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Maria Mitea Oct 2020
On an old seashore,

you are a monk in sacred clothes,

bowing slowly to forgotten

in the goodness of the night,

giving new life to your dreams

I am your Somnolence Queen,

and invite the sister moon

touch your eyelids, touch your light

drifting, drifting, drifting burdens

golden, golden, golden  stars

falling, fallin, falli, fall, fall, fa, f, ...

on your brrriiiggghhhttt sleeeping

forehead sleeeeeep, sleeeeeeping  deeeeeep,

I am your Somnolence Queen,
Summer grows old, cold-blooded mother.
The insects are scant, skinny.
In these palustral homes we only
Croak and wither.

Mornings dissipate in somnolence.
The sun brightens tardily
Among the pithless reeds. Flies fail us.
he fen sickens.

Frost drops even the spider. Clearly
The genius of plenitude
Houses himself elsewhwere. Our folk thin
Lamentably.
WS Warner Sep 2011
Against the saturated
Horizon of dawn,
Loitering in the dark timbre
Of emerging consciousness -
Dissipating somnolence
And preemptive despair,
Tacitly adumbrate the
Yawning abyss.
Chastened by the cunning and
Lubricious nihilism,
Igniting fermented provocations,
Silent subterfuge; death,
By mirth - the inane;
Lament of the mundane.

Fallow paradigms, accretions of
The last gasp -
Evaporating empty liturgies
Of suspicion;
Charity and equanimity -
Lost in confinement,
Triumphant avarice bearing
Descendants
Of intransigence;
Wielding imperious
Schemes of orthodoxy.

Pollard fragments of
Silken tapestry,
Miasma draped depression
Abridging;
Conversely,
Permuted flurries of anxiety
Dislodge
The vestiges of meaning
That abide
In brazen equivocation.

Tributaries of dogma reach
Their confluence,
Watershed moment,  
Numinous effusion
Streams naked epiphany,
The precarious vision -
A gesture of providence,
Certainty and contingency;
Gratuitously derivative, life
Equals choice.

Verdant branches of intention;
And opportunity the vine,
Live forward -
The pen, my voice,
Piquant conduit pouring,
Exuberant wine.

Footprints found in givenness
Underline,
Penumbrae of my soul;
Mirrored silhouettes,
Thoughts and words engender;
And in verse adorn
Fecund soil, Line after line,
The cosmos altered,
Continuum of permanence -
Artist’s art articulating
Essence of my imagination,
I proliferate, I design
Phrases unique,
Participation mystique.

Words creating world,
The apparatus of infinity
Heidegger, ontologically precise,
Language -
The house of Being,
Ineffable, Promethean
Literary devise -
Envisioning possibility,
And abundance to allow,
I occur
Inhabit
Manifest
Future phenomena
Experienced as now.

©2008 & ©2011 W.S. Warner
Akemi May 2016
the bottle twists
glass falls in drifts
and air parts like flesh

there’s a terror beneath this city
trucks enter from out of town and shake the power lines
passing without pause

sometimes birds gather for days
chirps grow exponentially
before tailing into silence;
heather and brimstone
little bodies roll to the edges
and burst on the streets in red regalia

a somnolence keeps the city forgetful
time flows in fits
a streetlamp; a raven; ten gravestones
it all runs without moving

vessels dilate
hands hold themselves

there’s nothing to breathe with
an empty chalice, turned on the hour grants
heaving clenching writhing
an ocean of rust
bulb shatters, blood spills out her
mouth cave head turn faith
the world remakes itself
*******
the colour of sunflowers
bicycle chains
thirst
colonialism
wet paint

emptiness over emptiness
act without agent
lack lack lack lack lack lack lack lack lack lack lack
peel the flesh and find flesh
always more flesh
don’t stop they know better
chirp chirp chirp
turn
exit
substance
purpose
nothing
4:45pm, May 1st 2016

the broken frame; the endless egress
Beau Scorgie Apr 2016
Moon in Scorpio.
Incurable somnolence.
Plutonian pranks.
Nico Julleza May 2017
∙∙∙◦◦•◎•◦◦∙∙∙
I've never been startled to surprise
seeing a man riding a six-wheel bicycle on my side
gazing up his smile in full plain sight 
so subtle like pinwheels on summer breeze.

Cheese! says the lens-man from southeast
a harmonious melody led me round and round
till horses jump out of the merry-go-round
so as teacups swirling with no succulent tea
but are found to be couples squirming in obscurity.

Surprised! that no one tend to flee
for nights fright of lustful fantasies 
covered their state of subtle ease.

Oh Fun, Fun, Fun, when there seems to be no sun
and I felt heedless to ponder 
the fact that I endlessly Run, Run, Run 
in far out yonder
then oops! ouch!
I howled like thunder.

Deluded, how I fell on the ground
when music suddenly lost it sound
colors I've knew were out of bound
and haze of somnolence was all I found.

Where could I be?

Surprise!
He shrieked

Who could it be?

Unexpectedly he's someone I could not see! 
yet only I can hear.

A nowhere man whom greeted with sigh
though I've never seen him in beacon's of light
for he always knows how to welter my sight 
his eerie voice orchestrates the eventide
shocked me with so much surprise.
for his eyes lilt like fireflies.

He given me a euphony, took away the agony 
and hid me somewhere I can't even grasp
how many he had taken away to his untrodden land
to turn me as one of them, his very own nowhere man.
#NowhereMan #Surprise #Adventure #Mystery #Nature
(NCJ)POETRYProductions. ©2017
It is true that the rivers went nosing like swine,
Tugging at banks, until they seemed
Bland belly-sounds in somnolent troughs,

That the air was heavy with the breath of these swine,
The breath of turgid summer, and
Heavy with thunder's rattapallax,

That the man who erected this cabin, planted
This field, and tended it awhile,
Knew not the quirks of imagery,

That the hours of his indolent, arid days,
Grotesque with this nosing in banks,
This somnolence and rattapallax,

Seemed to suckle themselves on his arid being,
As the swine-like rivers suckled themselves
While they went seaward to the sea-mouths.
Cedric Jan 2017
everything's blacked out,
reigning over me are dark clouds,
incapacitated in awe and standing still,
nimbus clouds rain on me as I sleep sound.

lackadaisically waking up,
yawning as I walk outside, finding,
labyrinths of an ideal reality,
enamored with self-confusion and insanity.

roaming around aimlessly,
obfuscated in perpetuity,
maddened and under the weather,
adamantly rejoicing in the sorrowful rain.
Sleepy acrostic feelings of unnerving confusion amidst a rainy evening. The sky's clear as day yet it feels as if it's raining in midnight,
Apathy, alogy and ethos, dreaming.
I spent hours lying on a bed,
My bed it seems.
Neither really asleep
nor truly awake, rather,
I drifted through states-between
and had no will,

My will had evaporated and in its wake
did flow a rivulet of dreams.
This dreamstuff, gleaming, is not memory but
the thing-between;
The Oneiroi.
anneka Sep 2014
I don’t know if you’ve ever felt a constant emptiness that lingers as you shake the sleep from your eyes as I have. I hardly get any sleep as it is, nowadays. How I think I think too much and altogether too little, only if I managed to string my words together better I wouldn’t be all loose ends and frayed knots. I’ve wrung my thoughts dry with the weight of my memories to watch the blood drain from my bones; knuckles white and brittle, hollow. They bloom red in my anger, concrete cracking under my skin, peeling in layers till I can’t distinguish my injuries from the chaos. I’m saying all this because I wish you would stay, would’ve stayed - tenses slip past me - but it’s too late now, has forever been too late.

I guess that this is my way of saying I still love you.

I did, I will, I do.

(A.H.Z)
Chris Saitta Jun 2019
The desert is not the grave of the sea.

The heaving reign of pharaohed seas,
Rule in bloodline of palm wine and embalming fluid of brine.
The tides are their mummified lips,
Whispering the coming forth of spells eternally to the sky.  
All goddesses, like shawled Isis, in lamentations of hair
And past-wept somnolence for Egypt,
Lie across the heart-bound murmur of waters
From their dead kings and the kingly divine, Amun-Ra,
Whose bird-starred eyes fill the canopic jar of the cosmos.

The sea is the grave of the desert.
“Palm wine” and spices were used to rinse out the abdomen of the remains.

The Egyptian Book of the Dead was a phrase coined in the 19th century.  A more literal translation is The Book of Coming Forth by Day or Spells for Going Forth by Day.

The heart was actually the only ***** left intact in the mummified dead. The other organs were kept in canopic jars though some were rebound and reinserted into the mummified remains.

For a slide video of this and other poems, please check out my Instagram page at chrissaitta or my Tumblr page at Chris-Saitta.
no diminution in tiredness arose
gnome hatter how off tin ma dis bows
Zoe let his bot tee succumb,
     via mental application

     of autogenic phrases
     and/or counting crows
cuz upon awakening,
     aye immediately wanted ta doze,

thus this artful dodger hankered to expose
extreme cockamamy idea incumbent,
     where corporeal essence gets froze
zen, the scientific procedure named

     emergency preservation
     and resuscitation (EPR)
     more familiarly known
     as suspended animation

     pursuant under the appellation cryogenics,
     where living tissue no longer grows
old, a wishful yearning
     approximating immortality i sup hose,

yet this copacetic drowsy
     generic human struggled in vain
     trying with utmost effort to stay awake
     Swiss to hobnob among urbane

feeling helpless (fearing
     he might be narcoleptic),
     nonetheless aye didst train
intent concentration

     (and/or feeble exertion mustered)
     to swat away worrisome thought
     this hypochondriac,
     could be afflicted with mononucleosis

since lassitude less likely sprung
     from overcast and rain
knee skies, which type weather
     generally energies me
    
to conjure a quatrain
sometimes complex versus
     written straight away plain
panacea hit upon finally

     to ward off sleepiness,
     whereby literary endeavor
     boosted by a strong brew
namely fair trade

     manufactured coffee chew
zing among socially conscious entities,
     and hoping to do
some dollop of positivity

     without fanfare I eschew
to fulfill personal hue
man conscientious anonymous impact
     that some benefit will en sue.
Jessica Golich Oct 2014
Flashes of insight igniting at midnight
Honoring magnified clues within a myriad of hues - mesmerizing formations revealed through iridescent illustrations
Silent but eloquent symbols of nature; I marvel at the extraordinary revelations throughout this atmosphere of sheer opulence while itching in the seams of somnolence.
Angela Turner May 2015
SINGING TO THE CARNIVAL
By Angela Turner


I’ve been singing
To the carnival
Ever since you can remember
Sometimes
With the stage fright
Of opening night
Trembling just beneath
The skin
Sometimes
Like the well worn
Paths of a sonnet.
Rote, familiar,
warm
And Lately,
As the ballad of sunset
Sends the lights to whirring
And the music to
Jar the night ‘s somnolence
Beginnings unfurl in you
Like the big top.
Death defying feats
Of the marvelous Maloneys,
Or tigers
Passing through the flame
And the stadium is seated
With row after row of
Possibilities,
I sing
With the belabored breath
Of a hospice
Knowing this chance could
Be my last
For all the new
And beautiful things
That will astound and amaze
Have designed the tent
For the next town
And their tunes
Require a different song
Than this singer
And her worn out notes
That grow the bones
building the man.
So just one last time
Let the old girl sing
To the head on pillow
And blankets all tucked in
Around the carnival in you.
That was once in me
Before I was amazed and astounded
By this life and all that awaits
James Raffan Jan 2014
All of us
in various stages of dying and and being born
The mom yet to be,
a four month swell behind her shirt
Dad of 2, trailing behind
tiredness and joy mixed in his eyes.
Girls wrapped in on one another
knots of noise. Giggles and insecurity

Men put together
like showrooms from Ikea
Efficacious, nothing warm like home.
Wives, squint nosed
Clack snap of boots hard against
cultured marble
faces of fluorescent light

Each one placed in retail
somnolence
drug forward in a steady gait
toward that something
We each to his own way
in this place of quick promise
I look to see with only
ambiguity looking back

The old,
moss sitting on hard booth seats
as if being near life
will lead them back to life again
Hats and twill
scarves and purple. Semblance
of then and not again

Then me
a smooth stone washed over
by this flow of person-hood
Unseen but shaped by every current
bearing witness
cocooned in the falsehood of
objectivity.
Bob Sterry Jul 2014
Now and then
I take a nap
A nap on the couch
It’s that or pretend I am paying attention.
To accelerate a reluctant somnolence
I return to another house
A house very far away
And in the past
Where my mother is busy in the kitchen.
While I doze off my jet lag in the closet she calls a bedroom
The almost rhythmic sounds of her kitchen are a sleeping draught
A draught so powerful no ****** competes.
I wonder now if she knew.
No explanation needed.
Duke Thompson Oct 2015
Coming apart at
The seams
Again and
Again
Dennis Willis Jun 2019
Ah Poesy
Why don't you Mosey
on down

Fill this sleepless space
behind my yawning
face

Some tasty line
to hasten
my decline

Into somnolence
I imagine
sublime
That jazzy voice you handle from your lips
Is to be handled carefully. Well, it happened already
You took away every bit of somnolence from me
Suddenly emptied me, left me as a cunning child
Naughty enough to deprive himself of a night lavish with dreams,
To escape the sleep routine under the bed sheets.

And then your phonecall,
Breaking fragile silence like a hammer smashing glass,
I followed you beyond the ringing,
Discovered a trembling annoying voice.
You crafty devil, you planned my unsleeping all along,
Filling my ear with problems of all kinds and sorts
And the endless unsatisfactions of a life you never lived as yours.

So tired as hell, the phone hitting the wall,
Your voice remains, some sort of restlessness
Invades me and keeps me going all night long.

I shave, I’ve got but two hours before all cuts are healed
I put my sleep back together
Shard by shard,
Rebuild its slow glassy reflection.
My sleep is after all
A mirror which doesn’t often work.

The daylight knocks already
The nighttime fades behind me
No sleep tonight for poor devils or for me,
No sleep tonight at all.
Alan Vollmer Mar 2010
The first glint of your existence,
like the creation of a star,
is the shimmering hope on my path.

Guiding me home;
a stoic guardian
amidst the terrors of the night.

Lo! A greater foe lights anew!
It shines upon your mighty steel.
The striking spark of light on your armor.

The battle does not last long,
and you are defeated by dawn’s sword
breaking over the horizon.

A shadow becomes your prison.

You, brave street lamp
are cast away at the dawn
into somnolence each day.

I am accustomed to your safety,
and I do not easily part with thee.
Yet, I know you will live
to reign over night once more.
©2009 Alan Vollmer
Gleb Zavlanov Apr 2014
Swift bee, the gilded messenger of bliss,
    Begirt with golden stars of Heaven’s span,
What draws you to the clover’s gentle kiss?
    Sweet nectars, that the strongest drinker can
    Carouse with dreams and dizzy waves of sleep,
        Or mocks the freshest breath of summer’s clime?
            Swift bee, a flame-plumed star of black and gold,
    Why do you with your mouth, completely reap
            The liquors that each golden bud does hold,
        And lulls with somnolence the might of time?

Oh, bee, you spread the tufted pollen clouds
     Like nebulae of opal stars crossways
The delicate, soft digitalis crowds,
    Which passionately garner sunbeam rays
    Within their coral shells. I can’t express
        How much your toil’s worth to coming spring,
             And how so passioned glide your wings around
    The purple, gentle harebell’s loosened dress,
             And make, through pretty hums, spring’s hopeful sound
        Oft too profaned by your most fearsome sting!

Oh, pretty hummer! Hearty worker! Bee!
    I see you roaming round the garden’s bend,
Where sweet, white daisies wreathe a canopy,
    And make you but a hearty, cheerful friend.
    Swift bee, the aching, swollen heart of mine
        Desires comfort where pain knows no ruth
            The buds hold, like rich garners golden grain,
    Ambrosia of the gods, dream’s honeyed wine
            So bring and let dear bee, such moisture stain
        My lips and warm my heart with spring’s bright youth!
© 2014 Gleb Zavlanov
After giving up psychoactive substances
for a long while, I hoped I might find my
definitive baseline but all I can conclude
is a lack of one. Only in contrast
to an altered state of mind
can we really judge one to be at baseline.
I tried, I really did, sober for months at a
time. I would not eat properly when I was
studying and it would be most unpleasant,
Restless and irritable, I'd say I was 'hangry'.
This hammered home one thing, one thing
alone: as food metabolizes certain nutrients
are absorbed into the bloodstream, some of
which may permeate the blood-brain barrier.
Deficiency or excess of common compounds
contained in food can affect our consciousness,
For example, postprandial somnolence.
Lack of nutrition causes contrasting effects and an
aggravated excitation manifests in a hungry human
just as sleepy sedation occurs in the sated **** sapien.
I do wonder what effects diet has on neuroplasticity.
Vitamins and rich-foodstuffs must have some effects
on cognition. It should hence be essential in building
a nootropic stack that one keeps track of their diet so
that every calorie can be calculated and tallied. Thereby
we might more efficiently measure our natural baseline
and hence perfect a method of stacking.
Keeping in mind what consumables (foodstuffs, vitamins and psychoactives, etc.) have synergy will allow identification and perfection of a stack as well assessing stack-to-task suitability.
Justin Wright Apr 2013
At the end of a tunnel, you are spent, dried and weary,
Waiting for the wave, the aubade to come wash you away;
You are finalized and resolute in realization,
In somnolence, you epiphanize, you tabula rasa, you blanken
your slate to transcendence!
But  
At the end of a tunnel, you revert to the beginning.
You become inversely existential, and
you rush to drive again, passing foot to gear, go!
Meter ramming, miles against minutes or so...
Cruise,
Slow, Insistent, salacious, caressing the wheel, just you,
And the road, not wide open, just
Close, or, variable, toying, experimenting , with
The road, just it, and you; In the darkness, swerve,
Quick! Stop...gauge...go! Learning tread marks, Scorching,
This is
My road, my car, no cold-stone truckers,
Just me, and the dragon, Self consuming.
Solipsistic ideals become obsolete.
Consciousness  becomes archaic and Freudian
Reins,
Its Id superbly egotistical, an ephemeral presence
Of an amorphous reality, erected with pillars.
At the end of a tunnel,
You become resurrection.  
You become tautological.
Paul Butters Dec 2017
In this quiet corner of Cleethorpes
Serene somnolence soothes my soul.
Growling dark clouds make it feel like night
Lying above the whispering mists
On this dank dreary day,
Though mild this year.

The sun rose at eight fourteen
And will fall at three forty two.
For it is indeed the shortest day
Of 2017.

Tomorrow will be
A whole Two Seconds
Longer.

So by around the twenty fifth
Of this December month
We’ll reach that time
When the Ancients saw it getting lighter
And chose to Celebrate
Big Time.
For so the Festive Season
Began
All to Enjoy.

Many a religion has latched onto this
Annual Event.
So it’s Party Time
All over the World.
Time to reflect
And turn our eyes
Towards the Future.
Hoping again for Peace and Love
To Everyone.

Paul Butters

© PB 21\12\2017.
On a dark, dreary (cloudy) day..... (This time I went straight to my "poems" then "drafts" to find and post this after that wretched warning).
Another night has breezed me by
Too much sleep has gone in haste
Somnolence is what makes me drink coffee sometimes
Oh oh oh,
Instead, take me where the monsters once lurked
In between the crevices of my old crypt that remains inert
I want to take a peek of the catacombs
Where I sometimes visit in my sleep

Oh ** **,
Where's that sense of humor I once had?
Couldn't speak now
With the tongue I once had
I'm enshrouded in nostalgia
With silly monsters caught in between
Stuck in my daydreams
I can't help but imagine the past

Oh oh oh,
That was my wonderful life
Little kids on the pave
Laughing and falling on their knees
And flippant little fingers making a scene
If I could only spring back
To the time when my essence was clean
Back to the home where I pestered the words
"Please, please, please"
To the point of my content, when I could no longer protest
When I finally drowned asleep in the summer breeze

Cheers to my childhood days
And to the housebound trance of old school lullabies
Where my loving family of special hearts
Defended the tears I cried
Oh, oh, oh
Provoked by silly monsters I waved goodbye
Never did I think
I would miss so very much
Those glorious days of when my silly monsters
Brought mischief and thrived
The monsters in our closets, monsters underneath our beds... I'm sure many of us can relate. :)

John Archievald Gotera © 2012 - 2015
John Niederbuhl Mar 2017
i waken vaguely
to hear the raindrops
dripping, dripping, dripping
in my somnolence
i understand
what they are saying
i see everything
in a different light
i do not think
i just know
i cannot say
there are no words
just sounds
dripping, dripping, dripping
I drift back to sleep
Days Off
Days Too Short 84
Days after, so I in a sort deserve to
Days alone count;
Days and Dreams Cloth, gilt top, $1.00
Days and days float by.
Days and nights hast thirty-one
Days and nights have I been swimming,
Days and nights in quick succession;
Days and nights of endless quest,
Days and nights to swim and wander,
Days and nights with waking pain;
Days and weeks and months they sped,
Days and years fleet on, yet never
Days and years; and Time
Days are gettin' shorter an' the air a keener snap;
Days are so short and there's so much to do,
Days arn't allus weddin days,
Days at a stretch; and neighbers say
Days better drawn before, or else assume
Days brightly came and calmly went,
Days came and went; and now returned again
Days come and days go, and she watches the strife
Days darken and rise.
Days dawn on us that make amends for many
Days dear and far death touches, and draws them nigh,
Days fled with no light upon any
Days flew;--ah, soon I could discern
Days *** wa'm an' wa'mah,
Days glided by, this mirage cheating all;
Days grow briefer, sunshine rare;
Days had not only sped but galloped on,
Days happy as the gold coin could invent
Days in the bright Spring weather,
Days lay she in that state unchanged, though chill--
Days long ago, when in her eyes
Days long agone!
Days long agone.
Days long gone by!
Days marvellously fair,
Days may conclude in nights, and suns may rest
Days more glad than their flight was fleet.
Days nearly o'er, might be disposed to riot,
Days not dark at thy side;
Days o' long ago._
Days of April, airs of Eden,
Days of April, airs of Eden.
Days of Gorbechev, the radio speaks of,
Days of Vanity
Days of a mother's fondness to her child,
Days of absence, I am weary;
Days of absence, sad and dreary,
Days of danger, nights of waking.
Days of dark and days of fair
Days of days! Unmarked it rose,
Days of delight, and still unfading love;
Days of fresh air, in the rain and the sun,
Days of glory and of triumph,
Days of industry and labor,
Days of my age,
Days of my youth,
Days of old, a long farewell!
Days of our age thou comest, or we win 580
Days of passive somnolence,
Days of plenty and years of peace,
Days of plenty and years of peace;
Days of pride and exultation.
Days of rustic simple manners,
Days of small fee and parsimonious praise;
Days of summer-coloured seas
Days of sweet leisure, taxed with patient thought
Days of terror, years of trial,
Days of the Month Unknown
Days of the future, prophetic days,--
Days of the mythical heroes of yore,
Days of toil and hours of ease,
Days on the hillside and nights in the House,
Days painfully drag their slow burden along;
Days passed away; Maria slept
Days passed. The golden summer
Days passed; and still beside her tomb
Days passed; each morning saw the maiden stand,
Days roll along, and Otho's wounds are healed,
Days shall fly on, and he forget to take
Days so sweet, they'd cloy us;
Days sweetened by the lilies of pure prayer,
Days that come dancing on fraught with delights,
Days that flew swiftly like the band
Days that have been, days that have fallen cold!
Days that have no pity and the nights without a tear
Days that need borrow
Days that seem farther off than Homer's now
Days that were tuned to a note of pain.
Days that will ne'er return again.
Days that, in spite
Days there were when he who sings
Days to doze and doze,
Days to follow after,
Days vanished in the beauty of belief.
Mon rêve le plus cher et le plus caressé,

Le seul qui rit encore à mon cœur oppressé,

C'est de m'ensevelir au fond d'une chartreuse,

Dans une solitude inabordable, affreuse ;

****, bien ****, tout là-bas, dans quelque Sierra

Bien sauvage, où jamais voix d'homme ne vibra,

Dans la forêt de pins, parmi les âpres roches,

Où n'arrive pas même un bruit lointain de cloches ;

Dans quelque Thébaïde, aux lieux les moins hantés,

Comme en cherchaient les saints pour leurs austérités ;

Sous la grotte où grondait le lion de Jérôme,

Oui, c'est là que j'irais pour respirer ton baume

Et boire la rosée à ton calice ouvert,

Ô frêle et chaste fleur, qui crois dans le désert

Aux fentes du tombeau de l'Espérance morte !

De non cœur dépeuplé je fermerais la porte

Et j'y ferais la garde, afin qu'un souvenir

Du monde des vivants n'y pût pas revenir ;

J'effacerais mon nom de ma propre mémoire ;

Et de tous ces mots creux : Amour, Science et Gloire

Qu'aux jours de mon avril mon âme en fleur rêvait,

Pour y dormir ma nuit j'en ferais un chevet ;

Car je sais maintenant que vaut cette fumée

Qu'au-dessus du néant pousse une renommée.

J'ai regardé de près et la science et l'art :

J'ai vu que ce n'était que mensonge et hasard ;

J'ai mis sur un plateau de toile d'araignée

L'amour qu'en mon chemin j'ai reçue et donnée :

Puis sur l'autre plateau deux grains du vermillon

Impalpable, qui teint l'aile du papillon,

Et j'ai trouvé l'amour léger dans la balance.

Donc, reçois dans tes bras, ô douce somnolence,

Vierge aux pâles couleurs, blanche sœur de la mort,

Un pauvre naufragé des tempêtes du sort !

Exauce un malheureux qui te prie et t'implore,

Egraine sur son front le pavot inodore,

Abrite-le d'un pan de ton grand manteau noir,

Et du doigt clos ses yeux qui ne veulent plus voir.

Vous, esprits du désert, cependant qu'il sommeille,

Faites taire les vents et bouchez son oreille,

Pour qu'il n'entende pas le retentissement

Du siècle qui s'écroule, et ce bourdonnement

Qu'en s'en allant au but où son destin la mène

Sur le chemin du temps fait la famille humaine !


Je suis las de la vie et ne veux pas mourir ;

Mes pieds ne peuvent plus ni marcher ni courir ;

J'ai les talons usés de battre cette route

Qui ramène toujours de la science au doute.

Assez, je me suis dit, voilà la question.


Va, pauvre rêveur, cherche une solution

Claire et satisfaisante à ton sombre problème,

Tandis qu'Ophélia te dit tout haut : Je t'aime ;

Mon beau prince danois marche les bras croisés,

Le front dans la poitrine et les sourcils froncés,

D'un pas lent et pensif arpente le théâtre,

Plus pâle que ne sont ces figures d'albâtre,

Pleurant pour les vivants sur les tombeaux des morts ;

Épuise ta vigueur en stériles efforts,

Et tu n'arriveras, comme a fait Ophélie,

Qu'à l'abrutissement ou bien à la folie.

C'est à ce degré-là que je suis arrivé.

Je sens ployer sous moi mon génie énervé ;

Je ne vis plus ; je suis une lampe sans flamme,

Et mon corps est vraiment le cercueil de mon âme.


Ne plus penser, ne plus aimer, ne plus haïr,

Si dans un coin du cœur il éclot un désir,

Lui couper sans pitié ses ailes de colombe,

Être comme est un mort, étendu sous la tombe,

Dans l'immobilité savourer lentement,

Comme un philtre endormeur, l'anéantissement :

Voilà quel est mon vœu, tant j'ai de lassitude,

D'avoir voulu gravir cette côte âpre et rude,

Brocken mystérieux, où des sommets nouveaux

Surgissent tout à coup sur de nouveaux plateaux,

Et qui ne laisse voir de ses plus hautes cimes

Que l'esprit du vertige errant sur les abîmes.


C'est pourquoi je m'assieds au revers du fossé,

Désabusé de tout, plus voûté, plus cassé

Que ces vieux mendiants que jusques à la porte

Le chien de la maison en grommelant escorte.

C'est pourquoi, fatigué d'errer et de gémir,

Comme un petit enfant, je demande à dormir ;

Je veux dans le néant renouveler mon être,

M'isoler de moi-même et ne plus me connaître ;

Et comme en un linceul, sans y laisser un seul pli,

Rester enveloppé dans mon manteau d'oubli.


J'aimerais que ce fût dans une roche creuse,

Au penchant d'une côte escarpée et pierreuse,

Comme dans les tableaux de Salvator Rosa,

Où le pied d'un vivant jamais ne se posa ;

Sous un ciel vert, zébré de grands nuages fauves,

Dans des terrains galeux clairsemés d'arbres chauves,

Avec un horizon sans couronne d'azur,

Bornant de tous côtés le regard comme un mur,

Et dans les roseaux secs près d'une eau noire et plate

Quelque maigre héron debout sur une patte.

Sur la caverne, un pin, ainsi qu'un spectre en deuil

Qui tend ses bras voilés au-dessus d'un cercueil,

Tendrait ses bras en pleurs, et du haut de la voûte

Un maigre filet d'eau suintant goutte à goutte,

Marquerait par sa chute aux sons intermittents

Le battement égal que fait le cœur du temps.

Comme la Niobé qui pleurait sur la roche,

Jusqu'à ce que le lierre autour de moi s'accroche,

Je demeurerais là les genoux au menton,

Plus ployé que jamais, sous l'angle d'un fronton,

Ces Atlas accroupis gonflant leurs nerfs de marbre ;

Mes pieds prendraient racine et je deviendrais arbre ;

Les faons auprès de moi tondraient le gazon ras,

Et les oiseaux de nuit percheraient sur mes bras.


C'est là ce qu'il me faut plutôt qu'un monastère ;

Un couvent est un port qui tient trop à la terre ;

Ma nef tire trop d'eau pour y pouvoir entrer

Sans en toucher le fond et sans s'y déchirer.

Dût sombrer le navire avec toute sa charge,

J'aime mieux errer seul sur l'eau profonde et large.

Aux barques de pêcheur l'anse à l'abri du vent,

Aux simples naufragés de l'âme, le couvent.

À moi la solitude effroyable et profonde,

Par dedans, par dehors !


Par dedans, par dehors ! Un couvent, c'est un monde ;

On y pense, on y rêve, on y prie, on y croit :

La mort n'est que le seuil d'une autre vie ; on voit

Passer au long du cloître une forme angélique ;

La cloche vous murmure un chant mélancolique ;

La Vierge vous sourit, le bel enfant Jésus

Vous tend ses petits bras de sa niche ; au-dessus

De vos fronts inclinés, comme un essaim d'abeilles,

Volent les Chérubins en légions vermeilles.

Vous êtes tout espoir, tout joie et tout amour,

À l'escalier du ciel vous montez chaque jour ;

L'extase vous remplit d'ineffables délices,

Et vos cœurs parfumés sont comme des calices ;

Vous marchez entourés de célestes rayons

Et vos pieds après vous laissent d'ardents sillons !


Ah ! grands voluptueux, sybarites du cloître,

Qui passez votre vie à voir s'ouvrir et croître

Dans le jardin fleuri de la mysticité,

Les pétales d'argent du lis de pureté,

Vrais libertins du ciel, dévots Sardanapales,

Vous, vieux moines chenus, et vous, novices pâles,

Foyers couverts de cendre, encensoirs ignorés,

Quel don Juan a jamais sous ses lambris dorés

Senti des voluptés comparables aux vôtres !

Auprès de vos plaisirs, quels plaisirs sont les nôtres !

Quel amant a jamais, à l'âge où l'œil reluit,

Dans tout l'enivrement de la première nuit,

Poussé plus de soupirs profonds et pleins de flamme,

Et baisé les pieds nus de la plus belle femme

Avec la même ardeur que vous les pieds de bois

Du cadavre insensible allongé sur la croix !

Quelle bouche fleurie et d'ambroisie humide,

Vaudrait la bouche ouverte à son côté livide !

Notre vin est grossier ; pour vous, au lieu de vin,

Dans un calice d'or perle le sang divin ;

Nous usons notre lèvre au seuil des courtisanes,

Vous autres, vous aimez des saintes diaphanes,

Qui se parent pour vous des couleurs des vitraux

Et sur vos fronts tondus, au détour des arceaux,

Laissent flotter le bout de leurs robes de gaze :

Nous n'avons que l'ivresse et vous avez l'extase.

Nous, nos contentements dureront peu de jours,

Les vôtres, bien plus vifs, doivent durer toujours.

Calculateurs prudents, pour l'abandon d'une heure,

Sur une terre où nul plus d'un jour ne demeure,

Vous achetez le ciel avec l'éternité.

Malgré ta règle étroite et ton austérité,

Maigre et jaune Rancé, tes moines taciturnes

S'entrouvrent à l'amour comme des fleurs nocturnes,

Une tête de mort grimaçante pour nous

Sourit à leur chevet du rire le plus doux ;

Ils creusent chaque jour leur fosse au cimetière,

Ils jeûnent et n'ont pas d'autre lit qu'une bière,

Mais ils sentent vibrer sous leur suaire blanc,

Dans des transports divins, un cœur chaste et brûlant ;

Ils se baignent aux flots de l'océan de joie,

Et sous la volupté leur âme tremble et ploie,

Comme fait une fleur sous une goutte d'eau,

Ils sont dignes d'envie et leur sort est très-beau ;

Mais ils sont peu nombreux dans ce siècle incrédule

Creux qui font de leur âme une lampe qui brûle,

Et qui peuvent, baisant la blessure du Christ,

Croire que tout s'est fait comme il était écrit.

Il en est qui n'ont pas le don des saintes larmes,

Qui veillent sans lumière et combattent sans armes ;

Il est des malheureux qui ne peuvent prier

Et dont la voix s'éteint quand ils veulent crier ;

Tous ne se baignent pas dans la pure piscine

Et n'ont pas même part à la table divine :

Moi, je suis de ce nombre, et comme saint Thomas,

Si je n'ai dans la plaie un doigt, je ne crois pas.


Aussi je me choisis un antre pour retraite

Dans une région détournée et secrète

D'où l'on n'entende pas le rire des heureux

Ni le chant printanier des oiseaux amoureux,

L'antre d'un loup crevé de faim ou de vieillesse,

Car tout son m'importune et tout rayon me blesse,

Tout ce qui palpite, aime ou chante, me déplaît,

Et je hais l'homme autant et plus que ne le hait

Le buffle à qui l'on vient de percer la narine.

De tous les sentiments croulés dans la ruine,

Du temple de mon âme, il ne reste debout

Que deux piliers d'airain, la haine et le dégoût.

Pourtant je suis à peine au tiers de ma journée ;

Ma tête de cheveux n'est pas découronnée ;

À peine vingt épis sont tombés du faisceau :

Je puis derrière moi voir encore mon berceau.

Mais les soucis amers de leurs griffes arides

M'ont fouillé dans le front d'assez profondes rides

Pour en faire une fosse à chaque illusion.

Ainsi me voilà donc sans foi ni passion,

Désireux de la vie et ne pouvant pas vivre,

Et dès le premier mot sachant la fin du livre.

Car c'est ainsi que sont les jeunes d'aujourd'hui :

Leurs mères les ont faits dans un moment d'ennui.

Et qui les voit auprès des blancs sexagénaires

Plutôt que les enfants les estime les pères ;

Ils sont venus au monde avec des cheveux gris ;

Comme ces arbrisseaux frêles et rabougris

Qui, dès le mois de mai, sont pleins de feuilles mortes,

Ils s'effeuillent au vent, et vont devant leurs portes

Se chauffer au soleil à côté de l'aïeul,

Et du jeune et du vieux, à coup sûr, le plus seul,

Le moins accompagné sur la route du monde,

Hélas ! C'est le jeune homme à tête brune ou blonde

Et non pas le vieillard sur qui l'âge a neigé ;

Celui dont le navire est le plus allégé

D'espérance et d'amour, lest divin dont on jette

Quelque chose à la mer chaque jour de tempête,

Ce n'est pas le vieillard, dont le triste vaisseau

Va bientôt échouer à l'écueil du tombeau.

L'univers décrépit devient paralytique,

La nature se meurt, et le spectre critique

Cherche en vain sous le ciel quelque chose à nier.

Qu'attends-tu donc, clairon du jugement dernier ?

Dis-moi, qu'attends-tu donc, archange à bouche ronde

Qui dois sonner là-haut la fanfare du monde ?

Toi, sablier du temps, que Dieu tient dans sa main,

Quand donc laisseras-tu tomber ton dernier grain ?
Doring — not much has changed since
you last spoke.
the children are still deep in the mud.
the bellhouse at Poblacion still rings
when it is 5 PM and the ubiquitous bazaar
   sit on the cornerstones.
however, when the white angels began
     latticing you to contraptions,
the furling scent of your homely perfume
      has gone dithering. grandpa Mario's
revolver is somewhere hidden wreathed
    under a wrestle of things we do not
use anymore — lottery tickets ( 4 AM, grandpa would fall asleep reeking of
    ale as the lady announces frail luck
over the somnolence. kitchenware longs
for the ****** of your tremulous hands. the Lazy Susan is attended by only a bundle of rotten bananas, Mario's old
nauticals: whiskey bottles, scotch, goblets, unrest of glasses. we still
buy pandesal near Beng's piano maestro.)

nothing much has changed since you
last spoke. mother held your hands longer than imagined trill of Maya outside tightwire. it didn't flood in the swelter of
the cataclysm — years ago it was deathly silent when you were sitting on the rocking chair waiting for the flood to subside, your grandchildren laying cold on the aged floorboard, rescued by
zigzag of newspapers. it was the lightest
of darknesses. nothing much has changed
    since you last spoke and in your
silence we heard the most immense of
voices. the streets remain pockmarked.
ocher pots festooned by wily flowers,
stems of hope. your hands tryingly gripping whatever
     was brought to their splendidness
looked like forever smiles.

Doring — the nights are fuller,
my sweet old etcetera of chores.

we all lay quietly in the mud for now.
For my grandmother, Adoracion.
nicholas ripley Mar 2010
Light cracks open the comfort of somnolence,
Eyes are prised apart with Thought For The Day
As distributed by Pure DAB, words, in part,
Punctuate consciousness; something about foregiveness,
Some parable or other from some comfortable priest
Trying to be comforting to those
That will be work bound in short order,
That will be departing with a packed kiss
With their lunch. I throw off the double duvet
And try to distract thoughts from single-mindedly
Reiterating her recent cruelties, or from pondering
Upon my secluded anger which breaks my peace,
Hunger will dissipate this tendency as I crave to break my fast,
Consider the longs days stretch without hint of incentive.
Nicholas Ripley March 2010
The They Sep 2012
Lost in the somnolence of his solitude
The poet’s hell
Lies in the heaven of his existence
That he cannot see
With eyes closed
And back turned towards the future:
His game composed through endless hindsight,
But no sight for what is here…

But I am here…
And I looked into his eyes…

Lost
In his dualities and questions,
Frustrated with only heaven’s silence for an answer,
He vowed to fill the world with words,
But still he stopped to listen to mine:

“Do not feel the guilt of change
As words seem to lose their meaning
As they fly away from your tongue
And drift into the sky.

In this moment together
Do not fight time as it moves forward
And wait forever for abstract completion,
That escapes us even now
As we dance
Into the present’s dawn.”
the lament of fixity
gazes on stone, its death-fires  encircle
the slender body of the doting Sun.

this is our time spent again
when our days obdurately say
that our inimitable skies smell of
wet willow—

our time has come to sleep.
the soggy horizon closes its eyes
and darkness enters like a thief.
aureoles criss-cross into
touchable delineations.
i am closer to the Earth than I was once
before you, bared to profile
like a fruit pared by your teeth.

what awaits in the gleam of one's
waking is the fruitage of nondescript music flowering in my ear:
the curved entry of your breath,
receiving it, my ear's bell,
shaking the cathedrals and by the pews
of my somnolence,  a trespassing whirlwind, a dewdrop, trickles of flame.

are there lips, with there power enough
left to clench in their growing?
this den of such tender love,
when i roar ardently dressed as
  an admiral in sleep's sea,

i, mounting the waves of your body,
  dream of lions.
Rhet Toombs Oct 2015
All
Window storm
Refraction of opal hair
Gatherings of a salvaged flock
Incomprehensible
A series of melted bruises
Final lap of my somnolence
Short of my hands around your throat
You may promise nothing
Stop us
Phosphorimental Sep 2014
Hopes we take into our sleep
Become the seeds of dreams to come;
Fears then, roots of nightmares.
Stir our hearts awake,
If you must
Wind gypsies crooning quixotic notes
Dappled like leopard in dandelion dust
Caught in the clatter of castanets
If poems were sheep, this one would be black
That one is black,
And that one is black.
Pupils leaping into pathos,
Without a splash,
That one is black, that one is black.
Somnolence, when ripples lull
Where all lambs go, when somnolent,
When somnolent.
Rachel Cloud May 2016
With swishing, swaying somnolence, in eve
So slow and sound, a thought begins to stir.
A battle brews beneath the throat, but breathe
Past beating baubles, under flesh and fur

Concealed by waves and waves of reticence
The sun a blot on the horizon grey
In splendor faces glow with innocence
Though silently they scream in their dismay

Away, away, away they fall to dark
And disarray while children dream alone
They dream for shattered selves of gold, and hark!
The hammer falls upon them as t’would stone

Yet broken souls shan’t glimmer bright as whole
However well the storied tales extoll.
Sonnet 01
thalassicbaby May 2016
drifting, drifting
half fearful, half willing
instead I fall into

something empyreal

​I fall into you

your arms constrict
you hold me still, planting amative kisses on the once reluctant bambino
baby unfurls at once, letting out little sounds of
almost
venery

almost venery
almost venery

sunlight filters in through the little slit at the bottom of the blinds

as I am lit by my own alpenglow, a little by the ****, a little by the scapulae

why do these phantom pains only become pains as soon as somnolence breaks?
I keep this in my heart.
ConnectHook Sep 2019
They be like: ****
You be like: no
It's just a World-Star minstrel show.
The Afrocentric thought runs deep . . .
(Now get your woke *** back to sleep.)
You so woke you overslept
I awoke from a peaceful somnolence with sparks of a beautiful dream giving me a beaming face.
Only to fall into the luminesce of a heart break
Guess I'm  right to say "every silver lining is followed by a cloud" and change it from "every cloud has a silver lining "
Illya Oz Apr 2018
The insomniatic somnolence coats me.
16kHz of sound running through my eardrums.
Empty words written on the walls of bathroom cubicals.
The lifes of people who come and go,
Snagged on the emtpy soap dispensers.

***** lino floors folded at the edges.
The rattling sounds of doors locking around me.
Plastic seats flipped down to carry weights,
Of the people who come to just sit down.
The rusted hinges on doors I can't seem to leave through.

This is both my prison and my safety.
I'm sitting in cubical of my school bathrooms because I'm too anxious and depressed to go to class. The door to the bathrooms gets locked during class time so now I'm stuck in here
Sagacity aside,
she scarcely suspected that
the strong, stimulating sillage
of her seductive scent
should stay since our sunset send-off,
sweeping me from stormy, sallow stress
into sunny, sanguine somnolence,
suddenly sundering the
strange, subconscious shell
that once surrounded this stray soul,
that once safely shielded it,
severed it.
Succumbing to the
sophisticated sorcery of her
svelte shape in the
sanctuary that is
supreme silence set under a
shimmering star-suffused sky,
I stared up
at the soaring silver sliver,
slowly sailing a serene sea of space,
shining shadows upon this
superbly secluded street scene,
where I
satisfyingly suffered
a symphony of sybaritic splendor:
the saturation of sweetly sung sounds
soldered to my psyche
by that superlative
(surely supernatural)
specimen.

The significance
of such a sensation was surprising:
some several seasons spent,
the setting still sneaks to the surface
of my spirit in settled solitude;
or sprouts spontaneously from the shallows
of stark, sensible, serious subjects;
or spills from my system storage
in those special stages
shortly before slipping into slumber.
Similar to a succulent,
sensitive scar whose scratch
shocks the senses
and swiftly steals sedulousness,
savoring the stretched span of those
several
spellbinding
seconds
last summer
shoots me into this
secret,
selfish
bliss,

to which I
sincerely
submit.

— The End —