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"furnace" poems
~*for M. both a living one, and imagined, too*~ 10/5/25 just woke up and began to work; the muses are cofuse-ed they think when head hits pillow. it is there then the~moment to refill my head with verses glorious, alas, alack, into the sub-subconscious furnace they go to melt, meld or even die iron of ironies; 90% of these words, were adrift in my head when I to bed, "for to be repaired" last night, and only came to be recalled @ 2:34 am when them muses and you guru, woke me to 'get outta bed', and you    who bids me sleep, this clashing arousal, starts engine's cylinders to begin live~composing, stoking and stroking, to awake, create, reassemble and uncover the poetic notions trans~versing my head one-day, someday they will depart, for cleaner, greener Champs-Élysées, where reborn poets speak all languages with equal fluency, eagerly awaiting my spouting in Hindi (already ✅), in Hebrew and any/all dialecticals this god earth ever mothered And there you have it, my FPOTD, dear m., SUNday 10/5  & writ in the city where I am alive in the Den of Writing, where the muses like to hang out with their old companion, until such time they will come to inhabit a younger, well rested, equally restless, a not-my-mine mind <nml>
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Oct 5, 2025
Oct 5, 2025 at 3:08 AM UTC
FPOTD: good mid-of night, my beautiful muses, living and imagined
As night falls, the air thickens her pulse races and his pulse quickens the depths of their thoughts rise to the surface her body language speaking tongues their eyes contact and the translation is done his soul listens heart beating fast flesh burning like a furnace flame lasting longer than they last lust coursing through her body's viens like lava melting a porous surface her window panes with purpose as their bodies join like cursive bulging with awareness his presence is her nearness their bareness flipping her world altering her state of mind impulse triggerin pulse a his embrace tightens
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May 29, 2017
May 29, 2017 at 4:10 PM UTC
Pulse
*He sat by a furnace of seven-fold heat, As He watched by the precious ore. And closer He bent with a searching gaze, As He heated it more and more. He knew He had ore that could stand the test And He wanted the finest gold, To mold as a crown, for the king to wear, Set with gems of price untold. So He laid our gold in the burning fire, Tho’ we fain would say Him "nay." And watched the dross that we had not seen As it melted and passed away. And the gold grew brighter and yet more bright, But our eyes were dim with tears, We saw but the fire, not the Master’s hand, And questioned with anxious fears. Yet our gold shone out with a richer glow As it mirrored a form above, That bent o’er the fire, though unseen by us With a look of ineffable love. Can we think it pleases His loving heart To cause us a moment's pain? Ah, no! But He sees through the present cross The bliss of eternal gain. So He waited there with a watchful eye, With a love that is strong and sure. And His gold did not suffer a bit more heat Than was needed to make it pure. ~ A.F. Ingler*
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Jul 21, 2016
Jul 21, 2016 at 8:29 AM UTC
The Refiner's Fire (by A.F. Ingler)
lady craighead played the blues on a stand-up samick in the ***** room along side the parsons project and squabbling dogs and night moves stairs creek up the mezzanine trek wool sheets slide on finished floors little angels play late into the seventh (a closing match nearing the midnight hour) croaking toads and cicada sing in the blue moon musty smells and mothballs settle deep in the vault the kettle boils and cat coils as the pump house rolls its heavy drawl the red phone rings and bird clock sings (behind the ruddy stall) a sleeman variation of the ruy lopez employed heartily by the incomparable master jack marble toast burning wringer wash churning chris craft running near the old carp canoe rooster calls and west wind squalls rustle through the porch screen door chicken *** pies and rogue flies linger a rocker chair placed near the  sepia face (softened by the intricate frame) donkey in tow (with a fastened *** maggie in her dreams of green tambourines the nocturnes reflections and whispering gospel bells tractors pull on the grinder stone horses lay still in the mid-day sun a trump card is fingered at the furnace click (crosswords and puzzles are next!) while the sparrow *and that **** rabid fox* are drowning deep in castles well
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Mar 14, 2017
Mar 14, 2017 at 10:20 PM UTC
Mulholland Lane
Many believe they know the law Because they were arrested; Others know how to teach Because they too were tested. If you have a religious question, They attended church; Mention you've an ache or pain, They diagnose your hurt. Should you bring up politics, Republican or worse, They'll explain Democracy Cause they've been free since birth. Admit your car is pinging, Your faucets aren't behaving, The oven isn't cooking right, Your fridge is warm and shaking, The air conditioner's out of whack, Your furnace has turned blue, They'll tell you what to do: Change the thermo-coupler. It's always their one answer. Say you like this stock or bond, An investment that's appealing, They'll  discourse that all agents Are cunning conniving stealing. On Monday mention the big game, They'll re-play, play by play, As if you slept right through it. If you hear a rousing band, Attend a movie or a play, Know-its are informed critics, Once they were stagehands. They pose as friends and family, Waiting for an opening, To disrupt with diatribe, To display how much they know. I know what I'm on about, So let me advise you, I'm a Know-It-All poet, All I write is true. So, *Never miss the opportunity To keep your mouth shut too*.
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Apr 19, 2017
Apr 19, 2017 at 10:54 AM UTC
Know-It-Alls
the ***** ghost comes to those who have suffered long the agony of torrid loves hunger he is a savior that needs to be saved a glittering pageant of ****** despair his color sapphire a weeping shell a dark cloud of smoldering ash that never burns out he is heat and light he can smell the musk between your legs taste tears of want as if they are his own his **** bursting like trees bludgeon hard, substanceless no you can't put your finger on it your heart a weeping furnace your parched mouth dire is his the emptiness between your legs is his he comes to you a vacant smudge then, white attendant with black eyed gems be not afraid he was lost in life a moralist who could not find Jacobs ladder nor free him self of false boundaries set upon him by the good people their minds spider bites and corpses who imagined a god who loved them by decrees of thou shalt not not not and did not know that flesh needs flesh and only human love could save him then to the grave, just a ***** ghost theory to the living
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Dec 6, 2016
Dec 6, 2016 at 10:01 AM UTC
***** Ghost Theory
Here are two pupils whose moons of black transform to cripples all who look: each lovely lady who peers inside take on the body of a toad. Within these mirrors the world inverts: the fond admirer's burning darts turn back to injure the thrusting hand and inflame to danger the scarlet wound. I sought my image in the scorching glass, for what fire could damage a witch's face? So I stared in that furnace where beauties char but found radiant Venus reflected there.
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On Looking Into The Eyes Of A Demon Lover
Doom train hurtling along Through the fog in my mind Towing freight, rectangular and oblong Dim headlights, you're travelling blind Five carriages long, excluding engine and caboose Metal against metal, spitting sparks on steel Undetermined path, rails will choose Chugging along on dirt covered wheels In the cabin, I see the light Emanating from your furnace Swallowing up coals in your gaping bite Tongues of flames licking the surface Fire breathing, spewing thick black smoke Almost unseen, against the dark of night A long plumy arm as if extending to choke And plug the remaining sources of light Meandering precariously on tracks that weave Over uncharted, unfathomable terrain Your store, so reliably you heave Worming your way through my brain What's in that cargo of yours? What lies within those boxcars? What drives you to diligently run your course? What fuels you to travel near and far? Loads of self pity, self loathing and self reproach Snaking your way to an unknown destination Screeching brakes as if a stop you approach Herald the train of dubious intentions Light is upon you, dark will dissipate Your plumes starting to lessen from your stack The dawn breaking horizon you didn't anticipate To see another charging towards you on this very same track...
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Sep 27, 2014
Sep 27, 2014 at 4:16 AM UTC
Doom Train (I)
Flowers in the window Seek sunlight, but the glass Lets little through and the wind blows Mighty out of their reach. The furnace burns without I'm hearing spring again, But flowers in the window Stay dying every season. Winter Summer And the others Make no difference To a flower in the window. To a petal left to wilt.
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Jan 10, 2015
Jan 10, 2015 at 10:57 AM UTC
Window Winter
Heat beats down upon the street Birds too hot to fly, Blistered sand you cannot stand Drenched with sweat am I. Cows collect in shadow deep Panting sheep hang head, Goshawk flies in cobalt skies Hills of grass stand dead. Whisp of smoke, a puff of breeze Sirens scream in air, Running men in squads of ten Emerge from everywhere. Now the rising wind takes charge Runs with leaping flame Into crown of eucalypts To rage across the plain. Too late the tenders hoses pour, Too late the fireman’s shout Inferno hot has run amok And all control a rout. Generating mighty winds The fire charges forth Spiralling in furnace air To incinerate for sport. Vanquished men exhausted stand Watch with useless eyes, As raging flames consume their truck, Inside a good mate dies. A live thing in the burnished night It writhes and spirals high Across the flaring treetops Hot, red smoke fills the sky. As sudden as it starts, it stops A wind change in the air. Ravaged forest stark and black Hot ashes everywhere. Hills of cinders smoking now Stock in death’s repair, Homesteads rendered charcoal like Farmers in despair. A silence in the ravaged hills Birdless in the sky, Bushfire horror, death and smoke Enough to make you cry. Marshalg In support of my Australian brethren and their torched nation. 30 January 2013
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Jan 29, 2013
Jan 29, 2013 at 8:16 PM UTC
Bushfire
Where we shoveled coal into the furnace was an inconsiderable door. Behind it held ***** chubby cherubs with cherry tomato noses, whose job it was to keep the fires of our parent's liquor cabinets full. This they did to keep them from constantly beating us, but the happy distraction did not always work. So, we would pluckily go. Go to the scuzzy pond at dusk with kerosine lanterns and listen for croaks. We tied forks to the ends of canes or stakes and would gig bullfrogs for dinner. It became only momentarily mortifying, but was always a choice way of ridding our sisters and other clingy girls of our company. We'd fry the legs in cornstarch and pepper flakes and be allowed to share with the adults their beer if it was a good catch. Usually, it was. Most of forever we waited for teaberry season, always the best time of the year. Though it was hotter than Beelzebub's bath water we'd go swimming in that **** pond to reach our favorite teaberry patches. This ensured our riches and fame throughout our Appalachian village. Everyone would eat teaberry ice cream and sing our names and no one beat us on those days.
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Mar 28, 2016
Mar 28, 2016 at 3:08 PM UTC
Escaping The Heat
The deepest understanding between lovers stands majestically above the deepest abyss as if, unbreakable and pure in its unreachable, unbreakable bond. Whatever melts this emotion together was forged in a hotter furnace than ever found that only two people can understand. Rising above the highest tide soaring above tornadoes and typhoons and cruising along points of paradise available only to the two of them. How serene it feels to know that your own reflection mirrors in the other person and their every nuance is written into your own poems adding the rhyme and rhythm for your own journey together. Author Notes Feel like this at times? © Marshall Gass. All rights reserved.
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Apr 1, 2014
Apr 1, 2014 at 4:26 PM UTC
The Unbreakable Bond
Ye who enter here, beware Of wolves and mine shaft pits, take care Or ye shall taste the bitter death That comes upon the creeper's breath Thy survival, on the good Of other players rests Upon thy house a naming sign Each person must ***** And when night falls, take care that ye Who stalk the halls at dark Set up a light for ev'ry turn A stick lit with a spark A bone to catch a wolfie with Some cookies fresh to eat And in a furnace, toasty warm, We have to roast our meat To mine the caves and tunnels deep To delve into the mountains And when the water gushes forth We then create the fountains Sell your wares, o Cobbler man I've melons many to spare; An axe, a sword, a shovel stone Oh? You like my hair? Here we go, see yon moon rise The world in the starry twilight I have not seen the whole world yet Would you take me there by starlight? Unspoken fear; the creeper hiss Blew up my trusty door And now all manner of verminous things Have crawled across the floor If only I had a wolf to my name Three bones to win his love; Then he could save me from--I shudder-- The Enderman above. No armor have I, nor sword of iron Stone and wood are mine The wooden stairs that lead up high Tell me, who had all this time?
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Nov 12, 2014
Nov 12, 2014 at 5:47 PM UTC
Minecraft Poetry
If you could feel Certain thing I've done The rush in my desires... I assure you most Would cut and run From the lake That burns like fire Dancing to a primal beat Where life is trampled Under feet To feed the furnace Of evermore No time for love Or even war If you could see Through shell shocked eyes You'd know just why I live a lie ...
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May 14, 2018
May 14, 2018 at 9:56 PM UTC
LIVE A LIE
In the absence of everything, I felt a sheer yet painful bliss. I longed for stimulation. A soft breeze from a drafty window, the whizzing of a broken furnace, the shriek of the floor as it was pranced upon. But all of these things would not be enough. I am lonely because the hour is lonely. But maybe we're not so lonely, because we're both here together. The hour and I are not alone because we both are lonely.
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Feb 26, 2015
Feb 26, 2015 at 3:29 AM UTC
The absence
The eternal tango of the maestro manifests itself in nigh infinite ways. With the flick of the artist's brush, the stroke of the novelist’s pen or the chicken scratch of the scholar’s nib, legacies are etched, history is written and the world is shaped. The astronomer, the craftsman and the physician all have one thing in common: Mastery. Such pinnacles of skill have decades of their lives consumed, nay devoured in the pursuit of perfection, of greatness. Like grains of sand slowly falling into a furnace are the seconds of our lives, trickling, melting into puddles. But as sand melts, it forms shapes; therein lies the potential. Moldable puddles, colourless, devoid of naught but a clear medium.
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Sep 25, 2015
Sep 25, 2015 at 12:43 AM UTC
Maestro, matrices and mastery
Skin blushed peach on snow white cheeks Luster and grandeur not seen by the meek Intrinsically dominant furnace of femininity Dither and hither be stricken for insincerity If you try to speak to her expect less then levity To your advances she implies depravity Blatantly ignorant vacuous blond ***** Tell me again how I hate you and want ***
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Mar 17, 2015
Mar 17, 2015 at 10:05 AM UTC
feminist extremists or did you even know the equal rights movement was never ratified?
Tyger Tyger. burning bright, In the forests of the night; What immortal hand or eye. Could frame thy fearful symmetry? In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat. What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp. Dare its deadly terrors clasp? When the stars threw down their spears And watered heaven with their tears: Did he smile His work to see? Did he who made the lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?
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The Tyger
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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7.8k
The Swarm
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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Your advice Is my vice And you continue to add vices And you swim like mad pisces Through my stream of thoughts With all the lessons you taught From all the advice you brought So I avoid your glance To not give you the chance To see the results of our fishdance Or how much my life has been enhanced Until I begin to flounder As those pisces become piranha Feeding on other considerations And growing colossal Until your kraken is in my mind Cracking up my mind Stacking up the time It takes to get out of bed As I trust the tentacles that tie me down To a life floating on the surface Of an ocean Where the fish burn like a furnace And I watch the water evaporate Like the advice on which you elaborate As the advice that was once there Is currently water vapor in the air As I start to think of us as a pair From inside my secret underwater lair That is the cavern of my mind Where a school of fish Teach me how to live and die
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Aug 4, 2017
Aug 4, 2017 at 7:49 AM UTC
Fish
A fueling, flashing fulgent, furnace, fulgurous, frothy, fumes and feathery flakes, I do not speak of waves of snow, hoary frost, or ice, a cold gelare or even frozen lakes! Formidable, furrows, fructifying, functioning fruition to foremost fondly found a flaming, I revel not in such destruction but choices for my naming! For flowers flow fields forever, forswearing funneling fjords finitely, fire fray’s forests furthermost, Instructing in the arts of language, for I am your gracious host! Fakir formulates factious forms fading flummoxed into fury, a fugacious fusible and furtive fleeting feigning furiosity, A deep ditch dug, tight as pug, wrapped blanket snub though not a flub, all perspicacity! Finds frosty frore a frozen freezing faction for fusty flaming feasance, Fomorian fantasy of formidable faggoting, facient up to fancying, fancying, furnaced flesh fluidity finds itself factitivity, facets for fabulists from the faint familiarity, Relating cold to heat as such, requires but a human touch, apologize I do you see for all my clueless severity! Fans of all the falconry, who fallow fields of family, falter for a fallacy, falling into infamy as forgone flame frontogenesis, fatigues a Faustian felony, for which fate finds is fastigiated foolery, febrile features featly and yet furiously, favonian fear of fellowship fiendishly, figures foal to fatherly, finally fiddle flinchingly, although not so too furtively; I finagle in my filigree!
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Jun 20, 2016
Jun 20, 2016 at 1:13 PM UTC
Wauhermes in Toto
~explaining light to the blind~ ~for Suzy~ the insanity of even attempting who among us, the sighted, has the capability to clarify an animate inanimate, an untouchable invisible, that can be folded, bent, travel universes unseen at its own chosen speed, even to another sighted and to the blind... imagine then light as something that be recognized from the inside only with in- sight ~***think of the continuum from warmth to steel furnaced heat, that is an element of what is light, the sun cheek kissing, the furnace of chests when you grasp another’s body first time think of light as water, the faucet spigot a measured pouring, that can overshoot, the stream behind the house, a toe tickling masseuse caress, a dam’s waterfall endless crashing, a sea, wave licking sudden raging dangerous blend these sensations that belong to all, and you’ll know light better than most, indeed, light is for those who cannot vision except from the inside with a sight that can be touched, felt, imagined, and which the sightless command better than us ordinary thoughtless indeed light is as simple to understand as   abc, which you have never seen, but creates the words that we all use even share***~
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Jul 22, 2018
Jul 22, 2018 at 6:34 AM UTC
explaining light to the blind
Breakfast The morning spins lazily out of the Universe’s black eye like a surveillance camera ************ my paranoia. I eat a small breakfast of toads and do my coughing exercises. In the cellar the flesh incinerator purrs for dinner and is only satisfied with one species of rare mammal. My exotic summer guests, strewn on the floor like pickup sticks, are becoming a burden, so I toss one in the furnace and hazily return to bed.
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Aug 28, 2015
Aug 28, 2015 at 9:03 PM UTC
Outsider Poetry Breakfast
She is the Devil Standing in the Doorway Constantly reminding me of the Debt I've yet to pay She looks like Heaven Divine and Catastrophic Hellcat and Rogue Apostate Tells me, "There's Hell to Pay." Gotta find a way Gotta get away I'm in deep too and there's Hell to Pay She is Satan in a Red Dress and Six-Inch Stilletto Heels Crimson-Colored Lipstick With matching Sharpened Nails Her Clawmarks in my Skin Remind me every day That my soul belongs to Her, and there's still Hell to Pay Gotta find a way Gotta get away I'm in too deep and there's Hell to Pay She is the One Unholy She is the Queen of Time Her Love Burns on Eternal in the Furnace of my Mind My Spirit is her Claim From now until the End of Daze Ours are the Hearts of Evil And still there's Hell to Pay Gotta find a way Gotta get away Running outta days until there's Hell to Pay Leviathan Cross Forever in Her Flesh Her Eyes, Ablaze with Hellfire Gaze into the Abyss No Matter how Savagely I Ravage Her and Damage Her She always Returns for yet another Massacre. Gotta find a way Gotta get away Running outta days until there's Hell to Pay
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Oct 23, 2014
Oct 23, 2014 at 3:10 PM UTC
Hell to Pay
- by Ashley Capps Ophelia, when she died, lay in the water like the river’s bride, all pale and stark and beautiful against the somber rocks, her hair an endless golden ceremony. She made the water sing for her; it flowed over her folded arms. Not so my father’s sister Karen, swollen in a day-old tub of water when they found her, needle tucked into the fold of her arm, her last thing: a wing. So everything went as nameless as the men who lifted her naked from the tub, or those who rolled her into the mouth of the furnace, which is what you get when you don’t get a service, when your mother’s years of grief turn last to rage: I won’t pay for it. Leave me out of it. And even though they finally said it wasn’t suicide; a mistake— no one knew what to do with all of that anger, or in the end how not to blame her. Even now, in her unmarked container. * People once believed a deeper reason, some dark secret motivation to the way the lemmings threw themselves en masse into the sea. Were they weary of their lives; could they, too, despair? Or like those second-vessel swine when Jesus exorcised two babbling men of their demons, driving the demons through a pack of bewildered hogs— the way they plunged? The truth we know now: they leave when food is scarce, when they’ve grown too many; believe the roads they follow lead to new meadows, a place to start over. I think of Karen, feeding and feeding her veins, how it is possible she saw us all suddenly there—miraculous and festive on some bright and other shore, like the life she had been swimming toward all along, trying to get right. Like those sailors long ago, that tropical disease, calenture— when, far from everything they knew, men grew sometimes delirious and mistook the waving sea for green fields. Rejoicing, they leapt overboard, and so were lost forever, even though they thought it was real, though they thought they were going home. —by Ashley Capps
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Oct 20, 2012
Oct 20, 2012 at 11:49 PM UTC
Mistaking The Sea For Green Fields — by Ashley Capps
- by Ashley Capps Ophelia, when she died, lay in the water like the river’s bride, all pale and stark and beautiful against the somber rocks, her hair an endless golden ceremony. She made the water sing for her; it flowed over her folded arms. Not so my father’s sister Karen, swollen in a day-old tub of water when they found her, needle tucked into the fold of her arm, her last thing: a wing. So everything went as nameless as the men who lifted her naked from the tub, or those who rolled her into the mouth of the furnace, which is what you get when you don’t get a service, when your mother’s years of grief turn last to rage: I won’t pay for it. Leave me out of it. And even though they finally said it wasn’t suicide; a mistake— no one knew what to do with all of that anger, or in the end how not to blame her. Even now, in her unmarked container. * People once believed a deeper reason, some dark secret motivation to the way the lemmings threw themselves en masse into the sea. Were they weary of their lives; could they, too, despair? Or like those second-vessel swine when Jesus exorcised two babbling men of their demons, driving the demons through a pack of bewildered hogs— the way they plunged? The truth we know now: they leave when food is scarce, when they’ve grown too many; believe the roads they follow lead to new meadows, a place to start over. I think of Karen, feeding and feeding her veins, how it is possible she saw us all suddenly there—miraculous and festive on some bright and other shore, like the life she had been swimming toward all along, trying to get right. Like those sailors long ago, that tropical disease, calenture— when, far from everything they knew, men grew sometimes delirious and mistook the waving sea for green fields. Rejoicing, they leapt overboard, and so were lost forever, even though they thought it was real, though they thought they were going home. —by Ashley Capps
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