i became the jumpin' jack flash in november '77.
there was slush in new york city and the bums at the piers
still burned trash in metal barrels you could see from over on coney island even.
just like kerouac said.

in the daytime foolish kids picked weeds in central park
and called them flowers. they got laid by stringing charming words together as they gave them
to the thousand daughters of manhattan's old monied men,
the wall street hacks hanging from the teats of the
great & frenzied cash cow of capitalist interest. the milk
came slow that winter.

one week, early december when the slush gave way to furtive snowfalls
i took a bus to patterson, NJ
for a few days, drank a lot of awful coffee writing obscenities in my journal but speaking
them aloud in the restaurants and bars and so
was deemed just like everybody else in patterson, NJ.
drunk & high, helicopter tours, stuffed with bread and half-truths.
and when shortly my irish luck ran out i raced back to the big smoke
in a drop-top mercedes driven by a man whose thick accent i couldn't quite place.
whose only serious question was whether i knew anyone
who had good coke.

in the city it rained for three weeks straight and
david byrne, in some bowery apartment wrote a song called 'flood'
which was never released on any talking head's album
but lingered in his brain as a reminder of the three weeks
he spent cooped up, eating saltines and dancing to the rhythms of the thunder and rain outside.
totally alone with his mind & a bass guitar. tina weymouth, naturally, was furious.
the bass was the last thing she had left in a band she half-started. and david had stolen even that.

but that was tina weymouth, that was new york.