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"spacing" poems
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
0
Aug 12, 2018
Aug 12, 2018 at 12:17 AM UTC
Viral
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
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107
I have been to where the lonely go, and I’ve seen their luring towers, A call to the hopeless, to those who come from far away to see if coming was a mistake. Will we ever know who doesn’t go? and what of those that go but remain unknown? Perhaps they go at night. The horror of it. To not be able to see the end but still it comes and quickly. A silent floating moment in a winter of regret, a springtime of longing, a summer of sunshine, Or a fall to the end of the world in 7 seconds. A super cosmic collider of meticulous destruction. Whether they stay or go its all the same, multi-layered levels of brokenness, no one is immune. No one is immune. Some spend time putting things back together, the spacing between levels allows it. Others break over and over and over again, not enough space for repair while the pull of the towers, the flaming red towers and the fog rolling down from the west promise silence. When I stood at the edge and looked over, the noise was deafening. The ones without space cannot hear.
0
Jul 18, 2018
Jul 18, 2018 at 10:46 PM UTC
San Francisco
I might've been an only child but I was never the favourite. you trailed behind us at every social event, pulling on my hair and stepping on the backs of my shoes. the bottoms of them were so worn out from years of me trying to run away that I could feel every footstep in my lungs. at christmas none of my presents could be wrapped, because we'd learned the first year that it wasn't a good idea. she made me spend hours tearing it off in a straight line, using a ruler as guidance. I was too young to read the numbers on it. this year, I bought her a necklace. I knew I had to give her something even though I wanted to take. she never mentioned it on our Christmas cards, but it was there, it was there in the spacing of our names and the negative space between our warm bodies; we weren't allowed to touch. she hates you so much that she could never bear leaving you. vacuums became my lullaby and my father quickly grew used to never getting kissed on the mouth. I hate you. you were a thorn stuck into the centrepiece of our perfect family, and my psychotherapist says you're the reason I still let myself bleed.
0
Sep 25, 2015
Sep 25, 2015 at 11:15 PM UTC
(a letter to my mother's ocd)
God before we compete today, we come together as a team to pray. Please watch over us from music start to finish, it wont take that long just about three minutes. God, all we really want is some help to succeed, so here's a little list of the things that we need: We pray for.. Stunts that are solid and tight. Arms that remain by our side. Flyers that are confident. High "V's" that are never bent. Cradles that are caught up high. pointed jumps that truly fly. Tosses that soar through the air. Judges that are knowledgeable and fair. Spacing that is on the money. ENERGY THATS LIKE THE BUNNY! Motions that are sharp and snap. A loud crowd that likes to clap. Voices that deeply shout. Thumbs that do not stick out. No bumps that happen while we're passing. SMILES THAT ARE EVERLASTING! Endurance that keeps us strong. Teamwork that cant go wrong. But mostly God, we'd like to have A routine that is injury free. And if you see it in your heart A FIRST PLACE TROPHY FOR MY TEAM AND ME! So God, when your work is done, And your no longer needed here, just take this little thought with you Amen.
0
Sep 26, 2014
Sep 26, 2014 at 1:44 AM UTC
A Cheerleaders Prayer
Spacing out, allowing my mind to wander far, far off, Into the distance, into a dream out of reach, my personal heaven, A distorted world where meaning has no meaning and time stands still, space is instable and the melancholy of lonesomeness prevails, Clouds, everlasting, ever orbiting floating islands and upside down waterfalls, yet I cannot share this pleasure with anyone, I'm alone, If I were to believe I could fly, I would be free. Not bound by physics dragging me down, not bound by gravity, I keep this place dear to me, for it is a world made for escape, Only if I could lose myself in the fragnance of this dimension, My poor body calls my soul back to where it thinks it belongs, The dream of pleasure, with a carefree attitude is burning away, Reality is cruel and dark, with no comfort a place with no heart, But certainly I can hope with all my might even though weak, That this place I am carried to when my mind is giving away my soul, Will take me in forever one day, so I won't have to wake up. After all, I don't have to die in a dream.. ~ Umi
0
Aug 9, 2018
Aug 9, 2018 at 5:29 PM UTC
Spacing out
Dancing under digits Spacing between words I count them all Each syllable Once, twice, I heard them dancing in my mind Floating, instant reality Bringing distance Separating elements From pen to page You sing in colour Yet speak so beige Words, what do they mean? Sailing through an infinite horizon Your thoughts like waves Shattering a tranquil line Logical Emotional Trying to entwine Encapsulating a memory That will never be mine.
0
Nov 20, 2015
Nov 20, 2015 at 12:55 PM UTC
A Sense of Separation
.*i guess a loss of subscriptions is, somehow, a badge of honor, namely? i somehow managed to attach a screwdriver to my words... why? read below... English women consider motherhood to be a job... how ******* demeaning! gone are the days of womanhood attaining the stature of god, in the Christian methodology of encompassing the pivot of lady Madonna... perhaps a too high peddle-stool? i guess so... i'm not usurping the female status, but elevating a female stature, deeming motherhood an UNESCO status? seems it's too much... for some people... who make it necessary to befriend their shadow, and travel to the hinterlands.* just your atypical pedantry, a translator's subscript comment - who's richard rojcewicz's... regarding what? heidegger...        das volk,       and the three derivatives - volkhaft (populist),        volklich (communal) und?            völkisch (folkish) - i'm starting to suspect that i'm tapping in the all things folk.... unconsciously, favoring folk music...    see, us central europeans, we bunch together and share the most odd similarities -    i never thought that the song herr mannelig could be translated from Swedish - as it was translated into German... then again... Vikings founded Kiev... and all these loan-words of Germanic origin in Polish...     the only Anglo loan-word that i know of, is, weekend... hence, das volk, people -    by the way... German has "too many" definite articles,    and only one ein - or eine - is that the same rule as in Ęnglish? i.e. N                  in an example,    rather than in a counter example?    two vowels adjacent in separate word, sitting across from the grand chasm of... a spacing itch? but look at German, i never get it... DAS DIE DER...              is there an aesthetic difference, and only an aesthetic difference to mind?         bewildering... if there is such a thing as a western civilization...    that sometime     pompous obnoxiousness, fair enough... no problem:    but learn to hide it,            feel it, rather then feed it... it's not a question of a civilization, but more...     an answer to what is less civilization, and more... a chore... just like western women, notably the english women call motherhood a, "job"...                    it's a... wait... a job? doubt was big in classic philosophy of the Cartesian schematic... so no one knows that the French existentialists brought in negation,     as the driving force to replace doubt?               who the hell sees doubt these days?     either the know it alles - or the hush-hush crowd...            motherhood is a... job? well... then i guess, being a man... western civilization, by that standard of logic...    can't be anything more...    than a.... ******* chore!
0
Aug 14, 2018
Aug 14, 2018 at 8:33 AM UTC
das volk (translator's note)
.*i guess a loss of subscriptions is, somehow, a badge of honor, namely? i somehow managed to attach a screwdriver to my words... why? read below... English women consider motherhood to be a job... how ******* demeaning! gone are the days of womanhood attaining the stature of god, in the Christian methodology of encompassing the pivot of lady Madonna... perhaps a too high peddle-stool? i guess so... i'm not usurping the female status, but elevating a female stature, deeming motherhood an UNESCO status? seems it's too much... for some people... who make it necessary to befriend their shadow, and travel to the hinterlands.* just your atypical pedantry, a translator's subscript comment - who's richard rojcewicz's... regarding what? heidegger...        das volk,       and the three derivatives - volkhaft (populist),        volklich (communal) und?            völkisch (folkish) - i'm starting to suspect that i'm tapping in the all things folk.... unconsciously, favoring folk music...    see, us central europeans, we bunch together and share the most odd similarities -    i never thought that the song herr mannelig could be translated from Swedish - as it was translated into German... then again... Vikings founded Kiev... and all these loan-words of Germanic origin in Polish...     the only Anglo loan-word that i know of, is, weekend... hence, das volk, people -    by the way... German has "too many" definite articles,    and only one ein - or eine - is that the same rule as in Ęnglish? i.e. N                  in an example,    rather than in a counter example?    two vowels adjacent in separate word, sitting across from the grand chasm of... a spacing itch? but look at German, i never get it... DAS DIE DER...              is there an aesthetic difference, and only an aesthetic difference to mind?         bewildering... if there is such a thing as a western civilization...    that sometime     pompous obnoxiousness, fair enough... no problem:    but learn to hide it,            feel it, rather then feed it... it's not a question of a civilization, but more...     an answer to what is less civilization, and more... a chore... just like western women, notably the english women call motherhood a, "job"...                    it's a... wait... a job? doubt was big in classic philosophy of the Cartesian schematic... so no one knows that the French existentialists brought in negation,     as the driving force to replace doubt?               who the hell sees doubt these days?     either the know it alles - or the hush-hush crowd...            motherhood is a... job? well... then i guess, being a man... western civilization, by that standard of logic...    can't be anything more...    than a.... ******* chore!
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77
I said it, because it felt so nice to say and because I can say it very well -in the moment I meant it but it's a bitter familiar spell I've memorized the phonetic stitches the spacing that knits a magic fleece that when draped over the shoulders of the mightiest turns them back to boys, gives full release the belief that love, real love, can be- I can teach any man to fall in love with love... just not in love with me.
0
Feb 17, 2015
Feb 17, 2015 at 5:26 PM UTC
Familiar Spell
I'd never cared for flowers Symbols of affection that wilt And forget memories And fall apart in kitchens and bedrooms and strew their pieces on the floors Dried and broken after only days of being lovely Flowers with their alternating patterns of Unreliable determinations Claiming every other petal as an opposite declaration Of a determination Of love And I never liked removing thorns from roses Because they added something truthful and Poetic But when you gave me flowers I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase I let them live for longer than they did Because they were still pretty even when no one else seemed to think so And when they hang dried on a wall Still colorful but slightly brittle Maybe they'll stay like that if I just don't touch them When you gave me flowers I plucked off every other petal Into a bouquet of He-Loves-Me Because for once there was no doubt For once I believed the sentiment in the flowers and the words from your lips as you handed them over The lack of nots in the petals Pulling apart the knots in my stomach He loves me He loves me Truer than the dirt that holds Wilting symbols of affection Sweeter than the honey Of their pollinators He loves me He loves me A garden of something new and beautiful Perennial and built on symbolism after all Until you let me know that dead flowers were just dead flowers That they were past their worth And metaphors aren't worth the dirt they were grown in That perennials can't return When you've salted the soil And brittle flowers on the wall should always be removed But I always lived in metaphors anyway And I had a new appreciation for flowers that I didn't want to lose I was no longer a rose But a thorn I always thought smooth stems were so boring Not to mention dishonest But I didn't want to make you bleed So painfully I dug an olive branch from my rib cage Then realizing that a ****** token may not be so well received I decorated it with a bouquet of blue Forget-Me-Nots But you plucked off every other petal And handed back an array of He-Loves-Me-Nots He loves me not And there was no doubt in the sentiment The sentience of metaphors dying all around me When all I know is metaphors And flowers were never just flowers And words were never just words But both are found on gravestones and poems and apologies And parallels have fallen into nice and even spacing Reducing flowers to clichés Of alternating promises Of He loves me and He loves me not Of broken promises He loves me Not
0
May 22, 2014
May 22, 2014 at 6:04 PM UTC
Flowers
I'd never cared for flowers Symbols of affection that wilt And forget memories And fall apart in kitchens and bedrooms and strew their pieces on the floors Dried and broken after only days of being lovely Flowers with their alternating patterns of Unreliable determinations Claiming every other petal as an opposite declaration Of a determination Of love And I never liked removing thorns from roses Because they added something truthful and Poetic But when you gave me flowers I held them to my heart and let my eyes dance across the kaleidoscope that they created in a glass vase I let them live for longer than they did Because they were still pretty even when no one else seemed to think so And when they hang dried on a wall Still colorful but slightly brittle Maybe they'll stay like that if I just don't touch them When you gave me flowers I plucked off every other petal Into a bouquet of He-Loves-Me Because for once there was no doubt For once I believed the sentiment in the flowers and the words from your lips as you handed them over The lack of nots in the petals Pulling apart the knots in my stomach He loves me He loves me Truer than the dirt that holds Wilting symbols of affection Sweeter than the honey Of their pollinators He loves me He loves me A garden of something new and beautiful Perennial and built on symbolism after all Until you let me know that dead flowers were just dead flowers That they were past their worth And metaphors aren't worth the dirt they were grown in That perennials can't return When you've salted the soil And brittle flowers on the wall should always be removed But I always lived in metaphors anyway And I had a new appreciation for flowers that I didn't want to lose I was no longer a rose But a thorn I always thought smooth stems were so boring Not to mention dishonest But I didn't want to make you bleed So painfully I dug an olive branch from my rib cage Then realizing that a ****** token may not be so well received I decorated it with a bouquet of blue Forget-Me-Nots But you plucked off every other petal And handed back an array of He-Loves-Me-Nots He loves me not And there was no doubt in the sentiment The sentience of metaphors dying all around me When all I know is metaphors And flowers were never just flowers And words were never just words But both are found on gravestones and poems and apologies And parallels have fallen into nice and even spacing Reducing flowers to clichés Of alternating promises Of He loves me and He loves me not Of broken promises He loves me Not
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70
They say kryptonite is superman’s weakness but mine must be you because you leave me speechless sweetness is all you've ever given me sleepless is all I’ve ever been since we became friends but now I feel like our friendship needs a cleanse expectations I guess mine were too high its understandable though it just wasn't our time I got upset I only wanted to forget what we had but why spend my days being mad? I cant make this your fault I locked my heart up in a vault my mind keeps racing look at me I’m spacing I wonder if this would be different if id have left it alone or if we had went for it everyone's always saying you two'd look cute together but it only hurts me more in my head its like the first world war but I think i'm losing you're my best friend I have to respect that its just going to be hard since my heart is somewhat scarred do you understand though? Why im starting to let go really my hearts just incapacitated because ive been captivated by your sweet looks and charm you make me so infatuated I hope she makes you happy thats all I want for you im sure ill find someone too eventually now you know what im undergoing I just hope our friendship can keep on flowing
0
Nov 19, 2014
Nov 19, 2014 at 9:49 PM UTC
Mixed feelings
<!> inspired by a conversation with Maira Kalman strap on a name, adopt a persona, let my fingers do the talking, place the instrumental sharp point tip upon the blankety blank paper, maestro baton raised, coordinating, the first sound, the vocal chords trembling,   the first thought, the ultrasound image, entrance of a first violin, coalescing into, into the initializing single primary phonation, the stinging geometry of chance at last, throwing  down the gauntlet, glove slapping, and the tendons tense, the mouth opens, release and indentation, a letter's curvature, a black and white downward stroking, a sign is televised, revealed and released a one way only sign time bends knee, gravity suspended, terror morphs to expelling rapid firefights of imagery needy for spacing, even pauses mid-word  leave just this: where is the in in intimate? are you the in in inmate, or the jailor at the gate? you swear never again until committing once more, a sentence commutation, by committing a first sentence, and the greater toll taken and paid for, and the in in in-nate, questions your sanity happily <•> 9/17/17 10:55pm
0
Jan 12, 2018
Jan 12, 2018 at 3:47 PM UTC
When I Sit Down to Write
We were ticking away Never minding the essence of time Spacing and returning frail memories Crushed my innards Mentioning losing you Really occurred I broke the backbone Of our suspense before The leaves transported Us to the post future Moderate thoughts typing away Observing the cracks opening Up in my palms, Separating the lies from the truth I'm holding onto a visual Deep within my own breath All promises reside In the recycling bin To be re-used.
0
Feb 15, 2011
Feb 15, 2011 at 11:12 AM UTC
Chaotic Suspense
As I fidget with the paperclip My eyes run away from perception I am spacing out, outer space Holds a universe of things It has no lines or bends Like a paperclip has Or like a sharp knife has, A universe is before my eyes And the lines of a paperclip In an office somewhere Are whirling like razor comets Cutting apart everything that Might have been in front of me Had I not run from dream-like worlds That no one else can see
0
May 29, 2013
May 29, 2013 at 7:29 PM UTC
Paperclip
Waking tired, but not sedated And feeling calm, not agitated Alarm's a gentle wake up call And not a galling mental brawl No regrets from the night before No blackout I need to explore Safe and sound and in control The contents of my bag still whole Hearing the birds, but not cursing No pounding head in need of nursing Seeing the sun, not trying to hide But flinging the curtains open wide Washing my hair without spacing A steady heart, not one that's racing Brushing my teeth without gagging Getting ready, my feet not dragging Pouring cereal into a bowl Feeding my body and my soul Fruit and juice pass through my lips No cold pizza and leftover chips Getting out the house with ease Not scrambling round to find my keys Leaving early, not running late My brain able to operate
0
Sep 12, 2021
Sep 12, 2021 at 4:28 AM UTC
Waking Up Sober
I am becoming less relevant In the eyes of the ones I love Maybe it's just my brain Shutting down He posts photos of nature Does he love her more than me? She betrayed my friendship Does it mean anything? I'm just a one beat song In a world of musical beings Writing down words With awkward spacing I call poetry my love I have no idea what I'm doing Everyone has their someone I just wish my someone had me
0
Mar 12, 2016
Mar 12, 2016 at 9:44 AM UTC
Deadbeat
Zoning in Zoning out Spacing into Instinctual altruism A divided reality Obliging my death storm cemetery This ritual madness; so intriguing It leaves personality to the grasp of ambiguity Immaterial realm of the fourth scenes unseen While docile, poisoned by this vial of vile mistrials I remain a ghost Unseen Mirroring black Shadowed like a ****** mess Stop this caress Fading in Fading out.
0
Jul 13, 2015
Jul 13, 2015 at 5:58 PM UTC
Immaterial
can i have a moment of your time ?
0
Oct 6, 2014
Oct 6, 2014 at 10:44 PM UTC
(( the spacing makes it artsy ))
i think i need to move to outer space spacing myself further from the human race racing away at an astonishing pace pacing myself toward stars of grace gracing me with a solitary place placing me within the galaxy's trace tracing my roots in a self finding chase chasing comets to see my own face
0
Sep 2, 2015
Sep 2, 2015 at 4:29 PM UTC
chasing comets - double quantum loop poem
Messiahs and martyrs And saviors And saints Sacrosanct Sanctimonious False idol feints Behind gates, Palace walls Fortified in a lie An elaborate, Enduring Mythos we contrive And apply To the lives Of misguided lost souls Filling holes With the answers Of what never knows How to be of this world Without more to assign What is so picture perfectly Flawed by design Intertwined with The years we spend Spacing in time Agonizingly trying To find Our own kind Out among the expanse Starry satellite trance Higher intellects seek And destroy To advance The agenda, to claim A new age Under orders Anointed upon The consent Of the heaven-sent Nuclear bomb
0
Feb 8, 2019
Feb 8, 2019 at 9:31 AM UTC
Oppenheimer's Lament
My neighbor and I still hang out our wash, (I, each Thursday, taking my chances. She, according to weather forecasts, I think, or maybe by what she feels in her bones). We laugh at StarTribune's report of some suburban bans against clotheslines. We wonder out loud whose tomatoes will first turn red, and whether cucumbers will make it at all; this year, it's been too cool and dry for normal progress to the fall. Tenacious dandelions, spread as stars across green-earth skies, drive in spike-like roots, take hold of earth, and won't let go. Kids squeeze bunches of stems in tight fists that will open only to release the buttery bouquet to Mom who hurries to put them in water, in a crystal vase, wondering how soon she might mourn both flower and child. While hanging bright, white unmentionables (some somewhat tattered) on our clothesline, I, unembarrassed, remember my mother: with one clothespin held in her mouth and half a dozen more in her apron pocket, (thus needing not to walk over and over again the east-west path to the back door where full supply of pins hangs on the **** she does her woman's task with flair, spacing each garment so as not to block the sun or air. You'd think she'd held some tool to calculate where the sheet would best allow the breeze to circulate or where to place each pillow case and sock, so each would recognize and meet their mates! And I know she theorized regarding how to hang those socks, always with the toe pointed upward, so as not to show, when dried and worn, a crease or ever-so-slight evidence of the pin's pressure displayed for all to see on the exposed ankle, as if that might be a matter worthy of shame.
0
Jan 7, 2012
Jan 7, 2012 at 5:03 PM UTC
Upon Hanging out the Wash
My neighbor and I still hang out our wash, (I, each Thursday, taking my chances. She, according to weather forecasts, I think, or maybe by what she feels in her bones). We laugh at StarTribune's report of some suburban bans against clotheslines. We wonder out loud whose tomatoes will first turn red, and whether cucumbers will make it at all; this year, it's been too cool and dry for normal progress to the fall. Tenacious dandelions, spread as stars across green-earth skies, drive in spike-like roots, take hold of earth, and won't let go. Kids squeeze bunches of stems in tight fists that will open only to release the buttery bouquet to Mom who hurries to put them in water, in a crystal vase, wondering how soon she might mourn both flower and child. While hanging bright, white unmentionables (some somewhat tattered) on our clothesline, I, unembarrassed, remember my mother: with one clothespin held in her mouth and half a dozen more in her apron pocket, (thus needing not to walk over and over again the east-west path to the back door where full supply of pins hangs on the **** she does her woman's task with flair, spacing each garment so as not to block the sun or air. You'd think she'd held some tool to calculate where the sheet would best allow the breeze to circulate or where to place each pillow case and sock, so each would recognize and meet their mates! And I know she theorized regarding how to hang those socks, always with the toe pointed upward, so as not to show, when dried and worn, a crease or ever-so-slight evidence of the pin's pressure displayed for all to see on the exposed ankle, as if that might be a matter worthy of shame.
Continue reading...
36
Landscape the fatal solution, abandoning the pre-world                                           he takes pleasure in mutely, and often spacing out, tipsy, drunk, confident till the juice runs out. What made him hold onto such damnable                       lilies succumbed with the raw roots of melancholy? Never purging the dancers                                    twirling through a decade old sound system, they say                 "I don't think you know what you did." ***** circling in his eyes, they dance,                                                  "But I'm going to help you."                The dancers rebel       across the floor, down the stairs    ---to the dark, his eyes washed by the caked acid running                                down executed cheeks so helpless, the rhines of a ranting romance roped idiotically to the gospel grave. All the ways he sighs, at all the wrongs snowing down on his neck. "Nothing about us ever shivered."
0
Sep 7, 2013
Sep 7, 2013 at 2:41 AM UTC
Till the clouds ripple obese
what poetry is: a cacophony of tangled-up images and slashed-to-the-bone words. a waterfall of bitterness and passion and (words, just words). a jumble of unorthodox punctuation, and spacing, and spelling, a painting with verses of rainbow-colored years. foggy-eyed venting, bitter-mouthed shouting, soft-hearted pleas to the people (hearts and love). not-quite sentences, half-finished ideas, cliches and brutal originalities, shocking in their genuine and raw and profoundly inspired power (things we didn't know we were capable of). cravings and achings and wantings and knowings and (words, just words). so won't you read between the lines? it's all so much simpler than it seems.
0
Jan 26, 2012
Jan 26, 2012 at 6:10 PM UTC
simpler (read between the lines)
1. You remembered June when this morning's sun was there with the care of a father's hand etching each leaf into filigree-- or with the unsequestered heart of a crazed lover with his impossible love letters and artifacts of century's old over-ripened fruits that even as they hung precariously from the oaks dazzled and made space for the stark blue. A change from last night. The constellate, dispersing fog that brought the sense of an overwhelming descent to a seabed, the submersion a baffling return to a night from childhood, enclosed at all ends and unknowable. A shut book. 2. Warmth lingers on skin even after a few minutes of exposure, a caress. Then, step outdoors and the wind, whose listlessness and beauty picks up your step and hurries you on with characteristic mercilessness through the cold. While you were sleeping and roaming and reading it has crept into the uninhabited crevices, under doors, fuseboxes, the shades of streetlights to mold like frost. 3. Cold is a life-form, growing and budding in the absence of green. And it is at this time of year we strangle the neck of uncertainty. The sun peeks. The cold air climbs out of the bottoms and hollows of things. When it reaches an excitement, as now, her absence reveals herself: there is nowhere you can touch her body. She is the thousand particles she is the spacing in between: twirling, gathering and thrusting through the streets, she calls you to witness her now as she comes like a first snow.
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Nov 25, 2012
Nov 25, 2012 at 12:27 PM UTC
the cold
Sometimes I can't tell if I'm writing poetry Or just journaling. Is it the spacing that allows me to call it a poem? Because I have no stanzas. I have no "Dear diary" either. So which is it? I hope it's poetry. I hope it's art. When it just falls out of my head like this No otherworldly narrator No rhyme No beauty I doubt it And through my doubting, I make it doubt itself. If anyone should have high self-esteem, it is you, dear words.
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May 19, 2010
May 19, 2010 at 7:15 PM UTC
what's the difference?
Is only a name. But naming is Like timing, Spacing, Teasing Loving - A carving In chaos. © LazharBouazzi, February 14, 2017
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Feb 14, 2017
Feb 14, 2017 at 12:10 PM UTC
Saint Valentine