I did my part, by staying in.
So effective, bored.
It’s a sacrifice.
The soul is very passionate.
The isolating, the flattening.
Foraging coercion.
For Immuno compromised persons!
Stay in your homes.
Prevent the increase in tombstones!
Then pat yourself on the back.
Knowing all the people you have saved!
Staying in, flattening the curve again.
Outcome, only time will tell.
Feeling relieved I’m not the only one!

And the stupidity will **** us all.
Hoarding toilet paper from the aisles.
But no one else can see.
The effects this has on the elderly.

Social distance, social distance, social distance.
Social distance, social distance, social distance.

Oh, there are arrogant *******, not taking this seriously.
But there are others doing their part.
The nurses and doctors have gone mad.
With people taking all their masks.
But when we cure it all,
The faith will be restored,
Who hopes we will be blessed?
We could start over,
Just cover your mouth when you cough!
It’s that simple.
Now there’s time to watch streaming platforms.
Helpfulness, committed.
To doing what I can.
I’m not the only one.

And the stupidity will **** us all.
Hoarding toilet paper from the aisles.
But no one else can see.
The effects this has on the elderly.

Social distance, social distance, social distance.
Social distance, social distance, social distance.

The limits of the research.
The limits of the research.
The limits of the research.

Fake news outlets (social distance)
Only check AHS, for info (social distance)
Your support to fund research would help (social distance)
Can’t stop the spread (social distance)
If you don’t stay home (social distance)
This is a must (social distance)
I’m not the only one.

And the stupidity will **** us all.
Hoarding toilet paper from the aisles.
But no one else can see.
The effects this has on the elderly.
And the stupidity will **** us all.
Hoarding toilet paper from the aisles.
But no one else can see.
The effects this has on the elderly.

The limits of the research.
The limits of the research.

Childhood was the greatest time for Timothy, and he remembers it that way. No disposition on the fact that his parents divorced when he was eight. Just old enough to develop a mental connection with the idea of a union. So when he was ten, his father remarried, moved to a farm in the southeast, and tried living off the land. The topic of an ecological environment had hit the internet heavier than global warming hit the ice caps. And everyone was pursuing happiness with steep drops in city living, and an up swing in rural living.
Timothy's mom refused to believe it though. She wrote about such cultural climates, the invasion of neo-british pop boy bands, the decline of football, and the hippie lifestyle clawing its way back up the columns of big city papers. So when the recession hit, and it suddenly became cool to dress like a homeless person, she saw the disgust, moved overseas and focused on the world-political spectrum.
“Societal fads be ******! I'm going to do something that actually matters.” And she did.
Timothy Glasser, age 82 looks back on that moment with pride.
“There was a sense that she had the ***** to change the world. With Russia building up Imperial popularity, it was cool to be big. America was on the decline by the word of all the heavy-hitter magazines.
“That was when I started to take my life serious. She had shown me all the would-be Bob Dylans, Lennons, Hunter S. Thompsons. She would say, 'These kids have all the brass words of a ****** who can bite down ******* the world, but they don't have the actual brass. Men who are not recognized for what they've done have the brass. Hell, women have ten more pounds of that kind of brass!'
'I would laugh, but she was serious. I think she thought I was too masculine to understand what she was saying.”
When Timothy's father moved him and his little sister, Sunni Glasser out to the backwater community of Oggta-Cornelius, there was a certain relief in his demeanor. In a matter of months the country way of living had worn down his impatience to a sluggish pace.
“Greg was my father's name. He's been raised in a similar place in the Midwest, but the slowness of that life got to him in his teens so he left for the city. I guess when he met my step-mom he found the good ol' girl that he'd been trying to cling to since he left home. And it was Sunni's choice to come with us. She always had the same kind of 'brass' Mom had, but there was a closeness she shared with Dad that adventure couldn't break. It's a **** shame too. But once the slow pace of the backwater hit Sunni, she rebelled. It was a catastrophe to watch her and Dad argue over the most petty things you've ever seen. The way our step-mom, Claire would fold clothes or how early she had to wake up in the morning for school. Five o'clock, five days a week, and sometimes Dad would wake her on Saturday just to punish her for talking back. There was always blood in the water.”
Timothy's face settles, his lower lip curls, and his eyelids clinch for a moment before he changes his position in his chair.
“Is everything okay, Timothy?” I ask.
There is a pause, almost as if he is reliving what he was just describing.
“**** has always been real, you've been fantasizing.” I hear him say. He refuses to look at me, let alone answer my question.
“Mr. Glasser?” I ask again.
He exhales suddenly, eyes watery, and lets out a sigh.
“Let's talk about Sunni. I never really talk about her much, and I think now is a good time. Don't you?”
I nod in agreement and try to give him a smile.
He still refuses to look me in the eye.
“When Sunni was in first grade, she was beginning to prove to be a bit of a handful. There was a small patch of corn out back. Maybe half an acre Dad keep for us to put up for the winter. Sunni was about seven years old around this time and she had the idea to make crop circles. Now I was out with my friends, played football in those days so I didn't have the time to be home all the time. Dad and Claire kept themselves busy with the work about the place, so Sunni got bored real fast. One day during the summer, Dad went to the store to get some groceries. A friend of his came up to him and said, 'I was up in the plane yesterday and I saw something strange in your cornfield. Like some kind of crop circle. Weird ain't it?'
“This rattled my Dad's brain for a few minutes until he got home and saw the two-by-four with rope tied to either end of the thing. Sunni was staring at the clouds and Dad walked over to her, and yanked her up off the grass. 'What are you doing flattening my corn for? Don't you know that's goin' to save us money in the long run?” She just stared at him. Not dumbfounded, just intrigued.
“That was kind of the starting point of their bickering. She had blonde hair running to the base of her skull brushed down neatly. A subtle blush in her cheek from the sun. And she always wore a dress, especially if it had sunflowers on it. She brought life to that house.
“On her tenth birthday, Mom sent her a touch screen phone, an iPhone, I think it was called with a two-year contract. It was so long ago minor facts like that seem to hang on for no reason.”
Timothy shuffles in his chair. Then clears his throat.
“Would you like to take a break, Timothy?” I ask him.
“I ignored most of the arguments Sunni and dad had after I graduated high school. As soon as fall semester started at Cornelius College I fled the backwater and started by life near the OceanFront. Oggta-Cornelius was divided into two sections: the Backwater and OceanFront. And like a sports rivalry there was always trash talk about the tax bracket you were in or how much you worked. After the first few weeks for sneaking into bars and partying on campus, the fun died down because of the arrests. I almost got caught twice, but my sixth sense for trouble tingled at just the right time. When the middle of the semester hit I was over-booked with mid-terms and reading assignments. I actually lived in my dorm then. Never really left the place. And soon fall semester was over. Nothing worth mentioning now. Sunni and I texted often, but she had become a brat and I wanted alone time to learn what I'd read. For everything literary to go beyond just test and quizzes.
“But right towards the end of the semester, one morning I was walking to an early exam and on the ground was a kid, a little older than me lying there looking up at the sky. I had the urge to walk up and ask him what he was doing, but it felt too rude so I left him. I kept walking and heard a voice call back to me, 'Hey, guy.' I turned around, 'Yeah you, come here.'
“I walked up to him, he motioned for me to kneel beside him.
'What day is it?
I told him it was a Monday.
'Really? Wow, must've fell out watching the stars with this gir--'
He reached to his other side, feeling for a body, but no one was there. He never broke eye contact with me.
'Well, with his lovely imaginary girlfriend I have. Her name's Elsie. She's a charm.'
I helped him up and he left without much of a goodbye. A disrespectful mysteriousness. And I didn't see him again till the weather warmed up in the spring semester. Which was a repeat of the fall.”
Timothy asks me for some water. I started to feel like I'm one of his grandkids. How far in the trunk of memories is he going for this information?
“Thank you. Now the next time I saw Alan was in a smoking gazebo along a walking path on campus.
'Hey, guy!” he shouted, getting my attention. I walked back to the gazebo, coughing as the smoke roughhoused it's way into my lungs. He had those circular shades on, like the one John Lennon wore back in the day. A tie around his head, a light blue button up shirt that hung loose off his think frame. His hair was long and parted, and he sported a straggly red and black beard.
'Top of the morning, ta ya.' he said, putting out a cigarette on the tray. I opened my mouth, but all that came out was coughing.
'Course, the Irish don't really say that. It's actually quite racist, but I'm half Irish so no skin of my knuckles. I'm a mutt.'
“He smiled with such pomp. The arrogance was so natural, it fit him like his face. Other people around him were having conversations about Samuel Beckett, John Irving, Stephen King, and Jimmy Hendrix tripping acid together in the great T.A.R.D.I.S. in the sky. I remember laughing at that. They were all smiling at the ludicrous actuality of it happening. And it was late evening.
'Stay! Be silly and merry with us!” he shouted. I held my breath and sat down. I never made it to the rest of my classes that afternoon or for the next week. Alan and I chilled in my dorm, burned incense and plotted a protest. The whole time I was telling him he had to be literal with the cause. It couldn't be just because the college bookstore sold shot glasses, but confiscated any paraphernalia they found in the dorms.
'*******,I say. It's hypocritical and a scam. Like police pulling you over for going two-miles over the limit because they need to feed their kids. It's a Darwin rip-off.'
“Later that week he took my phone while I was sleeping, got my number, and Sunni's too. He never asked if he could come over after that night. He just did.
'I thought it was cool since we had a good time.'
"I didn't know what to say so I let it continue. His reason for stealing Sunni's number still baffles me. He said he thought she was a girl I was into. She was my sister, he was right in his own way. It was a while before he ever texted her.
“The next time I saw him he told me, 'I feel like a clockwork man running on thousands of gallons of caffeine.' I laughed at him and told him to stop reading Burgess.”
I stop Timothy for a moment. “Anthony Burgess? The author of A Clockwork Orange?” He nods and goes back to the story.
“You know, with the Second Cold War flaring up again I don't think it's wise to be worrying about an old man like me. This has been a century of second fillings. There are still Hipsters running about. This makes me feel no better. I want to go home.”
“Alright Mr. Glasser, but can we reschedule? I need to finish this article.” As he rises out of the chair, he agrees and goes for his coat.
“One more question, Mr. Glasser. Can you give me another quote from Alan? A bit of closing for this bit?
He turns around and looks me in the eye for the first time since the beginning of the interview. He squints his eyes at me and says, “When we would hang out at the gazebo where we actually met for the first time, and after that week I got back in the habit of going to class and doing my work. As I would leave I'd say, 'Alright man, I'm off to class, to learn and stuff.' He'd moan about it, and say, 'Look at him now, growing old and dying young.' Behind that same pompous grin."

A tomboy, naturally barefoot, gingerly walks the white painted line because the asphalt is just too burning hot.  Scrubby tufts of weedy grass are welcome respites on the way, briefly cooling her steps even if they are stickery.  The ***** soles of her now calloused feet were intentionally toughened just before school got out, with mincing steps across the roughest gravel she could find.  Her mother accommodates her preference, leaving a pan of water outside for her to scrub her feet before going in.  Even then, a black path has gradually appeared leading from the front door in the old orangish carpet.  Two months of summer barefoot every day when she had the choice. Keyed roller skates clamped onto last year’s school shoes were the exception.  She can flat out run anywhere.
  
This particular expedition began like every other thing they did, which was anything to fend off boredom.  She had been sitting on a cement step shaded by an open carport, just three oil-stained parking stalls for three small apartments on the tired poor side of town.  There is a little more dirt on the street here, and grass is a little neglected.  Just like the children, but these kids prefer that anyway.  Two scruffy friends stomp on aluminum cans, brothers sporting matching buzz cuts and cut-off shorts.  They are flattening them for the recycling money by the pound, so the carport smells vaguely of stale beer.  Another boy attempts to shoot a wandering fly with a home-made rubber band gun; rings cut from a bicycle tube made the best ammo.  “What do you want to do?” …”I don’t know, what do you want to do?”  Thwack…  The only requisite for friendship here is vicinity, yet it is still true.  The idea of choosing friends is about as odd as the concept that one could chose where one lives... Strengths and shortcomings are completely accepted because it is just what it is.  

Their amazing three-story tree fort with a side look-out had been heartlessly taken down by the disgruntled property owner last week.  Two months of accumulating pilfered and scrap two-by-fours, nails, and even a stack of plywood (gasp!) from area construction sites had yielded supplies for a growing fort.  A gang-plank style entry had crossed the ditch to the first level.  Nailed ladder steps to the second offered a little more vertigo and a prime spot to hurl acorns.  Another ladder up led up to the third floor retreat, with a couch-like seating area and shoulder high walls.  A breeze reached the leaves up there.   The next tree over was the look-out, with nothing but ladder steps all the way up to where the view opened up out of the ravine.  When the wind blew, it gave merciless lessons in facing any fear of heights.  But now that was all over, discovered gone overnight.

Someone says again, “What do you want to do?” …”I don’t know, what do you want to do?”  “ 7-11? ”  Good enough, so they head out.   Distance measures time.  Ten minutes is the end of the street past the cracked basketball court in the church parking lot.  Fifteen minutes and the lawns end at the edge of the sub-division.  Half-built homes rising from bare dirt and scattered foundations could offer treasures of construction scraps, (where she suspects the stack of plywood came from.) but they keep walking.  Twenty minutes is where industry has scraped away nature, and railroad tracks form an elevated levee.  But time is meaningless if there’s a wealth of it, so there’s no going further until an informal ritual is completed.  Wordlessly they each dig around their pockets searching for equal amounts of pennies.  Each of them carefully arrange them lined up on the rounded-surface rail, and they settle in for the wait.  It could be five minutes or it could be thirty.  They all understand it’s a crap-shoot of patience waiting for the next train. It’s an unspoken test; quitting too early means losing your coins to the one who stays, so that’s not an option.

Heat presses down and the breezeless air smells like telephone-pole creosote.  She sits in a dusty patch of shade found next to an overgrown ****.  She knows it tastes like licorice and breaks off a stem to chew, but doesn’t know what it is.  The boys throw rocks randomly until she finally stands up to join in, tempted by the challenge of flight and distance.  Then she stands in the center of the tracks, looking one way then the other, searching for the first random distant glimmer of the engine’s light at the horizon.   A flash, so she places her ear to the metal Indian-style, and the imminent approach is confirmed.  She calls out, “its here!” and double checks her pennies’ alignment.  Heads up or tails, but always aligned so the building might be stretched tall or wide, or Lincoln’s face made broad or thin.  That happened only rarely, since it could only be rolled by one wheel then bounced off.  If it stuck longer, the next wheels would surely smash it into a thin, elliptical, smooth misshapen disc of shiny copper.  Its only value becomes validation of a hint of delinquency, Destroying-Government-Property.  Once she splurged with a quarter, which became smashed to just a gleaming silver, bent wafer discolored at the edge.  Curiosity wasn’t worth 25 cents again though, so she had only one of those in her collection.

The approaching engine silently builds impending size and power, so she dashes back down the rocky embankment to safety because after all, she is not a fool, tempting fate with stupid danger. She knows a couple of those fools, but she finds no thrill from that and is not impressed by them either.  Suddenly the train is here, generating astounding noise and wind, occasional wheels screaming protest on their axels.  She intently watches exactly where she placed her coins, hoping to see the moment they fly off the rails that are rhythmically bending under the weight rolling by.  It becomes another game of patience, with such a long line of cars, and she gives up counting them at 80-ish.  Then suddenly it is done and quickly the noise recedes back to heat and cicadas.  The rails are hot.  Diligently they search for the shiny wafers.  Slowly pacing each wood beam, they could have landed in the gravel, or pressed against the rail, or even lodged straight up against the square black wood yards down the tracks.  They find most of them, give up on the rest, then continue on.

She has thirty cents and at last they reach the afternoon’s destination.  7-11’s parking lot becomes a genuine game of “Lava”, burning blacktop encourages leaps from cooler white lines, to painted tire stops, to grass island oasis, then three hot steps across black lava to the sidewalk, and automatic doors swoosh open to air conditioning.  She rarely has enough money for a coke icey; she is here for the bottom shelf candy, a couple pennies or a nickel each.  Off flavors but sweet enough.  She remembered when her older brother was passing out lunchbags of candy to the neighborhood kids for free, practically littering the cul-de-sac.  She had wondered where he got enough money for all that popularity, or could he have saved that much from trick-or-treat? She wondered until he got busted shoplifting at the grocery store.  The security guard decreed that he was never allowed in there again, forever, and the disgrace of sitting on the curb waiting for the mortified ride home was enough to keep him from doing it again.

Today she picks out a few root beer barrels, some Tootsie-rolls (the smaller ones for two cents, not the large ones that divide into cubes) a candy necklace and tiny wax coke bottles, and of course a freeze-pop.   Sitting on the curb, she bites off small pieces of the freeze pop, careful not to get tooth-freeze or brain-freeze, until the last melty chunk is squeezed out the top of the thin plastic tube.

“What do you want to do now?” …”I don’t know, what do you want to do?”

We are renters
Living off leased land
Never land owners
Years of finances poured into revolving doors
and recycled down into intricate designs creeping beyond the
comprehension of the reasonable woman
(or man)

Why do we fear so much the need for one another?
Desperately flattening desire into hardened emotion
We can't even breathe properly anymore
Oozing smoke and conspiracies out of our pores;

anxiety became our lifeblood

A little bird tried to fly through the screen door and I thought, 'if only there were more air up here'.

The view from the second story deck encompassed miles of low scrub hills, piñon, and was daily growing less hazy as the fires subsided. The little bird was dead. Was not even twitching or rolling or whatever idiot birds do to fight or hold onto life. Or maybe it was unconscious. If it was a head impact, it could just be out cold. I could take it in for a bit, see if it revives. But the brains of birds are very small... maybe not large enough to switch out of consciousness without damaging the whole system. It could wake up brain damaged: amnesic, whistling gibberish, unable to collaborate or co-worm-locate or sit on eggs or whatever other higher functions birds perform. Angry, all the time. Likely a burden and a danger to the community. Condemned to either death or a life of lonely suffering. I'd rather not be culpable for that.

Prospective buyers are arriving at four, the realtor as well, for a tour, so I grabbed a broom and swept the quiet body into the shaggy juniper that surrounded the house. Swept up with maple leaves that had settled on the porch since this time yesterday, together a mass of decomposing matter, under the railing and into the dark.

I'd spent a lot of time alone in the house on Grand. Watched nature slowly creep through the iron fence and into the faux-pond, up under the patio bricks, purple flowered and needley plants growing taller and more hostile daily. Increasing numbers of little brown birds mistaking the reflected sunset in the plate glass doors for real sky.

"If only there were more air up here." A little joke I repeat out loud while sweeping broken bodies into shrubs. The thickest places, where they wouldn’t be seen when (if) someone ever dropped by to view the house.


I don't live here, the house is soon to be foreclosed. But a friend of mine knew I needed a place to stay and offered this, his third home, empty of everything except a coffee maker, some landscaping tools, a few boxes that had yet to be moved. I have a twin sized mattress in what must have been a child's room: a strip of Denver Broncos wallpaper runs the circumference, every other surface painted complimentary blue.


The couple arrived at five. She wears a salmon coloured shawl over a white blouse. They’re performing the theatric act of young couples in love (with the idea of a larger house): she ecstatic over the seven jets in the master Jacuzzi tub, he hesitant about the people-paths in the wall-to-wall-carpet, the everpresent pastels we know were once in vogue but will take weeks and at least two layers of base to fully eradicate. It’s the realtor’s job to showcase the place but I often stand outside the plate glass windows of the living room, keeping an eye. Playing the role of groundskeeper because hitchhiker is so much less glorious.

So far it’s been the same. Always she with a genuine smile that will be gone forty minutes after she’s left the driveway. He, always in t-shirt and “trying to be casual” jacket calculating the square footage of each room, the viability of the fireplace. Opening cabinets, but not concerned with storage space. He wants to see if the brass hinges really have brass pins. Is it wood, linoleum? Look closely at his eyes and watch them dance across a virtual blackboard, adding up the gallons of primer and paint needed to cover up the colour mistakes of a before-his-decade.

  2

You can almost watch his eyes dart across the blackboard. A house is a house but the home must be shredded, burned, before making it yours.


But they all do this. A dozen or so now, this summer. And I spend a lot of time alone. Injecting my thoughts into people who think they know what they need next, before getting in a small car and checking out a properly closer to town. Making little jokes to myself as I sweep the porch. The isolation even maybe altering small parts of my self. The social parts, perhaps. I feel good, most days, but find myself repeating the same phrases: “****. Shower. Shave”, “If only there were more air up here.”, “I could learn to love a leopard”, even recently a little Old Testament, which like a ******* I’ve been taking to bed with increasing frequency and a growing selfish guilt, repeating,

“As the sun was setting, Abram fell into a deep sleep, and a thick and dreadful darkness came over him.”


They won’t be back, but for the first time now there’s a deer in the yard. Meaning there must be a hole in the fence. A doe, and fawn too, and I can sit and stare with my broom in hand because my job is to sweep the deck. Dead birds and maybe rats, leaves of course, but with all the water the bank is wasting on this waste of a lawn, come deer: come all ye deer, come and eat. Maybe you will even eat the frighteningly thistly things. Regardless, in exchange for this room I was given a broom and deer are far too large to sweep.



When my student visa expired in Canada I left the country with no identification, five Canadian dollars, a five litre backpack mostly occupied by a camera, and in my mind some distillation of the romanticism from On The Road that I’d managed to power-read in a Heathrow bookstore four years before (lacking the pounds to actually purchase the book). I crossed the border via ferry, and entered the country without identification. I thought this was impossible but it turns out that when you have no time but your whole future ahead of you, and nowhere to get to anyway, insisting “I am a U.S. citizen and you need to let me into this country” does in fact work, if you repeat it enough, and are willing to wait. In my case border patrol even gave me a twenty note and a pat on the back before sending me on my way.


How I ended up sitting on the floor watching birds die, backlit by a desert sunset, in the mountains of New Mexico, is a long story, and to be honest the details have largely escaped me. I do remember I was reading Hemingway. “The Innocents Abroad”, and trying to find myself in any character I could lay my hand on. The word “Innocent” in the title, I suppose, far moreso any actual character, struck the most.


It’s the middle of The Great Recession. Or The Great Depression. The Great Compression. I can’t remember any longer which economic period this particular episode occupied (why can’t they name them more sensibly, like hurricanes?) Call it, then, The Great Introspection, as I narrated myself through the dozen rooms of a million-dollar house: the material self still alive and thriving inside in a self-congratulatory spiral over the personal ROI that left Canada on five dollars and put me, rent free, in a home worth that multiplied 200,000 times. The home where I first had my own key. The home where I learned to drink a glass of water before my morning coffee.

(Five years and $98,000 in college expenses later that was, easily, the best advice I’ve ever received.)


Eventually the phone was disconnected, the water, the power. The jacuzzi, though dry, was still a good place to lie and read. And the piñon and snakes, cacti and juniper, then inklings of pine trees came in steadily. When you would look at them they would freeze. But every morning something new was growing, some new pink flower popped up promisingly to crack the mortar in front of the door. Sweetly at first, then growing thorns, and I walking the perimeters saying “if only there were more air out here”, saying, “can not feel her anymore”, as if the decadent madness of the lawn could be silenced by speaking out loud. Trying to walk the edge of the fence, increasingly losing it in the encroaching bush, then resigning myself to the living room, the **** carpet flattening into a forest path while I impressed miles into that offensive floor.



words. seeds. thistles. marvin morales.


Sleeping on that filthy mattress, the Denver Broncos looking down, still optimistic about their upcoming trophy, or cup. Whatever it was that a bunch of cartoon horses could win. But the sweeping gave me solace, even though the growing thistles made the bricks uneven and caught in the bristles of the broom, leaving little shards of transplanted pink flowers emedded in the yellow polyethylene. I loathed them, but looking back I can see I played straight into their plan. Transplanting little seeds to new weak places in the cement, where they could grow tall again and **** up what little good was left of the land. Bring deer to eat them. Bring little idiot birds to pick the seeds out of the faeces, recycling with pure intent, and flying off into the bright light of sunset. Then crashing broken to the floor.

And like the lawn, like the porch, like what happens when you read Twain, something in me changed. “If only there were more air”, yes, but there is never enough air. Piling up among the deer, among the doe, among my now all-consuming pacing and talking to ghosts who don’t live here anymore, among the many birds who ate their worms and went on to hatch a dozen more, flew into a plate glass sunset, and were ignored.

Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving. Blackberries
Big as the ball of my thumb, and dumb as eyes
Ebon in the hedges, fat
With blue-red juices. These they squander on my fingers.
I had not asked for such a blood sisterhood; they must love me.
They accommodate themselves to my milkbottle, flattening their sides.

Overhead go the choughs in black, cacophonous flocks --
Bits of burnt paper wheeling in a blown sky.
Theirs is the only voice, protesting, protesting.
I do not think the sea will appear at all.
The high, green meadows are glowing, as if lit from within.
I come to one bush of berries so ripe it is a bush of flies,
Hanging their bluegreen bellies and their wing panes in a Chinese screen.
The honey-feast of the berries has stunned them; they believe in heaven.
One more hook, and the berries and bushes end.

The only thing to come now is the sea.
From between two hills a sudden wind funnels at me,
Slapping its phantom laundry in my face.
These hills are too green and sweet to have tasted salt.
I follow the sheep path between them. A last hook brings me
To the hills' northern face, and the face is orange rock
That looks out on nothing, nothing but a great space
Of white and pewter lights, and a din like silversmiths
Beating and beating at an intractable metal.

1
The surging water threw strange shapes,
Waiting crows with stabbing beaks
In the sky and in the drowned souls,
Festering in the swell.
The huge irrepressible waves
Spread wings flattening houses with a single downward swipe.
It was a sudden death,
They died screaming-avidly watched by millions nestling before TV sets
Unmoved if sympathetic.
They had watched enough CGI
Not to be bothered by such drama.


2.
The girl quietly combed her hair,
Bitter black in the lamplight,
Watching the snarling fox shoot from its lair
Slathering with fright.
As she lifted her arm again
The salt spray struck her, flattening her face
The wave soothed where her smile had been
Her limbs acquiring a greater grace.

It ****** in cars and houses, gulping down
The unresistant landscape with unforgiving speed,
Turning the living green into regurgitated brown
Digesting  the landscape with ******* greed
It drew her little body back into the equalising sea
Just another bit of debris.

A bird in an aurulent billed mud-face,Living as a four foot two inch dragon in a San Franciscan cave,
Lifts off from a hot breathed murmur of Gideon.
Even in night the whole grandeur of movement
Soaking in red beeping heart-pangs
Fasten to the thrusts of his arms.
This post of vainglory was the opening of the year.
In July's open pores,
On a spatial plateau of Dodonian oak.
The Penguin
Unveils his weakened voice.
Flattening into a wide arrow
Draped from Carina he
Sails Westward. Barefooted through the Anavros
Molting under deep helplessness and melancholia.
With his inlaid eyes faced askance
The penguin broods
Among the day's songs
Cast into the poetry of the lyre,
Stretched upwards from Paradise Bay to Colchis,
Where his ebony wings
Soak into the palms of Peleus
Suffering only where the arrows have flung.
Downside up, with children in a pocket of blood,
Among supergigantic siren songs and muse poems
Sewing teeth into a spot of Earth
Races towards a column of toppling strakes.

look at your smile,

calming the waves
and flattening the seas,
stopping the sky
and all that it sees,

look at your smile,

freezing time
and brightening the day,
taking all the darkness
and sadness away,

while here i  stand,

my body numb
and eyes gazing,
my mind blank
and heart blazing,

while i stand here,

loosing gravity
and feeling no weight,
frozen in time
in this joyous state,

look at your smile,

ending all sounds
and silencing all voices,
altering reality
and changing all choices,

look at your beautiful smile,

more beautiful than the heavens,
more beautiful than land and sea combined,
more beautiful than mother nature,
more beautiful than any creator has ever designed,

A drugstore pallid in waning light, always illuminated in halogen halos.
I am earless with music.
Black metal loud in clanging sets and blows-
foreshadowing the smell of cleaning solution,
air freshener and the outside
sweet at my back
all steeped deep in the rip roaring undertone torrent of cigarette smoke
blended with cheap perfume until I cannot tell the difference.
There is a limp familiarity to the underlying odor
born partially of personal encounter and-
nestled in the hive mind of social experience.
A distillation of regret and remorse,
of lonely,
of irrelevance;
this black hole swallows my voice the way of my ears,
eaten by rust.

Four cans of beans,
kidneys,
in cans squeezed without any power against sagging swells
melting into other curves
and I swerve close and around guiltily,
noting you only as the source of this pungent spring.
You are smiling apologies
ignorant of my apparent inhumanity-
blind to my selfish hands..

Pinioning belly flesh,
flattening,
reaching
and gaining attendance from a better man
retrieving every dropped can.
I’m retreating,
shaken,
tense to alternatively slacken.
My sweat slippery palms with whitened red sharp fingers feel foreign
and I am surrounded by razors then shaving cream,
moving from shampoo to conditioner,
the whole store is infected with smell.
Staring at nail clippers/snipers clipping touch smooth sooth my tense mind-
don’t look
don’t
look
I can sense little else but dread
drawing closer
you are now crouched so close I’m gagging,
taken forcefully-swept away in an olfactory flood
roiling in rot,
currents of solitude exude from your smiling sullen appearance when I turn to you
fumbling
with my electric ears,
surfacing
in a breath of Amish silence
broken with simple request
and I want to scream at you that I am not a man to ask opinions of
that it does not matter what fake nails she glues to her body
that she is excluded and I don’t know why.


I choose swirls of cream suspended within watery milk,
over childish lady bugs framed by yellow
or dots of red alternating to black,
an epitaph to a lifelike effigy.

The riddle of me
Is bullets of art
Shooting ink stains
In your heart
So you'll always love me
And my mentality
Is a mental breakdown
Of three things
Words, beats and rhymes
Ahead of my time
Thinking of blasting stars
Around your head
Knocked down
Out for the count
Going old school
Wylie getting chased around
On the road running
Laps at the speed of sound
Dropping TNT
Boom
Anvils like beats
Flattening you out
Gettin dizzy quickly
Spinnin and spinnin
Thinking freely
It's my territory
Down a black hole
Following the white
Rabid junk dealing
Cat selling smiles
Getting mad feeling
The wheels are turnin
Inside out
A needle sewn
Through the vane
Injection infection
Man in the mirror
It's a sight to see
Through the glass
Pictures like a memory
Before my rhymes crash
And you see the other side of me
Revealing my destiny
Going insane
I'm the only one to blame
The ink stains
They're smothering me
Slithering inside me
Covering my body
The only thing to see
Is my heart exposed
But you all love me
With these rhymes
And flows
A new era
Another time
A blast from the past
But I'm heading to the future
89 miles an hour
And I'll return
Brake checkin
With tire tracks that burn
With doc in an urn
To lure you in
Back to where it all begins
Tattoos of a heart
Deep within my skin
To replace the oxygen
Breathing nitrogen
Ink stained again
Graffiti trigger
Spraying art
Deadly sins
Bullets tearin you apart
But these are my words
And they come from the heart

Falling in love is as
beautiful as watching
the sun shining on the rain
in Spring
An ineffable yearning,
Is serendipity,
A blissful sorrow,
Is not lucid.

Falling in love is  
picking shards of
broken glass knowing
you'll bleed,
Is a veritable tornado,
The eye of a hurricane
flattening everything in
it's path
And it doesn't abate


It's roller-coaster you must ride

Only to throw up after.

Sadie was a doubtful one
Her mind was tightly shut
When faced with the fantastical
She’d fold her arms and tut
She pranced around her garden
With an playful evil aura
And dealt a merry flattening
To all that passed before her
Their bodies lay around her
And an imp of mischief found her

She loved to trap and poison
And wished she’d been a spider
When a fizzing overtook her
When a rumble grew inside her
When a shrinking and a shrivelling
Across her form did tickle
And soon did Sadie realise
That wishes can be fickle
Her legs and arms divided
Her eyeballs multiply did

So sorry Sadie scuttled
Alternating creep and crawl
She tippy-toe’d across the grass
And past her victims all
And sadness was upon her
And with mourning in her eyes
Her grief compounded hunger
And an appetite for flies
Her lengthy limbs belied her
Sorry Sadie was a spider

She loped along a lily
And her sorrow turned to guilt
Her carapace was aching
For the blood which she had spilt
She wept a web of anguish
With her sticky little tears
She wound a downward spiral
Like the falling of the years
Her malice had been stunted
Her fangs were dull and blunted

Sadie gained existence
On a web of worldly woes
She fed her tiny tummy
Where the buzz and flutter goes
And she learned the price of living
So she killed just what she ate
And she knew why killing needlessly
Was such an ugly trait
And with a human soul inside her
She chose to be a spider

Here is Cedar Draw, a stream which
spills free from the dam upstream
and then slowly licks its way westerly
among the billowing cottonwood
and volcanic boulders that still appear red-hot,
flattening out, pooling here and there
where fat trout and perch can feed
on luckless grasshoppers and mayflies
blown into the water by the wind.

Here is Cedar Draw, widening into
lush shallows with bulrush and cat-tails
clicking in the wind, showy red-winged
blackbirds clinging to stalks high above
the waterline, and where snowy egrets
ply the mossy banks for frogs. The
only sound heard is the chittering of
birds and that warm summer breeze
softly moaning and sighing for you alone.

Here is Cedar Draw, as fine a place
a poet could every hope to find to relax,
meditate, sip a little port wine, tease the
iridescent-blue damselflies that abound
here, cool one's feet at water's edge,
scribble in a notebook disjointed thoughts
that may or may not make it into a poem,
perhaps to doze a little and finally to
rouse up and thank your muse for such
a great day and such a splendid spot.

--

sickened
by media lies
legislative disguise
rotting food
attracting flies
beguiled by trite examples
limited poling
and internet trolling
expressionless selfie
apathy as fashion
androgynous culture
manly men are maligned
while supermodels ******
minds
warped youths scramble
attempting to grasp
beauty
through surgery
and consumerism
their tiny orange bodies
reflect social illness
its glare blinding
bound to the taxation system
pre-social security number
these zombie babies
march to Red Bull
FOX news
and social media *******
fluoridated and infected
they reject ideas
not rooted in technology
…mock astrology
believe in genetically altering
living organisms biology
practice unlicensed psychology
and pharmacology
all the while supporting
underground government demonology
…….. my apology
lost in this madness
I feel trapped and isolated
and the irony hits
flattening my preconceptions
“As part of, I am responsible for…”
…..darkness and pain
crash on aging shoulders
realization
and defeat

More towers must yet be built--more towers destroyed--
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
****** out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,--
And so went out . . .  For once, he forgot his pail.

Something had changed--but it was not the street--
The street was just the same--it was himself.
Puddles flashed in the sun.  In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,--deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . .  Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,--
He slowed his pace a little, and thought with horror
How monstrously that small tree ****** to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be?  He'd never been afraid--
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,--
That blue-eyed innocent girl, in a soft blouse,--
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off.  Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God--I'm done for now, the dream was right . . .'

Sometimes, if I try, I hum between the tumbling
Hills of the world bracing domesticated beasts.
They graze and grunt all over again,
Entering slumbers following the daily sweep
Of lactic creeks, thin enough to guide tree roots.
Dusk is explained by the party of two, embracing the dividing sun.
Look left to see coral reef skies swim attempting to grasp what is to the right of the Sun:
Silhouettes outlining prayers flattening dimensions of rugged Mosques
Still dusty from wheat flour and patterned by uncooked lentils, that
Slipped through missing seams of Burlap, blackened from the hearth
Malleable as a result of dependency.

Though only half of my sight functions, I reason that
Earth shifts without you. Watching centuries and some odd
Years of changes, I yearn to know where you have gone.
I peer from the peacock’s tail, feeling the pulse of the
World tick away as the fearless pray to someone new.
Your countenance, I interlaced with feathered fingers
Depicts movements, curves. A shame to be without
Language to fill the contours of a nebulaic expression
Or swindling modifications.
You put me here. My eyes anyway.
Expecting me to retire along with buildings for your worship
Powdery paint has spilled and faded along with
Others who have modified your appearance, their someone new.

Even as the shadows swells
A million replicates of Io, moo and sway home, tired from the
Beating sun, to which eyes remain fixed.
One momentary memory visits.
Vision simulate traces of wonder, travelling on
Pathways believed to be conquerable. The people have learned
What I have not. They pause, breathe.

Chaos Theory is nobody's friend.

It will do the sensitive math on just about anyone; in constant loops, patterns, fractals, and repetitions.

This can lead to the butterfly effect:

A butterfly flapping its wings in China can cause a hurricane in Texas (or NYC, for that matter).

It's simply when the present determines the future, but the approximate present does not approximately determine the future.

To what does this measure?

That perhaps the present is already the future...

Six or seven women ranging from thirty to sixty
stand chit-chatting in a somewhat-circle outside the State House.
Slowly, they dry their skin and dye their hair in the smoky sunlight
of the morning break; taking their time off with each long pull and curl.

A light skinned black woman dressed in navy sweater and
pinned with power star speaks to the group.
Deep inside her lungs a road is being paved.

You can hear the tremble of the rollers flattening molten pavement,
the rumble of the endless packs of 100s of dump trucks
the wisp and rasp of steam, the cough and hack of working men who’ve spent too
much time paving roads.

I have never heard anyone say a word in the way that woman said that word
this morning. What was her tone? Condemning?

In her blue commando, she pointed right at me (without ever seeing me)
and said, “Us and our cigarettes...”

-Xenophon leads me on… in another place… here
Aft amorning entranct with possibilities. Yo crero.
Someday you, is reading thisday me, when
from Under the Volcano
to the Lighthouse, bemused, as muses use us. Little things, elves. Ves-try best try, purple robe,

- the nobels dismounted
By and by, we learn the rhythm, sing song, none
Said wrong -goin’ up country… doin’s as we do…
goin up country, bring some ***** home
Woe baby war war war, holy war, face o’ god,
- Click, new channel, and the other one goes on… abysmally pro fundity, pay eh…
No mortal may gaze into, as the window of his own soul,  may gaze eyes ablaze, having
Witnessed the fact that the shining thing, tasting
The wait and see tree, {we asked why we could not eat the olives from the tree, but remembert green persimmons. So we let patience work}
We name first fruits, from the end of time, wait
Wait wait wait wait wait
Fifty years. Just wait. Suffer it to be so, never go
-away hungery, or mad, as the author, seeks cause, aitia, reason come to cause,
meet me at the t. aitia, I am, as amusement, a thoth thought that any Solomonic emulation can run. Pocket Pal, or a B natural Blues Harp, or
Some times I sing. Or whistle, just to let me know,
We remain just this sane, by a thread…
Of Anabasis, goin’ up country
Bound, bound bound by my brothers,
Marching
As to war, God gives us greed, t’ meet our need
Jones to the bones, pure-dee vine curiosity
how were such armies formed, gathered up,
from where, whence came the brazen helms
the hoplites sport on inspection and demo charge,
with a roar like highschool foot ball kick-off,
same surge of mob adrenal reasoning, tuned in,
sheee it, we, she-us, wh-then, the signal dropped out. Zero beat.
Right on. Tune tested, best of 300, in the top 3.
- look there were multiple versions
- the story of mankind, as we branched,
by means of confoundment… flattening,
Tin into brass, folding, and flattening, pounding
On an oak stump, oh,
Long time ago, this stump, see we cut it down,
slow, slow, old man fades, see,
Time as thought is time as time, to me, thinking this is all I bloomed to become.
About 1957, I learned that an old Persian olive
cultivar on Crete, or anywhere around there,
takes fifty years to reach maturity, full fruct-
if-ication…

So me, the guy after the secondplace hero,
Xenophon, you know, the rich geek,
Teddy Roosevelt, right, right right, just
like his character,
Legendary… like mine. My best me, I did boast,
But freedmen, as a class. Raise a brow, one notch,
Per sold out, wait, wait, wait till we see, the whites of their eyes, the others, sub-human, by god… hold your fire… wait
Or regret you have but one life to give, for your country. Do and die, be an Israelite indeed, guiless.--- unbeguiled, no guilt for knowing…
And the light shineth in darkness; and the darkness comprehended it not… in deed…

High-brow mode. Click. Read the underlay,
life’s books, exist as onion-skinned palimpsests,
- Secret writing , not hid, just here, under
- Stood stones, such as we all learn, sing
- Song,  look at us, we’re marching, sing along… to Pretoria, pre- torie, eh, we
Dropped out. And ate dust. Dots in the distance,
Thunder in some dreams, tuned to take a non-anxious thought from a child so sure,
I’ve got a mansion,
just over the hilltop, in that bright land of after all.
We die. And lo’, we live, as words,
A word, to the wise, is enough… true rest compresses trust abused as a beggars tin-cup, to catch the rich man’s ball…
yes, I owned a silver cup… not tin, silver.
I was as proud of that cup as what’shisname,
The Left-handed Son of One-eyed Jack.
He had a buffalo hide. A whole, shaggy hair,
old, too old for fleas, buffalo hide,
he held in pride, the ownership
of special things kind of pride, not the gay abandon chains and don a Phryigian cap and
wrap the headsman’s axe in our threshing staves.
How high the brow, I raise, singlely, no, I lack that gene, yet, my lip doth sneer, left side only,
Thus, we flip the lense, then flip the pixels, yes,
Film effects, chaos in beauteous sfumato or chiaroscuro, something computers were taught,
finally, by sight. True, half-tone tech, made Chiaroscuro Computer Art, vision via metrics based on artist’s eyes, won me first prize,
An the 1986 Mohave County Fair, where we
Displayed our wares, and our networked Macs.
SE- latest, dual 3,5” floppies…
$3200, out the door. I never sold a one,
but to me. Wholesale, minus my commission, as the flooring was running out, interest
about to come for the accounting and the vig,
Keep hope alive, pay us all you can, we say when,
Enough’s enough, left right left, mental exercise,
Stretch the concepts… essentials first, must know
Knowns, we knowns, we all know, stories with morals, since the cradle,
So it seems, some think wombed Bach is better than acid rock,
time will tell, so they say. Vonnegut mutters,
So it goes.
Canned Heat, on youtube, at my whim, yeah,
Play it from the second verse, we all can think,
We were singing that, when Kurt Russell was a computer wearing tennis shoes, in a strange
Disney characters from the real Mickey Mouse club, with Lonnie, and Cubbie, and Annette –
Beach Blanket Bingo—war story
Flip for it, the novel thread is chance, fishing
For mental means to ends in minds, aimed at peace, post happiness achieved, on the Lincoln plan promoted with Famous Amos Chocolate Chips of the old block,
Yes, as you may imagine, carbon-steel, is new
To mankind, almost all the tools we use, are new.
Since 1969, have we learned any thing that might ease a child’s mind… after My Lai, or the like,
As soldier ants, enforce the others must die, we are protectors of the flag and the concept enclosed in the word republic, a we form, regimented,
Tools,
Trades and crafts,
Guardians of liberty,
Priests and experts in knowing signs
Left on stones for all to see, see, see and
So-bemused become, awe sets in, couch lock
Right, too right, mate, good enough, we got mind
Sunk… lowest point in south America is in Argentina. And what do you know, so is the highest. Learn it once,
Know it for ever, after any ever in progress.

I: Introduction—A History Lesson
The word ******* was derived from the Sanskrit
svastika,
meaning good fortune,
or well being.
The shape is a monogram,
the interlacing of two Brahmi words,
a hooked cross which, over 5,000 years ago,
represented the rays of the sun,
the four directions of our natural compass,
and the four elements of our world.
Earth, wind, fire and water,
the symbol was balanced,
sitting firmly on its base
like a poised animal
on its haunches.
In other interpretations,
the symbol was a sacred text
explaining, “here is how the sun moves across the sky.”
A map of the heavens,
a lesson in astronomy.
The *******, when standing on its base,
is still sacred today
in many religions.
It is
the Buddha’s footsteps,
the seventh saint in Jainism,
and the four possible places of rebirth
in animal and plant world,
hell, earth and the spirit world.
In the 1870s the ******* was changed forever.
An archaeologist engrossed in discoveries
from ancient Troy and Mycenae,
Heinrich Schliemann,
found the symbol likeable
and claimed it,
because as a man he had the power to define.
He designated it
the symbol of his people—the Aryans—
and soon this is what it became.
By 1907 the ******* was turned at an angle
physically
becoming a hooked cross precariously balancing
on its side.
Its meaning, however, was turned upside down.
The cult of Aryan supremacy
claimed it,
and finally ****** adopted the
bedraggled image
as the symbol of the **** party
marking the beginning of its legacy
as an image of hate,
a harbinger of genocide,
and unthinkable atrocity.
In the course of twenty five years,
under the direction of ****** and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele
and countless other men with vacant expressions
and the ability to spell death with pointed fingers
the ******* came to mean loss
of integrity, of citizenship, of basic rights,
of personal safety, of property,
of an untarnished image of humanity
of hope.
Under the *******
unraveled a calm, coordinated,
and systematic extermination
of 6 million Jews
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Under the *******,
there were gas chambers
and the burning of children’s bodies.
There were prison-like ghettos,
and there was no humanity.
Part II: A lesson in Linguistics
First, language is meaningful only
because of shared understanding.
Words mean nothing,
symbols are vacuous
unless we share recognition
of the things that they signify.
All language is arbitrary
if we cannot agree on what object,
or emotion or event in history
are called forth by the words that we say.
Second, to be able to change meaning, you must have power
and you must have time.
Trust me,
if I could rewrite the meaning of every blood-soaked word
I would.
I would scrub them clean of their histories.
I’d redefine them,
make them useful,
maybe even kind.
But I can’t, and neither can you.
At least not alone
and not on command.
Because I’m sorry to say
that that’s not how language works.
I’m sorry to say
that a symbol made synonymous with hate
cannot be used innocently,
cannot only mean what it meant before ******
and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele.
Even if you claim to redefine it,
even if you claim to only use it for what it once was
even if once it was beautiful,
like the stalwart path of the sun,
the ******* has innocent blood on its hooks
and it eyes us sideways like a crooked lamppost
burdened with memories we cannot dismiss.
We remember.
As a society, we remember,
because pain is a finicky creature
that will not be reasoned with,
or re-defined out of existence.
We cannot use the ******* without remembering the pain
how it was ironed onto the starched coats
and painted on the national flags
of those who murdered
6 Millions Jewish men, women and children,
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Even if you say so.
Even if you claim to only use it for good.
We remember,
we remember.
Part Three: A Story
In elementary school my Hebrew teacher was Mrs. Wygodski.
When I was ten she seemed ancient.
I remember her shaky hands, but the steadiness of her voice.
Most of all I remember the numbers on her forearm
from when the Nazis decided she was no longer a girl,
but a numerical value.
I remember her telling us about the concentration camps
when they shaved her tiny girlish head
and gave her *****, ill-fitting clothes,
when they took her arm and erased her
like a message in the sand,
and she became a number.
In elementary school someone wanted to play a joke
so they scrawled a *******
on its side
in large black ink on the white board of class.
The symbol was the first thing you saw
when you entered the room.
I remember
when she came in she was smiling
as usual
her grey hair down, her kind, open face,
a miracle of a woman,
to withstand the darkest night and still smile.
I remember that Mrs. Wygodski said it is important to forgive
but I could never understand how she forgave the Nazis.
She would look at us and say
“hate is the darkest tunnel,
and harder to climb out of
than forgiveness is to bestow.”
The day she walked into the room with the *******
looming large on the white board
I will never forget the look on her face.
As the symbol spoke to her directly
it unearthed everything she spent years flattening down,
memories she sifted through for decades with trembling fingers,
images she shelved in the recesses of her mind
to make room for the possibility of tomorrow, and the warmth of smiling children.
For a moment
that symbol broke her,
and in that moment, the ******* once again stole her humanity,
and turned Mrs. Wygodski into the number
they once told her she was.
Part Four: Land of the Free
Today thousands of hate groups continue to use the *******
teetering sideways
the way that ****** intended it.
Once a symbol of good fortune,
it is now the most widely recognized symbol of hate
the world has ever known.
Used in the United States
the ******* has opened its claws
and staked claim to the beating hearts,
and hopeful sovereignty
and promised dreams
of countless African Americans,
who became the targets of the same bottomless hate
that engulfed millions in the holocaust.
Under our star spangled banner
the ******* has overseen
thousands of racially driven lynchings,
ongoing police brutality
the imprisonment of one out of three black men
and the bombing of black children in their Sunday school dresses.
In Oregon,
the ******* celebrates the sealing of borders,
is embraced by the very groups
who once outlawed black existence
in our very own state constitution,
the same groups
who once dictated the state’s refusal
to ratify the 14th amendment
of equal protection,
and the 15th amendment
giving African Americans the right to speak
at the ballot box
and be heard
by their government.
In the land of the free, the *******
is still tattooed on chests
and ironed to coats
and scrawled on the walls of my classroom.
In our communities
there are
the European Kindred,
the Northwest Hammerskins,
Volksfront,
the National Socialist Party,
and the Ku Klux ****.
And they wear the *******
because they recognize its meaning,
the meaning we all know
the meaning imbedded deep
by the pointed guns of the Einsatzgruppen
Today,
here,
they wear the ******* because they want to swallow the world.
Part 5: In Conclusion
To whoever drew the *******
last week,
last year,
in every year before that
in the bathroom, in the hallway, on my classroom wall and desks.
I forgive you.
Not because I want to
but because Mrs Wygodski would.
I will give you the benefit of the doubt.
I will believe you didn’t mean it.
I will believe you didn’t know.
I will still have hope in your humanity
because what choice do I have?
This is my refusal to become what the Nazis wanted,
what hate groups still want.
That is how I resist.
I refuse to hate you,
I refuse
to hate.
However, now that I’m addressing you directly,
I want to take this moment to make clear
that when I see the *******
this is what I see:
I see Mrs Wygodski,
with her kindness that was like a spring
flowing from somewhere dark and unseeable
and I see her face when she walked into a room with that symbol
and I see the colors of her world bleed out.
I see my missing family members,
who I never actually had the chance to really see.
So I imagine them,
my grandfather’s aunts, uncles and cousins
from a shtetle somewhere in Poland,
erased completely from history, from record, from existence
by ******* wearing men
who forgot how to be human.
Finally, I see my students.
The rest of them,
with their still young impressionability
and their beautiful array of skin colors, backgrounds, ethnicities, cultures
and their intact understanding of love.
They are the hope that our grandparents thought was lost,
and this ******* is their antithesis.
It is the undoing of their sanctity,
it is you spitting in the face of everyone who is not you.
And if you do that intentionally,
if you do that knowingly
and with purpose,
well, that
is unforgivable

My tired eyes,
my fatigued mind
falls slow and time becomes obscured by
the drowsy raven sailing sunset sky boulevard.
My phone is ringing orders and misdirection calls,
that funny little radiation box hollering voices
of somewhere, telemarketers in India, automated messages,
spurious connections anywhere but here.
The rain-shine of approaching April Wednesday
trails golden hues among the treeline being viciously
torn like a gradual atomic bomb flattening the hoary hills
and spectacular firs beryl in frequent times of showers.

Each day I hope for that fabled resurgence,
nearly a year my fingers have been crossed
while wars are still wars, politicians still politicians,
gods still gods. Everything is so still, silence among fury.
Carpet bombings, protests, genocides, reforms, riots, the drowsy
raven circles in view of the window and my thoughts cycle around
my washing machine consciousness wiping off the grit of untruths
of everywhere else but within myself. That seems to be the problem
with most people.

As the clouds roll in, as the sun subsides into darkness,
as my mind is clouded by that ever-expanding raven encompassing
night sky and nightmares, I realize I hadn't even gone out at any point
that day and probably wouldn't the next.
We've become so dull some of us.
Vacuums inside of vacuums.

A metallic seat.
Hard orange plastic.
Strip light sickness.
And I look at you.

Disinfectant scrubs my throat,
sterilising the language I want to use.
And I look at you.

Naked feet, white tinged with yellow.
Invisible socks.
Cotton top welts left in your ankles,
flattening the spidery hair.
So much hair.

And I wonder,
when did you get so tall?
And I look at you.

Sallow face, a dehydrated
caricature of youth, erased and lined.
Needles **** the marrow,
the muscle tone gone but
stubble erupting, handsome underneath.

And I wonder,
when was the last time I saw you?
And I look at you.

Frail arms, thick bandage cuffs
giving little comfort to the empty purple beneath.

And I wonder,
was it how you imagined?

Clean blade?
Neat slices?
Choreographed claret leaving a poignant splash
on your final soliloquy?
Head to camera, atmospheric lighting,
ready for your close up.
Someday you’ll be a star.

Or was it sordid?  
Brutal?
A smashed bottle?
Hacking, mangling,
uncontrollable blood
aimlessly gushing, drenching the rambling note
so the words washed away?
No camera angles.
No haunting memoir.

And I look at you.
And I wonder.
When did you become so lonely?


And I turn away.

And now it's
"We need to talk to you."
It's
awkward giggles through the wall.
Other sounds,
I don't want to know
at all.
It's her
making breakfast
when she hasn't cooked in years.
It's him
walking in the door
when she's not even here.
It's
trying to avoid
awkward conversation
when I'm
high as a kite
put politeness is the expectation.
It's
things in the house
suddenly being fixed.
It's
extra noise when there should be silence.
It's
wondering if he'll try to be my "dad"
and if he steps out of line
you know I'll fight back.
It's
flattening my quills,
remind myself:
he's a different person.
I guess it's
hard to put a family back together
once it's broken.

      (or never even existed in the first place)

You made me stop believing
in who I was.
You slapped my *** with your shower caddy--
blamed it on invisibility
with a smirk and a wink in my direction.
I saw your reflection
in the hall mirror from the corner of my eye.
Your body was full and half-clothed,
your imagination molding me
as I stood there innocent
trying to view myself
the way you saw me.

It was a dark shadow you cast.
I bathed in your deception.
I saw my own reflection--
in my bedroom mirror at midnight
with your hands on the nape of my neck
and your fingers cradling my skull,
flattening my spine into
what you would fit into your figure.
There was your lips on my ear and I heard
a backwards whisper of a promise you swore,
you swore was true.
It wasn't--
and didn't like who I saw.

Eastbound sundown on the I-84, the sun in my mirrors.
I imagine standing on the beach in Klamath
watching it say good morning to the other side of the world
with the girl of my dreams cradled in my arms asleep.
But the land here is different, the grass is dead
and that girl doesn’t escape my thoughts.
She stays in there, waiting for me to fall asleep
so I can hold her again in the darkness for a few minutes.

Pocatello to the left, Ogden to the right,
where is it I should go tonight?
I heard of an Aberdeen near here, a home away from home.
Maybe it looks the same as the Aberdeen I know.
I move into the left lane, the fast one if you’d believe,
because here in America everything’s the wrong way around.
Last chance now to change my mind, final call for Ogden.
The slip-road passes by me and joins another highway
that seems to ascend into the horizon and disappear completely.

The landscape here is unbearably flat,
I feel myself longing for just the slightest rise or fall,
let myself feel the curvature of the world ever so slightly.
There is a hill on my right that looks just like my Bennachie,
rising sharply to a peak then slowly flattening out
until it joins the inescapable flatness of this country.
Raft River, American Falls, Pocatello,
fourteen, thirty-seven, fifty-eight.
Many miles to go before I can sleep,
many more miles to go until I am home.
Sixteen miles just to the next rest area.

I wanted to drive around Raft River
but I couldn’t see it from the road
and I didn’t know how far it was to Aberdeen.
What looked like a diner was by the road on the right.
The dust swirled up around the solitary pickup parked outside,
the owner looking like the guy in Nighthawks with his back to me.
There was no fancy couple there,
just him on his lonesome in Idaho alone.

Exit 36 points me in the direction of American Falls and Rockland.
This was where I was told to turn off at.
The slip road rose up towards the next road, and it felt wonderful,
finally feeling like I was actually going somewhere,
The signpost at the top of the rise
shows me the way to go to Aberdeen.
Left I go, to American Falls.

Through the city I drove, trailers and bungalows together.
There were big trees in the front and back yards
but they were not too dense that they looked unseemly,
in fact, they added character and life in this place.
A cat darted across the road, waking me up,
warning me not to keep my eyes off the road too much.

The end of the road, stop sign, no others giving me direction.
To the left, the road went around another corner
to go back in the direction I came from.
I took to the right and followed the road,
trees and houses on my right, wasteland to my left.
I went over a crossroads and stopped at the next,
exasperated at the lack of signposts.
I parked next to a long bungalow
with a red-painted ramp going up to the door.
An old woman wearing an apron covered in flour answered,
and she found my accent pleasing
when I asked her the directions to Aberdeen.
She offered me a cookie, and I accepted,
I hadn’t had food since I left Oregon
even though she said I was not far from Aberdeen.

We said our goodbyes and I turned left,
continuing on a road that curved to the right
and through a well-manicured little park.
It was unusual seeing grass this green,
having been offered greys and yellows
for most of my journey in Idaho.
I turned left at the police station then left again.
A large body of water, Snake River I think it was called.
It’s hard to call it a river, more like a lake,
the water the same shade as the lochs back home.

After a few miles, I make it to Aberdeen,
the signpost informing me the population is just over a thousand.
I have a feeling this Aberdeen will be different to mine.
The houses here are so small, but they have good gardens.
There is a warehouse with potatoes inside it.
I am a long way from home tonight.
I can’t find a motel, so I stop at a bungalow covered in windows.
A ***** gold pickup sits outside.
I knock on the front door, which is on the side,
because this is America and everything’s the wrong way around,
and a middle-aged man wearing a mullet
and a Phish tank top answers.
He invites me in and says I can stay as long as I need,
offering me food and beer and company.
They people here are nice, much friendlier than the old Aberdeen.
I like this new Aberdeen, it feels like a home already.

I dreamed well that night, the girl in my arms,
sitting by Snake River, watching it flow,
carrying away all my troubles.

Stop whining life's ironing you flat,
we're all getting pressed and
all getting that
it's what life tends to do to you,
ironing
flattening,fattening you up for the **** and
there's no flipping thrills to be found in that.
Ironing
ironing
ironing you flat.

but

creased, I could be unleashed to become so much than more,
something with life to show, like some thing I wore with patches and scratches and marks,
Marks I adore.

Creased,
the teasing and pleasing,the
easing into the wrinkles.

'Twinkle, twinkle little star' ironed flat I'm far away from life and life can't get into my day.

Say what?
the iron's hot and bound to burn, each ironing spends a little more of uncreased out minutes and so I turn again,creased,thrown to the floor among the garbage,out the door where people stop and stare at me, the unclean,
unironed,
anomaly.

No lines,
no lines it's times like this I want to kiss the day and say,
look at me
look at me, creased to buggery and I don't care
I don't want to wear a life that's ironed flat,
don't care that you think that it's wrong,
I will wear my creases and be strong ,while you're all folded up and folded always last so long.
I'll be free and you'll be in a drawer with socks and skirts and shirts and ladies underthings,
which upon a second thought brings me to the thought that,
that might not be so bad.

i turned back
to see if anyone was there
with her
in the back of the bus
when she started talking.
there wasn't,
there were only two people
besides us
and the driver,
and they were in front of me,
the seat in front of me,
three seats from the front.
She was three seats from the back,
and talking to her mom on the phone
in a wavering tone i once knew by heart.
But
i have to look
to even tell that that voice is hers

she stops talking, meets my stare, coldly
and then, as me and the other two
exit onto the mid-morning fog-covered street
she stands and follows,
three blocks from her stop

i try starting a conversation
with the familiar face walking near me.
he answers- it's awkward and silent,
except for the sound of her
crunching dead puddles and flattening grass,
staring blankly through my back.

He runs the last bit,
She keeps her pace.
I round the fence.
She Stares
I reach for the doorknob,
it's locked.
I knock
She Stares.
I stand there, waiting,
and meet her stare.
She rounds the corner,
passes the jeep, the truck,
crosses the street,
keeps her eyes on me.
they're empty, emotionless, foreign,
so are mine;
standing on the doorstep she never stood on,
knocking on the door she never stood knocked on,
meeting those once familiar eyes
in a final, ear splittingly silent goodbye




©Brandon Webb
2012

Suppose a fog a real fog that means to say that means to say a fog, a creative fog with more sinks first lights.
All the tin is needing flattening.
Suppose seven water, suppose two water, suppose five sand.
A Canadian sign is nearly numb.
White pointers white pointers in yellow dash be.
White pointers white rays expecting rumble rumble, rumble rumble.