There was a homeless lady,
one afternoon, outside the hospital.
Was she homeless? I don’t know.
She had a ladened shopping cart,
which, on TV, is kind of a signature.
We were inside, waiting for an Uber.

She was outside, in chiaroscuro relief.
Dressed in bright, multilayered, mismatched
florals and brocades, she reminded me
of a gypsy. There are still gypsy caravans
in France. Are there gypsies in America?

She wore boots and long strings of beaded jewelry.
They would have had to have been glass, I supposed,
but tinseled with the glitter of those pop spangles,
she looked, en bloc, the richest and the poorest of us.

She wasn’t young and she wasn’t old. She sat alone,
on a short retaining wall, her cart within guarded reach.
I noticed her because every time I glanced over, she
was watching me with the dark unblinking eyes of a bird.

She had an easy confidence, in the wild, sitting safe
and protected by her clam, obstinate shell of boredom.

What must I look like to her - with her tangled hair
and unwashed face? Me in my permanent pressed
hospital wear, diminished by over-washing. A doll
behind glass, whose whole life is patterned by plans?

Our Uber pulled up, the number matched and as Lisa
opened the car door, I gathered my things and looked
back but the gypsy lady was gone, leaving a blank space.

based on a you-tube video: milo yiannopoulos vs. hysterical feminists; 1 17 2016.

i've never hard long relationships,
the last one i had was a long long time ago,
she said: i enjoy pain -
maybe - but i did also:
i unsheathed my ***** and put on
a c-ring on my helmet:
yes, circumcision does ease
the florals of afro lips
              and you find the cut off skin
in the ******* all the more appealing
all the more necessary to fight for,
oh wait: or so you thought.
hijab blah blah: take away from man
and we're constantly in feminine mourning:
akin to Darwinism's motto:
     there's a reason for everything; everything!
and there is! that's the universal suggestion,
adapt, create a reason for such adaptation -
god in mind (without prayer and laments
at funerals or judges' commentary) -
        ha ha how about we make Poles the
scapegoats, ******?
                well: now i really feel special,
are we supposed to say: yes good lord,
aye aye sir, kiss the ******* of Brooklyn
queens?
                 but you know what's funny...
bird songs...
             birds have an aesthete -
sure, they **** me off when spring comes
and the window is open and it
starts to feel like Africa at noon (i admire
the colonial powers of England:
how did they manage all this ****** heat?!) -
i'd spend a day there and then say:
**** it, get me back to the Scandinavian
refrigerator, can't stand this, ******, heat!
look at me: piglet albino!
                some say white some say
black, some say auburn some say chocolate
some say emerald, some say copper,
  some say pink, some say piglet -
some say 'you squinting, or something?'
try: white boy does a Buddha on marijuana -
people think Buddha is ******...
****** racists...
     one Czech who travelled to Mongolia
told me a secret: the Mongolians don't like
marijuana -
                    the Czech? met him at U.C.L.,
called Jacob - oh sure, grand guy,
                     so if you suddenly interpret
Buddha as ******, get serious:
      look looky at the squint -
then on the page the cipher: renmimbi
and 100 yen -
                        tugged by a ******* yack.
****** complex but then in Latin
simplicity:
                      chow mein -
or chewed a rubber tire and hence came
locomotion: a jaw in a pickle jar,
at every cannibalistic gathering of connoisseurs;
burying my great-grandmother i was
attacked for my expression of guilt:
when the priest started his litany i started
laughing... laughing a funeral, ha!
but it's this you-tube (hyphenation does not
exist in logos - anti plural, hmm:
or to use shorthand off words, i.e. images
to convey less wording and optical adventure
on the sly: hyphen! here boy! tear these
superstitions apart: like in the medieval
period charms and spells and Merlin,
so too the Mc and the i-) -
but enough about the funeral, that video i
referenced first:
                   a throng of crows sounds more
beautiful than humanity talking over each other...
it just hit me! like a bulldozer -
      we are actually so divergent from a unifying
causality, having conquered all natural
predatory forces, that when we're actually
accountable for being collected and told to
say freely what we want, we sound so
****** disgusting - i listened to this video
until i heard that a 10 second silence was required...
        the same we give to those who passed
in war: that's the difference between Western
Europe and Eastern Europe:
the division lies with the idea of remembering:
western europe has the first world war covered,
eastern europe has the second world war covered -
hence the ****** poppy parade;
       and how could i completely integrate into
such a society? what, be fake? relinquish my
bilingual ontology and hollow out, ethnically
cleanse myself? sure, i speak the tongue:
but i treat English as rooted in all things Germanic,
given my baptismal name: Conrad - hell, what
could possibly go wrong.
          i, will, not, assimilate, into, this, *******,
culture, like, some, ******.
                end off!
it would mean: oh you're be happy here,
but forget the 8 years you spent in Poland and
developed a psyche -
i hate it when people force a soul on people
without the capacity to develop it...
  ******* freak saints with their autistic children:
if the thing in question is unresponsive
         toward developing the mere notion of a soul /
a self: why does the church implement this
****** sin against abortion? if i were an agony uncle
i'd tell the girl: think about that scene in
the film Prometheus (2012)...
       i don't get how something that can't even
create the mere idea of a soul actually have a soul...
limited instinct, sure: but a soul?
     hence Santa Clause: or where all innocent
idiots go - provided by Satan's Clause, which in
jurisprudence suggests Disney as the patriarch.
still, with so many eloquent minds about
in history and as in now,
put them together and they sound so ****** ugly:
humanity can create the abundant leaning tower
of Pisa (or let's just call it the ρoμbυs of Pisa) -
we can't recreate a congregation of sparrows' song
nor a lion's roar in a **** way: like grrr -
            what i said above?
we have the power of the atom bomb, and we
decided to champion science, but in the case of
application? we're lazy! we create these sadomasochistic
saints who never bothered to do research into
what might happen - shoot me,
       if we exclude the mere notion of god
and do as Marquis de Sade did and champion nature
(who, by the way, was actually a militant atheist)
        we can't avoid the economic barbarity of nature:
it's inherent cruelty -
                    and this is the modern curse
of outrightly censoring a certain part of human
history as if "it didn't happen".
  it did happen, no wonder i have a plot of land
near Cracow reserved for Jew snow (ashes) -
    it's almost as if to say: because the black plague
didn't happen in the region: here's the holocaust!
      and you'd think this might bring me closer
together with an Egyptian... n'ah.
       as i once said - *oni pyramidy, a my kominy
they the pyramids, we the chimneys.
            maybe the Yiddish evolved in Germany
had something against the Polish Jews?
                            maybe...
who knows...
                 civil wars are known to happen -
maybe that was a subversive version of a civil war,
given that Israel didn't exist, you could have
the Jews of Manhattan ******* at the Moscow
Jews and it all became expressed in Poland...
         they did have a saying, those Polish Jews
back when the money was there -
   nasze kamienice, wasze ulice
(our houses, your streets) -
            as my grandfather used to say:
they fought the war with the rifles bent,
shooting into the sky or into their foreheads
like any Jehovah's witness stance to war was deemed
appropriate to join the cult.
         now i can say, kinda proudly,
sure, your houses our streets -
                           nasze szubienice (our gallows):
or was the free Palestine movement slowly
dying?                  all i know that by the time
we reach 2099 - things will look drastically anti
1999 with that party culture -
      someone just decided to cut off the *******
of a great poker player - America is these days
castrato - Castrato America! Castrato America!
they blame immigration, i blame them
bribing "saint" John Paul II for ******* displacing
me...
            i lived in a city where there was
more than just football taking place: water-polo
for ****'s sake! my father played it!
             Olympic diversity: not this inbreeding
****** of sport coverage:
television, a.k.a. the box? more like a zoo cell.
             the busy market place where i was born?
just banks, no shops, just banks.
  they tell you **** on the internet isn't real:
then t.v. is desperate,
and no teenager commits suicide from a weak
grammatical membrane to invert naked words
into clothed words: red (noun) etc.
and let me add: where are the editors in this place
and are any necessary? no -
what's troubling to the west / capitalism is how
socialism has resurfaced -
          it's not called social media for nothing -
sure the model is capitalising on opinions and conversation,
but how ugly this socialism now looks;
       my grandfather? he's living in a safety net
of actually having a pension -
                   he retired more than 10 years ago,
way prior to reaching 70...
              this is Poland, the so-called "acid satellite"
states of the Soviets...
    where the **** will your old be with "sir" philip
green and the 0-hours contract?
                                                      nowhere!      
oh i would go back: had i not lived here most of
my life and built a greater capacity for the language
beyond a large majority of natives:
  oh look, here comes the Rotherham Pocahontas.

For many couples, planning the perfect wedding it isn't just about food, flowers and invitations. These days, it's also about going green and protecting the environment as well.

"Every single part of the wedding process can be eco-friendly, and not necessarily the color green," says Katie Martin, wedding planner and editor-in-chief of "Eco-Beautiful Weddings Magazine."


photo:www.marieaustralia.com/long-formal-dresses
She said keeping things close to home is the first step.

"It's all about going local. The more local you have your vendors, the better you are at being sustainable and having your wedding be less wasteful," Martin said.

That includes local florals and local favors.

"Pick something seasonal. Pick something that comes from local farms. An easy thing to do is to go to the farmers markets and see what's happening in season now. That way you still have something beautiful that will actually be at its peak. So you're being eco-friendly but you're also going to get a better product from that," said Annee Gillett, the Director of Catering for Hotel Monaco in Alexandria, Virginia.

Items that are in season often have a lower price tag.

Greener Planning, Party Favors

Couples can also come up with greener alternative for items at the reception, such as fewer wedding programs, or having only one menu per table. Martin also suggests using recycled or seeded paper as another good idea.

"It basically has seeds from wildflowers and herbs woven within it. So the guests can actually take that home and plant it and then have a little memory of your wedding of their own when their wildflowers grow," Gillett said.

That same idea can translate to greener party favors such as a packet of seeds that can be planted or something edible. Either way, there is no waste.

For couples who want a more eco-savvy celebration, but don't know where to start, Martin says to just ask.

"It begins with you as the consumer, to say, You know what, I want a wedding that gives back to the community, and I want to know what my vendors are going to do about it," Martin said.

read more:www.marieaustralia.com/****-formal-dresses

fast cars,
and dreams of pretty girls driving them.
i'm reckless as i hold onto the "oh ****" handle,
my hands shake and my hair
whips behind me,
like i'm underwater and i'm swimming down.
a blur of tan skin and dark hair and washed-out florals.
we slow,
and i tap my mint-colored nails on the side of
the bright red convertible.
i look at my companion,
a girl, but that's all i know.
her hair changes every time, one night it's black the next it's blue,
she wears a white sundress, with red heart-shaped sunglasses shielding her eyes.
eyes are the window to the soul,
and i can't see hers.
sometimes she smiles at me,
her lips are blood red,
and her mouth is indifferent.
i smile back, my probably
pink
lipstick smeared on.
i don't know who she is.
i don't know who she is.
i'm riding in a red convertible with a girl
on a road i don't know in a place i've never seen.
i don't know who she is or why i'm in her car.
but it's a dream and it's over in
a few minute's time.

I’ve tried to bury my friends
the way you‘ve buried yours.

But their skeleton limbs
unearth my amygdala

shoot through my catacomb skull
in a morbid hail of
bone and grey matter.

Beneath this demented firework display,
the ghouls jitterbug in their demon florals--

if only their hauntings
were as beautiful as their gowns.


Billie Eilish,
I’ve tried to bury my friends

but their remains
could not remain
buried.

My brain
bubbles and blisters
like witch’s brew

as I succumb to the hellfire
of regurgitated memory.


Billie Eilish,
I’ve tried to bury my friends

but they’ve stolen away my oxygen
to resurrect themselves.

I guess I am only what they
feed to me—
dirt.

Billie Eilish,
this trauma is a tomb
I cannot worm my way out of.

Billie Eilish,
my head has turned to stone.

Billie Eilish,
I’ve tried to bury my friends
but

they ended up
burying me instead.

Turn the lights down
and remember me....
Aren't we still the same--?
in shadows
of incoherent innocence and beauty?
In the soft and limpid
florals of the spring?
Am I not the same--?
still warm, somehow?

My love--

Can we not, still make it here?
In ancient fires?
Turn me toward you, in your mind--
Wanting--
Erase the blight
with lips still seeking mine
Hair has drifted off--
the years
to catch the moonlight on a shoulder
as nothing else    will

ever

With something mined
from hearts and minds  

Touch me!
Make me forget!

time

you're painting
the kitchen walls
baby duck
yellow.

you have houseplants
despite the lack of
sunlight
but i don't
think you know how
dark it really is.

you painted
my bedroom walls
dark green
i guess you covered
up the words i once
carved in the wall.

florals and snowflakes
now you get the
keyring and
i promise we won't
accidentally break in
like we did to him.

i might be an
incurable cynic
(which i know you
never know how to take)
but i sincerely hope
you're happy here.

i sincerely hope
my pessimism is not
cooling down your
prewarmed house.

i sincerely hope
you never become
jaded by who you
learn people truly are.

and i sincerely hope that
whatever darkness you may
or may not find never dims
your new living room light
or the radiance you've
always carried with you.

Raised in So. Cali.
Those early 80's on the beach,
When reggae birthed the bass
Subwoofer heart beats
And poetry woven into the flow
Open mics
Yo Spoken Word!
Rap as verse to mTVs

Bittersweet symphonies

When brothers were too heavy
Living in the hood,
And my friends
Ricky and Richy
And Ricks
Richard
****
Have no riches / wealth
Drawing blondes
For non
boys
In the cartoon
Landscape of generation
gap
Not so trendy cool
Unless master Richy
Loud animated riches
Mr. Rich
If I only knew
If richness
Lets you

Then Come be one of every

Minority
Say they can see

His friends-collection
From unique
Reserves
The wild
Child
Around the world
each birthday party here

His pals his country
Their diversities not his equal
As stereotypes
Subterfuge

Cliche
Equality pursuant to Freedom
So says the people

This that is
Priceless,

Enjoying tangerine days
Sinking in the golden
Tropicana
And cold colbalt

Blue bloods
In a darkening sea

The sky bleeding
Only with the life of the sun,
Where in spirit

Oh summer Lovin' nights

Cooling the boardwalks
dynomite!
Beach kin
skins
A many golden
Tans and the scent of
Paradise
Florals and cocoa butter
brine...
Tight fit bodies
Chrome shiney
Tanning oils

The summer wafting

Sensual
Through our basking
In rhythmic sync

From early days
Those happy days
Then when I was tween
On my Schwinn

Gliding
like the wind

Dollar movies
Sand and some kind
Of wonderful

The most radical arcade!
Raised a native son

By marriage
I am a mix into one
A people
My face
Has a race,
I am islander
Fisher King

Golden lion with
Interstellar wings

Please Call me Fishsparrow's
Dreaming

Though summer hues
My skin accused
Unmoved
Unclaimed
I'm a Golden Mango

Among the Californication-Ing

Indian Summer's with a
Torquois bottom pool
I could pass for Hawaiian
Most dark Mistiso do...

Raised in California
We are as golden
As the landscape

Americana

I'm laid back
As California as the cheese
We got the beef cake
80s to 90s to Kpop to Goa

The flavoring
Of caramel flesh
Sweet sweat
Footloose
Skinny jeans
**** undulations
Body
Surfing
Those summer waves

Toward our Nuevo
Fluorescent future
Opulence
So free and quite
Brilliant

The light
With life experienced

Fearless with Midnights
We Conqueror sunrise

The days I reminisce
When childhood bliss
did not die
Just down for a nap

New cats' days
Turning tomorrow making
bacon
Brown skin
My Soleils
Beaches
Soothing Mists

Breath of Suns' kisses:
Wakes of oceans
Peace

Oh

Now I lay me down to dream
I pray the Lord
To help me wake...

Every new day
So thankfully
Experience every divinity

That thou love
Doth make

Alive without regret
Of and by the sea
I'm raised

I grew up
California
                  golden
As is
silence

And Making love  

With You
Early morning.... On the beach

Life arisen.
For light means Day!
Good morning
Glory

A louder Grace
Beloved
Will
Shall listen...

I want a Garden of Flowers.
I want Tulips and Roses that bleed red
When the rain hits
Their petals fall on the ground
Just in time for the wind to come,
And make them dance

I want the birds and the bees
To make the most out of my fertile seeds
I want my flower’s honey to be the sweetest,
When it’s in your mouth

I want Daisies and Lavenders
That blossom under the sun
With roots so deep, they touch the earth’s crust
I want Mother Nature to call me,
Her daughter  
Yes, I want a garden of flowers

I want Asters and Chrysanthemums
That sprout when everything is gone
I want the children to marble
At how they blossom

Where wedding planners come to my door
Or mankind comes to pluck off their stems,
To give to their lover
After making them cry
Yes, I want my florals
To be a reason for someone to smile

I want Poppies that grow
On my empire of dirt
And after everything has departed,
A new cycle has started.

A dreadful
shadow
moves across the
wallpaper
its twitching
spectral
legs and wings
accenting the
delicate florals

spray it fast
with the can of
Insect Annihilant
or just
smack the ******
with a broom

Big ideas and big plans often yield grand results for the nation’s most prominent African Americans of influence. In the complex world of high society, often viewed as one of privilege, there is more to being a socialite or a “black socialite” than a strong fashion sense or having a triple-booked social calendar—true philanthropic efforts are often involved. The philanthropic season, in full swing twice a year—generally March to May and again from August to December—equals no more than six to eight months total. The entire high society and or philanthropic calendar can often appear overwhelming. However, giving, and getting others to give, is the name of the game and it takes more than one would imagine to make the magic happen.

In New York City, the noteworthy names such as Alicia Bythewood, Kathryn Chenault, Susan Fales-Hilland Grace Hightower De Niro immediately come to mind. On the West Coast, by way of San Francisco, it’s Pamela Joyner who dominates both the society and philanthropic circles with her art world successes—which often make national headlines. We recently consulted Ivy Leaguer, Delta Sigma Theta sister, and Links member Helen Shelton of Finn Partners, a well-seasoned PR expert. Additionally, we spoke with rising New York socialite Dr. Shirley Madhere, a highly regarded cosmetic surgeon and lady of leisure on her favorite philanthropic causes. Each provide valuable insight and key elements we all must concentrate on should we wish to head up our own charitable event.

How long have you been involved with charitable events? What aspects of planning events do you enjoy most? How do you determine which organizations to devote your time to?

HS: Professionally, 15 years; personally all of my life. From a professional standpoint, my favorite aspect of production has always been the creative process. I am always thrilled to see an actual campaign I’ve created come to life.

SM: The cause must resonate with me with substance on many levels: the people. the purpose, and the spirit.

What are a few of your favorite African American organizations?

HS: I am a proponent of what I call “mothership” organizations, such as the NAACP and the New York Urban League. I’m a board member of ColorComm, the national organization that advances women of color in the communications industry.

SM: The Studio Museum in Harlem and various Haiti-related organizations.

What host committees have you been part of? If applicable, how does it differ from working from the PR side?

HS: ColorComm, The Links. In my personal charity work I somehow end up playing the role of communications chair, on top of the duties of actually facilitating the event and working on behind-the-scenes production aspects, such as video production.

SM: I must admit, the recent Youth America Grand Prix an event that I co-chaired at BAM (Brooklyn Academy of Music) was breathtakingly inspiring. I have supported, ABT, Beauty 4 Empowerment, and the Smart Woman Project.

What prominent African American women do you feel are true leaders in a hosting/socialite capacity now? And who are historically influential?

HS: Dr. Marcella Maxwell (a Delta Sigma Theta member like myself), Alma Rangel (wife of Charles Rangel), Kathryn Chenault, Leslie Lewis Sword, Susan Fales-Hill, Pamela Joyner, Desirée Rogers, Cathy Hughes, and Sylvina Shelton, wife to Charles E. Shelton formerly of The New York Times.

SM: My mother, my aunts, fashion designer Stella Jean, Oprah, Beyoncé, have influenced me positively. Numerous other women of various other cultures who have created, disrupted, fallen then risen, enhanced the game, shifted paradigms, and continue to astound with their contributions to humanity.

How can YOU be a success heading up your own charitable event?

When it comes to successfully heading up your own charitable event, Madhere suggests you “become engaged, committed, and excited.” According to PR expert Shelton, follow these essential steps to be a success heading up your OWN charitable event…

Have a great cause that people can relate to. This is a competitive environment and every sponsorship dollar or investment needs to be accounted for. Accountability, is of the utmost importance so delivering on return for your sponsors is essential.

Create a fabulous environment and offer a wonderful experience. Sometimes less is more , so it is not always necessary to have champagne flowing—as an example—if you have beautiful florals, delicious food, and wonderful entertainment, you can’t go wrong. If people are having a great time, they have no problem returning and becoming long-term supporters of your cause.

Set realistic fundraising goals and have a sponsorship package that is appealing to a cross-section of interests and above all, network, network, network!Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/formal-dresses-perth

A dire il vero .il mio unico rammarico matrimonio non riesce a prenotare i ritratti nuziali .E 'tempo che oh-così- speciale per volteggiare intorno nel



vostro abito e la cattura che addirittura gorgeous " glow" prima del grande giorno .ma per fortuna ora arriva a vivere indirettamente attraverso i germogli come questa bellezza da Feather \u0026Spago .E ' tutto una sessione da sposa dovrebbe essere.e si può cliccare qui per mooooolto molto di più.
Condividi questa splendida galleria

Da Sposa .Non sono mai stata la ragazza che sognava il suo matrimonio crescita .Iè èterribile a decisioni e riviste di nozze me sottolineare fuori.ma quando mi sono fidanzato e ' come qualcosa alterato il mio DNA e sono diventato la abiti da sposa on line sposa più decisivo l'uomo conosca !** visto un vestito su Pinterest .inseguito i collegamenti fino a quando ** trovato il progettista .chiamato un negozio e pochi giorni dopo l'** comprato .

Quando ** messo su dopo la mia ultima prova .mi sentivo meraviglioso.Era così confortevole e civettuolo .Io amo la vita all'aria aperta .così ** capito che volevo fare i miei bridals qualche unico e nella natura .Abbiamo optato per vestiti da sposa una riserva naturale a Plano e aveva il giorno più bello .Il mio desiderio per il giorno può essere riassunta in tre parole: naturali .preziosi e divertenti.Kelsey e Talon reso questo e molto di più.Sì.era ventoso e mi è stato mangiato vivo da pulci penetranti .ma era il primo giorno mi sono sentito davvero come una sposa .

Camminando lungo la navata è un ricordo così chiaro e perfetto per me .Ero incredibilmente tranquillo e confortevole.che mi sorprende a questo giorno .Il vestito mi ha fatto sentire così elegante e mi ha permesso di concentrarmi vestiti da sposa su ciò che realmente importava quel giorno.Sono grato che ** trovato un vestito che era confortevole e mi ha fatto sentire come me .Sarà sempre la mia scelta vestito preferito :)

Fotografia : Feather \u0026 Twine | Dress : Mori Lee by Madeline Gardner | Florals : Gambi di Dallas | Parco : Arbor Hills Nature PreserveFeather \u0026 Fotografia Spago è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Feather \u0026 Twine Fotografia VIEW
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The streets of Paris were clogged by rallies and demonstrations on the Sunday of fashion week. At the Trocadero, a pro-rally for embattled French conservative presidential candidate Francois Fillon, blocking the route between the Valentino and Akris shows; at Bastille, an anti-Fillon demonstration.

The French elections — and ever-increasing security — were providing a tense backdrop to the autumn-winter collections, much like Donald Trump, Brexit and Matteo Renzi did on the fashion circuit of New York, London and Milan this season. Politics and the changing of the guard, women’s rights and diversity may make fashion seem irrelevant until you add up the value of the industry to the world economy. In Britain it is £28 billion ($45bn) — and that is small fry next to France and Italy.

Perhaps politics and social change have influenced the French designers for there was much less street style this season and a lot more tailored, working clothes on the catwalk. They used mostly masculine fabrics but worked in such a graceful way. You need only look at Haider ­Ackermann, Chanel, Alexander McQueen, Christian Dior, Lanvin, Akris and Ellery to see this — lots of great wearable clothes.

Karl Lagerfeld wanted to fly us to other worlds (to abandon the mess here perhaps) in his Chanel space rocket. There were checks, cream, silvery white and grey tweeds, for suits and shorts and dark side of the moon print dresses that cleverly avoided the 60s’ ­futuristic cliches. Silver moon boots, space blanket stoles and rocket-shaped handbags were as space-age-y as it got. There was quiet, seductive tailoring at Haider Ackermann — tapered silhouettes in black wool and leather softened with a knit or the fluff of Mongolian lamb for a blouson or skirt. At McQueen the asymmetric lines of a black coat or pantsuit were ­inspired by the fluid lines of ­Barbara Hepworth’s sculptures, whereas David Koma reclaimed the soaring shoulderline of Mugler’s 80s silhouette for pantsuits and mini-dresses for the brand.

Christian Dior’s uniform-inspired daywear was produced in tones of navy blue with 50s-style navy belted skirts suits, long pleated skirts and some denim workwear. “I wanted my collection to express a woman’s personality, but with all the protection of a ­uniform,” explained Maria Grazia Chiuri before the show.

There was more suiting at ­Martin Grant with voluminous trousers, cummerbunds and men’s shirting. The cut was more mannish at Ellery and Celine with ­Ellery balancing her masculine oversized jacket looks with feminine bustier tops with giant puff sleeves. The mannish look at ­Celine was styled with sharp ­lapels, slim-cut trousers under crushed textured raincoats, whereas ­double-breasted jackets (a trend) and peacoats over loose-cut trousers appeared at John Galliano.

Checks jazzed up the tailoring at Akris where there were more sophisticated double-breasted jackets and swing coats, and at ­Giambattista Valli from among the flirty embroidered dresses a dogtooth coat emerged with a waspie belt and a suit with a peplum skirt.

Stella McCartney displayed her Savile Row skills in heritage checks for her equestrian-themed show. Of course, she is crazy about riding and her prints featured a famous painting by George Stubbs, Horse Frightened by a Lion. It turns out Stubbs was another Liverpudlian, like her dad Sir Paul.

Of course Hermes’s vocabulary started with the horse and there were leather-trimmed capes and coats that fitted an equestrian, or at least country theme worn with woollen beanies and big sweaters, offering a different way of tailoring, in an easier silhouette with a soft colour palette.

The highlight of the week for Natalie Kingham, buying director at MatchesFashion.com was ­Balenciaga. “Great accessories, great coats and great execution of ideas,” she says of Demna Gvasalia’s off-kilter buttoned coats, stocking boot and finale of nine spectacular Balenciaga couture gowns reinterpreted in a contemporary way. “It was wearable, modern and the must-see show of the week.” It was also, she pointed out “the must-have label off the runway with every other person on the front row decked out in the spring collection”.

Although tailoring worked its subtle charms on the catwalk, there were flashes of brightness, graceful beauty and singularity. Particularly bright were Miu Miu’s psychedelic prints, feathered and jewelled lingerie dresses and colourful fun fur coats with furry baker boy hats. Then there was the singular look evoked by Austrian-born Andreas Kronthaler in his homage to his roots, with alpine flowers, Klimt-style artist smocks and bourgeois chintz florals worked in asymmetric and padded silhouettes for Vivienne Westwood — some of it modelled by the Dame herself.

Pagan beauty, the wilds of Cornwall, ancient traditions such as the mystical “Cloutie” wishing tree led to Sarah Burton’s enchanting Alexander McQueen show, which was another of Kingham’s favourites with its unfinished embroideries inspired by old church kneelers and spiritual motifs. “I loved the artisanal threadwork and the spiritual message that was woven throughout,” she says. The artisanal and spiritual she considers an emerging trend around the shows. “It had a slight winter boho vibe but much more elevated.”

Chitose Abe shared that mood for undone beauty with her Sacai collection of hybrid combinations of tweed and nylon for an anorak, and deconstructed lace for a parka, and puffers with denim re-worked with floral lace for evening.

There was more seductiveness at Valentino and Issey Miyake. The latter’s collection shown in the magnificent interiors of Paris’s Hotel de Ville, shimmered with the colours of the aurora borealis and used extraordinary fabric technology to create rippling movement as the models walked.

Valentino was a high point. On a rainswept Sunday Pierpaolo Piccioli cheered us with high-neck Victoriana silhouettes and long swingy dresses in potentially (but not actually) clashing combinations of pink and red in jazzy patterns of mystical motifs and numerology inspired by the Memphis Group of Pop Art. The sheer loveliness of the collection was enough to drown out the world of politics only a few blocks away.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/blue-formal-dresses

"Can I see you yesterday?"
Kisses fall like painter's snow
On oil laced canvases of grey
On brillant blue.
"Can I see you a week ago?"
Lips on lips and breath on breath
Sunlight picks up the autumn glow
On satin skin.
"Can I see you a month before?"
Hands entwine in summer blaze
Tingling sweat trickles slow
On breast pressed
"A year, can I see you a year past?"
Springing florals dense damp earth
Neck stretched filled with scent
On nibbled kiss
Brown eyes to brown eyes
Time on time
Tell me you're mine
"I'm yours."

The mayhem and merriment,
Of Halloween’s magic glamorizes the excitement,
As the littl’uns skitter with their bags of candy,
Whilst the old’uns sip their brandy,
Trick-or-treat bags fill with assortment.

I love the orange glow of the pumpkins on the steps,
Fanatical dreams of Schweppes,
Florals and vines exuding a mystic glimmer in any light,
Illuminating the dead night.
Frightening one another with the threat of a terrible hex!

All the ladies wear the skimpy clothes
While the dudes eat cereal oats
They party wildly, that halloween night
Watching horror movies for a good fright
As the children run away from home.

Halloween is a time of ghosts and goblins and all things scary.
Fangs and vampires that go haunting amongst trees of wild cherry,
For new flesh, raw bones, they sink their teeth
And eat you alive in your dreams.
So be careful to shut the closet door tightly!

Hopelessly blinded by the flash of his camera,
I could pay no attention to your watercolors,
engravings, charcoal sketches, oil pastel portraits.
The stark white background of headshots
was all I could see; no room for florals and foliage.
Preserved by his image, I thought I was permanent.
You let me see that I am pastel and charcoal -
smudged, with colors distorted, but never quite destroyed,
always with original traces in the deepest layers.
He was watercolor - he could be washed away,
with only watery blotches as remnants.
But you are an engraving, on the strongest, most brilliant metal,
with your lustrous being etched into every atom of it.
You leave your mark on my skin, beneath the bruises and scrapes,
beneath the rusted appearance and tarnished memories,
down to the fragile ribs, through the recovering heart,
immortalized for centuries of admiration.

Pretty things
Like Kath kidston florals
And open fires and cheery wine
Harrowed souls are repaired by music
Minds grow hazy from *** smoking
Clean air that was dusted with magical sparkles
Now choked by perplexing precipitations…..
Atmosphere surrounded by regret
Whilst the act is still submerging from chaotic emotions
Remorseful tears do not appear until alone
Until the tide of the ocean reaches minds
When they are isolated from the world and all it brings
Nothing but sorrow consuming body and soul
Like a cantankerous person within person
Scratching from inside out
Until lyrics are sung to the world
Declarations of apologetic notions
‘Im sorry, I love you, Im sorry, I love you…’

Nothing else can be said.

I’m ribbons and lace, polka dots and florals
          Naughty and nice, femininity embraced
  I’m scars and secrets, broken hearts and hook ups
                
                       I’m exhausted

                     Defeated

      A captive of my past, uncertain of my future, longing for wholeness
   Congruence
     Afraid of who I become in survival mode

Broken.

  Praying for relief
      Unable to handle this world of political ties and lies
  Wanting to remember what air used to feel like before it was stained with despair and regret
  Hoping one of these days turns out to be better.

I heard once this dumb joke
About acid taken by some bloke
And how he had a wild, wild trip
Saying that he liked long walks
On the beautiful beach
With his beautiful girlfriend
Until he finally sobered up
And was dragging a stolen mannequin
Around some three am parking lot
But that sounds pretty ideal to me
A mannequin girlrfriend
All smiles and no curves
With arms that don’t bend
And parts which are all smooth
For me to grind and groove against
Licking, *******, *******…
She sounds plastic perfect
Anyways, her name is Delores
And she likes to wear florals

Polluted precision

the calling card of mankind

Stained structures and hazmat huddles

Cluttered minds with no jurisdiction

Face mask population
black stained the blue

What was once considered unexcused is now exceptional

It slips by like a sickness

while we binge watch the bully called Hollywood

while we smear another signature on a rented luxury

Who can ever just be when so many things say why?

The natural ability for adaptation leaves room for neglect

shrugged shoulders and disconnection

We fight for air in this crowded garden

metal florals with the concrete cloves

smiles fall and we feel the weight of full corners

A slow ride may reassemble a notion of purpose

tree smoke with a tree top tincture

Still

the speed demon decides the generation

It's all so hilarious
it's all so serious
It's all so human

...as Mum taught me.



(sonnet #MMMMMMCMIX)


Did sparrows gaily call as wont, t'avail
Espresso with Dad's lecture of a sense
Long since forgotten, just where blue skies fence
Is't Sunday morning's placid airs as frail
White clouds lent April's winking eye a pale
Note of grey yonder, what? for aught intents?
How Janry owns the jest was poor as hence
These naked wastes look dead, likeas to scale.
O yes, they market florals ere March tour,
Cuz stylish girls must be the first to do
Um, April Fools a proper notice.  We're
All shivring in wool rollnecks now, but you
Just want mair golden hours to cull what'd stir
That keener sense Spring shall anon debut.

28Jan18a

The walls
sing blue
the floors
scream orange
but in a
quiet subtle
kind of way

The bed creaks
with the window
they seem to converse
as you shift in your slumber
the way the wind
whistles past
a lullaby for dreams

The paintings talk shop
comparing, contrasting
the florals feel superior
the landscape's bored
the portrait stares out
the window dreaming
of the day when
he'll have a friend
the still lifes always gossip

The sounds of the room
are just right for
a demented mind
inspiring to the disturbed
a friend for the paranoid
a calm in the eye of
a mental storm

maybe to hold
      darkly

that which loves you warm;
that which loves you warm and
     sundry.

Flesh to blade, as skin to lips.

love is a pressed handle—
love's pressed handle
        as reddish

florals.

As flush: what you
mean to hold me.

A roof-top garden above us all,
trees now blossomed, the sky made small.
Morning’s crisp with color’s bright.
Bees and butterflies dance in flight.
~
Fragrant florals enhance the scene.
Whilst songs of birds fill between.
A busy squirrel hides their lunch.
All to be nurtured, I’ve a hunch.
~
Grassy patches catch the sun.
Warmth is felt where winter’s none.
Spring is here with glory and grace.
Smiles return to a once chilled face.

~*~
SCK051221

Jonathan Saunders, the newly appointed presumptive heir to DVF, paid homage to the brand's heritage while showcasing his own vision during an intimate presentation Sunday at New York Fashion Week.

The Scottish designer took the reins as DVF's chief creative officer in May, but made it clear he's not necessarily filling Diane von Furstenberg's iconic shoes.

"It's just different shoes, you know? It's not like I'm replacing her in any way. It's just a different chapter for the company," Saunders said while insisting von Furstenberg is still very much the cornerstone of the brand.

Von Furstenberg, a Fashion Week staple, was not on hand for Saunders' debut presentation at a sparse industrial space in the Manhattan's Meatpacking District.

The collection played with bold colors, patterns and mixed textures.

Romantic florals paired with playful polka dots, and metallic dresses were adorned with fur wraps.

"I wanted the collection to be kind of this melting ***," Saunders explained. "Eclectic mixtures of different prints from different places and times brought together in one collection. I thought that was kind of an exciting way to start."

The signature wrap dress appeared throughout with fresh silhouettes and asymmetrical hemlines, including a structured kimono, a silky romper and a color-blocked scarf dress.

Sometimes the wrap was simply implied through cuts and movement on plunging blouses and sequined, layered frocks.

"It's more about taking it not so literally and just trying to transfer into a product that feels considered and modern and developed. A lot of the bias-cut dresses still have that same sense of ease, but they are pushing things forward," said Saunders.

Von Furstenberg is known for splashy fashion shows featuring celebrity-driven social media buzz. Last season's event included It Girls Kendall Jenner, Gigi Hadid, Karlie Kloss and Irina Shayk.

But according to CEO Paolo Riva, priorities have shifted.

"I think that the fashion show is trying to cover too many things: speaking to press, inviting celebrities, opinion leaders, bloggers and friends, and now see-now, buy-now. It's too much for one moment and because this is the first collection from Jonathan, this is a moment where we really wanted to have the opportunity to leave the noise out," said Riva.

Saunders' back-to-basics approach included one-on-one meetings with journalists, a simple display of clothes on racks with six models perched in the background.

"I think at the end of the day the customer is interested in clothes and I'm hoping we're entering into a chapter where all of the nonsense doesn't matter as much as having something that you just feel fabulous in," he said.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/vintage-formal-dresses

at night I can fall asleep by counting the rolls of fat on my stomach
a steady, calming, everyday weight that doesn't feel as bad as it looks;
but sometimes what I feel seems foreign, and I am restless
because I once had a flat stomach and I can remember how that felt,
almost.

in the mornings I wake up,
get out of bed
and mark the start of each new day with the very first collision of my thighs.
I think that I don't hate my body as much as I should.
I feel sorrier for whoever has to see me like this than I do for myself.
these are things I tell myself; I think I may believe them.

I notice my round stomach trying to escape the waistline of my jeans
I have picked and pulled at the stretchy skin that drowns my arms
I have sat down and gaped at the remarkable resemblance that my thighs have to a pair of lumpy, fleshy, potatoes

somedays I say " it won't look that way when I stand up"
those are good days.

& I remember all of the clothes I have given away to christie
two beautiful coats that I had picked out myself not all that long ago,
and they were loved very much
and worn very little
and they were bought by my mother
two beautiful coats that press my arms so tight that I can't move them
not even to take a drag off my cigarette or unlock my car
they look like they were made for her.

my jim morrison shirt that was black&white;& I bought it at the boardwalk on venice beach out of the back of a pickup truck barely thirty feet from the ocean
my jim morrison shirt that I cut last spring to the midriff and beaded it myself for an hour on my dorm room floor, had my roommate hem it & never wore it again.
it looks like it was made for her.

& there are days when she comes home from the thrift shop,
with full plastic bags of dresses, and lace, and florals, flannels and blouses
and she'll say "lookwhatIgotisntitnice?andofcourse you can wear it too."
and I don't know if she actually means it
sometimes I think she does & I don't know how that makes me feel
and I don't know if she actually means it
but we both know that I'll never ask.

Dancing blindly tiptoeing through the luminescent moonlight
With Starcatchers eyes your bewilderment ensues
Flutters and skakes awaken your senses
Smells of florals and pine tickle your nose
Your feet crunch upon deadening leaves
And suddenly you feel that sweet calming whisper
Nature beacons you back into that tiny stream
As your toes bask in true purity
It's only you and your sublime happiness
What else do you need

She sells flowers in little bunches,
Sweet fragrances that please,
Delicate sepals of life,
That softly speak.

Bouquets of living colours,
Petals of inspiration,
Roses, chrysanthemums,
Daisies, carnations.
Accent blossoms, gerberas,
Lilies smiling in myriad hues,
Sunflowers a darling yellow,
Vibrant orchids in splendour blue.

With her touch, beauty breathes,
Glorious blossoms thrive,
Delicately arranged,
Floral expressions come alive.

For new love that slowly blooms,
For confessions yet to be said,
The finest of her finest,
She ribbons roses dark rich red.

Fond good health thoughts,
Through florals expressed,
She’ll wrap with gentle care,
With love’s tenderness impress.

She’ll weave wreathes and garlands,
Blends of wistful white, blues, pinks,
For memories left behind,
Now distant imprints.

In sweet scents, she colours days, months, years,
Walks alone each night when she is done,
Back home, no florid fragrance fills her senses,
To colour her world there is no one.

I've only imagined where I'd go were the skies to open up
Magical, and time to be metered
Only in metrical or musical
Timbre what bassoon might be heard when and if
Flutes bass drums human voices
Joined into that chorus of
Nature resounding unheard
On the distance in the forests
On sunrises in flowers
In the eyes of the forlorn
The starving bellies
Of the deserts
In that mass of culled voices
Written on papers buried
In libraries in educated
***** on leather desks in the
Remotest abscesses where the hurt cannot reach or on
Wool carpets decorated
Florals instead of the marvels God
Sent created made us in
Oh I cry loud
I cry at top of my lungs ability
Wake me up
Cry cry
Sound out
Poets
Those with more than
My abilities.
The time is
Now.