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MicMag Aug 2018
What's it take
These days

To write a poem

That makes the world go mad
That brings the crowds to their feet
That spreads like wildfire
Through a dry winter forest

Is it those excessively long words?
The ostentatiously loquacious
Platitudinous ramblings
Of an insecure mind aspiring
To authentic intellect?

Is it perhaps...
     the "creativity"
               of      varied      spacing
  or...    could it be..... the lack
                              of capitalization
               the loathsome little letters
               screaming out
                         hey, look at us!
         ... or maybe it's
               the punctuation marks,
     littered, haphazardly
          through the text
                    (whether used correctly)
               or, theyre not?!
     despite worrds mispeled
          and a grammar might is broken
   can these gimmicks increase interest
        though miswritten or misspoken?

Is the trick alliteration
Whose bite brightly bids us
To center on the snappy sounds?
Although all along
     unvoiced underneath
Ideas idle in the isles
   (or perhaps the aisles)
Of the mind
To meld and craft and bind
Our thorough thoughts
And worthy words
Into lines
Which
Heard by herds
Raise the
                  Praise for which we
                  Privately, desperately
                  Pray

Maybe it's a magical mix
Of splendid in-your-head rhythm
Marvelous meter that perfectly clicks
Flowing smoothly without schism

Well-spaced stanzas
Well-used time
Well-crafted phrases
Well-thought-out rhymes

Well, maybe not...
     those gems are often ignored
     cast-aside, unread, even abhorred

Why?

Because the modern world
doesn't need your rules
your restrictions
your regulations
your misguided boundaries
your oppression
your antiquated ideas
   of "the right way"
   to write
   to speak
   to act
   to live
   to (fill in the blank)

No, what the modern world needs
is
Negation!
Contradiction!
Resistance!
Revolt!

And poetry whose words
Say the same thing
Repeat the same meaning
Echo the same lyrics
Rephrase the same thoughts
But in an ever-so-slightly
Different
Varied
Altered
Adjusted
Changed up way

Line
After line
Of synonyms
          over
               and
                    over
                         and
                              over
                                   again

-----

What's it take
These days

To not give in
To narcissism's spiral?

But more importantly:
What's it take

To make my poem go viral?
Only halfway cynically written, I swear!
Umi Aug 2018
Spacing out, allowing my mind to wander far, far off,
Into the distance, into a dream out of reach, my personal heaven,
A distorted world where meaning has no meaning and time stands still, space is instable and the melancholy of lonesomeness prevails,
Clouds, everlasting, ever orbiting floating islands and upside down waterfalls, yet I cannot share this pleasure with anyone, I'm alone,
If I were to believe I could fly, I would be free.
Not bound by physics dragging me down, not bound by gravity,
I keep this place dear to me, for it is a world made for escape,
Only if I could lose myself in the fragnance of this dimension,
My poor body calls my soul back to where it thinks it belongs,
The dream of pleasure, with a carefree attitude is burning away,
Reality is cruel and dark, with no comfort a place with no heart,
But certainly I can hope with all my might even though weak,
That this place I am carried to when my mind is giving away my soul,
Will take me in forever one day, so I won't have to wake up.
After all, I don't have to die in a dream..

~ Umi
I want to dream forever
v V v Jul 2018
I have been to where
the lonely go, and I’ve
seen their luring towers,
A call to the hopeless, to those who come
from far away to see

if coming was a mistake.

Will we ever know
who doesn’t go?
and what of those that go
but remain unknown?
Perhaps they go at night.

The horror of it.

To not be able to see the end
but still it comes and quickly.
A silent floating moment
in a winter of regret,
a springtime of longing,
a summer of sunshine,
Or a fall to the end

of the world in 7 seconds.

A super cosmic collider of
meticulous destruction.

Whether they stay or go
its all the same,
multi-layered levels of
brokenness,
no one is immune.
No one is immune.

Some spend time putting
things back together,
the spacing between levels allows it.
Others break over and over
and over again,
not enough space for repair

while the pull of the towers,
the flaming red towers and
the fog rolling down
from the west promise silence.

When I stood at the edge and looked over,
the noise was deafening.

The ones without space
cannot hear.
Joseph S C Pope Feb 2013
I

Wonderlandia, torn off the submerged lung
of a daydream diary.                   Reoccurs
as she does with silver eyes, weary Alice
during tea time--bullets burning past her
                                     like flowing nations.
Everyday similar tsunamis fund
                                     the lack of 20/20.
Nose to tail--the surge of angry engines
splits the ends of her blonde strands.
    Each one the last witness to maddening hospitality
--utopia never sweats as it talks and withers.
Amnesia blots,
new aspirin machines
vaporize apples and ***
on the other end of spectrum,
                                                     trans-positional labels--

Guillotine gargling teapots
       have no patience
         to the bushes of Olympus opiates
                                      bound in yellow barrier tape,
                     five o' clock traffic
               welcomes her back to what we are facing.


II


Dreary weather of late fall                       and her beautiful,
              powdered face

great mouth of atomic hell,
         when she speaks--80,000 deficiencies boil alive
                                                   --Trinity's teething test
                                                           on the tired bones
                                                   of a story-teller's raspy cards--

"None the wiser," she speaks,
                                "during the transition of ships
                   vermin turn into krakens culturing
                               on the surface of a raindrop.
    Heroes, villains, animals frozen together
                 after now eating for four days.
     The transition of one genocide
                                                        ­  to the other,
                the delineation of cat-and-mouse,
   mingle too long
   with the dead
   and its necrophilia."

                 Blind Alice wanders off the highway,
leaves her brewed cup of steamy static
on top of the unimportant saucer, sticks pins in her *******,
             and enjoys the sound of Cleopatra
             rolling over in reincarnation.


III

      Dear Alice smells
sunbathing, studded tangerines
                      assimilating liquor within the vast,
       empty, glowing nausea that is--
                        the warm germ

Oil                                    and                 ­          water
               rippled glass too silly for skulls
              made humid by distant salt water,

blood, acid, enzymes,
cheating probability
that runners with drunk kids
have blood between their toes.
                                                      Death­ to the distillation within
                                                    --the chronic diamond too polished
                                                       in *** to see the roses in her *****
    She curses these wood songs,
             heritage patriots with the pelts of wild lions
             with antlers over their heads,
                                                  faces advertising war paint
                                                applied by gargoyle hands
                    --sad memoirs always drink people
                                                  that use God as a cookie jar.


IV


  Gorgeous names
  on graffiti institutions give her a home
                                                         a market
                                                         a nickname
           still                  Alice only accepts Alice.

Grace periods where she misses tyranny
                  rise and fall like endorsed breathing.
    Now Alice feels her dress fall off,
                                  extinct years message future occupancy
                                  about what to wear.
New era, this era, past eras plead guilty
in a      clinic museum
             of forcing demons
              down the medical
              throats
of first graders. Court adjourns at 9:01 PM, Saturday

             The populus can sleep now,
                          but not her.
                 No one gave her clothes
                 to cover up the drained monochrome.


V

Instead she celebrates her flesh,
                                        the broken glass,
   and quakes and leads off to expose
           others to its potential vital prosperity.

         Instead
                     headlines like bumper cars read
                     about the beheading of weeks,
                     failing rescue missions,
                     and debates on teenage tolerance.

Nicotine intoxication points Alice
to over-extended memories--wards of music
sequenced to point out the extinction of marble tigers.
                        Only 550 expected to understand
                         tethered to millions able to survive.

  Flood waters look at moral standards, a mean hurricane
                                   that collapses the death toll
     all patented 50 states
     have a dating service
     and huff paint as a way
                              to pray to art.
                                                      Double­-canvas faces
                                                      dyed in pixel     hope
                                                       that the media levees hold,
             but volunteer to herd sheep into poppy seed fields.
                                            She refuses to stay,
                    to watch the long night
                    of castration on men with mud-covered ankles.
                                      Television says eunuchs want
                                       to be prodigal's children,
                                       everyone wants to come back home
                                       to mom and dad, safe zones, away
                                       from themselves.
                                                     ­                 It says our ancestors want
                                                            ­          this for all of us. They worked
                                                          ­            so hard to tie up the hair
                                                            ­          out of Aphrodite's face.

                                     They treasure the silver eyes of Alice,
                                          but call them blue,
                                                  they issue her high cholesterol
                                          but pump sweet ****** into he stomach,
                                                  they tell her to put down the drill,
                                            so she can finish their orchestra--

her lightning
    is
     a
  string
     of
  souls



VI


     She decides to depart Sunday,
to discover the ordinary beginning,
                        painting WHY? on its delirium.
re-arrangeable viewers become
                      inserted sounds under percussion and piano.

       Caging various important charts
                                          undetermined
   ­                           as finished attention.
                                                      ­              Three movements in flux
open end the people                     vacuuming
                            craftsmanship blocks
                   from                                dogs and zen.

                                                 The
                                 suspended letter               is happening in 1951
   drenched in existential white                                            spacing
        ­                                                   the viewer
                        from integrated architecture.

Down
the
bell is a structure called
"the quarantined wheelchair."
                               Dead ignorance changes pattern
                               after six movements of the second hand.
Alice speaks, "To you all, know
                                       that this is an un-dramatic situation.
          Everyday windows with the same
           participants have girls drinking
                                                     orange juice, activate fluid,
                    both exist as objects
                    and caught propaganda."

                                                   ­                      Six tunnel
                                                          ­      audiences are watching
                                                        ­        drown in the plastic silk
   her                                                       built by the motorized collage
                                                         ­                                        spider.

          Alice, a kinetic mannequin pop star
                        is limp in the glass point.
             Rhythmic flux is objectified war torture
                         censored in fitness magazines
by simple toilet literature.

                                        Six tunnels worth of eyes
                                 latch to the *******
                                           as a way to bury **** protesting.
                                  A coat of pepper spray
                                   works in front of the exhibition.
This stage is shaded by moans.


VII


      Alice the female, has a door-to-door friend
                                                          ­    over the sea
of the cathedral's ceiling               who died of disemboweled
pulchritude             at the mutilated nuclear other-place.
                     Her friend was a synthesized example
                     of staged catastrophes. Her friend is her, silver-eyed
                                                     ­                                             Alice.

            ­                     She performs herself and herself
                                 but they are played by polished, scored poets.

Everyone of them incorporates the events
                                 of a dancing gunshot. Everything rests
                                                           ­ at an intermission

               but after fifty minutes of pondering,
          the lost audience remembers
         her name is Alice.
                   So it comes back on with a shower of sweat
                  and this clear
                                  substance
               ­                                 called
                         ­                              patience.
       This composing, peering vulnerability
                        psychologically destroys the flux tension
              like analog genocidal dictators.
                                   Ultimately this is dream liquor

     commentating war to the war tree
      using trauma and chairs as humor.



VIII


               Patience on the water level lives translucent
                                            on networks that brand flesh
                                            with displaced identity.
Alice convinces us all that pickled ***
                                                             ­               takes eight years
                     to ****** and we accuse it
                                         of being fake. Afterwards, her character dies
in confident silence.


IX


     Not majestic, but she does cough
                  to mock the earth.
        The seeds of Alice are ripe,
                        harvested early, and now her children come out and dine
        like speaking tongues on gibberish.
                          The room is fat with hair

and kindness. Feeble, mundane hands chew on each other,
                                                         feet stand proud.
We even call her Alice or "the beautiful *******,
                                             a black cloud feasting
                                             in orange."
                       Everyone feasts on the nectar
                                                         she has, but never the rye
which makes her round. Juice is squeaking and her children laugh
                         as in competition.

     It's a distinguishable game as the mixed
                                                           ­      couple up front
              begin to play whistles as
                                         everyone eats
                   the pride of the silver-eyed Alice's children.


X

                                                ­ The children's souls
                                                       bow and say
                                           "Thank you for barely growing."
                                                   and dissipate after five minutes.

          "Curiouser                                   ­                                      and
           Curiouser"                                                       ­                   they
           say                                                              ­                        as
           they                                                             ­                       leave
           this                                                             ­                         homage.
                  The decimal backbone
                     of each of sweet Alice's
                                   blonde strands
                   divorced by the gust/ of a green light's/ allowance.


XI Epilogue*


  The day crawls away
                   a vigilant pest
     of the nocturnal project
                   --suns beam down still, like
                  stomachs of grinning felines
                           at Valentine's day.

toxic-dyed fingers
                        soldered
to bodies pittering across rainy streets

--legionnaires with hearts on stones
                         we are waiting for her orders,

     thistled-teeth clench,
                                         but did she
                                          actually
          ­                                ever come?
chloe hooper Sep 2015
I might've been an only
child but I was never the
favourite. you trailed behind us at every
social event, pulling on my
hair and stepping on the backs of my
shoes. the bottoms of them were so
worn out from years of me trying to run
away that I could feel every footstep in my
lungs. at christmas none of my presents could be
wrapped, because we'd learned the first
year that it wasn't a good
idea. she made me spend hours tearing it off in a straight
line, using a ruler as
guidance. I was too young to read the
numbers on it. this year, I bought her a
necklace. I knew I had to give her something even though I wanted to
take. she never mentioned it on our Christmas cards, but it was
there, it was
there in the spacing of our
names and the negative space between our warm
bodies; we weren't allowed to
touch. she hates you so
much that she could never bear
leaving you. vacuums became my
lullaby and my father quickly grew
used to never getting kissed on the
mouth. I hate you. you were a thorn
stuck into the centrepiece of our perfect
family, and my psychotherapist says you're the
reason I still let myself
bleed.
Bunhead17 Sep 2014
God before we compete today,
we come together as a team to pray.
Please watch over us from music start to finish,
it wont take that long just about three minutes.
God, all we really want is some help to succeed,
so here's a little list of the things that we need:

We pray for..

Stunts that are solid and tight.
Arms that remain by our side.
Flyers that are confident.
High "V's" that are never bent.
Cradles that are caught up high.
pointed jumps that truly fly.
Tosses that soar through the air.
Judges that are knowledgeable and fair.
Spacing that is on the money.
ENERGY THATS LIKE THE BUNNY!
Motions that are sharp and snap.
A loud crowd that likes to clap.
Voices that deeply shout.
Thumbs that do not stick out.
No bumps that happen while we're passing.
SMILES THAT ARE EVERLASTING!
Endurance that keeps us strong.
Teamwork that cant go wrong.

But mostly God, we'd like to have
A routine that is injury free.
And if you see it in your heart
A FIRST PLACE TROPHY FOR MY TEAM AND ME!

So God, when your work is done,
And your no longer needed here,
just take this little thought with you
Amen.
Anna Jones Nov 2015
Dancing under digits
Spacing between words
I count them all
Each syllable
Once, twice, I heard them dancing in my mind

Floating, instant reality
Bringing distance
Separating elements
From pen to page
You sing in colour
Yet speak so beige

Words, what do they mean?
Sailing through an infinite horizon
Your thoughts like waves
Shattering a tranquil line

Logical
Emotional
Trying to entwine
Encapsulating a memory
That will never be mine.
Written at the Halton Poetry Writing Group - 12th Nov 2015.
anastasiad Feb 2017
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mûre Feb 2015
I said it, because it felt so nice to say and
because I can say it very well
-in the moment I meant it
but it's a bitter familiar spell
I've memorized the phonetic stitches the
spacing that knits a magic fleece that
when draped over the shoulders of the mightiest
turns them back to boys, gives full release
the belief
that love, real love, can be-

I can teach any man to fall in love with love...
just not in love with me.
Dorothy A Jul 2010
The first time I heard it, I could not believe it. Did I hear it right? My son, Kyle, had a girlfriend, and her name was Jezebel Kawalak. That was her true name, honest to God. I thought maybe Kyle was joking, but that really was it.  Kyle was surprised himself, thinking she was joking, so Jezebel showed him the proof on her birth certificate. It was her mother’s idea to name her Jezebel. Her father was against it.

“She goes by Jez”, Kyle told me. “Everyone calls her Jez”.

I was making dinner when he told me the news of his new friend. I stopped cutting up some carrots and looked at him with great skepticism. “Jezebel? Who on earth would name their daughter that? Don’t her parents know that the name, Jezebel, is a putdown?”

I remembered the old Betty Davis film, and she was supposed to be some kind of ******. I decided to look up the name in the Bible, and Jezebel was not a nice woman, but an evil seductress and the daughter of a king. I didn’t know much about that Jezebel character from the Old Testament, but I knew she was far from nice.  Now Kyle reassured me that Jez was not all what her name implied. She was a shy, sweet girl who lived across the street and twelve houses down from us. She was petite, gentle in nature, which added coolness and calm to the picture, for her sweet nature coexisted in tune with my son’s impulsively creative disposition.

“Jez wouldn’t hurt a fly”, Kyle told me.

“Oh, sure” I said back. “But will she hurt you?”

Kyle and Jez were both sixteen and both in the tenth grade. They also attended the same high school, making their friendship all so more convenient. They were even in one class together, an English class. Like Kyle, Jez came from a divorced home and both were only children. Jez’s mom, Tammy, worked three jobs to keep things afloat, and Jez was often left alone at home to fend for herself. It was not surprising that she got quite lonely and was in need of a good, solid companion.    

Kyle never had a serious girlfriend before. He had gone out a few times with a few girls, but none of them were ever more than a brief date or two. I was glad for that. I sometimes worked a double shift as a hospital nurse and, ready or not, I was forced to deal with this new path in my son’s life. I could not always be around to make sure my son was doing what he was supposed to do. And he was far too old for anyone to really watch over him. He was still working on getting his driver’s license, slowly gaining more freedom as he was gradually gaining more trust from me. I did not like this hesitation in me, for I always knew quite well that this time would eventually come. Yet everything seemed like it was coming too fast, and I could not contain the breaking dam of my son’s ever increasing entrance into manhood.

“It is probably not like you think”, my mother told me about Kyle and Jez. “They seem like just good friends, like she is the sister that Kyle never had”.

My mother could not convince me that she knew what she was saying, not with that remark. Come on! I wasn’t born yesterday!

For the longest time, it was just the four of us, which is until my sister moved to Miami.  Kyle, my mother and I lived in Cleveland, and that seemed like a stab in the heart to me when my sister first left. But I eventually convinced myself that I could not be so selfish, and I learned to adjust to just now only “the three of us”. Kyle saw his father but his father and I divorced when he was the age of four. Since that time, he had three strong women in his life, his mother, his aunt, and his grandmother. We were not a big family, but we were a tight family unit. Whenever I had to work and when Kyle was in need of a sitter, my mother watched him. She deserved the credit for raising my son just as much as I did.

Kyle reasoned with me that he and Jez could be good study partners for each other. I rolled my eyes at that one. There would be more of Kyle playing his guitar than anything. He loved his guitar, practically was self-taught, and I had to admit that Jez had a beautiful singing voice.  Kyle loved to compose his own songs as well as he liked to play some from other artists, and he was pretty good at his talent. The trouble was that as soon as made something up in his head he quickly forgot how some of the songs went. Sometimes, he could get it right and sometimes not. But that was not because Kyle wasn’t smart enough. Actually, he was very bright.  Kyle could dream in his sleep about music and wake up frantically trying to remember what new song he was dreaming up.

The two of them sounded really sharp together, Kyle’s strumming and smooth singing and Jez’s soft back up vocals. There was no denying that they looked just as good as they sounded together. I would study Jez over as she sat next to Kyle on the couch with her golden brown hair clipped up on the back of her head, her eyes peacefully closed, and her small frame swaying in the rhythm of the music they were making.  If they weren’t working on live music, they’d be cranking up the stereo or watching television much more than they would be hitting the school books.

I was shocked when Kyle and I were alone at home and he said something quite out of the blue and totally unexpected. “You practically gave up on men, didn’t you?” he asked me.

“I beg your pardon, young man!” I snapped at him. I gave him a sharp glance and that was all that I had to say about that. I never expected him to say such a thing. Frankly, I was dumbfounded.

I did not feel like I had to answer to my son, but driving to work that day I had wondered if he was right. If my life was not wrapped around the needs of my son, my energies were put into my career. I enjoyed my independence, not like my mother who never worked outside the home once she was married. And when my father died, my mother’s financial needs were taken care of because of all those years of his hard work. It seemed like my mother came from a dying breed, not that I faulted her for who she was, but I had to take care of myself. I felt it was the right choice and better than the alternative of marrying for convenience.

Was I really that fearful of another commitment? It seemed that no man I had met since my divorce could be a good enough stepfather figure for my son. At least, I believed that was a good enough reason for me to remain unattached. How could Kyle ask me that anyway?

One day, he was destined to leave the house and have his own life. I was always so smug about women who seemed to have no life outside of their children, but was I only fooling myself? Before I knew it, I would be coming home to an empty house. Would I be alright being all alone?

All I knew is that I wanted my son to be happy, and I thought I did a pretty good job of helping him be that so far. For now everything seemed fine, but I could see how Kyle was really falling hard for Jez. In my worried mind, there was no denying that.

“You assure me that you will do nothing that you cannot undo”, I warned my son. “When I am not here, there is to be nothing done under my roof. And you know what I mean!”

“Mom, come on”, Kyle answered me. “I would never do anything like that in your house!”    

I looked at my son with a mixture of pride and sorrow. It was now I who had to look up to him to talk to him. It seemed like yesterday when I was the one towering over him. Now he was almost six feet tall, was now shaving, and was handsome like his father, his dark shaggy hair dusting his light brown eyes. I sure could not stop him from growing up. Trying to control that situation was like trying to control heaven and earth. Slowly, I was learning that I had to let go of him, for his sake and for mine.

Deep down, I knew Kyle wouldn’t do anything in my house. But I also knew that those two did not need my house to do the unspeakable, what I would not quite say to my son in proper words. I knew I was being unrealistic for some silly fear that if I said “***” it would egg on his teenage desire all the more.  Nor could I keep my son under lock and key to stop those flooding feelings.
  
It soon came to be that Jez was over every day. Why didn’t they ever go to her house? But then I was glad they were under my roof, like that would keep them out of trouble.  Jez’s house was rented and much smaller than ours, even though ours was not spacious by any means. Jez seemed to feel more at home in my house, and soon she was growing on me. Before long, I was quite used to her, for she somehow crept into my heart and won me over.  I had to admit that she almost seemed like a daughter to me.

“You did not have to make these”, I told her about a batch of oatmeal cookies she baked me.

Jez smiled at me and said, “Your favorite, with no raisins”. She put them in a cake box that she ******* with a purple ribbon and handed them over to me. She had such a sweet disposition that I wanted to tell her to go yell at her mother for giving her such a ridiculous name, but simply smiled back and gave her a hug.  

“I can see you really like her”, said my smirking mother. She had come over for dinner and was sitting with me at the dining room table. “She is really good for Kyle and you know it, too”.

Kyle just came around from out of the kitchen. “Thanks Grandma”, he said to her, and gave her a quick hug and kiss on the cheek. He then gave me thumbs up as if to show that if Grandma approved, it was a done deal.

I could not disagree with my mom. Yet I wondered what Jez’s mom would think of everything. Even though she lived down the street I never met her. I wanted to invite her over, but she was always too busy working or taking care of things. How did Jez cope with her always being gone? She needed her mother just as much at sixteen as she did when she was a young girl.

“She works pretty hard”, Jez once told me. “I feel kind of bad because maybe she would not have to work like that if I wasn’t around”.

“Jez, don’t think that way!” I exclaimed.  I could see the tears welling up in her eyes. Kyle, sitting next to her, put his arm around her and gave her a good squeeze to make her smile.

Kyle admitted, “Jez’s dad always told her she is welcome to live with him. She could but she’s not so geeked about it. He lives in California, in San Diego”.

“And he has a swimming pool and a Jacuzzi”, Jez added. “So you think I’d be crazy not to go there”.

“I’d rather live in warm weather, all year round, with a pool to swim in every day”, Kyle confessed to her.

Emphasizing her remark by playfully dotting his nose with her fingertip, she said to him, “Kyle, you know that Cleveland has one thing that San Diego does not have”.

“What’s that?” he answered in a silly voice, gleefully playing dumb.

Giggling a little, she said “You”.

Kyle leaned over, and pecked her with a kiss on her mouth. I could feel the heat in my face, embarrassed that I was blushing over an innocent kiss. But I never saw my son kiss a girl before, not in a romantic way. I got up out of my chair before they could see my discomfort. How foolish I felt! After all, I was a nurse and nothing should have shocked me like this.

There were times I felt that I had more than a leg to stand on with my fears. There was a fine line between innocent times with each other and too much togetherness, and it seemed like Kyle and Jez were crossing it.

Usually on Friday or Saturday nights, Jez and Kyle would watch a horror movie. They both loved horror flicks, the more blood and gore the better. Both loved the classics, from the original Night of the Living Dead to the modern ones like Drag Me to Hell. They’d always snuggle together on the couch with the lights off and big bowl of popcorn, and if I was not working I would be extra watchful. They could be up till past one o’clock in the morning and, even if I needed the sleep, I stayed up right with them.

Often, Kyle and Jez would fall asleep together on the couch before the movie ended. They had gotten that cozy. A few times, Kyle would wake up to still find Jez sound asleep. She was quite a sound sleeper, more than Kyle was. Instead of waking her up to take her home, Kyle would scoop her up in his arms and carry her to his bedroom. In turn, she barely made a stir but rested her head upon his shoulders, letting him take her away from the living room. After laying her upon his bed, Kyle would come back to sleep on the couch.

“How are you going to explain this to her mother?” I asked, confronting him about it”.

“I’m not sleeping with her, Mom!” he argued with me. “You can see I am staying on the couch! Jez’s mom has some new boyfriend, so why would she feel like she even belongs home? Yeah! That’s right! He is crowding Jez right out of her own house! Do you have to look at me like that? Like I am the bad guy, or something? He is living with her mom, sleeping in her bed. Why do you think Jez never wants to go home? The guy’s a total loser! He creeps her out.”

I knew I had to eventually talk to Jez’s mom. I needed her input and she needed mine. As much as I liked her, I just did not feel like Jez should be around so much. It seemed like she lived at my house when she really did not.  The only news I heard about her mom was that Tammy was angry at her daughter for not helping to clean up the house more. So now I found a sound excuse to help Kyle to listen to reason.

I had to tell him to listen to me, to trust my better judgment and experience in spacing out his time with Jez. Perhaps, he needed to see her every other day. To Kyle, that was a hard sacrifice but, along with becoming an adult, came some necessary lessons.

“If Tammy wants her daughter to be more responsible at home” I told him, “you have to learn to respect that”. Deep down, Kyle knew I was right.

So those in between days, with no visits, Kyle was either instant messaging Jez on our computer or talking to her on the phone.  He may have listened to his mother, but he was finding enough ways to not take me as seriously as he should have.

I found myself wishing that Jez would just go away. That feeling did not last long before my guilty conscience got the better part of me. Jezebel Kawalak really was a sweetheart. Everyone who really knew her loved her.

“Do you feel like she is competing with you for Kyle’s time with you?” my mother asked me.

At first, I was ready to tell my mother how out-of-line she was with that statement. Did I seem that selfish? This was the time in Kyle’s life when the childish diversions in life were being replaced with more important things like earning his own money and planning what college he wanted to go and what he wanted for his future.  Or maybe I had to accept that he would tell me that college was not for him. Now he could play his guitar and dream of being a rock star, but reality was ready to kick in for both of us.  More carefree days like these were beginning to look scarce.

I had to admit that Jez became a threat. I worried that she had a high likelihood of ending up pregnant. What would happen then? Kyle was not mature enough to deal with that possibility. I still had those desires to see Jez just go away.

One night, I was going to get what I wanted. But it was something what I never would have wished for.

It was a long day at the hospital for me. I had barely the energy to eat the diner that Kyle had made for me. He was a pretty good cook as he had to learn to make his own meals when I was working. I was brushing my teeth when I thought I heard a knock at the door, but the television was on and I wasn’t sure.  

“Kyle, is someone at the door?” I asked him.  I heard no answer.

I went into the living room and the front door was open. In the dark, I made out the two silhouettes of Kyle and Jez sitting on the cement on the front porch.

I turned the porch light on and gasped. Jez was leaning on Kyle, her face battered and her lip bleeding.

“Let’s get her inside!” I ordered Kyle.

He helped her up but she was stumbling badly. Kyle lifted her up into his arms, and she winced in pain as he carried her inside.

Kyle sat in a chair and kept Jez cradled in his arms, caressing her bruised face with his
c. 2010
Xander Duncan May 2014
I'd never cared for flowers
Symbols of affection that wilt
And forget memories
And fall apart in kitchens and bedrooms and strew their pieces on the floors
Dried and broken after only days of being lovely
Flowers with their alternating patterns of
Unreliable determinations
Claiming every other petal as an opposite declaration
Of a determination
Of love
And I never liked removing thorns from roses
Because they added something truthful and
Poetic

But when you gave me flowers
I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase
I let them live for longer than they did
Because they were still pretty even when no one else seemed to think so
And when they hang dried on a wall
Still colorful but slightly brittle
Maybe they'll stay like that if I just don't touch them
When you gave me flowers
I plucked off every other petal
Into a bouquet of He-Loves-Me
Because for once there was no doubt
For once I believed the sentiment in the flowers and the words from your lips as you handed them over
The lack of nots in the petals
Pulling apart the knots in my stomach
He loves me
He loves me
Truer than the dirt that holds
Wilting symbols of affection
Sweeter than the honey
Of their pollinators
He loves me
He loves me
A garden of something new and beautiful
Perennial and built on symbolism after all

Until you let me know that dead flowers were just dead flowers
That they were past their worth
And metaphors aren't worth the dirt they were grown in
That perennials can't return
When you've salted the soil
And brittle flowers on the wall should always be removed
But I always lived in metaphors anyway
And I had a new appreciation for flowers that I didn't want to lose
I was no longer a rose
But a thorn
I always thought smooth stems were so boring
Not to mention dishonest
But I didn't want to make you bleed
So painfully I dug an olive branch from my rib cage
Then realizing that a ****** token may not be so well received
I decorated it with a bouquet of blue Forget-Me-Nots
But you plucked off every other petal
And handed back an array of He-Loves-Me-Nots
He loves me not
And there was no doubt in the sentiment
The sentience of metaphors dying all around me
When all I know is metaphors
And flowers were never just flowers
And words were never just words
But both are found on gravestones and poems and apologies
And parallels have fallen into nice and even spacing
Reducing flowers to clichés
Of alternating promises
Of He loves me and
He loves me not
Of broken promises
He loves me
Not
Mallory Hutson Nov 2014
They say kryptonite is superman’s weakness
but mine must be you
because you leave me speechless
sweetness
is all you've ever given me
sleepless
is all I’ve ever been since we
became friends
but now I feel like our friendship needs a cleanse
expectations
I guess mine were too high
its understandable though
it just wasn't our time
I got upset
I only wanted to forget
what we had
but why spend my days being mad?
I cant make this your fault
I locked my heart up in a vault
my mind keeps racing
look at me I’m spacing
I wonder if this would be different
if id have left it alone
or if we had went for it
everyone's always saying
you two'd look cute together
but it only hurts me more
in my head its like the first world war
but I think i'm losing
you're my best friend
I have to respect that
its just going to be hard
since my heart is somewhat scarred
do you understand though?
Why im starting to let go
really my hearts just incapacitated
because ive been captivated
by your sweet looks and charm
you make me so infatuated
I hope she makes you happy
thats all I want for you
im sure ill find someone too
eventually
now you know what im undergoing
I just hope our friendship can keep on flowing
Left Foot Poet Jan 2018
<!>
inspired by a conversation with Maira Kalman


******* a name, adopt a persona, let my fingers do the talking,
place the instrumental sharp point tip upon the blankety blank paper,
maestro baton raised, coordinating,
the first sound, the vocal chords trembling,  
the first thought, the ultrasound image, entrance of a first violin,
coalescing into, into the initializing single primary phonation,
the stinging geometry of chance at last,
throwing  down the gauntlet, glove slapping, and the
tendons tense, the mouth opens, release and indentation,
a letter's curvature, a black and white downward stroking,
a sign is televised, revealed and released

a one way only sign

time bends knee, gravity suspended, terror morphs to
expelling rapid firefights of imagery needy for spacing,
even pauses mid-word  leave just this:

where is the in in
intimate?

are you the in in
inmate,
or the jailor at the gate?

you swear never again

until committing once more,

a sentence commutation, by committing a first sentence,

and the greater toll taken and paid for,

and the in in in-nate,
questions your sanity

happily


<•>

9/17/17 10:55pm
Anthony Duvalle Dec 2010
I once knew this one dude, whose real name I don't recall
But homie was haunted by ****, that would make your skin crawl
He'd wake up at midnight, cause he was feeling a fall
Covered in sweat, dreaming things from when he was six years tall
His uncle's a creep, a member of the ****** brigade
Real ****** up, he'd say bout anything to get laid
Spacing out, no friends, the kid just wanted to fade
So by age ten, homie cuts himself with a blade
Says it relieves, so he's always sure to make them deep
Says it fights back some things that he sees in his sleep
Awkward in class, shaking, always grinding his teeth
But no one else really knew what you can see in your dreams
When opaque, is how your barren, buried life seems
Drinking and toking just enough to make his empty room lean
Grades slipping, no job, cause they need the **** clean
******* cause unemployment can't buy the kid's green
Angry at life, his first resort was to kick and to scream
Feeling observed, living life under a social spot beam
The coach talking of courage, when he tried joining team
But I guess it's hard to keep your heart, when it bursts at the seams

So homie smoked constantly to chill out his thoughts
A high as **** THC count in every gram he bought
Seeing **** and hearing **** has got him distraught
In his mind he's not fine but what his sickness brought
Was an escape from his living, but he wanted it to stop
Addicted now to heroine so his bed he would hawk
Homies in his home alone so he scarcely would talk
Zoned with his mind blown, homie can barely even walk
But the voices always kept him company in the dark
Schizophrenia setting in, insanity's made it's mark
Hallucinating, kids ripping his punctured arms apart
Shooting up to see if he can stop the voices from the start
But AED's had to come around to kick start his heart
Overdosing, sometimes didn't think he'd ever come back
Shooting up the **** that he always carried in sack
Thought process making his mind and blood pulse attack
Stole a gun, needs some mons, now people gonna get jacked
Lost his project house so you're finding him blacked
Out on the curb but needs money earned
Succumbed to the voices he heard
And went back to his old house, sitting up in the burbs

Homie fought and he screamed but couldn't control himself
The voices told him to ****, take all the jewelry and wealth
Standing outside his old home, pacing, tearing his hair
Gun in hand, praying for help but his God wasn't there
Voices saying that homie's worthless and he deserves his despair
Telling him that if he died now the world wouldn't care
He screams, "SHUT UP, ENOUGH, GET THE **** OUT OF MY HEAD!"
But homie felt that there was truth in every word they had said
So when they said his parents were scheming and wanted him dead
He grew paranoid and every thought he had crept with dread
You see the voices came from his brain and reflected back
Homie's rampant paranoia and his addiction to smack
If he was due for a fix, they got more persuasive and louder
And he'd feel like he was dying 'til he shot up his powder
Now he's posted up, 3AM, but his mind's lost it's time
He's lost the sense to differentiate a good deed and a crime
Back in the past, they didn't realize, but lord knows he showed the signs
And now its too late, our homie's stars have all come in line
On the doorstep, he lurks, priority's to quench this thirst
Between his fam and his fix, heroine to **** the voices comes first

He knocks three times, hides the gun in the back of his pants
If he could stop himself, he would, but he's stuck in a trance
His heart fights back but the voices take control of his hands
So when his father opened up, homie knocked him off of his stance
He had no chance, now there's a glock in the back of his throat
And he would scream for help but his windpipe's being choked
Homie cries out, "I'm sorry!" as the life left his dad's eyes
Mother ran in, paralyzed in a state of surprise
He lifted the gun and lined it up with the center of her forehead
She looked in shock at her son, her husband on the floor dead
Homie couldn't believe what the voices and his body'd just done
A loving father, now dead, killed by his ****** up son
And his mother, innocent, facing the barrel of a gun
The only gat that could do more than make that widow's blood run
So when the gunshot peeled and repainted the room
It was more than just a body that went into that tomb
A mother's love betrayed, lied dead in the same casket
And homie's realization of all this just came so fast it
Made him wanna redeem sins with punishment just as drastic
So he went through his parents house putting valuables in a basket

With his newfound cash, homie could finally **** the pain
Whispers in his ear told him that he should be ashamed
They reminded him of how his parents work was all down the drain
But he wasn't angry at the voices cause he took all the blame
He went as fast as he could, to try and get some more ****
And by the end of the night, homie had fifteen bags
Found a quite place to go where he could be all alone
Sat himself down in an alley and put his back to the stone
Pulled out his rusty syringe and an old spoon he had found
Cooked him up a couple shots and went round after round
Feeling like his life was an ocean and it was high time to drown
Visions of taunting demons encircled him and he couldn't find ground
The voices fed off of his pain and they ignored pleas to stop
So homie raised the dope amount to too much from a lot
His last shot, he cooked it all until there was none left
Pulled out a picture of his family that he always had kept
Looked at his parents holding him as an infant and wept
Pushed down the hammer, O.D.ed and took homie's last breath
He died in that alleyway and no one really knew
The story of what had happened to him, what homie'd gone through
Then the Devil approached his victim and collect his spirit
And there's a lesson to this story, I'm just hoping you hear it
So if the Devil wants to dance with you, you better say never
Because a dance with the Devil might last you forever...
Over the beat for "Dance with the Devil" by Immortal Technique.

******=North American Man/Boy Love Association
****=heroine
gat/glock=gun
We were ticking away
Never minding the essence of time
Spacing and returning frail memories
Crushed my innards

Mentioning losing you
Really occurred

I broke the backbone
Of our suspense before
The leaves transported
Us to the post future

Moderate thoughts typing away
Observing the cracks opening
Up in my palms,
Separating the lies from the truth

I'm holding onto a visual
Deep within my own breath

All promises reside
In the recycling bin
To be re-used.
Marty S Dalton May 2013
As I fidget with the paperclip
My eyes run away from perception

I am spacing out, outer space
Holds a universe of things

It has no lines or bends
Like a paperclip has

Or like a sharp knife has,
A universe is before my eyes

And the lines of a paperclip
In an office somewhere

Are whirling like razor comets
Cutting apart everything that

Might have been in front of me
Had I not run from dream-like worlds

That no one else can see
Ellie Sutton Sep 2021
Waking tired, but not sedated
And feeling calm, not agitated
Alarm's a gentle wake up call
And not a galling mental brawl

No regrets from the night before
No blackout I need to explore
Safe and sound and in control
The contents of my bag still whole

Hearing the birds, but not cursing
No pounding head in need of nursing
Seeing the sun, not trying to hide
But flinging the curtains open wide

Washing my hair without spacing
A steady heart, not one that's racing
Brushing my teeth without gagging
Getting ready, my feet not dragging

Pouring cereal into a bowl
Feeding my body and my soul
Fruit and juice pass through my lips
No cold pizza and leftover chips

Getting out the house with ease
Not scrambling round to find my keys
Leaving early, not running late
My brain able to operate
27 days sober and woke up feeling super positive. Had to write about it, to remind myself on the days I might feel less so :)
sierra Mar 2016
I am becoming less relevant
In the eyes of the ones I love
Maybe it's just my brain
Shutting down

He posts photos of nature
Does he love her more than me?
She betrayed my friendship
Does it mean anything?

I'm just a one beat song
In a world of musical beings
Writing down words
With awkward spacing

I call poetry my love
I have no idea what I'm doing
Everyone has their someone
I just wish my someone had me
Criss Jami May 2014
Right now, my cranium is spacing out
My brain is racing up and down and
I'm left pacing like I saw an alien in a nightgown
Man I can't really write right rite right now so
I'm hoping this'll flow
Maybe later still able to kiss and ***** the flames at the tip of a missile toe
And Ms., miss it won't if you don't spit it slow
Oh you know
This is so that it'll go and blow
Grow, explode the mind
And then it glows
For sure, no lie

I'm a show-off to get the mind out the gutter
Up and out, now it's not about some snuffing out or really a ruffling bluff-like fisticuffs to handcuffs riff-raff fluff about my rugged Scruff McGruff tuff scuffed-up stuff with a huff and puffed-up "ruff! ruff!" buff enough rough and tough mudder style but
Somewhat it's done out of love for even the loudest mouth out there somewhere, somehow

So someday in someway to someplace
I'll send your message in my package and pass it
Over and out
Ground control and the days are long so
I have the gift just to give the shout-outs
Yeah before it's gone, oh
Over and out

He might be a writer and he can't even hide it be-
Cause communication's the communion, union of the unified nations
Relationships and maybe even sensationalism
But hatred rests in a safe the dangerous once made
While a good intention not to mention is
A common premise in this mix we try to fix
And then we pray
But in games we trust because
We think it's made for us for fun and
And what we crave, nuh-uh yuh-huh
Uh-uh, uh-huh

So sometime for somebody, somewhen for someone or something
I'm sending my message, my package I'm passing it
Over and out
Ground control and the days are long
So I have a gift, oh to give my shout-outs yeah before they're gone
Over and out

Now let us get some shut-eye so
This introvert can shut-up, oh
Over and out
Who wrote it right on time about how

Somedeal and somewise it's this diss-functional brain of mine
My pen's pensive motor-mouth is left rightly in its creative state of sane now I'm
In between and staying safely stable
Without withering within her ring somewhither with his SAM-wise fable
And that my baby is what I call in-sane
Able to lay it on our table when
We're stripped bare to the underwear with
Our ways and our whereabouts on paper, amen
From an omen of ol' men
Over and out, send

— The End —