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st64 Apr 2014
Spring comes little, a little. All April it rains.
The new leaves stick in their fists; new ferns still fiddleheads.
But one day the swifts are back. Face to the sun like a child
You shout, 'The swifts are back!'


Sure enough, bolt nocks bow to carry one sky-scyther
Two hundred miles an hour across fullblown windfields.
Swereee swereee. Another. And another.
It's the cut air falling in shrieks on our chimneys and roofs.


The next day, a fleet of high crosses cruises in ether.
These are the air pilgrims, pilots of air rivers.
But a shift of wing, and they're earth-skimmers, daggers
Skilful in guiding the throw of themselves away from themselves.


Quick flutter, a scimitar upsweep, out of danger of touch, for
Earth is forbidden to them, water's forbidden to them,
All air and fire, little owlish ascetics, they outfly storms,
They rush to the pillars of altitude, the thermal fountains.


Here is a legend of swifts, a parable —
When the Great Raven bent over earth to create the birds,
The swifts were ungrateful. They were small muddy things
Like shoes, with long legs and short wings,


So they took themselves off to the mountains to sulk.
And they stayed there. 'Well,' said the Raven, after years of this,
'I will give you the sky. You can have the whole sky
On condition that you give up rest.'


'Yes, yes,' screamed the swifts, 'We abhor rest.
We detest the filth of growth, the sweat of sleep,
Soft nests in the wet fields, slimehold of worms.
Let us be free, be air!'


So the Raven took their legs and bound them into their bodies.
He bent their wings like boomerangs, honed them like knives.
He streamlined their feathers and stripped them of velvet.
Then he released them, Never to Return


Inscribed on their feet and wings. And so
We have swifts, though in reality, not parables but
Bolts in the world's need: swift
Swifts, not in punishment, not in ecstasy, simply


Sleepers over oceans in the mill of the world's breathing.
The grace to say they live in another firmament.
A way to say the miracle will not occur,
And watch the miracle.
Anne Stevenson (b. 1933)
http://www.anne-stevenson.co.uk



Born in Cambridge, England, Anne Stevenson moved between the United States and the United Kingdom numerous times during the first half of her life.
While she considers herself an American, Stevenson qualifies her status: “I belong to an America which no longer really exists.”
Since 1962 she has lived mainly in the U.K., including Cambridge, Scotland, Oxford, and, most recently, North Wales and Durham.

Intersections and borders are common emblems in Stevenson’s work, though the land on which they are drawn is often mutable or shrouded in mist.
She is as comfortable in strict form as she is in free verse, and her poetry, according to poet George Szirtes, is “humane, intelligent and sane, composed of both natural and rational elements, and amply furnished with patches of wit and fury.”

Initially a student of music, Stevenson earned her undergraduate and master’s degrees at the University of Michigan, where she studied with Donald Hall, who encouraged her to pursue poetry.
Resistant to connections with any particular school of contemporary poetry, Stevenson has honed her art apart from many of her peers but within the larger conversation of the form.
As she says, “If I couldn’t overhear the rhythms and sounds established by the long, varied tradition of English poetry—say by Donne, Blake, Keats, Dickinson, Whitman, Frost—I would not be able to hear what I myself have to say. Poems that arise only from a shallow layer of adulterated, contemporary language are rootless. They taste to me like the mass-produced vegetables grown in chemicals for supermarkets.”

Stevenson slowly lost her hearing years ago, though her poetry continues to come first from sound.
In a 2007 essay, Stevenson wrote, “Although I rarely write in set forms now, poems still come to me as tunes in the head. Words fall into rhythms before they make sense. It often happens that I discover what a poem is about through a process of listening to what its rhythms are telling me.”

“Ever since I can remember, I have been aware of living at what E.M. Forster called ‘a slight angle’ to the universe,” she says.
“I have always had to create my own angular environment or perish. But that’s the whole point about borders. It’s the best place from which to be able to see both sides.”
A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n
I told the swifts they’d got it wrong
I watched them glide and dip and play
The sky was of the richest hue
Without a the slightest hint of grey

But slowly as the day wore on
The clouds began to blot the light
And doubts began to fill my head
Could the swifts have got it right?

Of course they had, why even ask
No confusion in their feathery heads
The clues were plain, the signs were clear
The rain would come, as soon as said

And so it did, with lightening flash
With thunderous roar and constant pound
With drops the size of apricots
To slake the tired and parch-ed ground.

We mustn’t doubt our fellow creatures
They feel things that we’d never sense
Watch for signs and **** an ear
And bow to Nature’s sapience.


Stuart Williamson     August 2016     ©
A feather will drift but hard as is, you cannot catch a migrating swift. A tap will drip, a slow death rising from an evaporating pool, a cloud will steal what the sun will lift. Life will wilt and seeds will sprout, earth will provide what deity choked on drought. Promise will hibernate and people will pray, roots will remember and hope will stay, next seasons gorged seeds on which swifts will prey.
The Iguazu falls
Swifts slow dance through the waterfalls
Sun their wings on cliffs
Watched a documentary on dark swifts, and their life around the Iguazu Falls. Such a fascinating beauty!!
Paul Hansford Apr 2016
Such a wind today! The air
seems almost solid. Impossible
to go out in it.

Swifts invoking anti-gravity
lean on the air with sickle wings,
slice upward through it;
hang weightless at the peak,
then accepting the pull of earth,
hurtle downhill on kamikaze ski-run,
a mutual slalom, each avoiding
a hundred twisting obstacles;
alter their angle to the air, and rise again
up invisible gradients,
a swooping, soaring ballet with the wind,
its complex choreography
conceived in the tiny brains
of a hundred separate birds.

One pair, suddenly detached,
wings fluttering, wheel and plunge,
circle each other in an aerial
ice-dance pas de deux,
stunt kites without strings;
return to the flock, and are replaced
by another, and another, virtuoso couple.
The whole etherial stage is full
of improvisational star turns.

Such a wind! Impossible
for this earthbound human
to go out in it.
I'll stay and watch the show.
K Balachandran Mar 2015
1.
Eyes, eager fish, in deep Himalayan blue, splash and swim
the ultramarine sky of the mind, gets color coordinated, in resonance
wind from across the ranges, incessantly chant  guttural "Öm"
gently spreads waves, that on ears, vibrate as music,divine
our feet get liberated from mind's control,  the trek becomes us.
2.
Eyes now, turn swifts, fly to the valley extending to horizon,
teeming with flowers of every hue, profusion of orchids,
rolling white clouds above,create *tantric patterns
of grace, swirls, swoops,scoops, somersaults,the trek goes on.
3.
Melting ice, fits well on the conical brown mountain tops,
a white bodice, perfect cover for her lovely peaks,
angular mounts gleam in the limitless avalanche
of light, an impulse for benediction is palpable.
4.
Simple folks of village, on the way side
in flowing colorful dresses *****, tall poles
festoons of bright colors, joyous prayer flags   flutter in wind
proclaims festive spirit, they vigorously wave.
5.
Now heart overwhelms, sings the paeans of
a sky that changes it's face from blue to white
and sometimes, a hue so bleak, deep gloom,
on red brown earth, sun light prances around.
6.
The grass bed then transforms quick,
mind drinks the dense benediction peace brings
that coils inside the soft blue waves, beating within and out
7.
Himalayan blue has taken us in to it's embrace
bird songs ring along the path of ancient sages,
who went in to the forest abode to contemplate, never returned,
became one with the hum of cosmos, they walk within us.
*Tantra-an esoteric practice which use" fractal diagrams' of complex geometrical formations  as a means to create resonant vibrations, to the level of cosmic energy,as a means to raise to higher consciousness.Tantra makes use of "Panchamakara"(Five Ms in Sanskrit)which are "Madya"(wine):"Mamsa"(meat),"Matsta"(fish)"Mudra"(esoteric gestures)"Maidhuna"(Ritualistic ***), as taboo braking elements to reach higher consciousness.This is the less travelled path and hence called "Väma marga"(Left hand path)
L B Aug 2018
On rising heat, killdeer flush
to decoy enemy--
threat to its young that roams too close
They rush to skim on hayish blur
wailing over wildflowers drying

Fretful twitter in perpetual flight
swifts-- twirl and hurl their bits of bodies--
debris
from a cumulonimbus of a late-day sky
toward a ridge of stag horn sumac
presuming horizon primordial
behind which time and city-- drift and wobble
on rising heat-- after rush hour

Rising Heat
Rising--
to meet my mind
on its way down
from my post behind
the laundromat
where I view it all--
rising--
where I usually go in search of quiet
to almost hear the ocean
     two hundred miles away
to strain words from wind
     in careless conversation
to wonder over
     missed whispers....

But not today
In rising heat, I went down
in search of something better--
     your eyes again
     solvent for my presence of mind
     dissolvers of hours and the order of things
But I need an excuse!
     To turn, to trespass, to disturb the peace!
     For your eyes again!
And still I need more-- being feverish, weak
Or?
Or... should I take the cure?
     To deny ...To deny

To deny what?
Overtones from a sea of years?
I don't know!  Whatever it was!
Nothing explain it...

I melt... I'm gone....
An old poem that keeps finding itself a need for expression.
Owen Phillips Apr 2013
It's all gone out of me, the hammer falls and I'm not ready to answer
Trembling, weakness supporting a tub of jelly
The pollen-filled air flies past like the
Pelicans at the edge of the harbor
Taking us gliding for an unpleasant ride
Down the corridors of plastic colors
Through the one word answers that bubble forth from
10,000 years away in hyperspace
Where the mechanisms of language become so convoluted
That they disappear completely out at the vanishing point
Coming up behind you again to drag you into that smoky allure
You remember hating and pinching your nose from
And hiding in the car, but the new fear is of becoming addicted to it
Just like your addiction to ego games and
Intellect, just like your addiction to pleasure and constant validation

The validation's there in the eternal self, they say
But I'm an intellectual
Too impatient for meditation
And lost along the way to enlightenment
That I truly want,
But then I'll never have it if I continue to live this way

It's wilderness calling from a tame fool
Sticking up for you the overgrown horoscope signifies
The shapes of skydives,
He comes in and out of our dull lives
And there's an electric current that solidifies between
Him, Us, and his music
Iron rods jutting up from scorched earth
A broken paradise
Crumbling in a whisky tumbler
Blackened by fiber filters, creations
Unlocked by flowing ontological
Caricatures, open wounds gnashing
At attention-seeking osteopaths
Fortune seekers clamber down
Soccer field bleachers,
Somebody lost his sneakers in the woods
Once there was a set of barbells along the trail
We fell in line and started
Counting each other
One by one it seemed like the green apples would never fall
It was up to us to wait for the shower
It would feed our kin
We'd begin to rise up together
But it could never keep up with our pen
We wanted the ghosts to follow us and overtake our mortal foes
But we couldn't command the armies of the dead
We derive all our pleasures from films and campfire stories
We contrive our adventures but we wait for them to happen to us
We take a passive role in finding love
And it blinks lights at us across suburban streets through windows in the dark
The mind begins to writhe with new memories it composed of old
An idealized time of a child with the perverse mind
Of a hogtied adolescent
Guessing that the course of existence
Isn't determined by the speed of your calculations
Testing the warm water on a naked toe
We could dive in and forget to breathe
And the water could carry us forever
Alleviating gravity
All the obstacles we perceived in past lives
Remain with us like
Chimney swifts on the bottomless April days of a
Klu Klux **** telephone operator
Who believed in the spirit and the holy ghost
And burned a quiet altar to Satan's minions every Sunday night
Drinking nail polish and
Obscure references to the films of the
Ancient Greek philosophers, who
Saw the medium as a means to a message
And patronized the elitest filmmakers to study the ancient Runes
And reveal their findings to a power-hungry public
That would not outright reject it
But that would have to follow it down the rabbit hole
Through the wide mouth of the trumpet around brass fixtures
And into the tight hot moist mouth of the trumpeter
And the elemental warriors would strike oil beneath the whole affair
Ending the time we spent hoping for any entertainment to create itself before our barren psyches
Busying ourselves with incomprehensible tasks and letting our indolence take the reins until we found our heads again out there amid the vapors of
New car chem trails and old railroad bunkers where spruce and cedar grow through cement earth, they force apart the ground with just their roots

We weren't ready to keep watch the following weekend but we
Had no choice when the government bond expired
And we had only technological solutions left to hope for
And wrongly we abandoned our research posts to fight the enemies
With giant weapons and uncreative slogans
Our drummers played so fast we marched along and killed all that remained in record doubletime
Rendering the events of that victorious day immortal in the ingenious accounts of
Philosopher/poet/historian Michael Jackson
Who gave one final performance
To save himself from what must not be
We had blown through half the ***** and the drugs were nowhere to be found  in this oasis's of debauchery and bad decisions .
Bone had thrown his usual  temper fit and with his spoiled rich boy roots showed his *** in the worst possible way till someone finally shut him the **** up.

And after the ******* dude had knocked my sometimes friend most times pain in my *** sidekick out.
Looking to me in half spent rage and ****** knuckles asking now what the **** are you  going to do?

Well I'm going to have another round and play the jukebox now that someone finally shut that ******* up what you having amigo?
You mean your just going to sit there and let me get away with what I did to your friend that way.

Who that guy in the floor I don't know him.
But you came in here together **** you been sitting here drinking for at least five hours and your telling me you don't know him?

Oh that guy sleeping in a pool of blood in the floor?
Yeah stupid .
Nope never met him but he 's alright sometime when he's not ******* then he's well less a ***** and more just a regular ******* .

What are you ******* with me ******!?

The burly man asked as pure anger flowed like the Rio grand within his eye's
Some people have to build the rage up like some strange volcano to inflict damage on others and some are just ******* by design.
I wasn't sure of this man's type I just knew it was to dam hot to hit the highway and the cervasa was cold the music was right and I had no intention of leaving before my buzz kicked in.

What's to stop me from just kicking your *** like I did this ******* *******  ****** you tell me what's to stop me from taking your money and  rolling your *** right out of this place?

Mexico still bleeds of the past and it's people still show that passion for a good fight that at it's base is the true nature of man .
Not to be some violent nut but the passion for life at it's sharpest and most dangerous edge .

Well my friend I can think of a few reasons and probably none will be that pleasant.

I'm done with your games ****** .
The man moved forward fists clenched ready for round two I suppose
but his eye's sure were shocked when he found a barrel of a gun placed firmly between his eyes.

Now I told you this wasn't going to be pleasant sure you could have sat your angry *** down on a bar stool had a drink or two but no you had to play the ******* when I was just trying to catch a good buzz I swear some people have no manners .

The room went dead silent like some cheap spaghetti western right before someone was about to get killed minus that weird *** music so I guess it wasn't that silent at all as one old man turned his head then just went back to his drink like I don't give a **** as long as he doesn't bother me or make me stop drinking.


Oh **** ****** don't pull that ******* trigger  the man said his rage had turned more into a look of fear or maybe just a look of he just **** his pants honestly what's the difference well minus the smell.

with a gun in one hand and a beer in another I called the bartender down .
Mix me a mist and coke barkeep please.

No Whiskey just tequila senior .
What ! I replied in a fake sort of shock .
I swear no whiskey No women what kind of bar is this place I swear do I have to shoot somebody to get a bottle of whiskey ?

No no ****** the man at the end of the gun pleaded just get him some ******* whiskey Goddamit  he yelled at the bartender.
Really you don't have to be rude oh I'm sorry what's your name I been to busy holding you at gunpoint you must forgive my manners.

My names Gonzo I enjoy killing my liver hookers but only in moderation  like a good Christian  and ballroom dancing .
The man at the end of the boom stick lost all fear at least for a second.
Really ballroom dancing?

I'm kidding bout that one amigo but I do enjoy watching a good pole dancer  high five to that I mean I would  give you a high five if I wasn't holding a gun to your head and all .

Um you ever going to tell me your name bud?
I looked at this now downright scared shitless man who seemed to have a real issue with sweating from the strange puddle on the floor.

I swear you pull a fully loaded pistol on someone and point it to there head and everyone just acts so serious people are so strange these days.

Bill the man with a sweating problem replied.
Bill ?  Really what Mexican is named Bill ?
I mean I come all the  way down here get into some wild west kickass trouble and I find the only Mexican named Bill .
******* Machete you ruined my whole experience of what this was supposed to be like.

Sir. the man tried to speak up behind the  bar.
Don't interrupt me barkeep I'm on a dam roll here duh who you thinks writing this story imaginary person I created within my own demented mind.

You see Bill when I come across the border I expect a few simple things kick *** ****** cheap drinks and badass people like yourself named Razor or Spider  Or  El Nino or some sort of **** is that raciest sure put labels on what we have here amigo but I come for a kickass time in Mexico  and you really well you just killed it so I hope your happy.

I'm so sorry but please don't **** me Bill Replied .
Sir the barkeep spoke up again.

Okay what bartender being my whole trip has been ruined by Mexican Bill who honestly I feel if not for all this gun and life or death **** we could have a true connection but not like in a gone fishing on that mountain **** were those two cowboys corn hole each other  or maybe they just played corn hole once is fine I mean its not like I saw that movie and cried at the end cause duh I would never go see that in some cheap attempt to get laid by my teenage stripper girlfriend yeah don't ask.

Okay barkeep what the hell is it.
Well sir were not in Mexico.
This man was clearly more drunk than I for he didn't know what dam country he was in.

Amigo are you sure you know what your talking about.
Well yeah the barkeep replied your in Busch gardens theme park .
Well that certainly explains the ******* roller coaster and why that woman near it slapped me when I asked how much for a ******* boy do I feel embarrassed.

I knew I shouldn't have had that acid before leaving the house .
I did think it was strange that Germany was within walking distance.

So after nearly giving Mexican Bill a heart attack who was actually was Canada Bill once made me feel a little better because  honestly just for Nickleback and Justin Bieber  was grounds enough to pull a gun on him .

We sat  enjoyed some drinks as Bone laid passed out in the floor and said I don't want to go to school every time I kicked him cause I'm a true **** for a friend duh like you hadn't figured that out.

We laughed we rode rides we beat some dude up in France just because he was French .

And in the parking lot as we said are goodbyes.
I stood there and said you know Bill it's been great sorry bout the whole thinking I was in a foreign country and pulling a gun on you and stuff.

It's cool Gonz sorry about all my ****** music we pollute your airwaves with I know it's like being prison ****** by some dude called Harley .

Well I got to go and Bill  you stay crazy and by the way go take a ******* bath cause you **** your pants and it smells worse than Taylor swifts crouch okay .

Yeah the city landfill doesn't have **** on her .

We parted  are ways drunk and behind the wheel like good Americans .
And if that ****** you off just wait till my next write.

Duh it's just a story *******.
Stay crazy hamsters .

Your captain  

Gonzo
If there is anyone I have neglected to offend please feel free to contact me at.

Shady Pines Mental Facility.
PO box 3   27950
Nirvana Jun 2015
Reciting your enchanting beauty
My life swifts from river mode to sea
Where it is deeper and yet empty
Which drift/drives my life to agony

The wind of obsessity carries me
To a place I always dreamt to be
Placing my head in your lap I see;
A future where we could be happy

But gradually the dream gets over
As the obsessity wind gets slower
Revisiting the reality again
Introduces me to a familiar pain

The pain is not of losing you
You were not a reward to be won
But since now you're gone
I feel a friend is departing too


With shallow breath and watery eye
Trembling limps and left with a sigh
The heart beneath nearly die
The moment you said, goodbye...

I don't need drugs
To ruin my life
With an emotional outburst
Its hard to survive
Trillions of tiny warm pieces of coral, rock, and sea bones run smoothly through the hands and feet of one female being.
She sits upon the shoreline watching the way the tide and waves change...watching the almost reddish-orange sun set.
The sun that she is mesmerized by.
Mesmerized in such a way it causes her mind to open up, like a whales mouth when it's ready to satisfy it's hunger, looking almost as if its about to swallow the whole ocean itself.
With her brain burst asunder by the wonder of God's creation, she starts to think..thinking as she never did before, and putting thought into things that has never even crossed her mind.
Time is now infinite.
As hours pass, which seem like seconds, thoughts are no longer the only thing that surrounds her.
She is now accompanied by a Dream.
A dream which is as sweet as the very breeze that swifts across the ocean tops and embraces the most exotic extracts from the fruits and flowers around her.
A dream that cannot be expressed with words, but more rather jesters, thoughts, and actions...acts of love and uncontrollable feelings of desire and emotion.
Though in the deepest urge of reaching this dream, one never truly realizes how much pain, heartache, and sorrow one must endure to accomplish this ultimate beauty.
The understanding of this so called pain or love-sick criteria is, for some, too overwhelming for them to comprehend..and so we, me, you, or whomever simply just give up.
So truly, the strongest really do survive the pain love brings.
And so now, as the day becomes night, the sunset fades, and the oceans calm...that young female being heads back to another place of paradise, where she will lay her thoughts, dreams, and concerns on a pillow.
Yet as sure as the moon is forever, so was once a dreamer who is now the dream.

*-Bobbie Leigh
L B Sep 2017
On rising heat, killdeer flush
to decoy the enemy--
threat to its young that roams too close
They rush to skim on hayish blur
wailing over wildflowers drying

Fretful twitter in perpetual flight
swifts-- twirl and hurl their bits of bodies--
debris
from a cumulonimbus of a late-day sky
toward a ridge of stag horn sumac
presuming horizon primordial
behind which time and city-- drift and wobble
on rising heat-- after rush hour

*Rising Heat
Rising--
to meet my mind
on its way down
from my post behind
the laundromat
where I view it all--
rising--
where I usually go in search of quiet
to almost hear the ocean
     two hundred miles away
to strain words from wind
     in careless conversation
to wonder over
     missed whispers....

But not today
In rising heat, I went down
in search of something better--
     your eyes again
     solvent for my presence of mind
     dissolvers of hours and the order of things
But I need an excuse!
     To turn, to trespass, to disturb the peace!
     For your eyes again!
And still I need more-- being feverish, weak
Or?
Or... should I take the cure?
     To deny ...To deny

To deny what?
Overtones from a sea of years?
I don't know!  Whatever it was!
Nothing explain it...

I melt... I'm gone....
I think this feels like a song.  Wish I knew what to do with the music inside.  Written out behind the projects where i lived with my girls while finishing college. 1988
Nigel Morgan Apr 2017
Shimmering Sea

Sitting at my cluttered desk
I’ve just attacked a rabbit
with a knife. Don’t fret,
it was an Easter gift,
a golden bunny bebowed
and belled, the chocolate
incised and brought to light,
rich and dark so keenly
comforting aside the coffee
beaned from Nepal.

Her gift so lovingly given
I bless her ever-thoughtfulness,
and turn my thoughts
to see her walking by the sea,
on the cliff path
by the shimmering,
glimmering sea, always
at her right hand, blue,
an April blueness
barely a footstep from
a vertical drop through
the light-filled air . . .


Heady Scents

Fox, she would say,
without so much as
a sudden sniff,
and carry on her way
alert to all and everything.
And I would wonder,
Fox? But I had not been
schooled to recognize
a creature’s scent,
though sensitive always
to the human kind:
that sweetness after ***
found in Cupid’s gym.
So the subtle coconut
of bright-flowering gorse
and garlic woodland-wild
when trodden under foot.
will have to do instead.


Brimstone and Blues

Well, the sea is blue today,
why not the butterflies too?
though seen, it seemed
for a second,
fluttering at her feet,
tumbling indecisively
in flickering flight,
then gone: to leave
a stain of perfect blue
upon the retinal cells.


Peacocks (not butterflies)

I thought it was a peacock’s cry,
but it turned to be a turkey
out in the orchard next
our path to the sea.

Such an unpleasant-looking
bird whose tatty hind-feathers
rose as its blood-red throat
trembled with venomous
indignation at our presence.

Sad creature,
so ugly,
a troubling form
lacking grace or line,
majesty or wonder,
colour or display
of the pave cristasus.


Skylarks

Larking skywards
in the soft spring
vertiginous blueness
of the daylight heavens,
on song with circular breath,
seaward and away.
We only saw it descend
and heard the formants
change of its harmoniced
voice as it brushed
the standing crop,
finally fell,
and disappeared.


Swallows

Martins maybe?
Surely swifts?
But swallows?
Not yet awhile.

Some similar birds
fresh from flight
across southern seas
appeared, tumbled over,
shook the blue air,
then disappeared, as
suddenly greedy for grubs,
insectivously joyful,
so glad to be over land
once more.


Stonechats

I take your word for it
(having still to finish
the birding book you gave
at Christmas). Sounds right:
the sound of two stones
being rubbed together?
This robin-sized bird,
though dumpy in comparison,
who likes to sit on a gorse bush
and flick it wings; a nervous habit
some might say.


Blue on Blue

The sea in your eyes
is blue on blue
dear friend, dear lover
of my earthy self
whose eyes are browny-green,
whilst your’s own cloudless sky,
reflect the still shimmering sea.


A Ruined Castle

In a gap between
Purbeck Hills.
the Castle of Corfe
stands tall yet ruined.
Kaikhosru Sorabji
once lived in its sight,
composer, pianist, recluse.
Owning a cottage
he called The Eye,
with a Steinway Grand
and a cat called Jami  -
he wrote long complex music
people found difficult to play.
Eventually forbidding
all performances, he died
aged 96 - in 1988.
A curious man.


A Complete Castle

This must be an Italianate folly,
hardly ruined but complete.
We’d stopped for tea,
both hot and thirsty.
You’d hoped for ice cream
but had to wait for another day,
another place.

Had we not a train to catch,
and two miles still to walk,
we might have sat on its balcony
high above the shimmering sea,
and whilst eating ice cream,
looked on the sight of Lot’s Wife,
that white and final pillar of chalk
far out in Alum bay.


A Chapel

Profoundly square,
on a cliff-top high,
buttressed to its cardinal points
with a single window,
with a single door,
this chapel stands
where St Aldhelm
of Malmesbury,
would sing his sermons,
and, just for fun, some
hexametric enigmata
(riddles to you and me)

From his weaver’s riddle, Lorica:

non sum setigero
lanarum uellere facto
Nec radiis carpor duro
nec pectine pulsor


I am not made from
the rasping fleece of wool,
no leashes pull [me] nor
garrulous threads reverberate . . .


A Lighthouse

Brilliant white
and thoroughly walled about,
squat and unmanned,
it sits begging for
a crashing wave,
a serious storm,
but not today.
The sea is still,
calm and gently lapping
against the rocks below.


A Steam Train**

At Swanage station
just in time,
and amply satisfied
by our twelve-mile walk,
we settled ourselves
on bench-like seats
in the carriage
next the engine as
56XX Tank No.6695
took on water,
built up steam
for the seven-mile ride
past Heston Halt,
past Harman’s Cross
to Castle Corfe.

A circuit made
in seven hours
by path and rail.
A day's walk from on the Corfe Castle ro Swanage and back via the heritage steam railway.Poem titles by Alice Fox.
Glacier National Park, Lower Quartz Lake
Wednesday August 12, 2015 Day 1 of the backpacking trek.

Our tent next to the still waters.
Eventide respite.
Deborah reflecting in solitude at sunset.
Quiet with a gentle breath of mountain air.
Without an updraft to soar and glide upon, the eagle, nesting in the range of the watershed, has retired for the day.
A pair of Common Loons and four Hooded Merganser prepare for the nights cooling, moving in the glossy water toward their rest, gentle lines tracing as the water crests and falls behind.
Black swifts emerge from the shadows, dancing near the lake to feed on twilight insects.
The orange sky and red orb of Sol are a prelude to a multitude of stars as the world turns into darkness.
Her fingertips loosed the glass
bottle, which had
of late
gathered rain like the
hands of paupers.

Glitter in a heartbeat.
to be collected by old battered shoes
or car tyres
and streetwise magpies.

it joins a city evensong
this oceanic roar of nothing
fusing chords of cars and smoke
and lonely dogs
with hacks
and throngs
of perambulating suits
and suitors
trampling athwart broads of concrete
As swifts in summer.


We swim in it
through open atriums
and barren rooms of
magnolia and magnolia and magnolia.

All the while if you look harder
you see through chinks a sepulchre
in each greying tower
ranging higher and higher still.

Machines and machinations
stacking life upon life to
build pyramids
to gaudy kings
in pinstripe or herringbone.

Flumes of fumes ***** like floods
Into and out of train stops
and bus stands.
Circling lungs like hungry crows.
Crows which haunt
Bombed out chapels made new
resuscitated with waxen ivy
and ivory lilies.

And the leaves of saintly oak trees
chatter in shrinking crevices of green
story telling
Of how people and things grow old.
And you can walk these streets
And dive too like cormorants into
The platitudes of city living.

Soaked to the skin in sound
to tell your story
like the shards
of a broken bottle.
martin Jun 2013
Let's go outside
Swifts are scything high
The last to cry the sun good night
Wings are beating then they glide

Let's walk round the meadow
As we like to do
We could be Summer gypsies you and I
Watch each day in pastel shades give way

All is kind, mild and soft
Daylight graced away
As we survey our sanctuary
Far from the maddening, saddening motorway

A fragile film of mist hangs above the meadow flowers
We wonder at the science of it
As nature's breath is blown aside
Like a magic trick

We could stay out here all night
Be Summer gypsies you and I
But we are tied
Signed up to this, bound by that
Anchored, rooted to the workaday

Come inside, for we must sleep
We need to sleep
Let the night its gentle solstice secrets keep
Sajid Aug 2015
Crawling through the smoke of darkness demise
She swiftly came in thee
The way me' ran in awefull speed
A mare disguise of a shadow...
.... the shadow of a tree..
She swifts into my soul
Hence ,Possession thee..

Love she called it..
All was ever it was disguised in greed..
As swiftly she came in thee...
She took everything...
Every part of me...
Every penny...
Left a knife..
To fathe'r the soul free..
Em Draper Oct 2014
Bells within
cause clangor,
drown
sounds that
currents make as
they boil past-
we go in
opposite.

White lie servants,
steering the wheel so
far south,
how could we not
go down?

No Captain to
guide.
And though this
vessel's shared,
We've proven only
mock shipmates.

Churning swifts keep all
aboard-
Ship clutch tenants
close.
All at once trapped
and
left behind.
Nigel Morgan Jul 2014
He felt devoid of words, after being surrounded by them for the past 48 hours. As a writer there was this constant itch that one should be in thrall to the urge to write. It was what writers did, when they were not talking, or listening to others talk, as you do, sitting on the train, listening to the talk of others.

He was so easily seduced by the roll and pace of words spoken with intent. The voice reading on the radio, that book at bedtime, that well-scripted introduction. He felt this might be part of the reason he liked to start the public day by attending the Morning Office in his city’s cathedral, just a short walk from his studio; this elevation of the written to word to the spoken, deliberate utterance that lifted those yards of printed text in the book on the lectern he occasionally had the privilege to read out loud. It had been the book of Amos this week. Not a text he knew, and yet he had been surprised. He had meant to look up the chapters read when he returned to his desk – but hadn’t. Only now, early this morning as the streets below were swept in the city, and the night’s young revellers were returning home in the waiting white taxis, he read the words of Amos, of his 8th Century (BCE) vision and prophesy. It was dark stuff, warnings of doom, disaster couched in language that whilst poetic had a hard edge; not the poetry of the Psalms . . . but some verses had caught him:

Behold, I am pressed under you, as a cart is pressed that is full of sheaves. Therefore the flight shall perish from the swift, and the strong shall not strengthen his force, neither shall the mighty deliver himself:  Neither shall he stand that handleth the bow; and he that is swift of foot shall not deliver himself: neither shall he that rideth the horse deliver himself.  And he that is courageous among the mighty shall flee away naked in that day, saith the LORD.

He had walked away into the morning city, the city preparing itself for a weekday of shopping and business, and found himself saying under his breath the flight shall perish from the swift. It was such a powerful image: he saw in his mind’s eye the swifts quartering the field below his cottage on that Welsh mountain as they sought food for their young nested in a dark corner of the barn, their nest a marvel of nature’s engineering hanging high from the wall. He saw their flight perish, saw these miracle birds fall from the sky. He felt the silence of the empty field. He was suddenly overwhelmed by the thought of a silencing of birds, their flights stilled, perished in some Armageddon.

And later that week two hundred and fifty miles south under the lush greenness of the tree canopies on that Devon road to Buckfastleigh, these words had reappeared as though in some recurring litany. He had looked from the speeding car into the early morning, and, following the river running beside the road, had remembered a morning past. Beside that very river he had crouched close in wonder at it all, and that he had almost slept the night through in her arms, by her side, alive to her every movement and breath, and to wake, and find it all true and not dreamt.

He had had no poetry for that morning past. He was sure he had found something later, of their days together there. Her passionate kiss in the gardens at Hestercombe, the rub and touch of her leg under a restaurant table, her beauty a shining star beside him at that gallery opening, lying together amongst daisies in the garden he had recited the poetry of Alice Oswald, and the blue skies, and the distant moorland glimpsed, and his heart pounding with love and passion for this gentle figure who he couldn’t help himself touch and kiss, whose hand he would seek and hold at every turn . . .

How could he not be a poet when he had known such things he had only previously imagined? And now he had become a person whose words others listened to and read. Because? If pressed, he might say he had been woken into a world he had only previously glimpsed, occasional revelations had come fleetingly, but now they were ever present. It was as if when he looked into her face he would step into a place where she belonged, a place she was still fashioning for herself, where she dreamed herself to be, and he would be, possibly, and possibly always. It was always too much to think of when he was alone.

He missed her terribly as he walked the gardens he had once walked with her, had sat and sketched with her, had stood at slight distances from her to savour her still beauty. But there was no escaping the words, the needs of words, the talk, the idle talk he couldn’t do. And now, home at his desk and the backlit screen, the persistent noise of this city he inhabited reluctantly, he was devoid of words and yet, and yet. At five o’clock this morning he had filled his favourite china cup with his favoured blend of tea, his morning tea cup decorated with its traditional Chinese blue on white pattern of temples, bridges and trees and given himself time with book. It was Farwell Song by Rabindranath Tagore, that great Indian writer who he remembered had walked those gardens with Leonard and Dorothy, those Elmhirsts who had made the gardens what they are today. Tagore, a writer courted for his wisdom and passion for rural reconstruction, a friend of Gandhi, Einstein, W.B. Yeats. Such people, he thought, and I have walked amongst their ghosts, in this place that twenty five years earlier had laid its spell on him, and he had loved, and come to love with even more devotion because he could not think of the peace and loveliness of it all without her presence there. And yet they were apart, and she had her life, and he had his life, but through the poetry of their respective endeavors, their art making, their creative energy, they came together in what he felt was a similar spirit.

In the hour before his train had left for the South West a letter had arrived with two cards. On one card, sewn into the card, a eucalyptus leaf, sewn with eucalyptus-dyed thread, and with it a blank card for ‘something in return; something personal, gentle, tentative, appropriate to our lives’.

He had carried both cards with him, these cards of papier aquarelle (300gsm) that had graced her touch, been held by her deft fingers. He had placed them between the leaves of his poetry book, a book he used exclusively for his written words. He had placed the card with the leaf resting against a vase of Lathyrsu odoratus. Vase and card placed on the pine desk in a guest room in a friend’s house they had remained in place, together, those two nights, and he recalled holding the leafed card briefly before he turned out the light to lay down to sleep, thinking only of her as he waited for sleep to embrace him.
Summer singing madly
Over empty lot

The still grass
Stands near alone
Before the final crew comes
With trucks and blueprints and concrete
To slap together rent fortune
For the white cadillac man.

Summer swinging madly
Over empty lot

The post oaks
Hesitate along lot edge,
Wait to see what happens
To the few brave mesquite:
Better to stand on edges
And wait
Than venture
To vulnerable heart
Of empty lot.

Summer winging madly
Over empty lot

The birds wing madly over
Rarely dropping
To the grass for seeds;
They sit upon the postoaks
At the edge
And keep a watchful eye
Upon the road.
All wing madly to the edge:
Grackles, swifts, and doves,
The mockingbirds, all
Save one persistent meadowlark
Without a mate
That sings each morning
From the wire,
One silly songster
That loneliness has blinded
And brought to chime
Its idyll
Summer song
Over empty lot.

Summer singing madly
Over empty lot.
brandon nagley May 2015
Gusto affairs spiraled to marooned stairs!!

Amphibious angel,
Where art thou own wings?
Apparent your sanctioning is,
Appointee of marital status!!!

Anthropologist of creations new madness,
Armful arousist!!
Arrogant aspirant!!!!

We are all baggage carriers of used goods,
Bestowed to thy own selves thou ******* of crud!!!!!

Very few bonuses this time around,
For the metropolis hath gone broke and choked!!!

For oil runneth this deliveranth!!!

Bind thy own,
You biggot of brigaded quarters!!!
None to coincide with ,
No cognac love to filleth me with cocoa nestled swifts!!!

Engrossment of shufflers, greasers to seventies sneakers,
Esteemed of high retailer goods!!!

Distinction between euphemisms blame!!!
Highed tops to spindle games,

Atrocious calibrations!!!!

Such tiredness flees the crime felt page,
Who's enraged?

Refute novelties of javahouse breaks,
Wherein assemblers are all members of cafe corner states!!!!

Paxilheads to axlehead drinkers,

Some material like,
Some medicinal thinkers!!!

How much shalt one taketh before his psyche leaves reclusiveness all behind the robust tower!!!!
Derek Miller Jan 2013
Take this useless tongue of mine
I am merely a passive observer in this game we call Life
              All ideal;
                            No action
Egress my soul through the impenetrable  fortress
               splitting a difference between the realities
                    of Hip and Loneliness. I find my spirit
                              obscured within the latter realm.

                                    Take this loveless heart of mine
I am merely a conquistador's familiarity with failure
            it beats in rhythms;
                               consider it a charity
Descending from the heavens of my imagination, a
              radiant lioness swifts into my being and lifts
                     above...above into El Paraiso Del Deseo
                                   It's time to unfurl these eyelids


1-30-13
JJ Hutton Jan 2015
An overall’d uncle stabbed over homemade champagne drifts around the bend.
A commemoration quilt and the Adamsville population shifts around the bend.

There’s an old hymn torn out of Martha’s hymnal, an elegy, a black dress.
“These details seem important,” Preacher says in European swifts around the bend.

The rains come and wash away the things we bury, bodies and toy cars.
Lowlands become lakes and a lone, malaise blackbird lifts around the bend.

A boy, all elbows and knees, in corduroy everything, in the thick of it,
drives a truck with no wipers, no license, the stick shifts around the bend.

The homes with electric lose electric, and the newspaper floats off porch.
No news today, nor tomorrow these are philanthropic gifts around the bend.
Swifts, on a fine morning in May, flying this way, that way, sailing around at a great hight, perfectly happily. Then one leaps onto the back of another, grasps tightly and forgetting to fly they both sink down and down, in a great dying fall, fathom after fathom, until the female utters a loud, piercing cry.....


of ecstasy.
Laura DeLuca Nov 2014
The sound of your delicate voice still gently resonates in my ears, an infinite reverberation.

Sometimes I still feel your subtle, soothing, yet indescribably powerful and electrifying touch gliding upon my skin, reassuring me
that we will last a lifetime
and then some.

Now and then, a warm breeze swifts through the air.
A sweet aroma of calming familiarity, that only makes me think of you.

Often times I see little reminders of you;
bits and pieces of you that sneaked into my life that I had never noticed.

Every once in a while; a flavor that is closely acquainted with my under spoken tongue seems to find it's way back into my mouth, tasting like a sugary sweet, cooling and careless

piece of you.
I can't seem to get you out of my head..
thoughts on this poem would be greatly appreciated.
ARI Aug 2016
Dear brother
It's been a while
Since I've had the
Chance to make you smile.

And I miss
The way it used to be
When we'd go
Driving; just you and me.

Blasting hours of music
Just 'cause we could
Screaming Taylor Swifts
"Our we out of the woods!"

Dear brother
It's been many months
Since the day that
You left us.

The promise you made;
Do you remember?
Saying you would
Often send a letter.

And our sweet mother
Bless her heart,
Still checks the mail;
It always tears her apart.

Dear brother,
It's me again.
I never guessed this
Is how your life would end.

The red, white, and blue,
Folded perfectly in
Mothers arms, for her son
Who's fight was true.

And the 3-volley salute
For the twenty-two
Too young in boots.
Twenty-two gone too soon.

Oh The 3-volley salute

-ARI
Evynne Mar 2013
Standing in the middle of the street, the sky black and starless, it is late, but the night is filled with possibility as drizzling raindrops reach down to kiss our cheeks and noses and eyelids

I see nothing but you

My eyes locked tightly to yours, everything around us is still and quiet as more rain trickles down and a gentle breeze swifts through the air
We don't pay regard to any of it because the only thing that matters is the fixed gaze our eyes hold as our arms are fastened tightly around each other
We cannot look away, captivated by the other's presence

We are completely immersed in the moment when you finally open your mouth to whisper something softly to me

We both lean forward, letting the splendor of the moment take control, pulling us closer and closer to each other until our lips touch for the first time, forming perfectly to each other, molding feelings into the movements of our mouths locked tightly together
A voice cries out inside of me, aching with desire and composure, saying, "Never let go, hold me tight''

We pull away in a modest state of shock due to the enchantment of the anticipated and formal rendezvous of the two compelling and winsome pairs of our lips
Our eyes are once again riveted to each other, and twinkling grins have effortlessly manifested across both of our spry and inviting faces

I can feel the exuberance and elation of the moment beaming between us as your hands reach up to gently grasp each side of my face and your thumbs softly caress each of my cheeks
I could swim in the looming sensation and passion for eternity

Our lips meet again, my insides fluttering, slowly igniting with a feeling no words can describe, a feeling I yearn to seal into a jar for safe keeping and hold next to my warm and beating heart forever
It all feels intrinsic, natural, as if we have been doing it for ages
And I feel whole and beautiful, hoping we never have to let go

Kissing you is an easy thing, it feels comfortable, undemanding
It feels safe, making it seem we are one entity
Like we are two bodies with two hands and two pairs of lips but one soul and one heart
And I cannot help but wonder if this is the person I have been longing for and anticipating my entire life, dreaming of and wondering if we would ever meet

I cannot force myself to break your gaze or my body to move away from yours, feeling whole and beautiful once more

Our lips touch for the last time and then pull away timidly,
Longing for each other
Hoping to meet again
Prince eduard Jan 2019
The ashes fall
The grass wither
But my love for you
Shall never bitter

In front of the world
You're here with me
You've guided me
and so I never withdrew

As I walk
You established my steps
As I fly
I glide by your wings
And with You I swifts

But whenever I fall
You catch me with Your love and all
When I drown
You pushes me up with no frown

This journey is but 'like' a game
You move here and you risk there
But as I walk, If ever I fall
You smile then You pull
Yes! You're there and You rule!

You're a helping hand amidst all
I will praise you
I will love you
I will be grateful to You and will sing as the trumpets blow

For You're my Helper
How can I be more happier?
All of them might be against me
But my trust in You shall never leave me

It will all end
But my song for you shall never bend
And things might go wild
But my Lord, I'll be forever your bard!
A declaration of praise, gratitude, confirmation, worship and love
David R Aug 2021
the concerto of the lake
that the falls and rapids make
the music of the sky
as the swifts and swallows fly
the melody of the fish
as their rainbow tails swish

are heard by pure of heart,
before it's torn apart
the callow, guileless, young,
they hear the rainbow sung
they hear the ballad o' sweet love
before the eagle eats the dove
BLT's Merriam-Webster Word of The Day Challenge
#callow
I imagine that day,
How the orange leaves will fall
As I walk towards you
How the wind will softly blow pedals
around us as if the wind is playing our song

I imagine seeing everyone
We love and some we don't
Standing watching as I flow towards you
They all watch us
As you watch me and I watch you

I imagine wearing me dress
That swifts with the air
Making me feel like a princess
Walking to her prince

I imagine looking at you
As if seeing you for the first time
I imagine standing
Next to you for the rest of my life.
Zizaloom Sep 2018
A bite of the nail
Three heartbeats
A stare then a glare
Four more
An empty parking lot
And flashlights
Blazing
Across the dust
A flicker of the lash
Doom doom doom
Again and again
Something swifts
Something drifts
Clockwise
In an unperceived motion
Something throughout the molecules
And particules
Underneath the thin air
Slightly above the tire prints
A feeling in the gut
In the brain
In the heart
Aghast by the ghostly ghouls
Shivers
Travelling
Through every pore
Unsnarling
Little towers on the back
On the neck
Molten faces
Figures
Mannequins
Melting
Molasses
Everywhere
A sick kind of sweetness
Strangling
Suffocating
With a smile
As wide
As the door
Opened
On the second floor
The one
That was never shut
That one
People claimed was open
Specially
Ocaisonally
But was only just broken
Kryptonite Oct 2019
blue peonies
the dragonfly swifts in
pink lilies
landing behind the windowsill
green orchids
piercing screams the creature exhales
one last glance around the empty room
the dragonfly flies out
a pin drops
day 69
Elegy I

“Behold, I tell you my prince Meton, that my Steed is coming bringing Zeus, I truly tell you that the shadows move on the plasma of the Duoverse and that the lunisolar cycles pose what could never arrive and where it has to go... that It awaits you if I say..., if from the threshold of 331 bC. What will be my own...? If tertians experience without pain that can resemble everyone else that it is!

Etréstles; My debt comes from the Kronia of Saturnalia and Aries, lifting him up from Gea... he is noble in the laws of his geometrical prose calling him from Attica and trying to know if I can take the corner of Stratonx, without a lesser degree of hierarchy and whatever, more than finding Theseus...! If it is of his necessity to hear us through the labyrinths that will approach him of the birth of a new Vernarth, who alone fears for some icy sting that afflicts Alikantus, coming as an Athenian steed on Zeus and on the protectorates of Polia that are plausibly bringing nights of fever in the cold solitude by not possessing them.

Whatever my lord, behold, a polis will have great merit when it occurs in the misgivings, hallucinations, and lightness that are abstracted after twenty-eight days without knowing which will be the next one that will contain it like the kindling of the fire that does not stop burning... nor the magnitude of everything that stops me from being the spoil of a new sprout, but that does not stop me from being superior to the flames that possess their hell. The official acts make me a trophy of hostile anxieties with their dying fire, however, Zeus makes the Duoverse move mounted on my steed that takes him on snows that fight in the contest, and in contests of my Elegy with his equestrian reverie. I tell you that for this they can still loot the feminine beauties that besiege me between ruinous eyes that only see from the attic towards his disjointed daily Odeon.

The sensitive attachment of my Cretan horse neighs resounding from the Odeon, carrying the waters that will be his visionary flowers on female beauties that acclaim him with a womanly voice, which lashes out at him as the bearer of a God, entering into sentences manly beauties that come off the blood Hellenic of Alikantus by Evandria; full and provided with manly arcana resembling a steed made an Adonis. For everything that seems ruinous to you, a head that wishes to be wounded is offered, for everything that seems diaphanous to you like a People in the female physiognomy, a figure consigned in his virginity, who opens doors in which they are semi-open... Seeming that nothing hurts as it runs through the corner of my yearning, with honey and milky emulsion in its porticoes and in the evasion of the Diplon bringing my guests from the Opistódomos, with menus that will be superior to all the vessels where it will take them their delicacies, incontinent. Of the Hydor, that flows from the mancebía and the damp staircase of the Nimbus. Unknown values of insecurity made me attached to the Acropolis, rather knowing that Zeus was on his way to his amnesty and was floating in prose of gaseous clay, and iridium that reopened the double door of the Diplon as it closed abruptly from the canopy tops. Where is it that so much warm wind runs in the colors of the gods who rule the Exile...? So he will continue to be all that he is and will be in what I observe him..., if he stops to look at himself, and not at me who no longer consumes him...!

I tell you with its illustrious shadow that it hides in its untamed ephebos, wanting to make precocious its illustrated cavities that serve an eternal heart, which pours out what pulses and reverses what it repels from the flesh that is distributed convex of the divine soul, making succulent darkness of the apotheosis of the Symposium… burning where they always are, I tell you they are lit in the saddles of time!

How much phobic rogue can tell you what my imperialism binds to say if my beloved were here, seeing her close by like any glow that syndicates her odd sacrifices, with excessive raised and scheduled glasses that speak of a restless being, who cannot tell you that the Christic continues to observe ride from Alikantus, on embers of the Khristúgenna, observing him in pageantry, attempts, and lands of Patmos with a loaf of unleavened brimming with pietism and a new millennium that ends in the pyx of her memories...

Currently, doors are slapped through which my steed will pass with Zeus..., and I will not hear them, because only I have to open their double door Dipylon weeks later... from the agon that has to carry me against Zeus as his relief comrade, clinging to anger in agons that fight each other for ferocious tendons, and herculean verbal incarnations, immersed in irrepressible loquacity... conceiving his heroic chance and submitological feats that are located at the precipice of the heel, and in the breathlessness of his steps that take place in those that are not! "

Elegy II

By what dark decline of Smyrna will my rib complain, and have to move its hanging from here of Selçuk that will consist in its protocols that guarded my lost head, and of corny demigods that surrounds soothing feats that do not hurt, instantly that we all offer the same incarnations of the cult and his victory with Saint John the Evangelist... I tell you that I know about this and I say that I preside and founded the condition of his sacred agonal, from his divine glory in Arbela according to how common it seems to them... if they are to get lost in its decline...! That they do not fight with what is not dexterity and nothing that is not brooding if nothing knocks on the arched door?

The purse that will remain beyond Alsancak in that residence is moth-eaten, I always hoped, I always had to say..., as I have told you that my tongue tells truths that you are tempted to see in the darkness of a dissolute courtyard in Helleniká, but between portages of Smyrna and rubrics that wave in streets that are bordering the extraverted Dipylon... in which instance I peek into the interior wine presses..., seeing its esplanades because if I have to tell you... it will be something that can satisfy you and that takes me to Eleusis...!

So many times I sighed for the stinging hinge and its memento, opening itself up like this, and if it must be wherever it compresses its resonance, here it is what I was going to condescend with dump trucks that transpose to the stage with their marbled misgivings, I beg you with my hands convulsive that I am not fortified, the tribal rain and the Xiphos phosphorus from the southwest, seeming to surpass with their longitudinal footage as if they were laws of the horizontal with twisted millennia that bring according to what should be...? For a long time, it takes the form of an imperfect and vile being by the inverted "V" from Ephesus, towards the intersection of the edge of Pergamum approaching Laodicea.

Guess where the deposit of the Sun of Smyrna derives with its long time-lapse, and with various stony that are attached to masonry typical of the diamond plinth, showing off the docile sacramental of its high shoulders and crowned partitions like those that hurt if my eye everything! Assesses, closing angles of the sovereign challenge, here my sovereign Meton presents me the sacramental infer to the Nymphaeum or a rhomboid arcade lost in his Domus!

Where do paradises shrink from, if all this was being hidden with so many truths between tributaries and conifers that have to be disposed of in their turrets? Its precarious sinister face only restrains the Eminences of the Lycabeto, daring to adorn themselves with Lykavittós, rising among longings that are lost in my Elegy from heights that howl for peaks that have not been besieged, only resided by those songs that shelter themselves obstructed with wide domains, with trainers that guide you, not coexisting lights, that scrutinize your shelter to become your owner!

What makes you of tribulation if my consort is made eternal, now that he shields between his worries for causes and lexical testimonies with my Eggelos, who do not hear the galloping of Alikantus but if the hieratic rocky snorts descending for what their prior does not know... only my chaste unit has to be with its talented polygonal patchwork, unlocking only what it contains in its earthly litanies, softening the sclerosis of a raging carat, being or not defensive of a judicious Eggelos in rocks of fortune...! Only if you have to restrain yourself before they exceed the rate, and of everything that stops you and greases the cranks of what is not worthy of rest without a deponent cheer!

I urge you, oh confreres that your streets and stones expand like runners and cobblestones that have never been able and never will be able to pass through colonnaded atriums surrounded by those who live in Smyrna! And from there I exhort you to serve your faithful hoarseness whose rest adheres to his unconscious reality... Where then only laughs the annoyance and its ominous deities that carve defenses that are arranged for him to house in Skelos or of the legs that are born and die on his heels...? And from where does it only lead him to the vault of the mystery that lies in his opportune vow?

I will mention to you when no one ascribes or praises you with compliments that tempt the supine harassment of whose silhouette it is not, and that it is only the Selçuk catafalque, where the chapel of its neighbors and rye burns that divide the age of the Duoverse, leaving him desolate if my verses disgust those who have secreted and listened to my unheard reflections... Yes, you have to hide in burial mounds that descend from heights that are unknown to you..., you will only have to unravel from your baseness and fading scratches of the factions, with ties and dizzying failures from which Olympians survive and without crowned laurels!

Everything is already commemoration and mischievous funerary daring with portable fluorophores mourners, dressed in crowded slags elongations, and slants where nothing can grasp it of prosapies and past or subsequent lives, where its spits will be of the advantageous parallel that is noticed of a Mycenaean mob. What decorum above all in that setback, that only sees imploring, that they stop behind everything that protects them by the force of the black aura, that hurts and that devastates their vibrations in the triggering footsteps of Alikantus, “He who has hearing and not words that he hears what a stained glass window is in all that he knows and reflects it ”.

What was devouring you by the ardor and his horse countenance with his swift piercing in all that this crusade means... Loading Aerse finesse with herons to tie and perpetuate only those who must not be lacking..., before the supreme preference of a man who errs more than a god, and who was the gift of a PanHellenic fiddling with thirteen shady places, lacerating everything that inferred him, and everything that was an intruder from the earrings of happiness hanging him like an azure earring..., all harassment coming from Smyrna Towards the iridescent Nimbus of Patmos for the puzzles of Pergamum!


Elegy III

I can call all twilight nights princesses in Croesus's scolding, between floods where pseudo warriors who expedition before me, and undivided in Alexander the Great where everything comes from him hiccupping with the Chrysanthemum of Cyrus and Darius. I can make you Persians again if all your history bustled between comfortable Zeroes! And if this besieged crossbow circulates faster than the treasures of Pergamum... thus it would flee with legions and Talents that surpass the treasures of Heaven and its contingent consort.

Third episodes to my teacher Saint John the Apostle placed him a few hours from the Aegean in the lower parts of Pergamum, whose Trojan sons I tell you that I follow the course of his dynasty, perpetuating and touching the scaphoid and serving him with the Lutrophorus! Oh, azure comes with the team of oxen from Thrace that guaranteed the Theologian, and the treasury of his holy angels for this entire mandate and go walking your tired feet carrying the ghosts of Lysimachus? Of your own veracity naming them kings who will truly serve his laudable reign!

I tell you that I have really learned about this and about my own custody that speaks when seeing the victors and the vanquished pass by in the fragment of Ephesus overflowing with despicable arteries of Pergamum, and buskin that was not worthy of a scene of tragedy; between jocular that captivate Jezebel and syllogisms that slice the servants and their harvests. Oh, what a bag it can tackle if they are the dreams of a demigoddess of Sambate, believing to ruin the journeys of the Apostle Saint John by a Vee that unites my own oppression just being in Pergamum very prone to the fourth letter of the Apokálypsis... if these hermits they are confused with my discredit!

In the Symposium Journey, I saw the bewilderment only in the fiftieth fight after 331 BC, since the retreats of my brother and Lord Alexander the Great, dividing belligerents between Lysimachus and Seleucus lying in 280 BC! Behold, I tell you that no novel has to say it... that daring and ****** sleeplessness will be understood with parapsychologies, Magnus battered in blood and having to condone in life the thirtieth cosmopolitan station that will wander without string or staff, only in realms of horror!

“Protervas works repeat from Balaam, perhaps in perjury of those who are not devoted to the ancient expertise of Elijah and idolatrous pagans on Mount Carmel. Days of full consent have decided me to be the observer of an inferior garden no greater than Pergamum, with finery and gibberish of a roasted Faith, and of embellished offshoots that are of the miserable Asmodeus. I tell you that I know of these vicissitudes of tremolos and tarsi that are exuberant of the supra Hellenic Maximus of the west and the east, defeating victorious incredulous who believe they see my retreat from someplace in the west of the Aftó and the east of the Dyticá... all from here henceforth that is not sullied by troops of the Phalanges, they will supply the desecrated foreign troops...! With Roman tropes, levies that will liberate the tetrarchies, the libatum, and their free uncontested successors, repaying Augustus' fratricides and Caesares in the insectary quagmire!

The ill-fated awaits the exquisite court that casts fateful offspring, none attend the charred Symposium and the burning broth, being insubordinate to Parchmentians and aristocracies that get tangled up in the rune of Leviathan, far from a so-called Lord Abraham gifted in the circles! of the power of Yahveh assigned by the Father, and the sleepless sleeplessness of a son, who does not expropriate in wanting songs or children to sleep awake! That makes them consular! I have been caulked in the excuses of Ephesus and Smyrna, where the Hellenic and Roman are lost in the lavish gnosis of a doctor, rub considered among thrushes and blackbirds lacerated from the other infinite... in the absence of Crows and Sisellas dying in their enormous sides and the hemicycle of the Mashiach!  

“Everything that is promoted after the beginning and that was never started has already begun… where the corrections have diluted what the river conforms to the edges of the Silinus, with silverware and Gobelins that are made holly in the refined hands of a maiden. How will I not manage your anxieties proportionate to their sets, if the feelings are greater than the last floor of Babel... and if I had to descend one more, it would never resemble the graceful hands of a maiden talking to me about the next prop? What says more than the plot and its new, different breeze in ****'s indissoluble totality; subsisting with his carpals and with those random scraps of cloaks in the hydromel freshness that the Lord has entrusted him to pour!

What neat heights and challenges I have given you with light half-locutions... that flatter in the acrobatic gazebos of Demeter! With the following high-pitched white dots that are probed from the sunset and the desire of Athena Nikéforos, with travertine arsenals that are the tingling of an Elegy that flees from Pergamum with her feet incinerated and prostrate! What lack of ornament speaks to the adjoining trepanned ear, devoid of ornaments longer than vast, and wider than long when reaching the limit of Thyatira where Attalid kings and ants await me who will carry on their backs the rubble desolations of Pergamum!

Elegy IV

As you have offered what stops me to think about all the horizons that are guarded by agons and Kerveros, what virtues will they make of those who are dispossessed of the rescue and vicissitudes of the underworld of Thyatira! What has to intimidate the senses if the doors are for those who have never possessed a Soul... What has to dispossess us if the soul matter is Thyatira under Akhisar!

You complain of being moaning inks of arid lands where rivers are tributed that have to wade through octogenarian routes, holding on to the necks of the obfuscated Kerveros, and of the henchmen who trembled by the vicinity of the extreme of Mysia, whose urges released elements that mixed with river shelters of the Lycus and the navigable ones of the Marmara! I must point out that the elements are cliffs of Hydor that sink into the seas of Mysia.

That I must tell you of a formidable strait that tried to possess Heles, and that I went to the lower point of its flow to rescue him! That the formidable flash of Pluto infringed what was flashing in pro-Kerveros, not allowing Hades to enter Heles..., that formidable daring would be done if Heracles had twisted such a destiny by allowing it to enter, Or what death throes of the earth did not take him through this darkness where I mostly saw Venus in crimson eyes, rather than borders where the speed of light of their gazes welcomed them with their beings called Mysios?

I am Vernarth and I have arranged that Thyatira and her shallow wayward Nymphs shall rule me in your rod and go with their swifts, hoarding fine silverware that will shine from the heavens, and offer the worthy brotherhood by statutes that are controversial in the friendship of Arganthone and his I wonder if by some hiding place I have to see the black string of Jezebel and supposed regions contrary to Bethany. What a brave ****** has to dominate in full preservative principles, called from where they were punished by the dogs, thus allowing me to purge and follow advances that cleared the way to Mysia and Thyatira. Be clear that the insurgents in this region were chasing my Lord Alexander the Great, and he made the floors of Mysia tremble by crossing the Hellespont where my Heles almost had to get lost in the sea of his senses..., make me be the Ionian blaze that never it has not ceased and will not cease to burn on the Seleucid headboards!

"That you can see if the Lycus and Hellespont are from the same tributary, which hardens its waters to make a firm footing to the steeds and Hoplites venerating their gods and horsemen, seeing my teacher Saint John piously riding on the pagan temples stoning on stony tombstones with the interstices of the New Testament that offers the sacrifice of the Areté, Or of the most excellent eloquent alleys and sacrileges challenging what must never be glossed in the functionality of the file that it is urgent to define if I have died or never Die "

What capital letters are to be taped from the others that are from the Areté, and from its prominent fertility that rehearses the postulates of my Purgation? In everything that is prophesied in the ruggedness of those who boast that they can wander forty millennia with guilds that gather their litters..., all of them doubtful and giving rituals that owe to paganisms that were colonizing Hellenistic nuclei and my help..., closing my Hetairoi's pectoral tail, and then forge more confreres than they ever were.

The regrets of my teacher are scarred in the science of the Lycus valley, as Christians who grow with their sons separated from their daughters, and from the debtor parents of the metropolis of Thyatira, what fortune to be spared if the damages are greater than the reparations, And of the various secrets of the staining of the sky with its purple oblations and antiquities that refused to the progress of time, being discolored by the Adom and the Red blood cells. Here is where they flow through my arteries circling the hills of Messolonghi's Koumeterium, with natural basilicas that smoothly whitewash the candor and licenses.

I tell you that I know this is what constitutes the forge of the being that is capable of leaving Hades alive, do penance together with me Yes...! At twelve o'clock of the full moon where we become fierce Eleusines, since Battles more than hundreds of all, and we will know if we will be children of the Kerveros or Kerberos canes custodians of the inframundis who discover us like fish and cormorants on lagoons that run through us mutilated... which are decreed in the ecliptic, and in the stratum where Thyatira sleeps under the meters of Hades and Tevel, several meters from the underworld passing through its lost Shemesh beyond the western… under the hulous ecliptic of Akhisar!

You should not fear the suspicion or the courage associated with the three heads of the Keveros, because the three of them brood with me in the same way, for when I run away from them and they feel my loneliness...!, Each of their heads think by themselves, but the gentle Levantine sea is arranging them were groups of stars that are rubbing and washing their ******, prone to marine monsters that dress the mane of the humpbacked Hindhead of the Cerberus. Knockdown what nothing is born of damage and that is born of its permanent movement if the beasts are men with strings of impious men that make their portholes enter more light than beings with phalanxes and armies that come and go... being portals of one eternity from where Etréstles comes with his weary stride.  

How can you tolerate that the hands stained with some Tintoretos splash my Himation? And what is still chromatic with a caged torpor, is the Himation of Theseus that revolts the constellations of history that began from the abject sinkhole, fading the virtue since my sacrifice is offered in the religious and its offertory. You know that I have been able to walk through waters that are solid if I put my heels distillates in classic sounds where they are written with the latent prawns of the Aegean! That you nurture a past that hangs from the immediate future with sacrosanct pilgrimages inaugurating hybrids lapses, and classic smithies that distance themselves from Hephaestus and humanoid persecutions that could be undertaken from a section of the new period, mixing darned meat that is released from the principles of the Energeia, and that they sway in the millennial dizziness of the Olive Tree Bern or of any fistula that would not cease of prosaic oracular ones!

Everything makes oracular sense since my prior agon and his lingual accent deny what I will not reach in its sacred connotation, but if its secular insertion to create the deserved and victorious dew that falls and will fall from the bilge of the iridescent nimbus. I have deposited from their marshes where nothing already contains them..., only a pure divine light that is confused with opposite festivals of lights of an unknown victory that was not always mine, but it took light-years with its traveling mass to reach my thunderstorms with treacherous gods who did not allow theological musculations and derivatives of being refined to emerge from their extreme internal and external beauty who prayed for me, entering their Seventh Heaven and then with the Merkaba doing its venerable kalokagathia; or prototype that does not fade every day to take hold of the inner and outer beauty of it, the fruit of the Olive Tree Bern and the countless algorithmic winds that could be counted since I had joined its Falangist ranks!

I know that four Seraphim will have to take me and that your Charioteer will medicate with thrifty speed from where the day dares to attend me with real locations in the Andromeda wagon. It all to dig into the dark and bizarre hollow of my wound knew that it could have been the Holy Spear of Longinus...! What could happen if my chest did not stop bleeding from the indigo and crimson of my Dorus?

Elegy V

You must feel satisfied with the erected statues that were made bearable on the basis of cults and curative powers, but not of precognitions that were the object of Sardes since she was nearing the penultimate station of the inverted "V". The satyr's stratagems of 476 BC were congenial. And the pilgrimages to it would destroy the entire sacred precinct that it once presumed to be!! Theagenes of Thasos resorted with all his strength to move the stars and his impassive silences, seeing that Sardes was becoming a courtier of a network of unarmed victories that were never for him, but for pilgrims who roamed the roads surrounding Sardes. Oh that more crowns of him exceed fourteen hundred, if only one more will suffice to access the investiture of the Himation of my departure!

Continue along the Pactolo River and you will get entangled with vegetal lines on the northern ***** of the Tmolo. Know that Proserpina runs through the flower coffins of the autumn dead, that Persephone makes her shudder in the Ionian polis, and that it will be if she decided to do so, if Aphrodite captured the Cimmerians who would plunder Sardis, more than any voluptuous! And despite everything, it would continue to be a satrapy that does not lead to Patmos through Xerxes who still burns in Hades in the haze and canine of a Kerveros!  

"Follow those worms who claim mesnades with more blood on their fingers, and there is no doubt that they swirl in Pergamum with more blood than their creeds." And that of those who survive in earthquakes and typhoons that stand for generations of the Conventus and an agora that only relapses in Pergamum and in desolate legions that only devastate, and are built on ruins that they praise, just like Thyatira suffocated in Akhisar. Do you imply that the battles of Alikantus strike the silica plundering tyrannical idolatries and sacrileges, ravaging only hapless evils to come and unrecovered pious revelations from Byzantium? I know very well that Alikantus is coming, I could even dare to say that he is coming very close to the fortnightly reclusive citadel of Sparda..., being able to hear that Alikantus is riding from the ready insolent time and I even think I see that he is coming alone... and that Zeus he went ahead for necessities in the barcarole of Charon! I know that matters of the underworld are palatial stews and prostitutes that flank in kettles that announce tinsel falling from the apocryphal clouds and the adjacent Iridescent...!

Like a helical serpent, everything that my dimension swallows is retro-translational with turns about my own age that is not the deed of another than the axial one that vomits imperceptible years that are not memorized and that deal with each other with the ruins of the dogma of Sardis. Come Oh granaries and settlements that squander synagogues and compendiums of ****** ruins, whose altar is exploded in liquid gold on Artemis's hair in Hellenic theaters, where nothing remains, only traces of olive roots that kindly allow them to enter through its cracks. But what did scare the enclaves, if seven churches fell scattered from the corollary of seven manes that only resided among themselves, differing primitives and incisors, nailing their rapiers into the dead Sardes before becoming an Apokálypsis! In its seventh season… I Vernarth revive her and ennoble her from the secret day of her curse, as she says of herself to survive on her ruins, not as akin to Thyatira lying asleep under Akhisar's holocaust!

The images will be there to bring you in my arms, believing to be myself who brought myself spacing and surviving from a fifth posthumous church..., to save my fifth life in Sardis, but far from the Barcarolle del Charon, eating roots that were attached to the keel in case they poisoned my soul..., at the same time as a failed levitate that would solidify like the crest of Thasos, throwing draconian and grotesque seas that within me asked for a license to revive. Everything was whipping on me wanting to be Theagenes with lugubrious ostracisms that from now on should be cut and sliced into parts of my coexistence, leaving only the pre-existing erectness of me..., except the head that impelled me to take the extrinsic path of Hades with distinctions of a cult that only worked in the hands of a Patmian victor, all by counting one by one those fragments of the victorious minute hand of 476 bC!

The city woke up and tried to ***** obligations that were imposed on them, to remove like polis around a sacred precinct that was proud as a bond of centuries that are of the androgen of centuries that are forbidden from millennia found in double eyes, ears, and nostrils. Which was scared away from inscriptions dating back to the 1st century BC thus I continue to establish a superficial status that did not replace any similar or equal future, which is governed by forty-four victorious miracles and all parallels that establish what surrounds my mortal outer clothes..., as well as perpetual belongings and internal endearing to be created from its probity..., even at the end of the factual powers that succinctly stipulated a Zeus, who would be trying to imbibe himself in the possession of a great competitor who will sacrosanctly raise the arena of agon, allowing me to overcome by not ringing the chime of the Paidotribo or the tutors of impulsive eternal effects, and children divos like Raeder challenging the maximum of the stars of God and his contenders! I tell you that I know of these assertions and that the keys are not left hanging, nor will they be prepared to their verbal agility so that they can be taken off the hook and startled to open the Homeric heaven!

Disappear shady Kefalonias or those heads that are empty crypts in me...! And that the children are greater spirits than those who are not without heads who will spend the night on the east coast, where all the burning days are seen as snowy scarves moving from afar..., together with my Falangist militias who do not stop I have to move their hands and his siege with four encirclements of princes. Behold and hear... what I declare to those leaders who raised the lost darkness in a fortunate Kefalonia that tried to adopt seven churches, but not in Sardis!

As you have noticed… the edges of the "V" of Lacedaemonia are already being touched that come out through the stephanite competitions of the interior and exterior of the Kosmous, and everything dies metallic and with stale stenches granted by the polis and the winners! That specializes in the divine gifts of each submithological deity. You realize that the education of appreciation is in the arena of those who propose you wise tyrants and ignorant democrats, who bind the diet and pantry of those who promote great value at the expense of models that, are impossible to fulfill. Oh, that underlies the organic unity with the appearance of a soul that is vicious meat of bait, and of agonistic parts in the fringes and primal that fall from Ephesus and from the tip of Thyatira hanging like vines from where the true god of sin is born. unconfessed!  

Oh, what a diatribe for those who triumph in the land subjugated to the departure of a triumphant of life over it, and that their high dignity will extend beyond life and lash the decadent values improper of piety before the Mashiach that will be there! to rule us! The cults and the first ones that do not reach their contemplation with a soul that lies of useless pleasure in the suburbs of Euripides. What do I say to you that I know about these struggles, and it satisfies you more to drink with Elpenor falling from the staircase that was not on dry rubble, nor of harlequins who avoided the string of their zithers on and under the formula that makes contain the ethyl with the mean to say...; "That one day he was in The tetraconter Eurídice, and that the swordfish was his desire to beat bites and pots of wine that we have drunk for millennia together...!

Who could or will refute it, I tell you that I know about this, because I narrate what I write and sing his first fall near Circe, but falling on my arms... and from here I take him through the strings of Sardis when his buoyant hologram enters for its main stained glass window, taking us from Aorion very close to Barnard's Loop. Hear that I still fall hard next to him getting drunk together in Eleusinian mourning, free from buskin and funerals that are not the best friend that appears to him, and unless they combine us both with haggard browns before leaving the island of Eea.

The torrent of the Pactolo crosses our heads with its trunks like a sophistic beast... also penetrating my harangues from the Aegean when the pale shadows of Sardis are drizzled with third-degree liquor by the ancient pinch of the Hermo, a tributary that sadly hopes to wash the impious feet from Elpenor and mine. "I do not mention what I never tire of defining, that nothing and no one will hear what a voice would sing to a drunken ear, when its abstinent drops of mead are incubated in aristocratic and Hellenic ethics of my youth that stand out in the lips of Apollo and with telling you Hoplite angels who are more decidedly than learned Greek-ignorant, who do not know what it is to die from being drunk, even beyond the Elysees "

Elegy VI

The youthfulness of the Kosmous was defragmented in the inevitable..., leaving important men to take care of the darkness that was only spoils of themselves, on top of the fierce flames that still continued in the competitive souls with their glorify, where another tradition began to break out of the subtle approach that was attributed to Vernarth's homage, as an inter-Patmian genre praising all that is whole to conform the individuality of the holistic whole, which is not yet consumed by the flamboyant and immeasurable images that expanded in times more than what a Colosso from Apsila is, or a thought that forges ophthalmic trifles. I must tell you that denial is a factual point or hindrance in the denial of skepticism and the subtle embargo… if it is not moderate in the face of crowds!

I believe that summers will trigger the passing of Kairos in all the points and means that make the Sun's degree retroaction insightful, and less than what makes a divergent moral behavior, only endowed with the finesse of applicability, If you declare yourselves visionary **** like Critias! If you are in remixes of the Hellenic universal global warming! I want you to know that the warming began from the Kassotides when it was closed and from there d the abrogations abstracted by the Pythias... If from their ocular cranial and the Kosmous that became opaque, and deviated into the tetrarchy or leadership of the four Cardinal points! Oh, what kindness must pass from their semicircular flying buttresses of the world when nothing falls under their orbits... not even a segment of Patristic light the inevitable will be to ignore what falls under the sphere of the world and what rises to his own, from where Ha-Shatan does not pronounce himself in the nubile flowers of Eden!

The Apokálypsis groans, rolling up its sleeves in Leviathan's pouches, reviling the bends of Philadelphia and its Delphic oceans! With requisitions of verses that do not have and will not scribble on the trailing lines of the serpent that wears jewels that are not of this world, but seek whether to fit them in appendages and on the necks of future martyrs. Or bags under the hocks of the serpent, you will see that its optics are in the wrong and that it blows in the goodness of its victimized ones!

Brotherly love was announced as a final omen, Philadelphia was praised in the Ecclesiastical, where everything mellifluous was civil property and each eye would be the same as it will observe it, it would be before the later and the inferior of the superior of the grace of the Lord, in ethical outrages and tribulation spells that sweat in open fields far from the Dypilon, closing the opposite gates of the darkness of Sardis and Thyatira! I tell you that I know in this icy way of seeing how nothing was nothing more than the revival of free will left by the cobbler's caulking and the keys that will open and close storm doors, that only the golden hand will know if one will be a carrier or not. of new hardwoods.

Hagio is real... and what closes and opens his hand will be a guideline for what does not open and does not close! The key of the Angel of David comes from Patmos with a hatbox that proves who is capable of warning for all those who are capable of sustaining the aura of the Mashiach…! That through narrow mountainous areas they will sow the temple of God with hosts from Jerusalem.

Leading them to the valley of Cógamo and soon to the simile valley of *** Bei Himnom and Hermus himself, where everything happens and everything is nihilism in the mainline of the passion of a loved one in its secant line and of the great inverted "V", and its Monarch Attalo's constrained ties and his deliberate missions that collate the penultimate station of my Elegy. “I am Vernarth; My fraternal passion makes these seven churches only one, each one in my Opistódomos... where perhaps I will have to ignore their lustful language of Lydia and Phrygia ”all are my rivals if I do not follow the honorable mention of my Mashiach and all his subjects, who are mine and I theirs... I must confer that the letters are conspicuous literature that escaped from Smyrna, and what vanishes from the lay verb that becomes all the bearer hands with their punches, which are keys to the openings of what rises parsimoniously and falls equivalently..., and what becomes absolute of error and its restrained evil "

My attributes are the Sun that separates from another section, which is the Venerable deliberator of one who is still attached to the sacred. You must stay away from dies that are typical of scalding nightingales that have steel legs, and that if they were from a Hellene, they would be the copy of "Alezinós, which is True and unconventional", everything is manifested in the best arrangement from where I can install my head on the best flank where everything is well accommodated, and what is symbolic in the authority that is finally of our Mashiach, supplying with King David every twenty-one kilometers lamenting, and spilling what he loves and cannot contain in the caverns…, if I know that they still remain closed for prophetic fulfillments, but if all those that the universe will dare to open soon in the paradises that are pertinent will open, which are from the bias of Isaiah sprouting from himself!  

You must understand that Sybilla's electorates will be kidnapped from the anguish of a famous attack, and every prophecy that makes us live in the transparency of the entire material world and its monochord sense that unites the earth with the Kosmous! Oh, what space between everything that is unspaciable will be able to reverse what is arranged in the upper fraction of the rope… and in the omega that everything makes her feel the last sob…!

I know that you know it..., I know that you will miss it..., and that the last day of our Kosmous will come when the Mashiach makes us wake up with the gift of the hexameter, that everything will come along long correct paths, whose streams of the paradisiac Hydor will come from the trance of the last cycle, the last second-born and the last interval where everything will be the same fractional time. The advent of this period of great apogee will give us the intrinsic poetics that seems close to the Dies Irae if Tomás de Celano tells you like this:  

“It will be a day of wrath, that day when the world is reduced to ashes, as predicted by David and Sibyl! How much terror there will be in the future when the judge will come to make strict accounts! The trumpet will sound terrifying throughout the realm of the dead, to gather all to the throne. Death and Nature will be amazed when all that is created rises to answer before its judgment.

The written book will open that contains everything by which the world will be judged. Then the judge will take a seat, everything hidden will be revealed and nothing will go unpunished. What will I allege then, poor me? From what protector will I invoke help, if not even the righteous will feel safe? King of tremendous majesty, you who save only by your grace, save me the source of mercy. Remember, pious Jesus that I am the cause of your Calvary; don't miss me that day. Looking for me, you sat down exhausted; for redeeming me, you suffered on the cross, may not so much effort be in vain! Just judge of punishments, grant me the gift of forgiveness before judgment day.

I sob because I am guilty; guilt flushes my face; forgive, oh God, this supplicant. You, who absolved Magdalena and listened to the thief's plea, that gives me hope too. My prayers are not worthy, but you, who act with kindness, do not allow me to burn in the eternal fire. Place me among your flock and separate me from the wicked by placing me on your right.  

The ****** confused, thrown into the bitter flames, call me among the blessed. I beg you, contrite and on my knees, with a contrite heart, almost to ashes, to take care of me in the end. It will be tears that day, when the guilty man rises from the dust, to be judged. Forgive him then, O God, Lord of mercy, Jesus, and grant him rest Amen"  

I Vernarth, call on you to tear your hearts beyond the last door of the Elysees, the apologies will divide what is like the last syllable of salvation, tomorrow we will be primal feelings of how or which selfless person has to tell you that we are all children of parents that they will always live beyond you, and that the ****** will fall into the bitter flames, if everything is the end in the contrite, make tragedy the daily bread... whose brands taste like the spews of the first registered individuality as bread and healing body angelic, which allows to protect it..., but it remedies the entities of the Garden!

“Among the red mists of Philadelphia, Ha-Shatan's gall lies lost, believing that he has to be a cape of rest and prostration so that the empyrean will grant him rennet and singing honey in his shattered hole..., the typhoons will ignite with his ruse and what expires from the seizure of an unhappy particle emptied by the idolatrous hand. Make the adversary time the habitation of the world that will impiously be infected with the cream that is made the opposite fraction of a vermilion mist, that walks with pride among hostiles when ferocious satiety of God occurs. I tell you that I know what I am saying and that there will come an end with a non-existent verse, or rather held in the arms of an Eggelos asleep in my arms, with Justin's milk teeth from the disturbed circuit breaker of the catalectic verse, which is rolling on Patmia swing doors. Oh, flints of Alexandria, you will know how to illuminate my scrolls and the Canaanite palenques, you will know that Heylel is like a morning star marinating milk with gunpowder and harvests that plague Ithobaal of Tire. Oh, culminate Zoroastrian who sneaks through giant camels and hers King David, very close to Bethlehem, very close from where every angel-like Heylel moves with cloying feet trying their traces from a crushed Latin voice. Both tanned by the rennet that strikes their stomachs... with the vigor of blood, and falsetto between muscles attached to the back of both, I tell you that they are "Ha-Shatan and Heylel"

Elegy VII

“I propose to you a Vulgate and mutilating calamus in the blood of the Mashiach, that would be born here in the metaphorical festivals of the Himathion in my own geodesy, and of all that has been thrown on Gaia and hers Titans of her. You will see that I have learned to walk with lacerated feet and mutilated arms, headless and no apostille that says that my brooding no longer exists in her indolence about Me… the darkness is Laodicea; where it rains the shepherds who by unknown wisdom capsize before the Gods that are to come, all of them from the crippled sky through passages of time, rickety of their colonnades and acroteria that all alluvial splices, where the needy will provide to eat sap that they will recover from their powers, with black wool from the cops and nests of Heylel, and from the under-reigns of Pergamum with annals and diasporas in less wealthy hamlets, without hindrance from the Spolia Opima as rich spolies or trophies I will be reborn, referring to my Aspís Koilé, with blazons and other effects that a general of ancient Rome kept as Apollo's laurel, now I will dispossess them after defeating them with my hulous hand of eternity, incontinent to defeat them with my legion in the Battle of Patmia, and the Triplos Kosmous  Lymphoma "

The Zoroastrian radicality will have to carry out wanderings and limits when nothing was ever to begin... and what becomes noisy in the face of evil ingenuities will make dualisms that polarize the influence of making the day only darkness, and for the faithful the light of day when they were summoned by Ezekiel, and that he must know better than fragments of the day that will contain the night and the portions of the night, the light of day and the resurrection, which is based on eternity carrying the Mashiach above all the infinities of homage twilight that was expiated in chiaroscuro..., thus enslaving the stunning afternoon, which departed from trances in earthly conjunctions, where the usufruct by the Kosmous exorcised the ages that are subjected to its heritage of commemoration You must know that the power of the night about the day as a possession that bills rows of apprehensions that narrow your transit without repatriation...!

Tenure is an inclination during all premature periods, where the day is not ascribed to breadths of unconditional freedom of execration, cruelly leading to the zephyr of the Thuellai with granules mounted on the Malatia, and frolics that engender the life of a Pallid! Superstition in what appears as a multitude of fallen bodies, but without a contracted soul. "Make the even potential morbid that repels the horrendous and terrifying that persecutes the most praiseworthy and kind, who abjures that not everything is good, but rather it will be charitable and you must make efforts from the haze of Theosképasti, extending the relief of not to be classified as a non-living being when it comes to dialoguing with the shadows of Horror!  

The convital substance became too annoyed after counter-vitals that are nothing more than the apparent substance of my speculations, under all the powers that are faithful to it if they make me possess the cosmo-vice of everything hyper-ethyl and of its tempting. Since the cousin and puritanical elixir is disseminated throughout the air that is no more oxygen like a calender that does not bear the vileness of his captive servility, and of the feet that subdue him in the three claws of his shadowy darkness! Oh, what new light will it make of awakening with the preceding light that speaks of genealogies and native ceremonies where evangelical surveyors raise the leafy, that from the dark submission and the unethical fear make us weak martyrs of enslavement of the few frigid hordes and warm Laodicea!  

If my strength is to shelter myself from impudence and Hellenic-Hebraic transcendence, it does not express its ministry in all the children of Hashem, as captives carrying the constituent seed of the perched hands of the Calandria, which despite having wings she is the spokesperson of prophecies that do not have tangible historical records..., you must understand that the Calander has an autonomous and leading flight from Tuscany, but its flight radius is more than an eagle without stopping in those invisible spaces, where the legend can only transmit it..., although someday there will be no birds in the only begotten sky. You already know that I have carried chiaroscuro for their glorification that surround me..., like all that imperishable possession in cycles, they are coupled to cruel and fateful destinies, but always towards an end that for the most part becomes apprehensive of the intellectual aging verb, where their mysteries and they inhabit disembodied contents of the identical globular cycle, where the prostration of their weary skills and wrathful doors will appear from the last eagle that was seen flying free in the hands of Saint John the Apostle, and from other non-resident farewells by their claws of the Gerakis. Why not the Ceremonial Katapausis in the Profitis, or the metatarsal of the eagle that carries last discharges of discouragement in punitive inspiration, if only the calendars free man from captivity, and of unquestionable eagles in the fires of exaltation that will be able to bear it being seen as a figurative immune from Ophel, and from all the images of the supra existential world, containing volatile images of eagles for all purgative humanity forming heads that vigorously face Ha-Shatan and the Iblis, being more than an erroneous translucent figure of the angel ****** and of the perpetual fire of the incorruptible Calandria of Hashem.

“Without regret, I must tell you that the roots of the infinite began to be lost from the pieces of clay that were or are part of Yahannam's credulity, from here on from the dry and solid clay, making the genius of Laodicea one-sided with the hail of springs and of clouds that never stopped ceasing, thus in this way, I suffocate my burning hands that obeyed forces of more than ten newtons due to the miscalibration of their mass and the gravitational force that the Mashiach who converted from his incorporeal angel's geniuses. Make of fire and light your clay that is made homogeneous with liquid ozone, so ****** will come from paradise designated as solid ozone, replacing the negligent potions, which have not been able to free the divine light that for three years has been badly shaped, and have deteriorated only hundreds of the seven hundred pages of Vernarth's Lent, until today that his personal aptitude is questioned in the bleating of his sheep, who could move the fragile leaves of the disembodied forest with their nails, reciting regrets that would relieve the engraved feet on the limestone liquefied and muddy, where they can only emerge before all the dungeons that are collapsed by newton on his scapula, pouring out the expelled sighs of the eternity of the Ohr Hassadim "  

“Observe that cleaning is delighting in the grandiose erudition of what leads us from our null point of existence to the risky point where our objectives bring us closer to our sustenance; So what is Ohr Hassadim…? It is going towards a posthumous desire that thickens the light that emanates from our null point to the widest limit where every human race receives it from the great flow of Hassadim "or purification that is cyclically generated." My beloved readers who speak are the origin of all ignorance, and what is contained in the body purged of it is the unknown revival of a being that instructs itself as the Perdita Mundis or Lost Mundis! " The superabundance of medium prophetic and philosophical biodiversity creates paraphernalia and cavities where no head fits in the earth that have been honest to receive bodies in its mournful abode... makes of its benefits the great desire to receive the "Kli" so that Let us enjoy abundantly from the transparent cannulas of the wattle, which will make the Celestial Hydor fall, and the Manna that will sustain plexuses and eternal insurrectionary souls from the starvation of those who sob absolved of their soul, more than in its very spectrum that is filled with rootlets and clipping, which manifest the desire to play with drops that fall colliding on each leaf, and then fall into our mouths when they are satisfied manifested. Azure water, and nothing else if I want to live or not! Of that blue water that will fall on our mouths and will satisfy us with anxieties and fears that become imprinted when we are fed up…! And from the Manna, which will come with dissimilar entities, even feeding our soul that must also feed on the Iridescent Hydor in a swift vessel called Kli towards Samos…!

Elegy VIII

The eighth and posthumous baptistery will overwhelm all the mountains that became more exalted than all the peaks of the world, showing that the initial date combined the essences of the absolute with the "V" that began to turn one hundred and eighty degrees to the right. “I, Vernarth, have conceived the other being that will detach itself from myself, lying in the Kli or inverted vessel, on all the higher levels of the Ohr, even in those and all the Solstices where the face that makes its materialization is scarce, up to the Xiphos bronzes that would evoke tons from the Speleothemes that would gradually become implicit in my body, taking root more than the vital unfolding that is in my other sub-iridescent body. What is my soul united to the invisible creatures of this world? Take hold of the dizzy that contract in the wind tunnel of Profitis and your Codex Raeder, in what completely makes the ascent of its epitome by its golden steps, leading me to the occurrence and recreation of myself, but with plenipotentiaries who press in Gethsemane in the trepid angles of the Kli "V", beginning to ascend to Keter!  

“I must tell you that soon the Aurion particles will enter through my septum where they have to depart through the nasal pyramid… and that delegations of hoplites are already waiting for me and will return with me to Sparta and all of Greece. And with a Kli of endangered earthly and macerated light, they will be essenced from all the grasses that the calenders by descendants will make at the end a new sprout within me with my Golden Alikantus. The expansion of my light will expand from the radiance of my burnished steed, leaving within my identical hexagonal torch that will make the multi-spiritual thought of its same influx of light into the munificence of its newly created light, it will be from this constraint the Ecclesiastical stele from Ephesus to Laodicea accompanying me. ! If you watch carefully and take your hand out at this time and I peek through the rose window...! You will see that the magnanimous world is established and is going to receive you next to me, lavishing the herb that makes its clothing that shelters our body, and its own light reflected from Aurion itself… "The profound Light that looks from the candid domes of the Seven Churches to the vaults of the Ohr Hassadim, transferring to the sub-Iridescent Mashiach, but contrite of the total immanence of the detachment of its divine light to deposit it on me..."  

Therefore, when both are together, the greed to receive is canceled in the Radiance within, and it can determine its shape only after the luminosity has departed at least once. This is because after the departure of Light from the Kli, he begins to yearn for it and this greed determines and establishes the form of the desire to receive. Consequently, when the dawn is clothed within the Kli once again, the two are related as two separate notions: the vessel and the Light, or the body and the Life.

Observe this carefully, for it is indeed very profound. And soon I have managed to describe the aureole of Hyperborea with the radiation of the Eygues bringing Wonthelimar; Well, if you know how to pretend that you are certainly emanating from the double V or W, which make up your round trip from Ephesus to Laodicea, and vice versa! You have already managed to understand that the diploid round trip of Wonthelimar emanated from two consecutive Vs, making the spin of Wonthelimar carrying its quantum particles of it and carrying with itself the quantum number of the fifth courtyard of Helleniká which is 5, but represented by ε´ raised to fifty, that is; ν 'which is the value of fifty Hellenic. Thus the spinning spin of 5 to ten times its unit will be indicated, as you perceive many dreams will be discovered where those who wake up will never forget that it is this sub-atomic elementary particle in the episode of contrast and extensive change in molecular physics that will lead Vernarth with him in his heart or Kardiá, which becomes effusive in his multidimensional quantum.  

“I have managed to understand that the rotating spaces have been aligned with Wonthelimar, and what is divided in the angular will reflect the mental image throughout the aerial imaginary geodesy of all Hellenic, generating the sidereal coordinates, leaving the intrinsic nakedness of all embryonic forms that it is a sublime mirror of the nakedness of the sidereal chromosome of all humanity. As loci installed in the shank of the Pythagoras monochord, but making movement the tax of certain movements that are more than anything else links of kinetics and gravitational emotions, making the mechanics of the monochord the analogous value that generates the signs of Ohr or light. Pivot at the omega tip of the monochord, raising the re-transfigured ε´ Penta in the form of A, but then returning with Wonthelimar and his Spin of quantum from Ephesus until arriving at Patmos with the essence of the “W” that will bring by essence refounded the monochord in the figure ε´ or V that will represent the quantum experiential bond, or crossing of the particle transfer threshold through the superior axon of Keter to Malchut, equivalent to the tenth compendium of Vernarth's ε´ to ν´ which is the relativistic oscillation of its final unit of ν´; which is fifty "  

Your duties are yours and mine. Mine, I will be the one who will carry the labarum to bear and admit all the tributaries of the creation of my new world, inclined in the Duoverse, Codex Raeder and of everything distinguishable in the refraction of the light that becomes embodied in Ohr Jaiá, or Light of Life for all created things, all creation, and everything that comprises needs to be created in the candles that become receivable in the natures that multiply the remnants of energies, which hopes to be initiated from the new cosmos of the Zigzag Universe and the Zefian Arrows, being the main bastion of the link between the printed matter and decisive stimuli of mercy from where the Iridescent Hydor is born. In littleness, the rocking of the unbalance of the universe is attributed, and of all the wrong applications of amplifying the Bios of a universe that tired of behaving mournfully, being children of its immortal reply...! Understand that nothing will mean more than the awakening of everything that extends beyond the borders of the Mashiach, being cosmopolitan emanating and merciful bestowal and that nothing resides in the material already broken.  

"All the modes of adaptation ended up differing in each form of adhesion within what it meant to emanate in all equivalences and from impels as fast as the buggy that carried Vernarth and Etréstles from Genoa to Piacenza since Etréstles deserted from the Eighth Cemetery of Messolonghi composing all the wishes of the awakening according to the Kabbalah of Vernarth being largely absorbed by the Apostle Saint John. Everything was going towards the kingdom and the surroundings of the Himation that awaited Vernarth himself, swallowing him with all its lights, which were even ecstatic by his epidermis, knowing that he was separated from the undivided light that awaited him in the Megaron, very close to the Opistodome in the Behina Alef, split from his expanded sub-iridescent body of the Ohr, which in turn was levitating next to him, for the vaporous reason of not knowing if his body was a conclusion or a new kingdom that was brewing before him "  

The final phase of this Elegy VIII gave the consent for the world that does not fit in the reason, nor in the thought that was already being installed in all the balusters and limestone stones that would make up its Tree of Life Sephiroth. Your soul is my soul and mine, and I know very well that everyone awaits me on the Profitis Ilias plain, distinguishing me as a whole in the sense of smell that is rooted in the gastronomic world of the Hellenes, and the absolute that my breathing with a few granules of nitrate, making them a divine cause with potassium that became despotic in living creatures that make their essence mine, like my Spirit that would eventually rescind capturing all the sodium from the iridescent nimbus in the intermittent rest and its multi-life like Nefesh!

Beloved confreres Khaire..., receive all the joy that removes the poisons that pierce tongues that become addicted to the drops as they generate more bodies from mine..., or You will be part of my Guf or body that no longer resists lacerations from swords and spears, which depart from my head and its undetectable body from the passage of Time, and from all the fallen heroes next to me…! I see how they fall into their exile diminishing what purifies the content of Advent, of its four candles, dried fruits, its circle between the hands of the Mashiach, and abundant coniferous branches taking my corporality in all the indifference that exists between cognition and loss of awareness of lucidity beyond the Advent Wreath and its four luminaries staying in the Fifth Candle, like the Fifth Chalice of Elijah, taking me very distant with all their desires to welcome and consider that under my initial "V", they will find the synchronization of the Fifth Candle and the Fifth Chalice, which is my "V" in the fifth dimension of the Fifth courtyard and in the shady Fifth of Helleniká!

As the creation, I have been imbued with the euphonic harmony of creation, from Bethany to Patmos, of all the balms that are more capable than physical receptacles within all the higher entities that are more than the unknown, and of the infinite and imperceptible! Of the essential number of the geophysical height of Delphi, close to the elevation that will occur with my departure at the elevation of 583 whose essential number will be 16 and six plus one is Seven, and the Profitis Elías is 565 adding sixteen, and its number essential is one plus six equals seven. All this makes it prevail that my soul will reverberate from the indigo lights of the Ohr, to be sent between two poles from the altitude of Delphi, making these two spaces the equanimous and providential emanation of climate change, due to the disparity between these two latitudes, But of equal essential numbers, creating the closeness of Vernarth and Apollo as they met in the Kassotides, before departing from their assumption to exalted Aurion.
Hellenic Elegies

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