Submit your work, meet writers and drop the ads. Become a member
Koty Peter Nov 2012
If we were together,
And you had been captured,
By a villainous turtle,
Who's name was bowser.
I'd come and save you.
Without any mushrooms.
I'd dodge the hot lava,
And jump over the flowers.

Forget the gold coins,
I'd run past them all.
I'd come find my princess,
Like on n64.
I'd swim through the water,
Past the piranhas.
I'd raid the castle.
And beat the boss battle.

'Cause Peach, There's no me,
Until I find you, And you're set free.
Because Peach,
I am coming. I won't stop running.


Til your in my arms.
Where you're always safe.
You can wear my red hat,
We can have a pet Yoshi.

Because Peach there's no me,
But I am comming back.


Mushroom kingdom will never be the same again.
On a grassy hill, in our giant palace,

I'm not scared of any ghosts.
My sites are set,
On the clouds in the sky,
And tower in the distance.
I'm not scared of any stones,
That will try to crush me,
I'm going to do my best,
To keep my timing.

'Cause Peach, There's no me,
Until I find you, And you're set free.
Because Peach,
I am coming. I won't stop running.


Til your in my arms.
Where you're always safe.
You can wear my red hat,
We can have a pet Yoshi.

Because Peach there's no me,
But I am comming back
Gary L Misch May 2014
Nature makes a peach,
But man decides just how
That peach will be,
Feel free to graze,
In the supermarket
Of your choice,
But,
If you insist
On the best,
Wait 'til all the others,
Have been finally consumed,
Then proceed,
To a singular and magic place,
Where a special man,
Sells a special peach,
A peach so special
That it ripens on the tree,
Ripens to perfection,
But you must consume it
Straight away.
It's never with us
Longer than two weeks,
But it's a treat
That you'll not want
To miss.
ohNoe Jul 2020
the Power of the Peach      7-4-20


does she know the power she possesses
  the worship in her lover's ***** as she undresses
the NEED to see
               to touch
      to kiss

the Peach is life
  it is succor after all the strife
it is the sweetest embrace
  as you're seeing the yes, please
    on her face

kiss right
lick left
all night in that cleft
  before my **** pounds that mound

naked velvet flesh
  to my face is pressed
****** me my goddess
  as my tongue touches your tenderness
    eat you out for an hour
      in love with your Peach's Power

succulent juicy beautiful
  your Peach calls to me
sweet wet delicious
  your Peach owns me

succulent
  **** you clint
tight wet hot
  sticky sweet
luscious ripe ****
  do you want my meat

give me the Power of your Peach
  let me learn all it shall it teach
take me
  pleasure and passion
    any position
    every position
take me
  ride me
    grind me
      let me watch You move
        as I feel You move

to be inside you....
  that first full slide inside
      oooooooohhhhhhhh

then slipping sliding slamming
  sometimes slow and sensual
  sometimes hard fast animal *******
    and everything inbetween

pleasure passion
  with that lust love connection
if it's done right
  if it's not just one night

squeezing
  pleasing
screams and moans
  and ***** words
    which should be heard

it's nature
it's pure
it's shudder
it's shake
it's ***
  you gotta get some

and sometimes
  if your Peach likes rhymes
it's not just the physical
  cuz anyone can ****
there's an emotional intellectual
  where's it's not simply a cool pool
    it's a beautiful pond with a duck

it's not some rude grafiti
  screaming pathetically look at me
it's explicit AND exquisite
  singing you want true Beauty
    This is it

then you wake up in the morning
  and learn if it is joy or mourning
waking up naked
  beside her nakedness
please let it be be joy
  PLEASE,  let it be JOY

that there is a dream
  and several fantasies
that is giving life to a very particular personal dream
  and dancing in the moonlight with those fantasies

I don't Noe what all I can teach
  but Please give me the Power of the Peach
1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st
Fishing boat pursue water love hill spring
Both banks peach blossom arrive ancient river crossing
Travel look red tree not know far
Travel furthest blue stream not see people
Mountain mouth stealthy move begin cave profound
Mountain open spacious view spin flat land
Far see one place accumulate cloud tree
Nearby join 1000 homes scattered flower bamboo
Firewood person first express Han surname given name
Reside person not change Qin clothing clothing
Reside person together live Wu Ling source
Still from outside outside build field orchard
Moon bright pine below room pen quiet
Sun through cloud middle chicken dog noisy
Surprise hear common visitor contend arrive gather
Compete lead back home ask all town
At brightness alley alley sweep blossom begin
Approach dusk fisher woodman via water return
Beginning reason evade earth leave person among
Change ask god immortal satisfy not return
Gorge inside who know be human affairs
World middle far gaze sky cloud hill
Not doubt magic place hard hear see
Dust heart not exhaust think country country
Beyond hole not decide away hill water
Leave home eventually plan far travel spread
Self say pass through old not lost
Who know peak gully now arrive change
Now only mark entrance hill deep
Blue stream how many times reach cloud forest
Spring come all over be peach blossom water
Not know immortal source what place search


A fisher's boat chased the water into the coveted hills,
Both banks were covered in peach blossom at the ancient river crossing.
He knew not how far he sailed, gazing at the reddened trees,
He travelled to the end of the blue stream, seeing no man on the way.
Then finding a crack in the hillside, he squeezed through the deepest of caves,
And beyond the mountain a vista opened of flat land all about!
In the distance he saw clouds and trees gathered together,
Nearby amongst a thousand homes flowers and bamboo were scattered.
A wood-gatherer was the first to speak a Han-era name,
The inhabitants' dress was unchanged since the time of Qin.
The people lived together on uplands above Wu Ling river,
Apart from the outside world they laid their fields and plantations.
Below the pines and the bright moon, all was quiet in the houses,
When the sun started to shine through the clouds, the chickens and dogs gave voice.
Startled to find a stranger amongst them, the people jostled around,
They competed to invite him in and ask about his home.
As brightness came, the lanes had all been swept of blossom,
By dusk, along the water the fishers and woodsmen returned.
To escape the troubled world they had first left men's society,
They live as if become immortals, no reason now to return.
In that valley they knew nothing of the way we live outside,
From within our world we gaze afar at empty clouds and hills.
Who would not doubt that magic place so hard to find,
The fisher's worldly heart could not stop thinking of his home.
He left that land, but its hills and rivers never left his heart,
Eventually he again set out, and planned to journey back.
By memory, he passed along the way he'd taken before,
Who could know the hills and gullies had now completely changed?
Now he faced only the great mountain where he remembered the entrance,
Each time he followed the clear stream, he found only cloud and forest.
Spring comes, and all again is peach blossom and water,
No-one knows how to reach that immortal place.
hunny Jul 2015
peach

your eyelashes
are
light
and natural

you are gentle,
sweet

like a
peach

need to be cared for
yet your always care
for us

tiny and dainty
like flowers
in
the spring

like a peach

fair skin
easily bruised

cry a lot
tears are easily brushed away

peach
based on true events
Sand Sep 2013
Peach salsa
Has that tangy taste
Between sweet and spicy
Burning tongues naughtily but nicely.

Peach salsa
Is the quiet librarian of dips
Unassuming until the bun comes undone
And blink of an eye she’s a firecracker in bed.

Peach salsa
Tastes a lot like you
And our Sunday afternoons
Experiments with papaya and pineapples
Tossed in with tomatoes and crying onions
The perfect recipe for a little change and a lot of disaster.
Eberhardt Nov 2016
Four limbs
Branching from a peach tree
My skin is a shield
My fat is fuel
A vessel for my weary soul
I will let it carry me
L B Aug 2018
Bent
Near to breaking
by her burden
of fruit, swollen with seed
In that thrashing by wind
Bearing down on the sun
in her labor—
of  Need
to bear
the pain
to bring
her yield
to his hands—
her harvest
of warm juicy softness


Gone—
the upright
reach of untouchable spring
When stems, stern and smooth
wore a lace-beaded bodice of bloom
of coral chiffon
First leaves
a scarf
with a fringe of lime green
wrapping her gifted and lean
to the buzzing

She was lighter than dew
to the amateur insects
smeared with her

Her only accessory--
a robin
They had left
as evidence
they had ravaged
its song


Now broken and leaking
more damage endured  
Ripe fruit in rough hands
He leans against limbs
by his weight sternly pressed  
so suffused in the fragrance
of peach intoxicants
which he will have--

He is lost to his lust
He is forcing his need
into another year's beauty

asserting his claim over and over again
of that lost and ancient bounty
Many edits 8-16-18.
the lady has me temporarily off the bottle
and now the pecker stands up
better.
however, things change overnight--
instead of listening to Shostakovich and
Mozart through a smeared haze of smoke
the nights change, new
complexities:
we drive to Baskin-Robbins,
31 flavors:
Rocky Road, Bubble Gum, Apricot Ice, Strawberry
Cheesecake, Chocolate Mint...

we park outside and look at icecream
people
a very healthy and satisfied people,
nary a potential suicide in sight
(they probably even vote)
and I tell her
"what if the boys saw me go in there? suppose they
find out I'm going in for a walnut peach sundae?"
"come on, chicken," she laughs and we go in
and stand with the icecream people.
none of them are cursing or threatening
the clerks.
there seem to be no hangovers or
grievances.
I am alarmed at the placid and calm wave
that flows about. I feel like a ***** in a
beauty contest. we finally get our sundaes and
sit in the car and eat them.

I must admit they are quite good. a curious new
world. (all my friends tell me I am looking
better. "you're looking good, man, we thought you
were going to die there for a while...")
--those 4,500 dark nights, the jails, the
hospitals...

and later that night
there is use for the pecker, use for
love, and it is glorious,
long and true,
and afterwards we speak of easy things;
our heads by the open window with the moonlight
looking through, we sleep in each other's
arms.

the icecream people make me feel good,
inside and out.
Alan S Bailey Apr 2016
I knew an old man who swallowed a peach,
A peach is a pepper a pepper a peach, a peach is a fruit,
My what a toot to have eaten such fruit, he swallowed the
Pepper to follow the peach but I don't
Know why he swallowed the peach,
Let's make some pie!

I knew an old man who swallowed a plum,
A plum is a cherry a cherry a plum, a plum is a fruit,
My what a toot to have eaten such fruit, he swallowed the
Cherry to follow the plum but I don't
Know why he swallowed the plum,
Let's make some pie!

He swallowed 'em whole...! Gasp...
bekka walker Apr 2014
Theres a pit in my stomach.
That must make me a peach.
My skin is so soft.
That must make me a peach.
I bruise.
That must make me a peach.
Sometimes I'm hard and bitter.
When you wait to see, I'm as sweet as can be.
That must make me a peach.
I must be a peach.
Randy Johnson Apr 2015
My peach tree only had one peach and my brother decided to pick it.
I grabbed it out of his hand and you know where I decided to stick it.
My brother was really ******.
He had to go to a Proctologist.
He took me to court and the judge ordered me to pay the doctor for removing the peach from his ***.
That made me very mad and I started giving that judge sass.
I threw a punch at the judge when he held me in contempt.
But he had a black belt in karate and now I walk with a limp.
When it came to that **** peach, I should've let my brother eat it.
This has been a bad experience and I sure as hell will never repeat it.
This is a fictional poem.
Anna-Lynn Apr 2013
The peach was soft and fuzzy, bruise less and juicy, waiting to be tasted.
Yet no one would touch it.
Maybe it was because it was the last peach left in the ceramic fruit bowl.
Or maybe no one craved peaches anymore.
It sat in the sun for weeks, getting softer and changing it's pale peach colour to a sandy burnt orange.
No one ate it or threw it away.
It just became part of the bowl, hidden by new, plumper fruit.
Kiwis, oranges, lemons.
Yet no one touched the peach.
Eventually it was noticed, decaying next to a pear.
It was tossed into the compost where it decayed even further, becoming a slushy brown slime.
The peach was forgotten so easily and noticed too late.
It could have been the best peach anyone had ever tasted.
Fah Aug 2013
(via phatphilosophers)

(via phatphilosophers)

(via phatphilosophers)
jeffrey-lebowski:

Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
jeffrey-lebowski:
Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
(via phatphilosophers)

These are the days that must happen to you.
Walt Whitman, from Leaves Of Grass (via violentwavesofemotion)
(via phatphilosophers)
18 HOURS AGO / LARMOYANTE
axiatonal:

Canola Flowers Field, China
axiatonal:
Canola Flowers Field, China
(via awaveofbliss)

(via awaveofbliss)

whatisadvertising:
What would modern technology and social networks look like if they were vintage ads
This is a post gathered Facebook, Twitter, Youtube, Skype, iMac, Nintendo Wii and Sony Playstation as if they were vintage ads.
(via thebronxisburning)
aplacetofindlife:

Someone Should Start Laughing
I have a thousand brilliant lies For the question: How are you?  I have a thousand brilliant lies For the question: What is God? If you think that the Truth can be known From words, If you think that the Sun and the Ocean Can pass through that tiny opening Called the mouth,
O someone should start laughing! Someone should start wildly Laughing Now!- Hafiz
aplacetofindlife:
Someone Should Start Laughing

I have a thousand brilliant lies
For the question:
How are you?

I have a thousand brilliant lies
For the question:
What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean
Can pass through that tiny opening Called the mouth,

O someone should start laughing!
Someone should start wildly Laughing Now!

- Hafiz
(via cosmic-rebirth)

meditationsinwonderland:
Chimamanda Ngozi Adiche, We Should All Be Feminists
How could I not reblog this?
(Source: bakongo)
1 day ago – 234,004 notes

artismyempire:
gentledom:
A wonderful analogy.
What I shall do today.
(Source: boyqueen, via thebronxisburning)
1 day ago – 30,054 notes

(Source: maryhadalittleblunt, via awaveofbliss)
1 week ago – 81 notes
beachsloth:

SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
beachsloth:
SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
(via bluishtigers)
1 week ago – 74 notes

(Source: samsaranmusing)
1 week ago – 78 notes
maymonsturr:

My mantra.
maymonsturr:
My mantra.
(via cosmic-rebirth)
1 week ago – 568 notes
foxxxynegrodamus:

***
foxxxynegrodamus:
***
(Source: lnpfeed, via awaveofbliss)
1 week ago – 1,635 notes
cosmic-rebirth:

Live joyfully, make your life a dance, all the way to the grave.
cosmic-rebirth:
Live joyfully, make your life a dance, all the way to the grave.
(Source: cookiecarnival)
2 weeks ago – 22,305 notes
“The point is not to pay back kindness but to pass it on.”
– Julia Alvarez (via cosmic-rebirth)
(Source: amandaonwriting, via cosmic-rebirth)
2 weeks ago – 275 notes

(Source: diawf, via awaveofbliss)
2 weeks ago – 2,799 notes
bl4ckhippie:

Fly.
bl4ckhippie:
Fly.
(Source: rootsrukkus, via awaveofbliss)
2 weeks ago – 750 notes

(Source: lizzlizzcomics, via bluishtigers)
2 weeks ago – 110,456 notes
meditationsinwonderland:

ॐ flower child in Wonderland ॐ
meditationsinwonderland:
ॐ flower child in Wonderland ॐ
(Source: vegan-hippie)
2 weeks ago – 139,177 notes

(Source: jrich103, via cosmic-rebirth)
2 weeks ago – 4,848 notes

pleoros:
Helminadia Ranford - Guilin,China
(via hungryforworld)
2 weeks ago – 329 notes
designgather:

Oak Room
Andy Goldsworthy
designgather:
Oak Room
Andy Goldsworthy
(via cosmic-rebirth)
2 weeks ago – 286 notes
miguu:
don’t be afraid.
lean into your genius.
let your own brilliance support you.
you are something
we have all been waiting to know.
please.
(via bluishtigers)
2 weeks ago – 339 notes

odditiesoflife:
Amazing Jabuticaba Tree
This is an incredible tree that bears its fruit directly on the main trunks and branches of the plant, lending a distinctive appearance to the fruiting tree. The jabuticaba (Plinia cauliflora) is a fruit-bearing tree native to Minas Gerais and São Paulo in southeastern Brazil. Otherwise known as the Brazilian Grape Tree, the jabuticaba is grown for its purplish-black, white-pulped fruits. They can be eaten raw or be used to make jellies and drinks, including juice and wine.
They are wonderful trees to have and are fairly adaptable to most environments but they grow extremely slow. Jabuticaba flowers are white and grow directly from its trunk, just like its fruit. The tree may flower and fruit only once or twice a year, but when continuously irrigated, it flowers frequently and fresh fruit can be available year round in tropical regions.
Common in Brazilian markets, jabuticabas are largely eaten fresh; their popularity has been likened to that of grapes in the US. Due to its extremely short shelf-life, fresh jabuticaba fruit is very rare in markets outside of areas of cultivation. So if you are ever in Brazil, be sure to try the incredibly tasty fruit called jabuticaba.
source 1, 2
(via hungryforworld)
2 weeks ago – 1,462 notes

(Source: samsaranmusing)
2 weeks ago – 118 notes

(Source: rorycwhatsyourthesis, via samsaranmusing)
2 weeks ago – 130,113 notes
oecologia:

Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
oecologia:
Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
(via samsaranmusing)

burningveins:
multicolors:
benskid:
Know where you stand.
Wow
This is kinda creepy..
(via hungryforworld)

Do not think you will necessarily be aware of your own enlightenment.
Zen Master Dogen - (1200- 1253) AD (via samsaranmusing)
2 WEEKS AGO
101fuymemes:

COLLECTION OF awesome CLOUDS
101fuymemes:
COLLECTION OF awesome CLOUDS
(via roslynoberholtzerbddd)

itscolossal:
Planetary Structural Layer Cakes Designed by Cakecrumbs

Do not resist events that move you out of your comfort zone, especially when your comfort zone was not all that comfortable.
Alan Cohen (via raeraenjma)
(via awaveofbliss)
4 WEEKS AGO / THE-HEALING-NEST
so apt
so apt
(via awaveofbliss)

(via awaveofbliss)
treewellie:

"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
treewellie:
"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
definitelydope:

BBQ on the balcony (by fernlicht)
definitelydope:
BBQ on the balcony (by fernlicht)
(via awaveofbliss)

Birth by Alex Grey
Birth by Alex Grey
(via receptive)

(via bluishtigers)

(via awaveofbliss)

There is a time and place for decaf coffee. Never and in the trash.
(via 17yr)
(via hungryforworld)
1 MONTH AGO / MIDWESTRAISEDMIDWESTLIVING
surreelust:

Man with His Skin by Peter Zokosky
surreelust:
Man with His Skin by Peter Zokosky
(via cosmic-rebirth)

Oh soul,
you worry too much.
You have seen your own strength.
You have seen your own beauty.
You have seen your golden wings.
Of anything less,
why do you worry?
You are in truth
the soul, of the soul,
of the soul.
Rumi, from Who Am I?   (via bluishtigers)
(via bluishtigers)
1 MONTH AGO / VIOLENTWAVESOFEMOTION
xpudding:

xpudding:
(via cosmic-rebirth)

(via thebronxisburning)

(via cosmic-rebirth)
treewellie:

La costa de la luz by Francisco Mingorance
treewellie:
La costa de la luz by Francisco Mingorance

itscolossal:
Mirror City: A Kaleidoscopic Timelapse of Chicago, San Francisco, San Diego, Vegas and L.A. [VIDEO]

(via cosmic-rebirth)

awkwardsituationist:
gmb akash documents the 350 kilometre journey from dhaka to sylhet, bangladesh made by those who, unable to afford the price of a ticket or find room to ride inside, risk death by traveling atop and between train cars
(via suntochukwu)
purpleaggregates:

White Tara The female enlightened being of long life, wisdom and good fortune When I see the signs of untimely death, May I immediately receive the blessings of Arya Tara; And, having destroyed the Lord of Death, May I quickly attain the deathless vajra body. OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA OM TARE TUTTARE TURE SÖHA
purpleaggregates:
White Tara
The female enlightened being of long life, wisdom and good fortune

When I see the signs of untimely death,
May I immediately receive the blessings of Arya Tara;
And, having destroyed the Lord of Death,
May I quickly attain the deathless vajra body.

OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA
OM TARE TUTTARE TURE SÖHA
(via dancingdakini)

(via guerrillatech)
hungryforworld:

Monet’s Garden. Givery, France.
hungryforworld:
Monet’s Garden. Givery, France.

(via awaveofbliss)

(via cosmic-rebirth)

Internal and external are ultimately one. When you no longer perceive the world as hostile, there is no more fear, and when there is no more fear, you think, speak and act differently. Love and compassion arise, and they affect the world.
Eckhart Tolle (via samsaranmusing)
(via suntochukwu)
1 MONTH AGO / SAMSARANMUSING
malformalady:

The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
malformalady:
The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
(via deeperthansoul)
polaroidsf:

Welcome to Eden
polaroidsf:
Welcome to Eden

(via bouddra)

It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of
meeting your heart’s longing.

It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for
your dreams, for the adventure of being alive.

It doesn’t interest me
Kewayne Wadley Dec 2018
In an instance,
I felt a calmness sweep across my body.
My body free of any restriction.
Her being my release.
Sweet liberties
Utilized by the touch of lips.
A period punctuated by perched lips.
Released in ounces of color.
The way she loved.
My tongue swirled around hers.
Fingers wrapped around her waist.
Brown peach flavored skin.
My addiction a place for her to stay,
Her bag broken down; piece by piece.
A home away from home.
Until the day she left.
I consulted family, I reached out to friends.
They say that she's no good
They say leave her be.
Truth be told
My vacancy left colorless.
Bland.
My tree grown fruitless
Revealed to me in bitter hunger.
The realization of perception.
Nothing left to fill my hands.
This vacancy punishable by death.
A ****** filled by her alone.
My fingers around her waist.
Her love sticky, sweet.
Swirling around my tongue.
My eyes left low
Anticipating her return.
They say that she's no good
They say leave her be.
Truth be told
I haven't spoken to them since
Gabriel Jan 2014
A peach, so sweet, one I would love to eat.
My hunger for the nectar of life, the sugary taste making it hard to retreat.
A peach, so tender and soft, making it far too easy to get lost.
In the delectable flavor of the juice, so sweet, oh how I long to eat one, profuse.
A peach, so ripe, I could eat peaches in the day or the night, either is alright.
Never have I seen, a peach so clean and eatable, colors just like a roses petals.
A peach, so neat, eating a certain one is a special treat, almost making me weep.
Speaking of spotless, where is your mind, I speak of fruit, who's in the gutter this time?,
cheryl love Oct 2014
It starts to rain
Like the fizz has been removed
from my champagne.
A peach drips
from the tree.
Sticky sips
all over me.
But why does
a peach have fuzz?
Just an excuse
to explode its juice.
Its yellow flesh
At its peak fresh
Does the tree
whole heartedly agree
without the need to preach
when to evict the peach.
Time to say goodbye
when the twig is dry.
The hard backbone
its strange lined stone.
Nothing more to bring
as each amber flesh cling
drops to the ground.
A peach perfectly round.
Angie S Nov 2017
a fuzzy little peach
rolled from her terrace of the tall table
off into the depths of the air and onto the floor.
i scooped her into my hands and asked her,
'beautiful peach, how did you land here?'
with a sigh, she responded,
'dear human, there are few things i can do.
once i began to roll,
i could not stop myself.'
her skin clouded with signs of contusion
and her flesh softened with the force of her fall.

'beautiful peach,
there are few things i am able to do as well.'
i did all that i could for her in that moment--
brought the fuzzy little peach to my chest
and gently held her close to my heart.

'dear human,'
she whispered,
'though it is not much to you,
to me,
it means everything.'
my prompt for today was 'peaches'. it was a simple prompt, but i wanted to turn it into more than what it seemed. also, i practiced my alliteration skills!

here's a story about the little things
Raj Arumugam Oct 2010
I see you
gentle red and white
peach blossoms
delicate like the life
one holds in one’s heart
like the name and beauty in
each one we know
and the transience of oneself
that we see in the quiet of each passing day;
gentle red and white
peach blossoms
I see you
quiet ones
like life in all forms one observes
that blossoms and takes its place in its day
and that resurfaces in the energy of species;
I see you
gentle red and white
peach blossoms
the same radiance runs
through you and me
companion art: Red and White Peach Blossoms (painting) by Tsubaki Chinzan (Japanese, 1801–1854)
SøułSurvivør Sep 2015
---

i

blue grey clouds
of crushed
velvet

sunlight
tears
the
seams


ii

embers of
delicate peach
ignite flames
of fuchsia

the orb of
sun burns colors
away to ashes

blown into floes
of white
mare's
tails


iii

tiny bird
settles restless
on the
highest
branch

flits
away


iv

wind
through
the weathered stones
cries then whispers

luring
the children
who lie within our ribs
to break free
and sing
songs
of
play


v

mamalaria
cactus
wears her
wreath
of
pale
lavender
flowers

sings to
her babes
clustered
below

saguaro
listens



soulsurvivor
(C) 9/13/2015
beautiful day rises up
out of the ashes
of a flaming
sunrise

---

To a special friend...
... thank you!
Georgia Gazette Sep 2013
Your life (just like everyone elses's) is like eating a bad peach.
You bite into the blushing fruit dressed in the colors of a beginning sunset expecting it to taste, well, rather peachey
But by some mistake you were handed the wrong peach (and sometimes even the wrong fruit) off of the wrong branch on the wrong tree way off in the wrong hypothetical galaxy given to you by the wrong proverbial god (I.E. The Grim Reaper instead of Perstephanie, who, consequently, grows very bad peaches as you can imagine).
So here you are eating this mushy fruit bruised by the process in which it came to you, and it is slowly becoming the quintessence of your life. Your very heart assuming the form of a pit.
With each wince you make and each swallow you take, the terrible peach you are eating disappears. It's sole purpose to be a bad peach eaten by you, another "bad peach" waiting to be eaten by another wrong person at the wrong time in exactly the wrong place.
The entire existence of humanity rests upon these wrong actions and bad fruit. When asked, "What is the purpose of this life?"
In a despondent tone, one is to respond with: "None at all."
In the digital l-and
We l-ive in
Mistakenly automatic
One pointing at a chest of tools
Eyes on i
No soul can tell a part a weakling metal


Robots robbing robbers rich
T-error terrifying t-errorists
Artist gods and goddesses
Sharing platform to unleashed gifts


Mint hue bubbles squeak
Fizzy dizzy violet haze
World head to toes spins
Any day it spins coins in change


A quiet girl is sinister
Siren of mystery or future
Robot is your mirror
Peach chin with teeth filter
No innocence and glitter litter
Guilty until proven the latter


A quiet girl a terrorist
Error mouths terror twist
Terrorist from the orient
They hide in between every end
Disguises they cover in
Racist as problem solving


Smile girl watch
A fake smile and eyes
Skin of steel so is her
Heart made alloy
How it blazes to the touch when heated
Oh it bites fingertips as it's cold
Hair resting on the curve of her spine
A woman's hair only breaks if it tries to grow


What she said
Tell me if you can tell us a part
Warning tears borne from her crooked eyes
Robot and soul
Terrorists from t-errorists
No soul knows either
Tattoos or memory shall identify you
© Teri Darlene Basallote Yeo
Styles Jul 2017
I want to taste your lips
Laced with your paste
Your flavor I savor with haste
your Amazing Grace graze my face
sweetness of a peach
The fragrance placed a memory
That will remember me the taste
Of your wetness
Your lips drip with
your juice sweet nectar
Ripe fruit with deeperflavor 
than it's juice roots
Pedals flush with color
Lips swollen
Attraction potent
It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.
It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.
Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.
Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still--
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?
It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.
Margit Appleton Sep 2012
I looked at it critically
Was it red enough, plump enough,
Will it be juicy still?

Will it live up to its promises?
Nobody wants a dry peach.
I'd better leave it, I thought.
God knows what it will be like.

And then it dawned on me:
This is a peach in September.
Grab it, eat it - as quick as you can!

For this is September,
and peaches are rare in December.
first date conversation: research
on lemurs and taxis without floors
because the city is too poor
for upscale renovation

and we exchange backgrounds and
drug stories and some-day-soon
kind of musings

/a southern peach and a sour
stiletto; the man in corner singing
slowly Nobody's Child/

and eventually we write our names in chalk
on the ceiling (and the wall because
I'm tired of places appearing as if I'd
never been there at all)

and later still we write our names in heat
against the cloudy window (twice
because the steam keeps swallowing up
our evidence of existence)

but it's easy to write again and
again because our names are the same
and I'm starting to believe in this idea
of genuine permanence
WHAT cry of peach blossoms
  let loose on the air today
I heard with my face thrown
  in the pink-white of it all?
  in the red whisper of it all?
  
What man I heard saying:
  Christ, these are beautiful!
  
And Christ and Christ was in his mouth,
  over these peach blossoms?
Salty rancher spackle is to Earthy diva smackers as Swinging hotel number is to?
Rippling cling bread is to Three lizard chariots as Indigo lime tangent is to?
Nighttime reunion planet is to Nettle lane scuffle as Soaking spider *** is to?
Fancy trance logs are to Sticky fudge lather as Vivacious gator college is to?
Cheerful blossom face is to Secret tractor rocket as Canned gremlin emblems are to?
Jealous pitchfork generals are to Heartbreaking patchwork veranda as Folding robot noise is to?
Pretty rhino rash is to Lost locket vengeance as Back pocket weather is to?
Frosted candy sidewalk is to Sneaky kook code as Shiny waffle smoke is to?
Sapphire cloud romance is to Magnetic comet lava as Blue triangle envy is to?
Vanishing honey melody is to Thermal elf pajamas as Whistling iceboat shampoo is to?
Peach mint politics is to Frozen doll pennies as Rusty anchor catapult is to?
Swollen pony fever Throbbing sword kazoo as Silent turbine science is to?
Obese germ thunder is to Stacked lemon towers as Corrupt moon jockey is to?
Demented insect whistle is to Glass trophy cleanup as Purple geode bubble is to?
Nighttime razor slime is to Lacquered dragon maps as Tint paper mittens are to?
**** camel drops are to Velvet ****** shoes as Slippery red muffins are to?
Flying hot drool is to Pale chocolate telescope as Tin trumpet ballet is to?
Expensive puppy speed is to Flowered duck mirror as Cosmic needle factory is to?
Fractured laser doodles are to Cracked butter gravel as Rubber holster straps are to?
Majestic panther fortress is to Jeweled cork target as Iron swan taxi is to?
Poisonous pepper bouillon is to ****** goat soap as Chrome feather pirates are to?
Digital gorilla scriptures are to Timid hunter stench as Frozen domino video is to?
Eccentric troll opera is to Transparent wax village as Spoiled coral agony is to?
Bizarre green metal is to Pillow eating hamster as Leather cavern ***** are to?
Eternal hurricane evidence is to Powdered rainbow perfume as Smoking yellow prune is to?
Liquid wish cleanser is to Exploding meadow ladders as Brittle rose hammer is to?
Caged foam filter is to Cherry balloon string as Ivory cactus spider is to?
Carbon puppet watch is to Sad kings compass as Elastic lace whiskers are to?
Nitrogen trolley dust is to Lazy elephant toffee as Orange toad choir is to?
Dark pole zodiac is to Blue finger blanket as Illegal bug nozzle is to?
Stinky towel cookies are to White jade caskets as Sticky snail tea is to?
Converting stellated caramels is to Mythic aerosol socks as Rubber raspberry jokes are to?
Flying clock carousel is to Whisky nut worms as Plastic fish platforms are to?
Queasy Vaseline queens are to Moody pigeon pills as Aqua mice fur is to?
Spotted bowl shadow is to Idiotic radiance lotion as Bungalow toad hearse is to?
Gushing chimney fungus is to Funky lamb acrobat as Utopian **** sprinkler is to?
Twinkling bungalow tablet is to Botanical duck rope as Bug hat ram is to?
Broken clock fossil is to Black ginger confetti as Parisian cobra meatloaf is to?
Silly Xerox ribbon is to Obedient raccoon carny as Traditional cat linguini is to?
Last astral advisor is to Elastic badger riddles as Broken circle rifles are to?
Bagged squire channel is to Temporary mosaic cake as Ancient bacon thread is to?
Wireless math army is to Moronic neon money as Pearl razor radar is to?
Rubber buzzard blizzard is to Troubled bubble wizard as Crushed hash ******* is to?
Purple birdy cure is to Tangled frost blossoms as Silken bridal saddle is to?
Unisex owl accordion is to Sugar bottomed boat as Optical nougat treasure is to?
Flavored saline rain is to Black arrow clan as Transistorized clam guitar is to?
Sharpened twig scar is to Mutant beet sonar as Baked troll mask is to?
Boxed noodle secrets are to Traditional guru buttons as Glossy marshmallow strategy is to?
Vibrating melted jelly is to Silver furniture dream as Spewing collated seats is to?
Burnt mountain pickles are to Baby preacher shoes as Sympathetic pilot pain is to?
Narrow portal treaty is to Monkey warehouse vacancy as Painted tornado trap is to?
Porch penny sulfur is to Glowing pony fat as Patched mattress bait is to?
Frigid waitress fallacy is to Graphic shrimp salute as Misted sneezing window is to?
Moist apple moss is to Daddy’s zoom seed as Downtown Pope cart is to?
Tired felon trickle is to Holographic squirrel candle as Wild ray hay is to?
Deadly zero chalk is to Folding wilderness chart as Curved ******* vacuum is to?
Hollow porcelain pellets are to Strawberry rain stencils as Microwave taxi nomads are to?
Wasted machete balcony is to Crumpled creature confessions as Fridge fuzzed fruit is to?
Sloppy demon damage is to Squeaky puppet chuckle as Mental arcade combat is to?
Monster trout stories are to Lewd pirate cocktail as Locked mammal grommet is to?
Rotting rope network is to Tragic toy goat as Cotton submarine shoes are to?
Complex pepper dance is to ****** cloud cushion as Marching taxi holiday is to?
Mental petal collectors are to Spooned barn putty as Dork factory fiction is to?
Hot spotted tops are to Timed stepping pests as Yogurt notching tartar is to?
Crazy dog comics are to Ambitious cartoon sphinx as Pavlov’s zinc ballet is to?
Soiled spinster wedding is to Padded razor wound as Floating fish map is to?
Slippery leopard pants are to Perfumed nut button as Dart wizard party is to?
Needy alien elephants are to Barking garden gnats as Quasar focused paper is to?
Slanted heart **** is to Bronzed cliff sandals are to Cunning jockey jokes are to?
***** thumbprint massage is to Holistic princess memory as Sliding dental sword is to?
Drifting wood whistle is to Fluorescent carpet powder as Foam dragon whistle is to?
Chopped web shadow is to Immortal vermin soup as Collapsing porch conspiracy is to?
Stolen thunder chant is to Haunted comet heart as Swollen throat portrait is to?
Fragrant frost parfait is to Grumpy caveman *** as Random stingray solo is to?
Squeaky polar turbine is to Silent lava fever as Oversized lunar fulcrum is to?
Synthetic dew droppers are to Pocket poster paste as Hypnotic screen dog is to?
Symbolic whirlpool nausea is to Dreaming tree phantom as Log badge bracket is to?
Camp hippo map is to Horseradish seizure insurance as Distant insect mirror is to?
German lady sherbet is to Stuntman laundry wax as Hungry butterfly ghost is to?
Fly smudged foil is to Amped maze coil as Shifting optic terror is to?
Automatic sheep floss is to Panoramic tanker anchor as Throbbing bone pillow is to?
Mutant clown village is to Nightmare translation treasure as Spotted spectral chakra is to?
Blind roach tweat is to Hermit worm tiara as Divine logo ritual is to?
Glueless gun stamp is to Malicious spam pump as Floral toffee pods are to?
Dudgeon mist removal is to Menacing bolt smacker as Boating duke shadow is to?
Costly metal plungers are to Creaky buzzing gushers as Glowing star cushions are to?
Raked barge sludge is to Crusted cream glitter as Zircon gutter babble is to?
Fake gold scholar is to Amish ******* mogul as Faithful ***** choir is to?
Sacred limo prayers are to Fried mice café as Splintered ****** thimble is to?
Dealing rabbit decals is to Pelican bongo festival as Patched equator rot is to?
Freedom gourd gasoline is to Cobblers studying acorns as Desecrated dice crater is to?
Tattered tapestry rod is to Busted particle scanner as Bogus piffle catalogue is to?
Trifle truffle raffle is to Last lamb laminate as Segmented cake goggles are to?
Domestic tackle tactic is to Ticking tic talk as Cordial corps coordinates is to?
Tucked duck caftan is to Sunken ramp ruckus as Wretched ranch rhetoric is to?
Clearly incomprehensible directions are to Useful archaic nonsense as Antiquated skeletal outline is to?
Bewildered beasts feasting are to Lazy busybodies resting as Vaccinating brave volunteers are to?
Lucky wagon dragons are to Famous gargoyle gargle as Formal postman funding is to?
Furrowed shroud chowder is to Borrowed tartan pajamas as Martini mixed algebra is to?
Cowgirl balloon helium is to Chewy glucose habitat as Stationary monument movement is to?
Diamond powered powder is to Diagonal diameter diagram as Purposely condensed expansion is to?
Organic iodine capsule is to Gleaming beach probe as Dominant dome static is to?
Shaving wrinkled targets is to Petting sensible monsters as Selling invisible whiskey is to?
Frozen piano architecture is to Note dotted clouds as Screaming Korean worms are to?
Sonic plant website is to Telepathic climbing clam as Bored protein exercise is to?
Gourmet mollusk cone is to Numb poodle caravan as Asian raven radar is to?
Molly Feb 2016
Little peach, you are
too sweet to be real.
Too good to be true,
too unbelievable. Your juices
taste like melted Calippo,
you must have been factory made.
Built by men in white coats
in a white lab from orange E numbers.
The softest skin, so ripe for picking,
there must be a stone
in you somewhere.

Little peach. I will not
eat any more of you. I think
you might make me ill.
I think you were genetically modified
to make me fall in love with you.
Who taught you to taste
like caramel? How many girls
have ate you down to the core
only to *****
when you were all gone?

There's only so much flesh to go around,
if I don't do my time
you might rot in the bowl.
And what if you're wholesome?
Garden grown beside pea plants.
Sunshine citrus, full
of thirst quenching nectar.
A sweet little peach for me to eat,
I'd never go hungry again.
Adam Childs Oct 2014
Turning into peach
I feel a tender baby
My young ****** heart
Unspoiled by the world
Like a seed it carries
All my future growth

Living within an empty casket
A vessel of infinite space
The hardest peach stone
Two half's , In GODS two
Hands he holds me tight
Within the hardest rock
I feel cradled and protected
Trusting the whole
As it carries me safely

Shinning brightly within
My blistering white core
Curled up deeply
My space , I site silently
Contemplating peacefully
As all attacks from the
World can not touch me
My chest expands with the
Growing space inside me
Where I feel the world
And my love ,which
Sit beside me

Rolling outwardly I radiate
Yellow like the sun
Shining brightly
As I feel many flavored
Layers of delicious juice
Wrapped in my body
Bathed in a fleshy beauty
I am rich in blissful
Golden bounty

As I reach out
I touch the world
With a delicate hair
On my furry surface
Of soft carpets and sofa's
Fluffy blankets and cushions
Where hearts and souls
Collapse into lovers arms
With abandoned minds

As we roll around
In each other charms
With the ease of
Bended knee's
As we hear resonatingT
Tones of humming
Heart strings collide
As our empty center's
Can only attract
As we fall and embrace

As together in Intimacy
We turn into delicate peach

— The End —