisten.
With each punch,
Your aura of gentleness gradually dies.
Your heart cold like gargoyles in fortress

Broken Boy, Broken Boy, Please do not cry!
The Broken Boy has now become a Man.
His haughty handsome face sneers with disdain.
His soul now barren as the desert of Afghan.
His subconscious mind haunted by past pain.
Lost in the wilderness of his own wrath,
His breath is drunk with the taste of violence,
Has he grown up to be a psychopath?

Broken Boy, Broken Boy, Please do not cry!
You have become a man of vendetta!
Following the footsteps of your father-
Belt your boy till his skin turns magenta-
His affection for you begins to languish.
This abuse is a never-ending cancer.
Like you, your son shall wear a mask of anger
To camouflage his heart’s suppressed anguish.

Broken Boy giving birth to another Broken Boy
Will the curse of Broken Boy ever end?
I decided to write a poem in the perspective of the abuser. Sometimes it is difficult for people to see abusive people as a vulnerable person who uses anger to hide their pain.
#abuse #violence #broken #boy #physical #fear #anger #pain #cry #despair
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Michael R Burch Dec 2020
Poems about Adam, Eve, Lucifer, Eden and the Fall
These are poems about Adam and Eve, Lucifer aka Satan aka Mephistopheles, the Garden of Eden, Cain and Abel, the forbidden fruit, "original sin," the Fall and its bitter aftermath...



Eden
by Michael R. Burch

Then earth was heaven too, a perfect garden.
Apples burgeoned and shone—unplucked on sagging boughs.
What, then, would the children eat? 
Fruit indecently sweet, 
redolent as incense, with a tempting aroma...

Why did the biblical god want to keep Adam and Eve in an animal state, not knowing good from evil and running around naked like animals? Good parents want their children to seek knowledge, so why did Yahweh ****** Adam and Eve for seeking knowledge? And why did Yahweh tell them it was evil to eat the forbidden fruit when he had denied them the ability to know good from evil? It was like putting poisoned milk before two cats and saying, "It's evil to drink the milk!" Of course cats have no concept of "evil" and just do what comes naturally. So, too, with Adam and Eve. If there was a fall, they were obviously set up to fall, by a terrible father.



Outcasts of Eden
by Michael R. Burch

There was a rose, a prescient shade of crimson, 
the very color of blood, 
that bloomed in that garden.

The most dazzling of all the Earth's flowers, 
men have forgotten it now, 
with their fanciful tales of apples and serpents.

Beasts with lips called the goreflower "Love."

The scribes have the story all wrong: four were there, 
four horrid dark creatures—chattering, bickering.

Aduhm placed one red petal in Ehve's matted hair; 

he was lost in her arms
till dawn sullen and golden
imperceptibly streaked the musk-fragrant air.

Two flared nostrils quivered, two eyes remained open.

Kahyn sought me that evening, his bloodless lips curled
in a grimacelike smile. Sunken-cheeked, he approached me
in the Caverns of Similitudes, eerie Barzakh.

"We are outcasts, my brother!, God quickly deserts us."
As though his anguish conceived in insight's first blush
might not pale next to mine in Sheol's gray realm.

"Shining Creature!" he named me and called me divine
as he lavished damp kisses upon my bright scales.
"Help me find me one rare gift to put Love's gift to shame."

"There is a dark rose with a bittersweet fragrance
as pungent as cloves: only man knows its name.
Clinging and cloying, it destroys all it touches..."

"But red is Ehve's preference; while Envy is green."
He was downcast a moment, a moment, a moment...
"Ah, but red is the color of blood!"

Disagreeable child, far too clever for his own good.

Published in The Bible of Hell (anthology) 



Temptation
by Michael R. Burch

Jesus was always misunderstood...
we have that, at least, in common.

And it's true that I found him, 
shriveled with hunger, 
shivering in the desert, 
skeletal, emaciate, 
not an ounce of fat
to warm his bones
once the bright sun set.

And it's true, I believe, 
that I offered him something to eat—
a fig, perhaps, a pomegranate, or a peach.

Hardly the great "temptation"
of which I'm accused.

He was a likeable chap, really, 
and we spent a pleasant hour
discussing God—
how hard He is to know, 
and impossible to please.

I left him there, the pale supplicant, 
all skin and bone, at the mouth of his cave, 
imploring his "Master" on callused knees.

Published in The Bible of Hell (anthology) 



lust!
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

He called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.



You! 
by Michael R. Burch

For forty years You have not spoken to me; 
I heard the dull hollow echo of silence
as though strange communion between us.

For forty years You would not open to me; 
You remained closed, hard and tense, 
like a clenched fist.

For forty years You have not broken me
with Your alien ways, 
prevarications and distance.

Like a child dismissed, 
I have watched You prey upon the hope in me, 
knowing "mercy" is chance

and "heaven"—a list.

Published in The Bible of Hell (anthology) 

I call mercy "chance" and heaven a "list" because the bible says its "god" predestines some people to be "vessels of mercy" and others to be "vessels of destruction." Thus mercy is reduced to the chance of birth and heaven is a precompiled list of the lucky chosen few. Of course there is no reason to believe in such a diabolical "god" or such an unjust "heaven"... but billions have, and do.



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any gaud
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!



***** Nilly
by Michael R. Burch

for the Demiurge, aka Yahweh/Jehovah

Isn't it silly, ***** Nilly? 
You made the stallion, 
you made the filly, 
and now they sleep
in the dark earth, stilly.
Isn't it silly, ***** Nilly? 

Isn't it silly, ***** Nilly? 
You forced them to run
all their days uphilly.
They ran till they dropped?
life's a pickle, dilly.
Isn't it silly, ***** Nilly? 

Isn't it silly, ***** Nilly? 
They say I should worship you! 
Oh, really! 
They say I should pray
so you'll not act illy.
Isn't it silly, ***** Nilly? 



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD) 
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond; 
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took, 
As clerics now find written in their book.
But had the apple not been taken, or had it never been, 
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus; 
Therefore we sing, "God is gracious!"



No One
by Michael R. Burch

No One hears the bells tonight; 
they tell him something isn't right.
But No One is not one to rush; 
he lies in grasses greenly lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon's roar
and muses that its voice means war
comes knocking on men's doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end, 
that he'll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He'll miss men's voices, now and then, 
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming, 
by the shell's pale rose and the pearl's white eye, 
through the sea's green bed of lank seaweed worming
like tangled hair where cold currents rise...
something lurks where the riptides sigh, 
something old and pale and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye, 
and with tentacles about it squirming, 
it feels the cloud above it rise
and shudders, settles with a sigh, 
knowing man's demise draws nigh.



Ceremony
by Michael R. Burch

Lost in the cavernous blue silence of spring, 
heavy-lidded and drowsy with slumber, I see
the dark gnats leap; the black flies fling
their slow, engorged bulks into the air above me.

Shimmering hordes of blue-green bottleflies sing
their monotonous laments; as I listen, they near
with the strange droning hum of their murmurous wings.
Though you said you would leave me, I prop you up here
and brush back red ants from your fine, tangled hair, 
whispering, "I do!"... as the gaunt vultures stare.



Exile
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

We have often heard of Adam's banishment from Eden, 
but with far greater humiliation, I abandon your garden.



Where We Dwell
by Michael R. Burch

Night within me.
Never morning.
Stars uncounted.
Shadows forming.
Wind arising
where we dwell
reaches Heaven, 
reeks of Hell.

Published in The Bible of Hell (anthology) 



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast? 

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer? 

What brings them here?
pale, tearful congregations, 
knowing all Hope is past, 
faithfully, year upon year? 

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It...
But, if so, still, I must ask: 

why is it God that they fear? 

Published in The Bible of Hell (anthology) 



Double Cross
by Michael R. Burch

Come to the cross;
contemplate all loss
and how little was gained
by those who remained
uncrucified.



Dabble Dactyls
by Michael R. Burch

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.



I, Lazarus
by Michael R. Burch

I, Lazarus, without a heart,
devoid of blood and spiritless,
lay in the darkness, meritless:
my corpse—a thing cold, dead, apart.

But then I thought I heard—a Voice,
a Voice that called me from afar.
And so I stood and laughed, bizarre:
a thing embalmed, made to rejoice!

I ran ungainly-legged to see
who spoke my name, and then I knew
him by the light. His name is True,
and now he is the life in me!

I never died again! Believe!
(Oops! Seems it was a brief reprieve.)



To Know You as Mary
by Michael R. Burch

To know You as Mary,
when You spoke her name
and her world was never the same ...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain ...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard You exclaim—
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Star Crossed
by Michael R. Burch

Remember—
night is not like day;
the stars are closer than they seem ...
now, bending near, they seem to say
the morning sun was merely a dream
ember.



The beauty of the flower fades,
its petals wither to charades...
—Michael R. Burch



the U-turn poem
by michael r. burch

Life so defaulty,
Life so unfair,
why do wee prize U,
what do U care?

LORD who lets unborns
drown in a flood,
CELESTIAL ABORTIONIST,
r U sure Ur understood?



Hellion
by michael r. burch

cold as stone,
cold to the bone,
so cold inside even icebergs moan,
such is ur Gaud on hiss icy throne.

lines written for a luverly Gaud who cant be bothered to save pisspot peeple who guess wrong about which ire-ational re-ligion to believe.

“Hellion” is a pun on “he-lion” as in the “Lion of Judah” and “hell-lion.”



yet another ode to a graceless faceless Creator albeit with thoughts of possibly rescinding prior compliments
by michael r. burch

who created this graceless universe?
why praise its Creator? who could be worse?
why praise man’s Berater with obsequious verse?
job’s wife was right: he’s nobody’s nurse.



ur-Gent prayer request
by michael r. burch

where did ur Gaud originate?
in the minds of men so full of hate
they commanded moms to stone their kids,
which u believe (brains on the skids)
was “the word of Gaud”!
                     debate?
too late & of course it’s useless:
please pray to be less clueless.

The title involves a pun, since the “ur-Gent” would be the biblical “god.”



Religion is regarded by fools as true, by the wise as false, and by rulers as useful. — Seneca, loose translation/interpretation by Michael R. Burch



Non-Word to the Wise
by Michael R. Burch

The wise will never cry, “Save!”
The wise desire a quiet grave.



sonnet to non-science and nonsense/nunsense
by michael r. burch

ur Gaud is a fiasco,
a rapscallion and a rascal;
he murdered lovely eve,
so what’s there to “believe”?

and who made eve so curious?
why should ur Gaud be furious
when every half-wit parent knows
where bright kids will stick their no’s(e)!

no wise and loving father
would slaughter his own daughter!
ur Gaud’s a hole-y terror!
CONSIDER THE SOURCE OF ERROR:

though ur bible’s a giant hit,
its writers were full of sh-t.



We Know It All
by Michael R. Burch

We rile. We gall. We know it all
because we’ve read the Bible,
which tells us genocide’s “God’s will”
along with bashing in kids’ skulls
and other forms of libel.

The earth is flat, our Book says so!
The Lord will torture our rational foe!
(We lack the compassion to tell the fiend “No!”)

God’s on his throne, the Angels are winking,
applauding our lack of critical thinking.
We’re drowning in crap. We’re stinking and sinking.

Eve once petted friendly T-Rexes!
A “witch” should be ****** for unprovable hexes!
It’s a “sin” to make love if one’s lover has exes!

Girls were enslaved and ***** by their “masters”!
Our Book is the source of so many disasters!
The earth’s overheating? Let’s burn it up faster!



Yet Another Sh-tty Ditty
by Michael R. Burch

Here’s my ditty:
Life is sh-tty,
Then you get old
And more’s the pity.

Truth be told,
We’re bought and sold,
Sheep in the fold
Sheared lickety-splitty.

But chin’s up,
What’s the use of crying?
We’ve a certain escape:
Welcome to dying!


Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they’ll soon conjugate).

We like to hook a little tail.
We hope there’s decent *** in jail.
Don’t fool with us; our bombs are smart!
(We’ll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don’t make us laugh!
We have your plan for sainthood. (Die.)



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.



Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until it sheds red-gilded leaves:
then heaven grieves
love’s tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire ...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem’s retrograde star,
we point out now, in resignation:
You asked too much of man’s beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good ...
just, O greatest of Poets!, misunderstood.



Advice for Evangelicals
by Michael R. Burch

“... so let your light shine before men ...”

Consider the example of the woodland anemone:
she preaches no sermons but — immaculate — shines,
and rivals the angels in bright innocence and purity —
the sweetest of divines.

And no one has heard her engage in hypocrisy
since the beginning of time — an oracle so mute,
so profound in her silence and exemplary poise
she makes lessons moot.

So consider the example of the saintly anemone
and if you’d convince us Christ really exists,
then let him be just as sweet, just as guileless
and equally as gracious to bless.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
But I’m upwardly mobile. How the hell can I know?
I can only go up; I’m already below!



Winter Night
by Michael R. Burch

Who will be ******,
who embalmed
for all eternity?

The night weighs heavy on me—
leaden, sullen, cold.
O, but my thoughts are light,

like the weightless windblown snow.

Published by Nisqually Delta Review



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.

Published by Katrina Anthology



Flight
by Michael R. Burch

Poetry captures
less than reality
the spirit of things

being the language
not of the lordly falcon
but of the dove with broken wings

whose heavenward flight
though brutally interrupted
is ever towards the light.

Published by Katrina Anthology



Ave Maria
by Michael R. Burch

Ave Maria,
Maiden mild,
listen to my earnest prayer.
Listen, O, and be beguiled.
Ave Maria.

Ave Maria,
Maiden mild,
be Mother now to every child
beset by earth’s thorned briars wild.
Ave Maria.

Ave Maria,
Maiden mild,
embrace us with your Love and Grace.
Let us look upon your Face.
Ave Maria.

Ave Maria,
Maiden mild,
please attend to our earnest call—
When will Love be All in All?
Ave Maria.

Copyright © 2020 by Michael R. Burch



A Possible Argument for Mercy
by Michael R. Burch

Did heaven ever seem so far?
Remember–we are as You were,
but all our lives, from birth to death—
Gethsemane in every breath.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,

Star-Afar, Righteous-Anonymous,
but come! Come live among us;

come dwell again,
happy child among men—

men rejoicing to have known you
in the familiar manger’s cool

sweet light scent of unburdened hay.
Teach us again to be light that way,

with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love

in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land

planning fierce Retributions we require, and deserve,
but remember the child you were; believe

in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.

Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—

just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Learning to Fly
by Michael R. Burch

We are learning to fly
every day . . .

learning to fly—
away, away . . .

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



The Gardener’s Roses
by Michael R. Burch

Mary Magdalene, supposing him to be the gardener, saith unto him, “Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away.”

I too have come to the cave;
within: strange, half-glimpsed forms
and ghostly paradigms of things.
Here, nothing warms

this lightening moment of the dawn,
pale tendrils spreading east.
And I, of all who followed Him,
by far the least . . .

The women take no note of me;
I do not recognize
the men in white, the gardener,
these unfamiliar skies . . .

Faint scent of roses, then—a touch!
I turn, and I see: You.
"My Lord, why do You tarry here:
Another waits, Whose love is true?"

"Although My Father waits, and bliss;
though angels call—ecstatic crew!—
I gathered roses for a Friend.
I waited here, for You."



Come Spring
by Michael R. Burch

for the Religious Right

Come spring we return, innocent and hopeful, to the ******,
beseeching Her to bestow
Her blessings upon us.

Pitiable sinners, we bow before Her,
nay, grovel,
as She looms above us, aglow
in Her Purity.

We know
all will change in an instant; therefore
in the morning we will call her,
an untouched maiden no more,
“*****.”

The so-called Religious Right prizes virginity in women and damns them for doing what men do. I have long been a fan of women like Tallulah Bankhead, Marilyn Monroe and Mae West, who decided what’s good for the gander is equally good for the goose.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,

not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,

and not to fly to You, my only sin.



Everlasting
by Michael R. Burch

Where the wind goes
when the storm dies,
there my spirit lives
though I close my eyes.

Do not weep for me;
I am never far.
Whisper my name
to the last star ...

then let me sleep,
think of me no more.

Still ...

By denying death
its terminal sting,
in my words I remain
everlasting.



Keywords/Tags: Adam, Eve, Eden, Lucifer, fall, sin, temptation, heaven, hell, salvation, God, Yahweh, Jehovah, creation, Jesus, Cain, Abel
#adam #eve #eden #lucifer #fall #sin #temptation #heaven #hell #salvation
Continue reading...
Universal Thrum Jan 2014
We Make Our Own
Unapologetically Human
I am **** on the mezzanine
facing the darkened wet road
illuminated with acrid yellow tube light
better reds and blues surround towering palm trees
wooden fingers of ancient giant hands buried below
growing leafy green nails stretching skyward
little things, orange ribbons, endless cricks and dollops
bobbles and winches

Spirits
Play among the windmills
climb to the top of trees and sing into the warm wind songs of *** and heartache
as the universe ruffles along

Dive head first into the opponents forehead
grind the sand into his flesh with ram like resolve until the skin is red,
determine to die

This life is worth proving,
the stars are worth gazing,
and this body is worth bathing in the Maui air with naked delight

The ocean calls to my heart
water is a true lover whispering, kissing
inescapably feminine
I submerge my soul in joyful waves
always the tides follow the moon
like my silly heart, eclipsing
both light both night both day
simultaneously cycling
fully the light shines and our eyes perceive shadow faces in the dark blanketed clouds
the mountain gargoyles stand as titans, forgotten creatures
shoulders and heads, waiting for the moon ball
the ocean moon, tranquil bays
the air is sweeter with you near, a distant thought
cast about the horizon, the sun melting easy golden into my dreamy eye,
bless my drunken lips
dripping doltish songs into the friendly night

Wrestling with bulls of men
we kept our shirts on this time, yet blood was drawn in the sand
we madly danced in the moonlight to clapping hands,
kicking feet and knees
the ceremonial struggle toasting the stars
bottles were shared, some puffed on cigars

Come surf with me in the morning
or anytime the sun shines
even under moonlight would I meet you and we could paddle
come fill your heart with life and lust and romantic passions idyllic as freshly fallen snow undisturbed by worldly concerns
be not abashed for this embrace is a natural wonder of the soul,
join me,
forget what words of yesterday the prophets of doom chant,
we make our own tomorrow
Continue reading...
Peter Robert Hamilton Sep 2018
Balance
I'm looking to find my balance
Decorating it like valance
I'll bring plenty to the table
Talk about that spring balance
No more kidding around, kid's allowance
You want a real man
Looking for someone to stan
It won't happen at expectation
It will be a genuine donation
To your soul
When you're engulfed by the ghoul
Three strikes when you bowl
Too traumatized to smoke one
Good thing though, you don't want to be done
It's an unlawful run
Like you're afraid of Attila The ***
There's no need
To be swallowed in depression and other's greed
We all have our history of beads
That bog us down
You're not the only one in town
To have these emotions
But I might be one of the few to have that devotion
Causing intense commotion
You better bring the lotion
Because I'm making this swamp dry
Letting this fog die
I'm not a perfect guy
Maybe not the best buy
Maybe Geek Squad
I can barely carry quads
But I can carry you
To the shores
You can retain my core
These muscle remain sore
But I'd rather it be that way
You're the forever in the day
Unless you break my bays
Floodgates of acid
Don't like to come to this in placid
Or even casual
It all has to be natural
Call me super
You won't be believing your eyes
It's tough enough to realize
That you don't always need to be chastise
I like to run up the imaginary commas clockwise
Here's words to the wise
You got to read them
Carefully heed
Before you bleed
Out too much to grasp the rails
Carrying the pails
Dropping them horribly
I hope you'd be out unscathed
This pool we've bathed
Has changed us all
So refuse to stall
Face what's been breaking you
Because there's no replacing you
I'm not always going to be chasing you
So you better have a good reason
Don't force me into the feeling of treason
I can be your beacon
Your personal deacon
It's easy to weaken
Whether you're Persian or Puerto Rican
Same thing applies
The world can be full of flies
But you got to smack them down
Hard and ruthless
Just don't be shallow or toothless
I can definitely prove this
They'll devour you whole
Make sure they know you're swole
From the North Pole to the South Pole
You got it locked
Keep your weapon glocked
Firm and steady
So you're at the ready
Don't force yourself
To change to those peering
I'm going to be on the sidelines cheering
Snickering and sneering
It's all useless after the clearing
Do you want another hearing?
It'll be the same
You're born into this game
No need for the money and fame
You got that perfect level of tint
You're not desperate, you're just in a crisis like Flint
Everyone gets there
Under the rut
Under the rule of the oligarchs in the sophisticated tiki hut
Full breeds and muts
Are what they declare
But they couldn't be more wrong
We all don't sing in song
But the subtle singing still matters
No matter how hard they try to shatter
Don't destroy your bladder
Because you're growing sadder
Confront me, I'll drop it
Like the hottest mixtape
So I can fix your heart with invincible tape
Together we can vape
Just don't get too carried away
I like the bonding, let's keep it that way
Trying not to run out of things to say
To the likeness of you
What a beauty to see you swoon
Hate being gone so soon
If you were
That would be a tremendous stur
Causing me to say every derogatory slur
At the sky
Looking for a reason
Why this all transpired
You make my heart go higher
I'm not your sire
But we need each other
I got my brothers from another mother
But you are the rest
Pounding chest
Can you make another perfect guess
On where my loyalty lies
The last thing I'd ever do
Is lie to you
All these pictures I drew
All these planes I flew
The numbers turned into a slew
Nothing compares
To the Mary Sue
I found at the helm
I'll go wherever you realm
These gargoyles I'll whelm
They'll have to keep fighting
Cause my heart keeps igniting
It's a little freightening
But I'll make it work
I always do
Not always starting with the clues
But I can decipher all the blue
Turn you into orange and red
Making sure you're never truly dead
I won't ever imagine that story line in my head
Some things are better left unsaid
Give me your perfection instead.
#balance #depression #love
Continue reading...
James Bradley McCallum Feb 2013
Grand Central
I am the grand central
swirling vortex of the known universe

pathway of consciousness
a worldwide metaphysical interconnection

hub of modernity’s magnificent  metropolis
prime mover of it's empowered citizenry

eye of a Mid-Atlantic megalopolis
bridging an expanse from Boston to DC
trajectories of an Acela Express
accelerates time, coheres a region

magnetic compass axis
gyroscopic core
web of iron rails
touches all
transcontinental
cardinal ordinates

my constitution of chiseled granite blocks
manifests steadfast immutability

opulent terminus of marbled underground railways
subconscious portals to inter-borough worlds


the Zodiac streaks across my painted heavens
splashing aspirational mosaics of
bold citizens onto universal canvasses
my exhalations burst galaxies,
birthing constellations
promising potentialities of
plenteous abundance
as a right of all
global citizens

transit vehicle for mobilized classes
of fully enfranchised republicans

my tendrils plunge deep into
cavernous drilled bedrock
firming an unshakable edifice
-a new rock of ages-

rails splay out to the
horizons farthest corners
northern stars, southern crosses
nearest points on a sextants reckon

I am the iron spine
of the globes anointed isle
I co-join Harlem and Wall Street
as beloved fraternal twins

commerce, communication and culture
is the electricity surging through my veins

the worlds towering Babel
rises from my foundations
the plethora of tongues
all well understood

I open the gateways of knowledge
guarded by vigilant library lions

route students and scholars to
the worlds most pronounced public schools

beatific Beaux Art is boldly scrawled on my walls
in dark hued blues sung in gaudy graffito notes

swanky patrons sip martinis,
nosh bagels with a smear and **** down
shucked lemon squirted oysters

reason, discovery and discourse tango
to the airs of Andean Pipe flutes
with violence and discordant dissonance
deep within my truculent bowels

I am the road to work,
a pathway to a career and
the ride to a Connecticut
home sweet home

my gargoyles and statuary laugh
at pessimistic naysayers

I am the station for
centurions, bold charioteers
homeless nomads and
restive masses

I stir a nation of neighborhoods
into a brilliant *** of roiling roux

beams of enlightenment
stream through colossal windows
today's epiphanies of the fantastic
actualize resplendent zeitgeists

sipping coffee in my cafe's
the full technicolor palette
of humanity is revealed;
civilizations history is etched
forever upon the mind

eight million stories
of the naked city is bared
as splendorous tragedy
it's comic march
of carnal being
exalted

a million clattering feet
scurry across marblized floors
polishing the provenance
burnishing a patina
exuding golden footprints

I am 100 years young and
thousand years away from
the crash of a demolition ball

Doric Columns and
elegant archways
coronate commuters
each day with a
new revelation of a
democratic vista

I am the grand central
my spirit flows as
one with the mass
in the vibrant
heart of our
throbbing city

Music Selection: Leonard Bernstein, On the Town

written to mark the 100th Anniversary of Grand Central Station


Oakland
2/8/13
Continue reading...
Peter Cullen Dec 2018
Gargoyles Faces
This world is full of angels
full of devils in disguise.
Like gargoyles faces on the wall,
blending in before our eyes.
The Christmas traffic,
shuffling past...
Young ones clutch their oul ones hands.
Oblivious, to the worlds strange ways.
Lost angels in a broken land.
And the poor ****** on the corner sings,
about a policeman from New York.
A song probably older than his mother
I'm hoping they still have each other.
I'm hoping that his words fall easy.
Gently,
upon her ears.
Cause he's looking kinda lonely now,
Maybe no ones listening!
Continue reading...
Judy Ponceby Oct 2010
Nasher
I was a chaparone at the All Hallow's Eve dance.
Listening to the band play Halloween faves,
and watching the eyeballs floating in the punch.

The background decor, seems made for Doomsday.
Grungy, haunted house theme, hellish ghouls,
Gargoyles gone mad, witch's brew, and bats all aflutter.

Here and there between the goth and the empath,
a psychopath roams, silently stalking his prey,
amongst the frightening selection of costumed kids.

The mental resilience to survive such horrors,
depends on your grasp of reality.  Realizing the lights,
the music, the garish dress, meerly decor for this night's festivities.

And yet, underlying this ghoulish fun, a sense,
a sense of doom, and *******, by something
otherly, stalking its prey, seeking that single moment.

To bring to light in the dim, ghostly haze,
a wickedness yet unknown to those attending.
That ever vile teacher, bent on making those around her suffer.

We have all seen her, stride the halls purposely,
Giant mole on her chin, Ruler in Hand.
Striking fear in the strongest of souls.
That authoritarian of witches, Ms. Nasher the Head Basher!

**Run for your LIVESSSSSSSSSSSSSSSS!!
For Can you Spare a word or 5?
Psychopath.  Chaperone.  Resilience.  Doomsday.  *******.
Continue reading...
Grace Jordan Oct 2015
I've Forgotten to Tell You...
I know this doesn't get me any promises of forgiveness, and I know how much things have been a mess lately and I refused to deal with it. But there are things I should have said instead of counter-arguing and berating you.

I've forgotten to tell you how I've been so excited to learn coding because I like to think it gets me a little closer to you, maybe even lets me understand you a bit more.

I've forgotten to tell you how though I have trouble sleeping having you beside me really comforts me, and though its beyond creepy I'll look at you to feel better.

I've forgotten to tell you how I love going to the movies with you, and hearing you get excited and involved in the story, and its like you forget all your school troubles for awhile, something I seem to have forgotten to do.

I've forgotten to tell you how I'm stupidly afraid to ask you to do things, like kiss you til we're dizzy, giggle til our cheeks hurt, or have really good *** (thought about that a lot today, but I was too much of a ******* to say something).

I've forgotten to tell you that you light up my day, and though I'm a moody ******* even just being around you helps. I know I don't act like it, but it does, so I need to get some ***** and just ask you on a date like a middle schooler and get that out of the way.

I've forgotten to tell you how I started a new novel, and that my mood diary has been going up lately in moods. That I was really hoping that at least my time with you next week won't be so bad.

I've forgotten to tell you that I want us to play mass effect, even if it means I'll swoon over Garrus half the time. I promise all my kisses are reserved by you.

I've forgotten to tell you how worried I've been for you, about your friends being more distant. I've been trying to just let you do whatever, at my own expense. Alone time is great (especially for these poems and homework and figuring out that new novel) but I should have been more open about it. Communication is key, especially for us, and I should have been more open about things.

I've forgotten to tell you how afraid I've been of being lost without you after next fall, but I just need to get my ***** in place and enjoy my time with you. Its silly to ruin time you have for some separation in the future.

I've forgotten to tell you that you look so **** sometimes, but I don't want to bother you because I know school worries you. And I know that goes with the bad communication stuff again, and I need to get my **** together, because I know you wouldn't mind a **** time or two.

I've forgotten to tell you that I really love horror movies, especially bad ones, and I really love Photoshop, and I really love tech at the moment, and I really love Diablo 3, and I really love spending time with you and yes I agree alone time is good and I shouldn't get angsty at bad times and make you think I never want you alone. I need to get my afraid bar to cool its rollers.(PS that's my new favorite phrase) You are my favorite person and I should and want to tell you everything. I need to get this together.

I've forgotten to tell you I've been trying to lose weight again, less because I hate myself and more because I want to look hotter for you, and have been eating less sweets and less food in general.

I've forgotten to tell you I want to learn to make paper cranes and watch gargoyles and be more in-tune with you. I'll watch Super Troopers, I'll even watch Master in Disguise, if you truly want to. I can't just say no to everything you want to do together. Why? Because if I always say no to together things, you'll start always doing them alone.

I've forgotten to tell you that your scruff is adorable and its kinda hot you're a little taller and your hair is beautiful. That I love goofiness and tickles and nose kisses and **** grabs and making you smile. I know I've messed things up but I want to all I can in my power to get it together, because you are special. You once told me you were like a shooting star and hard to catch and I rolled my eyes, but you are. I love you and have never met someone like you before.

I've forgotten to share my stories and my life and all the things that made you love me and even me love me, and I'm going to fix that. I will not sit by and let you forget me.

One last thing.

I've forgotten to tell you I love you oodles, and that will never change.
#love #stay #story #forget #tell #miss #forgotten
Continue reading...
James Bradley McCallum Mar 2012
Maryam of Homs
Maryam
turned,
moving
away
from the
caravans of
bulldozers
entering
Homs.

She
could
not bear
to look
upon the
the teeth
of steel
tracks
sloshing
through
puddles
of blood,
plowing
the rubble,
burying the
mush,
coolly
covering the
fingerprints of
criminals.

Maryam
beheld the
conquering
soldiers
standing
atop piles
of shrapnel
marked and
launched by
Syria’s finest
artillery officers.

She
remained
within ear shot
to hear the
victor’s
orator,
recite the
history of
the conquest,
carefully
spinning
suspicion,
and casting
blame
for the
devastation
onto the
vanquished.

The speaker
lauded the
efforts of
esteemed
comrades
commanding
black regiments
chasing the
last rats still
lapping at
the edges
of the red
pools;
hieing to
the dead
catacombs
as sanctuaries
of salvation.

The barker
goads other gangs
to commence a
surgical search
of hospitals to
root out wounded
insurgents. He
suggests they be
removed from
their recovery
beds and thrown
atop the piles of refuse
where the busy tractors
will push the rubble
into the far corners
of the mind where
obfuscation and
forgetfulness
blissfully anoints
unsettled memory.

Alarmed,
Maryam breaks
for the hospital,
to nurse the
injured.

She moves with
tealth through
the broken city’s
debris strewn streets.

Maryam eyes the
inert concrete,
blasted into
ghastly shapes,
burying secrets,
concealing terrible
stories of what
transpired
during the
pacification of
Baba Amr.

These
grotesque
gargoyles,
sculpted by the
mangled hand
of a deranged
sociopath
will hold their
silence for
only so long.

Dark secrets
never live
forever.

The distended heaps
of jangled rebar
pokes through
broken chunks
of concrete
like rib cages
picked clean by
the jackals
of war.

The pulverized
concrete forms
telling Mandalas
giving voice to
the stained
stones crying
the secrets of
terrible truths that
unmarked graves
never keep
silent.

Maryam
is desperate
to find the
lost children.

She knows
the ungodly
conquerors
eagerly
hunt them.

The subjugators
are drunk from the
draughts of blood
they profanely quaff.

They thirst
for more and
have set
their sight on
the children.

The crucifiers
kiss the sword
to cleanse
the insurgent
city of its
youngest
citizens.

Bashar has
condemned
a generation
to death.

He desires
to purge Syria
of a heinous
memory stored in
the ripening minds
of Homs’ children.

They stand in  
witness to
the ******
of their
childhood.

Righteous
indignation
breeds a
long  memory
nursed by the
vanquished as
a cherished gift;
bestowed to
successive
generations
like a valuable
family heirloom;
but
resentment
makes for
a monstrous
coat of arms
vanquishers
bequeath to
the defeated.

Maryam
crosses over
the scattered
stones
incapable
of bleeding
one more
drop of blood.

She hears
the howling
spirits calling
from the broken
ruins.

She glimpses
the dark silhouettes
of fleeting apparitions
moving through
the upper floors
of flame stained
buildings.

The ghostly
shadows of
lost children
wander, seeking
the rest of an
expired future
sired by their
state sanctioned
execution.

Maryam
grows anxious
as she
approaches
the hospital.

She arranges
her silk scarf.
She examines
her calloused
hands. The lines
of her palms
are soiled,
cakes of dirt
have settled
under her
fingernails;
yet sufficient
strength remains
in her arms
to roll away
the large stones
entombing
revelations
of love and
miracles of
deliverance.

The pock
marked
hospital now
in sight,
Maryam
enters the gate
of a ancient
graveyard;
clambering
over burial
mounds
of her dead
ancestors.

She remembered
a placard hanging
in the hospital’s
waiting room.

“Art is long; life is short;
opportunity is fleeting;
judgment is difficult;
experience is deceitful.”
Hippocrates.

As Maryam
neared the
graveyard exit
she was
overtaken by
Syrian soldiers
brandishing AK’s.

One stuck a
dusty barrel
into Maryam’s
face while
the other tapped
the back of her
head from behind.

A weeping
Maryam
knelt before
her captors.

She
washed
the dust
from their
boots with
flowing tears
and wiped
them clean
with her hair;
praying for
the power
of love
to once
again
overcome
the stalk
of death.

Prostrate
and prone
Maryam
waited to
accept the
shaft of
recrimination
through her
bleating gums.

If recollection is long
in the living,
memory is eternal
in the dead generations.

The only known cure
for the disease of acrimony
is the strong balm of love.

Maryam would
never again nurse
the wounded
children of
Homs.

Music Selection:
Chanticleer & Yvette Flunder
There is a Balm in Gilead

Oakland
3/12/12
jbm
Continue reading...
midnight prague Feb 2011
gunshot reminders and a old suitcase
she wanted to find something that made her passion hang
like a human from a tree somewhere in the late thirties
a silent hand pressed against her sponge mind
making her leak her tongue all over the ill surface

years have passed like a seamless tomb
with eyes that scream please, hold me here for more than just two minutes
I am bored with the 1 hour love meetings and the detours
that lead me to the lions cage
the forbidden conversations and the numbed movements
stone tongues of gargoyles limping on the edge of
Gothic cathedrals in Prague

an animal somewhere in the wild dies slowly
a snake gives its venom to prey

and then you stood timid at the bottom of the mountain
as I struggled to make my way down
I thought of how my mother would be proud
to see me in a wedding dress, letting go of the only daughter she was able to drench out
of her body

surrender I thought never come in the form of bliss
till I realized I would hold out against all odds with no mercy
I'm not going anywhere
I stand right here in the corner
with my poetry spiraling down my thighs
in hopeless patterns
Continue reading...
Michael R Burch Jul 2024
Sunset
Sunset
by Michael R. Burch

Written for my grandfather, George Edwin Hurt Sr., on the day he departed this life.

Between the prophecies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.

Published by Contemporary Rhyme, New Lyre, The Chained Muse, Age of Muses, Poetry Life & Times, ArtVilla, Motherbird and Word Bird



Spring Was Delayed
by Michael R. Burch

Winter came early:
the driving snows,
the delicate frosts
that crystallize

all we forget
or refuse to know,
all we regret
that makes us wise.

Spring was delayed:
the nubile rose,
the tentative sun,
the wind’s soft sighs,

all we omit
or refuse to show,
whatever we shield
behind guarded eyes.

Originally published by Borderless Journal



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn
but lost in these drifts at each unexpected turn.

There’s nothing left of us here; it’s time to go.



Less Heroic Couplets: Questionable Credentials
by Michael R. Burch

Poet? Critic? Dilettante?
Do you know what’s good, or do you merely flaunt?



Less Heroic Couplets: Less than Impressed
by Michael R. Burch

for T. M., regarding certain dispensers of lukewarm air

Their volume’s impressive, it’s true ...
but somehow it all seems “much ado.”



The Humpback
by Michael R. Burch

The humpback is a gullet
equipped with snarky fins.
It has a winning smile:
and when it Smiles, it wins
as miles and miles of herring
excite its fearsome grins.
So beware, unwary whalers,
lest you drown, sans feet and shins!

Published by Lighten Up Online



Don’t ever hug a lobster!
by Michael R. Burch

Don’t ever hug a lobster, if you meet one on the street!
If you hug a lobster to your breast, you’re apt to lose a ****!
If you hug a lobster lower down, it’ll snip away your privates!
If you hug a lobster higher up, it’ll leave your cheeks with wide vents!
So don’t ever hug a lobster, if you meet one on the street,
But run away and hope your frenzied feet are very fleet!



The Unregal Beagle vs. The Voracious Eagle
by Michael R. Burch

I’d rather see an eagle
than a beagle
because they’re so **** regal.

But when it’s time to wiggle
and to giggle,
I’d rather embrace an angel
than an evil.

And when it’s time to share the same small space,
I’d much rather have a beagle lick my face!



Resemblance
by Michael R. Burch

Take this geode with its rough exterior—
crude-skinned, brilliant-hearted ...

a diode of amethyst—wild, electric;
its sequined cavity—parted, revealing.

Find in its fire all brittle passion,
each jagged shard relentlessly aching.

Each spire inward—a fission startled;
in its shattered entrails—fractured light,

the heart ice breaking.



Less Heroic Couplets: Midnight Stairclimber
by Michael R. Burch

Procreation
is at first great sweaty recreation,
then—long, long after the *** dies—
the source of endless exercise.



Elemental
by Michael R. Burch

for Beth

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might get her.
But that never would do!
Beth, as you embrace the storm,

so I embrace elemental you.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here—
pale, tearful congregations,
knowing all Hope is past,
faithfully, year after year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen it . . .
But if so, still I must ask:

why is it God that they fear?

Published in The Bible of Hell



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go ...
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin ...
Lay down your pamphlets; now no one will “win.”

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through . . .
so lay down your hymnals, or write something new.



Bittersight
by Michael R. Burch

for Abu al-Ala Al-Ma'arri

To be plagued with sight
in the Land of the Blind,
—to know birth is death
and that Death is kind—
is to be flogged like Eve
(stripped, sentenced and fined)
because evil is “good”
in some backwards mind.



Golden Rue
by Michael R. Burch

Love has the value
of gold, if it’s true;
if not, of rue.

“Golden Rue” is a pun on “golden rule” and the fact that rue (regret) is seldom seen as golden.



Why the Kid Gloves Came Off
by Michael R. Burch

for Lemuel Ibbotson

It's hard to be a man of taste
in such a waste:
hence the lambaste.



Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her ...

How can they resist
her seductive voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur . . .

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



Musings at Giza
by Michael R. Burch

In deepening pools of shadows lies
the Sphinx, and men still fear his eyes.
Though centuries have passed, he waits.
Egyptians gather at the gates.

Great pyramids, the looted tombs
—how still and desolate their wombs!—
await sarcophagi of kings.
From eons past, a hammer rings.

Was Cleopatra's litter borne
along these streets now bleak, forlorn?
Did Pharaohs clad in purple ride
fierce stallions through a human tide?

Did Bocchoris here mete his law
from distant Kush to Saqqarah?
or Tutankhamen here once smile
upon the children of the Nile?

or Nefertiti ever rise
with wild abandon in her eyes
to gaze across this arid plain
and cry, “Great Isis, live again!”

Published by Golden Isis and The Eclectic Muse (Canada)



Leave Taking (I)
by Michael R. Burch

Brilliant leaves abandon
battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees
lament the frolic of the leaves
and curse the bleak
November sky.

Now, as I watch the leaves'
high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say
goodbye.

Published by The Lyric, Borderless Journal (Singapore), Mindful of Poetry, Silver Stork Magazine, and There is Something in the Autumn (anthology)



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know

who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not

the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods

who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows

can’t be redeemed.



Self Reflection
by Michael R. Burch

for anyone struggling with self-image

She has a comely form
and a smile that brightens her dorm ...
but she’s grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she’d never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



Ah! Sunflower
by Michael R. Burch

for and after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!

Originally published by Borderless Journal (Singapore)



no foothold
by michael r. burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



brrExit
by Michael R. Burch

what would u give
to simply not exist—
for a painless exit?
he asked himself, uncertain.

then from behind
the hospital room curtain
a patient screamed—
"my life!"



fog
by michael r. burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



grave request
by michael r. burch

come to ur doom
in Tombstone;

the stars stark and chill
over Boot Hill

care nothing for ur desire;

                 still,

imagine they wish u no ill,
that u burn with the same antique fire;

for there’s nothing to life but the thrill
of living until u expire;

so come, spend ur last hardearned bill
on Tombstone.



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure!
Your intentions were noble and ineluctably pure.
And what the hell does THE LORD care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



thanksgiving prayer of the parasites
by michael r. burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes—
     the pale dead.
          After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
     they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
     unencumbered, yet lumbrously,
          as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
     only half-remembered.
          Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
     blood-engorged, but never sated
          since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must ...



This poem was recited by Carla Maria Gnappi to her English literature class in Italy, along with other poems of mine, during a study of the poetry of William Blake.

Orpheus
by Michael R. Burch

for and after William Blake

I.
Many a sun
and many a moon
I walked the earth
and whistled a tune.

I did not whistle
as I worked:
the whistle was my work.
I shirked

nothing I saw
and made a rhyme
to children at play
and hard time.

II.
Among the prisoners
I saw
the leaden manacles
of Law,

the heavy ball and chain,
the quirt.
And yet I whistled
at my work.

III.
Among the children’s
daisy faces
and in the women’s
frowsy laces,

I saw redemption,
and I smiled.
Satanic millers,
unbeguiled,

were swayed by neither girl,
nor child,
nor any God of Love.
Yet mild

I whistled at my work,
and Song
broke out,
ere long.



Les Bijoux (“The Jewels”)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins—
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair—
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea—
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out,
Till firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.

Published by Lush Stories, The ****** Salon and loovebook



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks,

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



Resurrecting Passion
by Michael R. Burch

Last night, while dawn was far away
and rain streaked gray, tumescent skies,
as thunder boomed and lightning railed,
I conjured words, where passion failed ...

But, oh, that you were mine tonight,
sprawled in this bed, held in these arms,
your ******* pale baubles in my hands,
our bodies bent to old demands ...

Such passions we might resurrect,
if only time and distance waned
and brought us back together;
                                                       now
I pray these things might be, somehow.

But time has left us twisted, torn,
and we are more apart than miles.
How have you come to be so far—
as distant as an unseen star?

So that, while dawn is far away,
my thoughts might not return to you,
I feed your portrait to banked flames,
but as they feast, I burn for you.



Progress
by Michael R. Burch

There is no sense of urgency
at the local Burger King.

Birds and squirrels squabble outside
for the last scraps of autumn:
remnants of buns,
goopy pulps of dill pickles,
mucousy lettuce,
sesame seeds.

Inside, the workers all move
with the same très-glamorous lethargy,
conserving their energy, one assumes,
for more pressing endeavors: concerts and proms,
pep rallies, keg parties,
reruns of Jenny McCarthy on MTV.

The manager, as usual, is on the phone,
talking to her boyfriend.
She gently smiles,
brushing back wisps of insouciant hair,
ready for the cover of Glamour or Vogue.

Through her filmy white blouse
an indiscreet strap
suspends a lace cup
through which somehow the ****** still shows.
Progress, we guess, ...

and wait patiently in line,
hoping the Pokémons hold out.



Poppy
by Michael R. Burch

“It is lonely to be born.” – Dannie Abse, “The Second Coming”

It is lonely to be born
between the intimate ears of corn . . .
the sunlit, flooded, shellshocked rows.

The scarecrow flutters, listens, knows . . .

Pale butterflies in staggering flight
ascend the gauntlet winds and light
before the scything harvester.

The winsome buds of cornflowers
prepare themselves to be airborne,
and it is lonely to be shorn,
decapitate, of eager life
so early in love’s blinding maze
of silks and tassels, goldened days
when life’s renewed, gone underground.

Sad confidante of worm and mound,
how little stands to be regained
of what is left.
A tiny cleft
now marks your birth, your reddening
among the amber waves. O, sing!

Another waits to be reborn
among bent thistle, down and thorn.
A hoofprint’s cleft, a ram’s curved horn
curled inward, turned against the heart,
a spoor like infamy. Depart.
You came too late, the signs are clear:
whose world this is, now watches, near.
There is no ****** for the heart.

Originally published by Borderless Journal



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born on September 11, 2001 and died at the age of nine, shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm—I hope you hear it.

Much love I bring—I lay it down
here by your form, which is not you,
but what you left this shellshocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven’s test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your gentle life, cut short. Bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



Upon a Frozen Star
by Michael R. Burch

Oh, was it in this dark-Decembered world
we walked among the moonbeam-shadowed fields
and did not know ourselves for weight of snow
upon our laden parkas? White as sheets,
as spectral-white as ghosts, with clawlike hands
****** deep into our pockets, holding what
we thought were tickets home: what did we know
of anything that night? Were we deceived
by moonlight making shadows of gaunt trees
that loomed like fiends between us, by the songs
of owls like phantoms hooting: Who? Who? Who?

And if that night I looked and smiled at you
a little out of tenderness ... or kissed
the wet salt from your lips, or took your hand,
so cold inside your parka ... if I wished
upon a frozen star ... that I could give
you something of myself to keep you warm ...
yet something still not love ... if I embraced
the contours of your face with one stiff glove ...

How could I know the years would strip away
the soft flesh from your face, that time would flay
your heart of consolation, that my words
would break like ice between us, till the void
of words became eternal? Oh, my love,
I never knew. I never knew at all,
that anything so vast could curl so small.

“Upon a Frozen Star” was my first attempt at blank verse.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house—
actually his third new wife's,
in her daughter's bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and "civilization."

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



An Obscenity Trial
by Michael R. Burch

The defendant was a poet held in many iron restraints
against whom several critics cited numerous complaints.
They accused him of trying to reach the "common crowd,"
and they said his poems incited recitals far too loud.

The prosecutor alleged himself most artful (and best-dressed);
it seems he’d never lost a case, nor really once been pressed.
He was known far and wide for intensely hating clarity;
twelve dilettantes at once declared the defendant another fatality.

The judge was an intellectual well-known for his great mind,
though not for being merciful, honest, sane or kind.
Clerics loved the "Hanging Judge" and the critics were his kin.
Bystanders said, "They'll crucify him!" The public was not let in.

The prosecutor began his case by spitting in the poet's face,
knowing the trial would be a farce.
"It is obscene," he screamed, "to expose the naked heart!"
The recorder (bewildered Society), well aware of his notoriety,
greeted this statement with applause.

"This man is no poet. Just look—his Hallmark shows it.
Why, see, he utilizes rhyme, symmetry and grammar! He speaks without a stammer!
His sense of rhythm is too fine!
He does not use recondite words or conjure ancient Latin verbs.
This man is an impostor!
I ask that his sentence be . . . the almost perceptible indignity
of removal from the Post-Modernistic roster!"

The jury left, in tears of joy, literally sequestered.

The defendant sighed in mild despair, "Might I not answer to my peers?"
But how His Honor giggled then,
seeing no poets were let in.

Later, the clashing symbols of their pronouncements drove him mad
and he admitted both rhyme and reason were bad.



Ann Rutledge’s Irregular Quilt

based on “Lincoln the Unknown” by Dale Carnegie

I.
Her fingers “plied the needle” with “unusual swiftness and art”
till Abe knelt down beside her: then her demoralized heart
set Eros’s dart a-quiver; thus a crazy quilt emerged:
strange stitches all a-kilter, all patterns lost.
                                                                ­      (Her host
kept her vicarious laughter barely submerged.)

II.
Years later she’d show off the quilt with its uncertain stitches
as evidence love undermines men’s plans and women’s strictures
(and a plethora of scriptures.)

III.

But O the sacred tenderness Ann’s reckless stitch contains
and all the world’s felicities: rich cloth, for love’s fine gains,
for sweethearts’ tremulous fingers and their bright, uncertain vows
and all love’s blithe, erratic hopes (like now’s).

IV.
Years later on a pilgrimage, by tenderness obsessed,
Dale Carnegie, drawn to her grave, found weeds in her place of rest
and mowed them back, revealing the spot of the Railsplitter’s joy and grief
(and his hope and his disbelief).

V.
For such is the tenderness of love, and such are its disappointments.
Love is a book of rhapsodic poems. Love is an grab bag of ointments.
Love is the finger poised, the smile, the Question — perhaps the Answer?
Love is the pain of betrayal, the two left feet of the dancer.

VI.
There were ladies of ill repute in his past. Or so he thought. Was it true?
And yet he loved them, Ann (sweet Ann!), as tenderly as he loved you.



The Celtic Cross at Île Grosse
by Michael R. Burch

“I actually visited the island and walked across those mass graves [of 30,000 Irish men, women and children], and I played a little tune on me whistle. I found it very peaceful, and there was relief there.” – Paddy Maloney of The Chieftains

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese . . .

There was relief there,
without remorse,
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.

And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God was their only wealth.

They were proud folk, with only their lives to owe,
who sought the liberation of this strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



wild wild west-east-north-south-up-down
by michael r. burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable Gaud decreed, Theo-retically,
if indeed He exists
                               as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).



I wrote this poem after discovering the poetry of e. e. cummings while reading poetry independently in high school. My “cummings period” started around 1974 at age 15-16. I believe this poem was the first of its genre. I seem to remember working on it my sophomore and junior years, making mostly minor revisions in 1975.

i (dedicated to u)

i.

i move within myself
i see beyond the sky
and fathom with full certainty:
this lifes a lethal lie

my teachers try to tell me
that they know more than i
(and well they may
but do they know
shrewd TIME is slipping by
and leaving us all to die?)

i shout within myself
i stand up to be seen
but only my eyes
watch as i rise
and i am left between
the nightmare of “REALITY”
and sleeps soothing scenes
and both are only dreams

i cry out to my “friends”
but none of them can hear
i weep in dark frustration
but they swim beyond my tears
i reach out to assist them
but they cannot find my hand
they all believe in “GOD”
yet all of them are ******

come, my self, come with me
move within your shell
cast aside such “enlightenment”
and let us leave this living hell

ii.

i watch the maidens play
their fickle games of love
and is this is what
life is of
then i have had enough

all my teachers tell me
to adjust to SOCIETY
yet none of them will venture
how (false) it came to be
this gaud, SOCIETY

i watch the maidens play
and though i want them much
i know the illusion of their purity
would shatter at my touch
leaving annihilated truth
to be pieced together to dispel
the lies that accompany youth

i watch the maidens play
and know that what i want
i cannot take because
then it would be gone

iii.

i watch the lovely maidens
i search their sightless eyes
i find that only darkness
lies behind each guise

i try to touch their feelings
but they have been replaced
by intelligence and manners
and tact and social grace

i want to make them love me
but they cannot love themselves
and though they seek love desperately
and care for little else
they stand little chance
of much more than romance
for a few days

i try to friend the men
but they have even less
for they want nothing more
than whatever seems “the best”
their hollow, burnt-out eyes
reveal their souls have flown
and all that loss has left
is a strange, sad fear of debt
and a love for things of gold

ive.

ive never seen a day break
but ive seen a life shatter
it was mine
and i suppose it still is:
all ten thousand pieces

id.

id like to put it together
(someONE please tell me how!)
for i am out of the glue
called u
that held my life together

i.e.

and i wish that u
and i were through
but whatever u do
dont say that we are!




Cycles
by Michael R. Burch

I see his eyes caress my daughter’s *******
through her thin cotton dress,
and how an indiscreet strap of her white bra
holds his bald fingers
in fumbling mammalian awe . . .

And I remember long cycles into the bruised dusk
of a distant park,
hot blushes,
wild, disembodied rushes of blood,
portentous intrusions of lips, tongues and fingers . . .

and now in him the memory of me lingers
like something thought rancid,
proved rotten.
I see Another again—hard, staring, and silent—
though long-ago forgotten . . .

And I remember conjectures of ***** lines,
brief flashes of white down bleacher stairs,
coarse patches of hair glimpsed in bathroom mirrors,
all the odd, questioning stares . . .

Yes, I remember it all now,
and I shoo them away,
willing them not to play too long or too hard
in the back yard—
with a long, ineffectual stare

that years from now, he may suddenly remember.



Sunset, at Laugharne
by Michael R. Burch

for Dylan Thomas

At Laugharne, in his thirty-fifth year,
he watched the starkeyed hawk career;
he felt the vested heron bless,

and larks and finches everywhere
sank with the sun, their missives west—
where faith is light; his nightjarred breast

watched passion dovetail to its rest.

*

He watched the gulls above green shires
flock shrieking, fleeing priested shores
with silver fishes stilled on spears.

He felt the pressing weight of years
in ways he never had before—
that gravity no brightness spares,

from sunken hills to unseen stars.
He saw his father’s face in waves
which gently lapped Wales’ gulled green bays.

He wrote as passion swelled to rage—
the dying light, the unturned page,
the unburned soul’s devoured sage.

*

The words he gathered clung together
till night—the jetted raven’s feather—
fell, fell . . . and all was as before . . .

till silence lapped Laugharne’s dark shore
diminished, where his footsteps shone
in pools of fading light—no more.



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One feels no need to rush:
he smiles from beds soft, green and lush
as far away a startled thrush
flees screeching owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



These Hallowed Halls
by Michael R. Burch

a young Romantic Poet mourns the passing of an age . . .

A final stereo fades into silence
and now there is seldom a murmur
to trouble the slumber of these ancient halls.
I stand by a window where others have watched
the passage of time—alone, not untouched.
And I am as they were—unsure,
                                                    for the days
stretch out ahead, a bewildering maze.

Ah, faithless lover—that I had never touched your breast,
nor felt the stirrings of my heart,
which until that moment had peacefully slept.
For now I have known the exhilaration
of a heart having leapt from the pinnacle of Love,
                  and the result of each such infatuation ...
the long freefall to earth, as the moon glides above.

These Hallowed Halls
by Michael R. Burch

a young Romantic Poet mourns the passing of an age . . .

I.

A final stereo fades into silence
and now there is seldom a murmur
to trouble the slumber
of these ancient halls.

I stand by a window where others have watched
the passage of time—alone,
not untouched.

And I am as they were
...unsure...
for the days
stretch out ahead,
a bewildering maze.

II.

Ah, faithless lover—
that I had never touched your breast,
nor felt the stirrings of my heart,
which until that moment had peacefully slept.

For now I have known the exhilaration
of a heart having vaulted the Pinnacle of Love,
             and the result of each such infatuation ...
the long freefall to earth, as the moon glides above.

III.

A solitary clock chimes the hour
from far above the campus,
but my peers,
returning from their dances,
heed it not.

And so it is
that we fail to gauge Time’s speed
because He moves so unobtrusively
about His task.

Still, when at last
we reckon His mark upon our lives,
we may well be surprised
at His thoroughness.

IV.

Ungentle maiden—
when Time has etched His little lines
so carelessly across your brow,
perhaps I will love you less than now.

And when cruel Time has stolen
your youth, as He certainly shall in course,
perhaps you will wish you had taken me
along with my broken heart,
even as He will take you with yours.

V.

A measureless rhythm rules the night—
few have heard it,
but I have shared it,
and its secret is mine.

To put it into words
is as to extract the sweetness from honey
and must be done as gently
as a butterfly cleans its wings.

But when it is captured, it is gone again;
its usefulness is only
that it lulls to sleep.

VI.

So sleep, my love, to the cadence of night,
to the moans of the moonlit hills’
bass chorus of frogs, while the deep valleys fill
with the nightjar’s strange bullfrog-like trills.

But I will not sleep this night, nor any;
how can I—when my dreams
are always of your perfect face
ringed by soft whorls of fretted lace,
and a tear upon your pillowcase? / framed by your rumpled pillowcase?

VII.

If I had been born when knights roamed the earth
and mad kings ruled savage lands,
I might have turned to the ministry,
to the solitude of a monastery.

But there are no monks or hermits today—
theirs is a lost occupation
carried on, if at all,
merely for sake of tradition.

For today man abhors solitude—
he craves companions, song and drink,
seldom seeking a quiet moment,
to sit alone, by himself, to think.

VIII.

And so I cannot shut myself
off from the rest of the world,
to spend my days in philosophy
and my nights in tears of self-sympathy.

No, I must continue as best I can,
and learn to keep my thoughts away
from those glorious, uproarious moments of youth,
centuries past though lost but a day.

IX.

Yes, I must discipline myself
and adjust to these lackluster days
when men display no chivalry
and romance is the "old-fashioned" way.

X.

A single stereo flares into song
and the first faint light of morning
has pierced the sky's black awning
once again.

XI.

This is a sacred place,
for those who leave,
leave better than they came.

But those who stay, while they are here,
add, with their sleepless nights and tears,
quaint sprigs of ivy to the walls
of these Hallowed Halls.



At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and ******* are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few men can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; **** that demon to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I know not even one.



“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” To the best of my recollection, I wrote “Sea Dreams” around age 18 in high school my senior year, then worked on in college. It appeared in my poetry contest notebook and thus was substantially complete by 1978.

Sea Dreams
by Michael R. Burch

I.
In timeless days
I've crossed the waves
of seaways seldom seen ...

By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.

With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.

Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.

In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.

I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.

I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no vessel’s sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.

And I've grown and grown and grown
till I thought myself the king
of every silver thing . . .

But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray . . .

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs I’d so often climb
when the wind was **** with the tang of lime
and every dream was a sailor's dream.

Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright!

Christ, those nights were fine,
like a well-seasoned wine,
yet more scalding than fire
with the marrow’s desire.

Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam . . .
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!

It's almost nine
and I must be back home by ten,
and then . . . what then?
I have less than an hour to stroll this beach,
less than an hour old dreams to reach . . .
And then, what then?

Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.

When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.

Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.

The distant cooling clouds.

Then the sun shone bright
with a different light
over sprightlier lands,
and I was always a pirate in flight.

Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that tumble into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams . . .
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” For years I thought I had written “Sea Dreams” around age 19 or 20. But then I remembered a conversation I had with a friend about the poem in my freshman dorm, so the poem must have been started by age 18 or earlier. Dating my early poems has been a bit tricky, because I keep having little flashbacks that help me date them more accurately, but often I can only say, “I know this poem was written by about such-and-such a date, because ...”



Alien Nation
by Michael R. Burch

for J. S. S., a Christian poet who believes in “hell”

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro —
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
must have felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.

Note: The coinage “grok” appears in Robert Heinlein’s classic sci-fi novel Stranger in a Strange Land. The novel’s protagonist, Valentine Michael Smith, was raised on Mars by enlightened Martians, and he often feels out of sorts on Earth, where he struggles to grok (understand deeply and profoundly) earthlings and their primitive, often inhuman, ways.

Keywords/Tags: These Hallowed Halls, ivy, college, university, school, class, classmates, students, study
These are poems about sunsets, things in decline, loss and regrets.
#grandfather #life #death #sunset #prophecies #morning #sky #moon #clouds #flame
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AmberLynne Jul 2014
My Biggest Fear
My biggest fear has nothing to do
     with monsters, the dark, death,
     or any of those usual frights.
No, my most intense scare comes
     from the anticipation that one day
     you may see me the same way
     I see myself.
For you see I'm not the girl that guys
     conjure up in their daydreams.
I could never hope to pass as one
     of those flitty girly-girls who know
     of quizzical things such as
               make-up
               cute hairstyles
               or fashion.
My blemishes show, and honestly
     I haven't a clue how to hide them
     anyway.
I look at braided hair, beachy waves,
     and effortless updos with envy
     My hair has two styles: up or down.
I've never in my life looked casually cute,
     and am obviously uncomfortable
     in a dress.  Please just pass me
     my jeans and t-shirt back,
     I'm much more myself in them.
     How does one even walk in heels?
I'd like to think I'm one of those
     "cool" girls that guys claim
     they love, the low-maintenance
     type chick, but I don't think
     I'm "cool" at all, really.
When guys describe those chicks,
     they do things like
               play video games
               quote Star Wars
               read comic books
     like some ideal gorgeous geek.
Well that's **** sure not me either.
     I **** at video games,
     love Star Wars, but
     I'm terrible with movie references,
     and have never read comics.
     Does manga count?
     I'm kind of starting to get into that...
I'm not the nerd's epitome of perfection
     either, the everyman's ideal.
So what am I? I'm just boring,
     little ole me.
I love to read, and would rather
     spend the night reading
     or watching something than go out.
I'm shy and self-conscious to a fault,
     so don't try bringing me around
     friends, I'll just bring you down.
Honestly, I'm basically a child. I love
               Teenage Mutant Ninja Turtles
               Gargoyles
               Tom & Jerry
               Animaniacs
     and cartoons in general.
I'm quiet and contemplative, often caught
     writing in my notebook,
     detailing my observations
     about the world around me.
I have a ***** mind and a messed-up
     sense of humor, giggling
     of the worst times occasionally.
But all in all, I think of myself
     as pretty boring.  Laidback,
     but with the most capricious of moods.
     I'm both low and high maintenance.
I don't know why you think positively
     of me, but I anticipate the day
     you realize I'm really nothing
     special at all.
The day you discover the truth
     I already know all too well.
5.8.14
#selfesteem #special #boring #maintenance #nothingspecial
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S Smoothie Dec 2015
Gargoyles n Hearts (adaptation)
It's a painful stretch to re-loving
Gargoyles in clusters clutch at my heart
Talons pierced and locked wings wrapped upon layers
Pulling each one away takes insufferable self violence
Just to clear a small space to let you through

Your heart whispers squeal like whistles in the hunt
Unsettling the watchdog beasts
Growling and snarling
Clawing tighter at the leather pith of a now stone heart
Your own needs are barking
I'm letting blood Before your debt is even paid

Claws tighten, wings gripping tighter
Leather peaches
And black Artichoke hearts
I anticipate the fall
Your darkness permeates
Your dark love kills
Still, there's something about you
I can't live without.
A shorter depersonalized poem from the original Gargoyles and peaches
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— The End —