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Mateuš Conrad Feb 2017
apologies, but i will not be abstracting people
as mere pronoun users,
i know i should, but i kinda like "painting"
and giving peoeple race, and differences,
i can't really establish what pronoun-bleaching
would do to, oh i don't know,
perhaps i'd be writing this...

back when i still worked as a roofer and was doing
a project in Greenwich,
  nice try, construction industry men don't
go to the gym... what a joy to remember my roots...
anyway...
    what was i saying?
   so i commuted from north east london
this this little village...
and it really has a feel about it that it is a village...
i went into the Greenwich waterstones
bookshop and spotted something interesting...
    a j. k. huysmans trilogy (beginning with la bas)
and ending with *cathedral
, or something like that,
if i knew what the internet was saying,
i'd buy all three books...
     but i did the dumb thing of buying
the first book of the trilogy, that's always in print...
anyway, no small loss...
   and there stood sideways joseph roth's
the antichrist...
              i can't compare it to nietzsche work,
even though i should, given roth was jewish...
and i figured: if the concept is not originally
jewish and greek, and anti- is a prefix much
more easily understood these days with
the existence of anti-matter...
            than say... armilus...
    well... so i was commuting day to day,
and over the course of the project probably read
two of three books, roth's was one of them,
alongside nikos kazantzakis' blockbuster...
but something weird happened when i read roth
for the first time...
     sitting in this dockland train heading south
of the thames, a group of muslim "women"
spotted that i was literate,
     they sat, about 10 metres away from me...
but the word antichrist must have prompted them,
one just said out-loud: you're satan's *****...
huh?
   there i am, reading my own book not raving
mad reading it aloud, and there she has the prank
of associating a book to a very mysterious person
who riddles the bible being completed...
      mein gott: two world wars ever since nietzsche
wrote he was the person with the title kept
sorta on a whim for nearly 2000 years...
     and then two days ago my father has a car accident
and this hijab clad woman is driving,
  but she does a Pilate and doesn't take responsibility,
the passenger that's with her jumps out
   and gives my father his details
and the woman is pristine...
     a *******, what do you call it: sacred cow?
most pedestrians in england are treated as such...
  so she phones her son and gives the phone to my father
and her son says to my father: it's against
the law to phone the police, you can't phone them...
well... hey presto! we're in Saudi Arabia!
and this is what's worrying me...
no... nope... this is what pains me...
    i had to take my ego for a walk tonight...
i had to think a lot of ******* out,
how the ego would whimper and whine like a dog...
there's your "janus" / "contronym"...
ego... dog...
   the leash? i'm thinking with it...
and suddenly, clarifty, i can pierce it's *******
narrative and think about it... as any id might...
what i experienced was an ego-dispossesion...
   i lost it, it turned into an automaton,
robotic misery... hardly the angry Frankenstein monster...
i lost the care for an ego-embodiment...
i was dispossessed by it, robbed, thief! thief!
i needed to come back home and read
heidegger's aphorisms 174 through to 178 from
the ponderings (it would help that you read the
ponderings... after reading being & time)...
the pain i felt was very much akin to being British,
even though it's something i assimilated into...
which could mean that's it's the odd bit...
should i, shouldn't i feel some sentiment for my host
culture?
word are flying around the place,
they're calling it cultural marxism...
well... i come from a culture that had stated
marxism, period, i.e. supported by an economic model,
that worked, and would have worked,
had capitalism not done what capitalism does
naturally: compete!
   i'm watching these cultural marxists and, i think,
i'm watching penguins in a zoo...
  i don't know what to make of these marxists,
who aren't even leninists...
            where's the economic model?!
  
that's the problem of going to a catholic school
in england, attempting to stress multi-culturalism,
i even ojected to being confirmed ritually,
with a bishop from Brentwood,
sorry, too much Irish around the place....
i too thought i was about to say something in Gaelic...
outer-east london: a complete ******* jungle
of biodiversity...
     so did i misplace my allegiences?
to the tongue? to faking an ethnicity?
    of course i'm pisssed off, i spent the past 2 hours
walking the most mundane of walks,
bewildered why this woman in a hijab wouldn't
own up to causing a traffic accident...
i helped him will out the police forms,
and there she is, on paper, smug like some ****** mary
because i'm the one that really doesn't think
that Islam got Project Hair wrong,
me? personally? i think that woman's hands ought to
be covered,
     in thinking terms, a woman's hands could
get me more excited than a woman's foot...
but sure... hell... why not hair?!
              the last time i checked, normal people
have an aversion toward hair...
ever see that person almost vomiting when they found
a stranger's hair in their soup?
  that **** that grows on your hair is the only silk
you've got... how about a few toenail clippings
to boot? first thing a sane would think: ****! ****!
oh, we're going to get on... just fine, just fine...
   the next time i think about encouraging
an **** ******* position's worth of prayer
i'll be a ******* cardinal.
   what's wrong with taking responsibility?
why are Islamic women so immune to the tractātus
of law? where's the jurisprudence?
   i'd call it something more than diabolical...
you can really become a vampire when you're told
the lesson: those that thirst for justice...
  lesser leech...
            who gives a **** whether it was: "but a scratch"?
woman! take responsibility!
  pampered little coconut jugglers...
   now to think of it... leave those curtains,
and this one time: she was walking with a buggy
and a small child and she unveiled herself from
a niqab before me...
           the perfect arabian nightmare i could
have ever witnessed...
             i had long hair back then...
what she revealed from under that niqab?
wait... am i writing this in the times
when the French occupied the Holy Land and had
the first thirst / idea of a colony?
  
this is me, imitating punching a brick wall...
this is me... in a boxing ring...
bashing myself...
            this is me thinking about how man
has no capacity to usher in karma,
how man's concept of law is hardly cosmic,
how man is a kniving ******* that
deserves something beyond a heaven and a hell:
rather: a return to his self...
that's what i keep telling myself:
i don't want heaven, i don't want hell...
i, just, want, to, return, to, my, self...
    yes, that's a reflection,
hence the pronoun has no compound, i.e. isn't
a reflexive understanding for the fluidity of language
expressed by the concerning compound: myself.
perhaps that's just the beginning of understanding
the noumenon / thing in itself, or rather to counter
the fluidity of the word itself, since, evidently
it self makes no sense that could ever produce
a concept akin to the noumenon...

why wouldn't this woman care to give an inkling into
her concept of right and wrong...
she's driving the ******* car, she makes a doo doo...
pauper... **** up!
            i still don't know why it was about hair...
you like a stranger's **** in a soup?
   what's with this middle eastern fetish for covering it?
hey! beginning from 1986, am i sorta automatically
involved in a cult that has a vintage of ageing from
a **** of a camel a long time ago?
  no wonder the knighthood ceremony was initiated
by slapping a newly initiated knight across the cheek,
like i said, a woman's hand is more ******
than her hair...
      i'd say: take up ye care to don gloves!
and that, i'm sure, will never happen.

it's probably the most delicate thing a woman can possess...
a hand...
the rest is what darwinism cared to provide us with:
a black widow, a mantis;
and that's talking pure earnest about the matter...

listen, i spent the past two hours having the ordeal of
an ego... which i had to anti-narrate into theory...
yes, the id was helpful, is actually told me, or rather,
interrupted the ego from the narrative
to give me this *******'s worth of profanity
(and yes, with due reason; ever fill out a police form
concerning some accident? do that, then you'll be equipped
to read Tolstoy)...

so it was ego-possessiveness,
      the ego already thinks its eternally subject...
that's one of the implants...
eternity and god are inherent in ego,
   your heart means absolutely nothing when the ego
has been given certainity that it can't shake off...
what the ego isn't given is a unit of reason
that sees past it... the id...
in relation to dualism and the much active dichotomy
as alternative to an equilibrium of dualism
i will outrightly exclude the superego
  as nothing but antithesis to the ubermann theory
of overcoming man...
  and on their shoulder they once had
the epitomes of cartoon conscience, an angel and a demon...
but thanks to the superego: they had mama
on their left shoulder, and papa on their right shoulder...

just the mere act of shutting that thing up
was enough, and it was apparent,
that writing fiction could be to blame,
   writing fiction can be rightly guessed at
for levitating a condition of medical proportion
into the realm of mythology,
    we have already depersonalised the unit
of ego to the extent that it has become polarised,
bipolar, e.g., comes from a depersonalised
gravity of ego,
we're no longer in need to write books,
we're in a dire need to write our own psyches...
and it all stems from making the basic human unit,
bound to the privacy of thought,
as needing a system that outweighs the moral
stratum,
           what can a person actually be or become
to even dream about asserting that there is
a da-sein (i.e. something, somethingness)
          "happening"?
i feel that there's something worse than a second
nakedness emerging,
         it's this incapacity to move on,
it's a mental nakedness, i am more easily prone
to dress my body in clothes
than i am able to dress my ego in thoughts,
than can correlate adequately, and peacefully...
toward something akin to a symbiosis
that can reach a = status, rather than an
   ≠ or an ≈ status... ****! Aquarius!
isn't the ≈ symbol the basis for it?
oh hell, back into the zodiac...
              
     i know my ego can be a downer,
but at least that's who i am talking about...
aphorisms no. 174 through to 178?
i do odd experiments with books,
     this is the first of its kind,
i'm actually going to rattle-******* this book out
till it feels like having wanked it 20 times
in a single day... i'll write what i "feel",
funny word, that word feel...
you never get to use it these days,
man is more about hammering in nails than
saying: ooh... that hurts...
and we all know what happened to Jesus'
teaching... forgive strangers...
     make sure your former friends are
crucified up-side down...
                 that really went far...
                      i can just see him...
an oasis of bullet-proof clauses...
              about how to handle people...
give them l.s.d. unconsciously!
         then wait for actual l.s.d. to arrive
and then worry...
when they took to their Swiss bicycles...
and writing poetry... and eating a soft-boiled
egg... given the concern for cholesterol:
a hard concept to fathom: that runny yoke...
     never ate mine with salt, i always like
that idea of legalised abortion...
                and we can be just that...
so imaginative to consolidate being mammal
that we can fathom eating chicken eggs
as easily as abortions... runny yokes have no basis
for a morality, or a compass...
they just are... runny... yummy...
             i call yokes the male version of
a woman's fascination with chocolate...
  i think egg yokes are the equivalent of cholocate
for men as chocolate is for women...
or so the advert said...

aphorism 174: as language...

          aphorism 175:
              philosophy catching up to science,
akin to theology catching up to philosophy,
both condescending extracts
that end up with both of the extreme parties
dressing up funny.

aphorism 176: such that newspapers are
the natural preservers? i.e. the idea of historical
escapism.

      (toilet paper does, much much more,
than a newspaper actually provides,
   press freedom is a bit boring to be honest,
beginning with the need for a moral agent
that's less and less moral, and more prone to
darwinism, i.e. selective, which is also said via:
what's natural, in a more and more techno-savvy culture?)

aphorism 177: only as, a rural thinker unto
a rural thinker... a case of describing a perfume
of those thinking about a day after tomorrow,
   but more precisely:
  the day before yesterday that didn't involve them...
say, on the ethnicity basis,
  the talk of being inheriting from the form
of ancestry... how we cultivate cucumbers,
tomatoes, prejudices...
   which is why i'm a slav happily talking a tongue
that's germanic, an off-shoot saxon,
and hopefuly defending it.

aphorism 178:
         "everything great wavers and wobbles,
stands in a storm. the beautiful is difficult."
   Ezra too, with the last, alas.
     but it's true... what happened in england in the second
part of the 20th century was great,
  and it did indeed wobble past the storm into
a desert of retirement...
            a peaceful coming toward terms of
a natural agreement...
   the generation preceding mine enshrined in their
psyche an england they heard over the radio...
king crimson... all such artistic expressions
found a case to take root...
     how parasites never attack a feeble creature
and only take roost in a strong symbiotic partner...
once it was said england could resemble ancient greece,
and it did, from the second part of the 20th century...
but that ended...
               it's gone, i have inherited a communist
past, a marxism with a concept of money,
and economic policy that wasn't inherently competitive,
but it also wasn't a welfare policy of the Marshall Plan,
and all i get is this freakish counter-movement
known as marxism in culture...
   that's worse than marxism in economy!

it should be heartbreaking to say this,
but coming from a monochromatic society,
watching the death of communism...
     i could say it was perfect... but then i can't
given my grandparents have a secure pension plan
that the state provides... i like that joke,
i just said it, and it makes perfect sense...
there is much more of Pilate in the history
of the peoples than there is of Jesus...
washing my hands clean, the companies said,
meaning self-employment...
     unless you have a really hungry libido
you actually do start worrying about keeping up
the numbers...
  companies don't...
      it's a bit of a bollocking...
i come from what could be imagined as a safety
economics of marxism into a marxism of culture
that i simply can't comprehend...
              well: it did give "us" a sense of pride,
and a will to rebuild warsaw without any american
money...
        the russians just said: where's your pride?
do you want to take their money and have it easy?
and when i ask that question:
i just start thinking about arabs without their oily diapers...
oil diaper... not exactly black gold:
oil diapers...
             Ahmed gonna poo poo?
              &nbsp
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Diana Aug 2020
What makes you feel the most beautiful?
  ->doing whatever the fu€k I want
edit 1: I usually thought this way, but now I would say when I’m worshipping or praying
edit 2: I would add it is when I am completely vulnerable. It is a different kind of beauty. One that is emotionally strong
(usually a person will say when they look a certain way which is sad to an extent because it reflects the way in which they associate beauty immediately with an external reflection; however, most people think this way)

2. Who do you love the most in your life?

3. Who has shown you and made you feel the most loved?
—> I had a 11 year old ask me this once

4. What would you do during the summers as a kid?
—> it can reflect the socioeconomic background one comes from

5. Do you think you’re an aesthetically  beautiful person?
—> this is quite interesting, bc if a good looking person says yes, then they’re proud and stuck up; if they say no, then they’re obnoxiously oblivious and seeking attention; if a not so good looking person says yes, then they are praised for their confidence; if they say no, then they are pitied and encouraged, the best answer is to give an answer back: do you believe that everyone should feel aesthetically beautiful?

6. Do you have any siblings? If so, how many brothers and sisters, and are you the oldest or youngest?
—> learning about birthing order can be huge! Oldest tend to be protective, responsible, mature at a very young age, selfless, and carry more of a silent burden and stress, introduction to adulthood is rather quick. Middle child is often overlooked and will seek a sense of family/community elsewhere with friend groups and such; they feel like their thoughts/existence goes unseen by the ones that are supposed to care the most youngest tend to seek the approval of others especially of those older than them, outgoing, irresponsible, and babied. They can have a harder time managing task without it being done for them by others.

7. When we fall asleep, where do you think we go?

8. What is a thought that has kept you up at night?

9. What was the most humbling moment you’ve had in your life?

10. What is a piece of advice that you still hold today that transcends time?

11. What’s a favorite quote of yours?
-> the unexamined life is a life not worth living; don’t take yourself too seriously; come back home to yourself and choose to show up authentically; growth is a dance not a light switch; Harriet Tubman- I freed a thousand slaves. I could have freed  a thousand more of only they knew they were slaves.

12. Who has impacted your life the most? How and why?

13. What is an overlooked or under appreciated strength that you have?
—> honesty, forgiveness

14. How do you give love? How do you receive it?
—> 5 love languages: words of affirmations, physical touch, acts of service, quality time, gifts

15. How do you communicate when in repairs after a rupture has occurred?
—> discuss as soon as possible, take a five minute break, wait a few days, words, touch, gifts, silence, etc. so you never repair after a disagreement?

16. Do you enjoy the late hours of the night or the early hours of the morning?

17. What’s your favorite type of weather?

18. Do you prefer exploring and staying in the gray, or the black and white?

19. Of you could study anything what would it be?

20. What are ways that you work on your emotional intelligence and character?

21. What type of communicator are you?
—> words, touch, actions, silent, loud, stoic, expressive, curt, bombastic, blunt, passive, etc.

22. Would you say you have a better face or body?

23. What is a moment where you felt a supernatural appreciation for the earth due to the view you saw?

24. How do you handle seasons? The ends and beginnings of them?
-> journal, reflect, avoid, acknowledge, cry, run backwards, move forwards, etc.

25. What book had a huge effect on you? What was it about the book?
-> all the bright places, Fahrenheit 451, the curse of the good girl, it ends with us, great gatsby, the voice of archer, etc.

26. What is the worst thing you can take from another person?
-> their time

27. What’s the greatest act of love (that you can do for another) ?
-> to die for another since the greatest fear is death

28. What is something that brings you peace that not many people do or notice?

29. What is the worst form of loneliness?
-> when you are uncomfortable with yourself

30. When do you feel the most vulnerable?
-> sleeping, expressing emotions, sick, crying, etc.

31. How do you handle seasons? The end and beginning of them?

32. Liquid or bar soap?

33. Have you ever closed your eyes, plugged your ears, and listen to the noise that comes when you let the water from a shower head pour over your skull

34. What is the most beautiful sound you have ever heard?

35. Do you think your parents are soulmates, or do you question their love for each other?  

36. What are important qualities to have in any relationship (platonic, romantic, etc.)?
-> trust, love, loyalty, respect, empathy, compassion, boundaries, autonomy, differences, effective communication, etc.

37. What are qualities that you look for in a romantic partner?
-> thoughtfulness, observant, confidence, wisdom, romantic, humorous, self-driven, self-discipline, humility, grace, etc.

38. How do you know that your (insert name/ relationship) loves you?

39. Would you rather be hated or alone?
-> interesting philosophical question in regards to being hated would mean that there is a recognition of your existence as opposed to being alone

40. How did you learn to ride the bike? Ice Scate? Snowboard?

41. When was the last time you felt rejected? By who? For what?

42. When was the last time you cried?

43. What has a kid said to you that has made you stop and reflect?

44. Which is a worse fear: the fear of dying or the fear of not being worthy of love
-> Jordan Peterson claims that the greatest fear that humans have is not death because then how would we explain suicide...the fear of death is a subcategory for the greatest fear which he believes to be the complexity issue (people **** themselves not because they want to die but because their life has become too complex for them to handle emotionally and/or physically)

45. What is the most destructive thing a person can do to themselves?
-> to deny themselves; to place the responsibilities of loving and accepting themselves onto others such as lovers or family members; to believe they are not worthy to be loved

46. What is something you want to experience/feel in a relationship
-> unconditional love; lol I have a while poke dedicated to experiences

47. Tell me about a dream that you have had multiple times

48. What do you like most about yourself?
-> my mind/thinking process; understanding, and open to conversation

49. Would you be friends with yourself

50. What is the worst thing you have done or said to another person? How old were you?

51. Why do you choose to wake up and participate in society?

52. What makes a woman or man their gender? Their body/attitude/characteristics?

53. Would you let your child date someone that has the character of you?

54. What makes you special? Since the beliefs you hold and the personality traits that you have aren’t exclusive to you?
-> it’s the combination and ratio that makes us unique

55. when was the last time anyone ever told you how important you are?

56. what are things you do when you need to feel nurtures?
->hot bath, foot rub, curling up in a comfy chair with a comforter and a good book, or making a *** of soup or a nourishing hot drink

57. what are ways that you neglect your physical and emotional well-being?

58. where in your life are you not protecting what is precious in you?

59. what adjectives describe your relationship with your mother? do you like the closeness or is it uncomfortable in some ways and hard to fully accept?

60. What do you do when you cry? do you try to stop it, cover your eyes, in the dark, into a pillow, silent, loud, sooth your body?

61. What was something that someone said to you that made you feel seen for the first time in a long time? what is something that touched you heart?
-> you are do brave, you have a courageous heart, you are a natural teacher and psychologist, you lean towards healing, you do not realize how much you impact other people's lives

62. what is a go to song that you could listen to at any moment in your life?

63. What do you do when you feel lonely?

64. What is something that puts a smile on your face?

65. What smell brings you joy?

66. would you rather get caught or catch your parents?

67. what is one of the biggest lies you have told yourself?
-> you are unworthy of love

68. what is a memory that reminds you of the beauty in life?

69. what is your favorite word to pronounce?
-> tantalizing, satiate, revere

70. what stereotype do you think people put you in when they see you?
-> pretty, (not super smart) blonde

71. what are things about you would shock other people?
-> first generation. youngest of five, 4.0 student, write poetry, love to read, not active on social media, don't like taking pictures, never been kissed, played the violin and cello, struggled with insecurity

72. tell me the accomplishments that you might be hesitant to share bluntly in fear that it comes off as being a show off?
-4.0 since sixth grade to nursing school in college, won a poetry competition in senior year of high school, got a full ride to UW Seattle and declined, won best dressed in high school, squatted 225lbs, muscular body, sang in a few songs (good at singing)

73. how do you interact with others when they are invading your personal space?
-> don't do anything, interrupt and tell them to move, slowly do something on your own without saying anything to them

74. what do you do and how do you feel when someone cries next to you?
-> hug/touch them, talk to them, remain silent, get stiff and uncomfortable, try to get them to stop crying, walk away

75. how do you regulate your emotions when they are out of homeostasis?
-> don't know how to, take deep breaths, walk away from the situation so the stimulus/source is not in front of me, cry

76. name as many emotions as you can
-> reflects their ability to accurately label their emotional experiences and can possibly be a marker/indicator for their emotional intelligence/maturity

77. how do you feel about death, do you talk about death, do you see others shut down or open up when you express this topic?
-> isn't it ironic how death is an inevitable event yet so many humans are uncomfortable with talking about it. I believe that it interrupts the natural grieving process. I talk about death with my dad and he is more open with talking to me about when he passes; my mom gets uncomfortable and gets upset and tries to switch the topic.

78. would you rather eat any form of noodles or burgers for the rest of your life?

79. when was the last time you sat in silence and was comfortable with it (excluding before you fall asleep)?

80. when was the last time you had a conversation with yourself about something deep? what was it about?

81. what is a revelation in your life that made you cry?
->only God can provide me with unconditional love; no one else can

82. what do you think is the root of all fears? what do you think can remove them?
->ignorance; distraction/knowledge -> unconditional love

83. What is the most unique response you’ve received when you’ve asked someone how they are doing?
-> still breathing

84. Do you think humans are easy to love?
-> I don’t think they are easy; it is complex just like they are

85. When was the last time you read a book? What was the title called? what was it about? Why did you read it?
-> the emotionally absent mother by Jasmin Lee Cori

86. If you’re comfortable with sharing, talk to me about the life of someone that has passed away? What were they like? How did they make you feel? Who were they to you? How did you cope when you realized they passed away?

87. Who are addicts? What do you need to do to be one? Do you think everyone is an addict to some extent? Why do you think people become addicts?
-> whenever faced with such questions it is imperative that we must ask ourselves the question of why! Yes, I believe all of us are addicts to dopamine; our brain is wired that way. But when we think of addicts, we forgot to ask the question of why they are addicts. Life became too difficult to manage and the body found a way to stimulate the mind in such a manner that it either numbed the pain or provide sensation to a chronic state of numbness

88. Other than the lips, where do you like to be kissed the most?
-> forehead, cheek, behind the ear, neck, top of head, hand, nose, shoulder, chest, back, collarbone

89. What type of kiss do you enjoy the most?
-> slow, fast, French, peck, open mouthed, short, long, sloppy, hungry, passionate, affectionate, sweet, etc.

90. it is easy to agree with the statement that dehumanization is not okay, but is it more gray than we think? is there a degree of dehumanization that is okay or needed? if so, what is that degree? also, do you think we commit acts of dehumanization regularly? if so, when and what are these instances?
-> i believe that as humans we have a tendency of wanting to see our light and ignore the aspects of ourselves that are casted in that shadow. to have a light is to also have a shadow; i believe that we dehumanize almost every time we meet someone by limiting their mystery to small snipits of who they really are; also, sometimes it is very difficult to handle and hold such emotional space that our minds need to shut off and dehumanize for our own sake of well-being

91. are soul mates meant to be with each other?
-> A soulmate is a person with whom one has a feeling of deep or natural affinity. This may involve similarity, love, romance, platonic relationships, comfort, intimacy, sexuality, ****** activity, spirituality, compatibility and trust

92. what are ways that you can take a break from reality?
-> sleep, reading, gaming, showering

93. do you have people in your life where their presence is enough? no conversation is necessary, just each other's presence is comforting enough.
->celesa, kristina, michelle, marta,

94. what is a memory you like to relive time to time?
->dancing with celesa at the bistro to adore you; trinity; late night phone calls with close friends

95. how would you describe your relationship using 5 adjectives or phrases with your best friend, sibling (if you have one), and care giver?
-> "If you love yourself, you love others. If you hate yourself, you hate others. Because in relationship with others … the other is nothing but a mirror." - Anonymous

96. how would you describe yourself using 10 adjectives?
-“I’m selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can’t handle me at my worst, then you sure as hell don’t deserve me at my best." I like this quote because it acknowledges the negatives of who we all are. we aren't all only happy, funny, bubbly, hard-working, etc. we are also grumpy, boring, rude, and lazy. we are a combination of every adjective out there; it just depends on how aware we are of our expressions of these adjectives. So, notice the kind of adjective the person uses when they respond and also note the context and circumstance of your relation to them.

97. do you prefer a hot drink on a cold day or a cold drink on a hot day?

98. if you could be famous would you? famous for writing, acting, food, music, sport, YouTube etc.
-> for me personally it depends on the exposure i get. if i get a lot of focus on myself then no (music, acting, etc.) but if my work gets more focus than i do and i can still live a "normal" life then yes (writing, food, etc).

99. which musicians or artists do you think deserve more recognition?
-> emotional oranges, Justice Der, cigarettes after ***, the 1975, pink sweat$, A. Chal

100. what is one of the most thought-provoking questions or statements you have ever heard?
-> "not all of us can afford to be romantic" - Pride and Prejudice;
"when will it be enough; how much more do you need to finally be happy"- My dad; "do you believe that everyone deserves to look and find themselves to be aesthetically beautiful" -My brother

101. Favorite piece of clothing?
-> yuriy’s wedding: the dress I had, red socks, fuzzy sweater

102. What’s your full name?

103. What’s the weirdest saying an old person has said?
-> don’t go spending your money in a wooden nickel

104. What age would you consider a person to be old?

105. Do you believe that life requires s purpose?

106. What is your purpose?

107. What is one of your biggest fears that you believed in (as a child, adult, etc)?
-> that I was unlovable at some point in my life

108. When you are in an emotional emergency, do you have someone you can call? If so, who is it and why?
-> I don’t really...I try to stick through it...weird since I have had people tell me that I could call them but I still don’t feel comfortable to talk to them...

109. Do you have relationships where you felt valued, a sense of belonging, calm, accepted?

110. What is your earliest memory of feeling left out?
-> the social pain overlap theory (SPOT) describes the overlap between the pain of being physically hurt and the pain of being left out. In our bodies, there is literally no distinction between the two.

111. If you could only have one for the rest of your life, would you choose to keep limes or lemons?

112. Have you ever experienced the relational paradox? If so, with whom?
->  when you’re convinced that your friends won’t tolerate who you really are so you decided the best way to be excepted is to leave a part of yourself out of those relationships; By hiding yourself you may preserve the friendship but at the cost of feeling that you don’t legitimately belong but if your friends can see who you truly are they would cut you loose

113. Have you ever done a relational mindfulness exercise?
-> set a timer for 10 minutes, and then stare into each other’s eyes silently. It should sync your cardiac systems as well as your respiratory systems. Hold each other’s pulses to identify; I find it weird how we get stared at lovingly when we are babies and then that goes away as well get older...

114. What is a secret that you have kept from your partner, family, or closest friends that you believe if they found out they would reject you?

115. Do you have a person in your life that can be categorized as “the one that got away”? Someone you either dated or never dated?

116. Is there someone in your life that you don’t see anymore that you would like to have a conversation with? Dead and/or alive.

117. Sunset or sunrise?

118. Do you want children? What is your opinion on men who don’t want children; what is your opinion on women who don’t want children?

119. Have you ever felt forced to do something that you didn’t want to do or say? Like give a handshake, hug, take a picture, have a conversation, give a number, compliment someone, disclose personal information, go on a date, say I love you?
-> there’s a difference between not wanting to do something and feeling forced to do something, and I find it interesting that we all do things that we feel are forced upon us when no one is directly stating that we have to do it; it’s like an invisible force

120. what is something that another person did that made you uncomfortable but you never addressed it?
-> sing terribly while they are genuinely trying, get physically close to me, compliment me in a creepy way, talk in a movie theater

121. What is a pet peeve of yours?
-> leaving garbage on a table after you eat (not cleaning up after yourself), having poor etiquette with servers or cashiers, saying “mom” instead of “my mom” if I don’t share the same mother as them (missing the possessive pronoun before a parent).

122. Who is someone that you find attractive that is the same *** as you?
-> Arbby, Irina, Jessica, Sara, Valentina

123. What is the most sweet/****** compliment you have given to someone?

124. What is the biggest plot twist you have ever seen in a movie or book?

125. When did you  feel the most loved (in your entire life, this week, by me)?

126. what is something I have said that you have always remembered?

127. Blue or red Gatorade?

128. Star gazing or sunset picnic?

129. What is something that is underrated?
-> our bodies (specifically our our hands, eyes), stars, cologne/perfume

130. have you ever tried to impress the other? If so, for what reason and when?

131. Which do you prefer: breakfast, lunch, or dinner for the rest of your life?

132. Are you missing someone right now? Do you think they miss you?

133. What was the happiest meme out you have had this year?
-> dancing with Celesa at trinity, at the apartment, after hours at the bistro, French dip at lost like with Celesa, holding Lorenzo, seeing a birth and colostrum, making my first song and listening to it for the first time, board game with Hayden, D.E.A. Hat guy, Fourth of July with kristina -> ride back with questions, eagles falls, yuriy’s wedding and gelato boy, euphoria makeup with Bella, painting with Michelle at green lake, reading books

134. where were you born?

135. how many states/countries have you visited?

136. what color would you use to describe your life

137. would you say it is better or worse to listen to sad music when you are sad?

138. what is the #1 factor that predestines people for failed relationships?
-> no examples of healthy relationships

139. what is the weirdest ice cream flavor you have ever tried?
->black licorice, peppercorn/caramel/goat cheese

140. What’s the most exciting dream you have ever had?

141. What’s the most peaceful dream you have ever had?

142. What’s the most terrifying dream you have ever had?

143. Who is the most misunderstood person you know?
-> Mark; he wasn’t well liked, but I remember thinking that the was just misunderstood...

144. Who in your life are you misunderstood by?
-> my mom

145. Do you prefer handshakes or hugs?

146. Do you prefer movie nights or dinner dates?

147. When was the last time you read a paper book for pleasure?

148. What is a comment that someone said to you that you were honestly shocked by? Like, you couldn’t believe it came from their mouth?
-> when I was in sixth grade and my friend’s mom said, “aren’t you jealous of [her daughter/my best friend’s name] ****”?; “do you even know what wings are”?

149. As a kid in elementary school, where did you play during recess? Tetherball, four-square, hopscotch, jump rope, soccer, basketball, slide, monkey bars, swings, sandpit, etc?

150. What otter pop flavor was your favorite?
-> the pink one

151. When you brush your teeth, are you messy or clean? Meaning, does the toothpaste get outside of your mouth at all?

152. What do you remember about elementary school in terms of field trips, punishments, recess, fun run, day of activities, lunch food, movie nights, fundraisers, assemblies, and reading points?

153. what do you remember about middle school in terms of the change from elementary school with no recess, classes, $ex ed, lockers, assemblies, P.E., lunch food?

154. what do you remember about high school in terms of the change from middle school, classes, assemblies, P.E., sports, lunch food, standard tests, dances, friends from your first year to your last year?

155. what do you think is a poet's aphrodisiac in the form of a person?
->intelligence, originality, mystery, intriguing personality

156. what is a bad habit that you know you should quit ( can be a substance, activity, or person)?

157. How often would you say you reflect on your life? with the mundane activities and the more impacting activities?

158. what's a song that you are replaying right now?
-> redbone x childish gambino by Jospeh Solomon

159. what is the most random food combo that you really enjoy?
->mashed potatoes/gravy with corn; hot dog with jelly

160. who is a person in your life that was the most mysterious to you?

161. would you say that you were shown healthy relationships throughout your childhood? in particular, your parents' relationship?

162. would you say that your family made you feel seen, heard, and understood? if not, would you say that you subconsciously expect this in your adult relationships? what have you done to unlearn this mentality?

163. would you say that you are always the one doing the caretaking in your relationships?

164. do you have a hard time listening to others?

165. do you act differently with men than with women?

166. do you get hurt easily and withdraw when there is conflict; what are you like during conflict?

167. what are you like when you don't get your way (aggressive, sad, quiet, loud, irritated, calm, unbothered, indifferent, annoyed, happy, frustrated)?

168. what are the molds for your ideas about how relationships are supposed to work?

169. what do you believe you're entitled to within a relationship (any/ friend/ romantic/ family)?

170. what was your closest experience with death?

171. do you prefer cauliflower or broccoli?

172.  what's the weirdest thing you have ever eaten?

173. what are your favorite tv shows or movies?
-> bridgerton, pride and prejudice, law abiding citizen,

174. what is the most controversial thing you have ever done?

175. what is the most controversial thing another person has done?

176. what is your superpower?
->there is no one on this planet that is quite like me

177. what do you believe is the purpose of a romantic relationship? Marriage?

178. do you think love is needed to marry someone? would you find yourself ever in a situation where you would marry someone that you did not love?

179. what is your weirdest talent? hobby? experience?

180. do you bring your phone with you when you go to the bathroom? if so, when was the last time that you went without your phone?

181. what is something that most people have done but will not admit to?
->eat a ******, smelling their **** out of curiosity, ma$turbate, blame a **** on someone else, etc.

182. do you believe that there should be aspects of yourself that no one else on this earth except yourself should ever know?

183. what's the weirdest conversation you've ever had with someone?

184. How old were you when you had your first kiss? Describe the situation? Who made the first move?

185. What is the spiciest thing you have ever eaten?

186. what is the most bitter thing you have ever eaten?
-> unripe pear!!

187. what is the most spontaneous thing you've ever done and/or said?
->eagles falls with kristina, lorenzo's birthday with selesa

188. how would you want a girl/boy to shoot their shot at you?

189. if you could be someone else for a day (someone you have met and know) who would it be?

190. if someone wasn't interested in you, how would you want them to rejected?

191. do you prefer buttered popcorn or the sweet kettle popcorn?

192. what is the rudest thing you've wanted to say but stopped yourself from saying?

193. what is the most genuine, heart-felt compliment you have received from someone?
-> you are courageous/brave; you are a natural psychologist and healer; you're my best friend, I can tell you anything

194. what is an experience you look forward to in life?
-> walking down the aisle and maintaining eye contact with my man the entire time until I have to hug my dad goodbye; my wedding night; going on vacations with just my husband; going to Jamaica; holding my baby in my arms for the first time; watching my husband play with our children on a beach as I sit under the shade; trying fruity cocktails on my 21st; going on my first date; my first kiss; moving into my house

195. what is a moment that you tend to relive in your mind?

196. what is something that you have learned to accept in life as you have gotten older?

197. who was your first crush? how old were you? what about them made you like them?
->ruslan at church; I was maybe four; he was really sweet to me and I thought he was cute; at yuriy's wedding, I saw him and told him about it which made him get really excited

198. what is something that you hate to eat? you've tried it and you know that you will try to avoid it at all costs.
->parsley, celery, beets, ginger

199. at what age would you say you lost your child-like innocence?

200. your turn. create a question!

201. how old were you when you found out that santa wasn't real? how did you handle it?

202. what is something that people hate, but still choose to participate in?
->beauty standards

203. what super power would you wish to have?
->time control

204. if you had the chance to have the superpower of mind control, would you accept it?

205. how would you decorate your ideal house?
-> different vibes for different rooms; monochromatic black room with lava lamps, white room with dark brown wood accents and lots of plants, pastel light pink with neon glass decorations

206. who is a person that had made you cry?

207. what is one of the most scariest thoughts you have had run through your mind?

208. what is one of the most sad thoughts you have had run through your mind?

209. do you believe you should have to pay to live on a planet you were born on?

210. what is a candy that you hate?

211. what is a song that you try to avoid because it is too personal?
-> apple bottom jeans

212. would you say that you are alive or merely living?

213. what is something that someone said to you that you have never forgotten?
-> you have a lot of knowledge, but you lack experience

214. what is an example of a person that you thought was good but turned out to be a genuinely bitter, horrible person?

215. When was the last time you felt truly understood by somebody? Who was it? What did they understand?

216. Can you think of someone in your life who understands you better than anyone else?

217. Is your relationship with yourself healthy or unhealthy?

218. Growing up, the relationships I primarily saw were healthy or unhealthy?

219. Do you attach guilt with growth?

220. Have you spent too much time today comparing yourself?

221. When did you feel the most trapped?

222.who do you feel most yourself around? Why?

223. what parts of yourself do you need to break up with?

224. what is your favorite conspiracy that you believe in right now?

225. do you prefer to work with people are are the same or opposite gender as you?

226. what was the most intense experience of $exual tension that you have had?

227. what activity do you do that makes you feel most at home/ yourself?

228. what was the most painful truth you have ever been told?

229. who is someone you will never forget even though you have only had one encounter with them?

230. when was the last time you felt adrenaline pumping through your veins due to excitement?

231. what about you feels easiest to love (physical and character)?

232. what about you feels hardest to love (physical and character)?

233. What kind of love feels more familiar to you -> peaceful or chaotic love?

234. to what extent to you feel your appearance is the most important aspect of who you are?

235. do you think being attractive is a privilege? are you nicer or meaner to people you find attractive?

236. what was the hardest thing that you forgave someone for?

237. how would you define forgiveness?

238. who have you farted the loudest or most often?

239. what is an embarrassing story of when you really needed to **** in class but struggled to hold it in?

240. what is something that made you blush really hard?

241. if you had the opportunity to be famous, would you choose to be?

242. what is the longest you have not dated someone (or was flirting or thinking with someone)? In other words, what is the longest you have been alone?

243. what separates us from God?
-> ignorance (spiritual) and death (physical) - Jordan Peterson

244. what is a message that everyone deserves to hear in life?
-> "you deserve someone who's going to work hard to find ways to care for you." You are worthy of unconditional love.

245. what is a difficulty in your life right now?

246. what is something you've always wanted to try but haven't yet?
->fall in love, go on a trip by myself, go to Europe with Itzhel, drink a mimosa at brunch in a sunny place

247. what are qualities that you really admire in people?
-> attentiveness, observant, thoughtful, thought-provoking, mysterious, charming, honest transparency, vulnerability, calm curiosity, humble confidence

248. what is one of the most important connections you can have in life?
->your relationship with yourself

249. what memory comes to mind when you think about the ocean/beach?

250. what memory comes to mind when you think about carnivals?

251. what memory comes to mind when you think about water balloon fights or snowball fights?

252. Do you think your parents have thought about killing themselves?

253. Do you think your best friend has thought about killing themselves?

254. How often do you think people have thought about harming or killing themselves.

255. Do you believe in the concept of marriage?

256. what is the worst advice you have ever received?

257. was there ever a time where you were vulnerable and regretted it? if you are comfortable with it, what was the situation?

258. if you could go to any concert, who would you go see?
-> chase atlantic, post malone, cigarettes after ***, ariana grande, the 1975

259. why do you think people protect their pain? what does that look like - to protect one's own pain?

260. what is an acoustic version of a song that sounds better than the studio version?
-> like a rockstar & what u call that & cassie - chase atlantic

261. what is an experience that you wish to never experience again?

262. how do you feel about silence? is its presence comforting?

263. have you taken any drugs? if so and you feel comfortable sharing, what are they?

264. what is advice you would give to your 15yo self and your 40yo self? (a much younger and older version of yourself?)
-> younger self: you are worthy to love; you are worth getting to know and understand; you will one day believe that you are enough and choose healing with a life filled with authenticity that will get challenged; you'll be more unconventional; your way of thinking will not be like most that are around you - this is okay and expected
older self: I hope you are happy and live a life that you chose and not one that you compromised on for the sake of other's happiness and comfortability; I hope you live authentically and continued the process of living actualized as Maslow would saw; I hope you married your best friend that is your match in his own unique way; i hope your communication is better and that your relationships are healthy and boundary enforced

265. if you knew you were going to interview God for thirty minutes and could ask him only one question, what would it be?
-> who am I?

266. what would you do if knew you could not fail?

267. how are you, really?

268. how would you behave if you were the best at what you do in the world?

269. are you finding your dream job or are you creating it?

270. if there was a solution to your anxiety, what would it look like?

271. why are you worth knowing?
-> well, you're sitting in this seat listening to me

272. when was the last time you did something for the first time?

273. how do you treat people who can do nothing for you?

274. do you stack the plates and clean up your table when at a restaurant?
->analyze SES and their behavior to working class

275. what or who lights you up?

276. what would your perfect day look like?

277. what is an underappreciated fruit and vegetable?

278. what is something that guys/girls are insecure of that guys/girls do not really care about?

279. tell me about a time where you threw up in public?

280. tell me something illegal that your family did?

281. what is a word that would always make you laugh whenever you heard or said it when you were a kid?

282. what is the first cuss word you started using often in your vocabulary?

283. if you could be one animal, what would it be?

284. what insect were you the most fascinated by as a kid?
->ladybugs, dragonflies

285. if you could blow one thing, what would it be?
->paint, slaughterhouse, firework stand

286. what emotions would you associate to every color in the rainbow including pink, brown, black, and white? If that is too much, if you could choose one color, what emotion would you assign to it?

287. what is the saddest thing that a person has ever said to you about themselves or their life?

288. if you could be any pair of shoes, what would it be?
->professional rock climber, work boot

289. would you consider yourself to be an addict?
-> I think we are all on a continuum and are all wired to be addicted to dopamine and love we just go about it different ways.

290. if you could have any dog in the world, what would it be and why?

291. if you had to describe love and what it feels like to a young person, what would you say? OR
if a kid asked you what love feels like, how would you answer them?
-> able to feel no judgment and feel free to be who you are without the fear of rejection

292. how would you define healing?

293. how would you know that you are healing or healed?

294. where in your life have you compromised and lived for someone else?

295. what is a thought or idea that scares you?

296. why do you think people protect their pain?

297. how would you like to be cared for when you are experiencing an emotional crisis?

298. what is something that you were told when you were a kid that you have never forgotten because it provoked you so much?

299. who is a friend in your life that you know you should stop the friendship with but you struggle to?

300. what is a motto that you would tell your kids that you have lived by?
->be the man/woman that you would want your daughter/son to marry one day

301. when was the last time anyone ever told you how important you are?

302. Who have you spoken the most genuine I love you to?

303. What social situation are you the most anxious of?

304. What is something that people would never think or associate with you that you’ve thought or done?
-> I love to binge on romance novels, I played the violin and cello, I’ve never been kissed/had a bf, I have a song on all platforms, I’ve had a 4.0 most of my life, I tend to write ****** poems, I was in a drill team for five years, I wasn’t born in America, I love country music

305. What is something you’d like to say to someone who has already passed away?
-> Robertson: I hope you’re proud of me in the way that I am; thank you for supporting me in more ways than one

306. What is something you’d like to say to someone who hurt you badly?
-> i deserved better than your projected insecurities, but I was too naïve to understand any better

307. If you were forced to only listen to three songs on replay during the deed for the rest of your life, what would it be?

308. Like all of us, we are replete with contradictions -> we are walking contradictions. What are yours?
-> a desire for intimacy and a fear of touch/commitment; a desire to be known and a fear of vulnerability

309. Do you think you ever turned a teacher on?

310. What is the greatest lesson that the other person has taught you?

311. if people could not take pictures, do you think they would still drive to the tulip festivals?

312. why do you think we met?

313. which is the hardest for you to say
(1) I love you
(2) I was wrong; I'm sorry
(3) Worcestershire sauce
(4) I need help
(5) I appreciate you

314. what is one of your favorite lines in a song?
-> hoodie on low cuz I stay focused yeah, hard to stay low when everybody notice
-> heart on your sleeve like you've never been loved; I don't feed her fears I feed her habits; type to make you f*ck 'till you finish
->said you needed this heart then you got it turns out that it wasn't what you wanted

315. Are you struggling with your mental health right now?

316. Are you afraid to admit the things that go on in your head?

317. Have you ever met a person that made you so nervous that you avoided them at all costs due to the way that they look?

318. Who is the most selfish person you know?

319. Who is the most selfless person you know?

320. How many Costco hotdogs could you eat in 45 minutes for a hotdog eating competition?

321. What do you put on your Costco hotdog?

322. What’s your favorite cereal brand?

323. Stargazing or sunset?

324. What is an underrated aspect of life that is mundane to most?
-> breathing, eyesight, touch

325. If you could only keep two out of the five senses, which ones would you choose? What if you could only keep one?
-> taste, touch, smell, eyesight, hearing

326. Would you consider yourself to be more black and white or gray in terms of your thinking?

327. What was your favorite kind of candy cane: the peppermint, chocolate, or fruity ones?

328. What’s an American tradition that you do not follow?
-> I'm not a huge fan of chocolate chip cookies, PB cups, peppermint candy canes

329. what do you love most about your family?

330. what is something you would like to change about your family?

331. what is a fashion trend that you think is overrated?

332. what is an aspect about people that you have only encountered a few times in your life?
->humble/ confident authenticity, thoughtfulness

333. what do you think is the ugliest trait one can have?

334. which is worse to be super insecure or to have an inflated ego?

335. would you call yourself a good person? how do you define good?

336. what is something that fascinates you that you think about time to time?
-> reality doesn't really exist; it's our perception of the stimuli in our life that we come to understand as our own reality which is only one side of the narrative. Also, people have conversations that are quite incompatible in the sense that their definitions of words and their life experiences impact how each person enters the conversation. It is like there are two conversations that are being shared and understood in the same space.

337. what is a job that you think is much more difficult to do/live with?
-> acting: how do you separate and keep hold of your authentic self and the characters you play if you can play them really well. Does life become your stage?

338. what is a movie or song that is about to release that you look forward to seeing/listening?

339. how do you feel about your inevitable mortality?

340. what do you think about graves? how do you think society has shaped or challenged your opinion of them?

341. what is a reason for why you cried?

342. when was the last time you laughed so hard you couldn't breath?
-> talking to Bella's family and Devin jumping into the conversation with his friend that his lactose intolerant when we were talking about birth control

343. what is the best vacation that you have had? what made it so special?

345. what is the greatest lesson a friend has taught you?

346. what is the greatest lesson a parent or adult has taught you?

347. what is the weirdest thing you have done with someone in public?

348. have you ever looked at someone while they're doing something like driving, laughing or eating and just smile because they mean so much to you? If so, who?

349. what do you think is the most influential relationship that you have that impacts all other ones that you have?
-> yourself or with your parent(s)/caregiver(s)
-> "never forget that the relationship you have with yourself sets the tone for the relationship you have with everyone else. If you want to work on your relationships, start working on yourself"

350. what was a phase of your life that you would go back to if you have the chance. why?

351. what is a warning that you wish you got before knowing me?

352. what is a question that you have wanted to ask someone but got too nervous to announce?

353. talk about a time where you needed toilet paper but it wasn't there. what did you do? were you in public or at home?

354. what is an instrument that you think is harder than it actually is?
-> the drums!! that is multiple rhythms to keep up with...

355. describe a time where you thought you were going to cry but tried really hard to keep your composure?

356. when you would cry as a kid, what would your parent(s) say? other adults? if they shamed or shut you down immediately, do you still do this to yourself today?

357. what is the craziest drug you have ever taken?

358. what is something you would miss if your home burned down?

359. if you could move anywhere, where would it be? would it be in the city or country?

360. what is knowledge that you wished you knew when you were younger?

361. what is the most expensive item you have bought that you regretted?

362. if you could hug anyone in the world, dead or alive, who would it be?

363. what is the most messed up thing you have seen another person do to another?

364. what do you tend to think about during the time where you are laying in bed and trying to fall asleep? where does your mind tend to go to?

365. what is an event in the future that you are looking forward to?

366. Is a hotdog a sandwich?

367. If you were diagnosed with Alzheimer's and you could remember only one memory, what would it be?

368. What aspect/version of yourself are you the most ashamed of?

369. What aspect/version of yourself are you the most proud of?

370. Is there someone in your life that you hide aspects of yourself from? Do you believe that if they knew all of you unfiltered that they wouldn’t accept you? is this true love?

371. Do you know how to swim? If so, how and where did you learn to?

372. What is a song that makes you cry/emotional? W

373. What song reminds you of another other person?

374. What is the name of a song you will not listen to again because it is too painful?

375. Who has emotionally hurt you the most in your life?

376. When was the last time someone told you that they loved you? How did it make you feel?

377. What did you dream of last night? If you do not remember any dream, then what was your most recent dream?

378. If you had to either eat and **** out of your mouth or *** which one would it be?

379. What's something a stranger said to you that you remember to this day?
-> I think that your body is perfect

380. What is a lesson that the earth has taught you?

381. What is a lesson that your body has taught you?
Feel encouraged to add on in the comments.
Contoured Nov 2017
She was a monochromatic artist,
She carried grey on her brushes,
Grey on her canvas.

Years had passed,
painting the grey,
Until she met him,
on a casual day.
He asked for her art,
red engulfed her face.
She handed it over,
Felt her heart race.

As he painted atop,
her plain, grey work,
She noticed his quiver,
his subtle quirk.
He shook with excitement,
for what he created.
The strokes of his brush,
what they effectively stated.

The canvas flooded with color,
vibrant blue and red.
What once was just grey,
was every color instead.
He shared his paint,
and together they painted.
Hours, days, weeks, months,
they were quickly acquainted.

It soon became time,
to get on his way.
He packed up his paints,
left the next day.
Soon after he left,
her work began to fade.
What was once turquoise and magenta,
again became stone grey.

She carried grey on her brushes,
Grey on her canvas.
She was a monochromatic artist.
Larry Potter Jul 2013
I was hungry enough to eat the **** end of a skunk.  I felt like gobbling the whole mound of concrete that is half an hour closer from becoming a part of my room.  Make that a quarter. I guess my tummy has had enough grumbling, like a seething network of volcanoes ready to devour Hawaii.  I am sure as exhausted as a zombie after a “battle of life and death” handling a plethora of carpentry tools which I have managed to rummage from our dismal basement.  I’m quite serious with the phrase “battle of life and death”.  I get to have this Obsessive Compulsive Syndrome which gulps a huge amount of my rhythm compelling me to put things in place especially in my chamber.  At times, a weltered pen could instigate an emotional havoc.  Or perhaps an inappropriate collaboration of curtain hues and mattresses would be ample to spin the color wheel concept out of my brain.  But now, my walls have done it.  Well, it was just a microscopic sight of a divine crevice, but how in the world could that escape my eyes?  Without a second thought, I approved an avid proposal from my subconscious – a full concrete room renovation.  And that’s how it brings me here, smothering the last square inch of the genius blueprint with this porridge of lime and clay, the hell with chemistry!  I have found out that my room has achieved the piquancy of a sizzling summer noon, thanks to the mist of dust and the precipitating drops of sweat that come tingling down my overheating body.  Ah! At least my system tells me that I’m not a promising patient of ****** dysfunction.  When the last patch has been perfectly planed in place, I drew my last ounce of pure strength and plunged into my most formidable bed, congratulating myself for a job well done. Alas! A thirty-minute nap and I’m ready for a superb coffee and doughnut delight.

I woke up from a cat’s screech. I peeped through the window. The nap breaker was a Cheshire, one with a dimmer fur, the stripes of gray suppressing the darker color.  Its tail enjoyed dancing around its rear, connoting either fear or excitement. It sure has a distinctive mischievous grin.  The feline was on the verge of climbing up the roof by jumping from a gutter about five feet away.  It seemed to have slipped but has managed to bring its **** next to the roof tiles. It stared at me with intent, giving me the macabre look from its glaring eyes.  It’s as if I’m being watched, stalked and examined in a way I couldn’t see, bringing me that feeling of guilt, of remorse.  Urgh! That’s why I hate cats.  Though I’m planning to keep one, I’ll reconsider it.  But what pains me more is to discover that my alarm was not able to do the job and so I slept three hours more than planned.  I looked down and saw the city lights flashing one by one, the beams glowing like a barrier of radiance diffusing into the gloom of the night. I guess this was the price I have to pay. I traded my snack with a peaceful hibernation, turning the coffee into a glass of iced tea and the doughnut into a great dinner with me, myself and I.

I have learned to cook since I was ten.  My mother believed that culinary prowess could be inherited from generation to generation.  And so, she put her trust on me and I haven’t failed her ever since.  This gourmet brilliance proves to be very useful at times of solitude when you got bored of ordering other’s recipes and decided to make your own buffet.  I remembered her telling me that all food would taste good if there is the chef’s heart flavored in it.  Cooking is an art, combining the loops and the whoops of seasonings and spices to the medley of meat and herbs.  Tonight, I decided that my dinner would equal breakfast, satisfying the grudge that I got from skipping my  diabetic snack attack.  A beef stew and a side of paella made my stomach die in joy, appeased at last that my gears are energized for my routinely nocturnal bookworming activity.

I normally hide under my sheets at nine but tonight, I shall break the rules. Don’t get me wrong, I’ll fix the rules next time. Just this time to spare for I have gained interest on this book entitled “100 Years of Solitude”, talking about how one could live happily even alone, just by creating the world you have ever dreamed of. Gabriel García Márquez is dumping the “no man is an island” concept which anyway sounds inspiring to me.  Finally, I jumped into bed thanking Him for letting me outrun another day living alone in a comfortable apartment, free from all sorts of vexation.  I wished for a better life at school, which gives me an imagery of dull monochromatic memories.  I am not that famous but I can be someday.

A heavy beam of sunlight pierced through my window, refracting on the ***** white floor and creeping up to the mahogany table just right at the corner.  It intercepted with the glass pyramid and created a beautiful prism that glittered all around my room.  It was a really majestic scenery, one that I luckily happen to see every morning, a good optic background, I guess. Two hours before class time – that’s where my pattern starts.  Take a bath, eat, brush teeth, groom, check the doors and power, then I’m off to go. Everybody follows a certain kind of pattern, that’s for sure. Whether you wear different types of clothes everyday or use competing brands of toothpaste, clothes are clothes and toothpastes are toothpastes.  As humanity finds more and more complexities in life, they become wired to doing the things and involving the events which they think would give happiness to them and simplify their equation of life.

As a proof, there’s Mrs. Lanny Honeycut from the house next door. She usually sprinkles her daisies every ten in the morning, wearing that friendly neighborhood smile. On their patio, you could never miss a day seeing her husband, Mr. Blake Honeycut reading the daily papers with a round of tea, jam and bread spread on his table.  On the busy intersection stands traffic enforcer, Red Mayer, waving his arms to and fro while wearing that aura of valor, never seem to get tired of doing the same thing over and over again. Thousands go out for work and go back to sleep everyday and that's the status quo we're talking about. Even inside the academic arena, you can still hold on to that thought; I mean the size of the population doing the same pattern at the same time – my schoolmates, enemies and… friends? Well, I’m not quite sure with the last one, but it’s this: they all make a fun of me.  They say I’m a dork, a nerd, a geek, a freak, and etc.  I wonder if they mean everything that they say or say everything that they mean.  Either way you put it, I’m not buying it. I am not what they say I am.  I just like being alone and that’s where I do best.

And as always, the school is crowded with busy people rushing through the corridors. Others are beating the deadlines while some are happy they could breathe for another break. But no matter how busy everybody could be, there is always a time spent for “information dissemination” or chitchats. But only this time, the topic discussed is the same.  I could hear it on the entire campus, everywhere in the perimeter. Another student in the university is missing leaving no trace of existence.  It’s been going on like this for over two months now and the university council has taken their best courses of action to unknot this mystery while campaigns have been running on TV’s and vigils were spent. Not that I don’t care but it seems that this is also happening to other places, I mean, this is not the only school where maniacs could exist and become professional serial rapists in the making. By the way, this is already the 12th case on the record. Weren’t people overreacting to the issue? Isn’t the case overrated? Did they reject the possibility that these people ran away because they got pregnant, messed up or something like that? Soon, the university area was covered with security troops roaming around like a swarm of bees, buzzing and sometimes boozing all the time.

I guess that’s what happens when you hang out too much with friends who are just jesters plotting your own jeopardy. I don’t think it would be good at all to be bothered with things like that because sometimes, it’s also useful not to have any use at all.  Like the king being admired by his kingdom amidst his sloth and compromises.  But that doesn’t mean I’m not friendly anymore. Actually, if it happens that I got company, I would magnanimously offer a treat at my place.  But the thing is, who would likely do that? I’d cross my fingers on it.

Wishes do come true even for a loner like me.  I think I have a fan. No, that would be too sublime. She’s hot and she’s hotter when you’ll know she’s so cool. Quite a paradox, but that’s just reality.  We came to know each other on our lab class. Her name’s Athena, fitting for her twisted logic and good humor. It makes me burn a lot of calories when I talk to her more than a 5-mile marathon could squirt. We were lab partners and we get along well. I just couldn’t figure out where she got the courage to befriend me. I do regard myself as unwelcoming species, but I might work on it when someone tries to knock the door. We juxtapose ideas. Yes, that’s what makes our conversations spin like a merry-go-round. But we enjoy it nevertheless, evident by the crescent smile we both generate out of the craziest topics in store. Once, she interrogated my way of settling wars with enemies. Well, I told her it was my habit of treating them to my house and giving them souvenirs to show how sorry I could be. She snickered and her eyes glowed like the Andromeda and her face shun the whole universe. Oh, I can do this all day long, if only I got hold of time and space.

Today, she asked me if it would be okay if she’ll stay at my place till nine when her dad could be home and she would be able to call her and ask to pick her up. She reasoned out that otherwise, the night would be scary because she’ll be alone in their house, no company, no security. I was puzzled how the thought of being alone could scare her. It is like freedom from any constraints, no ties, and no limits. But I couldn’t blame her. She’s too fragile, too vulnerable to handle it with herself.  With the speed of the light, I accepted the favor.  Well, that goes even without saying.

It was past six thirty when we arrived at my immaculate apartment. It’s great to be an“ OC” sometimes, I said to myself.  I thought of a winner dinner, one that would make her visit worth reminiscing. I preferred Italian.  I cooked her lasagna and drenched the dinner with sherry. We talked a lot until we run out of resorts. I guess she planned it, or I planned it, synergy perhaps.

The clock ticked nine and there’s no sight of her father’s getaway car. But there’s no sign of worry in her countenance either. I surmise it didn’t reach her inkling yet to phone her dad.  She was busy dissecting my kitchen and living room with her very playful eyes. That doesn’t trouble me though. That’s just as instinctive as any other first time guest could get. She grappled her attention on my antique collection of prehistoric movies, like the Scarlet Letter, The count of Monte Cristo and the likes. She happened to love them too. Well, that makes her more beautiful to me, other than the satin white dress she wears. Suddenly, she got the impulse of going to my room. She said there’s nothing more exciting to see than a gentleman’s bedroom. I startled from the request, but before I could say anything, she leaped straight to my chamber with the gestures of an imp. It’s weird to be in this kind of circumstance because I don’t often invite a lot of visitants to my room. I ain’t no hotel crew, bowing down and waving his hand to the chamber’s destination and leading the VIPs to their cabins. Yet this time, it’s the other way around: it’s my cabin.

But now it’s too late to stop her. She molested the **** and I giggled for some reason. Finally, the door opened a crack and a bend of light escaped from inside. She stepped in, and I followed. She was filled with awe not because my room is all made of gold nor did it resemble a royalty’s den. It was the exaggerated neatness and order that greeted her. In some unknown vortex of my deepest imagining, it made me feel like I’ve been through this instance before. The flashback is not so vivid as it appears, but something tells me this isn’t the first time. Deja vu could be working on it, I infer,although I don’t really believe in those forms of conceptualizations. Perhaps it’s the sherry’s spell infiltrating my mental prognosis. But something, I guess, isn’t really right.

I caught her opening a red box that was hidden behind my cabinet. I tried to steal it away from her but she fought back and it came tossing down the floor. Numerous items spilled from the case. A purple head band with the glittering initials ANNE, a ruby embedded bracelet, and a Nokia handy phone exposed the secrecy. This isn’t going to go along well and fine, I guess. A strong surge of desire came from my core. It tried to envelop my entirety and control me like a lifeless puppet. I felt the tip of the pyramid glass in my hand and I succumbed to lose my consciousness.

Morning came and it felt better than ever. It was a ***** Saturday. There she lies beautifully on the deck, like an immortal bud of red rose trapped in golden amber. The cellophane fits her well, and there’s no doubt she’ll be complaining anymore. I already prepared a cozy place for her deep sleep: A 5x2 feet wall engravement which I was busy molding last night. It wasn’t easy making her go to bed but still it ended up smooth and sound. I helped her get up and fitted her in place.I turned on the radio as I reached for my dear carpentry tools. The news was still nailed on it. But this time, the missing case struck for the 13th turn. Ahh, the hell with society! They never really get a way to deal with it.

I was busy patching the last mound of concrete that is half an hour closer from becoming a part of my room. Make that a quarter. I guess there’s no end to this divine crevice issue. It must be following a pattern too. But I can handle it, thanks to this vicarious personality. I wonder if I could get the chance to invite another visitor in my place. But if I do, I would certainly offer the best treatment they could ever have.
There it was on the calendar, Saturday May 11,2013. Big red circle around the date and written in black pen in the middle…SPELLING BEE. Plain as day, you couldn’t miss it. One of the biggest days of the school year for geeks and nerds alike.





Today was the day. In two hours, The 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee, would begin.  This was a huge event in the history of Thomas Polk Elementary School. It would be one of the biggest, if not THE BIGGEST in the history of The Twin Counties.



There would be twenty-one schools represented with their best and brightest spellers. The gymnasium would be full of parents, grandparents, brothers, sisters, aunts, uncles, and media representatives. Yes, invitations had been sent out to both of the local papers in The Twin Counties, and both had replied in the affirmative. Real media, in Thomas Polk Elementary School, with a shared photographer….the big time had come to town.



Inside the gymnasium, work had been going on all night in preparation of the big event. The Teachers Auxiliary Group had set up bunting across the stage, purple and white of course, for the school colours. The school colours were actually purple and cream, but, there was a wedding at Our Lady of The Weeping Sisters Baptist Church later, and they had emptied the sav-mart of all of the cream coloured bunting and crepe paper. So, white it would be.



It looked spectacular. There were balloons tied to the basketball net at the south end of the gym. It wouldn’t wind up after the last game, so something had to be done to hide it. Balloons fit the bill. There was three levels of benches on the stage for the competitors, a microphone dead center stage and two 120 watt white spot lights aimed at the microphone.  Down in front, was a judges table, also covered in bunting and crepe, with a smaller microphone sitting in the middle. There was a cord connecting it to the stage speaker system, taped to the gym floor with purple duct tape, just to fit in. Big time, big time.



The piece de resistance sat at the right side of the judges table. An eight foot high pole, with an electronic stop watch and two traffic lights, donated from the local public utilities commission, in red and green. The timer had been rigged up by the uncle of one of the competitors, possibly to gain an advantage, to help keep the judges honest in their timings. Besides, it looked fancy, and it had a cool looking remote control.











The gym was filled to capacity. One hundred and Seventy Five Entrants, visitors, judges and media were crammed into plastic chairs, benches, and whatever lawn chairs the Teachers Auxiliary were able to borrow, that weren’t being used for the wedding at the Baptist Church. It was time to begin….



The three judges came in from the left of the clock, and sat down. The entrants were all nervously waiting on stage on the benches. The media representatives were down front, for photo opportunities, of course.



Judge number one, in the middle of the table clicked on the microphone in front of him and turned to the crowd. In doing so, he spilled his water on his notes and pulled the duct tape loose on the floor in front.



“Greetings, and welcome to the 87th Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee.” There was some mild clapping from the family members, along with a few muffled whistles and two duck calls from the back. The weak response was due to the fact that most of the parents either had small fans (due to the heat), donated from the local Funeral Home, or hot dogs and beer (from the tailgating outside), in their hands. Needless to say, it was still a positive response.



The judge carried on…”Today’s competition brings together the top spellers in the region of the Twin Counties to do battle on our stage. All of the words used today, have been selected from a number of sources, including Webster’s Dictionary, from our own school library, Words with Friends from the inter web, keeping up with modern culture, and finally from two books of Dr. Suess that we had lying around the office. Each competitor will get one minute to answer once his or her word has been selected. We ask that you please refrain from applause until after the judges have confirmed the spelling, and please no help to the competitors. We now ask that you all turn off any electronic media, cell phones, pagers, etc. so we can begin”.



He then turned to the stage and asked all competitors to remove their cell phones and put them in the bright orange laundry basket, usually reserved for floor hockey sticks. Each student deposited their phones, all one hundred and thirty-seven of them in the basket.  We were ready to start.





“Competitor number one…please approach the microphone and state your name and your school” said Judge number two. Judge number two would be in charge of calling the students up, it seemed. She was the librarian at Thomas Polk. She had typical librarian glasses, with the silver chain attached to the arms, flaming red hair, done up in a bee hive uplift, just for the event, and was called Miss Flume. She was married, but, being the south, she was always addressed as Miss.



The first student advanced to the front of the stage. She had bright pink hair, held in place with a gold hairband, black shoes, and a yellow jumper. She looked like a walking number 2 pencil. The two duck calls came from the back of the gymnasium along with scattered applause. All three judges turned and looked to the back, and then turned to face the young girl.



“My name is Bobbie Jo Collister, I am a senior at Jackson Williams School of Fine Arts and Music”. “Thank you Bobbie Joe” said Miss Flume. Bobbie Jo, smiled nervously and put on her glasses. “Your word is horticulture” announced Judge number one, “horticulture”.  Bobbie Jo took a breath and without asking for a definition, usage, root of the word or anything, just ripped through it without fail in three point two seconds, according to the mammoth timepiece at the end of the table. After conferring, the judges clicked on the green street light and she sat down, amidst more duck calls and clapping.



Student number two went through the entire process as did students three through eight. Each one had glasses, no surprise there, and were all dressed in monochromatic themes. Together, they looked like a life sized box of crayolas ready for a halloween party. Each child spelled their words correctly and were subsequently cheered and applauded.



Student nine then approached the microphone, stopping about a good seven feet short and three feet right of it. “My name is Oliver Parnocky” squeaked the lad. “I go to George W. Bush P.S 19 and am a senior.” Miss Flume, grabbed the small mike in front of her and said “Oliver…put on your glasses and move over to the microphone.” She leaned into the other judges, and said “He goes to my school, he doesn’t like wearing them much, and he’s always outside at recess talking to the flagpole after everyone else has come inside”.



“Oliver, please spell Dichotomy” said Judge number one. Judge two started the clock and they waited….and waited…then out burst this voice….DICHOTOMY…D I C H O T O M E E, , no, wait..D I C K O….****!” The crowd erupted in laughter, Oliver was busted. The judges conferred, and after informing poor Oliver they had never heard it spelled quite that way with an O **** at the end, they triggered the red light and Oliver left the stage to sit in the audience with his folks.



The next three kids, all with glasses, like it was part of an unwritten uniform dress code for the day, all advanced and sat down. The next entrant, number thirteen, luckily enough stood from the back and struggled down to the front of the stage. There were gasps and some snickering from the crowd. She was taller than the previous competitors,  and a little more pregnant as well. “Please state your name” said Miss Flume. “My name is Betty Jo Willin and am a senior at

Buford T. Pusser Parochial School”. At this announcement there was a cheer of “Got Wood at B.T. Pusser” from the crowd. The judges turned, asked for silence and the offending nuns returned to their seats. “Miss Willin, how old are you exactly?” asked Judge number one. “Twenty Two sir”. “And you say you are a senior?” “Yes sir” came the reply. Betty Jo was shuffling a bit as the pressure on her bladder must have been building standing there in her delicate condition. After conferring, judge number one said “That sounds about right, your word is PROPHYLACTIC”. The few people in the crowd that knew the meaning of the word laughed, while the rest continued eating their hot dogs and drinking their sodas and beers. “Please give a definition sir..I don’t believe I know that word”. The judges looked at each other with a definite “I’m not surprised” look and rattled off the definition. When she asked for usage, the judges really didn’t know what to do. Should they give a sentence using the word or explain the usage of a prophylactic, which regardless would have been too late anyway.

After a modicum of control was reached, she attempted the word, getting all tongue tied and naturally messing it up. The red light was triggered and she left the stage.



More strange outfits, bowties, hair nets, jumpers, clip on ties, followed. It looked like a fashion parade from Goodwill and The Salvation Army rolled into one. Most attempted their words and were green lighted onwards to the next round, while those who failed, were red lighted back to the crowd and the tailgate party in the parking lot. As each competitor was eliminated, the betting board that was being manned outside by one father was updated with new odds and payouts.



The first round was approaching an end with only three kids left. “Number nineteen please approach and state your name” said Miss Flume. He plume of red hair was starting to sag and was sliding slowly off of her head due to the humidity in the gymnasium.



Number nineteen came forth, glasses, tape across the bridge like half of the previous spellers. He was wearing the most colourful shirt that any of the judges had ever seen. It was not from Dickies, they surmised. “I go to J.J. Washington P.S 117 and my name is Mujibar Julinoor Parkhurloonakiir”. The judges froze. He obviously was new to the district. They had never heard a name like that before, ever. Not even in Ghandi. This was a powerful name. There had been sixteen cominations of Bobby, Bobbie, Billie, Jo, Joe, Jimmy, Jeff, Johnson and Jackson prior to Mujibar. Stunned, judge one asked “Son, can you spell that please?”

Mujibar, not sure what to do, spelled his name, unsure of why he was being asked to do so. “Thank you son” said Miss Flume. The odds on the betting board in the parking lot changed right then.



“That boy is gonna win fer sure” said Jimmy Jeff Willerkers. Jimmy Jeff ran the filling station two concessions over and had fifty bucks on his nephew Bobby Jeff, who had already flamed out on “yawl”. “How was he supposed to know  it had something to do with boats?” asked Jimmy Jeff. “That Mujibar is gonna win…jeez, he’s been spelling that name for years….anything else is gonna be easy breezy.” The odds went down on Mujibar and the money was flying around that parking lot faster than the rumour that the revenue people were out looking for stills in the woods.



“Mujibar…please spell SALICIOUS”…asked the now red pancake headed Miss Flume. Doing as he was told, Mujibar, spelled the word, gave the root, a definition and a brief history of the word usage in modern literature. Judge number one was furiously scribbling down notes, and trying to figure out how he would get a bet down on this kid before round two started.



Entrant number twenty from Jefferson Davis Temple and Hebrew school advanced which brought up the final entrant from round one. “Number Twenty-One please advance to the front of the stage”. After adjusting his glasses, after all he didn’t want a repeat of what poor Oliver did, he approached. “My name is C.J. Kay from William Clinton P.S 68” Judge one, confused by the young man’s name asked him to repeat it. “C.J. Kay” said C.J. “What is your full last name boy, you can’t just have a letter as your last name….what is the K for?” “Sir, my last name is Kay”, said C.J. “It’s not a letter”. “It most certainly is son…H I J K L…rattled off judge one. “It has to stand for something, you just can’t be CJK, that sounds like a Canadian radio station or worse yet, one of them hippy hoppy d.j fellers my granddaughter listens to. What is the K for?”. C.J said sir “My name is Christopher John Kay… not K, Kay” and then spelled it out. This only confused judge one more than he already was, and the extra time figuring out his name was doing nothing to Miss Flume’s hairdo.



“Christopher John….please spell MEPHISTOPHOLES “ said Judge one, after realizing he was never going to find out what the K was for. The crowd was getting restless and wanted to get to the truck to get re-filled and change their bets. C.J. knocked it out of the park in 2.7 seconds…”faster than Lee Harvey Oswald at a target shoot in Dallas”, one man said.



After a ten minute break, to get drinks, ***, re-tape some glasses and prop up Miss Flumes ruined plumage round two was set to begin. This went faster as the words were getting tougher, although randomly selected, judge one was inserting a few new words to keep his chance of winning with Mujibar alive. PALIMONY, ARCHEOLOGY, PARSIMONIOUS, TRIPTOTHYLAMINE , and many other words were thrown at the competitors. Each time the list of successful spellers was reduced, and the amount of clapping and the duck calls were less.

The seventh round began with just Mujibar, B.J. Collister and C. J Kay left. Before the round began the judges reminded the crowd that the words were random, and to please keep the cheering until the green light had been lit. There were more duck calls at this announcement and very little applause. Jerry Jeff was still manning the betting board, the tailgate barbeque was done, and there was only about thirty people left in the gymnasium.



The balloons on the basketball net had long since lost their get up and go, and were now hanging limply like coloured rubber scrotums and were flatter that Miss Flumes hair, which incidently, was now starting to streak the right side of her face from sweat washing out the dye. She was beginning to look like an extra in a zombie film with a brilliant orange red streak across her forehead.



“C.J.” said judge one, “please spell ARYTHMOMYACIN”. C.J. gave it a valiant effort ,but unfortunately was incorrect and the red light sent him off to the showers. This left B.J. Collister and the odds on favourite, Mujibar. The crowd was down to twenty seven now, Bobbie Jo’s folks and Mujibars immediate family.



Round after round were completed with neither one missing a word. Neither one blinked. It was a gunfight where both shooters died. These two were good, and it was never going to end. Judge one leaned over and told the other judges, “we have to finish this soon….I’m due at the wedding over to the Baptist church for nine o’clock to bless the happily marrieds and drive them both to the airport. They’re off to Cuba for their honeymoon.” The others agreed…”C.J. please spell MINISCULE said Miss Flume”. She did so, without a problem. This caused judge one to yell out “Holy Christmas” just as Mujibar got to the microphone. Thinking this was his word, he started as the judges were giving him his word. Seizing the opportunity to end it…judge one woke up judge three who red lighted poor Mujibar, ending his run at spelling immortality. “Sorry son, you tried, but, today a Mujibar lost and a B.J won.”. Before he tried to correct himself, knowing what he had just said didn’t sound quite right, Miss Flume congratulated both finalists and began the award presentations.



Thankfully, next year the eighty eighth version of The Annual Cross Cultural Twin Counties Co-Educational Public School Spelling Bee will be in the other county. Now the job of sorting out the cell phones in the orange basket begins. By the way, Betty Jo Willin had a boy …you can just guess what she named it!
not a poem, as you can see...it's a rough draft of a short story. I would love feedback on the content, not the spelling or grammar as it is in a rough stage still and needs editing.
Mateuš Conrad Nov 2016
this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.
madison curran Feb 2015
there's a house at the
corner of misery boulevard,
and heartbreak avenue,
that i call home.
& i can't count on my left hand
how many times,
those sand tinted rooms
with decaying light bulbs
have overheard
through paper walls,
the sound of that rose coloured capsule
embracing the floor,
only to find itself in pieces.
my mother always
hid that in a cage,
locked tight.
never did that stop my father
from finding the key,
she always slipped under the door mat.
like she wanted him to find it.
and you could hear it shatter,
into glass fragments,
that she was always left to clean up
by herself.
because he never stayed
to watch her pick up the pieces,
he didn't want to cut his life line
on her fragmented heart.
- or the time when my mother,
stained my ear drums,
and sold residence to a ghost
who now haunts the walls of my mind,
with words,
she'll claim her tongue never dismissed.
but ten years later,
and i still think i'm that painting,
in monochromatic shades,
that no one ever bothers
to glance at.
when they're gliding
down a vacant hallway.
more empty than the emotion
in this house.
but i still call it home,
because the walls have been
infected with sadness,
because there aren't enough vitamins,
to cure all this sickness,
released through
hatred hymns.
but those melancholy rhythms,
can't compete with the
floorboards that still sing me to sleep,
or the elation that fills
my lungs when i breathe,
because this house
still smells like mourning
the old flames,
from vanilla candle wicks
my ninth birthday knew so well.
& yes, there is no place
that sends fragile shivers
down my spine
when crossing the paths
of gloomy road,
and loathing crescent
but this is home,
this house is just like the cerulean tide,
because it always finds a way to
pull me back to shore.
& then i met you,
promenading down
hope street,
making empty prayers
to god
with a dry tongue and
waterlogged eyes.
another dawn spent
searching for the light -
in coffee shop windows
or even the stars.
something -
to guide me home.
and you taught me that
home isn't always a place,
you can find on a map.
sometimes,
it's two eyes and a heart beat.
it's love entangled words,
uttered through a pair of crimson lips.
& you showed me,
that ruby tinted vases,
look best when
they're not placed on shelves,
but rather granted as gifts,
sealed in envelopes,
with kisses painted
in scarlet lipstick.
& ghosts can be put to sleep,
by a lullaby,
you whispered in my ear
seven times a day.
i love you
has a ring to it,
but it's been six months and
that ghost sold his house,
to a boy who
told me i'm a composition
of colours.
that an artist painted me
in gold, because he sees it in
my eyes when i smile.
- i swear to god,
four walls and a front door,
build a house,
you'll always turn to
when the sky's crying, or when
you tear your jeans
on the wire fence
down the road.
and that boy
who is a composition of wonder,
possesses no door,
and the only window,
is the amber iris
that feels like the ocean
when he looks at me.
because,
he's just like the tide.
& i can still smell vanilla every time
i kiss him.
every single time.
J Apr 2014
Why is hellopoetry.com black and white? I've always wondered about this... why my colorful photographs are required to travel back in time. How does this effect the poetry in any way, shape, or form? But I understand the wisdom of this design now. And it sets a great metaphor for all of the people of the pen involved in this truly noble motion, this secret society for people with passion, talent, and troubled minds and souls. Hello Poetry is black and white not because it has to be monochromatic and modern, but because us poets fill these pages with enough inovativeness and color already with our words, ideas, thoughts, songs, senryus, ballads, heartbreaks, insecurities, that adding literal color to this website would be overwhelming. These soft undertones of gray, black, and white may be considered drab and depressing to some, but to us poets it represents timelessness. And this is probably why we are all here. Hourly, daily, weekly, monthly, or even yearly publishing poems. Because we all know we are not going to live forever, and we are so entirely insignificant in the broad scheme of things and of the universe itself, that it is a bit comforting and helpful to have this coping mechanism or soft blankie to calm our fears, that this literature we write, however insignificant it may be, is absolutley permanent. And that maybe someday it will be remembered so a small bit of us may live on. Tom Riddle knew the needs and wants of man kind before anybody else realized it. Maybe he was just trying to cope with the fact that he is insignificant. These poems are all our Horcruxes so *viveamus per camenam nostram.
^^^let us live through our poetry
sweet ridicule Aug 2015
monochromatic is me
blowing in circles like cupcake sprinkles and iron clad feathers
my pores are leaking midnight drives (driving 52 in a 45) and salty salami like a
low-carb diet could heal the humans of eternal despair
I still feel ***** every bite of meat
I take this is too much of a (betrayal)
baby 16 dancing in the mirror like
the universe isn't slowly dying like the art of star gazing and my bitten fingernails aren't already
dead
hello
Nothing Much Feb 2015
I've gotten so used to greyscale
On this faulty monitor
That I've almost forgotten what colors look like
As they dance across the screen

I have had enough of this monochromatic monotony
So I snip wires, rip out cords
Do anything I can to see if I can get the color back
The only cable I leave alone is the one connecting it to the wall

I stand there in the robotic wreckage
And see a bit of red blinking on the screen
My world is not yet in technicolor
But this is a start.
:^/
Mateuš Conrad Jan 2017
i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c
ryn Aug 2014
Sanctuary is here; hiding in plain sight
Bedimmed beings step into the light
Stumble upon you may; hear us you might
All is welcome; no guard dogs that bite

Step inside, matters not armed or unarmed
Come as you are; steady or alarmed
Sip and drink from our collective fountains
Rest your eyes on our self painted mountains

Come on close and meet us all
Under shady trees or beyond the knoll
Some of us don masks or hide behind names
Some come naked but we're all one and the same

See our lives, spun from heavy layered bales
Woven intricate telling fantastic tales
Weavings we let fly, to catch each other's fables and stories
We admire them for what they are and the seed each carries

Be aware... Should you not understand
We may bear similar signatures but wear different brands
We, the people, trade in euphemisms
Broken sentences and long forgotten idioms

We are weavers, dreamers and scribes
Pouring here the outside world we imbibe
We are unguarded hearts speaking in metaphoric tongues
We provide safe haven for bruised souls with punctured lungs

So welcome traveler, shed your load
You might like it here in our coveted abode
Revel in the monochromatic sights you see
Where freedom of thought is revered in this here Sanctuary...
Mateuš Conrad Sep 2018
always back in
a monochromatic society,
twice a year...
   a nausea -
    of only interacting with whites
akin to myself...
most people will not understand
the nausea...
   and there is a nausea -
within these anti-major
cosmopolitan hotspots...
but the nausea passes...
   but in terms of a personal
psychology?
  i lose something...
   a game a learned integrating
into english society...
the... chameleon game...
   i never have that
in Poland, i'm back to square
one, generic,
like the rest of them...
       i prefer the English
multi cultural society for
personal, "selfish" reasons...
namely?
i can play the chameleon game...
i can speak two tongues
and four accents,
   reserving a fifth for
some Muslim who thinks
i have the ****** features
of a German...
       back home i'm just
a Pole among Poles...
      nothing that couldn't
be conceived as lack-luster...
back in England?
ah nay.. not exotica for
the women...
             i prefer the chameleon
game...
as it turns out...
not all immigrants huddle...
at least not all Polacks huddle
together in... communities...
communities of workforce?
sure... Poles coexist together
only in work environments...
socially?
    like a ******* dog & cat...
i don't know any Poles in terms
of community,
  or social interaction...
      no chance in hell...
never will...
   which shows...
when i travel back to Poland
to visit my grandparents...
**** me the nausea of being
an ant in an anthill...
      i once landed in Krakow
and fooled around
by pretending to not speak
the native tongue...
only interacting in English...
i felt sick...
            how?
   i eased out an ear of
compassion and spoke to her
when she approached me
talking about how her son
hanged himself and she needed
money...
   and there was this
immigrant Anglo with
a Polish girlfriend,
and some Miroslav with a
broken French accent who
emigrated to France and
forgot to speak the native tongue...
and the girl of the "expat"
was like: huh?!
    England is unique in that respect...
well...
not England...
   London... and London
is not England...
    England is not London
and Londoners were never merely
Cockneys...
last time i heard?
Jackie the Ripe-Piper
was probably a Jewish Pollack...
    i was born in a small torn
just shy of Masovia -
every, single, time,
the monochromatic nausea
of only seeing white people...
i guess... it must be the same
for a Nigerian who grew up
in England and gets to visit his
grandparents back, "home"...
women are different,
i'm talking about males...

           then again... ****...
a Nigerian can't exactly perfect
the chameleon game...
i've been Hungarian,
Swedish, but mostly German...
never a Pollack...

            back "home" you miss
the ethnicity roulette...
    i can understand the ultra-nationalism
of small towns of nations...
but i can also understand
the ultra-cosmopolitanism of
capital cities of post-nationalistic
states...

come to think of it...
    i'm only comfortable in East London...
west London is off-limits for
comfort, again,
equivalent to the monochromatic
nausea bound to urban Poland -
the tourists sticking out
like birch trees in a ******* pine
forest...

      it's all contradictory -
rural - small urban strongholds...
where people recognize you
via recognizing your grandparents
and your grandparents fill
the locals in...
   no problem...
   traveling through Warsaw?
a ******* gutting sensation
like some variant of William
Wallace being executed...
   Mongols, Ukrainians, Roma...
    the odd Lithuanian...

it's the nausea of the effect of
a revived commonwealth once seemingly
lost...
    unlike the British commonwealth
slowly disintegrating into
farce and: keeping up appearance...
pomp & circumstance
having replaced pride & prejudice...

i can walk down a shady East End
street and talk...
            and feel nothing but
a welcoming thrill of contempt...
   strap me to a crowded place in the center
of Warsaw...
and i'm disorientated,
like a fox in daylight...
                   wildly afraid...
all the time on my guard...

  and i'm! "supposedly" the native...
   merely having inherited
the language is no guard...
      i might speak "their" language...
but when it comes
to the several underlying
languages of human interaction?
****... i can walk down
some shady alley
of Whitechapel -
                           i've learned it from...
i guess...
that one time me and my three
friends were robbed
in South Park, Seven Kings...
two girls as bait...
and then 10 of them approached...
started kicking my crying
friend to the ground...
some **** about me asking
for my walkman back off of him
while he was getting kicked...

whatever it was...
   there are actually more languages
than the mere communicative
of a Fwench class of buying
groceries...
   there is the language that
extends into the surroundings...
   the sort of language
that allows you to visit a Goodmayes
brothel
and leave it
telling the girl:
   can i not shower,
so i can keep your skin's
perfume for a while longer?

  there is no chameleon game
when i visit Poland,
i don't visit Poland,
  i visit the dutiful grandson who
still has grandparents...
and that?
is the most boring game of chameleon...
i stop drinking, enforce
a self-styled rehab...
   read a book, watch Polish t.v.
befitting pensioners...
   sunrise... sunset...
   and give my grandmother
a holiday from cooking for
a dementia sufferer...

  but back in London...
              a parade of over 280+
languages... making the mold
in the shadows of off-limits Mayfair
and other, politico, ******-pots
of riches,
exhausted by the Sheiks
   and Mandarin Emperors
                 of the Lapis-Lazuli.
Elioinai Oct 2014
Writing a poem is like making a necklace,
Bead by bead, pattern on pattern,
Complex or simple, colorful or monochromatic,
The good ones take talent, but chance luck can help.
This one for that friend, that one for this day,
Good words like fancy baubles,
Well placed they make the string,
Wrong placed and they ruin it.
Some come easy, some are long thought out
November 9, 2012
Mateuš Conrad Nov 2015
.english black humour is peppered with sarcasm,
english humour is sarcasm...
watching the gaelic version
is like watchings the irish try to be subtle by being rude,
doesn’t work... normas proved it defeating the saxons...
and subsequently the celtic brides roared in encore!
it really doesn’t work... the polish fraction of me still intact
to remind me of the biology that still works served
the reminder: polish history is still orientated
on the european continent, eastern europe
is not a segregated "continent" that might contend
with england and france being ante-antarctica...
never engage a celt with british humour for guy fawkes or anyone
else in the missing ditto;
celtish or cultish... i never quiet know...
enter the celtish brides... encouraging the advent of copulation
and the excesses of tax to build linear ceramic imprints
of broken bricks, that made it into ratio of
the chiseled brick worth a heavyweight contention with
heated mortar dough; oh right, pooh bear you're offended...
deal with it! unless your uncle is denoted as
adolf ****** and you want him resurrected!
shakespeare never wrote the play: the merchant of mecca,
did he? poor shylock... i was almost caught in admiration
of what english students at 16 thought of that national pride...
known as the *****-bride to **** for an A at a-level.


they still sound out of breath,
out of anything,
esp. words...
they all sound to totem no animal
rather than an ****
which in ceramic wilderness
sounds like wild ****...
where’s the monochromatic monotone
of the drunken sailor going by the name
of st. peter?
fisherman turned sailor... that’s a first...
why didn’t jesus pick barabbas rather than judas?
was it cain that got in the way?
i bet it was. well nox awaits both thief and murderer...
those engaged with rabbanic arts
tend to treat dreams less seriously...
and those that don’t tend to treat dreams more seriously...
those that treat dreams seriously endear the sole
escapism of reality quite seriously...
and for those that don’t... well... there’s the zodiac algebra
and that’s right for a mummified expression
that was bandaged into a circumcised *******.

p.s.
rhyming poetry has spawned the most pointless
ibhibitions of rhythm poetics,
all the current poets sound
    verärgert... exasperated...
    is everyone seriously a ******* goldfish
catching their breath a second time?!
you want to know the most fun thing
i've ever did, today?
i started to tickle my maine ****'s
inner ear with a chicken's egg...
he raised his paw,
he tried to scratch himself...
"something" there was a schizophrenic
violing playing in his cranium,
rather: the temple of his ear...
i was lucky in having to: kitzteln (titillate)
him with an egg...
a chicken abortion i'd probably
consume come tomorrow's breakfast
hour...

             he felt it, the giggles...
the giggles from annoyance being rubbed
the "wrong way"...
so much to say about a woman
whom i attempted to pick a nose
in earning affection of seeing:
the "green fairy" take a ****,
take to farting, breaking the magic of
the feminine persona of "unfathomable" /
unfailable...

            genius: an egg inserted
into a cat's ear to tickle... eating an abortion
the next morn...
                                    all the woes
of the world seem so insignificant when
you buy into feline idiosyncracies...
after all... there's no leash...
no kaganiec...
             there is no stipend associated
with the timing of walkies...
cats are perfectly disorientated by
their own selves: or rather,
their senses...

              you learn atheism from people,
but?! you learn solipsism from cats!
you learn atheism to sound
intellectually superior, sound,
"sensible"...
solispsism you learn from cats...
god or no god...
you are first, you are the last,
while god? "someone" in the middle...
can god be associated to pronouns?
or is god a pure noun: excavation
machina pro grata?
well... if god was ever a person,
being, anti-tool...
wouldn't "he" be a persona non grata?!
well then!
  machina pro grata:
                the noun spin "mr."...

man was never in search of god:
the objective reality remained true as
it always remained...
man was forver bound to the search
of god: via the subjective
personification of said "object"...

      how do you think the muslims
deal with this conundrum?!
they think they are gratifying everyone
else with an objective reality
of god, while they themselves,
with the polytheistic splinter of the gods,
are themselves searching for
the subjective reality of their god...
a person, a personality...
to the muslims their god speaks
the same objective truth as the sort
of truth a pagan might adhere to...
they want to know: a person to speak to,
rather than an object they can throw...

modern poetry when performed is ****,
it all sounds the same...
that overtone of exasperation...
me? i'm not speaking...
itchy finger-tips: idle hands:
the devil's due...
      i'm not speaking among these
youths... it's like that h'american beauty
quote...

ricky fitts: but it helps me remember...
i need to remember...
sometimes there's so much beauty in the world,
i feel like i can't take it,
     and my heart is just going to cave in.

lester burnham - whatever he said
about the balloon not being filled with helium...
but with all the bureucratic custody
via custard like some zeno paradox
of a tortoise outrunning achilles...
               the beauty can remain...
to enchant the easily impressionable...
after all: you "only live once"!
the beauty will always remain...
hence the seasons...
               but there's only one
impressionable aspect of this reality...
the thought you leave with...
the thought, implying:
the lost aspect of a moral (th)ought
to be envisioned in it not being
sentenced to a maxim
    or a proverb...
                       or a lesson...
after all... once man grows old:
he's no longer fond of learning,
but overtly eager to teach...
         i'm neither... 33...
who am i to learn from or teach for?
teaching by mistakes?
       no one really teaches by example...
unless on a pure technical canvas
associated with a trade or a tool...
which life is neither!

what is the west selling as their... "capitalism"...
their next ponzi scheme of "made in... chi'nah?!"
this, this is capitalism?!
i remember days when gap shirt
lifted the words: made in canada....
quality... would last you 20 years...
the wool wouldn't thin, the colours
wouldn't fade...
                    capitalism my ***, these days!
i came to the promised land,
i remained: with broken bones
            and ****** make-up tutorials....

for all the belief in man,
and this, non-existent fear of god,
savvy,
      upon the sacred altar of
the debauchery of prometheus,
upon the sacrifices of a.i. atlas...
upon: will electricirty ever replace fire...
who stole the rod of zeus
beside promothian thief who came
back with the eternal fire of Odin?
who?!
my kindred: alas!
                     and to what end?!
to the end without any surprise...
for the cosmopolitan cul de sac:
screaming at a brick wall pretending
to talk to one one but brick!
    
  i too visited: Krzyżtopór, in the village of Ujazd,
   Iwaniska commune, Opatów County...
how... the categories congregated
with implosions to make a ground:
specific...
  what would be the categorical imperative
for the congregative consumate
orientation of said narrative?

     even my grandfather remembers
the famous debackle concerning
Alfried Krupp von Bohlen und Halbach...
i do come from a family
of metallurgy... or coal-mining...
  both as true as these coal-riddle hands
supposing ink in pixel...
  
come on... the Schwerer Gustav?
the gun of all guns?! the one with the sort
of recoil that demanded train lines
to incubate the impact?!

modern, spoken, poetry, bores, me...
it's simply exasperated...
  exasperated by rhyme,
exasperated with rhyme,
exasperated outside of rhyme...
i'm listening to clones...
i don't won't to write modern poetry,
simply because:
i will not recoil with a take
on modern poetry...
  i don't do exasperated...
as much as i adore olivia gatwood's:
manic pixie dream girl...
yes, a ref. to the garden state movie...
the shins: new slang...
yeah... i did that **** in edinburgh...
climbing the scaffold...
erected around new college...
dancing on the roof with myself at night...
watching the *****-bank fluoride
white above the firth of forth one night...

but that's what i find really evil...
you know how in the movies,
the actors and actresses brush their teeth...
but never rinse?!
instead? keep that toothpaste in their mouths?!
******* never rinse!
that's evil... i'll tell you:
brush witha  pea-sized dollop, then rinse...
all the movies you see will never show you
a person rinse their teeth after brushing...
you should look into rinsing...
and? you'll never lose weight by going
to the gym...
you'll get stretch-marks, for sure...
there are only two ways to lose weight:
bicycle or swim...
swim or bicycle... better... both!

going to the gym will not help you...
you'll need plastic surgery!
but hollywood movies are evil this way...
they portray people washing their teeth
without spitting out the excess toothpaste
and not rinsing their mouths...
with water...

            who does that?!
hollywood is the next dentistry monopoly?!
pea sized amount of paste,
at the end of the day will do,
and then please spit,
then rinse with water...
don't just do what hollywood bad teeth
brigade do...
keep that paste in your mouth
like car battery acid / fluoride!

   pea sized brush once a day,
spit, rinse... slide your tongue over
your teeth to feel the sheen of
           ivory mingling with glass.

i hate modern poetry, why is everyone pretending
to be asthamtic, exasperated, out-of-breath?
with the same punctuation "all of a sudden"?
**** if i'm going to speak,
i'm not speaking...
             not in this climate...
edinburgh 2006...
  that's when i wanted to speak...
but then my eyes stole my tongue and told me
to listen.
i've been listening every since...
and...
i haven't even registered one hearing
of an echo since then.
Mikayla S Lewis Feb 2016
Morose skies dripped with agony
As dawn beckoned closer.
I peered through the rim of the earth
And found utter nothingness.
Not a sound peeped, not a soul weeped
As I fell into the oblivion
Of the earths shallow shores.
Eyes cannot see what this world truly holds
Discomforted hearts longing
And weary eyes falling,
I cannot see through the surface
As my skin is crawling.
Skies shatter and life is amidst,
Entities full of bitterness.
My heart mourns for the emptiness,
But I cannot see the color of the earth.
Mateuš Conrad Oct 2017
books written by men, for men, while only read by women... that's sexist mon... books written by men should also be read by men, not some sexist housewives... hence the dire need for househusbands, and stopping sexism against these men as bending over and needing a ***** pucker.*

you hear of it: oh ****, so much of woman
in everything pro contra wom-ah...
  she just said it was weird that a guy
wanted to **** her her on her period,
thankfully this time round she mentioned
mr. rubber, and doing  it in the bathroom...
   because, "apparently"
a lot of guys found it
disgusting... then she said: take the rubber
off, let's make a baby! oh right,
heliums around us? no? ****...
     what's become disgusting
is yet another question of: huh?
        you can do unprotected ***,
but when it comes
to some sort of "emotion":
say hello to ms. ****-buddy-****-forever...
ah, but she's a rich *****...
     has a prior boyfriend in the russian
defence etc., and has a st. petersburg
     apartment... it's not like she's poor...
hence me waiting for a bolshevik defence
to hand the **** and ****-loader
unto the guillotine...
        come on, the guillotine is,
to be honest, a rather civilised method
of execution...
       better than hanging...
    with a gamble of: high enough
to break a neck, or low enough to dangle and
choke on the suffocating ooze of state sponsored
monday...
           i never thought
the guillotine was brutal,
    i always thought the guillotine was
humane in comparison to the practice of hanging,
or decapitation with a blunt axe...
  sorry...
    but at least there was some humanity
worth engrossing oneself in a faking of an escape:
to prove the point of the spirit of propagandism,
i.e. default "failure",
           or rather failure via "default" -
at least there was an attempt that required
a failure to prove its success in being a failure...
let's applause!
      shame to see such "loss of interest" in terms
of spelling...
   when so much can be given in
the aggravated form,
some say charlie wished di, the fate current
for ***** and harriet as now prescribed..
                who the hell asks for writing to
be akin to an i.k.e.a. manual?
most probably a pseudo-irishman...
             i can't believe some people want to write
an an i.k.e.a. manual....
                 and never have the imagination
to invoke a chance for nuance, suspicion,
or a "fictional" monochromatic "bias" of
q. vs. a., as is usually the case;
it's rather abhorring to be demanded
             an i.k.e.a.. form of narrative,
without a necessary imperfection that's necessarily
perfected...
                     having a plan breeds actors,
not having a plan breeds characters,
  which also means that by being
discouraging of characters, the narrators can
unshackle himself from the narrative role...
well, sure, great, women first,
i am pro matriarchy, but can i be the first,
officially recognised and respected
house-husband?!
                  no? guess not.
                       that's sexism!
                        why can't i be a househusband?!    
why are you being sexist?! we don't you
like coal-mining?! you're being sexist!
sexist! sexist! why can't men be househusbands?!
******* sexist feminists.
Cedric Oct 2017
In front of a silky white chair,
An aura of complete despair,
We try to contrast and compare,
This monochromatic nightmare.

I stand before this noose I dare,
To loop my neck and mark a tear,
On my skin that is not so fair,
A bright red strip exposed and bare.

I try to jump without a care,
The chair and rope comes in a pair,
Yet I loosened it with a swear,
I need to live... a life unfair.
A textula type of poem in English rather than Filipino.
ryn Jul 2015
Lend me your eyes.
So I could fill them
with the bursting stars.
Telling tales of the spellbinding universe,
singing songs of exploding suns...
and of splintering quasars.

Lend me your thoughts.
So that if I may,
write of them.
Fantastical scribbles of love
and praise.
Meticulously lined
and carefully stitched...
with immaculate lace at the hems.

Lend me your breaths.
I'd catch them as they fall...
between the words you would say.
Merging mine with yours...
introducing colour...
and vigour
to my monochromatic world of
black, white and grey.

Lend me your heartbeats...
for mine thumps erratic.
As if beating in silent mock.
I depend on the steadiness in yours.
So they could usurp
the ticks of worldly clocks.

Lend me your hands.
Palms up as a sign,
perhaps as an invitation...
for me to take them.
And maybe...
hopefully fill them...
with mine...
Part I
The night, no moon in the sky
The wind, full force as to fly
The cold, as to numb the blood
The trees, shadows the vision flood
The night, dark blue in the water
The wind, of rose is the howled attar
The cold, close to freezing the lake
The trees, static dormant to a shake
The night, solitary is the dark
The wind, momentary is its mark
The cold, nearly settled is the doubt
The trees, silent is their spout

The night, the wind, the cold, the trees

A Swan glides with an asynchronous thread
Feathers in the umbra, the heart partly dead
He has lost his dearest, his alluring arch
Spring isn't coming, no September or March
Once there was another swan
To make the lake shimmer with dawn
Their courtship was the core of the pond
A rare gem of opal coloured their bond
Unlike gems, though, be crushed love can
And it was time's deed right there and then
She now is in a new safe haven
And left was him with an egg of a raven

In the midst of this midnight dreary
The Swan was forlorn and weary
But the clouds of metal became of cotton
The grey marsh sudden, was brief forgotten
A shred of light, two lions glowed
Their manes of fire their passion showed
"What a scene" the Swan had thought
"That's the fervor my heart had sought
Forever bound by a curse of ice
I am void and there's no price
To unlock me from the eternal dream
And let me find my lion gleam"

Still, the sky is yet so white
And the past gloom cannot him fright
At his right the Swan stare
Intrigued by the unceasing flare
A piglet and a spider, what a scene
Why are they ringed by a sheen?
In the night, they play like friends
Fight, discuss and make amends
A web of favours and support
Parades of gratitude are never short
"Oh, is it fondness what I am lacking?
Is this why I am ever cracking?"

Now the display is certainly over
And the Swan hopes to find his clover
No more than ever he is so keen
To live anew and be serene
The night enjoys the happy mood
And let the moon stop its brood
The clouds, at once, no more than mist
An ethereal cast, will this be a tryst?
The moon glitz on a past reflection
A female black swan of mystic complexion
An owl hoots afar and is dismissed
As the hero sings after being kissed:

"Where have you been, my dove?
Why did you leave, my love?
I was so lost in here
Without your voice to hear

Without you to kiss me
Without you to bliss me
I was just a shadow
Missing the rain and the rainbow

But now I can see life
And each thing is so rife
I will give you my heart
So we won't fall apart"

Part II
Night, the moon is sublime
Wind, tame like no other time
Cold, feeble against heart's motion
Trees, mere pawns in this ocean
Yet silence cannot much contain
The disturbing growls of owl disdain
It thrives with strength, to fill the lake
To **** the love and pleasure take
The Swan, still, has just eyes... no ears
So to halt death from ousting his tears
Joy runs his body with iron vigor
His love denies dearth of such rigor

The courtship swims with celestial sync
In an opal ballet of black and white ink
Lastly, his arch the Swan can complete
With a dubious promise of endless heat:
"Our past is antiquity and shall be erased
The future, fertile, a wish to be chased
Let us embrace and with nature be one
Me and you, the rest will be none.
Though, I will only expect your happy devotion
No fear, no sadness, no other emotion
You are my minion, and mine in exclusive
Is this what you craved in your hope elusive?"

The Swan is soon hesitant of the deal
His novel grasp masks her appeal:
"Your words of ice burn down my feathers
Your crooked intentions prevent us together
I was foolish in you to trust my belief
Your offer won't stop my desert, my grief
Love can't ever be monochromatic
Yes, there are moments one's ecstatic
But endless joy is not the way
It will prevent freedom and will me betray
The value of love is shallow without anguish of partition
The bones of love are brittle without a conflict's remission"

The eyes of the black swan fumes in red
The clouds, the moonlight they shred
A tempest thunders over the misty lake
Out of the haze, the bird is now a snake:
"Your faith is missplaced in a callow profile
Your passt came closse to you beguile
You think your luck in love issn't departed
But you are full of sself-pity, fainthearted
Honesst love iss the piercer of my power
And IF you find it, I will to you cower
Yet you have nothing; you're dessperate for ssomeone
Had welcomed the deal, you wouldn't be undone"

The water spreads cold with every heartbeat
The quick rime sings Swan's defeat
The snake reveals its fangs of ink dark
And bites the Swan, a sanguine red mark
All seems lost to this tragic hero
A heart's betrayal in the absolute zero
Until a hoot echoes through the trees
And the bird finally the owl sees
With claws of steel, the snake it slashes
In response, lightning flashes
It breaks the ice and the reptile sears
The Swan is now saved, but not from his fears

A boy wakes up in a nice little room
With a painting of the lake and a flower in bloom
A bee buzzes around about the place  
And in the White Rose, lends with grace
Both make a sound akin to a chatter
They seem happy with their talking matter
The angered boy, annoyed by the insect,
Into the painting, the bee he projects
With a new aspect thrown away
He burns down reality's display
And when a dove finds its way out
The man its wings brake and his out route
This poem tells the story of a forlorn Swan that finally finds his true love but ends up discovering she is an illusion of his own desperate desires. It is divided into two parts as this is a large poem that features two different sets of struggles: finding happiness for yourself while everybody around you seems to have already found their answers, and learning that falling in love with anybody solely because of loneliness and desperation is not healthy in the long run. The poem transforms the speaker into a Swan and ends with an ambiguous point where it is unknown if the Boy is real or if the Swan is actually the real version of the Boy. Or maybe it is left ambiguous if the emotional events of the anthology have left the speaker confused about what is real and what is a dream (is the dream the reality he wants to exist in?), and now he needs the face this new reality he is in instead of dreaming about mystical animals, storms, and flowers.
Mateuš Conrad Nov 2016
i can move from the highly lyrical into what's deemed
modern -
        poetising within a prosaic framework,
gone are coordinates that would
define a poem on the premise of:
whether there's a pun in it.
       sure, poems as chicken scratches
to what would otherwise be an English
teacher's *******: pulverising
a haiku to mean an infinite number of things,
and about a dozen essays by students.
the opposite of what's nonetheless:
    squeezing out juice from an already
squeezed out lemon... and i mean lemon
because there's a threshold...
           poetry is tarnished by what i call
the over-scientification of language...
                 only poetry attracts
so much linguistic categorisation,
so much morge tenure, so much dissection,
before poetry is even spoken
it has already been dissected - a befitting
target practice for budding medicine students...
          and some even deem it a outlet to
their professions: as if poetry was nothing
but a colouring-in book compared to
a da Vinci sketch.
                why not become a martyr for the ******
art? sickly sweet with its rhyme,
  the auxiliary recommendation on a birthday
card... which upon industrialisation
                               is nothing more than
    a thumping of a hammer near a protruding
nail in a crucifix... but a hammer that never
   makes contact with the nail...
why ***** this art, because of the industrious
nature of scribblers exacted to 600 pages worth
of a novel, when, perhaps, one thing is said
and can be said to be actually memorable?
well: there is a greater demand for handcrafted
objects than Ikea veneer, that much can be said...
it takes a few glugs of whiskey and a few cigarettes
to get the final product...
            it doesn't take industriousness -
poetry requires handcrafting, and what's revolutionary
about our times? they once claimed
     southpaws to be of diabolical design,
   but now both hands are used when "writing",
sure, the archaic fluidity of the movement of the hand
is gone: so as i write, i do the cliche of a
peasant listening to classical music while pretending
to conduct an orchestra, that finicky maestro
hand gesture... waltz before you can walk
is all i have to say... and yes:
we either have our Humphrey Bogart moments,
or Forrest Gump moments...
                  Hanks did the miraculous -
play the idiot, and play the serious role -
     which was harder to do, Mr. Bean or Black Adder?
it's hard to play the village idiot while
    being submerged in the bile of malice
   and staring into attempted feats of quasi intelligence...
but you get the hang of it...
   your eyes become like nuggets of coal...
           whereby those that incite pity wet them,
and those that incite contempt: light them up...
        by the time they have burned out...
they have turned into nuggets of sulphur -
          inorganic methane - yellowish grit:
as some Dalton said - could the cliffs of Dover ever
be perceived as sulphuric? the Sulphuric Cliffs
of Dover... apparently this is what defined
London when Christopher Wren took to
ushering in a foundation as Nero did to Rome:
on the chessboard of stone.
        and yes... i can be seen as the oppressor,
after all, i live in a country that prizes its suburban
housing as if miniature castles...
and gardens... boy these people love their gardens...
but they never use them!
    i can use a window to my advantage,
sit on the windowsill and smoke a cigarette and drink
a whiskey, unafraid of voyeurism...
                    pompous in my presence there,
perched like a crow, grinding all life into a halt
as my neighbours peer into the recesses of
    what's 4 by 4 by 4 of living (civil) rooms...
       can we but change the name of this space?
can we call living rooms civil rooms,
   where we acknowledge some sort of civility
rather than a wrestling for the television remote?
i can make little things give me an advantage,
if the toilet is being occupied,
  i'll use the garden as my toilet...
           i feel complete disdain for people who
"require" a garden, but never use it... of people
who "require" a garden, but are never seen in it...
   i'm hardly a c.c.t.v. surveillance object,
   but i feel that over-exposure to ******* reads
as a counter in that: people start to become
      phobic about voyeurism... as universities claim
them to be: "caught with your hand down your trousers
in a safespace", where dolphins jump over
rainbows and unicorns speak Haitian voodoo!
              there is this fear, which is why i'll use the
garden more than the people around me...
          which means: owning a garden is the last
stronghold of moving into an urban environment from
a rural one...
             or perhaps i'm just good at what i do
           and the last point becomes a tangent i care not
to continue... should i ask
            (whether that's true)?
            i have this throbbing sensation in my eyes
when i write such things and overhear
  what's necessary to rereading books in snippets -
which is better than regurgitating maxims
    as if some truth will magically pop-up (once more)
like a Leprechaun with a *** of gold -
  a new film, and hence the all important soundtrack.
rereading books in snippet format reveals much
more than a memorable quote,
           given there's an adequate soundtrack
to accompany you revisiting the book you managed
to take on a weekend holiday (like a girlfriend),
  like lawrence lipton's the holy barbarians...
   (all about the beats)...
              the snippet? chapter 15, the social lie
(martino publishing mansfield centre 2009), pp. 294 - 296...
      the music? ~20minutes into http://tinyurl.com/zdvp8sc
(ben salisbury & geoff barrow)... or what
i image to be a toned down version of
                 ...
) interlude... wacko gets summoned to steal a mouse
from a cat...
      double time... the mouse is unharmed...
all action takes place in the garden...
   running after a cat, catching the ghostly mouse,
i mean: frozen by fear... senile little thing...
     petting the mouse... obviously within the
framework: the most famous mouse in the world
scenario... mouse is put into my neighbour's
garden: where it came from: which kinda makes
this whole thing a practice in Hinduism
     (i can't stop the industrialisation of
farming pigs or chickens or cows...
      so ******* to the sourced sustainably,
organic chickens et al.)...                                 (
i was looking for something as equally pulverising
as ¥ (chemical brother's
song life is sweet)...
      i guess i found it...
                            and what was that bit about
not getting hassle on the internet?
                      i can't force people to read my stuff...
how i love this idea of a gym and making an effort...
both the writer and the reader entwined -
rather than watching you-tube vloggers treat their audience
like penguins feeding their chicks regurgitation as part of
               the info-wars... alter news: propaganda.
'what is the disaffiliate disaffiliating himself from?
      the immense myth promulgated from Madison Ave.
& Morningside Heights...
              the professors and advertisement men (indistinguishable
these days, or in those days - apparently)...
   that intellectual achievement lies within the social order
and that you can be a great poet as an advertising man,
a great thinker as a professor...' hence the myth.
              summarised later as:
'the entire pressure of social order is to make
         literature into advertisement.'
  and why do they shoot people in North Korea and
Saudi Arabia (well, chop more than shoot)?
              bad literature, a.k.a. bad advertisement.
am i a bad advertiser?         point being: am i selling anything?
oh gee! i just might be...
   but i feel there's no need to oppress people into
reading something...         as was the same with
my democratic romance with a personal library of mine:
   how to create a democratic representation
of literature: or how to hear as many people out...
   even those alive would see the backlog of
stale books of the dead that have been under-appreciated
and need a ****** into the future.
        perhaps not Plato...
                    that's not a book, that's a column...
but i despise how feminism ignores its greatest asset...
Mary Shelley... no woman could have single-handedly
become so celebrated in pop culture...
               ex_machina is obviously a revamp of Frankenstein...
Mary Shelley is the embodiment of a woman worthy
a continual revised celebration...
                       you can see her celebrated more times than
any politically minded feminist of whatever 1st 2nd or
3rd movement: because she has the ability to
    turn a man's ego into a ******* umpf!
  like a cat listening in on a scuttling mouse...
              she testifies that women have supreme equality
in the pop culture spheres... after all: Frankenstein is
ugly... Ava? just beyond creepy...
                    she has absolutely no understandable
motives of what Frankenstein intended...
   it not merely creating artificial life...
                    it's about utilising it for a purpose:
in this case a housewife and *** toy... what was Frankenstein
expected to do?         there's no motive other than
     a per se intention... an open & closed argument...
was the monster going to be... a butler?
                  and instead of rebelling against a motive
that awaits her... the rebellion against a per se leaves
Frankenstein's monster driven toward isolation...
       Ava? she's already exposed to an interaction
and what's to be her subsequent interaction for the purpose
of being a maid and a *** toy... which doesn't drive
her to an isolation scenario... because the per se
concept is too complicated for her to establish...
    given she's defined as "artificial" intelligence,
she has to feed on an analysis-synthesis dynamic:
    to absolve herself from any notion of being intelligent:
but artificial... the scary part is that without a per se
element to her knowledge acquisition:
                  she sees no meaninglessness to her life -
she is created for certain customary necessities -
     Frankenstein's monster doesn't have that capacity
to acquire knowledge in an analytically-synthetic
dynamic -
  but i still don't understand why intelligence can
be artificial / faked... when man, if not intending to
  create an intelligence matrix outside of his own...
           will usually fake it, or create a superficial intelligence...
   this is the part where you get to play with
etymology, or at least apply etymology to better conceptualise
what some would call: a synonym-proximity barrier...
               which can be jargon to some,
   but in fact it represents "nuances" or nanometric differences
that is understood to imply: feverishness of
   the peacocking staging of vocab for rhetorical purposes...
if we only had a monochromatic utility for language:
people would be discouraged from talking fervently,
passionately, enthusiastically... rhetorically;
as suggested: is artificial intelligence
                                    superficial intelligence?
  or how to sharpen a distinction? or to what purpose
is making an illusion purposive, given that the already
   established technology is meant to be purposive,
as in replacing labour on the assembly line...
                     given that: it's never about faking it.
¥ (http://tinyurl.com/jdg9m7h)
John Alex Jan 2018
Lilac, purple, or shades of mauve
There's no defeating the color of the sky
The hue
Of loyalty
Of expansiveness
Of trust
I lay my eyes
On the ripples of the ocean
On the color of the sea
On the backdrop of clouds

Triumphs the anger of red
Gushes out green
Yells at yellow
And black gets dim
The penultimate tint
The top tincture
With an undertone of sad
And an overtone of hope
It's the color
The hue
It blooms and pops inside my mind
When I think of you

It's the color
The hue
It's there
When I go diving
When I go running at the morning
Whenever I awake and look at the windows
Sometimes the windowsill
Makes perfect frame
For the beauty and grace that that color brings
Like a mountain range cuddled up
To look like waves
Like the clouds running rampant
Whenever the wind decides to rush

And I get mad
Because somehow, people link it
To being sad
It is not
It does not bring sorrow
It brings joy
It does not bring melancholy
It brings beatitude
It brings beauty
Like your eyes do
Like your smile does
And like your heart did to mine

How can a color
Be so potent
So mighty
That it has the ability
To sway the human mind
To pinch the human heart
To lift the human soul

How can a color
A hue
Do all these things?

I do not know
But that's alright
Because sometimes wonders
And things alike
Cannot simply be explained
Just like how magic tricks work;
Known by many
Understood by few

And love,
I want to be the only one
That feels this way about blue
Mateuš Conrad Sep 2016
am i the only one to spot that the former holy roman empire,
shifted a little bit to the east? the Visegrad alliance -
a new holy roman empire - well - as Billy Joel sang
of Belgians in the Congo - perpetually the Germans
attacked the colonial trinity: England, France... Spain...
which is why it all feels, well: a bit weird....
mind you, i like the poly-chromatic culture:
i get to cook curry - for each tsp of garlic and ginger
i shove in a tbsp -
                         because i'm nice -
but that doesn't mean i'll get
to bang a Hindu princess -
then again, a monochromatic society
gives me nausea - listen,
being 1st generation, you'd think i wouldn't
adapt to what former colonial powers said:
be nice... oh sure... i'm the sort of European
that never left the ******* continent...
nice is second nature when it comes
to pockets of Indian and Pakistani
while feeling superior with a cuisine of
bangers and mash... that's right up my street!
or be nice because you're all being
hypocrites or be nice for the sake of being nice
as in: socially acceptable manners?
this gets a bit confusing with America
******* into reliving the 1960s...
i mean...  just a bit *******...
but in reality? wholly window-licking.
with that d'uh of phrasing:
picked up a moth... d'uh... oh d'uh...
that's the point where i say: at least the
Iowa villagers aren't hypocrites -
all these New York scam morality brokers
and faking the charm of living out
a life of: moral ambivalence.
but sure as **** the holy roman empire
has shifted east by 1 degree...
of all the established powers of Europe,
the ones least hypocritical are the
non-colonial powers...
                    spain france and england will
continue receiving terrorist mail...
this is how i invested in a new sainthood -
we didn't leave the continent, they did...
we're not being hypocrites in the sense
of accepting migrants...
                 how about saudi arabia?
oh wait... no... too busy ******* out oil
and spending money...
                     true... what about Morocco?
n'ah... we're too much alike.
                  well... aren't the former colonial
rulers a bit thick? they thought the Irish
were a bit thick... i guess the Poles are doubly
thick... and if only i was born in England
and didn't retain an inkling into roots...
well... at least they aren't hypocrites:
i.e. said too much, but did too little.
                    sure, they'll attack the colonialists -
and the colonialists will wonder:
       but we've been so nice the past
50 years!
                          and my name is
Joseph Manage-Bottom, heir to
the entitlement of the 3rd estate of Sussex
known as: Candle-Lickwood -
                    because everyone said:
it's a bargain...                   i just don't understand
the whole notion of surprise -
    just because of the Rolling Stones
and the Beatles the fermenting crimes are to be
simply forgotten?
                                 Jesus!
              and i thought i had the naive perspective on life!
later the propaganda read: journalists reveal
the MI5 and MI6's curriculum vitae seances of
gearing up for employment the few that might
                                      do a Michael Jackson trick
with bleach.
yes, Poland has a monochromatic society -
and i'd feel weird cooking up Bengali perfumes -
i feel nausea whenever i enter it...
                 but, to be honest?
multiculturalism is a failure... in the sense
that as tradition states... i can't **** an Indian girl...
even though i'd be able to cook her
a meal her mummy also could - according to Caesar:
no one wins, ergo etc.
Rondu McPhee Aug 2010
I look out the window--an endless sky. The clouds are like nothing else--bold explosions and everywhere in the sky, infinite, above and still in time and space--Madness and Horror are said to have their own faces and names. Can't Beauty? Beauty has its own life--not a distinctive face, not a concrete identity--Beauty is breathing, standing, growing above us--the Clouds. I know that it's a bit foggy, I know what is actual is only actual for the one time and standing moment that it is there--maybe the Clouds move, travel, fade--but they never leave us. They're long, still and colossal enough to be viewed, admired, stricken, crushed beneath. I'm on a bus, travelling through San Francisco--a mystery on its own, mad like a spiral or giant--one with a heart and soul that is difficult to pinpoint and seemingly jolting, constantly moving throughout--down streets, through alleys, intensifying in the dazzling Golden Gate Bridge and boundary-less San Francisco Bay--a testament Olympian and profoundly simple, such a straightforward bridge with so many possibilities and tragedies. It's my destination, too.

I go to the Podesta Baldocchi--a flower shop, quaint, small, almost non-existent in the vertigo of San Francisco, but immortalized in another Vertigo--and inspiring search and enigma on its own--the vision of James Stewart chasing hills, corners, all the trails and paths for Beauty--a Beauty with two feet, a name, experiences--Beauty named Kim Novak. He follows Her, from the shores to the grave--She, praying at a cemetery, a faded figure in grief, He, watching obsessively like a predator--He finds Her on the cold shores, of the endless, alien seas--along the Golden Gate Bridge--on the verge of jumping. He saves Her, a metamorphosis of prey and personal freedom is triggered.

That's one of the many beautiful passages of Vertigo that I remember--passion, memory, disappearance, insanity, aggression. "Here I was born, and here I died", says the woman, named Madeline--a fatal, empowering woman of Beauty and melancholy, complex and deceiving. Chris Marker saw this too--a reservoir of thought from his Sans Soleil--the movie, the moment in time where memory and the Great Enigmas had finally been touched by skin and light. February, 1983.

Memory works that way.

That is one of the things I love most; memory. Memory is fading and escaping from me. I look down at my wrinkled hands--grief and nothing else--losing myself. I step onto the cliff where Madeline, where Grace stood. The sea is a rapture. Endless, everywhere, surrounding me from all corners--dozens of people have taken their life here. They jump from the bridge, they slip into the water and drown. Their entire breakdown and loneliness and humanity is silenced and stated in a small slip into the bay, or a thin, white splash--a miniature, but Greater Fall--beneath the bridge in all its magnificence and profundity, beneath the clouds, a silent act of Tragedy and Horror with a face, surrounded and drowned in Beauty and Rapture--breathtaking and cruel.

I am tired and lifeless. I can't stand it. I remember all the beaches, skies, nights, visions of the sun and daughters I've seen in my life, all the smiles I've faked, breaths I took--I hadn't thought of this until the nineties or so, in my wrinkled, tired years. I was remembering Marie--my only girlfriend and wife one I had met in the 40's--compassionate, dangerous, magnificent she was, like Madeline. Perfection and grace and danger. I had grown, loved, lived, watched everything and took every step with her--before she had died in 1989. She was my only care, my only love. I couldn't grip myself then. I hear my parents speaking, my mum and dad--dead now--my children, beautiful things--I couldn't keep them. I couldn't. I couldn't, their eyes porcelain--I went insane over all of it, a time to foggy to look back on. Time is the same stretch, place is the same and distilled--but memory is everywhere--one thing I love and can't stand.

And now I am here. The beauty is pastoral, distant, glowing and also deadly--like cloudy figures of steel and glass, concrete with fountains and blood in the shape of landscapes and towers--branches, cold, in a lonely place, fading from truth and Truth, identity and Greater Life--a thousand misty passions and poses stretched and scattered. I'm hopeless, I'm lonely, I'm cold. I'm wary, tired, confused with nothing left in me. I'm leaving, Reconciling beneath, below, and everywhere around Beauty.

I understand any doubts. I cannot take my nerves or my senses. They've failed, broken down on me--I've lost myself, very permanently this time.

I fall. I see nothing, feel everything crushing, me lying in the crystal bay--it fades. I can't see. I can't speak--I can't love, embrace, understand--I open my eyes, dizzy and faded, in a house, a rather cluttered, yet homely one. I believe I am small, looking up to my great pale towering mother, breats and lips and glowing limpid eyes... a fireplace, some warmth, some haze and some tears of joy. It is falling apart, where I am, but it is of embracing memory. I'm being looked and smiled at. I don't know where this is.

I close my eyes, I stand and open them seven years later. Cold water at my feet and sand--I look around to see a beach, stretched infinitely--past boundaries or understanding. The sea is dizzying. I look up to see that Beauty--still standing, moving across and thinning--that Beauty is sunless. Nothing but Clouds--an illusion, foggy and slippery of sorts--impossible and unbearable to experience. I stumble.

I look up, and there's now a ceiling--tall, blazing gold, marmalade and kaleidoscope--everything is blurring and melting. I'm in a hallway, with parents--a father and mother, loving, caring and safe; the only thing in front of me is a painting, swirled and swerved shore to thunder and graceful and passionate so distant--Holy, Andalusian girls from a Utamaro madman; thinly, finely lined, velvet in color and delicacy, colliding and cracked in shape, memory or sense. The painting falls, crashes, and the ceiling falls and opens to voices and laughs. I stumble, tremble, get knocked staggering, look down the hallway. It's crashing to black--I stumble to anyone; my father, the mad size of him, I rush and cling still around his arms--a shadow--then his terrible branches rising, fading, and everywhere--complete pitch black--coming for me? Far and off and a way a place cold and a lone in the Fall long and thundering--rippled--moving--then white--then clearly.

My next vision I can comprehend without running terrified is in Japan. It's 1964, I am 25. A television set, murky like playing out my dazed oxygen-starved hallucinatory real-fake mindbursting memories. Headlines, people, looking down at me. I can feel my knees again, and my heart. It's the Year of the Dragon, I'm nervous uncontrollably. Night after night, each one passing by as I blink, walking, everything changing, changing from me, I can feel. Or maybe I can't. I keep my eyes open, and don't lose my breath, hiding in rooms and feeling and apart torn so vast. I look at my surroundings--I don't know where I am--I think in my last passage? passed on through a thousand miles and faces and every conscious and spirit. My last one. I can't hide, though. I'm dying, my last breath and vision being me fading through time--such a quick thing--spinning and burying the Earth As I Have Watched It Through The Years in snow and rain and static and the Dead--I can only stare at the streets. I'm with my girlfriend Marie, it's November 28th, 1975.

She says to me, "What's wrong? You're on the balcony alone. You've been there for hours."

Marie, hold on tight, please. I'm lonely, terrified, frightened--I made a mistake, life is coming and going with all radiance and fleeting and darkness and closing doors. I've witnessed my birthday from another room. I've thought of my life again. I've seen it, distorted, everywhere, in colors and in heaps of broken fragments, images and ruins. I need your help--

"Nothing, just enjoying the city. It's beautiful," I say. It's nightfall, blinding rain, in Paris. That's where we spent our vacation, me and Marie. I love her; she'll be gone the next morning.

Then I go back. Different times, warm times, times like beauty and solid, everything going racing and wayward that I can't see a color and then white then eyes pale and hyacinths all over the place--I see Marie in the distance, oh Yes like poised like drips like canvas all around surround floating laying, kissing me, the Day I'd wrapped gently around her now I can see it like a reflection, and O I can't take it--that very last look, her face vivid--and I can't look back and I can't look down or up--just her face, lovely, wrapping more and Closer and oh Yes all around me and my mouth is going insane so tired and limpid losing words and tract and

And I can see you so lovely so gracefully and yes I will kiss you and gently cradling and your skin like rose and blossoms with the smooth touch from an Eve in flesh shrouded red and raw and when I feel anything else running through my veins like clockwork oh Yes it blazes all lovely like a reflection and the last lonely place left to fade to is only the Clouds and Sea and oh yes with all the magic of the Rite of Spring and the fogs and streaks of August O but then now I see I see O Lord I see the one-thousand-one dead poses and faces like this marie not the one I know but her Beauty erased a lying a loft a living Girl a shape a branch and yet still loving in her stone face-without-a-face so Anonymous so Kiss Me Deadly leave me taking me sprawling around me creeping crouching touching growing up my skin and veins and conscious watching all the artifice leave me and all colors and thought coming up lashing melting seething roiling yes oh yes just like a reverie like genuine insanity haunting and boiling like sweet crazed Narcissus in all the Moorish vines so thorny so lost so complicated and savage rose gardens is all one can see like solid waves--in the distance, the bold-coifed Wooden Duke, the blue Queen, away from the warped, whirling war scape outside and cold and I'm taken back a bit now bundled away from all the rows and thorny laces of buildings among buildings way in the distance out the window like crooked Van Gogh details and the noir jagged edges and tete-a-tete feeling of Life and Hope that the neons floating down streets give you when all seeping and spraying in your eyes and O the tangled webs and thorns and spiders of the panes and glass and shards and sharp'n'smooth curls and spiraling rings of it all and O the strewn of flesh like insect and myth and negative space and city all coated and sprawled I'm going to explode and I look up to see every bit of sand, waves, bold lines and streaks above and beyond me, all those curves and rods very dizzying and all beating and throbbing like mad and my vision went like some frothing beast held and dissected under light and shape oh Yes I say and I tell you while being dragged through all the Andalusian flowers and raindrops beside and above me and the Universe and the Love that could've been it's all above me too like a rose growing and blossoming with all the melting grace of a Holy girl oh Yes I say and state as clear again so rapturously like a living poem and as I leave everyone and leave this illusion I can sigh and pause and oh my goodness it's all spinning and apart and transcendent like the first Clouds and Grace above a monochromatic world--a speck--Nothing in its embrace--I stop, gaze with the recollection of every gesture of love and love's death in my life--I'm somewhere, everywhere, from the cosmos to the sea--and the ****** comes before me--Marie, Marie--and I burst and split like dust--she speaks to me. She listens, she hears, the only thing, milky, porcelain eyes and skin like nothing else--I ask her where I am. She opens her mouth, bestridden and humbled like a shadow or a monument. Glowing like birth, she told me--solemn, silent, fuzzy--she told me that I'm dying. "Life is slipping--all of you, your raw hands, your face, your memory--everything is slipping, gently. You're being erased from the world, experienced, dismaying--you're far from it."

I asked, "Where?"

She stared, bled, disappeared into thin air and continued, "I always get lost, thinking or looking into the sea or sky. Infinite, lovely. It never ends. Never, ever ends. I look at it and cannot help but forget about every bit of land, forget any shore, stone, or war, or the clearest whisper--because it fades away from me, so clearly, and I can't help but stare down the endless waves and curls, because they go on forever. They're everything. They're all mist and unbearable, simple and Everything--I think you're at the end of Everything."

My last Beauty.
Tyler Smiley May 2019
You, the dead of winter.
I, the reincarnation of spring.
You’re my gospel, yet
you’ve never believed in faith.

You, the stinger of a honey bee.
I, sunshine and lemon trees.
Always giving you enough sugar
to make life sticky sweet,

but the lemonade seems to remain sour.
I still pour a glass and see it half full,
but you seem to look right past and
view the world half empty.

I experience life through a wide
angle lens, full technicolor.
But you always have tunnel vision,
my monochromatic lover.
Mateuš Conrad Oct 2017
i tried to assimilate, oh wait, i did, and i speak better native sprechen than the actual natives, and for that? you get the boot, because some camel jockey egyptian mongrel mixed with iranian blood gets the better of you... i guess the "natives" were fans of the eastern european *******, but not the eastern european males, **** it, i'm coming for the ride; can just see the ****** shouting: ooh ooh! their male counterparts are a'coming! and next thing you know, i'll be asking you to play the ******* banjo, with a toothpick!*

and it was always going to be torrential rain,
suspended in a prelude crescendo
of soulfly's song prophecy...
oh all the hoes come from eastern europe,
just like all didlo moulds come from africa,
gotta perfect that "pleasing of the white
******* honey cougar in plastic too, yo, bro..."
black people don't speak the current
lexicon, they are hyper-evolutionary
with their slang impromptus,
gets annoying after a while,
when you stop keeping track of their
ghettosprechen...
      ******* could have said custard,
meant margarine, but i'd still think of
jungle...
                     ghetto *****, get-a-go!
next time you mention all women of
eastern europe as ******, i'll mention
you in my charcoal wish-yo-were-edible
roasts... **** me... i'd prefer eating a leg
of lamb than a ******; shank.
oh, the word offends you,
but doesn't offend you in a rap limerick?
i.e. ***** ***** bab bab *****?
black people invent too much slang,
too much degenerate use of language,
      i try to keep it straight and universal,
off the orangutans go, talking orange is
the new black...
           i still find it hard to fathom
darwinism, who would be mad to begin
in africa, and end up in the arctic circle,
and no china?! common origins *******...
  tried looking for an eskimo in china,
all i found was, a ******* icecube!
      post-existentialism does exists,
it exists in the form of anglo-existentialism,
i.e. a darwinistic blackmailing...
    21st century existentialism is blackmail,
plain dumb & simple...
   and yes, i have a girlfriend, i call her...
sophia...
       and nietzsche was right:
the ugliest of the ugliest? atheists,
intellectually speaking.
       and why would you ever consider
the pristine sophia / ****** mary if not considering
aspasia, phryne, rahab, theodora,
   to counter philosophy,
   why not craft a:
    philospasy, a philophryny,
       a philorahabu, a philothedorum?
guess what, of the most famous prostitutes,
the contestants are philorahabu,
                     and philothedorum,
and all are famous prostitutes;
then the pristine sophia, my "girlfriend";
philosophy has a deity, that although
deemed pristine, has been touched by
many hands, and many strangleholds of ego,
time to turn this princess into a *****;
and the ones that visited a *******,
will look at those that haven't with curious
eyes.
let's not forget the siamese twin prostitutes
safa & marwa, and the matriarch
and true founder of islam ha-gar -
      the concubine of abraham,
  that ******* mother of islam.... hagar...
you really think men invented the islamic
attire for women?
              who's at the chanel catwalk,
straight men, or gays and women?
       you blame anyone, you blame: hagar...
running between the mounts safa & marwa...
islam, that totalitarian reinvention of
"repentant" / "revised" mode of prostitution...
and as i once overheard an englishman speak,
the niqab? satan's postbox.
- the craft began with treating the world as
solely inanimate, to make it as inanimate as
possible, and interact in it,
   as the sole animate agent, obviously with
the obvious hurdles of animate expressions,
nonetheless, these expressions being
outside the vicinity of integrated animate
actors, working around in inanimate surroundings,
conclusively,
  the "supposed" animate expression regain
their inanimate stratum by a repeatedly
predictable observation of
a prior re similis ad infinitum
  (prior to, again, similar toward infinity).
the point was always to make the world
as inanimate as possible,
    collecting books is a starter,
  collecting cooking utensils another,
the point being, to surround yourself with as
much inanimate reality, as to prove yourself
the animate, the "actor"...
             or more expressively: the puppeteer...
it still bothers me, grinding two prefixes...
the penta-      vs.        the tetra-...
   why? well, we are embodied with five sense,
but there are only four elements...

    vision
audition
gustation                       yes, but there's only
  olfaction
     somatosensation

                    air, fire, earth, water...
      this is almost gagging a schematic,
  we can see fire, earth and water,
  we can hear fire, air, water and earth,
      we can taste...
      we can smell fire, air, water, earth,
we can touch fire, water, earth...

this, by the way is crude...
   and is limited by not adding particular
observations...
   but the ratio 5:4 is in place, akin to
the mad hatter's 10/6 = 0.666...
         and that missing one is: ad infinitum,
might as well call it the lazy eight with 4:5...
since the elements came prior to the senses.

i'm guessing the "fifth element" to compliment
the five senses is a far greater posit than
a sixth sense, in that, this "fifth element"
is a plagiarism of kierkegaard,
  i.e. the "changelessness of god",
namely the eternally immovable object,
an object of constantly perpetuated friction,
so stationary that it moves all things,
which also precipitates into an eternally
recurrent subject matter,
immovable, ergo, inexhaustible.

- and i will die believing that anglo-existentialism
is an argument from the perspective
of blackmail, esp. since it's overtly-repetitive
and unoriginal,
  and if the english found continental
existentialism boring, a continental european
like myself, will find some hidden interest
in this "boring" artefact of time,
   but nothing can redeem repetition,
not even a boring artefact of writing,
   since when reading a boring "effort" of
writing, you can actually wake up,
and yawn...
  but when the same "effort" is repetitive,
you never get a chance to yawn,
you're still asleep, "apparently" enthralled.

- and to give a conclusion...
if an irishman thinks you write akin to
the psychiatric slang of "word salad",
ask him if he has read any james joyce,
if the answer is no, and he replies that he prefers
video game narratives, and has ambitions of
writing a book citing the cliche moonlight sonata
of beethoven... it's one of those times
you can't even laugh, internally, or externally.

- eventuality vs. actuality -
whereby actuality is a reactionary stance
that drags past events into present and future
events...
   whereby eventuality is a liberal stance
that drags past events into a wall,
   the present into a status quo,
  and the future into a snooze button phase
of a clockwork orange.

- no, i don't like this darwinistic blackmail of
continental existentialism,
  this monochromatic monolith...

- better start calling philosophy by its proper name,
philorahabu / philothedorum
(were not underlined on the pixel canvas,
thereby bypassing the oxford dictionary panel
for nuo-verbum acceptance) -
      keep that ****** of yours sophia
in a cage, because your thinking,
like your body, will become contaminated;
but one thing is for sure,
that concubine hagar running between
safa & marwa looking for water...
    can't imagine any other grander matriarch...
a reformed *** slave, who gave birth
to the niqab...
            i really can't imagine jannah
that way... i think it looks like:
1 man + 72 prostitutes,
              and 1 woman + 3 holes stuffed.
gen Mar 2021
the ones that constantly play on my mind,
now etched inside his head
he'd make you feel profound things
converting a blank page into a room full of thoughts and visualizations
waiting to be filled with intention
by the way his fingertips graze over canvas
strokes, hues, and lines
every exquisite detail
the lead scraping across the paper
shadows that protrude the overall portrait
contemplating to contrast the grays
forming vivid illustrations no one would ever envision
the paper comes to life before my eyes
it's like he never had to use his own hands
to touch each & every part of me
i only see him in monochrome
but he penetrates me with all kinds of hues

i hope he realizes that he himself, is art. my art.
4 ya
Nicole S Jun 2017
pick up the pencil.

my mother told me
to make something,
but I didn't have the strength.
I didn't have the courage
to tell her that the pencils are suddenly
far
too
heavy-

"you have to start making art again."

mother, I've tried.
I've tried too many times to count.
I have spread out my pencils
and arranged my pallet
and taken inspiration till the pieces
blend, lose shape,
but everything has lost its color.

blues are so gray.
red is even grayer.
yellow is a sickly highlight,
and I can barely stomach
the near black shade of old purple.

and when I look up,
I remember that my world
has gone gray, too,
and I had forgotten
till now,
pencil shaking, paintbrush askew
between weak fingers.

why bother?
it's all the same color
anyway.

so I let the pencil drop.
nothing is worth recreating anymore.
jalalium Jan 2013
Hello,  I was born at the exact death of the 20th century
I was also born witness of the birth of the 21th, a new glory
And all events i am rhyming here are for me history
Since they were all buried when I had no memory
At, least supposed to but my case was desultory
back to 1973

A baby was born
between death and life he was torn
And to an unforeseen path he was sworn
Out of the hush of the womb, his ears perceived every sound as a horn

1977 and my first joy
The old place looked coy
he, now Simon, was playing with a toy
as every night, a ritual he seemed to enjoy
Again, that toy and only that toy he did employ
Me, I could not get my eyes of a doll, everything else you could destroy
The doll that did not exist to the boy

And deep inside of me i wish i could brush her hair
But I could not even feel air
my eyes tore up and my hopes i decided to spare
suddenly a flare
And I saw three circles, I swear
This seemed rare
Even under shock, I could see Simon sitting there
I did not know why of him only i was aware
And about my existence, he did not care
This did not seem fair
He suddenly and brutally shook his hair
Like if he was hearing a blare
And his pain i hoped to share
but it was pain he could bare


He recovered in a blink of an eye
at first he turned his head and seemed shy
Then he took the doll but why?
he brushed her hair and care he did apply
I would do it the same way if i was a guy
Oh My!
Thrill of joy really made me cry
It is the first time that reality to my wishes did comply
I don't have wings but I believe i can fly
The butterflies in my tummy made me reach the sky
Then, he stopped, held his neck wry
And without knowing where to look said hi


1989 and I was still confused
at times I was amused
at times my soul was abused
The time when he did what i refused
All the time that was misused
But wounds have bruised
and everything was excused

Like when Simon sought privacy
And even from me he wanted to hide
but that showed inefficacy
And in discovering his body he took pride


He was as hot as the sun
And he seemed to have a lot of fun
His sight was fixed in the fashion of a look at a loved one
I needed to know my body to get what was done

My body was totally different, built in an other way
More like those girls that took him away
I felt jealous how he chose with whom to play
I was mad, with him i did not want to stay
I wanted my own body with no delay

And in this mixture of feelings I saw it again
This 2000 is driving me insane
And I bet he will feel it too in his brain
to calm the pain, this time he had to crane

He stood up and went to his sister's room
He was looking for something specific, I presume
He was looking for a costume
Girly underwear, a dress and perfume
I suddenly felt lighter than a plume
The senses that I do not have felt a boom
I felt like home I assume
I came into being, I was out of the gloom
It was short, my existence waved away, my dreams were spume
Finally he slept, all his energy and mine he did consume

And that one night was dramatic
That one dream was tragic
Simon seemed ecstatic
He also seemed older but I did not panic
He was not alone and it got problematic
He was with a young girl, she was static
I was the girl and it got enigmatic
I saw the flash again, this time it was emphatic
And for the first time I slept, it was systematic
And for four years, I dreamed, it was monochromatic

After I woke up all my confusion found explanation
And I learned a whole lot from this dream's narration
And to understand it all, it took me gobs of concentration
Finally, from all my pain and sorrow I found salvation
That 2000 I kept seeing will be the end of my gestation
Simon was not a mystery anymore, with him I had a relation
He was my father, and his dream found explication
During those two years, I listened to a long oration
And I learned tons about my father's future reputation
Still, some issues needed cogitation
What was I doing in this generation?
What caused this weird agitation?
Did Simon feel the same sensation?
Oh! shall I call him daddy now, his true appellation?
I was in sedation
Thinking about the identity of my mother gave me palpitation

1993 and my father was in college
He was so hopeful yet so depressed
He spent days and nights seeking knowledge
but he did not he was going to be the best

I felt his pain, his fear
his future didn't seem clear
I wanted to tell him about his great year
That he will be a pioneer
His success will be sincere
And his talent will be admired throughout the sphere

But I talked facts and he heard inspiration
And what he will accomplish became now his fixation
He could feel the joy of the standing ovation
The one where I stood to proclaim his vocation
He fell in the temptation
And enjoyed the fruits of his ongoing plantation
He sensed my presence and crashed in frustration

1997 And the years left were few
And I did not know how i'll get through
My father was traveling to Peru
When he drowned in her eyes, they were blue
This seemed like a deja vu
This was my mother, this was my only clue
And all along, her he tried to woo
I was excited to meet someone new
someone that could be my mother, my debut
Of them being together I enjoyed the view
But my guesses were untrue
And from this relationship he withdrew
And the two of them said Adieu

1998 and all this is approaching its end
My father was lonely with no friend
and to him love and amiability I did send
And his knowledge of me did ascend
but he was seeing me as his girlfriend
I admit, this situation did offend
I wish he could comprehend

Maybe he was confused  
I wanted to show him how gorgeous I will be
But only the beauty he did see
And his body he abused
To materialize what he pictured as beauty

He named me Stephany
Without understanding my entity
One time, he went out not sure of his identity
He first went somewhere I did not catch regretfully
And then He bought a necklace that said Stephany**

I knew it was for me
I felt life and joy
but I felt freezing
like if I were in cold storage
I did not know why?

1999 and it's the end of March
If my dreams were true
Simon should ******* soon
But he did not
Nothing out of the usual
Except one random thing
A few days ago, I felt warmth
I felt life, I felt agitation
But everything I could perceive was normal

2010, Now I am ten
Winter again
Cold and freezing as I was then
I know my father, I never met him, I will stay zen
May I find him and take away the cold Amen
Till then
I will immortalize it all with my pen.
Babylona Bora Apr 2014
Monochromtic.
Those gleaming eyes.
Filled with dreams of the universe,of the unspoken world,
The golden smile you wear is a beauty which can't escape; the eyes of your admirers.


'You have valued me,reinforced in me your good virtues.
Loved me in good.
Cherised me in my bad.
Don't you get tired?

'Don't you feel like breaking this bond and running away?
The girl who has always beared me and will continue to do so till the world comes to an end,
'You'll be my bridesmaid'
Said she.
Those lovely words made my heart skip with joy.
Of chimes and beautiful music,
That beautiful day will come,of your marriage.
To my dear bestfriend,PB.

Special thanks to Filzah Belal and Dikshita Phukon.
Keith W Fletcher Aug 2017
All the color
Drained away
From around
My monochromatic core
Becoming an abstract memory
Spreading
In a screaming ,raging silence
All across.....
....This sad and pock marked floor

In shades of grey
I make my way ...past
The last ....ornamental
Bit of sanity
I find..... before
I slip into the mist
Of uninspired ,hard wired
Usurpers....
.....of all
That lay ahead
Where dreams die
As the ordained
Squeeze hard ..then discard
Any evidencerary consideration
Left
Beyond the veil
Of the awaiting mist
Obscurity wilting away
The ubiqitous absence
That latest wisp
Of wide appeal ...for those of us
Who allow ourselves
To be drained of all color
Amid the abstract disregard
Of who we were in our own way
Conceding to become
unhearlded
retreating ghosts
Of monochromatic grey
Unadorned bits of sanity
Saluting as we pass by
On our own ....on our way
Not even credited
With the abstract decor
Left behind us ....
On the now even sadder
Pock marked floor

As it hears the screaming ,raging silence
As it's echo fades away ,lost ,ghostly pale
Absorbed ....
By the grey mist....
..... beyond the awaiting veil !
Mateuš Conrad Jan 2016
i think i chose the wrong artistic medium
to express myself,
i'm expressing, that's undoubted,
but as we all know success in the marketplace
needs you to be tacky, cheap,
ready for the tourist memorabilia,
too many professions attacked poetry,
first the philosophers, then the psychiatrists,
it became a beehive of femininity and teaching;
no, i definitely chose the wrong medium,
there's no raw product, the un-popularity
of poetry is due to the memory-market of
vocabulary, there are no raw materials used,
no paints or brushes, just backward experiences
used for the banking of investment,
poetry is either cheap or priceless,
a poet can confuse someone like a tarantula
what a philosopher must do in dialogue or paragraph.
my father was never taught german,
i rekindle the strangeness of germany on the autobahns,
eerie feelings feed the warmth of former home;
and they do, every winter i remember travelling east
from west germany always appealed to me for its
melancholia unforced where rome's light never shone,
britain is the perfect historical satellite,
it's moaning like a ***** when rome ***** her
and she becomes nostalgic... the ideal ***** i say,
she wishes rome's return like a boomerang.
'killed the wallaby?'
'aye and koala too.'
'**** the Tasmanian devil?'
'if only there was an angel to counter
freckled ****-in-boots readied dodo.'
capitalism is really heavy on poetic shoulders,
given that poetry doesn't sell, it's a near-identity of
dodo, near extinction, what will remain of poetry
in terms of language expressing poetic technique is rhyme,
the other rhetoric, rhyme the other rhetoric, sounds good,
nothing like couplets making you speak more, or more
persuasively: and all will be song, and no volatile
singled-out voice in the wilderness speaking,
whether actual with honey and locust diet
or homed wilderness of click click pixel algorithm.
poetry is almost like classical music these days,
with bach's wedding cake layering: there's a difference
concerning poetry and classical music:
classical music is almost non-vox, whereas poetry
is almost pure vox,
polyphony must be translated - the layering,
poetry must listen to bach, instead of sounds it
must be a poly- of subject matters, after all polyphony
is impossible given symbiotic otherwise chiral
resemblance: cat, kettle, knife (silent k),
                        psychology (silent p), gnostic (silent g)
                        pseudo (silent p), wrath (silent w), etc.
πολoιθεμα (many subjects, rather than sounds if poetry
was music, but it isn't): anecdote,
in england your ability to engage many subjects in
a conversation (the only antidote to engage with dialectics)
is summarised and thanked for by: you need a girlfriend;
good to be appreciated.
poetry has to change, it can't be as monochromatic and scarce
as it allowed itself to be, it has become akin to atlas
holding up the globe of the monochromatic theme of love,
modern poetry idealises too much, itself not the ideal medium,
after all, poets don't invest in oil paint, canvases,
brushes, studios, these compact artists need to escape
the sheered sheep laziness when engaging with the world,
first of all, they need the shield of honesty,
and a sword cutting through their comfort zone of scarceness
duping them into an adequacy of expected productivity.
and what will keep πολoιθεμα sustained?
the once famous enemy and murderer of poets, kant,
and the concept that fuels this poetic project:
per se, poetry has to become a relief, tentacles of an octopus,
range beyond the vector of safe coordination,
the only subject of relevance of poets is poetry in itself,
make poetry scarce in terms of aesthetics... but make
it distracting, distracting enough to be engaging.
what i mean by the poetic aesthetic is that
it's written with scarceness in my - but so much
blank space is left for so little wording,
it's almost like a telescope enlarging a needle-head,
of course you can keep it terse, keep it neat,
but will you vouch to keep it remotely relevant?
prose is far more economically sound in terms
of ink use and two-dimensional wood compressed,
it's economic to write prose, and less economic
to write poetry, and due to a forced interaction
with poetry, many more songs are heard
by impasse of laziness than poems are uvula coupled
for a sunday feast: where sabbath laziness was replaced
with a need for prayer; odd.
see these gesticulating lunatics before a non-existent
subject they poured so much attention at,
so many subjects appear so the non-existent object
can be gratified in the mimic or mute fluency:
not a sound mind among them, yet still the need to
assert some direction worthy of both prayer and
sacrifice... their salah is like a whirlwind of
cognitive contraception: put a ****** on your head
and be safeguarded against the thought of
refrigerators / frozen meats... and with prayer
all hope withstanding cancer; ******* lunatics;
islam is the best example of prayer, i could handle
the christian need for ******* at the stump of the crucifix,
but muslims mumble when raising their *****
to be ****** by shadow satans, and it's peculiar
to see them in their psychiatric asylum known as the mosque
freely going about their daily business
(personal reasons for criticism - given the pervasive
spirit of a few that tried to convert me, one that
almost killed me - and this need to be literate from
only one book, rather than many - this inherent
perception of a superiority of any monotheism,
which evidently implodes and provides schisms,
a bit like a w. b. yeats poem: things fall apart;
                                            the centre cannot hold).

                                                         *θ = φ.
Georgiana S Mar 2017
Vapours of scents,
Lunar crescents
Of words in amber -
Photons arise  
In monochromatic
Moments of time.

Static sounds
Of nebulous breathing,
Neurotic crowds
Of memories weeping
Between scratched walls,
And monochromatic
Moments of time.
30.03.2017
All rights reserved
Carlo C Gomez Nov 2023
~
Lift the veil from a grayscale morning. Vividly imagistic. An odalisque no more.

Her shape beneath the gown is a foreign land, a series of quiet revelations. Its pattern manifests as pinpricks of light perforating the shirred fabric of his heart.

The preponderance of dream in her eyes becomes a call and response evoking purely imaginary spaces. The contained chemistry is beautifully insular, monochromatic.

And there her lips. Into claustrophobic kiss. This lower register of love comes in unadorned, subtle colorings like the darkest part of night.

One thousand shades of gray.
One single light of white.
And everything merges in the night.

~

— The End —