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Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Birkenau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
Ellen Joyce Jun 2013
Its my body, my money, its up to me what I do with it.
But everyone else is wearing it.
I cant help the way I feel.
Blonde
Red
Orange
Brown
Purple
DMs purple with pink laces
school skirt altered in the textile lab 3" shorter
hormones racing, zipping, vibrating, fizzing till the top pops
stairs made for stomping and storming
cackling laughter crackling down the telephone wire
clothes left on the bedroom floor abandoned for a girl crisis.

You cant read my mind
read my lips
read my body
read my journal sandwiched between the midriff covering cottons gran bought for Christmas and the skimpy lace thong I'd be grounded for buying

Mother's mattress sanitary towels tossed aside
for shamefully purchased tampons
instructions included

and time has passed
and masks have fallen
and I find you there in the muck and the mire
and dust you off
until

I see your face - all mothers lipstick and glittering pink eye shadow
and the smile that stores secrets in a treasure chest.
Your legs shake like Bambi's but you get to your feet
and nestle yourself into me warmly, strongly until you fall right into me
and you run and you run and you run and you run and you run
right through my veins
giggles throbbing through my pulse
pajama parties and homemade perfume radiating in my eyes
and there you are
and there I am.
This poem was inspired by and dedicated to Eve Ensler and her book 'I am an Emotional Creature' which expresses girlhood in relation to men and women as something which we are all encouraged to surpress.  This is a snippet of my girlishness - the girl I was, am and will always be.
Written 2011
Michael Benton Aug 2010
Life’s about the adjectives,
it’s how we know the world.
Nouns, you see, are only names,
with adjectives - life is knurled.

Think about the apple,
just fruit upon the tree,
red ripe skin with tasty pulp,
better lets us see.

Providing us the texture,
of color if you will,
ADJ allows us space,
to give our lines the fill.

Life’s about the adjectives,
spice for the written line,
Verbs, you see, are motion,
and index things like time.  

Think about the race car,
going around the lane,
zipping fast with lightning speed,
better feeds the brain.  

Providing us the feeling,
of nature if you will,
ADJ gives the taste,
to writings we distill.  

Verbs contain the action,
and nouns have the heart,
adjectives add the flavor,
for cooks of written art.  

Life’s about the adjectives,
how else could it be,
that words paint the pigments,
in poems for us to see?
Copyright © 2007 MH Benton
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Indian Phoenix Apr 2012
Brown sugar sapotas
Blending with custard alfonso mangos
And bold sweet lime juice

Georgette saris
Pairing with uncut diamond necklaces
Mixed with peals and rubies

Gently sloping palm trees
Swaying in balmy sultry air
And hazy golden sunsets

Frenetic yellow autos
Competing with dusty zipping mopeds
Mixed with ambulating pedestrians

Aromas of cumin
Blending with the sewage
Other times with incense

Glows of brass oil lamps
Singing in hums of prayer
Added with turmeric's incantations

Brightly-patterned salwars
Accentuating gemstone bindis
Comfy fitted leggings

Savory masala dosas
Coupling coconut chutney
Meter-high filter coffee
Sjr1000 Sep 2014
Through lines
attach themselves to me
I'm a zip line zipping through the canopy.
Zip lines
through lines
My life in dots and dashes.

There was that darkness
before I was born
don't remember much about that.

Parents were through lines
for a long while
then they died
grandparents before
they all had their time
through lines
zip lines
strings
the true string theory.

Homesickness, school, bullies, too
the Sunday Night Blues
riding those zip lines
through lines
what are you gonna do
they aren't leaving you.

*******
Resignation
private fantasies
too private to tell
through lines too
on  the old zip line.

The voices in your mind
that's been a through line
through and through.

Poverty that was true too
that's what happens when you
peak too soon
and
you're a late bloomer too.

Children, the through lines
children of children
and you too
through lines zipping through
along the old zip line.

Poetry, a through line
sharing secrets
sacred circles
those are through lines too.

Body parts
hearts, limbs, lungs, guts and toes
though those tonsils
had to go.
Every breath
Every heart beat.

My through lines
your through lines
we all got'em
parallel points on parallel lines
I can't say
I know we sometimes together zip
along that same highway
then one will fade
and one will go away.

But where we all meet
each day,
I can say,
in the molecules
of every breath we take.
Lucky Queue Oct 2012
Red is the color of passion, but the passion of love
A firey burning sensation, heating and fueling lover's desire
Orange is the color of energy, blinding, and fast
Zipping through space and recharging the multiverse
Yellow is the color of friendship, sunshine and bright
Lifting frowns and bringing joy to all
Green is the color of life, growth, expansion
Of Gaia and the vibrant vivacity of Mother Earth
Blue is the color of sadness and melancholy and despair
Of the salty water of both tear and sea
Indigo is the color of calm and surging stillness, contemplation
And intellect, the color of knowledge
Violet is the color of passion also, the passion of music and art
Powerful and strong, mellowed and smooth
And octamarine is the color of magic, the eighth color of the rainbow, falling off the edge of the world into space
White and black, not contained within a rainbow, but both contain the rainbow themselves, they intertwine, yin and yang
White signifying good, pureness, gaiety, life
Black symbolising evil, taint, gloominess, death
Bad Jokes Inc Jan 2017
[*** *** ***, ba-dum da-dum]
The Cuck walked up to the cocktail stand
and he said to the man running the stand...
"HEY!" [*** *** ***] "Got any *****?"

The man said "Go away you filthy perv."
"Cocktails is all I've ever served!"
"Why don't you take a hike?"

The Cuck said "Go ***** a ****!"

The he strutted away! [struttin' struttin']
He gotta get paid! [by the hour]
Gotta go to work! [at Trump Tower]
... 'Til the very next day.

[*** *** *** *** *** ba-dum da-dum]

The Cuck walked up to the cocktail stand
and he slapped his **** onto the stand...
"HEY!" [*** *** ***] "Got any *******?"

The man balled his fists and said...
"Why don't you go get a pocket toy and ***** that you filthy pervert who can't get laid so he comes and bothers the cocktail man because he has no game!
How about you go to another bar and stop acting LAME!"

The Cuck said "Your sister wasn't lame."

Then he zipped up his pants [waddle waddle]
as he strutted away [got the zipper stuck]
but that's all okay [showing off the package]
Till the very next day.

[*** *** *** *** *** ba-dum da-dum]

The Cuck walked up to the cocktail stand
and he said to the man running the stand...
"HEY!" [*** *** ***] "Got any ******?"

The man got ******, then he started to smile.
"Come on, fellow! I bet you haven't had ***** in a while."

Then they strutted away [my **** itches]
but that's okay [they don't care they're *******]
watch out for snitches [shut yo **** mouth]
'Till they arrived at the trap house

[*** *** *** *** *** ba-dum da-dum]

"Here you go sir, she'll make your **** stir
She's even got a sister you can **** next to her!"
The Cuck's mind began to go....
"How about.... no!"

"But I like this place...
It makes my heart race...
and it would bring me joy....
it would make my day...
do you think we could...
do you THINK we could...

double team your wife so you don't have to pay?!"

Then he scrambled away! [zipping up his pants]
The man was angry in a trance! [hope he tied his shoes]
He even left the *****! [why'd you do that]

Instead he ******* the Cat.

[*** *** *** *** *** ba-dum da-dum]
In memory of my wives, there are too many of them to name.
Dragonflies
zipping through
the rainbow
made by
the backyard sprinkler
Marooned

Vapid beauty of this room
Frothing carpet, ocean blue
One wall me, the other you
What lies between is residue

Scribed on soggy, shipwrecked parchment
Questions asked, time forgotten
Who are we?
What do we know?
Into these questions Summer flows
And thrashes at your Autumn’s brinks
Yearlong they torment my brain
Infringing on every season

If not for the manic scheme
To love and having loved be loved
This correspondence to a distant land
With stars, more numerous and brightly lit
Than my burgeoning highway exit
Would by no means have left my hand

But if, against all odds, it will prevail
Extolling truth’s folly, my sorrowful tale
Quells with reason my groundless pride
At having docked on your passionless harbor
Unloading platonic cargo during our youth’s ebbing tide
Must not create union of body or mind
You swallow my horizon, like the sun twilight
Though, one need not chase that orange orb for tomorrow

In this night without fortitude, lewd humor consumes me
Singing with the mouth on my head and your voice inside
I plunge into darkness
Skimming its silky surface
Before zipping it behind me

Shall I drown, as I have lived?
In vain, my dreams your subjects
Taken for ransom in your heart’s Tripoli
Not surmising recompense, I forfeit this
A note belying resonance
Of my heart’s last echoed throe
One desperate effort, giving up
Feed every vestige to the void
Wading, torso encumbered
Each sullen relic of your memory
Falls to the deep’s frigid ebony
Then, only too late am I cognizant
That my own breath is tribute yet spent
Therefore if I were to float or swim
I’d give you every ounce of who I am
Convince you to relinquish me
From your tepid, spurning sea
Then lying beneath moist underbrush
Slowly, breathe no more
MMX

This is basically a revision of my poem Anstoss

My recitation here:
http://youtu.be/v7LdsUwUCEM
Redshift Mar 2013
the kids
that you didn't know existed
all winter
have been jail-sprung
they litter the sidewalk
like snowdrops
riding miniature bikes
with training wheels
zipping up and down
the street
in their
shirtsleeves
the easter bunny
coaxed them out
into the park
to search for treats
but they decided to stay
jeffrey robin Feb 2015
(          )
(                    )
   < <                    (                            )                       > >
<   >
<          >
<                    >
/-------\

~~~~~~~~~~~~~~~~~~~~~~

( oh god ! It's almost time to start the poem !  --- I'm getting nervous )

,~,~,~,~,~,~,~,~,~,~,

when I was a kid I got lost and I totally freaked out

when I was finally calmed down by a neighbor
I realized I was never more than 3 or 4 houses from my house

I had been there many many times

It just looked different on a real sunny day

••

They all called me       LITTLE JEFFY

///

God was I a cute kid !

//

And smart !



Jesus was I a smart kid !

/////

////                    ////

In those days there was no television

So we all knew each other

And did this thing called

Playing with each other

••

How things have changed

Now kids play video games or have *** with themselves
While pretending to have *** with another !

What weird kids !

••

••                                                ••
=0=

( see ! I'm zipping right along with poem now !
Wow !
Look at me go ! )

••                                              

The trouble with Americans is that they are all *******

But god loves them anyway some say but I don't really think so cause why should he bother loving an ******* ?

///

we are the dreams that stuff gets made from
•             •

Lying in the manger with you for awhile

//               //
spysgrandson Sep 2012
I was...

encased in a silver humming tube
shooting through blue sky and soft clouds

the attendant (my daughter’s age) stood
thin knuckles gripping the seat in front of me
whiter than clouds zipping past the window
her doe eyes transfixed on the men
praying with each shallow breath
they would ask nothing of her

some spoke English, some gibberish
waving their razors in ominous dance
slicing the air that carried their words

a pilot at their feet,
a thin red trail, a single line
the only biography he had
written on the cabin carpet
between the cockpit and
where they stood
barking at us, punctuating their orders with prayer and praise
to some God I did not know

“Al lah, A lah…”
more threatening chants
“Allah, Al lah”
more—a shrill scream interrupted this dream
as one yanked an attendant to his side—more venomous words
flying at us like poisoned arrows
(but all of us too frozen to move as these flew through pressurized air)
“please” the only word she uttered before she froze
eternally in the arms of her ****** assassin

the lump in my throat fell, I leaned forward and others did too
(I never saw, but surely they did)
trying to think through the hateful haze
to younger days
how to disarm an assailant—they had to teach me that
I had to remember that—we did that for our beret
but I couldn’t reach back
not further than that morning
when I said good bye to my son

still (“Al lah, Ah lah”—ripping anger from their guts)
I thought, I can do something

the attendant beside me, tears now flowing from lost eyes
(whose smooth blond hair now even looked like my daughter’s)
backed up, her trembling hand brushing my shoulder
(did I think, the last human touch for her, for me?)
my hands grabbed her fingers and I squeezed them gently
(just as I had my own child when I left her side at the altar—
did I say the same words, “Be happy, you deserve it...I love you”)
she looked at me, raindrop tears now instead of fears
we smiled faintly as I pulled her to my seat and rose to my feet

outside the windows
gray square stones now filled the air
blocking the morning sky
where are the clouds I thought…
but only for a second
we
are
not
hostages
we are…going to…

I did not feel the cabin floor as I moved towards the miscreant crew
between me and the cockpit door
I was young, light and agile again, sailing at them
their words no longer calling for their god
but now they spoke in direct command,
nothing of some promised land, but
“STOP OR WE WILL…”
we will…what?
Could I have laughed at the irony…
or we will what?

another now with me, no older than my son
(and looked like he as well)
headed down the aisle
towards men now racing to meet us
four against two
but somehow I knew we would never meet

the lump was in my throat again, my clenched fists relaxed
my own teary eyes turned to the windows, away from the maddening screams
and between endless glass, steel, and stone
I got a glimpse of pure blue sky
last night CNN had a special about 9/11--reminded me of this narrative written on the 5th or 6th anniversary of the event
Alex Jan 2014
Manila is beautiful at night,
Seen from overhead, high above rainclouds in the night sky
with a tantalizing view of car exhaust and the debris of broken dreams
Manila is beautiful at night.

It comes and goes like a shadow in flickering light.
At first, it hides behind wispy rain clouds, playful as a child hiding in his mother's skirt.
If you look closely, it's lights glisten-- golden and teasing
It's incessant winking, an almost promise of what's to come

From your aerial vantage point, you wonder:
"This is what it must be like to be an Angel when they fly"
Below the city, with all it's secrets, sprawls like a handful:
A rich lady's heirloom diamonds, thrown carelessly on a ***** floor.

It will somehow remind you of a creature: perhaps human, or Leviathan in it's wake
Cities, after all, are their own specie of living things

At first it is looks like a Brain, with neurons and synapses electric and active
Certain spots of the city: mall compelexes and large parking lots, like the nuclei of a brain cell
the roads that lead to and fro, the cars zipping up and down in red and yellow lines
remind you of dendrites and axons, stretching far
They communicate with each other in their own language; a code
Your imagination runs wild with untamed fantasy

On next glance, it looks like a heart.
The whole city pulses magnificently in unison it seems.
Thud, thud. Thud, thud. You feel it?
Your heart follows it's tantalizing rhythmic pattern, it's muscle beats
Though and through the city pumps it's lifeblood into each nook and cranny
Oh how it entices your passion so.

At last you seem to hear it breathing.
Listen closely and hear Manila inhale and exhale in steady tunes
Inhale, and exhale-- a silence comes over you,
And it's strangely reminiscent of amazement, excitement and bitter fear
Your ears dull and you listen to the rush of air in your lungs,
the deep drum bass of the pounding of your heart
the dizzying feeling that exists in your brain

Manila really is beautiful at night.
In the shroud of darkness, it rises from slumber;
Vivacious and lovely, it's seductive and free
Manila is lovely. Manila is a woman, as it should be.
Part one
Glenn F Jun 2013
every morning i walk my terrier
through a winding half-mile,
but i think he’s the one walking me:
he’s always in a sprightly haste.
i don’t know how many tail wags
i miss in between slow, drowsy blinks.
elsewhere, the earth is walking her moon,
both zipping around their own usual orbit.

in the city, the suited adults manoeuvre sidewalks,
dispensing brief greetings, sparse on chatter.
punctuality is a battle through suitcase-wielding phalanxes.
overlooking the bustling crossroads, a greyed man sits,
****** from cigar compounding existing inertia.
limbs in inactivity, mind far from monotony,
slowly drifting towards a familiar wraith
in a different hurry: the one for reunion.

i think about us and wish the same.
I have yet to find the exact
size, length, width, weight, height,
of my rusted trusty nail, which I lost.
Painted golden brown
and rough on the edges,
that old man pinned my door to the wall.
Now it's left hanging in the open
dangling in the wind
swaying with the broken rain,
my home
vulnerable,
a feasty treat,
like the first time Hansel and Gretel saw the witch's house.

I'm not afraid of the
teeth baring wolves
bloodcurdling hounds with red eyes
massive 10 foot hungry bears
that tower over you with outstretched paws
holding a steak knife and fork
its brown fur a bib.
No

I'm afraid of my house
zipping up its backpack
filled with all the canned goods
fresh water canteens from the well
and all the matches and firewood in the cellar
taking off during the night
when the moon is at its darkest,
leaving I,
to do the only thing left:
To pay the bright orange flames
to entertain me as
my wads of money lit up the
darkest night of the century
all because I couldn't replace my

*most dear, loved, precious
nail.
Sophia Fagone Mar 2014
Red
RED
Your bright red visor
turned backwards so the wind won’t devour it
Your bright red skis
zipping down the race course
Your bright red visor
facing forward to block the sun as you swing the club and strike the golf ball

My bright red lipstick
kisses my mouth,
as I prepare to perform
My bright red costume
sparkles in the stage lights
My bright red lipstick
ruined from the tears streaming down my face.

The thoughts running through my head
are like traffic
Bright, loud and slow moving
I can’t think
Can’t breathe
Can’t speak
What is happening?

When a person dies
Where do they go?
Heaven?
Hell?
The after life?
Space?
All these questions that will never be answered
Science can explain how someone dies
but not what happens after

Science told me that he had melanoma
Science told me that our time was limited
Science can’t tell me how he felt
Science can’t tell me what he was thinking when that last puff of air reached his lungs
Science can’t tell me how much he loved me
But the answer to that last question, is so clear

My bright red lipstick
kisses my mouth,
My midnight black dress
draped on my curves
My bright red lipstick
ruined from the tears streaming down my face

Your bright red visor
now worn by the man I call my daddy
Your bright red skis
still zipping down the course,
but with a different skier, your son,
Your bright red visor,
a reminder to those, that you are still with us.
Cambria Andersen Nov 2018
After the rain, came the heavy snow.
Falling with silent thuds through the trees,
the bush and below.
Muffled crunches of boot ensconced children
zipping up parkas against flakes by the million.
Stillness in my heart slipping through the broken parts,
dripping to the snow in colors of blue and vermillion.
The quiet flakes gently holding my confusion and loneliness.
Caressing my cheeks as a mother would to her child crying
in whispered tearfulness
A painful summer ambled slowly away leaving a far fairer autumn
but as winter and her snows knocked at my door, the mountain beckoned, and I lost him.
Any ski purists out there may understand this. My relationship was about over, but as snow filled up the resort, it was the end, of it all.
sunprincess Feb 2017
Once a beautiful princess with a Zest for life
and a love for tasty Zingers
morphed
into a Zebra butterfly

Whenever she was enjoying her tasty Zingers
She was always on cloud nine
and so blissfully happy and alive

So one sweet summer's day
she was Zipping along on a Zephyr's breeze
Pleasantly enjoying life with a smile

When suddenly she came upon a garden,
an enchanting garden of Zinnias
Beauties, blooming colours of Zeal

And then suddenly he flew Zoom, Zoom
Zing, Zing faster than a Zenith light
A dragonfly, "ahh a god" she thought

And she worshipped him, he was her god
he was the Zeus of her garden
He could go from Zero to sixty in a Zecond


She was so ecstatically happy in her garden
she had honestly believed she had expired
and went to her very own sweet Heaven

When actually she was only dreamin'
sometimes  she falls asleep unexpectedly
Zzzzzzzzzzzzz
---------
Raj Arumugam Oct 2010
Pardon me, Sir,
said Polite Tree.
I think you’re standing
on my feet.

Oh,* said the man
and moved a little
and sat leaning
against the tree.


Pardon me, Sir,
said Polite Tree,
but your sweat’s
on my trunk.


Oh, said the man
and he climbed up
the tree
to some way off the ground.


Pardon me, Sir,
said Polite Tree,
but you’re in my arms
and you’re not my baby.



Oh, said the man
and he moved up
a little more
and rested well in a nest.


Pardon me, Sir,
said Polite Tree,
you shouldn’t make
your home here;
I think it’s time
for you to move on.




Oh...right, said the man.
Let it be so.
And he climbed
down the tree.


Pardon me, Sir,
said Polite Tree.
I don’t think
you need to water me!



Oh, said the man
zipping up his pants.
*Then I suppose
it’s time for me to go.
Judy Ponceby Oct 2010
Hippos in crates
On rollerskates
Crashing through
the rickety gates.

Crashing and bashing.
Oooooooooooh, how Smashing!
Rolling about
Their teeth a-flashing!

Running amuck!
Watch out for the duck.
Open the doors!
Back up the truck!

Zipping up the ramp
Like any old champ.
There they go!
Don't forget the stamp.

Crates in the mail!
Delivered without fail.
Those Hippos on skates
Lurching down the trail.
For Charming, Fun and Fanciful.
skyraftwanderer Jan 2012
Autumn flares out, its flame burst clouds
strewn about misted cliff sides, loam whites

of winter taking their place. A stiff willow breeze,
ten thousand things withdrawn to burrows and immortal

pine heights. First snows stream down, duckweed carpets
of August fade, jade peeking through white. I embark

on the seasons final sail in hardening ice waters.
Til spring my sails will be folded, my raft in idleness.

~~~

Rafting on moon drenched river, avoiding cascades and crash of
rapids and falls. Silvered driftwood a warning. Silent glide of

mulberry oar through dark azure, another crafts sail in silhouette.
From the deck a black spectre dives below, stillness follows

splash,  re-emergence, beak wrapped around a dazzling rainbow.
From my raft dangling lantern sways, trout swiping at

gathered moths – scatter and return, some from a far off realm.
Some trout in the net, others not. Luck or the way – who can tell?

~~~

Dusk colour gorge sheathed in
emerald blankets, rising into sheer

cliffs of auburn cinnabar, all
underpinned by the fathomless

flow of azure clarity. Snowy Egrets
nest in pine top heights clear of dust.

On white sand shores gibbons howl
towards squawking beach gulls, squabble

over landlocked trout – debate without end.
Peach blossom petals swirl on spring breeze

over carpets of jade inter cut by king
fisher blue zipping over duckweed. Oriole

song weaves in and out of mulberry branches.
In these vast and vague waters -

coves, creeks and streams all one,
a river dragon lives an undetermined

existence. Mud stirs below, merely a
catfish airing grievances.

Red tail flares in dirt,
my mulberry oar rows me back home.
Grame Rabbit Feb 2015
Bouncing, boundless butterflies,
Bouncing in the balmy breeze,
Bouncing in the boundless skies,
Bounce between the brown-barked trees,
Bounce on by the bumble bees.

Buzzing, zipping bumble bees,
Buzzing in the zesty skies,
Buzzing in the zesty breeze,
Buzz into the butterflies—
Bumping—making butterbees.

^ ^
Sophie Grey Jul 2014
day negative nine hundred and something:
Sally starts with aspirin. (She has done the math- 37 if you're lucky, 43 to be safe. And 50, just in case.) She falls asleep after 35. When she opens her eyes, it is dark and nauseous. Sally stares glumly as the glowing numbers flit on her alarm clock. 17 hours, maybe 18. ****.

day zero:
She is alone in the parking lot. She checks the time on the radio, glances at the back entrance of the BevMo building. Sally cranks the volume **** clockwise, and reaches into the backseat. Unscrews the bottle, swallows two, hesitates-- swallows two more. Her throat is tight, bone-dry. Zipping up the outer pocket of the ancient leather pack is uncharacteristically tricky. The driver's side door opens, and she smiles.

day one:
The battery light on her ****** flip-phone blinks red, in sync with the beeping of the EKG machine. She wonders if the read-out will show her disappointment. Sally's father sits motionless in the corner of the tiny room. Sleep will not come, though not for lack of trying. She glares at the ceiling. Tangled up in tubes, wires, and needles, Sally counts the ugly, white tiles. Again, she has failed.

day two:
Her parents' blue Volkswagen follows the McCormick ambulance. Sally looks awkwardly at the chiseled EMT stationed next to her. He smiles, offering comfort. It is staunchly refused. Later, the paramedics will roll her through the triple-locked doors, still strapped to the stretcher, where a room full of hollow teenagers will stare her down. They will appear as empty as she feels. Nurses will make jokes, and Sally will quickly understand that she must pretend to laugh. She will look them in the eyes and lie through teeth just out of braces, telling herself, "at least I tried."

day four:
Sally waves goodbye to the boy who tried to drink drain cleaner, carefully avoiding the the gaze of the boy who followed her into her room the night before. (She tried to tell, but no one listened.) After sloshing through mountains of concerned texts, emails, and phone messages she stops for an impromptu celebratory dinner on the way home. Sally has learned only to redefine and reinforce the *******. "I'm fine."

day seven:
The new medication has stolen her concentration. She chucks it. She can no longer sit still, begs her parents to teach her how to drive. She learns that the Volkswagen is far less austere from the inside, though the front bumper will be forever tinged with nostalgia.

day fourteen:
She attends the first court-mandated therapy session. Not that bad. The truth is hard… but deception second-nature.

day fifty-nine:
Sally no longer sleeps. Her mind is a city at night and her thoughts are technicolor billboards, all screaming the same message: 'You put me in the hospital and you never even called.'

day three hundred and forty-eight:
She practices tying nooses with a shoelace in the dark.

day three hundred and sixty-four:
She hangs herself in the bathroom in the middle of the night. Third time's a charm…
Right?

day three hundred and sixty-five:
Sally awakens on the cold floor. Again, she is surrounded by tiles.
Those white ******* tiles. Her neck bruised, a broken shoelace trails to the floor. Quietly, she resigns herself to life.
There is nothing left to ****.


s.h.
2014
when you're at the airport
you may see those flat escalators,
the ones that move,
they're just sitting in the middle
of the airport,
waiting to be stood on,
waiting to move you?
you know those?

You walk on,
you may stand or
you might walk.
You could run.

I run.
I run down the path,
watching the luggage trail
their people along,
zipping by.
I see bright signs,
rushing across my
brain in streaks of
blue,
red,
green.

And all too soon,
the path ends and
I'm ****** back onto solid
ground,
back to reality,
back to
simply
walking.
Sleepy Sigh Sep 2010
He knows what lies below.
This is where it all began: here
Beneath the bubbling sludge and ******* mud.
This is the home brew, the cocooning grounds.
His sturdy boots trudge through,
Hefting questions and glasses askew.
Somewhere to the side a fat swamp prince
Composes bog rhymes in ribbit meter.
Each squelching step sets a buzzing bunch
Of crystal dragons zipping away to
Slick peridot pontoons. A loon swoons
The expeditioner with a sobbing cry. He
Has said goodbye to reservations, to the
Long-dead preservation rights. He slogs through
The buzzing night. Yellow daggers clench
Between scaly steeltrap snappers and stones
With eyes blink in languid surprise, unnoticed.
He is lost, dying, unsure of his quest. He needs a
Cure. He knows it lies here, in the beginning place.
Their faces haunt his deathly guts and crush
His straining heart with need - need for the solution.
Need to survive, to prolong his life - alone!
So alone: the last. If only he could rest.
His nostrils quiver with the homesick stench
Of tails becoming legs and nipping lips sprouting
Sticky tongues. The answer, he is here for the
Only answer. Something below, below, down
In the dredges of history - in the slime of
Centuries, rotless and preserved. He will find it:
Some link, some closer thing he can revive
And test and rest as bedrock for his life.
A foot sticks in the overfriendly tar. No,
He will not pause. He has come too far.
In the birthing grime, some hungry memory wakes.
It knows what lies above, it thirsts to cease it.
It reaches, roils, pulls, rips with smelly squish-fingers -
Thirsting and thirsting to slake. It longs to reveal
To show, to make known to the traveler.
(All he has searched for is found here, it knows,
Organized and close. Held and safe below)
It reaches, grabs - thirsty - presses him into
A false step. A slip. A skritching clipboard
Of statistics curses in rustling indignance
As it flutters to the mud above a splattered head.
Science-frozen lungs fill with dread -
With life-giving peat. (It will show him) He ***** in
And burbles out a scream. (what he wants, show him)
This is where it begins, (this is his dream!) where it ends.
Now he knows what lies below. He lies - curled -
Quenched from growth. The eyes of unnoticed
Stones blink in surprise. Soaring swamp lyrics
Rise, a loon swoons with a sobbing cry.
He curls in peace and drifts alone
Now he knows what lies below.
Share, don't steal, blah blah

I like this one. It's been percolating for a while.
david badgerow Apr 2015
i appear with boots and a saucy smile on
in the doorway while she's cooking the women
gossip over the sizzling pan of hot butter
under her heaving chest on the stove

i'm wearing a magic cape mimicking a windmill
with my bright pink ***** standing *****
big as a barn in the morning sun
lusting after dominance
fat and wrapped like a chorizo sausage

she sends a half-wave into my
direction of space and says--on the counter
i'm ******* an older latina lady with a chiquita banana
deep in my mother's kitchen with
the sticker on the tip of my **** for reference
as the sun dances and rises just
before pancake breakfast

her dank breath smells like
pollo broth and fiesta cigarettes
but her **** is wild soft and new
like a banana being peeled and sliced lengthwise
warm ***** hanging on either side
fat enough to be chewed on

psychedelic salsa blares
on the radio all morning
and i'm holding her skirt up to
reveal beautiful hips and thigh muscles so
i can **** her harder and faster
at her request

hands fly and the big bowl of
seeds spray downward in gravitational collapse
she's singing mexican gypsy secrets
with a cigarette lit and just hanging lopsided
off her lipsticked marshmallow lips

she's holding a yellow crayon in one hand
like she'll be scribbling notes shorthand
and dribbling cane syrup over my naked body
with the other as the floor begins shaking and
the walls shed plaster the cupboard doors creak
on their hinges and mom walks in the room looking at me
like i'm the crazy one

but the cataclysmic miracle is done
senorita is kneeling and wiping my ****
with an authentic mexican flag handkerchief
her sweat and my *** cooling on her thighs
working holes in her new blue kneesocks
and i'm re-zipping her dress over the
glistening expanse of her brown back

she stands trying to fix her freshly ****** hair and
we both light a cigarette try to forget the whole thing happened laughing at our secret as her cherry toes finally uncurl like an ember drifting in campfire smoke she just juts a hip out licks her lips again and smiles

"bueno."
Aimée Aug 2022
Little, speedy hummingbird,
Dashing place to place,
And all I see,
A smear of green,
Zipping by my face.

Little, shiny hummingbird,
Always flashing by,
Your colors bright,
Catch the light,
Glinting low and high.

Little, hungry hummingbird,
Flitting by do fast,
Dewdrops fall,
From flowers tall,
You sip from as you pass.

Then little, tired hummingbird,
Perch upon a twig,
Wings quit swooping,
Eyelids dropping,
Dream of growing big.
I love animals:)
Kiernan Norman Oct 2012
Her body used to be humming
With ideas. Words like sand filling
Her boots and zipping around her
Insides. Leaping from ***** to *****,
Splashes and jack-knives into A positive veins
Glitter metaphors filling lungs,
Thick phrasing weighing down intestines like
Dried mud on tires.
Now everything is static and stuttered
And to wake it up we’ll need
To take the the pin out of this grenade.
andy fardell May 2012
I want to win the lotto
I want to win some dosh
I'm fed up of no money
I want to win the lot

I do all of me numbers each and every week
I'm lucky if a tenner comes falling at me feet
they say its one in lots and lots but I don't really care
cos all i want to say to you is I'm a millionaire  

been saying this for so long now my mates think I'm all mad
this time its gonna be my night... I am the lucky lad
so when you see some flash new car go zipping by your eyes
you'll know the person in it its me with fortune pie

Ill share all of my wealth with friends and family from afar
a charity so close to me a tear that breaks my heart
a set up for a life of good and free of bills to pay
a golden ticket full of dreams today that is my day
HiJinx Jun 2014
zipping myself into his hoodie / hoping it'd be the equivalent to being / inside his skin
Paul Morgana Jun 2014
Civilized mankind has a unique way,
To party and celebrate a most special day.

Potassium and sulfur, mixed with some coal,
Can reduce a mountain into the hill of a mole.

Gunpowder is thought to have China as a start,
Ceremonies commence, fireworks a part.

I always thought, it amusing to find,
Warfare and festival are two of a kind.

Powerful explosions that disable and destroy,
Have the ability to give the masses such joy.

Here we go, let the bash begin,
Guaranteed to give, your face a grin.

Let's add some luminosity to this summer blast,
Firecrackers and sparklers make the jubilee last.

Pinwheels are nailed safely to a tree,
Furiously twirls colors for all to see.

An aerial assault aloft, hear them roar,
Yellows and greens, in the air they will soar.

Flash flaming fluorescence, blue and red,
Envelop your eyes, dancing in your head.

See the trail of a missile, zipping in flight,
Shiny illuminations, all through the night.

On the ground at the end of a fireworks show,
Blazing stars and stripes, a flag created, watch it glow.

The fourth of July is America's time,
A birthday blowout, drinks with lemon and lime.

This frolicking is filled with food, family and fun,
Independence day, I wish it never was done.

Please visit poemsbypaul.com
Brent Kincaid Dec 2015
Claus, Santa, the
Is a huge enigma to me
And probably many others
My enigmatized sisters and brothers.
Enigmatized, possibly stigmatized,
It beggars logical thought
All the confusion and pain
This concept has brought.

For over two centuries
Surrounded with mysteries
An alternately jovial and evil guy
Brought bounteous gifts, could fly!
Gave coal to the misbehaving,
Or nothing much at all, saving
All the good stuff for good kids
Who were careful with what they did.

We have read of Saint Nick
And Sinterklaas; take your pick
Of which legend blended with what
To become the guy we were taught
Sneaked down chimneys at night
It you kids didn’t sleep tight.
While this is all very typical
It seems rather biblical.

Claus’s eye is on the sparrow
So we must walk the straight and narrow
Or go down into his big naughty book
And he will ultimately decide to look
Askance at any chance of gifts for you
No matter how much begging you do
Write to his eternal rotund self.
He’s an unforgiving old elf.

And there’s that flying reindeer thing
And the way he’s rumored to go zipping
Around the entire blessed world in one night.
That, to me just never seemed quite right.
It’s bizarre and incredible is exactly what.
Do the reindeer have jet engines in their ****?
And how can one tiny sleight and eight beasts
Tote those thousands of truckloads at least?

No, the whole thing sounds bogus, in its base.
And that whole North Pole/tiny people place
Where they slave on making toys all the year
And thrive on hot chocolate instead of beer?
Elves must be a rather dim gang of workers.
No union leaders? No malingerers? No lurkers?
I have tried for decades, but it doesn’t add up.
There’s too much questionable in this holiday cup.

I’m going back to the idea I thought as a child.
It’s easier to believe and not nearly as wild:
It’s Mom and Dad behind it all, it’s a big lie.
And my final bit of skepticism? I can tell you why.
The kids in my little neighborhood get given
Gifts with no relationship to how they are living.
If all this hogwash were actually true
Bunches of them would get coal too.
Alicia Dec 2015
it's soaring through flaming green hills
your heart races with the curiosity of discovery
it's dancing on a secluded mountaintop
with the drunken energy of a motorino zipping.
it's the endless time spent laughing
lips tingling with wine and philosophy
furiously awaiting l'autobus
and saying basta to the pasta.
the hazelnut aroma of hot cappuccini,
and suddenly you have the bravery
to get lost alle tre in Trestevere.
it's watching sunrays part mountains and Corinthian columns
and sparkling on salty waters
and you inch toward the edges of cliffs
just to catch a glimpse.
it's the comfort of friends and Nutella
when Ryanair lands and Rome becomes Home
and life, and death, and carbs follow you.
it's the homeless and the hungry
sleeping in the strong arms of St. Peter
and disappointment and shame
consumes you.
it's sobbing when you are alone,
foreign, and strange
and sobbing when it's time to say
arrivederci
it's when you fall, your stupid heel caught between cobblestones
that you realize you're in love.
motorino - scooter/vespa
l'autobus - bus
basta - enough
alle tre - 3:00 a.m.
Trestevere - nightlife neighborhood of clubs, bars, and restaurants
St. Peter - St. Peter's Basilica/The Vatican
arrivederci - goodbye
JM Jun 2013
Sycamore floaters fill the park
and shadows grow long on the hill
as the sun sets on my peaceful oasis.
Dogs are being walked and chickens
are being watered.
The tweekers are on their
rigged up, gas powered bicycles, zipping through
the streets like squirrels in the ancient oak
tree guarding my corner of the block.
Everywhere I look I see fifteen million
emerald leaves shining back the truth to me.
Aaron Wallis Sep 2014
Burly bleak plumes roll out aloft corn
Where the dragon fell post spin and ditch
A wretched hulk of ruin splintered and worn
Amongst endless blanch green fields which

Arc with a gust and apart where he treads,
Dragging his silk cape afar from flame
Clueless and concussed to a near house he heads
With a tattered scarf that constricts yet ***** about his mane

Black fists of cloud had boomed around him as they soared
His beast spat metal fire whilst the pale sky turned dull
The zipping ballet of warfare smiled throughout as motors roared
Gnashing its teeth and making forgotten martyrs of them all

Shuddering not from demise rather conflict as a whole
He is as content with death as he is to survive
Just not burn the world and condemn his soul
A horror; men of rule seem keen to keep alive

An agrarian self-dines rancorous and crocked
Half sat, improperly perched from where he was shot
Monsters had come for him once before this day
They took his spouse and his daughter and then took them away

He can hear but does not hark to the battle aloft
It is now like the rain and the trees in a gust
But to the boom and the shake he stands with a cough
And as he cites the invader he sees he must do what he must

The grower limps out with a Chassepot in his arms
As the airman’s hands reach up and he falls to his knees
With beads on his brow the man pleads with met palms
The crofter sees naught but a Prussian blue monster disease

The pilot knows his death, ‘Ich bin nicht sicher, wo ich will gehen?”
The old Frenchman just sniggers as he thinks never again
With the rifle’s slug now spent and the horror sent back to his hell
The farmer mumbles to himself, ‘je dois me chercher une pelle,”
Wars happen. It is *******

— The End —