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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
kenye Aug 2013
In an eggshell    
          The universe gives birth to itself

She purrs her r's to ****** the cosmos
     With a spell of linguistics

That we're all humming along to

I'm speaking in tongues
     Bowing down in worship
     vibrating the outside of my mouth

This is the new sensation
     Her aura's stimulation
     Like she read me like a book

Once she felt my touch of grace
     Convulsing hips
     and transcending taste
    
Some paradise of infinity lost in karma's translation
     Where we all come back around together
     Until we're light again
    
somewhere
     in time

She bursts

I stared down fine art to bring her back
    Big banging our broken hearts
     back to the start of stars aligned
          before we were gods
          before the chaos
          
     Scrambled back        
In an eggshell
This was an object writing project, basically write for ten minutes straight about a word.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
NuurSeraph May 2014
There is a light, a measured glow, in these distant miles I run.
Embraced inside an Eggshell Case, nested in the Branchless Tree,
with nothing but the billowed Air, rushing by to hold Me.  

Fill my Chest, arc and crest, as no One knows my pace in lest
he runs this distance with Me.  

You be the Thud that bounds Us down,
Encased in Peach seed, Nectarine,
drum the Ground from brittle heat, strike a Sound,
a steady Beat that brings a Rhythm back to Life,
so I may fall from Branchless Tree, and land the Earth beneath Me.

My Eggshell World, the only Globe I've ever known,
now shattered to my Mourning Sun.

My fragile eyes will adjust, my fragile mind, my Wanderlust,
will find the Truth, on rays of Light, the Proudest moment
of my Life.

I pound the Ground and powered Dust,
will rise
the Feathers of my wing,
Will Rise
the Vision of my eyes,
WILL RISE
the Sight of Bigger Things.

And with this Freedom, rings a Bell that cracked my Shell,
Conductor with his Symphony, juxtaposed my String Quartet...
Music overtakes the Moon, that brings to Life in Dead of Night,
my bedside Light that shines upon this page I read...
So as my Wings move up and down like Bow against my Violin,
I bring my Part in Symphony, I take my place above the Ground
and circle back...
Circling
Gliding down
CIRCLING
Rising Up...
CRESENDO CRASH!
followed by the dimming Lights,
a Silent Pause...
Ecstatic Cheer!
Bravo...
Bravo...
Cheers the Crowd!
Play again your Symphony...
Never Stop!
my Precious Dear...
Beat your Drum!
my Darling...
Eggshells go Crackling...
Liv B Aug 2011
I’ve spent the last year inspecting my ceiling.

Every night or free afternoon, I crawl into bed.

My massive, hopelessly needing bed.

And I lie on my crooked spine and stare at it.

I think it changes everyday based on how lucid my dreaming is

I suppose I could say that about anything these days though, couldn’t I?

That everything changes based on my perceptions of life.

Or just based on how tuned into reality I am.

It’s a funny thought.

My ceiling is eggshell white.

I remember picking out what white I wanted with my mum in the hardware store.

“Ivory or snow?”

I don’t care, mum.

“Well it makes a difference you know.”

No it doesn’t, mum.

“You say that now but, we will come home with snow you’ll realize you wanted a yellower tinge and we should have gotten ivory.”

Fine, get ivory then.

“I think we have egg shell in the basement. Let’s save us the trouble and use that.”

So we did.

And now whenever I crawl into a state of disillusion and forget what the world is supposed to feel like under your fingernails or through your hair when you’re sitting in the sun, this is what I see.

An eggshell ceiling.

Which, in retrospect, sounds graciously poetic.

Sometimes I wonder if it’s possible to concentrate so hard that you become lighter than air and float up into my ceiling.

I fear that the eggshell colour influences how durable it is.

As if it literally might be eggshells and I could burst through it and keep going, further and further until no one can find me.

Maybe if we had bought ivory that day in the hardware store it would be tougher and hold me in.

But, honestly, I don’t know which is scarier.

To be trapped, safely bound, into my room by the ceiling above me

Or drift aimlessly until I hit a satellite dish or even just an airplane or tangled in a kite and fall back into the great atmosphere.

I wonder where I’d land.

I wonder where I’d end up if I just started to drift.

Would anyone notice?

Of course they would, how foolish of me.

A giant gaping hole in my fragile ceiling.

Even if no one went in my room I’m sure they’d notice when the rain that fell through the hole started to flood my room and leak out from under the door.

I wonder what the world sounds like from so high.

I wonder if it’s noisy up there.

I wonder what colour your ceiling is when I lay there now.

I hope that it’s eggshell.

Or cotton ball, or wedding veil.

Something you could tear through and drift through until you found me.

******* hell, I want you to find me.

I’ve spent the last year inspecting my ceiling.

I haven’t found anything interesting out about anything since I started
mark john junor Sep 2013
a lament locked on her lips
held in place by lipstick
its powerful sorrows leak down
her chin in a thin red rivulet
to fall to the pure white satin sheet
pooling there like a lake of fire
smouldering there like a woman's
scorned heart
the song of her eyes
has become warped and
distorted and distant
like the sound of a small child crying
in some obscure corner of your house
but you cannot place the sound
it moves with a religious dignity
that defys logic
it escapes your grasp for you were never intended to
to see her vulnerability

his closed fist mouth
is drawn taught
with all the things he withholds
with all the children of his long nights
spent pacing and thinking in the small cell
of his cinderblock mind
these children are but shadows of  thought
but he feeds them like starving dogs
rabid to be released into steaming hot sun
his mask of a ****** expression
haunts his brittle dream
he keeps coming to a mirror
to behold that he is unchanged
he is the man the boy wanted to be
he is what his mother always dreamed he'd be

her nurturing touch is cracked
its egg shell surface bleeds
its sounds are foreign
and i surrender to its relentless devotions
bend to the precise course they dictate
absolution
prostrate to the purchased dream
follower of the prepaid horror

a lament locked on her lips
held in place by lipstick
its powerful sorrows leak down
her chin in a thin red rivulet
to fall to the pure white satin sheet
pooling there like a lake of fire
smouldering there like a woman's
scorned heart
and within that punishment box
i bleed for the face i am not
i suffer the eggshell dream
for a tenderness that i did not harm
#3 of 5
Vidya Oct 2012
what I got was
a january smile
from a milkblooded boy.
if only the pearl of your teeth were
white as my eyes

deertail flash in the dark
and nowhere else to hide but
five a.m. sheets and the smell of
sunrise mumbles

toofast weightloss:
a late spring heart
is drenched with its
ripeness but
rots if you leave it to
the bees

then the summer desiccation becomes
winter starvation—
in between, autumn comes to
stay. purples, mostly
maroons moth
-eaten by the greengrass deadweight of
so many depetalled flowers. Midnight never strikes
soon enough.

there have been no doves for
weeks &
maybe longer than
that i haven’t
kept count
on you to teach me where they go when
the seasons change

but given time and
tide rips the
stains from your whites
so i with
patience await the
first frosts;
you are never far behind the
snow.

meanwhile your
jewel-studded eyes & corsair heart
glint in the moonlit touchmenot of your
faraway skin
keep your hair
shirt on.
smallhands Aug 2014
futile vanities to play with your senses
(shame it only lasts so long)
crackling breaking snowy shards
creamy pottery remnants
once a work of art that bred much pleasure after a life spent in hibernation, naiive solitude
(shame it only lasts so long)
the calendar may remind
the streets at night may taunt and haunt and leave you breathless
but the eggshell remains are under your feet
solely for you to crush

-cj
Moons fall,
Eggshell snow,
Blurred illumination,
Dreary lights,
Twinkles disintegrate,
Blazed sparks fade,
Faint complexion,
Awkward tree,
Ornament shadows,
Fuses burn out,
Connection lost,
Spirit dies out,
Yuletide lie,
Imperfection.

My eyes are dark as Halloween night.

Suns shine,
White angel,
Luminous site,
Multicolored pigments,
Rosy cheeks glow,
Rays seep through,
Vivid hue,
Elegant she,
Majestic gleams,
Beams strike around,
Fascination found,
Neon dyes around,
Joyful cry,
Pulchritude.

Her eyes are bright as Christmas morning.
Amber Grey Jul 2013
The summer I interned in New York, I fell in love with someone I'd only seen from a balcony window.

I'd fallen in love with strangers before, on buses and in lines, watching their shoulders straighten and their faces grimace in half-sunlight. I fell in love with these people the way you could fall in love with a poem, finding personality in the way that their eyes flicker nervously from left to right, tiny instances where their stanzas throw you into a daze. But this time was different. For once, I wished to know a stranger without the brim of my sunglasses, for once I felt something when I knew I'd never see him again.

His apartment was cluttered, bottles of water and the empty cans of energy drinks piled in a corner where a conscious person would have fit them in a bin. There were clothes on the floor, and although I knew his high rise box was laid out just as mine, he must have used the expected closet space for something else - his clothes were everywhere, crumpled in heaps on the floor that were too erratically placed to not have some sort of lingering system. Posters of people were taped to the wall, covering the matte eggshell white, edges falling occasionally to show signs that he wouldn’t always live there. I hoped that if he ever owned a home, that those staring portraits would be stapled or pasted thick to his walls, just because he would be the sort of person who wouldn’t change his mind about what he liked or what he wanted.

I would watch him from the same eggshell white room of mine, with nothing on the walls and not a scrap of anything on the floor. From my blow up mattress to my suitcase of clothes, kitchen stocked of single servings and a solitary set of dishware. I had no curtains and no carpets, no television or pictures of friends huddled in an unexpected embrace. For all anyone knew, I could have been squatting. I would look out at him from the window spanning the entire north facing wall, aware that if he ever looked out, if his eyes ever darted south, he would see me cross legged on the tiled marble floor, hovering over an overheated laptop and cardboard coffee.

I would get home at seven forty-five, shower in the New York water that tasted like dust and gin, and towel off, walking to the balcony. He, just like I, had a long, narrow balcony spanning about four feet on the right edge of his loft, and I would lean on the edge of the concrete slab, smelling the foul city air, taxi music floating from the lumpy yellow marsh below. That was when he would unlock his door suddenly, sometime between eight and eight-ten. He would step with his entire body and move into his crowded room and stand still for a moment, as if to collect himself; restrain from tearing faces off the walls and pummeling fabric into the floor. Sometimes he'd shut the door closed with a twitch of his foot, untying the half apron around his waist with one hand and pulling the red tie strapped flat onto a black dress shirt loose with the other. Once, he did all that in succession and proceeded to slide against the shut door until he hit the ground, falling into himself like a dropped jack's ladder and rubbing his fingers from his jawline to his eyes, up into his hair and back over.

But most of the time, he would just force off his shoes, never untying the laces, and move to the balcony just as I did. He would go out to the balcony too, but he would always keep going, moving to sit on the edge of the short wall, socked feet dangling over the city. His legs would be splayed wide, hands placed right in front of him, flat on the ledge. He would look down at the golden sea below, and when he was done with it, spit a flickering cigarette into the glittering bank.

He would also smoke when he woke up. He got up at six, like clockwork, and would stumble back out into the smogged pilot's seat in a plaid bathrobe, hazy faced and staring down. I don’t think he was ever late. He would get dressed slowly and fix himself in the mirror for a good half hour at the left of his room, until finally turning around just to watch the door for a moment. Sometimes I could swear that he watched for so long that he must have thought it would up and race away.

He slept with the lights on. He never came home late. He didn’t go out at night, never blundered in at two in the morning with a lithe model girl, long hair framing icicle eyes. On weekends he would sleep all day, rising every few hours to go back on the edge of his balcony and smoke. He would stare at the faces on his walls, the callouses on his palms, the murmur below; but never, ever at the empty loft across the way, dotted with a blue plastic bed and a speck of a person.

I left New York in September, on a red eye flight vastly cheaper than the rest. I put my toothbrush and toothpaste into the front pocket of my luggage, squeezed the air out of my mattress, and left. I hadn't left a trace in that home of mine, and it didn’t leave any on me either. When I left New York, I felt nothing. It was almost like I had never set foot in the city, forgetting to socialize with the locals the way someone could leave their hat at a bar.

I never knew if the man across the canyon hated coming home to a loft like I did. I wondered if it bothered him too, the lack of walls or rooms to compartmentalize the space. I wondered if he didn’t like to eat at home, if he felt sick when he watched the sunrise. I wondered if when he looked at the tidepooled city, if he also saw salvation. If he wondered every day from eight to eight-ten about what a dangly thing of a human would seem like to the loft across if it was spit from the edge of a narrow, four foot balcony.
A bit long, I suppose. Thought I'd post some prose.
Joe Roberts Mar 2013
Sanity's an eggshell
and all the world wants scrambled eggs.
Michael R Burch Apr 2020
Passages on Fatherhood
by Michael R. Burch

for Jeremy Michael Burch

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.

...

It’s hard to be “wise”
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.

The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.

Keywords/Tags: father, fatherhood, child, childhood, children, son, time, years, wisdom, kiss
Take me back to the days of a Ghanaian sunset.
When hope dwelled above the waters of despair
And I gazed into the eyes of a sinking soul.
Where trust and fear were honest and pure --
Felt in the mountains, cities and fishing boats alike.

I want the hot air, the mango juice dripping down my hand, the dirt kicked up around my shoes, the roosters in the streets, the taxi cab dodgeball games, the eggshell passenger rides, and the shy children singing across from me on the shore. Because I want it all back.

It's the feeling I had when I was there in a wide space so open -- it is a feeling I call free.
Elaenor Aisling Sep 2021
My sisters and I jest
That men never get over us.
We have been named
Muses, angels, succubi, leanan sidhe
But we are les belles dames avec merci
And that is their undoing.
Our breath has left them gasping
With unfilled lungs
We never meant to be their oxygen
But they drink us in like drowning men.

We didn’t ask for this,
But disarming, we are soft enough
For them to float in
Belly up, eyes to distant stars
Singing the sirens song that stirs in our veins.

Behind our teeth rests the love
The world has failed to give them till now
There are holds in the knowledge
that our fingertips find the hollowed spaces,
mother wounds, clefts where trust was carved out,
And they clutch our palms to staunch the bleeding.

We never asked for this,
They cherish the brittle changelings of us
until they are crushed in the coals of our eyes
Eggshell ideals, fragile as egos.
Blown by the sea wind in the strands of our hair
they are scattered, undone.

The distance drifts between, inevitable
And full they turn away to starve
We cut the mooring line
After one too many storms,
And search
For safer
Harbor.
Sombro Aug 2018
Lacquer metal, finest degree
Eggshell maiden dancing, skirts turned free
Tossed leaf nestle, a glory in a hidden theatre
Dark privileged passions creep in and listen.

The dirt around your feet compacted,
The dress around your friends contrived
But you look so natural in those seams of transplacental
Defied by the native over-leaf

What privileged thought found comfort there
What Rubenesqued dresses blushed in joy
At white marble hugging thought
And privileged smells adorning your excitement

The path beyond your feet leads nowhere
For your sight spins where your eyebrows lead
Round and round in close circles
Amongst those eyes who cracked your paint
Sam Temple Sep 2015
vanishing hope
for consumption as a way of life
obese children shovel pharmaceuticals
down the throats of the infirm
internally developing low-tone hymns
relating to slow death by corporate greed –
albino judicators
pass melanin laws
felonizing  the populace
perpetuating the proletariat
while pontificating
on the post 9/11 society –
isolated rabble-rousers
screaming at eggshell walls
dislodge tacks holding together
the fabric of American culture
with ingrown and chewed fingernails
flailing armies
think back to trench warfare –
robust midwives mediate
heated discussions
as the United Nations blindly
support U.S. imperialism
looking for kickbacks
from energy companies
globalization giving all humanity
incurable S.T.D.’s –
the last free house mouse
bounds betwixt the ruins
energetically sniffing the rubble
seeking some small morsel
to satisfy its hunger –
SøułSurvivør Dec 2015
egg
inspired by
Lidi Minuet
and her poem
"HATCH"


I found an egg of crystal
it had a little crack
though beautiful as opals
integrity it lacked

I asked the Lord to help me
"whatever should I do?"
He told me to go and plant it
when the day was new

and so I looked for soil
but no soft could be found
so I planted my wee egg
in hard, forbidding
ground

I watered it with tears
for others suffering lack
and after a little while
the ground
began to
crack!

a tentative green sprout
pushed up its tender head
it grew up from the rocky ground
I had thought so dead!

I continued watering
I knew naught else to do
and a tulip flower appeared
the lightest
eggshell blue!

I watered then in earnest!
I wanted for to see
that flower strong and healthy
and what it'd bloom to be!

slowly the petals opened
and lo! there fast emerged
a'singing and a'fluttering
a little crystal bird!

out of the light blue flower
the creature dipped and soared
it was then I realized
my hope had been restored!

flying 'round my head
its feathers sent off light
as brilliant as a diamond
shattering the night

it was only then I realized
as the darkness fell apart
the soil was life's hardships
and the
egg
had been my

HEART**


SoulSurvivor
(C) 12/17/2015
I know every trouble i experience
now is nothing compared
to the joy of God.

I must remember that
JOY
is
J esus
O thers
    Y ourself

In just that order.

PLEASE
repost this piece if you will
I'm proud of it
it has a great message l think
people should read!

~~~<♡>~~~
When my dark clouds rise

And dirt clods fly and I try

In sheer panic to replace

Rotten fruit with dull wax fruit

And wilted blossoms with

Plastic flowers and she thinks we

Will be on yet another short-lived

But cold cycle of tightrope and

Eggshell walking . . .

She comes home


With bags filled with

Apples green & red

Peppers yellow & green & red

Grapes green & purple

Plums yellow & purplish-red

Strawberries, peaches, tomatoes

Bananas & Greek salads.

 
This usually inspires me to make

For this setting a centrepiece of a

Vase filled with a variety of fresh

Picked wildflowers which brings

Her more joy than two dozen

Of the overrated overachiever rose.


At times this seems like

One of  few bridges back

To a healthy & colourful world.
©2017 Daniel Irwin Tucker

Another dance through my life memoir.
Oh no! the roller coaster of love...not again! This crazy little thing called love...
Craig Reynolds Sep 2010
When I was a kid
My old friend, Hashem
Broke an egg.

He watched
the yoke
madly spread out
and stain the white
like starving dogs
would chase
stuffed prey.

I often wonder if
He wonders

What could have been
If He had left that Chicken

Alone.
Copyright 2010
Mike Bergeron Oct 2012
We sat,
******* the shreds
Of chicken
From our teeth,
In a cloud of smoke
From tempers flared
That burned to the quick.
The record spun,
The needle stuck
In the endless
Circle groove
At the disc's
Center, but
Neither of us
Moved.
We didn't change
The record,
We didn't
Shut the
Player off.
We sat,
And watched our
Fingers and toes
Evaporate.
We looked on
As the
Room dissolved,
We made no pleas,
Or any noise at all
As our world
Was erased.
In the eggshell light
Of our rebirth
The seasons passed,
With no attention
Paid, like
Sudanese children,
Left to collect sunlight
In the pores of their flesh,
Are ignored
By their God.
The air was a sea
Of vibrations,
Writhing and alive
In the periphery
Of our perceptions.
Do you remember
How it felt to
Be reconstructed?
Cell by cell
We came together,
Our blood vessels
And lymphatic tunnels
Wove through
Tendrils of bone
And wisps of
***** tissue,
Our nerves snaked
Their way through
The jungle of our
New-found existence,
A supercomputer
Materialized within
Each of us,
And they began
Discovering themselves
And each other.
We had arrived prematurely,
And our flames
Were snuffed out
In the claustrophobic
Incubators.
Here we now sit,
White noise
Filling the void,
Waiting for
Something we'll
Never see
Come to be,
But can't avoid.
Third Eye Candy May 2013
my turtle doves are pondering the broth of my head space.
tingling.
they gibberish the nest and lay eggs of dragons that still believe in dragons.
they wish for thick lightning in the lustrous void. they beak the shell of no made thing.
the Eternal Hum.
the one Always that had Never Begun.
Only Ever, Ever Been.
and That's  It's
Name.

my turtle doves are robbing the bog of it's undead wyrms. they swoop in the morning.

down down down
to the gamma ray golf course lawns
of our suburban necrophilia. the one with the empty dreams in their peanut butter stars.
the one
with the eggshell Camary Toyotas and the delinquent epiphanies.
n' more ice cream than Ben n' Gerry's ******* of Selling
More ******* ice cream
than You
can Imagine.
Plus One.

my turtle doves are holding me hostage. in the dizzy breach. of god's contract.
a damp shade of misspent youth. the Old Way.
seasoned by the Eons
and the swollen Love of the First Love.
engorged in the Kingdom of Desire
like a fat mosquito. Sated on  Cyclopian  forearms.
and the shoulders of Giants
on a small blue world
in your mouth.

just sayin'.
Eliot Winkler Apr 2015
I brush my teeth all the time,
But there are days when negligence prevails,
And I can feel it with my tounge,
Something growing,
In between and on my calcium.

It isn't pleasant but I know not a more interesting development,
For I can feel something, first soft, then rigid forming in one of my most intimate places.
And a coral reef grows, in my mouth of all spaces.

Not pink, blue, or any other hue.
I know not what to do,
My mom describes it as "hairy teeth" but I know better,
If I held a fish in my mouth now he would have the warmest of welcomes,
Into my mouth he would feel at home,
A tropical retreat, eggshell white,
My new fish would try and spend the night.

If all these things continued I'm afraid I would lose my job, and my life.
To preserve my fish in his temperate reef, my mouth would never again open, I wouldn't eat, drink, or swallow again,
All this for my little fishy friend.

I would name him Bubbles,
And he would tickle my jaw with his hubby breath.
He would sleep beneath my tounge and wake me with little fishy kisses every sunrise for the rest of our lives no matter how brief-
But this beautiful relationship would end when we grow more and more hungry and our thirst teases us in this reef,
I can only hold so much salt water in between my cheeks,
Surely not enough to last mare's two weeks.

My oral reef would cut me,
And Beal together would we,
Bubbles and me.
Korey Miller Oct 2012
i was reborn, like a phoenix
but without all the glory.
i didn't set the hospital on fire; i struggled  
to pull myself from the ashes
of a former prodigy,
one entwined with madness
in all the right ways
laced with misery like a noir heroine,
so sexily depressing-
whereas now i am just empty

i did not emerge unscathed, no,
not like the fledgling, i
am covered in scars and faultlines from where
the sorrow tried rip itself
from my sorry body
and the crimson glue holding me together
replenishes itself more diluted each time

before i died
i swung through technicolor
episodes of scarlet, rose,
ecstatic white, and the
sapphire blue to haunt my dreams
waking and at night
but the color leached away,
the antiseptic began to pervade, refilled my veins
and purged me of everything but grey.

before my death,
i reigned over the darkness, banished it
when it did not suit me,
manipulated reason, lived in a waking dreamland,
in complete control of my life-
but now, when i am fragile as eggshell,
it's the only place i can hide,
a haven where i can act like the lack of light
masks an imagined vivacity and not a skeleton in flat black and white,
disguises and emboldens me,
allows me to be whole again,
to forget the borders, my limitations
indiscernable in dusk

i used to cast my own light-
now i am my own shadow
and in the dark i fumble for
what i used to be,
reconnect myself with the world
throw myself from the cliff
and hope to find my wings again
Virginia Nicholson

How To Build A House In N-Dimensions

1. Begin with lines, pencil to paper (if they could exist) drawing graphite arrangements, N-space reduced to one, a structure viewed in slices. Imagine the bathroom off the foyer, the den off the dining room, viewable only as inked lines, dit-dit-dah, a contractor’s Morse Code.

2. Progress to carpet squares, linoleum tiles, the coral paint pairs well with the eggshell trim.  Dit-dah-dit becomes something useful to the non-contractor, “door” or “Master Bedroom” or “x hundred feet of pipe.” Envision the imagined patterns hidden in the bathroom floor, the kitchen hardwood.

3. Move to volumes, solids, conic sections, height. One story, two stories, a basement, an attic?, take advantage of the introduction of 3D. Upgrade the closet to walk-in, needs more carpet squares. A snapshot of a family barbeque, Charlie’s height 1D penciled in to the 3D door, marring 2D eggshell paint.

4. Adding time, the house is built, ages, gets sold to new families with little Charlies of their own, new markings on the cupboard door, 3-foot-2, 3-foot-5, 4-foot-9. Grass fades from Kelly to sand to Kelly, saturation a cosine function with respect to time. The Zoysia starts in one, breaking ground in two, growing in three, a well-manicured 4D experience.

5-11.    Include the things invisible to us, objects on the order of 1 meter, orders of 10E-2 to 10E9 seconds. Five to eleven drip through leaky pipes, seep through porous flooring, get lost in iron-rich soil and oxygenated exhalations. Five to eleven stay hidden, wrapped up in Calabi-Yao manifolds smaller than graphite hills and valleys marking little Charlie’s height, stronger than the 2-by-4s and stone foundation keeping strong in 4D. Five to eleven circulate undetected, seven dimensions shrunk to sub-pinpoint size, keeping seven dimensions of unexplainables covered until their traces are seen in the blades of Zoysia.
Scott Howard Dec 2013
I remember my old street. (North Overlook)
The people there never changed, like a television with the **** broken off.

I remember my boxer, Brutus. I would let him lick the inside of my mouth to freak out the other kids.

I remember eating honey suckles in the back yard. I also ate a whole bottle of Tums in the medicine cabinet. (I thought it was candy)
I once drank a whole bottle of nail polish remover, but I puked it back up.

I remember having a jungle gym and a swimming pool. My sister and I swam naked in it once.

I remember when we touched each other’s private parts in a fort we built in the closet. She made me smell my fingers afterwards. My nose crinkled upward and I thought it was gross.

I remember when my mother came home crying one day because the hair stylist cut her hair too short and she looked like a “****.”

I remember spending mornings at grandma’s house. I would watch The Price Is Right and Days of Our Lives. She would fall asleep and I would clean the wax out from her ears with a paintbrush. I remember enjoying it.

I remember my first ****** nose (I used a whole roll of toilet paper). I could taste the blood running down the back of my throat.

I remember all the other ****** noses and calling mom from the nurse’s office

I remember Mr. Iles (3rd grade) screaming at his class for being idiots. He drove a motorcycle to school everyday.

I remember doing times tables in his class. I was always terrible at math and thought I was stupid. We watched the twin towers fall on television. I didn’t know what was happening so I continued to doodle on my times tables.

I remember in middle school being the only one at my lunch table wearing yellow.  My friends became gothic. I didn’t know what that was, but I knew I was different.

I remember my first art class in high school, thinking I was better than everyone, and I was.

I remember the first time I masturbated. I don’t remember how many times I did it that day but my **** hurt for a while and I walked funny.

I remember my mother trying to teach me about God. I never told her that I didn’t believe in him. I’ve always felt guilty.

I remember my first girlfriend. We dated for 7 months. My friends hated her, and I stopped talking to them. I remember hating them for it.

I remember the first time we had *** it was **** ***. I didn’t use a ****** and my **** was covered in ****.
She was great at *******. She once ****** me off in the backseat of her grandma’s car while her grandma drove. I forgot about the time she threw up on me.

I remember she loved Disney and nicknamed my ***** “Captain Hook” because it curves to the left.

I remember the day she found out she had ******, she told me over the phone. I cried because it was my fault. In high school health class, they didn’t teach us that if you have a cold sore and eat a girl out, they could get ******.

I remember when she broke up with me and went back to her ugly ex-boyfriend (now ex-ex-boyfriend). I cried again. Her friends stopped talking to me.

I remember it was on my birthday. (Friday the 13th)

I remember the threats over texts to leave her alone. I told everyone at school she had ******.

I remember eating lunch alone. (A lot)

I remember shutting myself in my room and not eating.

I remember when I tried to **** myself with a steak knife in the kitchen. I didn’t do it right. My mother asked me what happed, so I lied and told her it was an accident. I don’t think she believed me. We still don’t talk about it but I still have the scar.

I remember making art. (A lot)
I did nothing but art (That’s all I had.)

I remember making friends in my art class and how my teacher would dress like a Jedi.

I remember meeting Bobby, and Brandon, and Tyler.

I remember thinking that art had saved my life.

I remember the first time I smoked ****. It was in the parking lot of a Best Buy with Brendan and Kristiana. I didn’t feel “high” and we ate cupcakes after that.

I remember drinking a beer for the first time and hating the taste.

I remember, “It’s an acquired taste.”

I remember, “Drink it, *****!”

I remember the first time I got drunk. It was at my brother’s house and I almost fell asleep with my head on the toilet. He carried me to the couch, emptied a bowl of pretzels and set in under my face. The smell had me dry heaving all night.

I don’t remember the first party I went to.

I remember my mother worrying if I would make it home those nights.

I remember making friends with people from Sayler Park They were in a band with my brother, but liked me more. I felt bad for him, but I was drunk. I went to other parties they had. There were always sweaty teenagers and *****.

I remember the guy who ****** on everyone in the mosh pit. The support beam broke under us that night and the floor almost caved in.

I remember ******* in the front yard. It rained so we were mud sliding in puddles.

I remember the two girls making out in the bathtub naked. Bobby took a video of them on his phone.

I remember when he tried to get this girl to sleep with me. Her name was Lauren Luckey and it was her birthday. She found out I went to art school and had me draw smiley faces on her and her friends’ *******. She started kissing me over the sink (her hair got caught in the garbage disposal.) She bit my neck and broke skin. It was 6 in the morning.

I remember she took me up to the bathroom and we had ***. I remember her taking off my boxers with her teeth. Bobby tossed me a ****** but I lost it. Curtis (he owned the house) came in and ****** anyways. He told me I had a cute ***. When he was done, he left the bathroom door open. There was a line waiting to come in that watched the two of us **** on the eggshell colored floor.

I remember waking up the next day and finding out she was engaged.

I remember the first time I had a pizza from Dewey’s and fell in love.

I remember when I started smoking. My mother gave me **** for it. I always complained when she smoked (I used to break her cigarettes.)

I remember the summer my grandmother died.

I remember staying the night at her house the day before.

I remember when my mother called everyone into the room. I remember, “It’s almost time.”
My family crowded around her.
One of my uncles fainting while the other vomited in the corner.

I remember my mother crying. I remember crying.

I remember “Amazing Grace”

I remember when time froze.
July 11th, 2013, at 1:26 p.m.

I remember my uncle walking over to her, pressing his hand against her mouth trying to feel her breathe. His brain wouldn’t let him accept that she died. I remember him looking up at me like a lost boy, looking for an answer. (I didn’t have one.)

I remember my mother told me she was with God now.

I remember.
Theodore Bird Feb 2015
Ivory skin,
     alabaster nerves.
Daisy chain veins,
     lily petal fingertips.
Eggshell skull,
     cellophane lungs.
Brittle ladder ribcage,
     punctured balloon heart.
Spineless ***** child,
     with his birds' bones and naivety.
Miss Masque Feb 2012
That tapestry,
Red, Black, Gold
A Celtic Circle--
silently bearing witness
to the proceedings
of that smoky room:

The aquariums--one with
the large eel who seemed
to barely fit the tank
that took up half the wall;
and the smaller, vibrantly
colored fish in the
aquarium with the eggshell
colored coral.

The remixed music played
at a comfortable volume,
by the DJ we knew
so well, together;
as many times
it hardly seemed like
he was working at all,
as he just sat down and
talked to us, for hours.

Looking through
those over-sized books of
old advertisements,
and explanations of
historical artwork;
discussing the contents
with strangers,
who became friends
in the process.

Smoke billowed, enveloping
the atmosphere and filling it
with the smell of many spice
racks, pleasantly rolled in a
shell of a soft breeze
flowing from the oscillating fan.

The smell of joy,
of a relaxed sense of mutual
understanding; that it was okay
not to say a word, because the
atmosphere did the talking
for us.

We just enjoyed sitting
on those red pleather couches
that your **** sank back into,
not allowing my feet to touch
the floor; so they often just
dangled, legs swinging
to the tempo of the music.

As I took a hit
of the hookah,
I manipulated the smoke
into O's, puckering
my lips, trying not
to laugh as you
gazed at me in a
shy sense of wonder.

That face always made you
want to kiss me.
Jude kyrie Sep 2015
The velvet touch


I was so in love with you.
When you made love to me
I would write invisible
love letters on your skin.
poetry on your lips
and my name on your fingertips.

I loved how you were selfconscious
You complained your teeth were not
white enough.
but I would write love poems
about the warmth
that fell from your smile
like purest sunlight.
I could rest in your smile
for hours.

I loved your eyes
deep and dark
like drowning pools.
I would keep my eyes open
as we kissed
to look into heaven
just for a moment.

I loved your gentleness
how you touched me so softly
as though I would break
like a fragile eggshell.

What I did not know
was you were a writer as well
and when you left
you had written poetry
all over my body
but it was not written
with your fingertips
but indellibly
like the needle
of a tatoo artist.

And even when I just think
of of letting you go from my heart
I read one of the poems
you wrote on my skin.
and my fragile eggshell heart
is shattered and crushed
by someone with a velvet touch.
Some days I dream of us
Re-enacting scenes from our favorite romantic movie
Replaying the songs I just didn’t get but u loved so much
Other days I try so hard to forget
Heck! Sometimes I think I even do
And all is well with the world
Then like thunder after every lightning
A flashback after every trigger
It all comes undone
And there we are!
Coming back
In all our majestic glory
Crippling me to my very core
Some days , like a recovering addict
Am 90days sober and walking on eggshells
Other days,I fall off the wagon
Remembering more than it took to forget
To forget u, to forget us

©Belema.S.Ekine
Joshua Haines Jul 2015
My foggy mouth tries to hide behind rain-smacked glass.
She says goodbye with complacent stares
and with the sudden flash of an umbrella.

The red of her dress doesn't belong in my life.
Each of her strides carry my resentment and weariness,
alongside the melting grey of the Seattle skyline.
So, I don't yell for her or imagine our lives,
as the windshield wipers sweep her image, out of sight, but not out of my head.

I return home, the half I was for decades.
The tread of my shoe mashing bluegrass,
digging up seeds and insect carcass, with every step.
Storm-soaked magazine subscriptions lay on the porch,
and her name is tattooed on every one.

The dog lays on the carpet, ears and eyes perking up at me.
And he knows he's truly alone, because I'll depend on him.

Eggshell kitchen cabinets are jammed with her:
Vermilion, saffron, and burgundy glasses hold
half-empty hangings of golden flat draft,
keeping her day-old, dried saliva smothered on the edges,
like transparent ocean waves dying on a glass coast
and buried in the bottom of the sun-pierced vortex.

What I couldn't realize is that the cup was me:
marked in so many ways,
letting decaying memories burrow and stay.
Stu Harley Feb 2017
the
angels
wash
their
eggshell white wings
in
holy water
heaven's place
mikarae Oct 2018
there are flowers growing in the curves of my ears
and honey dancing off the tip of my tongue.

there are roses that tint my vision with petals of pink
and hyacinths dye my skin with a faint color between forget-me-not and periwinkle.

there are vines that creep up through the gaps in my ribs, soft limbs of green to curl a cage around the rice paper butterfly in my chest.



there are flowers growing in the curves of my ears,



and yet I can still hear every word you say.


every sting, every snarl, every bite until the line between humanity and bloodlust is blurred with the plague painted in the air.

your words hurt the thread and needle butterfly, beating its wings faintly against the thorns cracking my bones into splinters.

every

beat

is

weaker

and



weaker



until the flowers wither at the corners, mourning the loss of every leaf.

until the honey tastes of vinegar, acid burning at the walls of my mouth.

until the roses turn dusty and the hyacinths are more eggshell than cornflower.

until the spun glass butterfly beats its last fight against the growing infestation.
shattering.
infinitesimal.





all that’s left for the flowers to do is drink up the leftover gasoline and feed off of the light of your apocalypse.
flowers won't stop words. flowers don't stop much at all.
but butterflies can’t live without flowers.
vera Jan 2018
ebony colored skin and chocolate eyes
hair like spirals and coils dripping down
a face so sculpted it seemed crafted by the gods themselves
her hips spread and attached to a thin waist
and lipids gathered in thick bunches below them

she eyes her features in a mirror and grows in a sense of loss
an innaccurate feeling, but she gets it anyway
why?

when she was 5 years old she went to school
with her hair out of braids, curls voluted
she was ecstatic to share it with her friends
but, they just laughed and pointed
and her teacher scolded her
and tried to tame it down with vicious twists

when she was 11 years old she went to school excited
she was ecstatic to see the boy with ivory skin that she liked
but, he whispered about her
and a girl told her that he didnt like her
because she was too “black”

on her 17th birthday she gathered up all of her courage
and stood up for herself

when another girl with eggshell colored skin
told her that she was inferior
and belonged as a slave
and people told her to stop overreacting
and her teacher kicked her out for being violent

so she went home
let a stream of tears loose
and finally told herself that they were all right
she lost every shred of self worth

that’s why.
- to my beautiful best friend and every other person who struggles with loving their color
Mike Essig May 2015
alabaster
ivory
white
creamy
eggshell
and just
the size
of a woman's
thigh.
Love full moons
Sydney Victoria Nov 2012
A Door's Rusty Hinges Screeched As It Is Opened,
Though The Outside Of This Hall Is Ugly,
Paint Chipping,
The Scars Of Screams Entwined In Eggshell Trim,
The Room Which Lays On The Other Side,
Is Full Of Beauty,
Is Full Of Tubes Of Paint,
Some Which Lay On The Floor,
Which Kisses Oak Furnishings,
Some Lay On An Abandon Easel,
Next To A Canvas,
Half Completed,
Created By Shaky Hands

Empty Vases Sit On A Window Pane,
Which Await,
For The Return Of Freshly Picked Wild Flowers,
Awaiting The Return,
Of The Soft Glow Of A Candle,
A Lanturn Perches On A Bookshelf,
Full Of Stained Pages And Ripped Covers,
The Stale Scent Of Memories Cling To Each Chapter,
A Small Handcrafted Stool,
Sits In This Ancient Home,
In The Artist's Heart

The Ancient Smell Of Paint,
Is No More,
Though The Stains Of Blues And Greens,
Are Now Grey As Clay Upon The Floor,
Yet Paintings Dwell On The Off-White Walls,
Some Brilliant,
Others A Hot Mess,
Self Portraits,
Redish Hair Cascading Like A Waterfall,
Down A Slim Collarbone,
Some Of Them The Women Smiles,
Others She Frowns,
Landscapes Of Rolling Hills,
And The Moonlight Leaking Through Coniffer Forests,
Are Stacked Ontop Of Eachother,
And A Mirror Which Stared At The Artist's Face,
And Who Saw Her Take Her Last Breath,
Climbs Motionlessly On The Wall

If You Looked Close Enough,
You Could See Perfectly Preserved Fingerprints,
On The Cracked Glass Of The Window,
As If She Were Longing To Be Free,
As If She Were A Prisoner,
In A Colorful Cell,
A Prisoner In Lockless Cage,
A Prisoner With Flushed Cheeks,
Yet A Face Still Pale,
One Who Longed To Express Herself,
To The Monarchy,
Imprisoned For Creativity,
She Lay In This Room,
Breathed This Air,
Painted These Pictures,
Yet Where Is She Now?
If You Walked Into A Room In My Soul, This Is What It Would Look Like, The Spawning Of Creativity, Hidden Under A "Clueless" Shell... I Love To Paint But I'm Not Very Good.. I Should Probably Work More On My Art:)
Ooolywoo Jan 2018
A perfectly linear shape painted in gold
Is what you see
Through Instagram pictures Facebook posts Snapchat videos
The tacit life
I lead in the virtual stairway
I am living the life!
So you say
You painted my life in the most shimmering color
Turn on every light in the room to make it brighter
Gazing with admiration
Sometimes
Most of the time
With jealousy
Seduced by the lure of the blue light dependency
Turning this perfect lie into some meditation
And make it my definition
An image I’ve built to cover the within
A perfect fragmented me I post on social media
A habit I borrow for social gatherings
A behavior forced into me
For the sake of society!
An illusion so fragile made out of eggshell
A shell covering the true essence of ME
Uncovering myself for the world to see
The egg wall and make believes shattering
To life unpredictable burdens
That perfect golden shell cannot bare life’s hurdles
Holding something beautiful that doesn’t curdle
I am more of what you see
More of what I let you believe
More of society’s standards
More of you
More of me
I contained beauty and imperfections
I contained colors and bricks
Strengths and weaknesses
Enough to **** in all life’s miseries
And to also reflect confidence and vulnerabilities
I am not just one color
I am every shades
Every undertones
Every hues that follow the changes
I am the intense
The neon
The eclectic
The iridescent
From the lightest to the darkest
The contrasting
The complementing
The chromatic
I am in nature in art in paintings
Everywhere
I am every northern lights dancing to my own ballet
Don’t just paint me with your own palettes
Crack me open
And see what’s inside
For there you will see
My true colors
Inspired by one of my brother drawings

— The End —