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RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Ooolywoo Oct 2016
I LOVE MYSELF
With all my flaws
In my Beautifulness,
In my mistakes,
In my weakness,
In my darkness.
I love myself, because I am worth it.
I am a high power person who can move mountains with my love, thoughts and dreams
I am good, kind, funny, full of life and love, contagious with my explosive energy
Some things may be equally essential but nothing is more important than loving oneself
And at this moment the love I have for myself goes above and beyond.
It could reach the end of the universe if I just unwrap it
I love me in my inane, craziest, sanest, beautiful twisted, darkest and funniest way
I love me in a way that no one does
I love me in my fullest woes
I am everything that I can and will be
I am frightfully proud of my flaws and proudly wearing them as no one is perfect
This is the start of a new journey to me
The journey of love and self acceptance
The journey to fully embrace and value my own self
I allow myself to fall in my stupidest and biggest way, just to get back up and catch my breath again
Failure will not stop me but make me stronger
I am fully seeing me and smiling at my imperfected and distorted reflection
Hugging myself so tightly, refusing to let go
The more I am spending time with me,
The more and more my love grows
Is it bad for my health ? I do not think so.
It’s true, I am better, happier, more free, powerful, at peace
The sun is shining on me
I don’t need no help to be beautiful, ‘cause I’ve got me
I’ve got that uncontainable light from within me
I am smoldering a treasure, sharing laughter, joy and sadness with myself
I have learnt the phases of myself
So distant from that little insecure girl I used to know
As I allow her opinions to matter
I have accepted her difference
Her different kind of beauty, I have learned to love
This feeling of wholeness, self acceptance, comfort and love, is liberating
I wrap myself around my contorted and beautiful else to form a ME
As I am, Raw and Real
Star BG Sep 2017
Divine wholeness we are,
as we walk,
breathe, and sleep.

I AM DIVINE WHOLENESS RIGHT HERE AND RIGHT NOW.
Say it opening the dam of love to embrace your essence.
Let the words flow to empower.

Use, feel and embrace them, morning, noon, and night.
Breath them in so they may rock you to sleep
and hold you in your day.

Banishing lack from vocabulary.
Expelling thoughts of negativity.
Evicting vibrations that don't serve,
Your DIVINE WHOLENESS that is always present.

Drink it up like a fine wine,
becoming drunk on its truth.
FOR,
its the truth to set you free.
inspired by a dear one called Vilma- Thanks girl
From A Heart Sep 2015
Am I only equivalent to my words?
If this is the case, then you define me, as I am only memories
You could remember every line I said last year,
But not recall my words from a minute ago.
Accept me for my wholeness.

Will you judge me for how I feel?
Don't worry, I will realize I am wrong
But for now I am right.
All is ask is that you don't dismiss me.
Accept me for my wholeness.
Jasmyn 'Ladi J' Jun 2013
Man pineapples are so good
It's my favorite fruit
It's amplifies my taste buds making an enjoyable reaction
No room for sadness
Cuz pineapples bring me gladness
Justice to my nutrition
I'm a living organism and I need my power
Making me preach wholeness with boldness
I'm black and that's what my people do
So I'll continue to eat the sweet yellow fruit that purifies my soul
Nigel Morgan Nov 2012
(poems from the Chinese translated by Arthur Waley)

Last night the clouds scattered away;
A thousand leagues, the same moonlight scene.
When dawn came, I dreamt I saw your face;
It must have been that you were thinking of me.
In my dream, I thought I held your hand
And asked you to tell me what your thoughts were.
And you said: ‘I miss you bitterly . . . “

As Helen drifted into sleep the source of that imagined voice in her last conscious moment was waking several hundred miles away. For so long now she was his first and only waking thought. He stretched his hand out to touch her side with his fingertips, not a touch more the lightest brush: he did not wish to wake her. But she was elsewhere. He was alone. His imagination had to bring her to him instead. Sometimes she was so vivid a thought, a presence more like, that he felt her body surround him, her hand stroke the back of his neck, her ******* fall and spread against his chest, her breath kiss his nose and cheek. He felt conscious he had yet to shave, conscious his rough face should not touch her delicate freckled complexion . . . but he was alone and his body ached for her.

It was always like this when they were apart, and particularly so when she was away from home and full to the brim with the variously rich activities and opportunities that made up her life. He knew she might think of him, but there was this feeling he was missing a part of her living he would never see or know. True, she would speak to him on the phone, but sadly he still longed to read her once bright descriptions that had in the past enabled him to enter her solo experiences in a way no image seemed to allow. But he had resolved to put such possible gifts to one side. So instead he would invent such descriptions himself: a good, if time-consuming compromise. He would give himself an hour at his desk; an hour, had he been with her, they might have spent in each other’s arms welcoming the day with such a love-making he could hardly bare to think about: it was always, always more wonderful than he could possibly have imagined.

He had been at a concert the previous evening. He’d taken the train to a nearby town and chosen to hear just one work in the second part. Before the interval there had been a strange confection of Bernstein, Vaughan-Williams and Saint-Saens. He had preferred to listen to *The Symphonie Fantastique
by Hector Berlioz. There was something a little special about attending a concert to hear a single work. You could properly prepare yourself for the experience and take away a clear memory of the music. He had read the score on the train journey, a journey across a once industrial and mining heartland that had become an abandoned wasteland: a river and canal running in tandem, a vast but empty marshalling yard, acres of water-filled gravel pits, factory and mill buildings standing empty and in decay. On this early evening of a thoroughly wet and cold June day he would lift his gaze to the window to observe this sad landscape shrouded in a grey mist tinted with mottled green.

Andrew often considered Berlioz a kind of fellow-traveller on his life’s journey of music. Berlioz too had been a guitarist in his teenage years and had been largely self-taught as a composer. He had been an innovator in his use of the orchestra and developed a body of work that closely mirrored the literature and political mores of his time.  The Symphonie Fantastique was the ultimate love letter: to the adorable Harriet Smithson, the Irish actress. Berlioz had seen her play Ophelia in Shakespeare’s Hamlet (see above) and immediately imagined her as his muse and life’s partner. He wrote hundreds of letters to her before eventually meeting her to declare his love and admiration in person. A friend took her to hear the Symphonie after it had got about that this radical work was dedicated to her. She was appalled! But, when Berlioz wrote Lélio or The Return to Life, a kind of sequel to his Symphonie, she relented and agreed to meet him. They married in 1833 but parted after a tempestuous seven years. It had surprised Andrew to discover Lélio, about which, until quite recently, he had known nothing. The Berlioz scholar David Cairns had written fully and quite lovingly about the composition, but reading the synopsis in Wikipedia he began to understand it might be a trifle embarrassing to present in a concert.

The programme of Lélio describes the artist wakening from these dreams, musing on Shakespeare, his sad life, and not having a woman. He decides that if he can't put this unrequited love out of his head, he will immerse himself in music. He then leads an orchestra to a successful performance of one of his new compositions and the story ends peacefully.

Lélio consists of six musical pieces presented by an actor who stands on stage in front of a curtain concealing the orchestra. The actor's dramatic monologues explain the meaning of the music in the life of the artist. The work begins and ends with the idée fixe theme, linking Lélio to Symphonie fantastique.


Thoughts of the lovely Harriet brought him to thoughts of his own muse, far away. He had written so many letters to his muse, and now he wrote her little stories instead, often imagining moments in their still separate lives. He had written music for her and about her – a Quintet for piano and winds (after Mozart) based on a poem he’d written about a languorous summer afternoon beside a river in the Yorkshire Dales; a book of songs called Pleasing Myself (his first venture into setting his own words). Strangely enough he had read through those very songs just the other day. How they captured the onset of both his regard and his passion for her! He had written poetic words in her voice, and for her clear voice to sing:

As the light dies
I pace the field edge
to the square pond
enclosed, hedged and treed.
The water,
once revealed,
lies cold
in the still air.

At its bank,
solitary,
I let my thoughts of you
float on the surface.
And like two boats
moored abreast
at the season’s end,
our reflections merge
in one dark form.


His words he felt were true to the model of the Chinese poetry he had loved as a teenager, verse that had helped him fashion his fledgling thoughts in music.

And so it was that while she dined brightly with her team in a Devon country pub, he sat alone in a town hall in West Yorkshire listening to Berlioz’ autobiographical and unrequited work.

A young musician of extraordinary sensibility and abundant imagination, in the depths of despair because of hopeless love, has poisoned himself with *****. The drug is too feeble to **** him but plunges him into a heavy sleep accompanied by weird visions. His sensations, emotions, and memories, as they pass through his affected mind, are transformed into musical images and ideas. The beloved one herself becomes to him a melody, a recurrent theme [idée fixe] which haunts him continually.

Yes, he could identify with some of that. Reading Berlioz’ own programme note in the orchestral score he remembered the disabling effect of his first love, a slight girl with long hair tied with a simple white scarf. Then he thought of what he knew would be his last love, his only and forever love when he had talked to her, interrupting her concentration, in a college workshop. She had politely dealt with his innocent questions and then, looking at the clock told him she ‘had to get on’. It was only later – as he sat outside in the university gardens - that he realized the affect that brief encounter might have on him. It was as though in those brief minutes he knew nothing of her, but also everything he ever needed to know. Strange how the images of that meeting, the sound of her voice haunted him, would appear unbidden - until two months later a chance meeting in a corridor had jolted him into her presence again  . . . and for always he hoped.

After the music had finished he had remained in the auditorium as the rather slight audience took their leave. The resonance of the music seemed to be a still presence and he had there and then scanned back and forward through the music’s memory. The piece had cheered him, given him a little hope against the prevailing difficulties and problems of his own musical creativity, the long, often empty hours at his desk. He was in a quiet despair about his current work, about his current life if he was honest. He wondered at the way Berlioz’ musical material seemed of such a piece with its orchestration. The conception of the music itself was full of rough edges; it had none of that exemplary finish of a Beethoven symphony so finely chiseled to perfection.  Berlioz’ Symphonie contained inspired and trite elements side by side, bar beside bar. It missed that wholeness Beethoven achieved with his carefully honed and positioned harmonic structures, his relentless editing and rewriting. With Berlioz you reckoned he trusted himself to let what was in his imagination flow onto the page unhindered by technical issues. Andrew had experienced that occasionally, and looking at his past pieces, was often amazed that such music could be, and was, his alone.

Returning to his studio there was a brief text from his muse. He was tempted to phone her. But it was late and he thought she might already be asleep. He sat for a while and imagined her at dinner with the team, more relaxed now than previously. Tired from a long day of looking and talking and thinking and planning and imagining (herself in the near future), she had worn her almost vintage dress and the bright, bright smile with her diligent self-possessed manner. And taking it (the smile) into her hotel bedroom, closing the door on her public self, she had folded it carefully on the chair with her clothes - to be bright and bright for her colleagues at breakfast next day and beyond. She undressed and sitting on the bed in her pajamas imagined for a brief moment being folded in his arms, being gently kissed goodnight. Too tired to read, she brought herself to bed with a mental list of all the things she must and would do in the morning time and when she got home – and slept.

*They came and told me a messenger from Shang-chou
Had brought a letter, - a simple scroll from you!
Up from my pillow I suddenly sprang out of bed,
And threw on my clothes, all topsy-turvey.
I undid the knot and saw the letter within:
A single sheet with thirteen lines of writing.
At the top it told the sorrows of an exile’s heart;
At the bottom it described the pains of separation.
The sorrows and pains took up so much space
There was no room to talk about the weather!
The poems that begin and end Being Awake are translations by Arthur Waley  from One Hundred and Seventy Poems from the Chinese published in 1918.
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
JP Jan 2018
She looked beautiful
Something filling in me
an wholeness
Walking inside the park
At one junction
suddenly
She called me
and hugged me tightly
I felt a kind of wholeness
She relieved me, the wholeness
Continued...
the date was over
Walking towards my car
can feel the wholeness
Nothing more or less
a dream
I sat before my tea cup
I filled
She filled
Everybody filling
the tea never overflowed
the content remain the same
suddenly
A wise man sat in front of
asked, "why your cup empty?"
I looked into my cup
a bottomless
an abyss
Got up
Emptiness means wholeness
you can fill the emptiness
unlimited with love..
O, but needst I to listen to t'ese wishes, benign as t'ey are, but wild and inevitable-yet inaudible as dreams. Burnt by sophisticated passion, and whirring hells of torpid astonishment as my being at t'is moment, but smooth and glowing tenderly with affection-as thy love still I long for, woven so secretly ye' neatly alongst th' tangled paths of my mind! Yes, and its layers-turbulent patches of skin, yellow skin, crafted passionately by whose Creator, and imbued with unconquerable infatuation just like 'tis now. But no breathing soul canst I bestow it on-this overarching destiny, healthy and red as t'ose garden plums-impatient in t'eir wait for the shiny May summer-aside from thee, as 'tis but always thee, Kozarev! Uninvited as I am, by any other'ness' t'at might as well enrich my love story, as enough I feel, about t'at unrelenting history! Thou art th' sole man, th' only justified heart whom I adoreth, and want, so selfishly, to marry! As ripe as t'eir lips might be-but stifling, and immature in constitution, thinkable only when juxtaposed merrily with t'ose squirming nymphets about yon schoolyard; corrupted not as a newborn fern-with thighs carefully fastened to greedy-looking material, basked in immaculate sunlight, and so fresh to human sight, when all t'ese circumstances art but chaste no more, but beg, beg our hearts, and implore our worrying souls, to stay.

O Kozarev! Startled wasth I, to enter into thy proceedings, yester! Like an imbecile now my whole countenance-and its entire, ****** constitution-ah, but depleted, harmfully depleted, by laughter. What a raft of cynical conflagration! How grimly sadistic, ye' poetic in some ways! And t'ese remarks, and praises of love-begin but to dwelleth upon me all over again. Distracted is my firmness-by thy invincible power, guileless as thou hath always been, seeming not to hath heard my volatile heartbeat; and how doth I uttereth t'ose chuckles to my own mirrors upon flinging back into my bedchamber whenst our exchanges areth over. But indignant art thou not to my reddish blushes-which, like t'ose thorns of morning roses-enliven my soul up from within, after t'eir bleak winter!-and blanch darkly all my griefs away. In a thousand years and I shalt still miss thee, just like t'is, but 'tis just now t'at futility seemeth no more capable of wooing my calamity-and indulge it so adversely t'at it shalt turn towards me! Yes, how thou hath, with holiness, touched and entrapped my amorous passion, my love! In t'ese dreams-flourishing dreams, just like th' greenish pond and its superficial foliage outside, I but walk by thy moonlight and be blessed in thy fascination. Mighty and balmy shalt be th' sky overhead, hanging aloft with its mild arrogance, smelling like roofs of restrained rain-musty and soaking with glittering reproof; and wan abomination. But pure! Purity is but its sanctity, and protected by miraculous heavens, dwindling about like whitewashed statues being shoved around by a deadly lagoon of children-unknowing of what tomorrow shalt baffle us on, with faces of steel-like jubilance. And th' trees! Tropical wands be t'eir refuge-but horrifying as t'eir remorse-ah, in which souls shalt be brought about whirls of contemptuous winds, enslaved and stupefied all th' time-by mounds and havens of gruesome cruelty. But no care doth I fix on yon mortification-as thou art t'ere with me, Kozarev! Strolls shalt we take-t'ose encompassed by purplish and cheerful verdure, who admire us from t'eir gold-like stems afar-and into each other's cleavages shalt we retreat, by th' means of stories-yes, my love, stories of glee, pleasure, and yet-uneasiness, in order t'at t'ey shalt be wounded away and superseded by joy. Our love, rings of love, t'at is to come as immediate as nature might permit, and shalt allow us to admit-as yester hath unfolded, by bracing my feet for bouncing outside, across t'ese carpeted tiles-into th' very vicinity of thy chamber. Ah, thy handsome face! As white as pearls-yet frail as th' bulbous chirping snow. May I console 'em, my love, by my hands proffered-in th' most honourable marriage I desireth to come? But look, look afar, how t'ose stars-in t'is merciless universe, whispereth to one another, and talk gaily between t'eir wicked souls, of plans on bewildering our love-our bonds of vivid, mature fragrant compliments! How t'eir jealousy is mockery, and a swelling threat to us. And th' moon t'at is combing the hair, again, of t'at vicious ethereal princess-with a snooty swish of anot'er black hair-which is but a sea of anguished torment to me, should she descend the steps of her own ***** maidenhood-and carry herself off into our earth. Hark, how she doth it! How heathen, and indecent! But canst thou hear that-Kozarev? Canst thou be knowing of her shamelessness-and her counterfeit jewels? And her claws, her foster claws-ah, sharp as bullets, and notorious as her own evil heart! Luxury t'at is fake, ye' miserably auspicious! How I loathe her! Boil doth my temper at her genteel sight-and hostile auras, with t'at pair of necklaces t'at wasth born from falsehood, and ah! concealed deceit by portraits of clever contentment. How should thou hath seen her lips twitch over and over again, upon her setting t'at blackening imbecile gaze on me-me, who albeit from th' same brethren, but far from her flawless marches and stately refinement. And a creature, just a minuscule part of th' others, t'at she deems unworthy ye' deserving of torture! Silver and gold is she exclusively acquainted with, whenst torches in my garden art not even set alight. But look! How thou proudly saunter forward to welcome her, and salute her unforgiving cordiality with th' marks of thy lips, on her hand! And how t'is view scythes my chest, my heart, and tears it open just like th' blade of a sneaky knife shalt do. I am dying, dying from t'is tampered heart! And t'ese candles of my heart t'at hath been heartlessly watered-look how t'ey art brimming with sweat in cold demise. O Kozarev! Hath I been too late to seek thy love? Thy hands, my faultless prince, art but th' only mercy I canst pray for! Hath nature been so unfair as to savour all my dreams, ah, and even t'is single longing-and bequeath onto me a tragic life of undesired ghostlike mimes-in th' wholeness of my future? Thou art th' lost charm of t'at wholeness, my love, and should be I bereft of thee again, I shalt but be robbed of my entirety-and pride, womanly pride t'at I sadly out'ta hath. Ah, Kozarev, in thy movements doth I find bliss-a creaking blow to my wood-like stillness, and a cure for my sickly contrivances. I came here for thee, and always didst! Canst thou hear t'at-and satisfy this fierce longing with just a second of thy soundless touch? Lights flicker, and smile in t'eir subsequent death-but t'is is a token of subservient passion. And I shalt not give up like 'em-as t'is life greets us once only, before transporting us into regions of th' unknown-yes, it doth, my love, wherein eerieness is still questioned and overtly unfathomed. Ah, and before death I long to have you-Kozarev, and sit as we shalt-side by side, charmed by our generous yet moronic affection, until th' earth doth make us part, and shalt then we retreat into our most dimmed apertures.

Thou art my blissful paradise, Kozarev! Thy presence but bringst out my well of solemn cheers and proud, sun-like congeniality. And in t'is warm, gentle spring I shalt write but merely on thy vivacity! O imagination-blame, and curse her as thou might do, is in fact, my key, to my newborn triumph and infallible victory; th' marks of glimmering satisfaction-and visible restoration of my sin, my soul. T'is is because I believe, strongly, with all th' forlorn might of my heart, t'at sincerity shalt forever tower over every tweak of malevolent innocence and repressed wishes for destruction. 'Tis, Kozarev, is th' voice emanating towards me from within; and bracing t'ese lips, and *****, for facing her-t'at accursed rival of mine, with bravery and independence I hath never been brought to acknowledge. Ah, petrified as my customs let me be, conviction shalt stay within my hands; and t'at shadow-o, picture of our old days together, on th' veranda-yes, decorated with lights of our love, spur me on. Thy love is born as, and devoted to mine, my love! Crafted, shaped, and designated for me only-and to be mine, only mine-for evermore. We art but a chain of perfect concord, as God hath so sweetly decreed! And I shalt doth nothing else as remarkable as determine to retrieve it-with all th' charms and intellect t'at I possess-and my words as sugar sweet, as well as th' leaves of grace and my becoming, comely wit.
To me eternity lies in thy eyes,
and thy rejection my demise.
If so but accept and heal me likewise;
whilst shun and stab my sore heart, otherwise.
Thou hath always been to me a surprise;
Though a doubtful, but sparkling surprise,
So any dejection of thine shall be odd,
And a thousand times bitterer than a cold rapid retort;
For thou art pure; and sometimes too pure and fine
As how thy immortal soul stayest still, and growest not old
And in toughness and roughness is to remain,
So long as thy dried flesh shall age, and afford;
And with such songs so prolific as prayers
By friendly laudations like bewitching storms
Thou shall forever stay, and newer grow fader
And in such coldness thou shall offer me warmth;
Beside yon raging fire, and about thy manly arms,
Thou shalt but lull and cradle me like a baby-
until sleep comes and whispers dreams onto me,
Thou shalt be far more tender and smart-
Unlike that ungrateful preceding heart,
Which claimed to be civil, but uncivil,
United but then left my unsuspecting heart apart;
So unlike thee, who is but a smart little devil
Thou who earnestly tempted my soul, and lured my blood
Thou returned my blushes, and caught away my heart
Ah, and now-whenever I thinkest of thee,
All pain and gloom shall revert to oneness,
But how still I know not, as whose days remain but a mystery
For everything in which is at times barren and colourless;
But when alive, they are just as simple
as those brief dreams of thine and mine,
With a love but too sufficient, majestic and ample
Delicately shall they turn troubled and unseen,
But caring and healing and blinding and shaking,
taking turns like oceanic birds which go about
swimming and singing and strumming and swinging,
like a painting of prettily sure clarity-but unseen,
or perhaps a pair of loving, yet unforgettable winds.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! And betwixt thy gaze,
All fictitious sunsets shalt perhaps become wet-
Just like those azure spirits in thy fair eyes,
Sometimes too indignant but unquestioning,
and too pure-as to whom even the Devil hath no lies;
To thee only, to whom this enduring love is ever assigned,
And forever, even its temptation be mine, and only mine,
Like unforgivable sins, which are sadly left unatoned
In its eternity standing still like a statue;
beside its wrathed, and bloodied howling stone
And to thee merely, to whom this impaired heart shall ever return,
As it now does, with cries and blows that makest my heart churn
And canst wait not 'till the morn, for on morns only,
thou shalt creepest down the stairs, and stareth onto me,
Often with eyes full of questions;
Questions that thou art too bashful to reflect,
So that turn themselves later on, into emotions,
Which withereth and dieth days after, of doom and neglect.
Ah, but still I loveth thee!
For this regret makest me but loveth thee more and more,
and urge my soul greater, to loveth thee better-than ever before.
For 'tis thee who yet stills my cry, and silences my wrath;
The one who kills my death, and reawakens my breath.
Thou on whom my love shall be delightfully poured,
A love as amiable as the one I hold for dearest Lord,
A love for thee, for only thee in whom I'th found comfort,
A comfort that is holier than any heaven, or even His very own divine abode;
Thou art holier than the untouched swaying grass outside,
Which is green, with greenness so handy and indulgent to every sight,
Thou who art madder than madness itself,
But upon Friday eves, makest my joy even merrier,
And far livelier-than any flailing droplet of rain
Showering this earth's clustered soil out there,
Which does neither soften nor flit away my pain
But makest it even worse, as if God Himself shan't solicit, nor care
Like any other hostile love, which thou might kindly find, every where.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
In my mind thou art the lost eternity itself,
And by its proud self, thou art still even grander,
For thou makest silence not any more silence,
but joy, in return, even a greater joy.
Ah, thee, thou who the painter of my day,
and the writer of my blooming night.
Thou who art the poet of my past,
and the words of my courteous present.
Thou shall ******* flirty orange blossoms,
And cherish its virtue, which strives and lives
As a most sumptuous, and palpable gift-
Until the knocking of this year's gentle autumn.
Ah! Virtue, virtue, o virtue-whose soul always be
a charm, and indeed a very generous charm-
to my harmonious, though melancholy, *****.
Ah, thee; o lost darling-my lost darling of all awesome day and night,
My lost darling before starlight, and upon the pallid moonlight,
My lost darling above the reach of my sight, and height;
Thou art still a song-to my now tuneless leaves,
and a melody to their bottomless graves,
Thou shalt be a cure to their ill harmony;
Thou art their long-betrayed melody.
And even, thou art the spring
my dying flowers needst to taste,
fpr being with thee produces no haste;
and or whom nothing is neither early, nor late;
And whenst there be no fate, thou shalt be
yon ever consuming fate itself-
And by our inane eyes, thou shalt makest it
but adorable and all the way strong,
For thou, as thou now do, nurture it better
than all the other graciousness among;
Thou art the promise it hath hitherto liked; but just
shyly-and justly refuted, for the bareness of pride,
and often inglorious resistance-all along.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! Even in undurable haste, thou art still like a butterfly,
fast and rapid flowing about the earth and into the sky;
Thou who art grateful not for this earth's soil;
Thou who saith 'tis only the sky that canst make thou feel.
Thou who cannot sit, thou cannot lay,
but on whose lanes thou always art secure,
as though from now thou shalt live too long
And belong to this rigorous earth
to whom our mortal souls do not belong.
And as to its vigour, death cannot be delayed,
and words of deadness shalt fast always, be said.
Ah, yet but again, I cannot simply be wrong;
for thou art immortal, immortal, and immortal;
To death thou art but too insipid and loyal;
that willing it not be, to take thy soul into its mourning,
and awkward prayers so scornful and worrying.
Thou who needst not be afraid of death;
for breath shalt never leave thee, and thou shan't breath.
Unsaid poems of thine are thus never to remaineth unspoken,
and far more and more thoughts shalt be perfectly carved, and uttered;
Unlike mine; whose several mortal thoughts shalt be silenced, and unknown
And after years passed my name shalt be forgotten, and my poems altered.
But thou! By any earth, and any of its due shape-thou shalt never be defaced,
and whose thoughts shalt never, even only once-be rephrased,
for thou art immortal, and for decades undying shalt be so;
And to life thou remaineth shalt remain chaste, and undetached;
as the divine wholeness whenst 'tis all slumped and wretched,
and white in unsoiled finery, whenst all goes to dirt and waste;
For grossness shalt escape thee, and stains couldst still, not thee fetch.
To every purity thou shalt thus be the best young match;
Ah, just like my mind shalt ever want thee to be;
but thou art missing from my sight-ah, as thou art not here!
Our paths are far whenst they are but near,
and which fact fillest me still, with dawning dread and fear
Unfortunately, as in this poem, my words not every heart shalt hear;
And to my writings doth I ever patiently retreat, the one,
and one only; whom to my conscience so dear.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And just to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
How fate but still made us here and meet,
That clue shall never makest me blind, and forget!
Now blighted I am, by dire ungladness and regret,
for having abhorred, and slighting thee too much!
For should I still cherish thee before my mortal death,
and be bitter and testy not; much less grim or harsh.
For fate is what fate is, as how love is just it looks;
and God's doings cannot be wrong; and true and faithful
as words I found crafted, and deciphered in old books.
Ah, and God's blessings are to arriveth in time,
and to taste whose due I indeed needst to be patient.
Be patient t'wards the love on which I climb,
ah, as for me-and whenst the right time cometh-
thou shalt be my sole wealth; so dear and sufficient!
And so for thee, no matter how thou hath my heart now torn,
Still I canst, and shalt reward thee not-with scorn;
for thou art my fate, my path, and my salved destiny;
For of which I am assured, definite, and convinced-
with all my degrees of humble pride, and vivid certainty-
Ah, darling, and thou art my humbleness, but also too many a time-my vanity;
For whom I shan't go and venture but anywhere-
As long as thou stayest and last-verily and for yon whole eternity, by me.
Ah, Nikolaas, my love for him is not the same, as my love for thee;
My love for thee was once, and may still be, sweeter, purer, more elegant, and free;
But still, how unfortunate! imprisoned in mockery, and liberated not-by destiny;
It still hath to come and go; it cannot stay cheerfully-about thee forever, and within my company.

And but tonight-shall Amsterdam still be cold?
But to cold temper thou shalt remain unheeded; thou shalt be tough, and bold;
Sadly I am definite about having another nightmare, meanwhile, here;
For thy voice and longings shall be too far; with presumptions and poems, I cannot hear.

Sleep, my loveliest, sleep; for unlike thine, none other temper, or love-is in some ways too fragrant, and sweet;
All of which shall neither tempt me to flirt, nor hasten me to meet;
My love for thee is still undoubted, defined, and unhesitant;
Like all t'is summer weather around; 'tis both imminent, and pleasant.

My love for thee, back then, was but one youthful-and reeking of temporal vitality;
But now 'tis different-for fathom I now-the distinction between sincerity, and affectation.
Ah, Nikolaas, how once we strolled about roads, and nearby spheres-in living vivacity;
With sweets amongst our tongues-wouldst we attend every song, and laugh at an excessively pretentious lamentation.

Again-we wouldst stop in front of every farm of lavender;
As though they wanted to know, and couldst but contribute their breaths, and make our love better.
We were both in blooming youth, and still prevailed on-to keep our chastity;
And t'is we obeyed gladly, and by each ot'er, days passed and every second went even lovelier.

But in one minute thou wert but all gone away;
Leaving me astray; leaving me to utter dismay.
I had no more felicity in me-for all was but, in my mind, a dream of thee;
And every step was thus felt like an irretrievable path of agony.

Ah, yon agony I loathe! The very agony I wanted but to slaughter, to redeem-and to bury!
For at t'at time I had known not the beauty of souls, and poetry;
I thought but the world was wholly insipid and arrogant;
T'at was so far as I had seen, so far as I was concerned.

I hath now, seen thy image-from more a lawful angle-and lucidity;
And duly seen more of which-and all start to fall into place-and more indolent, clarity;
All is fair now, though nothing was once as fair;
And now with peace, I want to be friends; I want to be paired.

Perhaps thou couldst once more be part of my tale;
But beforehand, I entreat thee to see, and listen to it;
A tale t'at once sent into my heart great distrust and sadness, and made it pale;
But from which now my heart hath found a way out, and even satisfactorily flirted with it,

For every tale, the more I approach it, is as genuine as thee;
And in t'is way-and t'is way only, I want thee to witness me, I want thee to see me.
I still twitch with tender madness at every figure, and image-I hath privately, of thine;
They are still so captivatingly clear-and a most fabulous treasure to my mind.

My love for thee might hath now ended; and shall from now on-be dead forever;
It hath been buried as a piece of unimportance, and a dear old, obsolete wonder;
And thus worry not, for in my mind it hath become a shadow, and ceased to exist;
I hath made thee resign, I hath made thee drift rapidly away, and desist.

Ah, but again, I shall deny everything I hath said-'fore betraying myself once more;
Or leading myself into the winds of painful gravity, or dismissive cold tremor;
For nothing couldst stray me so well as having thee not by my side;
An image of having thee just faraway-amidst the fierceness of morns, and the very tightness of nights.

And for seconds-t'ese pains shall want to bury me away, want to make me shout;
And shout thy very name indeed; thy very own aggravated silence, and sins out loud;
Ah, for all t'ese shadows about are too vehement-but eagerly eerie;
Like bursts of outspread vigilance, misunderstood but lasting forever, like eternity.

'Twas thy own mistake-and thus thou ought'a blame anyone not;
Thou wert the one to storm away; thou wert the one who cut our story short.
Thou wert the one who took whole leave, of the kind entity-of my precious time and space;
And for nothingness thou obediently set out; leaving all we had built, to abundant waste.

Thou disappeared all too quickly-and wert never seen again;
Thou disappeared like a column of smoke, to whom t'is virtual world is partial;
And none of thy story, since when-hath stayed nor thoughtfully remained;
Nor any threads of thy voice were left behind, to stir and ring, about yon hall.

Thou gaily sailed back into thy proud former motherland;
Ah, and the stirring noises of thy meticulous Amsterdam;
Invariably as a man of royalty, in thy old arduous way back again;
Amongst the holiness of thy mortality; 'twixt the demure hesitations, of thy royal charms.

And thou art strange! For once thou mocked and regarded royalty as *******;
But again, to which itself, as credulous, and soulless victim, thou couldst serenely fall;
Thus thou hath perpetually been loyal not, to thy own pride, and neatly sworn words;
Thou art forever divided in his dilemma; and the unforgiving sweat, of thy frightening two worlds.

Indeed thy godlike eyes once pierced me-and touched my very fleshly happiness;
But with a glory in which I couldst not rejoice; at which I couldst not blush with tenderness.
Thy charms, although didst once burn and throttle me with a ripe vitality;
Still wert not smooth-and ever offered to cuddle me more gallantly; nor kiss my boiling lips, more softly.

Every one of t'ese remembrances shall make me hate thee more;
But thou thyself hath made more forgiving, and excellent-like never before;
'Ah, sweet,' thou wouldst again protested-last night, 'Who in t'is very life wouldst make no sin?'
'Forgiveth every sinned soul thereof; for 'tis unfaithful, for 'tis all inherently mean.'

'Aye, aye,' and thou wouldst assent to my subsequent query,
'I hath changed forever-not for nothingness, but for eternitie.'
'To me love o' gold is now but nothing as succulent',
'I shall offer elegantly myself to not be of any more torment, but as a loyal friend.'

'I shall calleth my former self mad; and be endued with nothing but truths, of rifles and hate;'
'But now I shall attempt to be obedient; and naughty not-towards my fate.'
'Ah, let me amendst thereof-my initial nights, my impetuous mistakes,'
'Let me amendst what was once not dignified; what was once said as false, and fake.'

'So t'at whenst autumn once more findeth its lapse, and in its very grandness arrive,'
'I hopeth thy wealth of love shall hath been restored, and all shall be alive,'
'For nothing hath I attempted to achieve, and for nothing else I hath struggled to strive;'
'But only to propose for thy affection; and thy willingness to be my saluted wife.'

And t'is small confession didst, didst tear my dear heart into pieces!
But canst I say-it was ceremoniously established once more-into settlements of wishes;
I was soon enlivened, and no longer blurred by tumult, nor discourteous-hesitation;
Ah, thee, so sweetly thou hath consoled, and removed from me-the sanctity of any livid strands of my dejection.

For in vain I thought-had I struggled, to solicit merely affection-and genuinity from thee;
For in vain I deemed-thou couldst neither appreciate me-nor thy coral-like eyes, couldst see;
And t'is peril I perched myself in was indeed dangerous to my night and day;
For it robbed me of my mirth; and shrank insolently my pride and conscience, stuffing my wholeness into dismay.

But thou hath now released me from any further embarkation of mineth sorrow;
Thou who hath pleased me yesterday; and shall no more be distant-tomorrow;
Thou who couldst brighten my hours by jokes so fine-and at times, ridiculous;
Thou who canst but, from now on, as satisfactory, irredeemable, and virtuous.

Ah, Nikolaas, farther I shall be no more to calleth thee mad; or render thee insidious;
Thou shall urge me to forget everything, as hating souls is not right, and perilous;
Thou remindeth me of forgiving's glorious, and profound elegance;
And again 'tis the holiest deed we ought to do; the most blessed, and by God-most desired contrivance.

Oh, my sweet, perhaps thou hath sinned about; but amongst the blessed, thou might still be the most blessed;
For nothing else but gratitude and innocence are now seen-in thy chest;
Even when I chastised thee-and called thee but an impediment;
Thou still forgave me, and turned myself back again into elastic merriment.

Thou art now pure-and not by any means meek, but cruel-like thy old self is;
For unlike 'tis now, it couldst never be satisfied, nor satiated, nor pleased;
'Twas far too immersed in his pursuit of bloodied silver, and gold;
And to love it had grown blind, and its greedy woes, healthily too bold.

And just like its bloodied silver-it might be but the evil blood itself;
For it valued, and still doth-every piece with madness, and insatiable hunger;
Its works taint his senses, and hastened thee to want more-of what thou couldst procure-and have,
But it realised not that as time passed by, it made thee but grew worse-and in the most virtuous of truth, no better.

But thou bore it like a piece of godlike, stainless ivory;
Thou showered, and endured it with love; and blessed it with well-established vanity.
Now it hath been purified, and subdued-and any more teaches thee not-how to be impatient, nor imprudent;
As how it prattled only, over crude, limitless delights; and the want of reckless impediments.

Thou nurtured it, and exhorted it to discover love-all day and night;
And now love in whose soul hath been accordingly sought, and found;
And led thee to absorb life like a delicate butterfly-and raiseth thy light;
The light thou hath now secured and refined within me; and duly left me safe, and sound.

Thou hath restored me fully, and made me feel but all charmed, awesome, and way more heavenly;
Thou hath toughened my pride and love; and whispered the loving words he hath never spoken to me.
Ah, I hope thou art now blessed and safely pampered in thy cold, mischievous Amsterdam;
Amsterdam which as thou hath professed-is as windy, and oft' makes thy fingers grow wildly numb.

Amsterdam which is sick with superior lamentations, and fame;
But never adorned with exact, or at least-honest means of scrutiny;
For in every home exists nothing but bursts of madness, and flames;
And in which thereof, lives 'twixt nothing-but meaningless grandeur, and a poorest harmony.

Amsterdam which once placed thee in pallid, dire, and terrible horror;
Amsterdam which gave thy spines thrills of disgust, and infamous tremor;
But from which thou wert once failed, fatefully, neither to flee, nor escape;
Nor out of whose stupor, been able to worm thy way out, or put which, into shape.

But I am sure out of which thou art now delightful-and irresistibly fine;
For t'ere is no more suspicion in thy chest-and all of which hath gone safely to rest;
All in thy very own peace-and the courteous abode of our finest poetry;
Which lulls thee always to sleep-and confer on thee forever, degrees of a warmest, pleasantry.

Ah, Nikolaas-as thou hath always been, a child of night, but born within daylight;
Poor-poor child as well, of the moon, whose life hath been betrayed but by dullness, and fright.
Ah, Nikolaas-but should hath it been otherwise-wouldst thou be able to see thine light?
And be my son of gladness, be my prince of all the more peaceful days; and ratified nights.

And should it be like which-couldst I be the one; the very one idyll-to restore thy grandeur?
As thou art now, everything might be too blasphemous, and in every way obscure;
But perhaps-I couldst turn every of thine nightmare away, and maketh thee secure;
Perhaps I couldst make thee safe and glad and sleep soundly; perfectly ensured.

Ah, Nikolaas! For thy delight is pure-and exceptionally pure, pure, and pure!
And thy innocence is why I shall craft thee again in my mind, and adore thee;
For thy absurdity is as shy, and the same as thy purity;
But in thy hands royalty is unstained, flawless, and just too sure.

For in tales of eternal kingdoms-thou shalt be the dignified king himself;
Thou shalt be blessed with all godly finery, and jewels-which thou thyself deserve;
And not any other tyrant in t'ese worlds-who mock ot'er souls and pretend to be brave;
But trapped within t'eir own discordant souls, and wonders of deceit and curses of reserve.

Oh, sweet-sweet Nikolaas! Please then, help my poetry-and define t'is heart of me!
Listen to its heartbeat-and tellest me, if it might still love thee;
Like how it wants to stretch about, and perhaps touch the moonlight;
The moonlight that does look and seem to far, but means still as much-to our very night.

Ah! Look, my darling-as the moonlight shall smile again, to our resumed story;
If our story is, in unseen future, ever truly resumed-and thus shall cure everything;
As well t'is unperturbed, and still adorably-longing feeling;
The feeling that once grew into remorse-as soon as thou stomped about, and faraway left me.

Again love shall be, in thy purest heart-reincarnated,
For 'tis the only single being t'at is wondrous-and inexhaustible,
To our souls, 'tis but the only salvation-and which is utterly edible,
To console and praise our desperate beings-t'at were once left adrift, and unheartily, infuriated.

Love shall be the cure to all due breathlessness, and trepidations;
Love shall be infallible, and on top of all, indefatigable;
And love shall be our new invite-to the recklessness of our exhausted temptations;
Once more, shall love be our merit, which is sacred and unalterable; and thus unresentful, and infallible.

Love shall fill us once more to the brim-and make our souls eloquent;
Love be the key to a life so full-and lakes of passion so ardent;
Enabling our souls to flit about and lay united hands on every possible distinction;
Which to society is perhaps not free; and barrier as they be, to the gaiety of our destination.

Thus on the rings of union again-shall our dainty hearts feast;
As though the entire world hath torn into a beast;
But above all, they shan't have any more regrets, nor hate;
Or even frets, for every fit of satisfaction hath been reached; and all thus, hath been repaid.

Thus t'is might be thee; t'at after all-shall be worthy of my every single respect;
As once thou once opened my eyes-and show me everything t'at t'is very world might lack.
Whilst thou wert striving to be admirable and strong; t'is world was but too prone and weak;
And whilst have thy words and poetry; everyone was just perhaps too innocent-and had no clue, about what to utter, what to speak.

Thou might just be the very merit I hath prayed for, and always loved;
Thou might hath lifted, and relieved me prettily; like the stars very well doth the moon above.
And among your lips, lie your sweet kisses t'at made me live;
A miracle he still possesses not; a specialty he might be predestined not-to give.

Thou might be the song I hath always wanted to written;
But sadly torn in one day of storm; and thus be secretly left forgotten;
Ah, Nikolaas, but who is to say t'at love is not at all virile, easily deceived, and languid?
For any soul saying t'at might be too delirious, or perhaps very much customary, and insipid.

And in such darkness of death; thou shalt always be the tongue to whom I promise;
One with whom I shall entrust the very care of my poetry; and ot'er words of mouth;
One I shall remember, one I once so frightfully adored, and desired to kiss;
One whose name I wouldst celebrate; as I still shall-and pronounce every day, triumphantly and aggressively, out loud.

For thy name still rings within me with craze, but patterned accusation, of enjoyment;
For thy art still fits me into bliss, and hopeful expectations of one bewitching kiss;
Ah, having thee in my imagination canst turn me idle, and my cordial soul-indolent;
A picture so naughty it snares my whole mind-more than everything, even more than his.

Oh, Nikolaas, and perhaps so thereafter, I shall love, and praise thee once more-like I doth my poetry;
For as how my poetry is, thou art rooted in me already; and thus breathe within me.
Thou art somehow a vein in my blood, and although fictitious still-in my everyday bliss;
Thou art worth more than any other lov
Keiya Tasire Jun 2019
My Inner Friend
Taught me to breathe.
To sing, to dance,
And follow my heart.

We merged
Into One Heart
One body
One Soul
One mind.  

Thank you."
My heart overflows
With Love.
As I allowed my heart to be emptied of sorrow, pain, guilt and shame, I learned to sing the songs of joy, happiness, peace and purpose. I learned about our emotions and how to express our negative emotions as tools that alert us to danger and negativity; and I learned how to use more positive emotions and thoughts to move forward in dancing and singing  a new song.
Lora Lee Feb 2018
If I could
pinpoint the
exact moment
your breath
touched mine
washed me over
in ocean waves
sea creatures glowing
in delightful recognition
as the seedlings
of connection
shimmied into our being
and, dancing within me
in its own lifeforce
your mind a living,
breathing animal
your heart, purring
and whirring its sacred forces
into my molecular structures
your soul throbbing
in mitochondric pulsing
(oh what
a delicious vibration
of ribosomes
)
Between us, we hold
the true treasures
close, in frothy
                       tenderness
a purity of the expanse
of our universe,
swathed in prismatic color
colors that shift,
these fresh hues
for which there are no name
they are lucid and fine-woven
as silk histories
yet deep as earthcore
your eyes, voice
are forever burned
into my own
every day scriptures
that rock my shattered parts
into wholeness
and,
like ancient magic,
I conjure forth
the holy gospel
rising from our bones
every second of
every minute
as our deepest fires
our most secret filth
our murky corners
our darkest hours
we weave into light
brilliant and lustrous
multi-layered in the richest
folds of the earth
and as you place me
upon the shores
of your garland-graced
                              throne
Now I'm alive in a new
kind of light
and
all I can do
is love
        and love
and love
https://www.youtube.com/watch?v=UrOcxD3IWW0
Delores Wiltse Sep 2010
Being present means I'm not mentally labeling
Creating inner space and stillness, a being's haven

Being present means I'm not feeling emotionally drained
Creating inner space and stillness, more and more gained

Being present means I'm not waiting to react
Creating inner space and stillness, a being's habitat

Being present means I'm not clinging to the past
Creating inner space and stillness, it is so vast

Being present means I'm not worrying about the future
Creating inner space and stillness, and this I will nurture

Being present means I'm not compulsive thinking
Creating inner space and stillness, to God I am linking

Being present means I'm not judging what others think, say or do
Creating inner space and stillness, a being's point of view

Being present means I'm not resisting what is
Creating inner space and stillness, a native of this

Being present means I'm not attached to any kind of form
Creating inner space and stillness, a being's norm

Being present means I'm alert and alive
Creating inner space and stillness, a being's high five

Being present means I have the time for you
Creating inner space and stillness, and wholeness too

Being present means I enjoy what I do
Creating inner space and stillness, consciously too

Being present means I am consciously speaking, doing and acting
Creating inner space and stillness, of which there is no lacking

Being present means I am aligned to my purpose
Creating inner space and stillness, alive and alertness

Being present means I am at peace
Creating inner space and stillness, and flowing with ease

Being present means I accept its isness
Creating inner space and stillness, that is growing within us


Being present means I know there is no more important moment
Creating inner space and stillness, and feeling atonement

Being present means I'm connecting to a depth within
Creating inner space and stillness, for all to live in

Being present means there's nowhere else I'd rather be
Creating inner space and stillness, and the power To Be

Plant your flower ........

Being present means
I know there's no more
Important moment
Than NOW


© Delores Wiltse 2008 Excerpt from:
A Door Is Opening/AuthorHouse.com  
  
Fresh Spiritual Poetry via:
http://peacefromwithin.shawwebspace.ca/
© Delores Wiltse
Omnis Atrum Aug 2012
Don’t think I’m trying to make or break you spirit
Just giving you a thought from my soul, if you would only hear it,
I can’t fully express (or repress) exactly what it is I think
So I babble incoherently and leave my decision on the brink.
I can’t decide if I should drop my pride and let the words flow
But a fear far worse rises of sad surprises and having to let you go,
So I stand back though I feel you close and I try to leave you be
But I know I can’t conceal or forget the words you’ve said to me.
So let me know (or find a way to show) exactly what I should do
But know as soon as I leave I find myself lost without you,
If you could just see a glimpse or peek for just a second of my mind
And what’s inside then you would know all thoughts for you are kind.
Only protecting (but not correcting) when I think I should step in
Because I’ve been in the same place and I’ve felt that hurt, my friend,
And I don’t want anyone to feel a pain so real, especially not you
Ignoring potential ulterior motives you know every word I say is true.
I swear without err that I couldn’t miss you more when you’re not here
But I’m fighting back fears when you’re holding me near whispering secrets in my ear,
And I’ve told you truly you hold more beauty that all of the stars in the night
Though you show it, I guess you don’t know it, or this knowledge you seem to fight.
(Who could forget her covered in glitter with sweet revenge in her eyes?)
But you’ve got this kid confused and blurry no matter how hard I try
To figure you out, your words still seem like an undecipherable code
That I try to map out and reconstruct in an abstract uneven ode.
I’m not playing, only saying that whether my words seep through or not
That you need not fear, because I’ll be here, my promise I haven’t forgot,
And when it ends, as it inevitably will, and you feel nothing but hurt and pain
I’ll soften my tone, and tell you you’re never alone, and you’re safe in my arms again.

A lifetime of waiting in wonder if you were really true
A trillion seconds of wishing my worries I could subdue,
Countless nights spent praying that you would become real to me
But a moment in your arms and worries are but a distant memory.

I have spent the greater portion of my life searching for a person that has certain distinguishable qualities. I have often been told that my standards were unreachable. I have spent years defining unconditional love, the difference between love and infatuation, and in general what love is. I was not until I met you that I was able to distinguish one emotion from another figure out what I had been missing all along. Since I met you I now know that love is:

When their heartbeat reverberates inside your very soul. When you find the answers to all of the questions of the world inside their eyes. When the only desire that you have is to fulfill all of their desires. When your body trembles at its inability to contain all of the emotions that are trying to burst forth from within you. When their voice sounds sweeter than any angelic melody could ever desire to. When you are dreaming of them and upon waking you try as hard as you can to get back to sleep because you cannot wait until you actually get to see them again. When they are the first thing that you think of in the morning and the last thing that you think about before going to sleep. When you try so hard to conceal how you are lost in bliss when you see them smile. When every touch and caress makes your heart race faster than you thought possible. When you wish you could lose yourself for an eternity in every kiss. When every day spent with them passes by in a moment and you find yourself wishing you were with them again. When your biggest fear is waking up and not finding them next to you. When your greatest desire is to hold them close. When all of the great problems of the world become minor details. When you search constantly for a stronger word because you know that love could not possibly encompass everything that you feel. When you know in your heart that you could drown in a single tear that they cried. When you would give up everything else just to hear them say "I love you" and know that they meant it. When you know that there is no one else in the world more beautiful than the person you hold dear. When you cannot help but smile when you think back on the memories you have made.  When you plan out every moment of that special day just so it will be as memorable as possible to them. When the only reason that you have left to fear death is that you would be without them. When you know that to hurt them would be the greatest crime that you could ever commit. When you realize that these words do not do justice to the meaning behind them.

Yet…even though those words cannot fully express how I truly feel…I still use them for lack of a way to show you to a further extent.

I love you. I love your kisses. Your smile. When you tell me that all that matters is us. That the rest of the world could fall apart and as long as we have each other that we'll be fine. That little thing you do when you think no one is looking. The way you lay there and stare at me for hours on end. Not needing to say anything. The way you smile because you know that it makes me happy, even if you don't want to. The way you call me just to see what I’m up to...even if you already know. The way you act surprised even if I’ve ******* up and you already know what's going to happen. The way that you look so innocent when you lay there sleeping. The way you laugh at me when I’m acting ******* just so I won't feel bad. That look you give me. The way that we argue about who loves who more. The stupid things we do when we're bored. The way that you make me feel complete. The way you hold me so tightly. The way you make me feel like I’m the one protecting you instead of the other way around. How it seems like I’m not alone when you're here. How you pour out your soul because you know I won't ever use any of it against you. The love you give, the hope you continue, the happiness you sustain.

A thousand thoughts of you are but a sand in time
but those thoughts of you are always in my mind,
Swirling slowly, completely through, even to my soul
and these fragments of thoughts of you are what makes me whole.
I piece them all together as hard as it may be
so I can remember every moment since you said yes to me,
And as I get lost in these memories deep in my heart’s core
I think in bliss of how in time there will be so many more.
I piece my life together like a puzzle full of truth
but the puzzle now can make no sense without the thought of you,
The only time I’m more confused is when I’m lost within your eyes
Because I’m lost within the one that I love to be beside.
I have eternal comfort when I’m holding you tight
But even that eternity must end when I let you go at night,
And even though I leave alone, I leave with a smile
Because I know before I see you again, it will only be a while.
The happiness you’ve brought to me this poem cannot explain
Because even now I can’t tell you how much I’ve gained,
Ever since that night when you said that you’d be mine
So I just wanted to let you know that I have the best valentine.

puzzles are easily put together, codes are easily deciphered, riddles are easily solved, questions are easily answered. the things created by the mind of man can be easily solved by the mind of man. it is only the questions that words cannot be found for that cannot be answered.

if a heart could cry out in an audible tone then i am afraid that i would go deaf from the constant murmur that would be produced from the depths of my chest. if love was an object i am afraid that i would tuck mine away forever so that such an irreplacable treasure would not become worn with time. if time could stop itself i am afraid where i would be found when it did so. if sleep could lash out and attack me for ignoring it for so long i am afraid that it would never cease its assault. if errors made were corporeal then i am afraid that i would lock them away forever in an inescapable prison to never be seen again. if my apologies grew limbs i am afraid they would die from exhaustion from constantly running from my heart to your ears. if my desire could be contained i am afraid no container would be found capable of storing such a great mass. if it was possible for me to find that which i seek i am afraid that it would dissolve and leave me without the one that none can replace. if i could tell you everything that i feel i am afraid that you would think me truly mad. if all my fears dissolved i am afraid that i would have nothing left to run from and would be found standing still. if i should be found standing still i am afraid that i would give all i have to give. and if i gave my all i am afraid that it would all be for nought and i would be found where i once was, without...

my father recently told me that i run from everything. i follow some "run and gun" pattern as he described it. he does not know how right he truly was. i could not explain it to him just as much as i cannot fully explain it to myself. but to put it simply...i fear. i fear love because i fear that it will always end as it has in the past. i fear confrontation because in the end someone always ends up hurt. i fear sleep because i cannot control the dreams that are created by my own mind. i fear hope because i am afraid that i will be disappointed. i fear my emotions because i am afraid that they will become greater than what i can control. i fear closeness because distance will inevitably set in. i fear looking into your eyes because you may see how i truly feel. that you may feel sympathy, that you may look down on me for admitting what is known to be true but never stated, that you will see how much you have helped me through what i could not do on my own, that you will see through my eyes and into my soul and be overwhelmed.

and though i fear many things, and though because i cannot often be found because i run from all those things which i do fear, there are some things that i have never feared and i doubt i ever shall. i have never feared your voice. i have never feared being with you. i have never feared losing what we have developed through the years. i have never feared that anything will ever come between us. i have never feared that the love i feel for you should ever subside. i have always given you my heart in whole because there is no fear that you will ever break it. and though i know that i have never nor will ever find a greater friend than you i do not fear that i should ever have to search for another. in a poem that i once wrote to you the words "all i have ever wanted, but more than i could ask for" still stand true. you mean the world to me. and if you were not here i have no idea where i would be right now. i just wanted to thank you for being there for me through everything that i've gone through. you have brought light to a once dim heart. you are the only proof that i need that there are those out there deserving all that i have.

these words mean nothing without the meaning behind them.

smile love, just smile. i will make you the happiest woman in the world. i will give you everything that you've ever wanted. i will make you forget the entities of sadness and regret. i will love you and you will love me, i'll make you lose yourself in the everlasting bliss, never leave you without a smile. i'll leave you wondering how you lived your life before now. he will fill your head with empty promises...

in time i have come to learn that love is a many faceted colossus. and depending on the angle of approach and point of view you can see many different things in it. that is why most people view love in different ways. it's not that their love is less true, it's just they have been one of the unfortunates that has been led to view love from the wrong perspective. finding love is easy if you approach it from one of the more easily accessible viewpoints. but if you work at it hard enough you can gain a vantage point that shows you the true beauty of love. the whole of this gargantuan emotional construct will be within your heart and mind. and once you have conquered the understanding of this which some might call an obstacle you can share what you have learned and teach those who were so unfortunate to not achieve what you have achieved. because although each facet complicates the next, and every love is different, is the goal not always the same? to extend your boundaries of happiness with another past what you could accomplish by yourself.

...and when you are left unhearted wondering why this love has collapsed upon itself. i will simply tell you that you saw love as a simple emotion when it was really a complicated goliath. and as you cannot build wonders out of empty boxes, you cannot build love with nothing but empty promises.

and there was a man. the frigid chill of winter blew behind him pushed him forward into the warm embrace that stood before him. and he knew that never again would he be able to turn around and face the cold void that he had left behind. he would never be able to follow the trail of frozen tears to find what he had once called his own on the other side of the blizzard. once he had found his way out of the storm he knew that he would never again have to feel such pain, such numbness. but the warm embrace that held him now made him forget all of those things. because that from which he came was so cold the warmness he now felt was euphoric. it lit a spark in his eye and caused him to glow. and of this fact alone he is forever grateful.

All i want is to be with you
but i don't know how to let you know,
if somehow you found out and knew
all my worries and fears would go.
If the wind would whisper in your ear
this secret that i'm forced to keep,
and all of it you could hear
so much pressure would be lifted off of me.
My unease to tell has filled me with disbelief
usually it is so easy for me to throw it all way,
but your friendship I do want to keep
and I can't find the way to tell you today.
I can't just let go like times before
there's something about you that makes me care,
I feel like this is something more
but with you this secret i can't share.
maybe i'm afraid you might shy away
or I'll just ***** everything up again,
but if i ever found out that you would stay
I'd break down and tell you right then.
All I want is to be with you
but I don't know how to let you know,
If somehow you found out and knew
new fears would come when the old ones go.

when you lay there staring up at me i realize
that i can almost see your soul through your eyes,
i can see all your desires that i'm trying to ignore
because i'm so afraid you'll say "don't hold me anymore".
the love i feel for you will surely outlast the world
but in this love there is no lust even as our bodies were curled,
i  just want to hold you and know that you are near
to move any further than this would again spark the fear.
my mind was running in circles as we laid there so long
so confused, so petrified, so afraid to do something wrong,
but even though these feelings were welling up inside of me
every time you smiled i felt nothing but relief.
knowing that you were there sheltered me from all that i hide
and hearing "i love you too" makes me forget what i've been denied,
makes me forget all but the wholeness that i feel when i'm with you
so whole because i know and feel that every word you say is true.
So here's to a friend that i know i never will forget
and not letting love and closeness turn into regret,
here's to the emotions for her that i can no longer store
she's everything i've ever wanted, but more than i could ask for.

Yesterday I knew the answers to all the problems on my mind
as you layed there trying to keep from falling asleep,
I found myself looking forward and not behind
and sharing these secrets i thought i would always keep.
But I must have stirred too much or breathed too hard
because your eyes slowly opened up again
and i knew the feelings i felt i no longer had to disregard
as you, as if lost in dream, looked into my eyes, my friend.
You sitting there so beautiful, a smile crossed your face
I knew there was no concealing the smile on my own
in this complete comfort that i know i can't replace
no mat
Nicholas Mar 2019
Scattered across my bedroom floor,
glimmers of light staccato on wilted rose pedals

Memories of us, 
the faintest slapback of the person I was with you,
flicker with lethargic buoyancy 

Fondness for fondness sake,
denial as a delicacy

Your face, obscured in these floral polaroids
Impressions of who you were;
what you meant to me,
a struggle to behold
but recognizable in ripples across the faces of others

Remains of an entanglement that seemed to answer
why the universe was even formed to begin with

This omnipresent truth laying abed the other
jagged reality of our affair;
it was never you,
it was my self-possessing pursuit of wholeness
Musings on the idea that love can be a very selfish act and that, in it's absence, we sometimes look back on a former relationship, not because we still love or miss that person, but because we love/miss the way that person made us feel about ourselves.
Axiana Jun 2014
Consumed by the diversity of one infinite reason to live
She's under the wave of a thousand pains, but the desire to breathe, it's
So much stronger than the need to no longer be, and then suddenly
All at once she's on fire, flying higher, one breathing, eclectic queen
Everything her eyes fall upon is healing, and becoming something
Her wings spread as her beliefs begin to mend, and the future once again becomes promising
This world is continuing to fall apart and she's growing through its heart
But the moment she blossoms will be the day our universe restarts
To continue to expand your horizon, you only have to be honest
Open and caring, loving and daring, let your passions fly and find solace
In the chaos of time and space, there is hidden poetry here and she hopes someday they will find wholeness.
A bicycle is the most efficient transportation machine.  A little input and I’m gliding, moving a useful measurable distance but more than that. I like going fast enough so the wind in my ears is louder than my thoughts.  On a tough day I like riding until I can be grateful again; sometimes that takes a couple hours but every ride is a good ride.

My youth’s independence was a banana seat Huffy pulled from an under-appreciated pile of rust in the back of St. Vincent’s Thrift Shop.  No school bus meant riding to school, the first 45 minutes of every day in all weather. Afternoons were exploring detours; summers were expeditions to the city limits, sometimes beyond.  I needed an upgrade for high school; I found a spotless antique 3 speed Raleigh, the cultural English workhorse collecting dust in an unlikely garage for $50.

I kept it through two foster homes. The first one kept me busy with farm chores, but the second was back in town. There, I had the bike back, and as an aside, they had a phenomenally sophisticated wall sized sound system: reel-to-reel and amazing headphones. I would forget myself in records: Sgt. Peppers, Genesis, Yes, etc, and another favorite. Just a guitar and piano instrumental album with a simple melody called Bricklayer’s Beautiful Daughter. Something about that one song in particular I heard faint glimmerings of contentment that was denied to me.  I would replay it to cling to this hint of a simple happiness I didn’t understand; that if it was in the song, it was somewhere deep in me.
Without a car for 10 years, one used 10-speed or another got me to various eccentric jobs.  

Fast forward to the life-changer, after a divorce. Needing to reconnect with myself, I searched for a decent bike. I found it hanging dusty in the back of a cluttered boutique shop smelling of tire rubber, quiet with racers’ confidence. They had a Lemond thoroughbred on consignment, assembled custom 5 years earlier to race. It was slightly outdated, but a dent on the top tube put it out to pasture. It was steel though, so rideable enough for me.  My entire $300 savings and it was mine. Then I discovered the special pedals needed special shoes, so another month saving for those.  I wasn’t going to wear those silly spiderman outfits, until I started to ride more than 10 miles and my **** demanded it.  And those pockets in the back of the shirt were handy.  I met a friend who taught me how to draft: my skinny wheel a few inches behind the bike in front at 20 mph, to save precious energy in the slipstream. Truly dangerous, vulnerable, and effectively blinded; but he pointed at the ground with various hand signals to warn of upcoming road hazards. I was touched by this wordless language of trust and camaraderie. This innate concern is essential to the sport, even among competitors, so it seems to attract quality people I liked.  My new life expanded with friends.

I discovered biking exercise could stabilize the life-long effects of brain injury, lost some weight, grew stronger, and started setting goals.  First longer group rides, then a century (100 miles in one ride), then mountain biking: epic fun in nature, unadulterated happiness.  Then novice racing, then the next category up with a team, then a triathlon.  It became an admitted obsession but I won a pair of socks or bike parts every now and then.  Eventually tattooed two bike chains around my ankle, one twisted and the other broken.  I loved the lifestyle, and had truly reinvented and rediscovered myself.

A 500 mile ride from San Francisco to Los Angeles with fellow wounded veterans helped dissipate the old shame from the military.  I had joined the ride to raise money for a good cause.  I respected the program and knew personally that cycling had changed my life.  They turned out to be inspiring, helping me more than I could have helped them.  Some had only just started riding a bike for only a few weeks, some were amputees fit with special-made adapters on regular bikes, some had no legs using hand cycles.  They all joined on to the task of riding 500 miles. No one whined, and helping each other finish the day was the only goal.  While riding with them, I began to open up about my experience.  I found a few others who also had TBI, and we could laugh about similar mishaps.  The other veterans didn’t judge me about anything, like when I was injured, the nature of my disability, how much I did or didn’t accomplish. I had signed up just like them, had to recover back to a functioning life just like them.  It was the first time in my life that whole chapter in my life was accepted; I wasn't odd, and they helped close the shame on that old chapter.  (Thank you, R2R.)  The next year I took a 1500 mile self-supported bike trip through western mountain ranges with my husband and soulmate, whom I had met mt. biking.

There was one late Spring day, finally warm after a long winter, when I just wanted to ride for a few hours by myself.  No speedometer or training intervals, just enjoy the park road winding under the trees. I had downloaded some new music on the IPod, a sampler from the library.  I felt happy.  Life is Good.  Rounding a bend by the river, coasting through sunbeams sparkling the park’s peaceful road, my earphones unexpectedly played Bricklayer’s Beautiful Daughter.  I hadn’t heard that simple guitar tune in three decades.  My God, time suddenly disappeared.  I was right back in the forgotten foster home, listening for the faint silver threads of the contentment I was feeling at this very moment on the bike.  The full force of this sudden connection, the wholeness of the life and unity of myself in one epiphany, brought me to tears. I found myself pouring my heart into praying hang in there, girl, hang in there, you’ll find it and I felt my younger self hearing echoes of birds singing in new green leaves.
Mystic Ink Plus Oct 2018
1+8=9
2+7=9
3+6=9
4+5=9
3+3+3=9
4+4+1=9
1+2+3+3=9
2+2+2+2+1=9
1+1­+1+1+1+1+1+1+1=9

Different could be,
The way
The time
The conscience
Towards the universal wholeness

In the cosmic delusion
For the sympathetic joy
One could be anywhere
In between
The above
Genre: Abstract Spiritual
Theme:Humanising Mathematics
I feeleth so anxious as the fleshy winds outside,
Invisible as their turquoise screams, I feeleth like everything is just not right;
Ah, but how if even all later suns shan't be fair,
And t'is passivity shan't ever be bound to fade?
For my soul declares-t'at he, it wants not any more to care;
And about thee only, it wants to be quiet, yet witty still-like yon pale lovesick summer glade;
I want to attach myself to our captivated hours right now;
With thee in my lap, and thy gentle whispers-as today shall be replaced by tomorrow.
I want to dream of thee once more tonight, o sweet Nikolaas;
My darling at present and from the future, whilst my only dearest, from the past.
Ah, sweetheart, why are but our subsequent hours-and perhaps paths, to suffer;
If thou art not by my side, and maketh not all t'is terseness better?
Ah, and wouldst it ever make sense any longer;
To live by him-but without thee, wouldst it but make my wild heart easier?
For censure is to which my answer, and is hatred-for I cannot help loving thee more;
I wanteth to love, and age-by thee, and by thee only, within my most passionate core,
And I wanteth not to understand anything-for comprehension shall but renew our last sorrow;
I wanteth instead-to renew t'is despaired wholeness, and its proven compassion-our love has once made nature show.

I still wanteth to remain quiet; to cherish and glitter within my wholesome devotion;
But which duly keepest me sober, and maketh my doubled heart tremble not;
Calmeth me, calmeth me with thy kisses-so enormous and tasty, like a quiet can of little soda;
Maketh me accursed, petty, and corny-maketh me thy lands' most dreaded infanta.
Tease me like I am a quivering little darling, who cannot but tries shyly still-to sing;
With a coarse voice descended from sunlight, where the worst are joy, and lovingly mean everything.
Maketh me honest, and tempteth me deeper and more;
Until I sighest and flittest myself away, with agility like never before.
Consumeth my greed-and with it, drinkest away its all befallen vitality;
For I knoweth thou shalt restore me, and reneweth all my endeavoured weaponry.
Ah, Nikolaas, how sweet doth feel t'ese blessings, by thy very side!
Nikolaas, Nikolaas, my lover-my sweet husband, from whom my hungry soul canst never hide!
Oh, and darling, Amsterdam might be cold, and plastered with one slippery tantrum;
But thou art still too comely to me-with those familiar eyes like a poem;
A poem t'at my very heart owns, and is graciously fat'd to be thine;
And thine only-for as I danceth later-in my princess' frock, I knoweth t'at thou art mine.
Ah, but fear thou not-for shall I protect thee like t'is;
I shall slander thy rival west and east, I shall degrade t'em all to'a yawning beast!
And upon my victory be I at ease-and finely grateful;
On which truth shall spring, and maketh our love venerated-and more fruitful!
Ah, just like I had b'fore-how canst kissing thee be extremely pleasant,
Even whenst he be t'ere, or perhaps-be the one concerned?
I hath to admit, t'at 'tis thee-and not him, I so dearly want;
Thee who hath painted my love, and made everything cross but all fun;
Thee whose disguise is my airs, and who hath ceaselessly promised to be fair,
Thee whom I'th dreamt of t' be my lifelong prince, with whom I wish to be paired,
Thee whose recitations lift my heart upwards, and my delight proud;
Thee whose poems hath I crafted, and oftentimes recited sensibly, out loud.

Ah, t'at devil-who told us t'at our joys cannot be real;
For they are not at all virtuous-nor by any chance, vigorous?
Ah, fear not those human serpents, darling, whose mouths are moth-like-bloodless but who canst ****;
For to God they are mortal still, and to His eyes whose jokes are not fun, nor humorous;
And thus we shall be together, as we indeed already are;
For our delight is not to be altered-no longer, as dwells already, in our heart;
We shall come back to it soon, as tonight's full moon smilingly starts;
And exalt it as wint'r comes-dear winter, as perhaps only be it, one few months' far;
Ah, and be I then, crush all t'is impatient longing, and sorely missed affection;
And vanquish all the way, t'is all omnipotent sin-of having loved only, a severe affliction;
Oh, but under whose guidance, Amsterdam shall embark again, and smile upon us;
And lift our tosses of joys, into the lapses of its sweet thunders, fast!
Ah, Nikolaas, shall we thus be together, under the wings of Amsterdam's rainbow;
To which endings shan't even once appear; as guilt be then dead-and is not to show;
The only left opus of love be ours to sing, as heaven is-so benevolent;
Betray us not, with fruits of indifference-much less once of one malice, and gay impediment;
And our happiness shall be pure-and entangled, like a pair of newborn twins;
To which our fantasies are finally correct, and thus its affixed lust-shall no more be a sin.

Such love and lust-whose fidelities shall be our abode;
But by whose words-delusions shall never arrive, and thus be put aside;
Novelties shall be fine, and their definitions shall be lovely;
They shall twitch not-for a simple moment of starched felicity!
Oh my darling, I needst to come and visit my wealthy Amsterdam;
With authenticity now I entreat: myself, myself, ah, run there-whenst stop doth time!
For as we embarketh, no more worrisome medleys shall they come again, to bring;
And to no more sonata, shall they retort-nor so adversely, and dishonestly, sing.
Ah, Nikolaas, the stars are now obediently looking down at us;
Jealous of our shimmering love, which is the lush garden's yonder, giddy beaut;
Ah, who is shy to its own mirror, and oft' looks away so fast;
But needst not to swerve, factually, for 'tis, on its really own-has but very much truth!
But still, whose hastiness maketh it succumb-and even more bashful then the sky;
Ah, as if those pastimes of its ****** soul are always about-and be termed but as a single lie!
For it shall never happen, to it-who owns our midnight hours-with one promise to be skirted away too fast;
With not even a single pause, nor a second of rest-while it passes?
Ah love, our very love; its circular stains, nevertheless, as left hurriedly-too massive to resist;
For they giveth taste to our plain moonlight-and thick'ning flavours to our kiss;
So at our first night of gaiety thereof-we won't be hunger for earning too much bliss!
Ah, Nikolaas, all shall be perfect-for felicity is no longer on our part-to miss,
And t'is part of our earthly journey shall feel, defiantly like heaven!
I shall be thine-and claim no more my thine self as his;
In thee doth I find my salvation, my fancy dome-and my most studious cavern!
All which, certainly-is his not; all which shall be ripe, and thus fragrant-like a rose perfume;
And by whose spell-we shall be love itself, and even be loved-within the walls of our private haven;
And even then, we shall love each other more-as be cradled in each other's arms; and lost like this, in such a league of harmonious poems.

Amsterdam shan't be rigorous, it shall be all fair,
Its notions are curious, like these but entrancing summer days;
Thinking of which is but a sweat-but a bead of sweat for which I most care,
Which is neither dreadful nor boastful, as I devour it avidly, amongst t'is poem I'm 'bout to say!
And t' mindfulness of which, I shall no more hastily rid of;
I was too dreary back then, crudely foreshadowed by a crippled love!
'Twas my mistake-my supposedly most punished, punished mistake;
For faking a love I ought not t've ever made, and one I ought not t' ever take!
A mere dream I hath now fiercely pushed away;
And from which I hath now returned, to my most precious loyalty,
As thou knoweth-thou hath never wholly, and so freely-left me,
Thou art all too genuine, and pristine, like yon silvery river-as I oft' picture thee.
Ah, so t'at is all true; t'at thou art my most gracious, and unswept loving angel,
A prince of royalty, and my very, very own nighttime spell.
Just like thou hath done hundreds of time, thou maketh me but delight and mischief;
And notions t'at bubble within my most, giving me charms and comfort-for me to continue to live!
Together, our lips shall be warm-and no more joy shall be left naked;
Soon as there are more tears, we shall throttle and fairly feast on it;
Making it all but remotely conscious, and forcibly-but sensibly, deluded;
Making it writhe away impaired, and its all possible soul awesomely flattened!
Ah, Nikolaas, thou shalt be the mere charm t'at leaves my odes too fabulous-by thy wit,
Oh, my darling, for thou art so sweet; o, Nikolaas, I really hath only my words, to play with!

And guess what, my darling, heaven shall but gift us nobly, all too soon;
An heir shall we claim; as descendeth one day beneath the excited full moon.
For he shall be born into our naughtiest perusal;
And demand our affection excitedly, as time is long, as arrives winter-from last fall!
Soft is his hair, clutched in his skin-so bare and naive;
He shall be our triumph, and a farther everyday desire, to continue to live!
And we shall consider him our undefined, yet a priceless fortune;
Light as the night, at times singular but cheery-like the sketch of a fine moon.
And portray in us both the loveliness of a million words;
He shall be handsome, just like our love-which is damp but funny, in whose two brilliant worlds!
Oh, my darling, I now looketh forward to my heavenly Amsterdam;
Whose prettiness shall be thoughtful, as I thinketh of it-from time to time.
Ah, thus-when all finally happeneth, I shall know thou art worth the whole entity of my thousand longings;
Thou art the miracle t'at I hath decently prayed for-and thus fathomably, the very sweet soul-of my everything.
vircapio gale Nov 2012
he could play a frakkin' minuet
with his hands, this dude,
with perfect pitch and key --
and birdcalls of a timeless cult.
he'd hangglided in volcano rainbows,
had meathook *** from rafters.
reciting Shakespeare, conjured instant goosebumps, tears --
towering heartwise, intellect vast
whatever roles he played at night to model for our soul
we ripped the roof from off my fathers house, sublime,
wearing attic soot in all our pores,
asbestos grin contracting into mycophile hopes
flirting with the passing birds
in leaves and pizza parlors,
tanned and buff, shingle tar on shoulders, nails,
iron hard for her and her and her
the beating sun-breath coughing under mask
each tack an instant echo for the breeze
to take direction from a symbol core
no symbol ever truly held..
refreshing airs to bleed away the vanity,
yet halfway on the ladder there
an interrupting brag, my father's fascia beams
report card scores as if a better world they made
in money pitted recess taxing hidden filth- -
thank you,
Bach, to break up pride with existential high
new melodic rain to cover over thousands lost to sell,
settle dust,
handwind bard, aesthete
innovate human
you turn me on with tales of your amazing wife
bareshirt in your unfinished house, lusting eaves,
backyard grasshoppers on the counter,
****** as insect brains can be
to tilt their eyes with me at unreal fullness spectra-circle on a cloud
not possible the wholeness found
in wish fulfilling living roofs
of ecosystem awe and sunlamp bottles
here, and here,
under moss on backwoods skillion
or trussed on tree spread wide, open-hipped for skylove --
contentednesses missed the meaning now
of mother-art to birth anew the endless homes,
ecosophy's abundant cheer
laughter even in the nooks of dying nails
extemporaneous arcology of barefoot
ridgetop feardance raked in soffit shift
from gray to green
invulnerable vigor gained and gone
and grown again
from marginalia to universal veil
'happy evermore' no matter this or that
a swimming hole of naked sayings streamed,
inner wash of salt and sweat, an afterthought deluge
to challenge dormer crease-dive of a dogma drain
structured, learned pillage ivory still
though greensulated soon








.
arcology: a concept combining architecture and ecology as envisioned by Paolo Soleri.

greensulate: insulation made from mushrooms

'the endless house' is a light-maximizing design created by Friedrick Kiesler

'marginalia' and 'universal veil' refer to parts of a mushroom

'fascia, soffit, rake, truss, dormer' refer to parts of a roof; 'hipped' and 'skillion' are styles of roofs
Andrew Rymill Apr 2014
Poetry is like sushi.
Sushi contains
Rice & goodies  
Wrapped in nori.
Both are combined rolled
Into cylinders
Then cut
Into rolls.

Poetry
Is sounds  &  tropes
Rolled into images
Each poem
A unique
Experience.

When you
Eat Sushi
With chopsticks
You are too  eat
the rolls
with just  one bite
Sampling the wholeness
of the taste
and presentation.


May you
Devour
This poem
On the chopsticks
Of your feelings
And sample
The flavor
In the ink.
Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo
K Balachandran Nov 2012
When she came back to return
the light she took from him without his consent,
(she thought that's what she did)
with the foot falls of a cat,
he  found she has changed,
beyond his imagination,
had become a beacon of light  herself,
her  darkness fully erased,
so luminant as a morning star,
she too was astonished by the magic of light,
the light she  took away from him wasn't a theft,
it was replenished at once,
* when wholeness is taken from wholeness, wholeness remains.
*Light is limitless when it decides to spread.
*"That(ultimate) is infinite, this is (individual)is infinite,
when infinite comes out of  infinite, infinite remains"
Isa Upanishad
nivek Jun 2014
sweet whispers of love
dance on the breeze-
moving hearts to sing
of life and loveliness -
wholeness and freedom
Lora Lee Jul 2018
Gently, she goes
as soft as a fawn
opens the window
and waits for the dawn
fireflies glow
wind caresses her face
as she sheds all the shadows
not leaving a trace
She dons velvet darkness
wrapped in its cloak
releases all poisons,
                 sylphlike,
             in smoke
She is preparing for battle
in her own, quiet way
She only wants wholeness
as she breaks through the gray
For soon she will weave
prismatic wonders of spells
her own inner aurora
lighting heaven from hell
For suffered she has
and it's time to forgive
unlock self-made prisons
and let herself live
and now as sunrise approaches
stars still in sight
she turns the skeleton key
and glides
into
             flight
Sanober Khan Aug 2015
Love me like a plum tree
in full bloom
bursting against a cloudless
crystal-blue sky

love me like tender mist
descending over
an endless
rugged mountain road

love me...with all the abandon
of a sudden wild rain

with all the mysteriousness
of deep midnight
forest echoes

love me like tears
glistening on cheeks

love me
in all my seasons
in all my phases

with all the wholeness
of light in the heart

with all the rights
and all the wrongs

but love me, especially
when life
tears me apart
and i am living in half

love me
with all the fullness
of a moon
a flower...
a breath...
a kiss.
WS Warner Feb 2012
Miscommunication
serendipity, anticipation,
blurred reality -
lost in the dialect
of a dream,
in pursuit
of Love
find callous irony;
subversion of desire
what's it all about?
to know and be known.

Mere seconds
of scrutiny
inferior,
I am shown.
Her appraisal
eviscerating
my warm flesh,
her tilted criteria
supplanting the interior,
voluble with
saccharine neologisms
and preferences
for the exterior.
(not mine)
Ironic was my
attraction to
her brain.

Lines, features
and symmetry,
image - the commodity,
aesthetics, the
currency
in this transaction,
cursory liaison,
incendiary,
collapse of the
insurgent ego -
there was no
us in the
the affair of
nothingness.

Bruised in
abasement,
I'm not the one -  
I thought I was.
Hyperbole -
the center
of delusion,
a curious
diversion -
avoid my life.

The allure of
the illusion,
transference,
the ordinary to
the romantic,
the perfect other.
Searching, the
absorbing project -
aquiring wholeness,
did she reject me?
I rejected me.

The escape into
fraudulent
sadness,
to mourn,
is to displace,
the disowned heart
by self is tragic.  
Should
I not mourn for
the one I'm
deferring?

Inside of me
It's safe,
to lament
the loss of
identity -
tension is agony
without resolve
sequestered,
in my pain,
self-imposed
familiar terrain,
upon retrieval,
awaking in
renewal,
mystery and destiny
providentially,
I am free.
Giedrius Feb 2015
just like home
that's how I felt
when I was next to you

in my place
when I would see that
sweet look from you

I felt those butterflies inside
tickling me from head to toe
made me want to smile
and to lose all sense of time

we didn't need words to talk
because our hearts could speak

just this time
being with you
I was feeling whole.
https://soundcloud.com/giedrius-nakas/wholeness
curlygirl Feb 2016
i'd never felt such
cold hands
grab hold of my heart before,
and i'd never known it could
shatter into so many pieces.
            and i'd also never seen a
            sweeter man come along and
cut his perfect hands to shreds
             by picking up the pieces
and putting my heart back together again,
             *just
             to
             watch
              it
              beat
ordained Jun 2015
& if I held you to my ear I could feel your heartbeat, slow and content with my hand on your chest (speeding up as it moves down, down)

I could feel the softness of your skin, turned the deep pink of a blushing girl—the sun's work— and holding the heat of that close star's burning tendrils

I could feel movement in your muscles as your arm curls around my waist lazily, an afterthought, like it's a natural instinct to pull me tighter in your sleep

I could feel shivers on my bony spine while you kiss iridescence behind my eyes in the way your lips press where my jaw meets my neck

I could feel an utter wholeness that I've missed for so long

Except—
Except——
Except———

You're too far away, a distance that even the "phone call" between the ocean and the little child pressing the shell against her ear cannot fix
:)))))))))
judy smith May 2015
Murva fashion collection introduced at Eco Fashion Week has been a life long process for Ivana Knezovic, Creative Director / Designer. This was not only the 29 year old Croatian designer's first collection, but also her first international performance.

She debuted her eco-friendly collection titled Rust & Flow on the runway at Eco Fashion Week in Vancouver, Canada. Her pieces are all made from eco-friendly wool flannel.

Ivana Knezovic made interesting use of symmetrical lines, and I admired the draping from the shoulders framing a dress low-cut in back. One dress had several parallel vertical cut lines on the backside.

Many of her tops had capes, hang from one shoulder or both, paired with slim pants or a skirt. A nice touch of dramatic flare as the models moved down the runaway.

“Fashion design was always in me,” say Ivana Knezovic. Having resided in New York, Toronto, and Switzerland, designing was something she always wanted to do. "Murva is the name of a tree in my village. My company represents a return to my roots, to who I am at my core."

"I like structure. I like hiding the body behind some kind of a structure," said the designer who makes all her own clothes and cosmetics. "Eco is a product of maturity and of wholeness that you can only achieve when you really and truly grow up."

As a designer, she told me that she strives for “pure minimalism,” yet her eco-fashion designs are made for a sophisticated, minimalistic, and determined woman.

Exactly what the eco-fashion movement needs.Read more here:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/formal-dresses-2015
Michelle Argueta Nov 2017
or at least
you're not supposed to admit that they are
but everything is about love
or lack thereof
so, i think wholeness
is a lot to expect.
i think my chest
is gonna rattle no matter
who tries to fill it,
but i still wish for quiet.
i want stillness in my breaths,
and maybe i need to hold them
but maybe i need to hold him
and i think wholeness
is a lot to expect,
but regret stings less than loneliness
so i still write poems about love.
one day i'll get the whole "first line as the title" thing down but today is not that day
CharlesC Jun 2012
Two antagonists
joined and evolving...
prevailing scarcity
far rarer abundance
a forked pattern
through millennial time

new century
visions holistic...
technology sightings
viewing through lenses
holographic
wholeness appearing in parts...
promises of science
now simply profound

clear water and plenty
hungry billions soon fed
innovations cropping from
the boisterous crowd...
standing robots astute
heavy labor performed...
global nervous system
growing and formed
by the web...
residue and waste becoming
power transformed...
optimism breaking long
history's confines

questions
large and looming give pause...
the antagonists mentioned
are they soon to transform?
abundance and scarcity
new parents
new consciousness birthing...
awareness with awe
in one simple moment?

ancient spiritual light
is it now flowing
holographic vessels to fill?
what might the
newborn be named?
should she simply
be called... enough?

this name also naming
a bright center glow...
daughter scarcity now
absorbed and lining
her abundant light...
new strength
new vision
a new fork
in our road?
jeffrey robin Jul 2010
the CROSS rises on the hill

pointing

upward
pointing outward
-----------

at the base of the CROSS
rising on the hill

a tiny child!

moving upward!
moving outward!

growing

AND IN FREE FORM!

constantly dying
and
being re-born
------------

who is that child!

IS IT YOU?
IS IT ME?

you can only answer
with your life

you can only

be moving upward
moving outward

for even
you to know

JUST EXACTLY WHAT YOU
MEAN TO BE

AND WHAT YOU ARE SAYING
TO EVERYONE
Hannah Baker Jun 2013
I’m more prone to the suspense of it all
the not knowing
or the knowing exactly
i don’t know how some people can know so much
we only use an insufficient amount of brain space
we cannot possibly know everything we need to in our lifetime
which leads me to the unknowing
the thinking
the wondering
the beauty of everything that can’t be explained by humans
but can only be explained by nature
the feeling of loneliness at sunset
but the wholeness of a sunrise

— The End —