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"teats" poems
Gemini in seasonable  evening, serenely swirling in Septemberous ferris wheels reeling in the vast domain of lonesome leviathans and witch-fires; nowhere bound in the boundless fecundity [ the feral joys of creation... ] twins meander in gravity's well of souls, swollen with unknowns and proteins; golden rods in pointless foam brewing the elixir vitae in the Dippers cup. the Milky Way, a wayward gush from an ancient Mother Goddess, plump and shameless, pumping teats to nurse worlds infused with divine rays of gamma and x... why set dark apart from firmament burning spheres? dragons must clutch eggs in the void as much as fork tongue white dwarfs. of course, the Source unfolds as  Love does. it's purpose, in thrall of fearless veracity, spinning yarns for glad garments to clothe the naked dread of such fearful symmetries as roam the wild delights of the infinite meringue. the Pi on the window sill, tempting the circular frame of reference to square with the sublime Will. another Fibonacci in your bedpost, to better hobnob with broomsticks. everything annihilates hatred. from within, we sojourn to sovereign super-continents of opulent peace. profound realities surge serpentine with Meaning. we are outdone on the inside by small minds and farcical hearts. so at night look up. Love's Tongue Is Love's Word.
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Apr 11, 2013
Apr 11, 2013 at 1:31 PM UTC
Love's Tongue Is Love's Word
God knows how our neighbor managed to breed His great sow: Whatever his shrewd secret, he kept it hid In the same way He kept the sow--impounded from public stare, Prize ribbon and pig show. But one dusk our questions commended us to a tour Through his lantern-lit Maze of barns to the lintel of the sunk sty door To gape at it: This was no rose-and-larkspurred china suckling With a penny slot For thrift children, nor dolt pig ripe for heckling, About to be Glorified for prime flesh and golden crackling In a parsley halo; Nor even one of the common barnyard sows, Mire-smirched, blowzy, Maunching thistle and knotweed on her snout- cruise-- Bloat tun of milk On the move, hedged by a litter of feat-foot ninnies Shrilling her hulk To halt for a swig at the pink teats. No. This vast Brobdingnag bulk Of a sow lounged belly-bedded on that black compost, Fat-rutted eyes Dream-filmed. What a vision of ancient hoghood must Thus wholly engross The great grandam!--our marvel blazoned a knight, Helmed, in cuirass, Unhorsed and shredded in the grove of combat By a grisly-bristled Boar, fabulous enough to straddle that sow's heat. But our farmer whistled, Then, with a jocular fist thwacked the barrel nape, And the green-copse-castled Pig hove, letting legend like dried mud drop, Slowly, grunt On grunt, up in the flickering light to shape A monument Prodigious in gluttonies as that hog whose want Made lean Lent Of kitchen slops and, stomaching no constraint, Proceeded to swill The seven troughed seas and every earthquaking continent.
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6.5k
Sow
God knows how our neighbor managed to breed His great sow: Whatever his shrewd secret, he kept it hid In the same way He kept the sow--impounded from public stare, Prize ribbon and pig show. But one dusk our questions commended us to a tour Through his lantern-lit Maze of barns to the lintel of the sunk sty door To gape at it: This was no rose-and-larkspurred china suckling With a penny slot For thrift children, nor dolt pig ripe for heckling, About to be Glorified for prime flesh and golden crackling In a parsley halo; Nor even one of the common barnyard sows, Mire-smirched, blowzy, Maunching thistle and knotweed on her snout- cruise-- Bloat tun of milk On the move, hedged by a litter of feat-foot ninnies Shrilling her hulk To halt for a swig at the pink teats. No. This vast Brobdingnag bulk Of a sow lounged belly-bedded on that black compost, Fat-rutted eyes Dream-filmed. What a vision of ancient hoghood must Thus wholly engross The great grandam!--our marvel blazoned a knight, Helmed, in cuirass, Unhorsed and shredded in the grove of combat By a grisly-bristled Boar, fabulous enough to straddle that sow's heat. But our farmer whistled, Then, with a jocular fist thwacked the barrel nape, And the green-copse-castled Pig hove, letting legend like dried mud drop, Slowly, grunt On grunt, up in the flickering light to shape A monument Prodigious in gluttonies as that hog whose want Made lean Lent Of kitchen slops and, stomaching no constraint, Proceeded to swill The seven troughed seas and every earthquaking continent.
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49
Sustenance for friends and clients; state your case – come one, come all. The matron arms of Social Service will not let you fall. Food stamps make our nation stronger, licked, then stuck on the public roll. Social programs last much longer adding recipients on the dole… Like the Ephesian Diana many are my benefits! Mine the matriarchal manna; latch and suckle at my teats. Yours the client’s right to nurture. Mother will supply your need; Child, you must not fear the future – feed, my baby, feed. Call me nanny, call me Lord just make sure you’re calling on me. Mine are the gifts you can afford they’re taxpayer-funded, worry-free! Once you are latched I’ll keep it flowing like an intravenous habit. Keep that ****** situated where your will can never grab it Let it never cross your mind that there’s an end to all lactation. Cloward-Piven have refined this titillation. Love me.  Need me.  I’m the State. Your well-being is my affair. With your consent I’ll dominate, because I care.
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Sep 9, 2015
Sep 9, 2015 at 9:07 PM UTC
Licked, Stamped, Undelivered
Earth greatest, grandest Mother no metaphor here but ten-thousand teats feeding all children
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Sep 10, 2015
Sep 10, 2015 at 7:21 PM UTC
Pachamama
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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Haze
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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44
be my second chance at life, be my sun, get into my orbit, crash into my atmosphere, let me paint your teats on canvas, let me be the hot water in your bath, I don't care if the metaphor is broke, just get the **** over here, the distance is inhumane.
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Dec 28, 2010
Dec 28, 2010 at 7:45 PM UTC
a true blue love poem for all the ovaries and ******
I bought a cow Purchased her with but words She works for me now Grab her by the teats I need Her drink to live I swallow milk, keeps me strong Despite this relationship all wrong, that she provides green needs It's all I want I used to have a cat, cute andro-trans boy alien He ****** my **** Swallowed *** and ****** me raw Walls fall apart Every new best thing sinks and stinks Under the barn, I bought a barn Under which the missing bodies compost
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Mar 23, 2017
Mar 23, 2017 at 11:36 PM UTC
Shards Broken From Lobes
Gunga peas calypso Madly in my cooking *** gradually I pour canned coconut milk into the swirling flavors of cilantro, garlic and onions Staring into the rich brown stew I can see my Mother grating coconut meat and hand squeezing the milk like teats from a cow (Too much work for me) creating a traditional coconut rice and peas dish She was raised on a farm in St. Elizabeth, Jamaica early hours, rugged, hard labor were natural for the family which included nine siblings Pauline was a kind big hearted Soul with ample soft ***** perfect for children to lay their heads upon and skin that always seemed to smell of curry Burnt sienna Indian complexion wavy black river hair and colorful patois accent painted a portrait cavorting over the dandy, rolling goat hooved hills of Jamaican village peasantry The Moravian church of England formed beliefs woven inextricably through the fabric of her simplistic innocent existence our Mom instilled a love of God in us that was pure and hearty "Sonya stop your daydreaming" my Mother's clarion voice interrupts my avid reverie "Bumba!" I cry aloud "I haven't had bammy in eons" Quickly my fingers Google Another tasty native recipe chock full of memories and cassava root
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Nov 20, 2014
Nov 20, 2014 at 10:27 PM UTC
Gunga Gal
She lies patiently while her babes drink from her body She is calm after eating the meal delivered by her mate He sits in front of her protective of her and his young cubs She bats almost playfully at a blade of irritating grass that Has been tickling her ear for what seems like a long time The pups now sleep their tiny months still on her sore teats She is calmer now for the run is over but inside something Stirs maybe her female ancestors showing her new patterns A new way of understanding almost forgotten by the others She looks at her babies and softly purrs in her proudness They **** absently in their sleep twitching in new dreams She is relaxed serene could almost be sleeping herself But do not be fooled by this white lionessfor she is strong And she will fight to the death for her family her clan and Her pride they are her reason for living her reason for being She gently licks each of her cubs heads being extra careful To avoid touching them with her huge sharp teeth thinking Best to leave me and mine alone it's best not to try to hurt us
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May 29, 2016
May 29, 2016 at 5:59 PM UTC
White lioness
The time has come to hit the road,and make some tracks in shutdown mode. It's easy to be put upon when you're just one and have no heart to fight,right or wrong it's so long chaps we've had our laughs and there's no more to come. I have spun new shoes to fit these feet and now I'm heading off to greet what's in the next face that I meet, I fear the milk of human kindness has run dry,its teats are shy,my lips are parched. You'll find me underneath the arch that runs beneath the viaduct,fucked or not,shutdown's what I do and one day you might do it too,'til then when Big Ben strikes the hour at nine and I dine alone chilled to the bone and when you find me,be kind because I carry a weighty load which make more tracks in the shutdown mode.
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Mar 14, 2014
Mar 14, 2014 at 7:28 AM UTC
Wrestling
i became the jumpin' jack flash in november '77. there was slush in new york city and the bums at the piers still burned trash in metal barrels you could see from over on coney island even. just like kerouac said. in the daytime foolish kids picked weeds in central park and called them flowers. they got laid by stringing charming words together as they gave them to the thousand daughters of manhattan's old monied men, the wall street hacks hanging from the teats of the great & frenzied cash cow of capitalist interest. the milk came slow that winter. one week, early december when the slush gave way to furtive snowfalls i took a bus to patterson, NJ for a few days, drank a lot of awful coffee writing obscenities in my journal but speaking them aloud in the restaurants and bars and so was deemed just like everybody else in patterson, NJ. drunk & high, helicopter tours, stuffed with bread and half-truths. and when shortly my irish luck ran out i raced back to the big smoke in a drop-top mercedes driven by a man whose thick accent i couldn't quite place. whose only serious question was whether i knew anyone who had good coke. in the city it rained for three weeks straight and david byrne, in some bowery apartment wrote a song called 'flood' which was never released on any talking head's album but lingered in his brain as a reminder of the three weeks he spent cooped up, eating saltines and dancing to the rhythms of the thunder and rain outside. totally alone with his mind & a bass guitar. tina weymouth, naturally, was furious. the bass was the last thing she had left in a band she half-started. and david had stolen even that. but that was tina weymouth, that was new york.
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Nov 30, 2012
Nov 30, 2012 at 9:33 PM UTC
every morning my reflection looks more & more like a young **** jagger and i can't help but smile at the promise of my bright future
i became the jumpin' jack flash in november '77. there was slush in new york city and the bums at the piers still burned trash in metal barrels you could see from over on coney island even. just like kerouac said. in the daytime foolish kids picked weeds in central park and called them flowers. they got laid by stringing charming words together as they gave them to the thousand daughters of manhattan's old monied men, the wall street hacks hanging from the teats of the great & frenzied cash cow of capitalist interest. the milk came slow that winter. one week, early december when the slush gave way to furtive snowfalls i took a bus to patterson, NJ for a few days, drank a lot of awful coffee writing obscenities in my journal but speaking them aloud in the restaurants and bars and so was deemed just like everybody else in patterson, NJ. drunk & high, helicopter tours, stuffed with bread and half-truths. and when shortly my irish luck ran out i raced back to the big smoke in a drop-top mercedes driven by a man whose thick accent i couldn't quite place. whose only serious question was whether i knew anyone who had good coke. in the city it rained for three weeks straight and david byrne, in some bowery apartment wrote a song called 'flood' which was never released on any talking head's album but lingered in his brain as a reminder of the three weeks he spent cooped up, eating saltines and dancing to the rhythms of the thunder and rain outside. totally alone with his mind & a bass guitar. tina weymouth, naturally, was furious. the bass was the last thing she had left in a band she half-started. and david had stolen even that. but that was tina weymouth, that was new york.
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28
there she sat licking her paws and her teats red and raw, pondering, perhaps, how four black and white kittens happened. There in a laundry basket four little kittens mewed, wondering where, their momma was, all they knew was hunger. Finally settling together all curled around each other, all given spent in their mews, they slept one white and black furry cute. Until momma cat, her name Panda, finished grooming her tenderness, returned all awaking their mewing, again. And she licked them.
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Aug 27, 2015
Aug 27, 2015 at 10:15 PM UTC
little pandas
The internet shows the true decline of decent human beings. Trolls roam free and unhindered hurting and hateful. Intelligence is dragged down by ignorance and stupidity. People band together and hate other people because they can. Sure the internet exposes those odd glimmers of human hope and kindness. Flashes in the pan of an otherwise hateful human race. It's so easy to hurt others from behind a screen. Cowards venting unknown issues that should be dealt with on a therapists couch. Mentally unstable people gathering crowds to suckle from their teats of endless ignorance. Stupidity is common and boundless and encouraged in todays world. Christ forbid you should have a problem with society. You will drown in sorrow and frustration surrounded by people who blindly accept and follow. No minds of their own, just sheep to a slaughter, no voice, no vision no drive to do better. It's a bane to have a brain in the modern world, where to think for yourself is a crime. To question the status quo doesn't make you a revolutionary but dissatisfied and selfish. I do not like what this place has become societies poison is turning humans into monsters. Monsters who feed on ego and putting others down all in our boxes all labelled all judged. Darkest wants and fantasies satisfied with the flick of a wrist and the click of a button. But perhaps we were monsters all along and it just took the right trick for us to embrace it.
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Dec 12, 2014
Dec 12, 2014 at 9:48 AM UTC
The rise of monsters
The time numbs. I want it raw like it was. Like ************ and ****** Something powerful and honest. I let lies continue. Fantasies I tease myself with. I never follow these potential trails. I’m terrified of not having blissful reverie. Closure haunts me. I’m scared of definition. I live in a time that never ends. I breath the exhaust we know but cannot see. The world spins upon my shoulders, I pass it on without using my hands. People die, it’s distant. Life doesn’t mean much. I live here in a puddle. I love all the potential I have to waste. I don’t know what I would slobber on without it. I want something raw. Something abrasive, without some sort of superficial veil. If I brush back another thin facade just to uncover a clearer image of ******** I’ll slump the world with my bear hands, and whatever blunt object is abreast. The ensuing postlude or coattail if you will, is gruesome and redefines the word genocide. Life passes by because it’s not cut with iron anymore. It’s chiseled away with fantastic stone and underlying hopeful chimes of music. A method to which leaves reality unclear, and insipid. Quite literally dull and un-vitriolic. The time jingoes tore babies from teats, bounced sore bosoms, and buried John Doe’s in mass graves beside schools. Is long gone. I live in a butterfly massacre.
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Nov 6, 2021
Nov 6, 2021 at 2:51 PM UTC
Butterfly Massacre
Alexander K Opicho (Eldoret, Kenya;[email protected]) My heart has gone out for all families on the street That came out of the erstwhile street boys and girls Kudos to your creativity as you make life from nothing Blessed bye your bravado and sense of oblivion With which you have held the riches of the world In which effortlessly swim the powers that be, Beautified be a street family in the all quarters of the world Wherever you are kindly be ennobled Whether in India or Chicago of Americas, Be it Nairobi, Lagos or Jo’burg the infernos of urchinery Good times and chances befall you children of the street. Great beauty with you is condemnation of the tribe In Africa where ethnicity is the bricks of tribal mall Your names are conditional but not tribal connotation They sing songs of exclusion but not chauvinism of ethnicity I was in Kenya at the city of Eldoret, I visited your platoon In the suburb of Langas, I derided not in the glory of your nomenclature; Some of you festooned in the street emperor, as other wallow in mauverick titles Like; Cop-puncher, weed-cooler, ****** breaker, top sniffer, hotel sentry And many other accoladic names as you feasted me on your virtuosity. Royal is your blood as you bivouac in the blizzards The blood in your vein came from the state panjandrum During the libidinous hour in the wee of the night The teats you suckled were of your undergraduate mothers In the high powered Universities of bourgeoisie education Never regret in your ego for great is your genetics It was solely misplaced priorities of your vulnerable mothers That had you dumped on the street garbage in the oblivion of society But great you are because 10% you hitherto make Of the ostentations African population that is whoopingly a billion! Time is coming for your final say, bivouac wherever you are For your day is very soon.
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Feb 6, 2014
Feb 6, 2014 at 7:13 AM UTC
ODE TO ALL STREET FAMILIES
Alexander K Opicho (Eldoret, Kenya;[email protected]) My heart has gone out for all families on the street That came out of the erstwhile street boys and girls Kudos to your creativity as you make life from nothing Blessed bye your bravado and sense of oblivion With which you have held the riches of the world In which effortlessly swim the powers that be, Beautified be a street family in the all quarters of the world Wherever you are kindly be ennobled Whether in India or Chicago of Americas, Be it Nairobi, Lagos or Jo’burg the infernos of urchinery Good times and chances befall you children of the street. Great beauty with you is condemnation of the tribe In Africa where ethnicity is the bricks of tribal mall Your names are conditional but not tribal connotation They sing songs of exclusion but not chauvinism of ethnicity I was in Kenya at the city of Eldoret, I visited your platoon In the suburb of Langas, I derided not in the glory of your nomenclature; Some of you festooned in the street emperor, as other wallow in mauverick titles Like; Cop-puncher, weed-cooler, ****** breaker, top sniffer, hotel sentry And many other accoladic names as you feasted me on your virtuosity. Royal is your blood as you bivouac in the blizzards The blood in your vein came from the state panjandrum During the libidinous hour in the wee of the night The teats you suckled were of your undergraduate mothers In the high powered Universities of bourgeoisie education Never regret in your ego for great is your genetics It was solely misplaced priorities of your vulnerable mothers That had you dumped on the street garbage in the oblivion of society But great you are because 10% you hitherto make Of the ostentations African population that is whoopingly a billion! Time is coming for your final say, bivouac wherever you are For your day is very soon.
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34
I guess it's Been four years now She turned up here homeless She was old Even then Those used teats The grey on her jowl Lonely. So loving. She's followed me Like my shadow Ever since And don't believe A dog can't smile In my absences She'll sit by the door Until I come back I'm 60 now. Just had a birthday. And this black Labrador Beauty gave me the honor Of crawling up next To me as I went to sleep She rarely has done before. And it made me wonder How I want to die before her I don't think I could stand Losing her But thought Of what would happen To her If I went before And this isn't poetry It's a love story About two lonely orphans Who found someone Who loves them more Than life itself And how Much love Can mean
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Jan 31, 2018
Jan 31, 2018 at 4:07 AM UTC
Missy
All God's children, resting on both their knees, doing whoever they please, thrusting boredom away, dismantling the moonbeams, dissolving the winter wind, with a pitiful howl. We suckled teats, we dragged our feet, now we ***** black comedy, and pace perpetual in the valley. All God's children, lifting their hands to the plasma screen, drinking their own blood, and feeling perfectly guilty for it.
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Sep 4, 2010
Sep 4, 2010 at 12:21 AM UTC
fixed
Alexander K Opicho (Eldoret, Kenya;[email protected]) My heart has gone out for all families on the street That came out of the erstwhile street boys and girls Kudos to your creativity as you make life from nothing Blessed bye your bravado and sense of oblivion With which you have held the riches of the world In which effortlessly swim the powers that be, Beautified be a street family in the all quarters of the world Wherever you are kindly be ennobled Whether in India or Chicago of Americas, Be it Nairobi, Lagos or Jo’burg the infernos of urchinery Good times and chances befall you children of the street. Great beauty with you is condemnation of the tribe In Africa where ethnicity is the bricks of tribal mall Your names are conditional but not tribal connotation They sing songs of exclusion but not chauvinism of ethnicity I was in Kenya at the city of Eldoret, I visited your platoon In the suburb of Langas, I derided not in the glory of your nomenclature; Some of you festooned in the street emperor, as other wallow in mauverick titles Like; Cop-puncher, weed-cooler, ****** breaker, top sniffer, hotel sentry And many other accoladic names as you feasted me on your virtuosity. Royal is your blood as you bivouac in the blizzards The blood in your vein came from the state panjandrum During the libidinous hour in the wee of the night The teats you suckled were of your undergraduate mothers In the high powered Universities of bourgeoisie education Never regret in your ego for great is your genetics It was solely misplaced priorities of your vulnerable mothers That had you dumped on the street garbage in the oblivion of society But great you are because 10% you hitherto make Of the ostentations African population that is whoopingly a billion! Time is coming for your final say, bivouac wherever you are For your day is very soon.
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Feb 6, 2014
Feb 6, 2014 at 6:39 AM UTC
Ode to All the Street Families
Alexander K Opicho (Eldoret, Kenya;[email protected]) My heart has gone out for all families on the street That came out of the erstwhile street boys and girls Kudos to your creativity as you make life from nothing Blessed bye your bravado and sense of oblivion With which you have held the riches of the world In which effortlessly swim the powers that be, Beautified be a street family in the all quarters of the world Wherever you are kindly be ennobled Whether in India or Chicago of Americas, Be it Nairobi, Lagos or Jo’burg the infernos of urchinery Good times and chances befall you children of the street. Great beauty with you is condemnation of the tribe In Africa where ethnicity is the bricks of tribal mall Your names are conditional but not tribal connotation They sing songs of exclusion but not chauvinism of ethnicity I was in Kenya at the city of Eldoret, I visited your platoon In the suburb of Langas, I derided not in the glory of your nomenclature; Some of you festooned in the street emperor, as other wallow in mauverick titles Like; Cop-puncher, weed-cooler, ****** breaker, top sniffer, hotel sentry And many other accoladic names as you feasted me on your virtuosity. Royal is your blood as you bivouac in the blizzards The blood in your vein came from the state panjandrum During the libidinous hour in the wee of the night The teats you suckled were of your undergraduate mothers In the high powered Universities of bourgeoisie education Never regret in your ego for great is your genetics It was solely misplaced priorities of your vulnerable mothers That had you dumped on the street garbage in the oblivion of society But great you are because 10% you hitherto make Of the ostentations African population that is whoopingly a billion! Time is coming for your final say, bivouac wherever you are For your day is very soon.
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34
This might be the Real Transmission Mechanism The niggerly water lubricating a Trickle Down Greens in Rich hand gets miserly saved Yet earned on Poor back miraculously makes it Rain Washingtons fall a few Jacksons scorch land in lap Even a Benjamin swallows Trick Dollar to **** a positive cash flow Bills stick on teats just enough to buy a comfort Doritos bag a Brand name snack for her little boy So he'll grow up knowing What value-added Marketing taste like.
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Feb 4, 2019
Feb 4, 2019 at 10:56 AM UTC
Low Bound Theory
Alexander K Opicho (Eldoret, Kenya;[email protected]) My heart has gone out for all families on the street That came out of the erstwhile street boys and girls Kudos to your creativity as you make life from nothing Blessed bye your bravado and sense of oblivion With which you have held the riches of the world In which effortlessly swim the powers that be, Beautified be a street family in the all quarters of the world Wherever you are kindly be ennobled Whether in India or Chicago of Americas, Be it Nairobi, Lagos or Jo’burg the infernos of urchinery Good times and chances befall you children of the street. Great beauty with you is condemnation of the tribe In Africa where ethnicity is the bricks of tribal mall Your names are conditional but not tribal connotation They sing songs of exclusion but not chauvinism of ethnicity I was in Kenya at the city of Eldoret, I visited your platoon In the suburb of Langas, I derided not in the glory of your nomenclature; Some of you festooned in the street emperor, as other wallow in mauverick titles Like; Cop-puncher, weed-cooler, ****** breaker, top sniffer, hotel sentry And many other accoladic names as you feasted me on your virtuosity. Royal is your blood as you bivouac in the blizzards The blood in your vein came from the state panjandrum During the libidinous hour in the wee of the night The teats you suckled were of your undergraduate mothers In the high powered Universities of bourgeoisie education Never regret in your ego for great is your genetics It was solely misplaced priorities of your vulnerable mothers That had you dumped on the street garbage in the oblivion of society But great you are because 10% you hitherto make Of the ostentations African population that is whoopingly a billion! Time is coming for your final say, bivouac wherever you are For your day is very soon.
0
Feb 6, 2014
Feb 6, 2014 at 6:48 AM UTC
Untitled
Alexander K Opicho (Eldoret, Kenya;[email protected]) My heart has gone out for all families on the street That came out of the erstwhile street boys and girls Kudos to your creativity as you make life from nothing Blessed bye your bravado and sense of oblivion With which you have held the riches of the world In which effortlessly swim the powers that be, Beautified be a street family in the all quarters of the world Wherever you are kindly be ennobled Whether in India or Chicago of Americas, Be it Nairobi, Lagos or Jo’burg the infernos of urchinery Good times and chances befall you children of the street. Great beauty with you is condemnation of the tribe In Africa where ethnicity is the bricks of tribal mall Your names are conditional but not tribal connotation They sing songs of exclusion but not chauvinism of ethnicity I was in Kenya at the city of Eldoret, I visited your platoon In the suburb of Langas, I derided not in the glory of your nomenclature; Some of you festooned in the street emperor, as other wallow in mauverick titles Like; Cop-puncher, weed-cooler, ****** breaker, top sniffer, hotel sentry And many other accoladic names as you feasted me on your virtuosity. Royal is your blood as you bivouac in the blizzards The blood in your vein came from the state panjandrum During the libidinous hour in the wee of the night The teats you suckled were of your undergraduate mothers In the high powered Universities of bourgeoisie education Never regret in your ego for great is your genetics It was solely misplaced priorities of your vulnerable mothers That had you dumped on the street garbage in the oblivion of society But great you are because 10% you hitherto make Of the ostentations African population that is whoopingly a billion! Time is coming for your final say, bivouac wherever you are For your day is very soon.
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Silent tears bewitch my mind Icy fingers caress my soul Sickening thoughts consume me A faint pulse they stole Evil desires taint my logic Through my desperate quest Striving for deluded perfection A reflection I detest Golden curls disappear Tired eyes dominate Companions nervously enquire "How much have I ate?" Obsessions take control Forgetting about all that I care Procrastinating with anxiety What do they think, why do they stare? Guilty actions and fears dictate Participating in deeds I regret All the pain that I caused Oh how I wish I could forget So let this be an example When your bones begin to show When your hair starts to thin and your face lacks a youthful glow It is not worth the pain It will never be worth the lies It takes control of your will Shrinking your withering size When you see your mother's teats A gaze of father's sorrow Just remember one thing Recovery is as close as tomorrow
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Jul 26, 2013
Jul 26, 2013 at 2:35 AM UTC
Lost
Mother i remember as the pritty one with teats not one of those other knobs that chow cha chewed do you mother remember me i am the one you called the black sheep and on a good day Paul tonight i remember all you are my dispersible aspirin and mother i need you now.
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May 23, 2013
May 23, 2013 at 2:42 PM UTC
Dispersible Aspirin.
( this work is livicated to the six children who will die in the so-called "third-world in the time it takes to read it) Drip, drip, drip says the stand-pipe in the shanty town as the young mothers gather round plastic containers on the ground listening to the drip, drip, drip of life ebbing away the riverbeds have all dried up the wells are mineshafts to the past the irrigation channels of their ******* are polluted now by the Cuckoo's Nest the powdered-milk...the dust-bowl fields the quotas met......the land reveals the hand that rocks this cradle is the one who lays the table with "third-world" debt their able to rob and **** and disable as the dehydrated bodies blow away like ashes the multi-national faschists........ with vampire banks decashes the breast-milk of the masses witha ****** drip, drip, drip from the ******* of the mothers the corporations smother.... the babies in their sleep the cuckoo comes as a thief with a free sample and a brief case full of deceipt............ may I make a suggestion? "ASK SOME QUESTIONS" As you eat your chocolate and drink your coffee and smear ice-cream on your lovers body and NESTLE down to the land of noddy to dream of countless trucks and lorries ferrying the cow-juice and the slurry burning the forests in such a hurry more cattle and cash and burn and $lash leaves a gaping **** in the dried-up flesh of Mother Earth and 4000 babies every year yes 4000 babies every year return to the DUST.... BOWL..............BREAKFAST BOWL CEREAL BOWL..........SERIAL KRIME CORN and MILK spells CORPORATE CRIME dished up for your childrens belly in front of telly-tubby tellies Chocolate bars and candy treats robbed from the swollen teats of mutated udders whilst the cow's baby brothers are herded into crates and served on rich mens plates the mothers stand and wait and listen to the rate of the DRIP DRIP DRIP of spilt milk down the drain the governments explain and bury their shame under mountains of grain and excess champagne and if you BEG you get Easter eggs instead served up by the "head" whose saviour bled with a steady DRIP DRIP DRIP and I scream and jelly and biscuits and cakes make bovine mistakes and cheesy diseases from the milk that turns sour reminds us every hour of this KATTLE KULTURE HERESY of babies dying constantly with a DRIP DRIP DRIP
0
Jun 17, 2019
Jun 17, 2019 at 11:57 AM UTC
DRIP DRIP DRIP
( this work is livicated to the six children who will die in the so-called "third-world in the time it takes to read it) Drip, drip, drip says the stand-pipe in the shanty town as the young mothers gather round plastic containers on the ground listening to the drip, drip, drip of life ebbing away the riverbeds have all dried up the wells are mineshafts to the past the irrigation channels of their ******* are polluted now by the Cuckoo's Nest the powdered-milk...the dust-bowl fields the quotas met......the land reveals the hand that rocks this cradle is the one who lays the table with "third-world" debt their able to rob and **** and disable as the dehydrated bodies blow away like ashes the multi-national faschists........ with vampire banks decashes the breast-milk of the masses witha ****** drip, drip, drip from the ******* of the mothers the corporations smother.... the babies in their sleep the cuckoo comes as a thief with a free sample and a brief case full of deceipt............ may I make a suggestion? "ASK SOME QUESTIONS" As you eat your chocolate and drink your coffee and smear ice-cream on your lovers body and NESTLE down to the land of noddy to dream of countless trucks and lorries ferrying the cow-juice and the slurry burning the forests in such a hurry more cattle and cash and burn and $lash leaves a gaping **** in the dried-up flesh of Mother Earth and 4000 babies every year yes 4000 babies every year return to the DUST.... BOWL..............BREAKFAST BOWL CEREAL BOWL..........SERIAL KRIME CORN and MILK spells CORPORATE CRIME dished up for your childrens belly in front of telly-tubby tellies Chocolate bars and candy treats robbed from the swollen teats of mutated udders whilst the cow's baby brothers are herded into crates and served on rich mens plates the mothers stand and wait and listen to the rate of the DRIP DRIP DRIP of spilt milk down the drain the governments explain and bury their shame under mountains of grain and excess champagne and if you BEG you get Easter eggs instead served up by the "head" whose saviour bled with a steady DRIP DRIP DRIP and I scream and jelly and biscuits and cakes make bovine mistakes and cheesy diseases from the milk that turns sour reminds us every hour of this KATTLE KULTURE HERESY of babies dying constantly with a DRIP DRIP DRIP
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I found a skeleton of a bus so far into the pines, I knew it had been dropped from the sky, to save me   they had to be far behind, the other side of the stream, where those hounds lost my scent     Jed and Tonto didn’t follow me across the shallows, and I’d bet all the money I ever stole those curs and the posse ate them up     there was almost half a moon, though inside the bus was black; outside was freezing drizzle pattering on the roof   the coat I filched was soaked     my trousers too--nobody told me Alabama got this cold   if they had I wouldn’t have believed them until that night   I curled up in a ball behind the driver’s seat, shoved my frozen hands in my shirt     then I heard that hiss, and saw those eyes--I stayed quiet, more quiet even than when I hid from John law     then she growled, deep, slow but I kept watching her eyes--emerald and still, still in the place I first saw them     then we were both silent   I’d  *** my drawers before I’d move freeze outside... get ate inside   the hours passed fast; I drifted, dreamed a little of being back inside, and woke when the sun hit the cracked windshield     she was still there with two cubs nursing, now used to my smell I suppose, since she didn’t jump   when I slid down the bus stairs into the frosty grass, where I saw a doe chewing forbs, close to the roots   lucky the lion had her babes stuck to her teats, lucky I was between the cat and prey, lucky the bus was in that grove
0
Jul 4, 2016
Jul 4, 2016 at 11:50 PM UTC
deliverance
I found a skeleton of a bus so far into the pines, I knew it had been dropped from the sky, to save me   they had to be far behind, the other side of the stream, where those hounds lost my scent     Jed and Tonto didn’t follow me across the shallows, and I’d bet all the money I ever stole those curs and the posse ate them up     there was almost half a moon, though inside the bus was black; outside was freezing drizzle pattering on the roof   the coat I filched was soaked     my trousers too--nobody told me Alabama got this cold   if they had I wouldn’t have believed them until that night   I curled up in a ball behind the driver’s seat, shoved my frozen hands in my shirt     then I heard that hiss, and saw those eyes--I stayed quiet, more quiet even than when I hid from John law     then she growled, deep, slow but I kept watching her eyes--emerald and still, still in the place I first saw them     then we were both silent   I’d  *** my drawers before I’d move freeze outside... get ate inside   the hours passed fast; I drifted, dreamed a little of being back inside, and woke when the sun hit the cracked windshield     she was still there with two cubs nursing, now used to my smell I suppose, since she didn’t jump   when I slid down the bus stairs into the frosty grass, where I saw a doe chewing forbs, close to the roots   lucky the lion had her babes stuck to her teats, lucky I was between the cat and prey, lucky the bus was in that grove
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