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Diana Garcia Jul 2018
I can tell he wants me
to show him around,
take him out and show
how him how I get down.
He wants me to smile but
my face is stuck in a frown.

Boy didn’t you notice
when I tried taking you out on the town?
When we rode with my girl C,
you brought your boy V
Then the time I got into a fight that
nobody even got to see
My girl didn’t like you
I wonder, how could that be??

Once upon a time
you were down
to do anything.
Rain or shine.
Doesn’t matter what we do
as long as youre mine.
Lately it feels like youre
wasting my time.
Feels like a one way street.
All of a sudden you
don’t make me feel like a treat

You see I’ve
Taken you out
You know the
life I’m about.
Yet we still
scream and shout
cause now we never
seem to get out
At least not enough
I know at the moment
Life feels a bit rough
But we can’t be consumed
Part of us died
Let it be exhumed
Dust off our shoulders
and hit resume
Let’s start living
& forgiving
Then start stacking up it
to the ceiling
I thought you were my back up
But it’s me that you’re killing

We don’t need to go hard
or spend money at the bar
We don’t even need to go far
Let’s go to guitar center
and pretend to be stars

Im sorry for my ****** mood
But if you don’t try
We’re *******
Annoyed with how loyal I am
NeroameeAlucard May 2015
Okay I'm a guy
and thinking something positively about
my body is something I've never even tried!
Deep breath... Deep breath....
alright, maybe This'll be for the best

ahem

Okay now to think about my body in a positive manner
I'm not the best looking guy but I can clean up and look dapper
I have curly hair and some ******* up teeth
but embracing my flaws is the only way to get over my raging insecurity
I may get inked up soon
ideally on my birthday at high noon
yes I'm a guy and I'm not Charles atlas
but I'm taking my body off of my mental blacklist
I did this for a challenge on Poets Corner, hope you enjoy!
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
Smoke Scribe Mar 2015
Part II  of "Got 0 Followers"

aim high
to keep
it low

expectations
such an
Awesome Awful
curse
others infect
you with

don't, yada yada,
ya wanna be like
Tom, **** and Jane,
even Harry, a transgendered
friend and fellow (ha) outcast,
all with a good job
prospects of a
goodly tented long life?

so ya write poems
to nobody
about nothing and
you are pleased
to be pleasing just yourself

in writing you have
nothing to prove,
so read them
like keepsakes
ya like,
keep 'em & me hid,
in the shoebox
under the closeted
pile of ***** clothes,
special designer outfits concocted
so they keep my remains,
privatized and unsanitized,
my equity,
hidden,
disguised as disgusting

but for god-sakes
don't follow me,
unless
you want to curse us
both with
Expectations of Expectations,
then comes with
illiteracy of
Affection

then the literary
pre-tension
that always follows,
leading to

Affectation,
the first derivative of the infection of affection

yeah,
then comes
caring
and it instantly it's too late,
you're *******,
right up the mental heine,
lost condemned
ruined annihilated
crushed subverted
crushed into
mental death camp suffocation of more, please ma,
can I have some more?

**crap, why did you have to go and follow me?
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
Mateuš Conrad Mar 2019
.how did the political "debate" ever become surmount to include musicians? from what i've seen? of the KEXP radio session...  Ashish Vyas had the most fun from the session... i always admired the bass players more than those ****-offs running out of rhythm guitar sessions... bass, a tier above the drums... masturbator-grand-master-soloist... i guess this is one of those nights where i drink more than i write... elephant's ******* choking me to come... oh well... not even a Decalogue will save me... the political art is no art to begin with, curtains... all i'm seeing if curtains... and households filled with retired personel... and curtains... curtains but not blinds... it's abhorrent to have to listen to music with hushed bass guitar... notably metallica... apart from devil's dance and... where's the bass guitar? the rhythm guitar section overpowers the music... fine fine, have your solo *******, but don't silence the bass guitar with the rhythm guitar, i need to hear the drums translated via the bass guitar into the rhythm guitar... solo guitar and vocals all you want... it's like... the lessons to be learned from jazz, when all the fire prime instruments are allowed to solo... went, "missing"... i need the bass, man... frantic bass & drum genre type of music will not do lollipops for me... what was the alternative? dub-step? well... vex'd & distance... burial... who were the others? i don't remember... don't make me cite skrillex: white privelege man! yeah... at least with rabbit teeth missing, doing that well known party trick! i don't like bands that have a knack at an over-emphasis of the rhythm guitar, who neglect the bass guitar... it's so counter the jazz-inheritance... tool: grand bass, red hot chilli peppers, silverchair... i need that smoothing out layer of sound that manifests itself in a bass... a layer of sound just below the rhythm guitar and a tier above the base (not bass) of the african drum borrow... bāß... base (not bass)... yes, it's not supposed to look pretty: a phonetic antithesis... as most "things" in english...

             mind you... did i mention how heidegger
has a foot in the door?
       oh... i didn't? did i?
     the reflexive and the reflective quadratic...
the reflex of conscience "vs."
the reflectiveness of consciousness...
       heidegger:
                  language - only if speech has acquired
the highest univocity of the word does it become
strong for the hidden play of its essential
   multivocity (as withdrawn from all "logic"),
of which poets and thinkers alone are capable,
in their own respective modes and their own
directions of sovereignty.

  of the few lyrics i've entertained these passing
"days"?
             the black keys: lonely boy -
              i got a love that keeps me waiting...
borrowing from Kafka i guess:
      in that case, i’ll miss the thing by waiting for it.
   no?
   guess there's no "oops" where these words
come from...
              
    with the "passive" circumstance of the faculty
of memory...
                two tiers of memory:
the reflexive memory type,
the scholastic rubric type...
  1 x 4 = 4, a + b + a +c + u + s = instrument =
counting... etc.,
            that's the reflexive memory type...
a scholastic rubric...
      dyktando...
but memory also occupies
the reflective parameters...
          which involve personality...
a sort of memory dissociated from schooling,
and more, associated with:
disinhibiting any chances of succumbing
to dementia's grinding machine
of the mortal circus...

  the reflexive memory storage bank is
the buffer...
the "placebo": nay... the safety mechanism...
but... too much education,
too much pointless education,
and the erosion of the reflective memory
storage bank: this is not a buffer,
this is not a something equipped with
a "safety mechanism"...
        given that a self is perpetuated
within the confines of
a constant conflict with the "self"...
   a and italics / the and "ambiguity commas"...

well, there's always a place to start...
i find of like philosophy as being
a rigour associated with a satisfactory
form of vocab.,
       namely?
i can use the associated words bound
to a sentence with confidance...
unlike a ****** fiction writer,
sometimes dabbling into loan words
from a thesaurus, to, invoke:
an intelligence superiority...
  don't worry...
  when people lend themselves
to use a thesaurus, having exhausted
their adjective knowledge... it shows...

come on... a background in chemistry nouns?
3,5-methylhexane... you think?
that's the remains of a saxon past in english...
in chemistry...
germans spell like dr. faustus to begin with,
they, compound...
        the remains of a germanic past in
the current state of english shrapnel still
lives... in chemistry...
        hydrocarbons...
                  usually met with a hypen:
hydro-carbons...
       siebentausendzweihundertvierundfünfzig
(7,254)...
well, very german: what a waste of not employing
punctuation marks (', -) when it came
to the caterpillar 189, 819:
methionylthreonylthreonylglutaminylarginyl...isoleucine,

Me­thionylthreonylthreonylglutaminylarginyltyrosylglutamylserylleucy­lphenylalanylalanylglutaminylleucyllysylglutamylarginyllysylgluta­mylglycylalanylphenylalanylvalylprolylphenylalanylvalylthreonylle­ucylglycylaspartylprolylglycylisoleucylglutamylglutaminylserylleu­cyllysylisoleucylaspartylthreonylleucylisoleucylglutamylalanylgly­cylalanylaspartylalanylleucylglutamylleucylglycylisoleucylprolylp­henylalanylserylaspartylprolylleucylalanylaspartylglycylprolylthr­eonylisoleucylglutaminylasparaginylalanylthreonylleucyl arginylalanylphenylalanylalanylalanylglycylvalylthreonylprolylala­nylglutaminylcysteinylphenylalanylglutamylmethionylleucylalanylle­ucylisoleucylarginylglutaminyllysylhistidylprolylthreonylisoleucy­lprolylisoleucylglycylleucylleucylmethionyltyrosylalanylasparagin­ylleucylvalylphenylalanylasparaginyllysylglycylisoleucylaspartylg­lutamylphenylalanyltyrosylalanylglutaminylcysteinylglutamyllysylv­alylglycylvalylaspartylserylvalylleucylvalylalanylaspartylvalylpr­olylvalylglutaminylglutamylserylalanylprolylphenylalanylarg inylglutaminylalanylalanylleucylarginylhistidylasparaginylvalylal­anylprolylisoleucylphenylalanylisoleuc…

or just read the end of james joyce's ulysses
or jean-paul sarte's iron in the soul...
you do have to insert shrapenl punctuation
into this word...

but these are the last remains of the english language
being associated with a germanic origin:
compounding words...
             esp. in chemistry...
                

as any drunk would state,
to suffice...

    what was it that the luftwaffe
prescribed for the night raids
on London?

   and what did isis fighters
be prescribed?

    amphetamines?
n'oh!
   (minus the extended omega:
oooooo enough time
for a katy perry song,
an afternoon shower,
a slap in the face,
and then a few punches,
hey, jerking off became
boring)...

   so the british,
and a few polacks doing their
r.a.f. bit beat the germans
because?
   oh... **** no...
they were ingesting
an impediment factor,
durg, ****,
drunk, numb-skulled...

    we're talking counter
measure to the "enchanced"
mensch...
    high on amphetamines...
insomniac, but still going...
i guess the loci of
the amphetamine adventure
had to relocate to the anti-ego
focus of the phallus
in the variation of viagara...

****...
i care more for my giggles
and a friar tuck physiognomy...
seriously...
   it's more important than mere
gymnastics of
a freudian "metaphor"...
  ha ha...
   i guess conversation is
also allowed...
   try keeping that up...
given that most men are
******* into a solipsism...

     date nights... m'ah ah ha ha ha...
i figured that i don't
need french intellectuals to
redefine absurdity,
or german philosophers
to "redefine" existentialism,
i just needed to leech
off an nativistic english
"public"...

                      what the ruling
class spews:
   i reinterpret...
                  simple, 1 + 1 = 2...
crux, numbers,
   bounce back...
echo...
     compliment to the language...
as i stood in the shower thinking...
well isn't modern gaming
slightly "ingenious"...
money piggy...

or... reversed...
    provided the unlimited time
of experience...
no constraints,
just a game within a game,
like sims 3: making a sim
play a video game...
wormhole paradox
      and a brain shattering moment,
a jolt,

         these modern "free" games?
well... at least if you
do not invest in them,
are... games mostly associated with
time...
time is the game...

   whoever gets ****** into
the money laundering schemes
of these games,
forgot to read the cheat walkthroughs
akin to final fantasy VII,
because of homework,
and... Saturday mornings.

   **** air guitar:
here's to air drumming to posit
a point...

          the allies drunk their pint
of whiskey, slightly debilitated,
without the circumstance of feeding
a feeling of superiority,
the germans over-inflated
their superiority complex with
amphetamines...

         ergo?
    i'm either proper drunk, or just plain dumb,
or... it's related to listen, repeat,
listen, repeat: katy perry
  (sucker for POP!)....

      never mind...

games used to be fun,
games used to lead to a completion,
tenchu, that was fun,
final fantasy VII...
but this current,
money-sucker of an experience?
well... sure...
now games have reached
an anti checkmate conundrum
which it is...
because, the games are "free"...

           apparently time,
is perceived as a non-commodity...
tell that to someone stuck
in traffic...
      time: the "elder" flimsy
              construct of relativism...

try not giggling
while exchanging whislting to
either the british grenadier march song,
and the french la marseillaise...

   it's like eating pork liver with onions
fry funny...
    or at least a stew of chicken
hearts... tight tender little *******...

but modern gaming is just that...
ingenious counter measure
to the old school variation
of gaming,
    games... without fiction,
games, without script...
    continued perpetuation
of engagement "syndrome"...

     thank god,
i'm pretty sure that if i went beyond
owning a PS1,
i wouldn't have spotted this,
and have a narrative subsequently,
for the worth any sort
of compromise...

ergo? i drink...
   eh... i need to dumb down...
it wouldn't be fair otherwise...
it's not so easy,
to acquire a culture,
a psychology,
a mentality,
   and then...
     to ****... (grimmace, burp,
         snigger) it all away...

**** me, the flute always
gets me...
          i mean...
every time i hear that flute...
my feet at rambling,
itching to tap along...

   well of course it wasn't
the ******* jazzy clarinet,
was it?!
  tell that to the broad
who perfect a *******...
see if she comes back
as smart,
as smart to comply with
the intricacies
of playing, the ******* clarinet.

p.s.
aud lang syne: the only song,
of all time...
shakespeare seems
pale by comparison,
"side-note"...

          broad vs. brode,
******* giggles in the afternoon.
N Schlegel Dec 2015
You have a boyfriend.
At least I think you do,
at least that what they’ve told me about you
cause facebook really hasn’t answered if that guy
you’re hugging in fifteen pictures is him or not
and if he is,
****,
I’m *******.

I’m ******* because as much as I think I like you,
he already loves you
he already knows what your favorite food is
and if you like the left side of the bed, or the right
if you’d rather wreck his face in Smash Bros
or get wrecked downtown with his smashed bros

We had fifteen amazing minutes in a crowded bar
where you left me with your name,
stitched on the front of my mind
and cutting off air as the lump in my throat
I want to shout it into open flames
so the fire singeing my heart, takes hold,
and burns across the world to yours.

But I’m *******
because he’s got fifteen amazing pictures with you
his name's  already branded on your mind,
already gilded on your lips
and my embers of uncertain emotion can’t flirt with catching hold
when there is already a bonfire, raging in your heart.

I’m *******,
because you told me your name
because one spark started a fire,
and it’s already going out.
Nadia Dec 2013
I will never get married because marriages don't last.
Being a product of divorce blows big chunks all the time.
You tell your parents how you feel and they say
"we will discuss it dear" but they never do it.
My mom was always on her cell phone talking her
tmi friend who tells all  and how she and strangers
she meets placing personals have fun in her boudoir.
Don't reach for a thesaurus means her bedroom.
It's gross trying to get ready for classes and hearing
your mom talk about *** and big **** plastic surgery
she wants to get to keep her girly figure right and tight.
I got body image issues due to her can't stop looking
for flaws and wrinkles ******* mental complexes.
Need therapy much dumb and vain mother?
Could be why dad found a younger version of you
in evil ***** clone he lives with who loves his fat wallet.
No way can that someone with a hot *** want his
gray hair with more than one bald spot and flabby abs.
He works out but he's got a *** that quit even when
he spends hours exercising at the gym and dancing
trying to be my age saying old **** getting jiggy with it.
I think **** me now when he says that and I hate my life.
I feel messed up in the head because my parents hate
who they are and I hate myself most days because that's
what I learned from them. Should I go out and have
*** with as many men as mom and her friends? Should
I meet guys off the internet like mom now does? Should I
meet a man who will take care of me like the woman
dad is with who loves his fat wallet and great job
and be the kind of woman my dad likes? Would dad
be proud if I wanted surgery to get huge ***** like vain mom?
Would mom care if I had *** with a guy in the back of
his pick up like she bragged to her friend about? Would
my teachers care if I sat in the back and cheated like the
girl who gets answers from tests in exchange for quickies
in cars during lunch. She is tardy for the party and class
a lot. Teachers don't notice what's happening in schools
and they don't freaking care if I study my *** off
to get the same grades and I don't sleep with all the jocks.
Maybe I should because I'm messed up in the head at 18 and
nobody cares about me but me and that's a short list.
Have friends but they have some of the same body
issues and mental ones like me. I'm messed up in the
head because I get accused of having *** and I'm still
a ****** but thinking about giving up the goods to
the one I met through personals. He wanted to cmid and
I proved I'm legal. On the fence about giving away my
virginity. Too ****** bad my mother and dad are
busy and have mental issues and have no time for the
girl they dressed up when she was a tyke but forgot about
when she needed a training bra.
Am I the one royally *******?
I thought I had my picking?

A beautiful girl,
Left to her own,
With no one but her soul.

It hurts to know its inside of me
And not so many others

Decions I don't try to make,
Because I know they're hard....

But call me baby girl one more time,
And know
You know you're mine.
Shannon Dean Dec 2016
You kissed one side of my neck and then the other, with a smile.
When you’re behind me and rest you hand on one hip to take a selfie, I have to place my hand on the other.
Quickly, you realised you love a girl of balance.
You lost her to tendencies and rules that love can’t fix.
And I know my OCD will affect you to.
Yet you still call me your little OCD girlfriend.

Within 11 days you realised 4 was my number.
It’s no longer quirky, just habit and safety.
But you, you could have waited till the 12th day
You ******* up a system in a bid to help
To make it worse the first argument lasted 21 minutes so even that wouldn’t fit the system.
You’ll never get it will you?
Yet I’ll always be your little OCD girlfriend.

Each colour may seem like a little, cute way of keep organised.
But without them it’s a black abyss in desperate need of structure.
A visual balance.
So even if it seems simple, it’s me.
And me, I’ll always be your little OCD girlfriend.

Clockwise.
That’s the way I’ll walk round you.
That’s the way I’ll make you turn if I’m in your balanced arms.
Don’t block my path.
Don’t roll the other way
Don’t try and change me
You know the rules
Because I’m your little OCD girlfriend

Now forget the clocks, number and colours, they are small fry in my OCD pond.
Balance
That’s my weakness.
That’s why I might hurt you
That’s why it takes time
But remember: what happens to one side must happen to the other.
Your love will be my balance.
As your hands learn a new way to explore my body
As your lips touch me twice,
You’ll remember I’m your little OCD girlfriend.
A Yellow Domino May 2013
I feel the hot tears
About to explode
And stream down like a river
And I don't get why.

I've got to tell my senses to
Stop
They ***** my emotions,
They ***** everything up.

Please
Stop that
******* up
Mind.
You know, there's always a song that takes me back
To a year, so long before
It's not always a top ten song
That hits my very core
It just grabs me and transports me
Back in time while standing still
It might take me to a good place
Release a memory I should ****

But, my soundtrack is different
It's not just music in my mind
There's sounds that make my playlist up
Sounds of a different kind
A baseball smacking leather
God, that sets me free
Some good, some bad, some coaching
Some involve my ******* up knee
The click on every eight track
When it switches channels to play on
Brings back those early mornings
when the house cleaning was done

But, music, yes the music
makes a large part of my list
Some take me back to dances
And the girls I never kissed
The good songs stretch my senses
Make me smell things from the past
The memories still linger
While the music didn't last

Sirens, car wrecks, yelling
Have their place on my list too
It's not music to most people
It made my list though, who knew?
A sound as small as raindrops
Take me back to a morning when
I stood on line with a hundred others
Brave women and brave men

Cornwallis, Nova Scotia
rain and U2 take me on a track
To basic training on the east coast
Wow, that's 25 years back
A car crash and a siren
Takes me to when I met my wife
This was on the television
when Princess Di, she lost her life

So, my soundtrack is eclectic
It's not just music fuels my trips
It might be a golf ball bouncing
That takes me through a time warp slip
A song, that's just too easy
Everyone has one of those
But, can you travel back, oh, 30 years
When someone blows their nose?

There's more sounds that effect me
But, those I think I'll hide
I will write about them later
And I will take you on that ride
In 50 years of living
Lots of sounds have hit my ears
We'll  sit and chat about them
One day over a few beers....
Brian O'blivion Aug 2013
WARNING: THIS IS EXCEEDINGLY EXPLICIT...

(when for a pinpoint (the exact moment) i am nurses sift home again EKG's

it all went wrong
CT scans on the timeline
i will repeat this then i am whole again
i will defeat this hole again)


when I first
there was had in my stockings caught it something about the small red, i did not believe it. them like cardboard, and ******* now i, caught saw it, my ****** high heels, i did not believe it. them kunts like cardboard as a child i loved

and the great swan **** with a straight razor, hot water, shaving cream

dragging these white are in four directions ******* my ***   hows my ***** sheets me with a ***** and licking she said
for another my thick dark ***** juice colors my arms have too many carry the face of  emptinesses  i  **** me *** tongue on shooting that i did not look

regarding my ***  me blow jobs  with **** *** in attention. cannot help what wet ***** happens in me pink ****** fingers will happen without  smiling attention. I  ripped dripping my bra off ******* off i do not think so. i do not think so. the moon's concern is with my ***** ******* hard. **** me **** me with the particles of destruction

i **** up.  am i my **** a pulse hard and swallowing

lick my ***** loved its perfections **** is my dead self    one that **** could is not flat only be perfect  such flatness cannot make a heaven  i am not ugly.  i am even beautiful.
heather leather Sep 2014
Hey
I’m sorry if I interrupted your class with text messages
because you hate putting your phone on silent
it’s just that I should be there with you
laughing at your confused faces during Calculus I and
staring at your look of sheer concentration during Creative Writing
You were always the poet, not me
But it’s 1pm and I’m stuck in Calculus with someone else as my partner
who doesn't get nearly as confused as you and puts me to shame
which ****** me off because you would never correct me in Calculus
and so I can’t help but wonder who your new partner is
Is she smarter
Is she funnier
Do you quote Shakespeare to her like you did to me?
Is she better than me?
There’s no doubt that a. I ******* it all up and that b. you’ll move on from me
because you were always the popular one, I was the antisocial outcast that most people barely
tolerated
For some unknown reason you decided to become my friend that faithful day in
Calculus I
and ever since then you became my 3am conversations and midnight laugh

I depended on you much more than you did on me
I cared so much more
and maybe that was my fatal flaw
because if I hadn't cared so much
then maybe I wouldn't feel like screaming and throwing my partner’s textbook
at the teacher
but I did
I cared too much; against all warnings not to and now I’m wrecked
then again, I always was in a way
I just didn't know it

You told me that it didn't matter
that they couldn't separate us; no matter what
that you would never let me go
and you kept your promise
but I can’t keep mine

The words “I’m sorry”
come to my head
but those aren't the right words
because I’m more than sorry
I’m bleeding
I’m crying
I’m devastated
I’m torn
I’m broken
and perhaps that’s why I can’t keep my
Okay?Okay promise to you
because no, I am not okay
and you deserve so much more
and this is not okay
me lying to you through a computer screen is
not okay
me putting my gashes of regret on my arm is
not okay
me making you wait only for you to find a fraction of the girl I was is
not okay

and that is why
today during Calculus I
I will finish this ****** poem
and excuse myself and go to the girls’ bathroom
and cry my eyes out after sending this to you

I should end this with a ‘goodbye’
because there’s no use giving you false hope
but I can’t bring myself to end there
so I’ll just say something
and hope that you still remember what it means

P.S. I’ll always love you

(h.l.)
^who catched the song reference and the book reference? No one? Okay. Inspired by a wattpad story that I cannot fathom to remember
Nameless Sep 2014
Inequalities of this fed up society

i won't stay silent
i won't sit down
i will fight
i will stand
i will scream and I will shout.
to all you haters
who think I'll give up
you're wrong
when you tell me to shut up I'll just get louder
louder
louder.
because the words that you say echo on my face
right here and right now
it's you who makes my skin crawl

you ask me the same question six different times
you accuse me of loving a girl
as if I've committed a crime

i have one foot in the closet and one foot out
but you rip my world apart
you make me want to slide back in
you make me beg and plead that this isn't me
i beg to be a somebody, somebody other than me

just to be straight
you make me want to be straight

i try and deny it
i tell myself it's a phase
i tell myself that it's okay
that I just have to hide away
hide from the gay
but it doesn't work that way
those are your words that I say

you say “f
" without a second of thought
as anger bubbles in my blood
do you realize what those words mean?
do you realize what you're saying?
Are you listening?
you pretend it's joke
but it maddens me
and now that I'm mad you tell me to chill
But NO!
you don't comprehend the words I'm trying to say
the voice I'm trying to speak
i don't need you to have rainbows on you walls
but could you at least try and respect me?

your eyes pop out
and your tone insults
proud that you've brought me down
I force myself to clench my teeth
Try and breathe
because what you said directly hurts me
your words just **** me
and it isn't funny.
Respect.
don't think that's in your vocabulary

while you laugh at me
i fight for the rights of people that are lacking
as you try and tell me who I have to be
but I will not fit the mold that you have made me

you think I'm a freak
cuz I go to GSMC every single week
you don't understand the deeper meaning
that is hidden behind those four letters
it's a safe place
an escape from you
people who understand
it's 40 minutes that save me
when you try and drown me

yes, I'm wearing a men's shirt.
you get mad cuz you think it's too baggy
but f
**
i don't dress for you
i dress for me
please
my biology doesn't have to correlate
with the clothes that are covering me

I'm done with you
I'm proud of who I am
I'm proud of what I do
I refuse to fit this society's dumb rules
I'll break these stereotypes every single chance I get
I'm just me
maybe a little more masculine than you want me to be
but that's me
throw me labels all you want
but I really don't need you to be my label maker
i am not a container of strawberries
sitting in your refrigerator.
I am a human being

you do not understand
what hiding behind a closet is like
struggling to find an identity
as you try and crush me
Hell no, it's not easy

it's the 21st century
but we still fighting for human beings?
Human beings
that's it
Are we still not equal?
someone explain to me
the nonsense of this ******* up society
why can't you embrace our diversity?
i am me, only me
I will not apologize for being me
But you could apologize for hating on me
and not just me
but an entire community
because I am done with your bigotry
Morgan Hillhouse Jan 2013
Everyone who knows me
Thinks you ******* up for what you did to me.
Even your friends think you ******* up
     By breaking up with me.
I put up with all your issues,
     Didn't push you to do anything,
          Handled everything you threw at me.
Only to be met with "I can't stand to be around you anymore"
That's what I get
     For trying to be my best...for you.
After you said what you did I only asked why?
I'll never get a true answer,
     So I stopped asking.
You asked me after if I'd ever get back together with you...
     One day...down the road...I said yes.
Some people asked me why I would.
     It's because you've been with me through everything;
           Not exactly a hearts desire.
Now if asked the same question my answer would be
     Absolutely, with all my heart, forever and always...
          NO!!!!
I'm done with all the crap you put me through
All the words you said that hurt
     And the one's you didn't say...those were worse.
I'm 100% over you
     Mind body and soul.
I'm in love again
This time with someone who feels the same
He makes me feel more happy than you ever did...,
     Ever could...and ever will.
You and I had our good times
I'll never take that away from you
There was a time when you made me smile...that's gone.
It's been replaced, upgraded if you will
For where you made me smile...
     My new man does that and more.
My heart flutters, eyes brighten, knees go weak,
     breath quickens and body warms
At just the sound of his voice.
He makes me feel more than you ever did,
     His touch like heven on earth,
          His "I love you" more sweet than honey.
Goodbye, so long, farewell to my past with you.
For I have found a future with him
     That I'll much more enjoy.
Love is like a bottle with
the lid ******* to tight.
Try so hard to twist
and pry it open
but it spills all over and
then it feels like a glass half full
and a waste of -

Love is like a weird transition,
never know when it's coming, but
when it does, it just feels right.
Eyithen Aug 2018
I ******* up...again
I always ***** up.
I can never do anything the way i want to
I am so angry at myself.

I hate these thoughts
I want to love myself
But i can't help but hate myself

These demons are always haunting my mind
I try to have good thoughts; positive thoughts
But like the pessimist i am, i think about the bad

Like a trick candle
when i think i have snuffed the demons out,
When i am starting to love myself again
They come back whispering unwanted thoughts
And then i spiral
And i think about all the faces that pity me

I am being too ******* myself, I know
And yet despite this
I still feel the lonely ache
As i wonder why success is always in front of me
But out of reach
Like a forbidden fruit I can never have.
Katie the previous lives lady tries to rescue her nephew



Katie's nephew Jackson Gooden is in town to spend some time with Katie and it couldn't have come at a worst time, you see the kidnapper who kidnapped Graham Thorne, well his reincarnation was in town and he was getting a messed up head with everyone telling him he was mentally deranged, the only one who helped him was Katie, and when Katie took time off to look after her nephew when he's in town, he almost flipped his marbles untill he decided to prove to everyone else that he is Steven Bradley and use Katie as a blackmail target, you see what he plans to do is kidnap Katie's 15 year ok'd nephew Jackson and blackmail Katie,if she refuses to see him, the weight will fall on her nephews head and **** him, yes this is the way for Katie to make sure she makes me happy.
Katie begged for him to let him go, and then say you will be a pig in your next life, what you do here affects your future happiness, let my nephew go and we'll talk about treatment for your illness, and he said that he thought she'd understood him, but really she is just like the other's, and Katie had to keep telling him that he is good and will never stray, and she did that because her patient had a pocket knife at her nephews head, and Katie said, I believe this is the wrong way to handle your illness,,I told you that you kidnapped a kid, and seconds later you have my 15 year old nephew at knifepoint, you are
******* up, and also you are making a mockery of my good business, he just laughed still determined he'll **** him
And make Katie jitter.
Jackson tried to scream, so the knife would be removed from his neck, and Katie said, I will find a way that this man can't ever harm you,,you have to refuse to go anywhere with him, he had a weakness, and that is, if you laugh at him, he'll suddenly be scared of him, and Katie then said that she doesn't believe in laughing in her job, but she decided to make a exception here, because really she wanted time off with Jackson.
The reincarnation of Steven Bradley said that he will hold Jackson and Katie for a huge ransom and Jackson said, you can't get me, I am too smart, you see i am young, you are old
I'm a young dude, your an old fogie, i'm a young dude, your an old fogie, I'm a young dude, your an old fogie, a stinken little old fogie ma--n.
And then he ran and Jackson said 1 win for young against old, and then Jackson and Katie spent time sightseeing for 4 days and Katie, I know she is born to tell people previous lives stories, really enjoyed being away from the office and when she came back,,the first phone call made was a phone call to the cops, issueing a restraining order on that Steven Bradley reincarnation, and then Jacksoc went back to his parents house saying he was kidnapped by a ghost while Katie tried a new approach to tell people previous lives, so she can keep love one's safe for the future of her business, yes that's what she'll do.
Ravenlimit Apr 2015
I still remember the day I ******* up.
The day I let down my walls.
Giving you access to my trust.
More like I fell off of my walls instead of letting them down.
My own walls blocking me out.
I don't know where I am now.
I'm am lost in my thoughts.
I hear this constant beating.
My heart.?
Why am I bleeding.
Preconceived ideas of us meant to be.
How could I have walked into this so blindly.
I trust you..
That's why this hurts.
My invulnerability.
Are you to any worth?
Freezing dusk is closing
    Like a slow trap of steel
On trees and roads and hills and all
    That can no longer feel.
        But the carp is in its depth
          Like a planet in its heaven.
        And the badger in its bedding
          Like a loaf in the oven.
        And the butterfly in its mummy
          Like a viol in its case.
        And the owl in its feathers
          Like a doll in its lace.

Freezing dusk has tightened
    Like a nut ******* tight
On the starry aeroplane
    Of the soaring night.
        But the trout is in its hole
          Like a chuckle in a sleeper.
        The hare strays down the highway
          Like a root going deeper.
        The snail is dry in the outhouse
          Like a seed in a sunflower.
        The owl is pale on the gatepost
          Like a clock on its tower.

Moonlight freezes the shaggy world
    Like a mammoth of ice -
The past and the future
    Are the jaws of a steel vice.
        But the cod is in the tide-rip
          Like a key in a purse.
        The deer are on the bare-blown hill
          Like smiles on a nurse.
        The flies are behind the plaster
          Like the lost score of a jig.
        Sparrows are in the ivy-clump
          Like money in a pig.

Such a frost
    The flimsy moon
        Has lost her wits.

          A star falls.

The sweating farmers
    Turn in their sleep
        Like oxen on spits.
Adam Jan 2015
As I was laying in my bed, I noticed my eyes straining.
I wasn't blinking, so they were pretty dry at this point.
I reached into my night stand drawer,
pushed aside my grinder and grabbed the cure.

Eye drops.

I ******* off the cap, grabbed my left eye and up with the bottle.
As the pressure was building from my light squeeze, a glistening ball appeared at the tip.

The cure.

And then, it
dropped.

Causing a refreshing blur.

I looked up and moved my eye around…
and around before placing my eyes to the
floor.

Disregarding,
the floating woman at my door.
Dont think.
Dont think at all.
Just dont.
Because thinking leads to over thinking.
And over thinking leads to head explosions.
So just dont think.
Just dont.
Because thinking lets you realize how ******* up everyone
And everything
Truly is
So dont think.
Just dont.
A VISIT TO THE DENTIST

The Green Mile to
The Chair
The snap of hygienist’s latex gloves, then
Scraping, scritching, spitting blood

“Only one” gaping hole
no matter how much chocolate I eschewed
in favor of chewing Trident
(I’m *******)

The Dentist
My personal Olivier, and I, his Dustin.
Needle.  Lets it set in.
The drill, the smile of the sadist
squealing torture, my mouth on the rack
I CAN FEEL PAIN
but it comes out, “owiusmmorsoss”
(“ow, I want some more shots!”)

Another shot.
I press on:  “LA.  The 70s.  I did more than this for fun.”
Reluctantly, another shot.  And another.

As the drill grinds and keens
I pull out my secret weapon – how could I forget?
This is why God
invented the IPod
(c) 2010 Amy Barlow Liberatore, Sharp Little Pencil
kevin morris Jan 2014
Susie gazed out at the atlantic. Great waves crashed against the cliffs . A gust of wind caught the girl almost knocking her off her feet. She seemed not to notice, her eyes remained fixed on the wild sea. Unbidden the words came to her
“Till the slow sea rise and the sheer cliff crumble,
    Till terrace and meadow the deep gulfs drink,
Till the strength of the waves of the high tides humble
     The fields that lessen, the rocks that shrink,
Here now in his triumph where all things falter,
     Stretched out on the spoils that his own hand spread,
As a god self-slain on his own strange altar,
                      Death lies dead.”
Susie’s salty tears mingled with the sea water which the ever increasing wind blew into her eyes.
“I’m not crying, it’s the sea water making my eyes sting” So what if I am crying? All this will pass and go. Long after I am dead this will remain, the uncaring ocean buffeting the cliffs as it has for millennia. Eventually the cliffs and the surrounding habitations will be claimed by the sea. Out of the sea life came and to the ocean humanity will return.
But I’m 20, I don’t want to die”.
All flesh is dust a mocking voice intoned. Susie whirled around. There was no one save for the gulls which wheeled and screeched overhead.
“Yes I will die but please god not yet. I have my whole life to look forward to” Susie said burying her face in her hands.  
“Stupid girl” the voice, like some  insidious demon crept into her brain.
“Shut up, shut up” the girl wept sticking her fingers into her ears attempting to silence the tormentor.
“Stupid slapper. Silly *****” the voice said undaunted by Susie’s attempts to silence it.
Doing her best to ignore whatever devil was taunting her Susie reached into her coat pocket. She felt the plain brown official envelope.
“I can’t, I won’t open it. I’ll throw it away. Better not to know”.
“Ignorance is bliss, little miss a coward is” the voice sneered.
“*******, *******” Susie screamed. Her words where lost in the howling of the wind and the crashing of the waves. Susie became aware of the crumpled envelope in her hands. In her agitation she had ******* it into a ball. How easy it would be to rid herself of the thing. One flick of her wrist and the letter would be lost forever in the depths of the Atlantic.
“Coward, coward” the voice taunted.
With a supreme effort Susie unscrewed the envelope and with trembling hands opened it. Reluctantly the girl extracted a crumpled letter.
“I can’t read it, I can’t” Susie wept. “Why did I do it? God let it be good news. Please, oh Christ I can’t bare it”.

Susie’s mind went back 4 months. She was drunk. She had never been so drunk in her entire life. The thump, thump of the music transported the girl into a world where only she and the beat, beat of the bass existed. She danced wildly letting herself be taken by the music to another realm.
Susie didn’t remember him arriving. One moment she was dancing alone, the next Susie was spinning around in the arms of a total stranger. Later that evening Susie recalled having *** in a cubicle in the gents toilets. Susie thought that she had consented but she had been so drunk she wasn’t sure.
“Christ, no ******. How could I have been so ****** stupid. I went to a good school, got all the right exams and I’m now at uni. I should have known better”.
Susie had gon to the hospital on the following day and had been tested for sexually transmitted diseases.
“You have ****** but that can easily be dealt with by antibiotics” the nurse had said.
Susie breathed a sigh of relief.
“You will, however need to come back in 3 months time for a *** test”.
“Can’t I have that today?”
“The *** virus can take upto 3 months to manifest itself so any test conducted today would be extremely unlikely to show whether you are, or are not carrying the virus”.
Susie had thrown herself into her studies for the next 3 months. When not studying she partied hard. Alcohol helped her to forget for some of the time but, in the early hours of the morning she would wake up sweating.
“What if I am infected? Christ only knows how many other girls that bloke slept with before we had ***”.
Eventually the 3 months passed and Susie returned to the hospital for her *** test.
“You can call in for your results in a few days time or, if you prefer just telephone the number on your card quoting your clinic number” the nurse said handing Susie a small slip of paper.
Susie had meant to call. She really had. However there always seemed to be something preventing her from making that call. There had been her friend’s wedding, her mum’s birthday and so, so many other things.
“Don’t make excuses. Of course you could have found a few minutes to make such an important telephone call” the insidious voice whispered in her ear.
“Yes, OK, I could. now ******* back to whatever rock you crawled out from under” Susie shouted.
Slowly Susie raised the paper to her face.
“Dear Miss Armstrong,
I refer to your visit of 4 July and the test conducted on that date. We have, unsuccessfully attempted to contact you on several occasions. Having been unable to do so I am writing to inform you of the result of your test for ***. I am pleased to advise that the test is negative (I.E. you are not *** positive).
Should you have any queries regarding this letter please call the number above and quote your clinic number to the health adviser.

Yours Sincerely “.
Susie wondered idly why doctors signatures almost always resembled squashed spiders. For the first time in many hours she smiled.
“Thank you god. Thank you”.
The gulls screeched overhead, the icey wind buffeted the girl and the great waves continued to crash against the crumbling cliffs. Susie no longer cared. She embraced the storm for it represented nature of which she was an integral part. It felt good to be alive. Susie took deep breaths.  The touch of the wind on her face  was wonderful. She smiled as her long black hair blew wildly in the sea breeze.  
“If you exist god, thank you, thank you” Susie said.
Alexis A Sep 2014
I'm terrified
Counting down the hours
The minutes
The seconds
Until you tell her
What I've been doing
20 hours
25 minutes
14 seconds...
Until the end of my life
When my mom will know
What's under my shirt
She'll see the marks
And the crusted blood
And never look at me again
In now just
20 hours
23 minutes
and 57 seconds
I'm so ******* *******...
You think you're safe, but you really aren't. In less than a day, a friend is going to have a conversation with my mom and me about my cutting, and what to do about it. I can already hear the yelling...
Devashish Kumar Jun 2015
A Promise for forever
Is a double headed sword.
Whether you make a promise or
Break one,
Either way you are *******.
Be careful.

Mateuš Conrad Aug 2018
. i'm not against psychedelics... ****... syringe in excesses of LSD... but memory is also a psychedelic drug... albeit there is no excess of colors, and it's not b & w, but sepia tinged... i like the notion of a sepia curtain... maybe that's why i have my head ******* on so tight, and a hardened heart, to be able to write this... while others write, having drunk as much as i have, like kindergarten 5 year old, children!

i'm not here for the 80+ years that don't matter,
lying lethargic, semi-conscious,
demented, in a care home bed
where i'm abused for ******* my nappies...
i'm here...
   for the 16 or so years that really matter...
hence?
   i like to watch the metamorphosis of skin...
i never understood women who
cut and wait for some"magical" revelation
of internalized pain...
   those four stumps worth of knuckles
upon which i exhausted the amber of
a cigarette burning?
   second look?
      nice to see the many layers of skins,
prior to, and not including the bone...
     liver damage, whatever, bring it on...
i'm waiting...
  i can't, but i'm hoping...
to sow unto my skin the faint tincture
of a gangrene tattoo to
boast ink in Frankenstein green...
mingling with tongue numbing
yuck of bruise plum, and a dash of
Vishnu blue...
       oh i'm waiting: i can't wait...
   death is such a farce:
like i explained to my mother...
  you know... sometimes you're after
the pain: since you've reprogrammed
yourself, to enjoy it...
                  no, no *****-whipping
wimp diarrhea -
   i want the "furry" liver...
              i'm waiting, and i'm waiting...
and...
            nose-bleeds are past my worries...
i've had one in school, during
english class...
    no problem...
  can you believe it?
my neighbor's cat, Bella,
an albino climbed roofs, climbed into
chimneys...
   was knocked by a car,
presumably...
               and is in need of an operation,
might have one of her hind legs
amputated...
but she's also anemic...
so she might die during the operation...
poor ******, she...
                    heterochromic to boot...
      the sort of beast, which,
if being a Saudi Sheikh...
you'd love to put an Afghani burqa
over...
            Fonz... eeeeeeeeeee...
why bother with a counter argument?
the European variant of the niqab is
already in place...
sorry... the women you see in movies
or *****? ever see the same quality
shopping for underwear?
      not once...
                 it's such a sad little world
out there, jealous men...
who can't afford keeping
            castrato men for their, "harems",
and, evidently, don't poke enough
****** to keep the concubines entertained,
whole strap-on ******?
well... they're just strap-on ******...
ha ha!
                  ha ha ha ha!
        oh sure, i'm a loser, honey bee...
point being: i much prefer the company
of whiskey to that of a woman...
oops... did i say something, sheepish,
i.e. b'aah b'aah b'aad?!
   couldn't figure out the stuttering A
in diacritical markings...
since there isn't one...

   as i asked my Jewish convert into Islam...
i don't mind the Quran...
but what's your opinion on the, Hadith?
no answer... dumb look...
akin to: how do you know about that?
it's my eight's in a row right
to know what i consider, hostile.

         well, given that in Hindu...
the H... is a surd, rather than an authentic letter...
e.g.? dhaal...           that veggie
curry made from lentils?
there's no H in the name...
it's not a letter... it's an orthographic
inclusion of: consonant (d), surd (h)
                      vowel(s) (a, a), consonant (L)...
unless you of course deduce
there being a microcosm of the macron
hovering about one of the A,
deducing the other A is not necessary...
i drink...
because my excuse rests on the argument:
i'm not here for the 80+ years,
a life filled with an exhausted memory
bank,
    that is of no use
when it doesn't allow itself an
immediacy of convergence in
    what bicycles are founded upon:
teeth and chain, overlapping...
immediacy of overlapping -
memory... that alternative to psychedelic drugs...
some people take this over-bountiful
drugs to exemplify colors,
hyper-inflate them...
i just remember,
   and i know what memory is,
compared to the educational rubric
of, say, learning the Pythagorean equation,
how modern schooling is...
primarily?
   a memory erosion tool,
of a personal life, but more esp.,
  a childhood...
                  you want a drug more
potent than the Amsterdam legal mushroom?
RE-MEM-BER.
               like i said:
i can do what others won't do in
80 years... i can be content with
the zenith of doing what i do,
within a space of what excess drinking
allows me...
      the rest?
   either nostalgia... or regret;
i don't have the time preference to entertain
either...
esp. if what awaits me is
a sober case of dementia,
   and bedsores (odleżyny)...
             but sure, **** me,
go for it!
                   i pray to god that i managed
to fulfill my "evil genius" plan,
of drinking myself to death...
**** it... i have to match the sensible
life expectancy of the poorest of
the poorest African nations...
    don't really feel like living up
to the European turtle, neck,
demands for glorifying medicinal advancements.
Lilly frost Oct 2017
If only things were as easy as 1,2,3
A,B,C
Like elementary
Arithmetic and spelling
Simple science
Gym was always stunning
Recess was revered
The swings were sacred
Writing on the jungle gym
Laughing
Running off with friends to play
Being enchanted by the smell of coffee and trees
Magic every second you breathe
Simply because you were somewhere you weren't supposed to be
Close your eyes
Now what do you see?
Darkness?
Dots of color?
Phantoms of light?
Remember when you saw dragons
Wizards
Whole worlds enchanting
When you walked people said it seemed like you were dancing
Remember when you were happy?
There was no worry about what to do
What are you going to be?
You had your whole life
Figure out what to do
Well what now?
What's your plan?
Too bad
Too late
It's not elementary
None of your dreams can come true
You're completely *******
Charlie Chirico May 2013
Home Depot: Aisle Four: Shelves & Brackets.

Screws should be in the toolbox at home.
Toolbox...yes, in the garage, next to the miter saw, and
my old skates, the four-wheeled skates, not the inline,
never in line because of a rebellious nature.
A leather jacket kind of resistance.
A motorbike brilliance.
Now riding lawnmower equipment.
Dad's don't walk, we're brazen.

The ancient toolbox next to
an ancient cardboard box.
Scribbled on the front, the marking of youth,
my name, my print. Such ugly handwriting.
For God's sake.

But as for keepsakes:
The only objects that hold more merit
have more and most accumulative dust.
Yearbooks, pictured peers, so many memories
and faces. So many faces in this book.

The trophies. Number three. MVP.
A wipe of the thumb revealed the number.
And the rhyme is new.
Wit came with later age, I suppose.

Sports in adolescence, the physicality, the egotism,
it clouds critical thinking, or maybe wry remarks, too.
"Gay" and "*******" become some of the favorites.
And now this leads to an obligatory pun.
Grass stained knees. Sacking. The loser is gay.

How paradoxical!

Other contents of the box are various marks.
Grades; graduations; girls.
Three G's that I've
always evaded because of laziness.
Because **** dignity, right?
At least at that age integrity is as foreign
as the idea of it even being instilled.

How can you know if you're being raised
in the wrong?

Well, you've come to the right place.

I'm sure two examples is sufficient.

It's usually the acquaintance my son
brings home that opens my refrigerator door
before saying hello.

Or sometimes it's his friend,
our neighbor's youngest son, who boasts about his parent's
material possessions, while his parents ask
my wife and I if he can stay at our home for the night,
as they argue in the dark because the electric bill
is overdue, and their credit is scored
by the proverbial scissors.  

Not ones used to cut red ribbons, but
the ones you're told not to run with.

"Of course he can. I'm sure they'll love a sleepover," I answer passively.

"Thanks, we owe you one," he responds abruptly before disconnecting.

I could have said that owing people one
got them into their predicament.
But, like they say in the Good Book,
(The book I've always let collect dust,
not to be confused with the dust
on the box in the garage.)
Love Thy Neighbor.

And sometimes you never know
when you'll need a cup of sugar.
Thankfully I know there is sugar in the cupboard.
Milk and eggs in the refrigerator.
But no shelves or brackets.

Aisle four, Home Depot, no help.
I figure any will do, and at home
I'm *******, I mean I have screws.
I'll ask my son to help me hang them,
somewhat for the company,
also because they're for his belongings.

The neighbor's son will talk about the
elaborate woodwork on the rare chestnut
shelves his dad owns.
Surely it's perception, something
mood lighting can fix,
which his parents are arguing over,
well the lack of  lighting,
seeing as how their mood is already set.

My boy and I will place his
trophies on the shelves,
as I tell my boy I was number three.
Once an MVP.
And the neighbor's son
will tell me
his father was
number four.
jack of spades Feb 2016
you know how the song goes:
a stitch away from making it
and a scar away from falling apart.
holding on gets hard when
the light at the end of the tunnel
goes dark.

my friend told me he doesn’t purposely
befriend actively suicidal people anymore.
so when a 14-year old friend
was hospitalized for an attempt,
he was shocked.
I’m not fourteen
and i don’t go to the hospital for anything,
but when i was fifteen i
asked my mom to start taking me to therapy.
she told me,
sweetie,
you can just talk to me about anything.
so i started writing poetry instead.
but poems can’t diagnose me,
poems can’t prescribe me meds to
fix the chemical catastrophe in my head
poems can’t cure me.
but neither can people.

there was a boy that i used to call sunshine,
but he told me that he would
rather be the moon.

i deleted your number from my contacts
once you stopped using mine.
you don’t keep me up at night.
i’ve stopped losing sleep over you.

i haven’t broken the habit of checking
people’s wrists when they move
because of all the girls i knew in grade school.
i have a friend with the first letter of help
permanently scarred on his stomach.
we’ve never talked about it.
i don’t know if either of us know how to,
or if either of us really want to,
or if either of us really need to.

when my brother was 18, he was convinced
that he wanted to go into psychiatry.
i think the closest we’ve ever been
was when i had a mental break over
orange juice at one thirty in the morning,
watching him play GTA on his Xbox 360.
when my brother was 17, he was convinced
that his future was in professional photography.
i’m 17 and i don’t have a ******* clue.
I’m 17 and i don’t think I’ve ever felt so much
like I’m just constantly drowning.

they say a captain goes down with his ship
and I’ve set myself up for losing all my friends.

she’s got year-round summer skin
and winter has never been my friend.

i sleep seven hours a night
and i wake up exhausted.

my cat has all his claws
and when he crashes through my bedroom
when i’m on the brink of extinction
it leaves me haunted, hearing
breathing and footsteps that aren’t really there.
so i’ll put studs in all my jackets
and wrap myself in blankets.

i wish you were here,
i wish i was there.

the first rated R movie
that i saw when i turned 17
was that one that brought back ryan reynolds,
starring a moody teen with
the best superhero name ever,
a CGI man who acted as her mentor,
a pretty girl like a damsel in distress,
and the bad guy called himself ajax
but his real name was francis.
i cried
a lot.
i’m not sure why, really, but when the credits
started rolling and it was everything that i’d
been waiting for in a movie for the anti-hero
that I’ve been in love with since i was 13,
i sat in those velvet seats and started sobbing.

when i was six, my dad took my
9 year old brother and i
to see ‘revenge of the sith’ when it came out
in 2005.
the scene on mustafar, the volcanic planet,
the downfall of anakin skywalker
stuck with me until i was 12 and rewatched
all six of those old movies,
stuck with me until i was 16 and rewatched
all six of those old movies.
when i was a kid those scenes were scary,
now i see a mimic of Shakespearean tragedy.

i pick things apart until i know that they’ll scar,
but scars have always faded for me.
the first mark that ever lasted for
more than a month was when i
burned myself getting a cake out of the oven.
i remember my brother telling me
that he wouldn’t care about the burn
if i ******* up the cake.
we laughed about it because it was a joke.
i still think about it.

i still check to see if you
watch my Snapchat story.

i rip the hems out of all of my clothing
compulsively. I’m sorry.
i’ll pick up all the balled-up threads from
the carpet eventually.

i keep ticket stubs and scraps of notes
hazardously strewn across my bedroom,
because i’m too sentimental for my own good
but organization has never come naturally.

solar systems are borne from my fingertips.
supernovas power my lungs.
stardust glitters in my veins
(i tell myself these things in order to
keep thinking straight)

hey, look at the moon.
see how she reflects the sun for you?
it’s because she’s got nothing
of her own to give away willingly.
i gave you everything willingly
i spent too many nights
shredding notebook paper into pieces
of white birthday party confetti.

i swallowed six painkillers today.
I’m passive like aggressive,
letting my liver slip into uselessness.

it’s really hard to write poetry about bruises.
i am a constant state of decay
Desperado Dan
Is a man with a plan
To cash in a bit of Kensington
On some high grade *****
Cos right now he's got a couple of scores
But not a great deal more to loose

You see, our Dan is a master of the modern day quill
He works an open office, clocking in and out at will
But after reading all the greats from his and every bygone age
He lives in a time where the mp3 subverts the written page

So night and day he hums away
Searching for that hit chorus
And he knows you can't cut corners
When it comes to tanking up on creative juices

A Desperado is larger beer spiked with tequila
Some say it's for scoundrels to make charming girls easier
But our Dan's quest is noble.
He has a dream we'd all like to believe in
He simply wants to do his whole life’s work in just one evening
And a Desperado seems to conjure all six hats within one head
So if two minds are better than one...well, nuff said

He dilutes them at first, pulling the wool over his own eyes
Until, catching reflections on the glass, he sees through the disguise.
And before long you'll find him chugging straight from the bottle
Then, in a blur of paper and pen, Dan writes like there's no tomorrow.

He writes and writes and writes some more
a couplet, a bridge, an underscore
Ploughing verses like trenches through the ****** white paper
Dropping napalms just to see what pops it's head above the wreckage.

Then, surveying the new landscape, he quarries in every direction…

Linearly; because it's most straightforward like that
Circularly; because they used to think the world was flat

Logically; because... Well duh!
Laterally; which gives the brain a stir

Diagonally; some kinda a + b = c rap from back in the day
In reverse; because sometimes we unknowingly face the wrong way

Unapologetically
Down dead ends
Just to see the view

He picks up clichés and looks under them for clues

Desperado Dan
Calls for desperate measures
As the evening wears on
He indulges all his earthly pleasures

And down they go with a Yo ** **
What a ***** desperado!
***** I say! Now he's mixing with ***
Still his pencil flies with a blistered thumb

'E starts to drop 'is H's
And forgets to cross his l's...sorry t's
He paces back and forwards
An he talks like mushy peas

Rummaging frantically through chaotic pockets
Conjunctives falling to the floor
He can't find the word he's after, but who cares? There’s plenty more!
He begins to vengefully split infinitives in two
And hurl metaphors across the kitchen
Sending mountains of ******* up ***** of paper flying
Like snowballs after the thaw
Which slowly melt into puddles of lonely vowels and consonants.
Long after he has gone.

----------------------------------------------------------­---------------------------------

But all that was before the "Doodley Dee"
And his dream came true with a change of key
The song which people can't help to hum
From OAPs to the I-generation
And people hummed it all over
And in all sorts of weather
Until someone decided we should hum it forever.
And they paid Desperado Dan for every hum
Not bad work for a blistered thumb

So now our Dan seems a lot less desperate.
From time to time he evens finds an hour or two to rest a bit
Sitting on the veranda of his studio in the south of France.
Applying the finishing touches to another comedy romance.
Sipping a very fine Sauvignon, no Desperado in sight.

They're all safely packed away in the cellar

Just in case he gets the urge

Late at night.
Juliana Dec 2012
Let’s make vulgarity beautiful
for a couple seconds.
Dwell on the ******* gimmicks of language,
the shock value of mixing syllables together,
the stupidity of poetic “terms”.
I’ll tell you about my hate for
******* clichés,
****** overused poetic devices and word pairings
that ruin the fun for all of us.
I’ll lay down some ground work here:
too many minutes of my life spent
trying to count syllables ,
rhyme words,
analyze and alliterate annoying argumentative articulations.

You know what?
**** alliteration, assonance and consonance,
bastardisations of the brilliance of poetry.
Destroying all appreciation of something so fine
at such early age,
with red pens,
poor introductions,
and misconceptions falling out of every ******* mouth.
Reused and recycled clichés
trivializing the beauty of rain,
that stomach hiccup when you see someone you like
the actual emotions that fundamentally make us human.
The over-judgemental *****
who can’t write for ****,
think they’re high and mighty,
overusing these feelings with the vocabulary of an eight year old,
giving us poets a bad reputation.
**** those *******
with their dark souls
empty hearts and
broken dreams
**** them over cups of cold coffee
in vintage mugs
snapping in a low-lit jazz café.
Sonnets, haikus and ballads aren’t the only forms of poetry,
nothing has to rhyme,
I shouldn’t be graded on my ability to be a thesaurus.
******* teachers narrow-mindedly give us
“creative writing” homework
that's not creative,
like the colour green.
I don’t see how they can judge poetry,
perhaps how it flows and word choice,
but I have an extra syllable
and purple doesn’t rhyme with anything,
**** me right?
Because purple is the only word which
accurately portrays what I mean,
excuse me if I pronounce this differently
rendering my iambic pentameter to ****.
I didn’t deserve a B.
*****.
Poetry isn’t something you can confine to four walls,
it can’t be truly ugly,
it can be the sort of ugly where your mum doesn’t want to put it on the fridge
but she keeps it until you’re satisfied,
and then she trashes it,
but it’s not ugly.
Remember that poetry is supposed to be beautiful,
*******.
Forget about that *****-*****-***** who ******* you over,
that ******* who didn’t say thank you or
that ****-faced ***** who should go digest a bag of *****
and write something worth reading.
Something that will makes eyes wander back to revisit phrases,
admiring the careful craftsmanship
that translates into something universally beautiful.

The moral here is that
poetry is an art to be mastered and
no one has yet to master it.
Some have come close,
and not all of them have used alliteration,
similes about the heart,
metaphors for love,
binding syllable limits
or rhyme schemes.
Whoever told you otherwise is a raging *******
who doesn’t deserve even the lowest paid *******.
Don’t be afraid to use taboo words;
it's your writing and anyone who doesn’t like it can *******.
Despite the irony,
vulgarity can be beautiful.
http://poemsaboutpoetry.blogspot.ca/
Jean Sullivan Oct 2015
We weren't ally movies, cigarette people,
gawking at a late night phone call.
Humbled at cathedral train stops, twitching for their next fix.
We weren't tidy enzymes, dieting hitchhikers,
Einstein drag queens and old boyfriend photographs,
generation universities, alcoholic planners, *** breath.
We weren't Godly student coffee drinkers,
mother machines abdominal on speed,
delighted in poverty and splendor paperwork,
We weren't high-school bathroom ***,
***** sheets, glamorous handcuff hunger,
waxy TODAY show hosts,
We weren't pompom mutts,
Underclass DNA and angsty pin-ups,
We weren't back hand world, no money,
Clinical musicians, and upper East side Jesus,
Harvard waitresses and empty notebooks,
poets on crank and speed,
We were All ******* Up
Timothy Brown Jan 2014
They were the knotted extensions of her soul.
They showed how she twisted the truth
right out the lies she had been told.
Since birth people tried to typecast her role.

Marry a man
Have some babies
Grow old

Her family would say someone mucked up the recipe;
sugar, spice and everything nice. She was
dissimilar to the 3. Her sugar was solitude.
Her spice? Tattoos. Everything nice in her
had been stripped and *******. So the only
thing left of that were the bits of metal in her lips,
nose and ears. "Brush your hair 100 times a day, dear",
Her mother had said for years. And she did
until the day she told her parents she was
a different kind of queer. Then,the tears.

Somewhere between her mother's damnations,
her father's belligerence and her usual
rebuttal of indifference, she began to take interest
in her hair. Those long, straight strands were
nothing like her. The red reflected
her parents rejection. In that moment.
There was clarity in the contorted
version of love she had to incur.
She decided the only expectations
to accept were hers. And just like that
the barrier between her and the world cracked.
She decided to dread her hair and dye it black.

As the years went by,  her parents learned
to accept their daughter. And in return
each year  she would send them a photo
showing how her hair had gotten longer.
She also added trinkets to the locks and let
the strawberry color grow back.
Yet she kept the tips black to remind herself
no matter what the world wants her to be
the most important thing in life was her self-esteem.
Entirely fictional story I made up. I have an affinity for women with dreadlocks. They are so confident and emotionally strong. So I made a character that was just that.
© January 9th, 2014 by Timothy Brown. All rights reserved.
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
J Aug 2020
Frenchie. there's a lot that i'll probably never tell you. either in fear that it will drive you away, in spite of the numerous times that you've told me you won't leave or run because the chance of something scaring you off is slim. or simply because it slips my mind. trauma, am i right? you say a lot, and i mean this in the best way.  you can talk, and you can tell me as many things as you want, and i'll never properly believe them because i've learned that words are ****. then again all we have are words, smiles, and through-the-phone, air-blown, crush-induced kisses that bring back memories, and yet rewrites them as something entirely new and, of course, much much better. something ours. i hope it's never given to another person, this sweet kiss of life, the final kiss of death, an angel brings me to heaven, enter whatever aesthetically pleasing line you want but it will never be as good as, "and so the lion fell for the lamb." haha. it's 11:16 pm, August 9th. and i'm laying in bed. for reasons i'll try to explain in a second, i'm tearing up, as i have been for a while. i think i first started tearing up the first time we called, which isn't so much a bad thing as it is a surprising thing. because it was a sad happy cry. it's similar to breaking a piece of jewelry that you really enjoyed, but then buying something much better. you loved that plastic, feeble, oversized, first love bracelet, but now you have a moonstone or (enter favorite gem) filled, perfectly fitted, wifey-made promise ring. you'll keep the bracelet somewhere, forget about it, find it again, and again, and again. discovering it under blankets, and pillows, and promises that we've tossed around ourselves. it will peek from inside my black coffee, in the dirt i praise, in the trees, in the music we'll listen to together. in the color brown, Frenchie, that's where you'll see, i'll see, we will see, that piece of plastic. dark brown, the colors of his eyes. my favorite color for the longest time. i don't want it to mean him, so it doesn't. but that's where it comes from. i'll find it, we'll find it, up until you get tired of seeing it, of seeing me see it, and take my hand, begging to throw it out. but, my to be discovered favorite gem filled, wifey-made perfectly fitted promise ring, it might take a while, with me quietly begging for your help, to get rid of him. not because i want to wear it, but because i horde emotions the way i horde stuffed animals. it's a labrinth to find the bracelet, we have no map and somehow we have to get from this forever smile to the closed-off corners of my mind, where even i, as it's supposed owner, struggle to collect, and comprehend, and conquer my horrid thoughts. but Frenchie, we laughed. and it was the first time in so long that i've been able to laugh with someone like that, and not worry, and not expect, and not be afraid. except, since we're here it's already obvious, that ended up making me afraid anyways. Random, but there's this song in my head right now. "make me behave like an animal." Sir Chloe's Animal, everything by Sir Chloe is absolutely incredible. but, let's continue. you may not believe me when i say this, but i'm scared out of my mind so entirely that every second between our conversations is an hour added to my inevitable future breakdown. how weak, and pathetic, and disgusting, i know. i have told you so many times that i can't like people, that it's so hard for me to connect to someone new, and yet it's day three and i'm imagining that i'll be happy if only you'd hold me, as if that's what you want to do, as if that will heal me, as if that should happen. as if i'm taking things slow the way i want to, and yet don't want to. if i could properly explain in words, i'd tell you with lengthy descriptions, both vastly and vaguely, calmly and excitedly, slowly and quickly covering deep hidden and obvious and in-between meaning, proving how desperately i want to be with you, be yours and you be mine, and how, ****, how i hope you don't **** me up. because all i can think when we talk is "****." you breathe, and, between each of your heartbeats, i figure out that i like you more, and more, and ****! the way your face looks so angelic when you sleep makes me just think "god, she's going to really hurt me. she's gonna **** me up, and chances are i'll thank her for it." to be hurt by you? that would be a blessing, and yet i'm shaking. what a interesting concept. i'm sure this is proof that i'm ****** up already. i keep bringing up the time. three days, Frenchie. Three. and that's it. that is literally it. that's all we've been. so explain, please, why the first few words you said had me ranting to my friends. please, tell me, how within a day, everytime your name popped up on my screen i would giggle like a child. please, explain to me, why everytime i talk about you, my cheeks hurt so much from smiling. i'm crazy, absolutely crazy, and i know my friends have to be thinking so too, because it's been. three. *******. days. but why? as in, why is that so bad? three days, what's so wrong with that? why does liking someone have to have a time? let me explain something that i've been thinking about. two years, on and off, thirteen breakups. that was Justin and I. roughly six months after the final one, i met you. "cause everytime you hurt me, the less that i cry." i'm way too good at goodbye's. i never particularly got that song the way i do now. had we stayed apart the first to the maybe fifth time we broke up, i would have took longer to heal. but it was time thirteen, so it was all expected, hurtful of course, but expected and so, it was almost boring. almost. it would have been if it didn't rip my heart out. i rebounded. hard. many times. many people. zero regrets. but this connection to you, sometimes i catch myself fearing i'm picking up where Justin and I left off. which, yes, is really toxic. but then i remind myself, this is how a good portion of relationships start. if i like you, i'll act like it. if i want to be with you, regardless if we just met, i should act like that. right? right, that's what normal people do. but we already explained i'm not normal. i'm ****** up, and i overthink. i'm ******* up. so ******* up that i can't hold eyecontact with you because i was "trained" not to, because i'm not used to, because it makes me nervous, because i hate the way my eyes look and i believe that you shouldn't have to look at something so disgusting. god here we go, i'm talking about him again. blaming him with my "trained not to" rather than blaming myself for letting it  happen. i let myself feel like that, i let myself bow down. that's on me, that was my weakness. admittedly so, yes. i'm scared of looking in your eyes. maybe out of submission. or maybe i'm afraid of seeing what i once saw in his. but truth be told, i think i'm scared of looking into anyone's. maybe i'm once again overthinking things and it's just regular anxiety. "regular anxiety," what an interesting statement that even I can't properly explain. and by the way, i never want to compare you to him, not even the good things. (just realized this entire thing is bipolar and has been written and rewritten to a point where the overdramatic stuff became simple conversation). but why not the good things? because i don't want you to be like him in any way, and i don't want to be with someone like him again. i realize that i will eventually, and might have already without properly realizing it, compared you to him. but, as i like to say, if i don't look at it, it isn't there. so we're not going to pay this any mind. there's so many things that i can say behind all of  this but my mind is going too fast, and it also just realized that most of this is literally so ******* stupid that i should shut up about, i was truly overreacting. maybe if i remember, i'll retype this until it sounds less crazy and obsessive. good thing i edit before i show, so yes i was planning on showing someone. but probably not a lot. only a few trusted people. but now that i read and reread i might just keep this to myself. not that it will matter if i explain, seeing as i might never show this to you, but it's nice to give this to a ghost of you, although it leaves my imagination running wild trying to figure out how you would respond. everytime i type something i want to rewrite it, and i have been rewriting it by the way, because there's no way in hell this captures a fraction of a fraction of the surface of how i'm hurting, even though i've been typing for almost two hours trying to find better words and longer sentences. this all sounds so meek and weak and pathetic in comparrison to the metaphoric erruptions and hurricanes and other natural disasters. haha. this doesn't feel natural. it's like i'm begging for attention, or manipulating you more. fun fact, he called me overdramatic, and manipulative, and tons of other things i won't get into, so i often use the words on myself. because it was and is accurate. i keep making myself out to be a victim and he said i always did that too, that i always victimized myself. he said it a lot. let me explain: i panic so much, i get sad over the smallest things. for example, he was mourning over the death of his mother and started yelling at me and wouldn't tell me that he loved me back, which i shouldn't have gotten mad over but i did. he told me "jesus, i can't even ******* miss my mom without having to make sure you're not having one of your episodes." of course i apologized, and tried to fix my issues myself when he got tired of me or in general and hung up. literally, believe me. i'm so ******* sensitive and it's annoying and i'm annoying, i'll never understand how i got the amazing friends that i do. Apollo knows that i don't deserve them. and please ******* please, i just want to stop crying because it hurts so bad. but after writing it down i feel so much  better. i stopped crying, this is part of my editting by the way, and i feel much better writing to you, ghost Frenchie. but really. it. hurts. so. bad. so bad to a point where my heart seemingly stops, i'm left breathless and NOT in the best of ways. and then said heart explodes. over. and over. and over. in milliseconds, again and again and again, all while the usual me laughs and tries to make my eyes look lively, you might get this but there's so many hours of the day where i hope no one can see the pain i'm in. because i literally have zero ******* clue how to explain the way that i feel. eeehhhh, how edgy. i'm sooooo misunderstood haha. when it hurts, my jaw clenches, i'm no longer in control of my breathing, my head hurts, my brain becomes helium and all i can think is "fuuuuuuck." but ****, as well, because. "i don't wanna be your friend, i wanna kiss your lips." i just want to touch you, and lay on top of you, legs around your waist, snuggled into your neck, breathing in your scent and finding shelter in it, listening to you sing whatever song you put in the background, the smell of **** and cigarettes and us. and beg you please, between each kiss, each time my hand finds yours. please, promise ring, please, please. please. learn how to love me. love me, please. heal me. please fix me. please make me okay. because i'm not. and i haven't been. and i don't know if i ever will and, ****, i swear i'm calm now. but knowing that, knowing that i will never be okay? that hurts worse. because it's proof that i'm aware i'm nowhere near good enough for you. i added on to Justin's issues. I don't want to add on to yours. "But J, remember, I told you that making sure you're okay is giving me something to take off of my life." but you need to focus on you, i can't just take all of your attention. i know that seems like i'm wanting you to tell me "i want you to have it," but that is literally the way i feel, please don't tell me that. i want you to drink water, and eat, and call me. god i feel awful for not calling you today, holy absolute wow. Frenchie, you're hurting on your own without my added everything. You deal with so much, you've dealt with so much, from your birth to the girls and boys of your past, and **** it. ****. we're talking and i should make the most of it, but i really just want to make you okay. i lied to you, y'know. you asked me about my best quality. i told you that i gave good advice, but truth is i probably don't. i think that my best quality is that i make jokes out of everything, i try to make people laugh all the time. that's not always a good thing. last time i texted, i said something about holding you and giving you a watermelon to make you happy. that might have ****** you off. truth is, i doubt there's something only seen as good in me. there's always a second face to everything that i am, i'm a two faced, four faced- no no. twenty faced *****, and not even like a bad ***** i mean like. little ***** baby type faces. and i know for a **** fact that your life has been worse than mine, Frenchie, my issues are literally nothing compared to yours. so, once again, i can't let you add my issues to your own, and yet here i am pouring myself out and begging ghost you to fix me. i mean what you don't read can't hurt you, but something tells me that i want to give it to you. everytime i think about showing you this, i cringe. because jesus three days, man, and i'm writing this absolute *******? and yet i can't just stop. i can't just leave. i'm too selfish for either of those. i have **** to say, and call it growth but i'm gonna ******' say it! y'know? someone's gonna read it eventually. half of me hopes that they send it to you without my permission, but the fact that i'm writing this out proves that it's more than half of me that hopes. and yet the thought of you reading this makes me wanna swallow rat poison. i can't just let you free, y'know? give you the chance to run without wanting to grab you by your legs, pull you back, breakdown and just ******' scream that you're mine, MINE MINE MINE, until you feel sorry for my hoarse voice from crying, scared because now you know, now you ******' know, Frenchie. the opening to run, the ability, it's here, it always has been. but you won't take it, you won't, will you? will you? no, i don't think so. because you've been through worse, because you want to convince me i'm not as bad as i make myself out to be, because you're not afraid, because "it takes a lot more than this" to scare you. don't you see? i'm manipulating you into liking me, Frenchie, i am. i know what to say, how to say it, i read people, i get under their skin, and then i play victim when they flee my spiders web. and i love it and hate myself, haha! ******* ****, please, ****, oh, please, like me. oh, Artemis. please. i want to try, and i will, but, seriously, don't. do not trust me. don't love me. don't like me. run. please. please. you shouldn't, i'm not good, i'm really not. and no one gets that. i'm the Jerry of the world, people are attracted because they feel sorry for me. that's my magnet's secret. pity. **** it. listen, i'm proud and upset at the fact that i'm doing this to you. i've admitted it, dearest Ghost Frenchie, and yet continue. because in the ways that i want to show you my crazy, use it as a "please help me" and keep you here, i do actually want to try for you. read that as many times as you want, I want this. I want to try, but this is my warning that maybe no one will read. this is an entire universe of new things and old things i haven't or thought i couldn't feel. i've thought about it, and i've almost done it, but i can't block you, save you, and leave it at that. because i actually want to try and be good enough. i had cried to my friends saying that you would hurt me, but i wonder if i'd end up being like your exes and just be more proof that you don't need that this world is ****** up. oh wow, there i go again with my manipulation. just. ****. i want to be with you, even though i don't deserve it, even though i have no right to, even though i know that you, lovely butterfly, have a life ahead of you. though small, i'm still a spider. this has been on my mind for so many hours that i've spent typing this, but i should have said so much more to you when you told me that you were having a bad night. you admitted that you were too stressed to even eat and that you didn't want to take it out on me, calling wouldn't be a good idea because you didn't want to snap at me. can i please just say that, good Aphrodite, the fact that you're humane enough to say that, to warn me, means so much. you don't want to take it out on me, you didn't know for sure if it would happen but you wouldn't even let it happen because? ****, because you're, ****,  you're a good person. you care about me already, and that's so ******* heartbreaking and heartlifting at the same time because, AH! ****, she LIKES me? likes, me? likes. me. Frenchie. likes. J? and at the same time. why? Frenchie seriously likes J? Haven't they warned her? i almost didn't text you, i almost just left you on open, just so you could come to me when you wanted to. i don't know why, but i responded. sort of like a puppy, y'know, that's just been yelled at. or, rather since you have cats, a kitten literally just purring and rubbing themselves along you even though they clawed your wall and you screamed. i was hesitant, but i knew that you'd try to be nice, i think? truly, i don't know my reasoning behind that, but you responded anyways. and maybe i'm wrong, but you sounded so soft and it made me smile. because you were trying, and it's dumb that i have to say that but, relationship wise, it's been so long since anyone has TRIED. when you leave me on opened or when you don't respond, my heart drops. which isn't to make you feel bad, because i know you're either frustrated, or busy, or it's a habit, but it scares me. because, again, three days??? and yet you leaving for a little just freaks me out. also, allow me to admit this. while we called, i have reasons for why i'd wake up everytime you moved. i was scared that i'd wake up and you'd be gone. not to be creepy, this is supposed to be romantic, but at least twice i remember waking up, and you were asleep, and i looked at you. god, you're literally so beautiful, Frenchie. you're literally so unbelievably gorgeous that the sun pales in comparison to your radiance. can i say more depressing, Justin related things? i shouldn't, because him being mentioned is literally making me look worse, but i never really feel up to talking about it with anyone besides, well, you. talking about exes with you, it's just, comforting. you telling me you were having a bad night gave me these wretched flashbacks and- oh, ****! this isn't meaning never tell me, like, please, please, always tell me, just, uh, let me explain cause, uh, ****, oh, Hades, it hurts. it's dreadful, really. he, uh,  he would get upset about something, or really anything that he could think of, and uhm. just, haha, stop talking. for uh, for literal hours.. and hours. and hours. out of nowhere. i wouldn't know why, so i'd blame myself and then i'd spam him, thinking that would make him want to answer and begin my whole, "please, don't leave, please, Justin, please, i'm sorry, i love you, don't leave, you're supposed to be my daddy, please, you're supposed to be mine," skit. i mean, see? proof. he couldn't deal with his own issues because i needed attention and reassurance. all. the. ******. time. i won't give excuses, he really just needed space. but space felt like a break, which sometimes he made for. but, right, for me, Justin was famous for his "just leave me alone's" and then the "i don't want this anymore" or "i'm really tired of you" haha. or it was the whole, "you're just not what i need in my life." or i mean "there's someone else" or, of course, haha, the, uh, last one, my personal favorite "we're just not compatible." like, oh, really? i mean, yesterday you hit me and told me that i was a ****, like? we're not? we? we aren't? compatible? wow, like, really? so, no future together? like, uh, oh! c'mon Mistah J!  ouch that hurt to say, but please laugh because haha, TRAUMA, am I right? but, wait? does that count as trauma? hm, i mean some of it was traumatic, right? wait hang on, yes. wait. being beat- ? well, not beat! i mean, like, i could still, y'know, move-? jesus **** what is wrong with me. i don't want to call it traumatic cause victimizing. haha, ****- but uh anyway. i'd be left trying to off myself in some petty way. because i felt like if he couldn't love me, if he, Justin Ryder, the long-legged **** who knew me better than anyone, couldn't love me, honestly, who would? "But, J like. you have friends!" yeah, i do, and i did then, too. but these lovely, amazing friends didn't come to mind the way they sometimes do now. sometimes. i mean, why do i feel like it has to be romantic for "i love you" to count. i say "i love you" to my friends all the time, honestly, because they need to hear it and i've lost so many people without telling them, y'know? but anyhow, right, no one came to mind. just him, and his lack of love for me. i mean, he was God. he was MY God. he was my world, everything, my reason to breathe, the reason i existed. i loved him. more than i've ever loved someone in my entire life. and, i mean, that's why i let him come back so many times, with open arms and apologies from me that should have slithered from his own serpent lips, the reptile. they rained from mine, eagerly, harshly, on repeat, no questions asked. he hit me, i apologized. he made a mistake, i said "i'll never do it again." i blamed myself for a lot of things that he did to me, gave excuses for him, too. y'know, the cliche "you don't know him like i do." god, i mean, i was right about that. no one knows Justin Ryder the way that i do. i hope no one ever does. Frenchie, dearest promise ring i keep referring to for poetic purposes, you asked me if i was over him. i am. i don't want him back. but if he ever texted or called, i'd break down, lose myself, hysterical hurricane J. not because i miss him, just because of the **** that i went through with him, Frenchie. it's small, y'know, compared to what others have went through. but it really, i mean, REALLY, made a huge impression. i don't want him. i keep saying that, everytime i do it becomes less believable but please understand that it isn't him, it's what he did. but **** there i go putting the blame on him again. Frenchie, are you over her? see, the fact that someone came to your mind means that sometimes you question it. unless you really just thought to yourself, "who, am i over who J?" maybe i'll never know. but you should know this. desperately, quite desperately, i want to tell you that your smile makes me feel safe. and i haven't been able to feel so safe from such a small thing in months, almost a year. because how could i trust his smile, y'know? even before the very end, in the middle, in the first time, how could i ever trust his soul-stealing smile? especially when i saw him making it at whatever girl he chose next or, funny thing, even during our time together. i want to explain to you, Frenchie, that i know you need space, and that, even though i realize that, i'm so terrified of ******* up the way i did with him. when i'm upset, i need to be smothered. not everyone is like that, i have to cope with it. haha, wow what a *****, i have to cope with your ways of coping, god i annoy myself. but. regardless of the amount of friends i have who assure me that, "J it wasn't your fault, Justin was the issue, J you weren't the toxic one" i can't believe it. i refuse to think that it was just him. another lyric so a song i enjoy "it takes two to toxic," i keep thinking of songs, but i think you understand that, too, my adhd love. i should have, could have, done better as a person for him. not saying that i regret not, but the fact that i could and i didn't? maybe i should have shut up, maybe i should have said more. everything was beyond the severity of walking on eggshells, which he said often that he had to do around me because, i mean, i've explained that. it's just more proof, you see, that i was too sensitive, proof that i should have been tougher, said less, comforted more. but didn't he know how he made me feel? that i was trying, truly trying my hardest? didn't he know that i loved him so entirely that i gave up my best friends so he'd look at me. didn't he know? didn't he? honestly, how could he have not. i worshipped the literal ground he walked on, didn't i? did i? or am i exaggerating again? should i have ran? yes, no. yes. maybe, or maybe he should have? i don't know. **** me, this? this really, this isn't about him. but it is. because he made my head all ******, the time with him anyways, cause once again it was me, too, and everything is like, oh, ****, a minefield or something. and i don't want you to think that i'm not over him. because i am. him, as himself, i'm over. but the way he made me feel, the experience, the way he changed me? i don't know. did i change for the better or the worst? i wish you could have known me before, maybe you would be able to tell me if the me that i am that now is better. but maybe if i knew you before, my time with him never would have happened. but i hate myself for it. "it" as in everything from the time i got with him to now, every word i've now spent almost three hours revising and rewritting, i hate myself for. that's what's ******, i don't even hate him for it or this, i literally just hate myself. i sound like such a ******* idiot for all of this,  but i'm not, Frenchie. i'm not. well, hang on, i mean i am. i'm a literal ******* *******. haha. but this is how i'm trying to explain to you, and if you ever read this maybe you'll get it. but, i want to make you happy. me. i want to make you smile more and laugh like you did, like WE did. and i know that i got attached so ****** quickly so my whole "it's hard to love people" thing seems fake. but it isn't. i can't. i literally can't tell you how hard it is. and this right here, this is hard, too. because i'm fighting with the "oh, J!! this is different" side of me and the "**** her, *******, everyone is the same" side. i'm pretty sure i told you this, but i broke up with my last girlfriend because she actually gave a **** about me. and it made me want to puke. when i did, when i left, she told me that she was in love with me. and i ran to the bathroom. and proceeded to cry, getting rid of my lunch and dinner, and almost just ended it right there because i thought, "****. if someone can love me, can say those three sacred words, to me? TO ME? i must be hiding so much from them." i just want to scream. yknow? to the world, to my friends, my family, you, that "i'm ****** UP IM ****** UP IM ****** UP PLEASE LEAVE" but "oh, gods, don't leave." please, ******* ****, if you're not ready, if you don't want me, please, tell me. if i'm too much, especially after all of this, holy ******* ****, please, tell me. because i can't take it. i can't. tell me now, these three days in where i'm confessing i want to be with you, that you can't. because i wouldn't be able to handle it much longer than from here. oh, **** yeah, it's going to hurt so much. i kept saying that i didn't want to like you. but everything draws me in, dearest Edward, and it ******* *****. it. *****. because i'm beyond aware of possibilities of the failure. and, yet, i couldn't be happier. in the middle of my frequent breakdowns, i'm so entirely full of joy. my mother tells me that i'm glowing from how entirely, like, happy i am. you're miles away, Frenchie, and yet you make me happier than i've been in a long, long, LONG time, dancing and singing around my room like an absolute idiot because i'm thinking, y'know, MAYBE. MAYBE THIS IS THE ONE. "J MAYBE YOU CAN BE LOVED, AGAIN. MAYBE SHE'LL LOVE YOU, MAYBE YOU AREN'T AS BAD AS YOU MAKE YOURSELF OUT TO BE." and everything looks so ******* amazing with you in the picture. and, still, i always ask myself, is this too fast? am i still not ready, still taking things too fast, should i shut up, am i hiding too much, doesn't she get my bipolarness and bpd? you do right, you do? oh ******* ****- **** all that, those last few questions are entire other things, and it's now 2:07 in the morning and i'm ******' done. the end done, I won't write anything else. except this. Frenchie, I know you love being called that, but there's something so entirely personal about being called by your name. sometimes I catch myself slipping on typing. maybe it was a mistake to tell me your real name.
frenchie.
sydney
a rose by any other name would smell just as sweet
this literally has zero reasons to exist. but I wrote it anyways. because I've always wanted to write something. even if this doesn't particularly sound like a poem, I feel like maybe it belongs here. so if anyone ever reads this, hope you like it.
Trevor Gates Apr 2013
Walking back onto the street around nine O’clock
Pizzerias, Clubs and white guys with dreadlocks
Moving like sea urchins with an urge to mock
Hey 2 for one at Roxy’s for black rubber *****

I’m carrying two bags of groceries; One with a pie
There are no stars in the city. Just the moon in the sky
I move lazily and tired as evening joggers pass by
“God I wish I was more active.” I say with a sigh.

I ascend the stairs because the **** elevator is broken
One flight. Two flight. ******* wood surely is oaken
2 minutes of climbing the obstacle that’s unspoken.
I suffer for being the Asian, the part-Korean token.

I reach my apartment, music playing through the wall
I feel worn out and about ready to fall
But I walk in and proceed, feeling anything but tall.
The time has come. I walk to the kitchen from the hall.

I live with three roommates: Sam, Dean an Owen.
Sam is shut in his room. He’s a DJ and I think Samoan
Dean is weird. Don’t ask about flagellated protozoan
And Owen is a reader and blogger. Just plain Owen.

I place the groceries on the counter, I stumble.
Owen is reading and I hear him mumble
“Did you say something?” I grumble
“Wrong Pie.” He says, his words fumble.

“What?” I don’t understand

   “Wrong pie.” Owen says again.
I point towards the pie on the table. “What, this?”
    “Yeah.” He says.
    “What’s wrong with it?”
    “Everything.”
    “Like what?”
    “Well, it’s the wrong pie.”
    “How?”
    “It’s apple.”
    “Yeah, so?”
    “But I thought you were going to get cherry?”
I shrug my shoulders, “Yeah but they were out.”
    “Where did you go?” Owen asked, but he knew.
    “Just that corner market.”
    “Well why the hell did you go there, you know they don’t have **** there.”
    “Does it matter?  I got most of the things.”
    “Yeah, most.  Not all.  You didn’t get the right pie.”
    “Does it matter?” I tell him. Owen closes his book.
    “I think so.”
    “At least I got a pie.  You guys said, ‘Hey man, make sure you get a pie’. You didn’t say get a ******* cherry pie!”
    I try to calm down, but the blasting of dubstep remixes warp my thinking process.  Owen leaves the kitchen and knocks on the doors. He tells them I’m back and that I ******* up the groceries.
“I did no such thing!” I yell, “You ***** think you told me what to get but you’ll all too into yourselves to ever know what the *******’re saying and you come off as ignorant over-privileged *******! Yeah Owen you’re so unique” I mock sarcastically, “Must be why you dress exactly the same as every other hipster here, going online and vlogging about the same **** a 12 year-old in suburban America would talk about and his ***** probably haven’t even dropped.”
    Owen’s eyes are wide, never seeing this side of me before. Sam and Dean open their doors to see all the commotion.
I walk back in to the kitchen and grab the pie.
    “Here *******!” I toss the pie as hard as I can so it hits the ceiling. The tin tray falls to the ground and the apple crusted pie is splattered, stuck to the ceiling like an IKEA fan made of butchered apples.
    I open the door.  “Dubstep is just edited noises of transformers having ***!”
I slam the door and leave, walking back downstairs and onto the street


Roommates ******* ****. I was tired of their **** and rules.
They used me for their homework, Working me like a mule
I’m barely able to pass my classes, let alone graduate from school
So trivial to help them just to earn my cool.

I flipped up my hood and rushed through the streets
I didn’t know where I was going, I didn’t care who I’d meet
A slice from Death Metal Pizza, a drink from Fat man Pete.
I need to let loose. Relax and take that invigorating leap.

I stumbled upon an old movie theater, playing classics, new and old
“I want tickets for all the shows.” To the box office I told.
I bought popcorn and milkduds. I think my chair had mold.
And watched as Al Pacino was out of jail; being paroled.

Carlito’s Way, then intermission
A glimmer of previews then Pulp Fiction.
Ezekiel 25:17 and blasts of omission
From Jules’ and Vincent’s handgun ammunition  

After the credits roll I get three hot dogs and a large soda
Next movie: The Evil Dead, enough to put me in a coma
AH ******* demons Killing like the cancer of lymphoma
Scaring me and making me spill my watered-down cola.

Next was the Monty Python to ease the chills
Ensuring talking fish, puking and hilarious thrills
I really enjoyed the collective animation stills
I was relieved from the films and I had my fills

Now I had a good place to come and let loose, relax and laugh
And I wouldn’t have to display my clustered, boiled wrath
To my ******* roommates. Maybe I’ll move out on their behalf
We’ll see how it plays out. I’ll write a “*******” graph.

But thanks to them I found a new way to survive
Which is better than the alternative; a desperate suicide
Watching movies late at night is better for me than to die
All ascertained from the incident of the wrong ******* pie.
Please forgive me for that middle section just being a straight narrative.  I thought it would add comedic effect. This whole thing started out as a short story. I was converting everything to the rhyming scheme but I just loved what I originally had for that part that I just kept it like it was.

Lot's of fun in this one. i couldn't help but laugh to myself some of the ridiculous rhymes (or lack of) I was trying to squeeze in.

Good references in here to Pulp Fiction, Carlito's Way, Monty Python's The Meaning of Life and The Evil Dead.

— The End —