In this chapter, the researcher reviewed the opinion of some past and recent writers on the subject and also added their own ideal under the following sub-headings:
- Conceptual frame work
- Theoretical frame work
- Empirical frame work
- Summary

2.1. CONCEPTUAL FRAME WORK
CONCEPT OF ZOOLOGICAL GARDEN

The concept zoological garden is a form of ex – situ conservation, which primarily involves keeping of animals alive outside their natural environment for aesthetic educational researches and recreational purpose (Varadharajan and Pythol 2000). Nigeria is blessed with abundant wildlife species which needs to be properly managed in a sustainable basis to prevent depletion (Opara et –al 2010). Hence the need to adapt strict management of resources, repopulation of endangered species and conservation of wildlife park and zoological garden and management strategies (Ajebede et – al 2010).
Throughout history, human have given value to other species of animals as means of entertainment, education and spirituality in addition to being source of food and clothing (front 2011, 69) collecting and exhibiting and exhibiting animals originated from Ancient Egypt where private collection were reserved for the higher class population as a symbol of wealth and power (wearing and jobberns 2011, 19 – 50). In the 1900’s, zoo’s based themselves as conservation movement, with focus on scientific study of endangered species. In the beginning of the 20th century, zoo became an attraction of mass audiences (Beardworth and Bryan 2001, 88). By the late 1900’s there was a shift in the natural of zoo with public attitude and interest changing nature and conservation, with concern for ecosystem and awareness as they protect endangered species (Wearing and Jobbern 2011, 50.

ROLES OF ZOOLOGICAL GARDEN
(Mason 2011, 189) reveal that the roles of zoo are:
a. Educating people about animals.
b. Conservation of endangered species
c. Safeguarding the welfare visitors
d. To generate revenue
e. Providing visitors facilities such as catering and merchandising
f. Re – introducing captive breeding into the wild and carrying out zoological and veterinary research to improve animal welfare in the wild and in captivity.
On the other hand, zoos served as scientific research, for example, zoologist learn more about animals habit and diseases by studying them in zoos studies of animals living kin zoo, together with examination of those that have died have provide zoologist with information about the structure and function of animal bodies (Usher M.B 2000). Keeping wildlife animals in captivity bring visitors from different parts of the world for different purposes such as to provide sources of recreation in the city, to provide biological specimen to constitutes, a learning resource for secondary school, colleges, and universities. It also provide employment and game reserve, provides sources of protein revenue, esthetics recreation, education and scientific values (Presley 2001). The captive animal propagation is one way of encouraging growth of depleted wildlife species population and so properly planned program of zoo establishment and development is considered as one of effective method for conservation of wildlife (Okpiri 2005). Educational environment study and conservation of the  environment have become a subject of major importance all over the world, not only from the point of view of preventing population, but also from the point of conserving water supplies by protecting water shed, conserving soil, vegetarian and Fauna. (Comphell 2007). Comphell also stated that conservation zoos can provide an important facility for research at both pure and applied levels in both the field and laboratory in colleges and universities. Bigot (2000) emphasized that the primary function of zoo curators is to make visit a leaving experience. The attention and effort given to wildlife conservation and tourism in both state and federal levels have been noted.

CONCEPT OF TOURISM
According to UNWTO 2020 defined as the study of man away from his usual habitat. Activities of a person traveling to and staying in places outside their usual environment for not more than one consecutive year for leisure, business and other purposes, tourism contributes to specie conservation, communities project in developing countries like: Nigeria, environmental education, awareness and economies development (Klutzy, 2000). Filton et al (2000) reported that 20 – 40 percent of international tourism is related to wildlife. In Nigeria, tourism contributed 3.3 percent of total GDP in 2011 with forecast of a 10.8 percent increase for 2012 (WTTC 2012). Smith et al (2012) recognized the role of wildlife tourism as building breeding species management and influencing visitor’s behavior for the benefit of wild animals. Fibs (2007) underscored the value of zoo visitors and their feedbacks for the planning and designing of zoo and more importantly to decision making in zoo management by showing on – going treads. He therefore stands to reason that visitors’ preferences should be seriously considered by policy makers and management of zoo and other similar institutions. An area in which visitors’ preference is highly important for a zoo in particular is choice of animals desired. Woods (2000) observed that humans have definite preference for different species of animals. Knowledge of visitors desires in terms of animals and the features that make the animals appealing will assist zoo management in animal acquisition and also in development of education and interpretation programs listening physical features, behavioral characteristics as factors influencing animals preference (Wood 2000, Wentworth 2012). Wild tourism can be described as tourism undertaken to view and or encounter non – domesticated animals in captive, semi – captive or in their natural environment (CRC 2001, Newsome et al 2005). According to Durbary (2004), it could be non consumptive such as viewing, photographing and fishing.

CONCEPT OF ZOO AND EDUCATION
In zoo and education, a study by Patricia et al 2007 states that conservation and education are key elements in the mission statement of zoos. A survey conducted by the Association of zoo and aquarium (AZA) reveals that the general public rate conservation and education as the most important role of zoo (Frasers and Stickler 2008). Zoo primarily deals with three aspects of conservation practice i.e practice, advocacy and research. Conservation practice entails captive breeding, species rein-introduction programs, species survival plans and the use of zoo revenue for conservation programs in wild. Conservation advocacy include: public engagement, promoting awareness, advocacy, stewarding and fund raising events and schemes, a good example of which is like “Adopt animal scheme at most modern zoos”. Moreover, conservation research is conducted on wildlife biology, population dynamics, animal behavior, health and welfare and there are also publications generated by zoos animals care captivity. The preservation of animals in zoos makes it easier for more people to see them.
As well, zoos have been used to preserve various endangered species. However, zoos have become powerful educational tool for many scholars, biologists and researchers (Falk and Dierking 2000).  Individual who visit a zoo get the rare opportunity to examine the relationship between man and animal (Wagoner and Jenson 2010). Students can learn a lot about certain animals that might not be locally available. Many specimen and animals (Wagner and Jensen 2010) argue that zoo makes it possible for researchers to conduct their studies, for instance, researchers can use caged animals to make various observation about wildlife or animals. The acquired knowledge can be used to support the survival of the wild animals in their natural habitats. It is therefore agreeable that zoos have an important educational role in every society. This because, learning is ever – changing process (Falk and Dierking 2000). In the 1970’s the primary educational target for most American zoo was elementary level children. The idea was that building understanding would lead to appreciation which would eventually produce a generation that was concerned about wildlife and the environment (Wheatly 2000). Wheatly emphasized that although children are still a primary audience, zoos are extending themselves to reach many others audience that can make difference in action today. This initiative includes the membership, governance and employee of zoo.

CONCEPT OF ZOO AND CONSERVATION
In zoo and conservation, according to Max – Planck Gesell Chaft (2011), Zoology garden breeds animal from threatened populations and and thus makes greater contributions towards biodiversity conservation. According to UN (2020) on global biodiversity warned that 1 million species are at risk of extinction with decades, putting the world’s natural life support system in jeopardy. Unfortunately, loss of plants and animals habitat leads to from species extinctions and loss of diversity from ecosystem. Fortunately, not all of the extinctions occur at once. Conservation action may still be able to save threatened species (John M et al 2016). At October 2010, meeting of the Convention on Biological Diversity (CBD) in Nagoya, Japan, delegates discussed a plan to reduce pressure in the planet’s biodiversity. Key targets include expanding coverage of protected areas, halving the rate of loss of natural habitats, and preventing extinction of threatened species. Species whose habitat is severely threatened, however, the outlook is so bleak that the International Union for Conservation of Nature (IUCN), the US Endangered Species Act and the CBD (Article a) recognize that In-Situ conservation action (ie, in the species natural habitat) will need to be combined with Ex-Situ approaches, such as captive breeding in zoos, aquariums and so on (Conde et al 2011).

THE THEORETICAL FRAME WORK
The animal welfare and management (Dakin 2001) is a state of being that can be measured, recognized that its ranges from very poor to very good, introduces the concept of coping, allow measurement separate from moral consideration and refer to feeling as well as physical and psychological health. The definition of welfare that we use also emphasizes that it relates to an individual and thus welfare can differ between different members of the same species, even when exposed to the same condition (Horsey et al 2009). In the case of zoo animals, which have often come from very heterogeneous background, individuals may vary greatly in this previous life experiences and this can influence their ability to cope with certain challenges, by using each animal as its environment and thus an individual’s welfare can be measured.
There are also some species – specific characteristics that have evolved to enable animals cope with different, environment and thus we should also consider welfare at the species level; such species level adaptation could relate to dietary needs, hearing sensitivity, thermo-regulatory needs and so on. The theory of evolution by natural selection, first formulated in Darwin’s book “On the origin of species” in 1859, this theory states Organisms change over time as result of changes in heritable physical or behavioral traits. Changes that allow an organism to better adapt to its environment will help it to survive and have more offspring. The physical and behavioral changes that make natural selection possible happen at the level of DNA and gene, such changes are called Mutation. “Mutations are basically the raw materials on which evolution act. Pobiner said, mutation can be caused by random error in DNA replication or repair, or by chemical of radiation damage. According to Chinaka (2019) in the book concept of evolution, Charles Darwin proposed the concept of natural selection as the mechanism of evolution. The main postulates of Darwinism are:
1. Geometric increase: According to Darwinism, the populations tends to multiply geometrically and the reproductive powers of living organism (biotic potential) are much more than required to maintain their numbers.
2. Limited food and space
3. Struggle for existence
4. Variation etc
Both natural animal populations and those in captivity are subject to evolutionary forces. Evolutionary changes to captive populations may be an important, but poorly understood, factor that can affect the sustainability of these populations. The importance of maintaining the evolutionary integrity of zoo populations especially those that are used for conservation efforts including rein-introductions is critical for the conservation of biodiversity.
Greater appreciation for an evolutionary perspective may offer important insights that can enhance the reproductive success and health examples and associated strategies that highlight this approach, including minimizing domestication (ie genetic adaptation to captivity), integrating natural mating systems into captive breeding protocols, minimizing the effects of translocation on variation in photoperiods and understanding the interplay of parasites and pathogens and inflammation. Captive populations can adapt rapidly to captive environments through demonstration, in which human impose artificial selection in order to increase the prevalence of desired traits in the domesticated population.
For domestic animals, human breeders choose to breed only those individuals that thrive in the captive environments, leading to trans-generational changes that result in a population that is adapted to breed and survive in the conditions imposed by the breeders. Among captive population of animals, zoo populations are unique in that they are maintained to educate the public regarding wildlife and their habitat or to preserve critically endangered species through captive breeding and reinforcement program. Although assessment and preservation of genetic diversity is a top priority for most conservation breeding programs, fundamental to these goals is the maintenance of the genetic variation of these captive populations (Lacy 2009). Whether used to further educational or conservation goals, it is critically that these captive population are representative of the natural populations from which they are desired (Ashley et al 2003). However, maintaining captive population, such that they are reflective of the wild phenotype of the animals, can be challenging in zoos because of the mismatch the environments that the zoo population is originally from and the captive content in which they are been housed. Hendry et al 2015 carol et al 2014, for example, solitary animals with large territories that only encounter sexually mature counterparts during estrus may be housed in proximity of their mate year round, potentially leading to the behavioral issues, including ****** aggregation or ****** incompatibility. Other stressor can exist in captive environments for which animals are not adapted, including the acoustic environments, physical substrate and even availability of food (Morgan and Tromborg 2007). Minimizing the mismatch between the natural environment and the captive environment and they should limit the decline and poor performance of captive populations (Hendry et al 2011; Carrol et al 2014). Captive environments are very different from the wild and can impose different selection pressures that can lead to genetic adaptation in the captivity that affects behaviors (eg: temperaments; MC Douglas et al 2006), morphology (eg; size, skeletal morph metric O’ Regan and Kitchener 2005); and reproductive output (eg; age at ****** maturity, letter size). In particular populations of species with short generation times will adapt more rapidly to captivity than those with long generation time (Frankham 2008).
Social learning theory is the idea that children from observing. According to the learning theory, learning is based on social interaction with the environments (Nwamuo et al 2006). As children walk around the zoo, they are exposed to words and concepts. It also encourages dialogue between parents, siblings, friends and zoo guards (Jessica 2014)  visiting the zoo help the children and other visitors to understand the importance of taking care of the environments as it has a significant impact on lives and welfare of animals and importance of conservation and animal care which will never be forgotten. According to (Nwamuo et al 2006) social learning theory plays a big role in how people and especially learn. There are four elements to social learning theory including:
• Attention: Children can’t learn if they aren’t focused on the task. Students who see something unique or different are more likely to focus on it, helping to learn just as in zoo.
• Retention: people learn by internalizing information later when we can recall that information later when we respond to a situation in the same way which we saw.
• Reproduction: in the way we are able to reproduce our previously learn behavior or knowledge when it’s required. Practicing our response in our head or in action can improve the way we response.
• Motivation

Operant conditioning of behaviors theory of B.F Skinner, enclosure design and environmental enrichment strategies have all been suggested to improve the welfare of zoo animals by reducing stereotypical behavior and rein-introduction success of wildlife species. (WAZA 2015). Thus, the use of these strategies has important consequences for zoological collections. Despite the recognition and wild-scale implementation of such strategies, however, concerns around global zoo animal welfare remain and behavioral pathologies are common in many species. (Luhrs 2010) using operant conditioning, some of the barriers to delivering positive welfare experiences through holistic behavioral management strategies to zoo animals and make recommendations for institutional approaches towards improving zoo animal welfare using examples of Abnormal Repetitive Behaviors (ARBs) through targeted behavioral management.

EMPIRICAL FRAMEWORK
According to P.A Anadu (2000) on his study wildlife conservation in Nigeria: problems and strategy a case study of wildlife reserve of University of Benin, the major treats to nature conservation in Nigeria and he reviewed critically the measures adopted for the protection of wildlife. According the study, the major problem includes habitat degradation (through uncontrolled logging, agricultural projects, industrial plantations, highway and urban development’s and exploitation for fuel wood) over hunting and poaching.
He suggested that to protect wildlife include the creation of more game reserve, enactment of wildlife laws, signing of international treaties and manpower development. According to his research through interview with about 10 workers or staff of the wildlife reserve, the major treats to the area include poaching and hunting, indiscriminate feeling of forest trees, low funding, inadequate game laws and weak enforcement of the existing legal provisions.
It is suggested that the Federal Government should intervene more positively in favor of conservation by creating more national parks and assuming joint responsibility with the states for formulating wildlife laws. Furthermore, the role of nongovernmental organizations in influencing conservation policies and mobilizing public opinion will be cruial in different years ahead.
In the journal “A synopsis of wildlife conservation in Nigeria by Timothy A Afolaya  2009, this article emphasized the recent developments in the overall conservation program in Nigeria as it describes the important role which wildlife is playing in helping to feed the nation, in creating employment opportunities, in education in research, in recreation and in local medicine. Inadequately of Nigerian wildlife legislation and of the trained manpower to protect and manage the wildlife resources are among the crucial wildlife management problems identified. It is also stressed that the basic information for effective management is often lacking where Nigerian wildlife reserved are concerned. It also stressed that the main problems facing wildlife conservation in Nigeria include poaching, over exploitation, lack accurate data, bush burning that destroys wildlife habitat. There is adequate reliable database to facilitate forestry planning and development. Weak forest policy and implementation, forest policies lacks legal backing and hence its enforcement is difficult. The Nigeria forestry policy Act, 1937 is subsumed in the National Agricultural Policy of 1988. Forest tariffs are relatively low and are not revised frequently penalties under most laws are low and seldom enforced. It suggested that Nigeria forestry policy act should be reviewed or renew and encourage the government to implement the policies adequately and enforce penalties on the offenders.
Jonathan (2009) in his own study animal wildlife conservation under multiple land use system in Nigeria reveals that out of 6 selected zoological garden and game reserves in six geopolitical zones in Nigeria. The situation of wildlife in Nigeria is nevertheless different. Except in the Yankari, upper Ogun and Kwiabaha, Game Reserves and the Kainji lake National park, little efforts have been made to protect the Nigerian animal wildlife resources from human pressure and wide spread extinction. To many, what remains of the wildlife animals are best seen in the few state owned zoological gardens in Nigeria?
However, because most indigenous large animal species including Elephant, Buffalo, Chimpanzee, Gorilla, Rhinoceros, Leopard and Ostrich have not been able to reproduce in the various zoological garden so far, the hope to conserve this animals are brittle.
According to his work, animal wildlife is a declining resource in Nigeria because of unplanned land use practices. For example, land uses in game reserves are often conflicting and contradictory for land uses, timber extraction, hunting; food crop production and settlement are simultaneously going on in game reserves with little or no control measures and with no management plans. The excessive demands for land these conflicting uses have greatly disturbed the ecosystems involved, thus making the survival of the wild animals uncertain. Specially, the problems of wildlife conservation in Nigeria are:
a. Poaching
b. Indiscriminate burning of the vegetations
c. Uncontrolled grazing activities in the reserves
d. Intensive logging for domestic and industrial uses
e. Users rights on the reserves enjoyed by the traditional owners of the land before reservation
f. Lack of adequate fund to manage the reserve
g. Ineffective legislation
h. Lack of trained manpower
i. Urban sprawl
j. Infrastructural development of roads, electric and telegram lines and irrigation schemes.
k. Lack of modern enclosure or caging
l. Inability of animals to breed within the captive environment.

He then emphasized that the picture for Nigerian animal wildlife depends on the nation’s ability to conserve what is left either in their natural habitat or at least, in zoological gardens. The game reserve should be reduced to manageable numbers while state governments should win public sympathy through adequate conservation publicity and the provision of sufficient vehicles and personnel to manage the game reserves. The policy of land use in game reserves should be conducted on:
a. The number and species of animals hunted per year
b. The population of animals species in the game reserves and their habitat sustainability
c. The endangered and extinct animals species and specific reasons for the decline in their population
d. Human problems peculiar to each reserve and ways of minimizing them.
e. Establishment of rein-introduction programs.

SUMMARY
The establishment of zoos in a society is premised partly on the idea of bringing man close to wild animal’s species (Yager et al 2015). This establishment has various roles to play in the ecosystem and all endeavors of life. The role of zoological garden as well as wildlife conservation is as follows:
1. Education: zoos are established for the preservation of animal to make it easier for more people to see them and learn their characteristics and habitat. Zoo animals are used for specimens both for secondary schools students and tertiary institution as well as teaching the public the benefit of wildlife. A survey conducted by the Association of Zoos and Aquarium (AZA) reveals that, the general public rate conservation and education as the most important role of zoo (Fraser and Stickler 2008).
2. Conservation: of endangered species to avoid extinction of such animal.
3. Tourism:  it serves as a centre of tourism as people from different parts of the country visit to learn about nature at their leisure.
4. Generating revenue for the government as well as provides employment opportunities individuals etc
Most problems encountered in Nigerian zoos include:
• Poaching
• In availability of breeding species
• Lack of trained personnel’s
• Lack of fund by the Government
• Lack of infrastructure and conservation facilities.

i return to these words that are barely
an architectural promise of a house as a mere:
rummaging squatter,
that this will eventually become
scrutinised by eyes beside my own...
well it's not like i rhyme-on-the-cheap...
i've been trying to watch some penny
dreadful episodes:
what would woman do without
the devil; i suppose man tangled with
god is nothing but an obnoxious brat...
the devil of emotions
and their plethora; this belittling god
fiddling with stones and creases
in york oak stand-alones...
                          then it came like
an itch: poached-taming-(of a)-toe...
just a tatty... a humble:
i am pretty sure i saw the letters
prefix a toad somewhere: po-ta-to(e):
ah... there! poached tame toad...
a sputniks for a brainz...
in penny dreadful: john claire
the name of victor frankenstein's monster:
oh dear old god: this continued
exasperation with poetry:
one must live a most unsatisfying life
to cross the rubricon of
old testament anemia:
            i think i admired wordsworth too... -

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

playing house with robert duncan -
especially now:
when the house is in complete disarray
and what was once cluttered:
is more an upheaval...

- i used to write while listening
to music - no i write for the scraps
of this yawning silence
and all of its blisters of interludes -
yes:
i want a noun to turn
into a verb: not a mere:
metaphorical "transgression"
of how it's impossible
for the wine to be blood
for the bread to be flesh:
this poetry of: cannibalism?

i pry open the adventures with
cats:
i own two... my house doesn't
give off whiffs of ****:
god... i know the horrid stench
of either **** or ****
that isn't my own:
solipsistic in that...
       it's not a field of strawberries...

it's acidic to the nose:
it's beyond anything i'd ever
want to ingest: and i have once...
giggled... ******* into a glass
of wine to: punk up
the sacrament -
then again: i also ****** on my leg
when standing in a shower
cubicle and i attest to disagree:
there's something...

unconsciously prodding:
the advent prior to... learning to stress
that bladder into a muscle
and keeping it in...
that i can counter the will
of keeping it in...
that i can unwill the sensible
lesson and: it's like... anything
aqua focused -
a shower is a baptism
jumping into a pool is a rebirth:
or an invitation to
beside oneself with: start-agains...

it's very much unlike
drinking... whether it's a coffee
or a whiskey sour...
the ingestion of liquid is less
starry-eyed gluttonous freeze...
having ate nothing but hot air
or...
the whole body needs immersion
or... the ******* on a leg
prior to: then taking a shower...
hell... even mixing one's own
**** with a glass of the goat's blood
is also... "something" / something-...

to pray for sensible things is
to mumble or there's that devil's
dozen of oysters:
12 by feeding:
the 13th in the form of a ****
by nibble lick and spoon
of the tongue and lips' acrobatics...

i'm playing house with robert duncan...
i'm not a householder -
a term as ancient as: librarian
by my account -
              but the house is in disarray:
the kitchen is being subjected
to a 24 / 7  dehumidifier drone
army... i can hear the machines
working their insomnia down
below:
i have custard feet and i feel like
sinking: not falling...
when i stand to these machines:
hellish-jelly-feet...
   when i turn on the stove
and make an omelette -

     the living room (civil room,
a joke from my youth i conjured -
a room where we learn civility)...
is also a makeshift kitchen...
i'm currently playing chess from time
to time with: the memory of:
where did i put these spices...
this spoon this plate...
       it's not chess but the game is
irreversible -
it's also time consuming and it's
not that i don't keep attention to detail:
but i'm gladly not thinking forward...
i'm strategizing in reverse -

but such is the game...
robert duncan - poet and householder -
a chance reading of a moth:
but this is what makes all of this
so enjoyable: it's a niche a cul de sac
of decisions: an expansion
of time that doesn't make it to the annals
of: better to... burn... than to fade away...
either make it in your youth:
nice and proper...
or... what's the game then:
last man standing?
the list of contemporaries
drawing thin, short?

playing house... that i had a youth
i remembered when i'd too play with dolls with
my neighbour's daughter -
clearly ken and barbie had a problem
with their missing parts -
eunuchs of the sun's blind spots...
unlike when we were allowed
to take a bath together as:
not siblings but as strange dialectical opposites
to this duality: that wouldn't encompass
my somehow yet to be owned:
me good & evil...

    me tamer - me: 19th century's frankenstein:
dr. Jekyll etc.
     a rule for life: apparently...
is to pet a cat when you see one
in the street...
it's not exactly an easy task...
i guess first a show of mutual
assurance (and respect) -
this black tubby - with a bandana
for where a leash-leftover could
have been (collar) -
he starts walking anti-clockwise...
i turn aside and start walking
clockwise to pass him...
then we shuffle our approach...
like... i would always want
to pass a pigeon strutting
senseless on the pavement
with enough space so that it doesn't
have to find it necessary to fly off...

luckily for me i managed to "pet"
a stranger's cat...
my luck that it was black
but then again it was that sort
of hour
that's always a presumption
of a lazy gotten afternoon...
rule of life: pet a cat on a street...
it's not exactly a ******* given:
an "oops"... done that... tick...
self-help guru sold this trick...
                    
a selfie contra the days...
when the camera was used and...
other people would take pictures
of you... or of you and:
when there was an "us" - together...
shorthand of the limbos of life -
magnum opus words
constipated into this: makeshift
of a hopeful paragraph...

no, this couldn't be a simple meditation:
confined to...
robert duncan's household -
and my predicament of... playing memory
chess: well it's not exactly clutter:
the kitchen cannot be used
so there's a makeshift refugee camp
version of it in the living room yadda yadda...

which is a commentary on...
my distrust for the h'american literary movement
of the 20th century teasing an abandonment
with the "old ways"...
buddhism, odd... mostly...
   fair enough:
              ezra pound abhorred the taoists...
my one lesson from tao...
the best way you can aid the world:
is for the world to forget you
and for you to forget the world...
which is probably a plagiarism
of epicurus or vice versa...

              i can't imagine the demands
of pop philosophy:
pop culture on the other hand is much
easier to stomach: it's even enjoyable -
but the pop philosophy of nihilism -
which is: a pop philosophy...
it's not even required reading -
unless: you're rereading your own?
thrown into the river -
i am becoming a being of more becoming...
change is the only perpetual: blah...
if it's not my own rummagings it's
probably someone else's:
which has probably become diluted /
filtered down and is a cubism's monstrosity...

books sell for two reasons:
(1) they are genuinely read by a zeitgeist youth...
which invokes social pressures of
the collected experience - in ref. to:
something that can be talked about...
(2) they are read by "propagandists" -
by a small majority who pressure others to...
but the pressure only lasts for
airs - for a mere ownership of a book
should one be met with a scrutiny of
not owning it - reading it is beside the point...

and here in the land of "leftovers":
the middle of the road the people:
who of their own volition write and read...
that i was never ****** into
a cult of stephen king...
i was born too late to be:
but i was: ****** into a postmortem
oeuvre deity picking almost
anything by william burroughs...
i: reader: dear reader: clicked...

- i can't objectify this house -
i am subject to it: coerced by it...
made by bias upon bias
whether there's clutter or there isn't...
whether the kitchen is functionable
or not: that some people have
a kitchen but prefer to eat out:
to be seen: eating...
             i check the gradations of
punctuations and i know: still...
i will not recite these words not
out of gestures for bombast -
or pride - but for some sinister
urge to not abuse this sacred silence:
******* taught man
to manouvre... manouvre...
manouvre... maneouvre...
        man-oeuvre...
                   drop the hyphen boyo:
manoeuvre... wow!
"too many" consonants
in ****** words... how about a
magic trick? how many *******
vowels are in: man-oovr'eh?
phonetics king of the anti-spelling:
but then...
the synonym sounds
with aliases...
towing two different meanings:
too hot to count two
          ooh ooze - zizzez...
              zyzzes...
                     i can bring this anglo-slack-son
to kneel but only for a while:
before the architectural scholarly-
  takes over and the phonetic becomes:
lost, crude... based feral...

- a robert duncan is not a...
it's not mediocre is not necessary to be:
gee-whizz of frank o'hara's
cosmopolitan...
it's flesh of the h'american tongue
it's: sensibly accurate to provide
the best outlet:
for those of us still born in that
century - of what remained of us:
or rather of what remained
of the innocence of the 1990s...

that i am not nostalgic is: no proof...
that i write hardly any word of fiction:
one spaniard, once... commented
on my shoes:
i think he played a miniature version
of a flute: it looked like a reed...
the "spanish" superstition
concerning: a comment on one's shoes...
he admired... my shoes...
what's that saying:
about shoes: to best walk in one's
own before wishing to fill the shoes
of others...
a verb as simple as: there's no
presence of "run": when coupled
to: i am running: i ran...
it's raining...
i run i ruin fun... concentrated
"rhyming": literally linear: no staccato...

******* me over "jenga"...
this microcosm of sounds -
yet to draw deep leverage from
a meaning: it comes back as a mere
sound: worse a... mimic -
an aeon of only hearing
the heaving of a crow's crackling
croak... like a breaking of a tongue:
or... the lost trill of the R in
either fwench or: english...

exemplified R: with a diacritical mark
to make emphasis of the trill...
i will not heed to market emphasis...
(Ꝛ if you might ask:
there's no leg to stand on...
the "R" falls into a turddle -
a tumble: a trill)...

ꝛ - a missing hammer: it would seem...
a sickle my dreading of apparents...

yes... this democratic oath of poets..
well: we're not going to tend to
the republic of the wizened goats
ex athens... are we?
the democratic oath of poets -
unlike the hippocratic loaf...
            which is a spectacular failure
since i have seen what
little ambitions can do:
when... the boat is not being
rocked: yet someone is still willing
to throw someone... overboard...
now that the boat is rocking:
i see nooses instead of paddles...
the seas are still rife with calm...

clamour for the subjective experince...
none of this: hammer to a nail
sort of "magic" that leaves
one... sensibly "ostententious":

a semi-decent poem contra:
a good night's sleep...
always the latter...
   but unlike today:
6am wake... giving blood for
scrutiny - subsequently...
a broad need for 4 hours in...
a makeshift wilderness...
from Hainault Forest
to Havering County Park...

                        i would clearly have
to start all over again...
should i mind reading back into Tironian
notes and what i had expected to find...
it will suffice to mind...
the characters of empress wu...

         國 (guo)

beginning: coming back to bite some back
from a beijing pork belly:
where you'd first have to make caramel
from the sugar dissolved in oil:
before all the wine would care to glisten...

             𤯔 (ren)...

                              in reverse:
ren-guo - people (of) nation...
                      walking past this field:
impromptu: please keep off of field...
that's what i read...
      this was exclusive -
there was not need to denote further...

and this funny oddity:
saying good-morning or a hello
in an environment that's beside...
walking down the street with a stable
hound of anonymity surrounding
crisp grey blockage of: the amass!
yet people are so expecting
a common courtesy to brief you
on a morning: good...
is it? incessantly so! apparently!
switch them to the torment of the cements
and the back-to-basics apathetic crew
is on the counter...
ghost faces...
  but push them far enough to be alone
and into nature:
they pass a stranger and apparently
demand a prompt: hello!

i go into a depth of nature like
i have *** with prostitutes in a brothel:
i want to have as little to do with talking
that i'd loan: smothering someone
to shut up...
i came for the crows the knee-high-hallubaloos
of nonsense that...
i will extract myself to break
fasting to give blood by foraging
some blackberries...

i still prefer the lesser democratic voices...
it's not that robert duncan was going
to be a stand-alone show akin
to gibsberg...
but... my house is currently in disarray...
i'm playing chess by having
a makeshift kitchen in my living room...
i don't even know where the spices
are! but i'll manage
to bake a **** fine moroccan kobhz!

- this little but current focus for a genetic
"protection": half of me,
then a quarter, an eight, a sixteenth,
a 32-and-a-third... jump toward
64... 128... and... from all these fractions:
half and half:
beauty is no longer viable:
i imagine love as being a prized
bull kept for nothing except
for ******* the gene pool silly...

that's "love" from a darwin from
a materialism: breeding racing horses
or... both the submissive
and the contentious workers -
pay up! but i am not looking
for the generic beauty of
the plateau of the women
employed as surrogates
in this darwinistic harem...
            
isn't it obvious? it would have been
better have be allowed ourselves
to be dead: aborted...
but then: critter load: make-up...
i actually offend my own existence
by affording these dorian gray
parades to take hope in puruing
norms...
i like the scaps i like the wounds
i even like nibbling on the shellfish!

****-****** literature is my achilles
heel...
better a heel than trodding along
with faking a ******* knee...
robert duncan... jack spicer...
i like reading eyes by (metaphorically)
licking up the ****...
and it's not like i might give good head...
i employ a growth of
***** hair to convert my chin
to a niqab like i might: perhaps blink...

then again: face-masks and fashion?
is... this... somehow...
a "thing"?
            well it must be new:
it's nothing from the sort
of the elders i might care to remember...
i walked the scenic route...
blackberries and horseshit...
everything is baking in a procrastination
of: tickle the rats' nibbling...
scrutiny of the lesser of the food
hierarchy: omnivore that i am...

yes... that i like petting criters
that find themselves adamant in their
superiority...
but who have yet to see me:
teasing myself with
a: what if...
                 hours match-up to
not keeping count: there's a fog of them
that goes way back to...
out of the womb... then abandoned
by the scholastic detail that
allows them to float: limbless...
and then return to earth: degenerate...
and less than amiable...

        douglas murray is probably
a hot topic... i too sometimes bewilder myself:
it would have been best to have
allowed the pendulum to swing both ways...
but he (ol' doug) speaks very well:
his writing is... beside the generic...
salt of grain: akin to my own...
for a cubic's worth of water...

    i don't want this tongue to be somewhow
exasperated with concerns for this / an "art"...
or that it can belittle a scientific bone...
thrown to the politics and red herring marches...
spins the doctor: no plates...
forever the new lies
kept in the same old... rhetorical: quirk-and-quickness
of the quilled-tongue...
a knock-knock stone cold: generic...
must: mediocre...
tired of living tongue of poetry
that has to become tired:
truth has to tire so easily...
so that politics: and the freshness
of lies and the no-niche-audience-allowance
can cast their:
"vote"... their... archaic... illiterate "X"..

i will not poetry for rhymes for
exasperations - fooled i: to you: to pursue
that paragraph of fiction - either...
but as freely as this will not:
become an exercise in myopic-claustrophobia...
so it will not rhyme:
perhaps: to advent a coming of my
prescribed punctuation:
but more: your own, your "post-nationalistic"
canadian:
something the people of India or
China will not share with you...
because:
they are still of the mindset: China...
India... hell! Russian is towing suitor!
individualism collapses nations...
whether with a homogeneity of ethnicity
or the heterogeneity of liberalism...

           a wonderful collage of stories...
from the 20th century:
agony aunt israel bewildering
to either confront or defend...
            2000 years have somehow passed
and: europe is no new: "anew"...
it's the same old bland palette
of readily ethno-primed availability
of spices...
hurrah for thyme! and rosemary! mint!

from some mythical above
to this drudge of the pressurised castor -
there was something about robert duncan
that might always have:
made me... diverge from...
it could have been expected...
stash a tonne of bricks by day...
weave in an escapism posit of cinema
come sabbath...
now... escapism into... where?!
critical reignition of marxism:
that sort of marxism my parents escaped
from from under the old soviet
yolk of the satellite state
of poland: thank **** i too am an
immigrant:
but i see no repatriation politics
either...
               go back to a state of
the littlest of all bald envy necropolis
Impoleons?

            no among my native people:
among the natives of these isles...
a thespian: knee deep in ****...
           faking best predicts a survival
rate of this uncoiling...
it's a nation full of: self-
pre-determina...
                  automated prefixation that
can never allow itself to:
make sensible coagulations
of the odd sociable pint...

this atom world this atom's worth
of man...
best life lived as designated
to a harem...
  my and my leftover "blues"...
this world of god and the adventures
of...
no longer available...
thus this one "reality" presented:
playing by man's rules
for the purpose of man's eventual:
transcendence...
a dwarf riding a hunchback
        toward a goal that's a talking donkey!

what's otherwise best?
this has to be an: exercise in futility -
that it had to come from somewhere like:
borrowed prior -
that it could only be borrowed prior:
this tongue had to be inherited:
it could never be acquired -
that a native speaker is...
of a higher status to a bilingual -
because the earth breathes rights...

i forget: i am not equipped
with the desirable physiognomy -
problem being:
when i might find black males
attractive like i might lions: distinct...
i have this ****** on my brain
that says to me...
  well... well...
     i'm not gay.. but i'm certainly
not heterosexual:
even if Flaubert might ask the question:
blondes, brunetters - afro-beauties:
ivory envy?
  what can i do? fest on a hard-on
chemical "oops" / short-cut?
i can't possibly have... a beijing fetish?
a mongol fetish?
i can't? there's only one variation
of interracial mixing...
i guess... so...

     it would be so much easier
to just be gay and leave this world
with a ******* massive **** salvo
of: not coming back!
               to **** a black girl:
not enough...
to not **** a black girl: doubly knot...
******* a lemon while
staring at the sun:
the sado-masochism of
all the post-colonial empires...
and me: whittle ol' resurrected
******... or searching:
the elder prus - the new estonians...
some little european *******...
i imagine...
going to Kenya and running
for parliament:
to concern myself for the voices
of the: minority!

it's... fiddling with the already
prescribed narrative:
trying to make a lee evans jokes
out of it... but...
it's not ******* happening woe-o'-sunshine...
is it?!
it's not like i'm strapped
to a northern monkey
reservation... while still retaining
my: immigrant southern fairy:
commuter hell "debate":
this is not devonshire...
this is not bristol: i'd love to scoop
up a life of a decade's worth
up in Bangor... but it's not even that...
pay by way to:
a collective identity crisis of:
zee vest...
            
if it's anger: perhaps...
it's more a seance in glorifying confusion:
it was once perhaps a little
bit... naive...
but then... who's naive enough
to repeat two-folds of yesterday
within the confines of a day:
to- / to- are not future even
if subjected to incremental changes...
fx/dx changes that might
spawn alternate realities...

        the breaking of a donkey's dollars
worth: i do fishing in the indian sea...
with some... somali pirates...
it's not like i'll ever wake up from
this guilt... the guilt that might
riddle a people that inherited...
i inherited exile from my fathers...
i inherited: no...
the ****** aristocracy didn't tend
to their garden... there was no Eton...
no rugby no football...
there was only a partitioning...
to look toward the past is
an agony that i wish to only hide
in the english countryside...
after all, i thought: who would't want...
make a feast of conquest of this land...
but in a way that was norman:
that the anglo-saxon debauchery could
be... delianted
and brought to a celtic-esque heel...
with a dash of neo-paganism:
a york-up sort o' pie...

without disturbing this dilligent
people of: a most fervent... attention to detail...
it's an island... it's devoid
of any continental squabble...
no mongol ever... no ottoman ever...
it break my heart...
it reminds me: although it shouldn't
remind me...
the aristocratic class (they deem themselves
as much, so why deny them?)
of this country are like the ******
aristocracy
of the three partition "era"...
as napoleon was celebrated "elsewhere"...
with the resurrection
of the duchy of warsaw...
and... england made a beef from
a wellington...
and how the confederacy of germans
repaid the english during the first:
thirst for war...

                   a shogun's pride:
no one would invade japan:
given the persistence of pressure
from a civility of: glamour creases...
it's still the ******* canon rolling
the pawns and pins...

i have but this little interlude in time
to entertain: a history i have learned...
beside citing the obvious apple
hanging on a tree...
who? the burning vietnamese monk?
that's who i am going to... erase...
2000 (circa) years of history with?
this is how i play: conquistador-catch-up?!
this is my whittle muhammad
stage-fright?!

these new surgical masks are
not imitations of the niqab...
the arabs are not drying up their dinosaur
marrow reserves and are not
scouting for willing sodomite freshers
to their gargantuan wealth-soiling
of "morals"?
no? this is all... a pauper's conspiracy
theory... god!
i try to imagine the conspiracy
theory of kings!
it must invite a realisation of
a god or gods...
and at least a quarter of an abstaining
pademomium!

the poets and the sceptics
living under: the... gates are open...
a republic under "scrutiny"...
the philosophers and the
geocentrists - have allowed
for nothing more... than this...
thespian "bureucracy" of
shadow "fiddling"... tail with now:
tail best quite...

attention spanning the glorifications
of non-replica, generic
Solomon comes to the furore
front: then a mismatch
when the brain: swiss cheese project:
is treated at the Avignon
pontiff...
the harem and debauchery shifts
focus...
there's that "we're" and...
dumb-lasso-dumber than you'd
pay the libido of a camel with: for...

i have to always imagine myself
petting cats... or dogs...
to have to dissociate myself from having
perfect: the needs for either halal or
kosher demands of leather...
i best prefer the pipsqueak of
a meow to... an actual oink
in the litany of cogs and perhaps:
clogging up the machinery of
"jurisprudence"... as some Jain might...

borrow from... export very little to...
come the omnivorse of the east
and all succumb to:
boy-scout avenues of:
yes ss'ir...
most loathsome ss'ir...
                     i have to interrogate
the dead man as i am:
the best example of a cul de sac
of dreams: the...
pedestrian could mind not thinking:
imagine: imagine the corpus deity
of: unimaginable thought...
or one which has
an alias: unthinkable imagiation...

memory freelance architect prior
to noon...
is somewhat justified with...
a boredom of a cat come
5pm... but by then...
no cat is ever really bored...
and i have no need to concern
myself with dogs... or leashes...
or desires to: address a
workability of legs...
          to: give scrutiny when all
other examples are wheelchair bound...

he held a piece of paper:
between his hands... like my shadow might:
hold a butterfly...
exasperation:
that philosophers of ancient greece
said: poets begone!
no wonder this...
currency... of wanting to imitate
a petting of animals...
and... this thespian autocracy
that no elders could abide by...
it can still be excused:
the role of actors:
the role of shadow-thieves...

it can still be salvaged...
some of us are still the same rummaging:
in ruinous...
wordsmiths or... best...
plumbers... not some aspirtation
beckons for youth...
it must rhyme:
it must come down to: 2 + 2 = 4
sort of: flimsy poetics...

i'd must prefer to be a
homosexual plumber these days
that my very own mediocre leftover...
thank god i do not encompass
a courtship of a woman:
then imagine!
what did i do with my time:
that i do so much!
having made... so little money!
ghosts can't spend: ****!
i did with my time that
would not allow woman
to turn time into money!
thus i turned money into monkey's
play on elephant and
called tha pennies: p'p'eh-nuts!

  the old man dies:
the youth of man was never
supposed to be born;

god... this was supposed
to be profound?
with this idiosyncratic lost...
spontaneity of punctuation...
i take this reading as
a leverage for making
image: of an anchor dropped:
that would sink the ship.

So you know you’re looking at two very different styles of dress, here. But precisely what decades? When did that waistline move back down? What details are the defining touches of their era? How long were women actually walking around with bustles on their backsides?

Lydia Edwards’s How to Read a Dress is a detailed, practical, and totally beautiful guide to the history of this particular form of clothing from the 16th to the 20th centuries. It tracks the small changes that pile up over time, gradually ******* until your great-grandmother’s closet looks wildly different than your own. As always, fashion makes for a compelling angle on history—paging through you can see the shifting fortunes of women in the Western world as reflected in the way they got dressed every morning.

Of course, it’ll also ensure that the next lackadaisically costumed period piece you watch gives you agita, but all knowledge has a price.

I spoke to Edwards about how exactly we go about resurrecting the history of an item that’s was typically worn until it fell apart and then recycled for scraps; our conversation has been lightly trimmed and edited for clarity.

The title of the book is How to Read a Dress. What do you mean by “reading” a dress?

Basically what I mean is, when you are looking at a dress in an exhibition or a TV show, reading it in terms of working out where the inspirations or where certain design choices come from. Being able to look at it and recognize key elements. Being able to look at the bodice and say, Oh, the shape of that is 1850s, and the design relates to this part of history, and the patterning comes from here. It’s looking at the dress as an object from the top down and being able to recognize different elements—different historical elements, different design elements, different artistic elements. “Read” is probably the best word to use for that kind of approach, if that makes sense.

It must send you around the bend a little bit, watching costume adaptations where they’re a bit slapdash. The one I think of is the Keira Knightley Pride and Prejudice, which I actually really enjoy, but I know that one’s supposed to have all over the place costuming-wise.

Yeah, it does. I mean, I love the BBC Pride and Prejudice one, because they kept very specifically to a particular era. But I can see what they did with the Keira Knightley one—they were trying to keep it 1790s, when the book was written, as opposed to when it was published. But they’ve got a lot of kind of modern influences in there and they’ve got a lot of influences from 30, 40 years previously, which is interesting to an audience and gives an audience I suppose more frames of reference, more areas to think about and look at. So I can see why they did that. But it does make it more difficult if you’re trying to accurately decode a garment. It’s harder when you’ve got lots of different eras going on there, but it makes it beautiful and interesting for an audience.

The guide spans the 16th to the 20th century. Why start with the 16th century?

Well, partly because it’s where my own interest starts, in terms of my research and the areas I’ve looked at. But more importantly in terms of audience interest, we get a lot of TV shows, a lot of films in recent years—things like The Tudors—that type of era seems to be something that people are interested in. That time is very colorful and very interesting to people.

And also because in terms of thinking about the dress as garment, obviously people wore dresses in medieval times, but in terms of it being something that specifically women wore, distinct from men’s clothes, I really think we start to see that more in the 15th, 16th century onwards.

Where do you go to get the historical information to put together a book like this? What do you use as your source material? Because obviously the thing about clothing is that it has to stand up to a lot of wear and tear and a lot of it doesn’t survive.

This is the other thing about the 16th century stuff—there’s so little surviving. That’s why that chapter was a lot shorter and also that’s why I used a lot of artworks rather than surviving garments, just because they don’t exist in their entirety.

But wherever possible, you go to the garments themselves in museum collections. And then if that’s proving to be difficult, you go to artworks or images, but always bearing in mind the artist will have had their own agenda, so they won’t necessarily be accurate of what people were actually wearing. So then you have to go and look up written source material from the time—say, diaries. I like using letters that people have written to each other over the centuries, describing dress and what they were wearing on a daily basis. Novels can be good, as well.

Also the scholarship that has come before, the secondary sources, works by people like Janet Arnold, Aileen Ribeiro. Really well researched scholarly books where people have used primary sources themselves and put their own interpretation on it can be really, really helpful. Although you take some of it with a pinch of salt, and you put your own interpretation on there, as well.

But always to the dress itself wherever possible.

What are some of the challenges you face, or the constraints on our ability to learn about the history of fashion?

Well, the very practical issue of trying to see garments—some of them I did see here in Australia, but a lot of them were in the States, in Canada, in New Zealand, so it’s hard to physically get there to see them. And often, even when you can get to the museum, garments are out on loan to other exhibitions or other museums. That’s a practical consideration.

But also, especially when I’m talking about using artworks and things, which can be really helpful when you’re researching, but as I’ve said they do come from a place where there’s more interpretations and more agendas. So if someone’s done a portrait and there’s a beautiful 1880s dress in it, that could have been down to the whims of the person who was wearing it, or the artist could have changed significantly the color or style to suit his own taste. Then you have to do extra research on top of that, to make sure that what you are seeing is representative.

It’s a fascinating area. There’s a lot of challenges, but for me, that’s what makes it really exciting as well. But it’s really that question of being able to trust sources and knowing what to use and what not to use in order to make things clear for the audience.

Obviously many of these dresses were very expensive and took a lot of labor and it wasn’t fast fashion—people didn’t just give it away or toss it when it fell out of season. A lot of times, you did was you remade it. When you’re looking at a dress that’s been remade, how do you extract the information that you need as a historian out of it?

I love it when something like that comes up. I’ve got a couple of examples in the book.

Well, it can be quite challenging, because often when you’re first looking at a piece it’s not obvious that it’s been remade. But if you’re lucky enough to look inside it and actually hold it and turn it round different angles, there’ll be things like the placement of a seam, or you’ll see that the waist has been moved up or down according to the fashion. And that’s often obvious when you’re looking inside. You can see the way the skirt’s been attached. Often you can tell if a skirt’s been taken off and then reattached using different pleats, different gatherings; that can give you a hint that it’s then been remade to fit in with a different fashionable ideal.

One of the key ways is fabric. You can often see, especially in early 19th century dresses when they’ve been made of these beautiful 18th century silks and brocades. That’s nice because it’s the first obvious clue that something’s been remade or that an old dress has been completely taken apart and it’s just the fabric that’s been used. I find it particularly interesting when the waist has been moved or the seams have been taken off or re-sewn in a different shape or something like that. It can be subtle but once your knowledge base grows, that’s one of the most fascinating areas that you can look at.

You page through the book and you watch these trends unfold and there are occasional sea changes will happen fairly quickly, like when the Regency style arises. But how much change year-to-year would a woman have seen? How long would it take, just as a woman getting dressed in the morning, to see styles just radically alter? Would you even notice?

Well, this is the thing—I think it’s very easy, when we’re looking back, to imagine that in 1810 you’d be wearing this dress and then all the frills and the frouf would have started to come in the late 1810s and the 1820s, and suddenly you would have had a whole new wardrobe. But obviously, unless you were the very wealthiest women and you had access to dressmakers who had the absolute newest patterns and newest fabrics then no, you wouldn’t have seen a massive change. You wouldn’t have afforded to be able to have the newest things as they came in. You would have maybe remade dresses to make them maybe slightly more in line with a fashion plate that you might have seen, but you wouldn’t have had access to new information and new fashion plates as soon as they came. To be realistic, there would have been very little change on a day to day level.

But I think also, for us now—it’s hard to see it without hindsight, but we feel like we’re fairly fluid in wearing the same kind of styles, but obviously when we look back in 20 years, we’ll look at pictures of us and see greater changes than we’re now aware. Because it happens on a slow pace and it happens on such a subconscious level in some ways.

But actually, yeah, it’s to do with economics, it’s to do with availability. People living in towns where they couldn’t easily get to cities—if you were living in a country town a hundred miles away from London, there’s no way that you would have the resources to see the most recent fashion plates, the most recent ideas that were developing in high society. So it was a very slow process in reality.

If you have a lot of money you can change out your wardrobe quicker and wear the latest styles. And so the wealthiest people, their clothes were what in a lot of case stood the best chance of surviving and being in modern collections. So how do we know what working women would have worn or what middle class women would have worn?

Yeah, this is hard. I do have some more middle class examples, because we’re lucky in that we do have quite a few that have survived, especially in smaller museums and historical collections, where people have had clothes sitting in their attics for years and have donated them, just from normal families over the years.

But, working women, that’s much more difficult. We’re lucky from the 19th century because we have photographic evidence. But really a lot of it will come down to written descriptions, mainly letters, diaries, not necessarily that the people themselves would have kept, but there’s examples of people that worked in cotton mills, for instance, and people that ran the mills and their families and wives and friends who had written accounts of what the women there were wearing. Also newspaper accounts, particularly of people who would go and do charity work and help the poor. They often wrote quite detailed descriptions of the people that they were helping.

But in terms of actual garments, yeah, it’s very difficult. Certainly 18th century and before, it’s really, really hard to get hold of anything that gives you a really good idea of what they wore. But in the 18th century—it’s quite interesting, because then we get examples of separate pieces of clothing worn by the upper classes, like a skirt with a jacket, which was actually a lower middle class style initially and then it became appropriated by the upper classes. And then it became much fancier and trimmed and made in silks and things. So then, we can see the inspiration of the working classes on the upper classes. That’s another way of looking at it, although of course that’s much more problematic.

It’s interesting how in several cases you can see broader historical context, or other stories happening through clothes. Like you point out that the rise of the one-piece dresses is due to the rise of mantua makers, who were women who were less formally trained who were suddenly making clothing. Are there any other interesting stories like that, that you noticed and thought were really fascinating?

There’s a dress in the book that a woman made for her wedding. I think she was living on her own, or she was living with a servant and her mother or something. She made the dress and then turned up to her wedding and traveled quite a long way to get there, and when she arrived, the groom and all the guests weren’t there. There was nobody. So she went away and came back again a week later, and everyone was there. And the reason that no one was there before was that a river had flooded in the direction that they were all coming from. She had obviously no way of finding out about this until after the fact, and we have this beautiful dress that she spent ages making and had obviously gone to a lot of effort to try and work out what the latest styles were, to incorporate it into her wedding dress.

Things like that, I find really interesting, because they talk so much about human and social history as well as fashion history, and the garment is the main way we have of keeping these stories alive and remembering them and looking into the kind of life and world these people lived, who made these garments.

Over the centuries, how does technology affect fashion? Obviously, we think of the industrial revolution as really speeding up the pace of fashion. But are there other moments in the history of fashion where technology shapes what women end up wearing?

One example is where I talk about the Balenciaga dress from the early 1950s—with a bubble hem and a hat and she would have worn these beautiful pump shoes with it—with the introduction of the zipper. Which just made such a huge difference, because it suddenly meant you’d have ease and speed of dressing. It meant that you didn’t have to worry about more complicated ways of fastening a garment. I think the zipper made a massive change and also in terms of dressmaking at home, it was a really quick and simple way that people had of being able to create quite fashionable styles on a budget and with ease and speed at home.

Also, of course, once women’s dress started to become simpler and they did away with the corset and underwear became a lot less complicated, that made dressing a lot easier, that made the introduction of the bias cut and things that sit very closely to the natural body much more widely used and much more fashionable.

I would say the introduction of machine-made lace as well, particularly from the late 19th, early 20th century onwards where it was so fashionable on summer dresses and wedding dresses. It just meant that you could so much more easily add this decadent touch to a garment, because lace would have been so much more expensive before then and so time-consuming to make. I think that made a huge difference in ordinary women being able to attain a kind of luxury in their everyday dress.

That actually makes me think of something else I wanted to ask you, which is you point out in your intro the way we casually use this word “vintage.” I think about that with lace. Lace is described as being a “vintage” touch but it’s very much this question of when, where, who, why—it’s a funny term when you think about it, the way we use it so casually to describe so much.

Oh, yes. It’s crazy. I used to work in a wedding dress shop and I used to make historically inspired wedding dresses and things. And brides used to come in and say, “Oh, I want something vintage.” But they didn’t really know what they meant. Usually what they meant is they wanted something with a bit of lace on it, or with some sort of pearls or beading. I think it’s really inspired by whatever is trending at the time. So, you know, Downton Abbey became vintage. I think ‘50s has always been kind of synonymous with the word vintage. But what it means is huge,

If you ever got the chance to take just one glimpse
you know how I feel, something like this:

It's always green to my right
and the left is out of my field of sight

but I'm sure its something just as good
I would look if I could

Everything moves so fast, one big blur
I'd truly cherish it, if it were

going to be the last time I saw it
but it'll come around again next week
so I, turn the other cheek
blind to the available seat

If I could find a balance, on this ride of instability
I would complete the path to Loving Availability.

Maybe I only think I want you
Because you're the only one
Who's likely available to me
But you're not him
And I can't take advantage of you like that

In my mind
Seeing you was the perfect form of communication.
To watch the expression of depth.
Every wrinkle that crinkles the side of your nose.
The sentiment grown from standing so close.
Eyes grown in anticipation.
Every depth expressed.
Explored until we're tired.
In my mind
seeing you was the perfect form of communication.
It's only so much to do behind the screens of phones.
The customization of emojis plastered on blank screen.
A temporary thrill that we enact before actual contact.
In my mind we restrict too much of ourselves with the press of a button.
Cheeks spread loose, folds undistracted by the moment where we ourselves are drawn to life
By what we anticipate most.
Without need to talk as much as we can before an abrupt end.
To consider you without call waiting or the awkward feeling of having to call you back.
Malicious moments before the call actually goes through
The introduction of physical smile.
Separately from the window of a phone
Leaving more room for availability

The levels of loneliness of a poet of longevity
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The levels of loneliness of a poet of longevity.
Have I been there today ? But it’s easy to be.
Ever heard the expression “ idle hands n devil”

Loneliness fills the empty void if you are idle
Expanding loneliness to fill that barren space
Virtual reality I know that’s not the answer
Ever watched the kids these days at play ?
Levels of loneliness expand within availability
See when spare time gathers you start to feel

Occasionally being reminded of those bygones
Friends and family you’ll not see again is real.

Let that not bring you down, try meditation.
Only then can you believe you are in control
Not giving yourself time to be at all maudlin
Each day loneliness can be kept at bay.
Loneliness is a dull sloth that can be tamed
In not letting things get to you in any way.
Not giving up to the inevitability of old age.
Even if bits keep falling off your body ev’y day
Stoop n build ‘em up again with worn fingers
So many times in life you seem to hit the rocks

Oh yes I know ,you say , “ tell me how you feel”
Feelings ? Well I’m pretty sure you’ll fill y’socks

Anyway , they all can see that you’re still real

Poets are a very special breed of person.
On a scale of one to ten I guess a nine.
Experience fills their minds to overflowing
To the point where they’ll burst or put it right

On that occasion best sit an’ write a poem
Friends can then receive it straight overnight

Love each friend you have “Without condition”
Only then can see that friendship is alright
Nothing ventured,nothing gained , a fine ideal.
God granted us the sacred power to choose
Ethereal guides stand there in our background
Vicissitudinous opportunity presents itself.
I as a poet and friend  I know this to be true.
True as the nose upon a happy poets face.
Yours is the life , yours the opportunity anew.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip
November 18th 2018.

Asking a question does more than fill open space.
It expresses curiosity.
Devolving into things not easily expressed.
Given our availability.
It expresses a deeper need for connection.
Whether we are open to what we desire most.
Closed off to preference.
 The right time of day or night we can de-clutter.
Taking in what we give out.
Asking a question isn't something done out of boredom.
Or merely because your there.
It expresses a thought that requires action.
That I've thought of you.
That there is a desire laid bare.
An anticipation that builds until the next time
I am able to hear your voice.
For the more serious moments require a deeper tone.
An ear that senses deeper need.
Responding to this deep need of connection.
A need of care.
A need of longing.
To respond to this vulnerability not out of responsibility.
But in the openness of being

“I’m just confused.” You say.
“About?” Is all I volley with, throat still clogged with tears.

“Your writing, I feel like I know you, then suddenly I feel like I don’t know a whole part of you.”
How do you think I feel, Love? I thought you only had pretty words for me, then surprise, and your doubt, fear, lies, love, are all exposed for the world to see. My faults and yours for everyone else. Our relationship falling apart as your fame grows greater. Pain gets reads.

“I don’t know where it comes from.” I say.

Silence.

“It’s like I put my pen to paper and it pours out.” I continue.
Your brow furrows, digging for something more.
“It’s not even just that, It’s how you act around people it’s different with everyone. I don’t know if you’re real with me.”
I don’t either, I think as the tears spring forward faster. I’m frantically searching for a shade of me to hold onto, one I like. It’s hard to find, personas slipping through fingers like sand.

“I just…” I trail, hoping for an interruption, but you wait.
“I’m a people-pleaser; I know what makes them feel good. I can read them well, I can understand their wants, so to ease some pain, I’ll be what they need.”

Still Silence.
The fullest, noisiest silence.

Am I real? I thought so, with you, yes. With others? No. My parents need a good girl, who loves them like a child. My roommate needs someone to ***** with her, bend to her will, be her punching bag. Your roommates need a girl with *****, someone to shoot **** like they do. Someone to ignore sexism, and racism, hate speeches, and ***** jokes. My school friends need a quirky weird girl who’ll never say no. My teachers need a hard-worker. My boss needs more availability.

I need quiet. I need love. I need to find myself in a maze of personas. Each only slightly different. Then I realize, I’m me already. I don’t need to find myself, I’m here waiting, I just need room to grow. RoomToBreathe. So I light a match, set fire to the maze, and watch as all the lies go up in flames.

Due to popular belief. I believe that certain things are due to happen naturally.
Like all other things it's bound to grow. This thing, love.
We are due to become obese to this organic, homegrown feeling.

The initial look that begins as taste. Naturally we are starved.

Aroused by the scent that lures us close. This thing, love.

One thing we must learn is self control. To not over indulge in the primary reason it exists.

To selfishly take because it's there. This thing, love.

Effort exudes as it becomes habit. Being placed at a table readily available for what portion comes next.

This need becomes confused with want.

To please others before our need in unselfish manner. A straight forward response to habit.

The rising availability of also being taken for granted. The insurmountable outline that defines lust.

Our intake becomes higher attempting to justify the difference. Thus we become lazy.

Reacting in ways we normally wouldn't. This thing, love.

This scent acts as incentive,  instantly attracted by which we over indulge.

Searching for this thing, love.

It's a reasonable thing. Knowing when to reach. When to pull. When to give and sacrifice.

Almost always all of these happen, learning self control, vocalizing when we've had our fill.

Else we will continue to eat until there is nothing left.
Grown obese. This thing, love

British telecom has elevated expenses to its line local rental and call up rates to the third quantity of a year. At any given time when home budget is inside their tightest, BT are making the choice to improve charges, making the normal cell phone monthly bill get out of ?Eighty three in order to ?17 per year.

BT's traditional residential phone contact expenditure is getting larger 9 % to 7.Half-dozen pence a moment, up coming from Several.4p just one last year. A supplier's series local rental costs are furthermore rising through 30p every thirty days, to ?A few.90. Prospects nonetheless shelling out their costs by means of income will likely shell out 60p monthly more, with additional rates regarding services for example phone patiently waiting proceeding by ?.60 to 70 monthly to ?. BT in addition have clipped their evening hours off-peak intervals rear sixty minutes, to 7pm.

The modern get in touch with price tag improvements should come straight into affect on 04 Twenty eighth. It's supposed to affect the 4 million BT buyers that aren't about all-inclusive simply call plans. However, the more expensive line leasing charges may have an impact on most BT buyers no matter what which usually company they can be using.

Robert Wilson, cellular in addition to high speed office manager during moneysupermarket.com, said: "We have seen plenty of selling price mobility within the land line current market just lately and also sadly to get shoppers the majority of the goes happen to be to boost the expense of obtaining and employing your house telephone line.In

Pure Marketing improved it is selling prices simply by 6 % last year, plus Sky's set to lift it has the charges throughout 06 eventhough it has not yet mentioned how much. TalkTalk in addition plans to raise call prices by means of 06 % plus series procurment by simply A couple of per cent.

"Other companies will inevitably stick to BT, once we observed using repetitive copycat value rises really,In . claimed Wilson. "This most recent selling price increase will do minor to ease the rising prices that Britain industry is going through."

Households can confront further expenses caused by the availability associated with high speed broadband in order to countryside spots. "It's true that the phone system companies are pressurized to get the roll-out regarding broadband to countryside regions," stated Paul Doku, engineering qualified from uSwitch. "It appears to be however that telephone instead of broadband prospects might be paying off the cost."

Family clients are going to have to get steps into their individual fingers to maintain expenditures lower. Buyers will surely have to research the best expense plan to match their demands, quite possibly moving to an arrangement that provides free of charge morning in addition to end of the week calling, reely 'anytime' necessitates those at your home every day. Series lease prices could be saved by simply changing out from the big solutions with a more compact company such as Primus that offers line leasing for under ?.Seventy nine 30 days.


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Existing in this infinite stream.
Observing the towering waterfall above me.
Seeking a peaceful habitat,
liberation and re-birth anywhere except here.
This excessive baggage I bear,
fighting against the current.
Wondering why I started at the bottom of this waterfall,
while others, at the top.
Detained by unrelenting forceful water,
drowning me to the shadowed ground.
Rubble marking and defacing my skin.
Hiding and scared from the revolving threats.
Burdened by understanding my surroundings.
Currents throwing me around with availability.
Examining the colors of life sparkling through the reflection of my water.
Trapped in chaos,
Starved for happiness,
Losing hope in this dark stream.
One day I will see the calm sunlit waters,
I will swim past this abuse.

© Jl 2015

i have tried an infinite amount.
Put in effort.
and effort
and effort
and effort.
acting like it wasn't engraved on the inside of my eyelids,
like it wasn't the only thing that mattered:
that will ever matter.
like it was the only thing that made sense:
it is the only thing that makes sense.
It's been eleven months
and I can still go back to that moment
and pull out that floppy disk- knowing that every drop of blood or salty tear had been rightfully shed so I could live until that moment.
the moment I met you.
I felt what people search their whole lives to feel.
A look in their eyes that shuts down your brain and all that matters is their pattern of freckles and the ingrown hair of their eyebrows and the pools of their rich brown eyes.
No  P A S T
No  F U T U R E
Just A L I V E
Just  L I V I N G

So why are you so afraid?
You are aware if the short period of time we have on the earth?
You are so focused on your job of portraying others that you have such a limited grasp on yourself.

Just give me an hour.
Let me know you.
Let me discover you.

You can push out this fate all you want.
Ignoring it and shutting it down with excessive monologues and broken treble clefts but keep in mind, my star:

fate is the one show where the curtain doesn't close when the lights go dark.

oh what sustains this mind

a mind that teeters

on the edge of a spiral vertigo

that sways and rocks

in an unease of palpitations

attempting to escape

from the brutal insensitivity

of the granite faces that occupy the streets

a mind of hallucinated perceptions

with a constant stream of imagery

that finds a difficulty in the self negotiation,

the articulation of its inner geography

where a frightened availability of disturbance

in the vocabulary of its chemical graffiti

leaves speech vacated on the tongue

where eyes are pushed to see

a discord of sympathies for different dimensions

that has one disassociated, cut off from the immediate

living in an inner dialogue

of rebellious and unconventional preoccupations  

a self alienation that heightens

the poetic colouring of the imagination

causes a ******* of the mind

that makes me cripplingly aware

of the abyss at the heart of my inner disquiet

makes my toes hover on the jagged edge of the world

yet I jump choosing discovery over societal dictum

to do rather than be

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Anushka Sharma wearing in Manish Malhotra's Lehenga Choli Designs. This cream colour looks elegeant on any complexion. Covered with sequins and beads graces up the beauty. Bottom is richly adorned while her Backless Choli is crafted with lots of pearls and beads, comes with Net see through stole with silver sequins scattered all over. The Color of the product may differ from that shown on your computer screen. The difference in color is mostly due to flash, monitor or camera settings. The images shown are only for reference.Anushka Sharma wearing in Manish Malhotra's Lehenga Choli Designs. Cod india

I am a certified expert in the sequential pushing of buttons,
this pushing performed, on a good day, in concert with the
expensively purchased, somewhat rare mental model of
the workings of a recently commonplace variety of machine
dependent at its core on the minuscule presence of increasingly-rare
earth metals allowing for the conditional flow of groups of electrons.
These machines, like their precursors, are further dependent on
the supply of slightly less increasingly rare combustible material
for which armed conflicts are routinely fought and many have died.

My interest in the machines began at an early age,
enticed by the illusion of control, and on the whole,
I think, motivated by the idea that these machines
processing information, the core mechanism of reality,
might be used to create understanding.

In the interceding years, it is increasingly apparent to me
that while some are used for this purpose, most,
like most things around me, are controlled and engaged by
multi-personed organisms concerned primarily with:
1) self-preservation AND
2) the collection of, and limited divestment of,
unit notions of rarefied value, insured by the
existence of another similar organism valued for its
1) self- and nearby-environs preservation AND
2) recent track record of insuring continued relatively easy access
to the aforementioned important combustible materials.
—it is generally considered to people's credit that this notion
of value is thus-derived and no longer as frequently derived by virtue
of possessing a metal which, while of certain non-combustible use,
is basically just pretty rare and really, really shiny.

I find myself again shortly in a need of convincing such an organism
that my button pushing is of sufficient quality,
on sufficiently frequent good days,
that it should consider me a temporary part thereof and divest,
of itself to me, sufficient units of value that I might happily
continue to push buttons on its behalf in the pursuit of further units.

I am, for some reason, somewhat less than thrilled with this prospect
finding it, despite its marketability, a maybe less than important enterprise.
I am existentially concerned by the idea that my whole value may derive
from my button pushing, and is thus further dependent on
the availability of rare-earth metal and also-rare combustibles.

In some delusion of importance amongst 7 billion plus similar primates
and a unfathomably vast universe,
I thought you might be interested to know

The current political mood in Kenya is sombre and tense given the manner in which the former prime minster Raila Odinga is pushing for mass action destined to be held on 7th July of this year; 2014.He has labeled this day as saba saba day, in memory of former democratic struggles that were held on a similar date in the past by the then leaders like Martin shikuku, Masinde Muliro, Charlese Rubia and Keneth Matiba, just but to mention a few. The spirit of this political move has been inculcated into Odinga motivation during his holiday trip in America in the past three months. And the entire globalectics is eked on Raila’s personal advantages that Kenya and America has had soared relations because of Kenya’s substantial business dealings with China.
Tenseness of political feelings that are overtly observed in sombre moods of some Kenyans is based on the fresh memories of similar political behavior displayed by the same Raila Odinga in a few years before post election violence that erupted after 2007 elections. By inference,   Raila has nothing very critical that he wants to solve for Kenyans but he is only   aiming at execution of a very simple Machiavellian logic; He wants to use the mass actions to provoke international sympathy for himself as at the same time he anchors himself for the next presidential race which is barely three years to come.
It is a fact that there are some teething problems of political policy in Kenya. Like inferiority of the judiciary, biasness of the electoral institutions, insecurity, joblessness and tribalism as well as political cronyinsm.But these are usual features of politics in a developing country. They are the same things that Raila Odinga and Carol Omondi used as tools of maintaining power when the former was the prime minster and the later his aide de camp.
Effective solution to any  failures in public policy or even dysfunction in the public institution  is  usually what President Uhuru Kenyatta suggested; gentle dialogue by political representatives over a cup of tea, a class of wine , a tumbler of water or even a bottle of tusker not necessary raucous and  Arab spring like violent politicking at Kasarani grounds or Uhuru park. Raila only wants to misuse the poor masses in Kenya, the masses that are already infiltrated with deep sense of tribalism, to pile pressure on the incumbent government for his future political advantages that will go with presidential bidding. This is not reasonable.
Raila Odinga has a unique political psychology. Let me term it extra-masculinity. He has always portrayed a political signal that when he is not in power then there is no democracy in kenya.He is like Coriolanus and John Falstaff of Shakespeare. Thus by premise Raila Odinga suffers from a weakness in political thinking which can logically be branded political falstaffity. This is so when we subjectively analyze his public political behavior  in relation to Moi, Wamalwa, and Kibaki. And is still so when we soberly recognize some institutional success president Uhuru Kenya has registered during his two years as a president of Kenya. Uhuru has scored hundred percent on devolution, availability and open governance. He has already displayed promising efforts when it comes to infrastructural investiments.This is a kind the president that needs to be mentored through genuine support and criticism other than mudslinging him in every public rally  attended by masses on heat of ethnic political consciousness.
My present and tangible reason for this position is that already businessmen of kikuyu and kalenjin origin who of-course belong to Uhuru Kenyatta’s bandwagon are  now not travelling to kisumu, similarly Luos belonging  to Raila’s camp are not free in Eldoret town and Naivasha. Obviously business activities will also close on saba saba day of July 7th and as a matter of fact some people will suscetain mayhem, looted or even loose their lives. All these will happen because Raila Odinga has not seen a more reasonable way of carrying out national dialogue.


(Alexander k Opicho
Eldoret, Kenya).

The movement of speech,
speaking swiftly with eloquence
alliterative, quixic, elloqution,
enunciation, pitch, tone, intensity,
sensivity, proper, and evident,  
prosody, and brilliant speaker,
followed by a brilliant speech,
we all would love to listen to
a great idea.  Or write down
the secrets to success, to pay
bills and not get hit on by voodoo.
I heard them lye, lie, and then lie.
Lye like ***** hands needing soap.
Lie like there are no stars ever in the sky.
Lie like in bed with a ghost,
and then a ******* mindful of racists
with a passing grade for the bar exam
treated the 3 above outstanding resources
to the trinity to tell us to work with an Oath.
The availability to be independant is a solvency
to a cross examination, and the property of freedom
is a handsome reward if you can pry open the
jar of Trinity.  We wanted a badass to be the President
and I know, that we just might get what we ask for.

Remember to study your own favorite poets
a dedication to a life in the fast lane of the
most Amazing manner of all time.

We may just be the newest monastery in the world.  

So when we all say something, like all 7 billion of us.
We GET it.

DO NOT F&%^$^$ TOUCH ME, EVER!  Lol.

Everyone is just another flower at heart....
After all, being another flower from everyone else, gives you the most pleasurable specifics in the right place...when you only feel tolerated enough to advance your very cause into the next adventure (that is truly within the smell of the pollen that perfumes the petal like a fragrance that isn't tolerated in it's own self properly). Even when truthfully...it's all about the smell that directs that very such advancing cause forward into the next district of measurable causes (when and only when), you have become finally advanced enough to truly (now and forevermore) surpass the very self (that you once were, only just a few seconds ago, depending on a flowers perception of time itself). Then forecasts it's own weighing measures into even (the next distract of measurable causes) that combines together an even more stronger fragrance that balances correctly, (when and only when) things truly become one with one another.
In any case, those very pleasurable specifics become the very documentary of a flower becoming just... "Another flower."
But is such terms or pleasant metaphors enough for this very emotional written appeals the very abstract piece one is even wanting to read, or even take the time to truly focus on (by concentration, alone)?
Flowers at the end of the day, don't mask their own intentions (when their own petals start falling, because of aging regrets).
It's more of the very already (possible) defining examples that don't let the petals (with emotional appealing problems) that just don't know how to show themselves, properly. After all, when petals fall from a flower, it's probably because they have yet to show their own hidden beauty.
In essence, when you shed the petals, it isn't of the very cause for when seasons change and flowers go to sleep, or end their own lifecycle with the changing of seasonal tides, or even potentially becoming plucked clean by an enforcer at large who see's flowers ugly (because they see themselves as nothing but useless opportunities at large)!
Regardless, when another flower does this, it's because the very first impression comes off as the obvious spectacle of someone hiding their own shame away, for the oncoming tide of self-insecurities that don't give them the very such "open-minded" source needed for the very availability of shooting forward and simply coming out for being who you want too be....
And that is not of just being another flower... But more the result of a flower changing her own ins and outs for being the very tolerant of their own attitude and behavioral willpower at large.
Whatever happens, nothing can prepare (for what just another flower truly is), is for them to be in the very safe regarding hands of their own potentially past self-ridiculing of oneself.
When and only when, those very petals that you have spread your own fragrance (in the form of beautiful pheromones).
Those very same petals will begin again.
Reattaching itself, accordingly.
And then reversing time (as if looking back at a film roll of many sequence of events) that may help you into reversing your own perspective (with time, that is).
In the end, what you really thought was a big deal (once...) Became the very maneuvering ability where you are now ready to begin re-growing those fragile, (yet strong willed) petals at heart.

I had a cold shower, and i didnt even notice

now that i'm relistening to this track, i remember the sole reason why i worked that dead-end night club job: to earn enough money to buy myself a mandolin... which i did: i entrusted myself to earn the money than to pocket the money out of my student loan... never mind picking up ****-filled bottles from the bathroom: being sexually assaulted by some ****** who thought that long hair was something akin to women and not to old-school metal-heads: which i was back then... you know: getting groped by the *** by some man who later thrusts himself at you while you're picking up ****-filled bottles of beer... oh sure: with retrospect he would have said fellow to my forehead... how times change... well yeah, i worked that job to buy myself a mandolin... which i did... for the sole purpose of learning the mandolin part of Rod Stewart's Maggie May... which i learned and played it for Fiona beneath her kitchen window in the student flats... she giggles blah blah... but... Maggie May soon turned into that other favorite song of mine: And One... Military Fashion Show... perhaps the music is sort of Disco Polo... but the lyrics?

cutest girl behind my door
everybody's hiding in love from war
the beauty broke down their chains somehow
who's gonna living on my body now?

a growing pain within my pop divine
will I ever regret the line?
switching on the light
i will not reassign
girlfriend's girlfriends never could be mine

drop her white pants wide open warm
now she's slipping on her uniform
and every second would become so mis-defined
girlfriend's girlfriends never could be mine

nope, i never had any luck with women, maybe i should have picked up gambling: but then again i don't like testing luck when it comes to being lucky with bus times... i like waiting for a bus for a minute... but with women, i sometimes observe my parents and then realise: ah... that's why i'm not married... makes perfect sense... the idea is lovely: i can never get over the idea of loving a woman, but then i realise a woman also has an idea what it implies to love, hardly a man, hardly a semi-automated thing, something that's offensively useful, from time to time activated but altogether sterile... hell: if it didn't take me playing the mandolin to a girl outside her window: Romeo is ****** as hell... Romeo is gone gone gone... the only luck i've ever had with women were with prostitutes, that realm of evidence where the transactional is up-front... there's no looping of paying for meals for cinema for celebratory self-congratulatory pieces of doodle / jewelry... there's just the up-front "rent" of a body... job done... let's get other aspects of "plumbing" worked on... i'm not even bitter... i'm just sort of: on a snooze button mentality, sort of sleepy... sort of disappointed... that? the men who wrote about love from the 19th century are antiques in the 21st century: not even 19th century folk: antique: pre-historic mentalities of the current zeitgeist of insomnia and over-burdening libido being frozen in a frenzy of self-doubts and self-appeasement of pleasures not met... by the other... i just feel disappointed by having invested so much time in Stendhal in Kundera... seems rather pointless...

i finally picked up my Trek mountain bicycle today
from the repair shop...
i came in talked all giggly and bubbly with
the owners... ah... Hemmingway got it spot on
in that novella of his of short stories:
men without women...
play cards, drink, tell terrible jokes...
make loads of oaths sparingly beginning
with the letter F...
i was told £75... but the guy comes to me and says:
the cassette has been worn down?
your advice? what's to be improved, how will
this affect my cycling?
blah blah this blah blah that... o.k. i know you're
trying to milk me... milk me but don't waste my time...
if it needs changing just tell me...
'oh, but we don't have the parts'...
o.k. ask your supervisor blah blah blah...
he comes back to me and says: oh he have the parts:
SUDDENLY... no no... not suddenly:
the customer, i.e. i... am willing to pay...
how much and how long?
£35... 15 minutes... great! do it! i'll go for a coffee:
which was a lie... i went for a pint
of Guinness and sat by myself like
some ******* portrait of an absinthe drinker
by Degas... they should do one of a Guinness drinker...
a person who sits alone and drinks a pint
of Guinness watching a table of about 5 men
and 1 ****-ugly woman drinking merrily enjoying
each other's company...
with the solo drinker lighting up a cigarette
and lighting up a smile on his face thinking:
oh thank **** i'm alone...
i used to drink with "friends": with people...
i soon realised... they're as much things as much as
i am a thing: sure... dehumanizing...
but so much of philosophy and of medicine
is infuriatingly dehumanizing in achieving
the pinnacle of objective-reason, no?
tell me, am i wrong?
            
i can tell you my favorite quote of mine:
i don't hate people... i just hate things...
it's not my problem that some people behave like
things rather than as people...
reality simply states: some people, simply have not
depth to them, or around them,
they are worse than thespians and thespians
are the worst: since thespians are the most eloquent
of thieves... they steal people's shadows...
they steal other people's soul... essence...
i hate actors with the same passion i abhor
the sceptics... add that to my list:
given these two strands of being and thinking
are the most popular in the current zeitgeist...

so i drank my pint of Guinness and walked back
to the cycling repair shop... picked up my Trek...
listen: i've been cycling for the past year solely on my Viking
road bicycle... neat handlebars...
i used about 4 maybe 5 gears to climb
elevations... or cycle harder: faster...
but neat handlebars... trim... a sense of a tuxedo smart...
neat: for moving between traffic... like all road bicycles...
he gives me my old Trek mountain bicycle back...
**** me!
i was riding a Lamborghini for a year...
now? i'm given a ******* SUV... Royals Royce!
my god... it's a Behemoth!
the handlebars are wide... the brakes? so easily accessible!
**** me for ****'s  sake...
too many gears... i must have been trigger-happy
when it came to gears... must have changed them
about 30 times... three gears by the peddles
and 7 at the rear... wheels... don't get me started on those...
with a road bicycle you have a width of about 23cm...
these ******* where thrice if not more at that...
so wide that they made a sound akin to
me thinking: where's the train? they made this weird
sound i couldn't possibly express with letters
to combat an imaginary words...
the closest approximate is a SHOOM / WHIZZ....
what does a thick rubber tyre make on
a pavement, rotating, that's not insulated
by a frame of a car? what?! exactly...
then add the elevation of the wind...
i simply can't write an onomatopoeia for that sound...
it's not as easy as meow or woof... or bark...
or howl... or coo... or the crackling grr of crow...
gurgling of a crow...
impossible...

tyres one aspect handlebars another...
hands out-stretched... which means? too much
availability of a manoeuvre...
that's what happens when the handlebars
are less restrictive... wide...
you have too much manoeuvrability potential...
you're like that guy inside a London black cab...
you can practically do a 180-turn...
become a dog chasing its own tail...
i used to love mountain bicycles... now?
i ******* hate them... i don't know why i spent
£500 on this piece of junk...
unless... i try it out on some dirt road...
fair enough then... but compared to a road bicycle...
a... kolarzówka... (road bicycle in ******)
no... not going to happen...
i though i was going to be happy to own two bicycles
and change from one to the other...
it's such a beast to ride... sure... it's aesthetically
pleasing to look at... even when school was out
and the boys were coming out of school:
one spontaneously announced thinking-aloud:
that's a nice bike...
yeah... nice to look at... yeah... sure thing mate...
great to look at... but a ***** to ride it...
compared to...                              exhibit (a)
a cheap £125 road bicycle with the right sort of
handlebars... mountain bicycle handlebars are
all wrong too wide...
you just can't handle such a beast on a long stretch
of road... you require something more
gravity driven / prone...
at least with a road bicycle you get to steer
with slight details of force going towards
the intended direction...
i think you must learn on a mountain bicycle...
to then explore the road bicycle...
but let me tell you... one you have mastered
the road bicycle... going back to a mountain bicycle
make-up it like going from Einstein to ******...
i was becoming queasy with too much maneuverability
in my hands and not centered in / with
my entire body and bicycle attached...
i know i'll think differently when i take
this beast into its proper environment...
i know that's what will happen...
but mountain bicycles don't belong in traffic...

aha... right... i almost forgot... just before i picked up
the beast from the repair shop...
i has in the supermarket picking up a bottle of cider
to keep up my stamina of: not bored...
no no... i'm not bored...  

onomatopoeias... i'm sure as a supervisor i told
some of the stewards that i'm only doing this job
for good reference: for references that might me
apply for a job as a chemistry teacher:
since familial ties of references will not allow you
to apply for the position...
last shift at Wembley some pink haired freak
of a beached whale of a male started to mouth-me-off
about jumping the queue...
i retorted like for like: you ******* see a queue
in front of me? i'm standing in the same *******
place! you ******* fearful of being called
a racist: you silly little thing of an anti-racist?!
you ******* HOG of what could have been
a woman... you afraid of insulating the Somalis?!
we know that they're like... that's how African
queues work... people jump the queue...
they huddle... Africans are not a Mongolian horde:
they're huddling people...
they stress themselves by the numbers
they're allowed / are given...
all the Europeans follows some details of
the aesthetic of queuing... the Africans?
**** me... they just inverted the bottle-neck...
if bottles were to be invented in Africa...
they wouldn't have a neck: they'd have an entire
******* torso... and be slim at the base...
that's how Africans behave ergo: think...
that's not racist: that's a ******* anthropologist tactic....
on the last shift this one Indian looking chap
said the following lines:

'don't think me of being racist...
but what do you think of these blacks?'

ha ha... one curiosity after another...
  i love mingling with people: you never know what
you're (n)ever going to get!
i'm working with this one "creature" who's super
clingy to me... adamant that he's anti-racist...
but... oops... slip... he's actually homophobic...
just because Brighton has a "reputation"...
but a staunch anti-racist.... yet a homophobe....
me? i hate *******...
esp. if you're collecting glasses in a night club
and you're getting groped by... some ******...
come on: a man with long hair is no excuse to
fiddle with my *** while i'm picking up bottles
filled with ****... ******* ******!

about blacks? well... what do i care if i already stereotyped
the Somalis as useless idiots... not even useful idiots
of Communist propaganda...
they're like the Irish... you simply psychoanalyse them...
they're so detached from reality that
they might as well be called Moonpeople...
Somalia best be called Moonland...
no, seriously: not as a racist (although i'd love to be one)
but as an anthropologist (these days?
an ethic apologist, if?!)
they are just that... devoid of reality sort of,
sort of... sort of... a sort of "people"...
a sort of "reality" is attached to them...

never mind that... i was in the supermarket buying a bottle
of cider... a woman with two young girls was making
her shopping... some BLEEP emerged from
the cashier's desk... some... BLEEP some BOOP...
hmm... we're talking primary school aged children...
children... completely un-fuckable... although as loveable
as dogs... perhaps even more:
since? you can't exactly mould a dog...
you can't mould a little Frankenstein of your own
with a dog... a dog is kept ontologically within
the archetypical exactness of what a dog is supposed
to be: what a dog is...
but man? oh... that's a completely different barrel of
laughs!
i stood behind the trio... and listened...

onomatopoeias... once those infernal instruments
made those sounds... the two girls mimicked...
imitated the sounds ...
i would be a terrible father... or perhaps the best...
i like the cognitive-focus on the negative:
maybe that's why i adore the cynics...
i adore the cynics and abhor the sceptics...
i like negative-thinking...
i once assured myself that negative-thinking
attracts... positive-being...
magnets... blah blah...

with i have on my heart's "conscience":
something so innocent... the cure's: a short term effect
from the album *******...
no... woman! no!
that trio of curiosity...
i was going to do an in-depth Kantian analogy
of the origins of the onomotopoeia...
it just so happened that i was walking behind them...
i'm pretty good at lip-readings...
too much exposure to headphones...
NEUROTIC BEASTS OF **** UN-******...
the ugliest women imaginable:
busy-body women.... UGLY *****...
MOTH-FRENZY-MOTH-*****....
i'm good at lip-reading...
oh look... a ******* is the area...

no... is just so happened that the trio bough
more goods that me at the store...
silly ******* agony aunt!
no! i was just going to ask
the two girls...that you spoke an onomatopoeia
without knowledge of what an onomatopoeia
actually is!
an onomatopoeia in the mouth of a child
is not actually a word...
it can't be... there's no rigid Apollonian "humour"...
when a child imitates a sound made by a
machine...
it doesn't imitate the sound with an allocation
of ascribing letters to them...
i could be the best father:
and perhaps the worst...
    i'd become too curios... i'd become a naturally
born scientist...
the mother? just ignored them...
but this **** of a THINFG threw empty accusations
into the air as if it were breathing...

i learned one valuable lesson on my own...
there are people... and there are THINGS...
me, what?
you ******* THING! remain INANIMATE!
sure... move... but remain without character!
did these girls have knowledge
of the "onomatopoeia" of an ONOPATOEIA?
too many ******* vowels..

that's Greek for you...
i'm a what? it just so happened that it's suburbia
and i'm walking behind a giddy trio....
i'm suddenly, what?! HIDE! HIDE... you neurotic *****!
you soothsayer you Satan's last **** available!
you mediocre human being!

how would they know... they're already exploring
onomatopoeias without knowledge of onomatopoeias ...
these creatures mimic... in fact: an onomatopoeia
is something that's to be exacted by being written...
these children... they are yet aware of letters...
letters beside nouns... nouns beside the concepts
of verbs pronouns and the like...

first i'll ask politely... secondly i'll ask less politely:
thirdly: don't tread on me..
fourthly: enough is enough...
but that's how life happens...
you exit the mind-set of... it's not jurisprudence...
etymological hell-havoc...
              ah! pedagogy!
and then the reality of all that's around you...

neurotic old women who think you're: an project
you're a predator;... ******* ****-less *****!
i just wanted to hear what her onomatopoeia went to...
you objectionable UGLY CUT of ****!
she was uttering her first onomatopoeia without
a rubric of letters! as a man who's not going
to be a father: i thought that rather: inquisitive...
i know you women are ******* boors and boredoms...
the more you age the uglier you become
in spirit: let alone in physical appearances...
******* hyenas start looking pretty are a while
once you peak!
no! that's the point! i'm being serious!

it only takes one false accusation: lip-read to demand
a crazy momentum of reaction...
oh no no... it's not going to stop!
best ***** assured this ******* momentum
is not going to stop! now i'm grizzly bear tooth worn
on smiling...

now... i have encountered men who encounter violence
of man against man...
i have yet to encounter men who encounter violence
of woman against man...
let's just say... it's more complicated...
i love children... some women love themselves
to the point of willingly perform... what's that name?
oh.... right... has he risen too?
the deity that's Moloch... the deity of infanticide?!
has he? so... i'm not alone...
there must be more of me...
gents! we're being redeemed!  we're going back
to a singing status of existence in the ***** of our
dearest "Abraham" of Ha-Shem!
let's put on a proper, decent, show!

then again... i might: i just might be...
a solo trick-of-treat... bellowing into the depths of well...
after all... as i looked at the whole affair from
the antithesis of Darwinism...
the strong and the smart don't really reproduce:
en masse...
the idiots do...
mammals like insects...
the ill-fated reproduce: that's why they bemoan
their fate of being ill-stocked in genes...
smart people are exploratory...
i'm exploratory...
i'm not saying i'm smart but i'm certainly not dumb enough
to have children in order for them to suffer
unnecessarily... for a per se reason
that's somehow supposed to be self-explanatory:
without... an accountable self!

there's no chance in hell these two girls imitated those
sounds in the supermarket with...
a knowledge of an onomatopoeia!
no chance! speak to me an "onomatopoeia":
onomatopeia!

     ono-m'ah-t'oh-p'-ah!

   they wouldn't even catch the vowel catches of Hs
in the plural sense without the apostrophe...
no...

write me a poem using linguistic notations:
i.e. onomatopoeia: knock knock: woof woof: .
details of some book... frankly? no book...
journalism rules...
/ˌɒnə(ʊ)matəˈpiːə/
   /nɒk,nɒk/
        /wʊf/ /wʊf/:
      /ˈdiːteɪl/ some
/sʌm,s(ə)m/
                       /bʊk/
  
yeah: that's what i like... linguistic graduates...
graffitti artists with a TAG..
children and onomatopoeias...
you want to play more and more games?
aren't we living in the most circus prone times?!

hey! in current environment of events:
hello herr besondere!
drop qords not bombs!

= +- / ha;f and half...

I wanted to be there for Parsnips but time and  money availability have precluded it from happening. I cannot make it down for the funeral.

I f you would please pass on the following few words for me.

Parsnips was my mate, He was the epitome of a man from a different age.
He was wild and intense, dark of mood  and definite of opinion.

He was poetry in motion astride a good jumping mare, many a time I have seen him clear a seven wire fence with a good foot of daylight to spare.
His understanding of equine mentality approached that of witchcraft. He was capable of anticipating the  lashing hoof before the horse had formulated the thought, much less put it into action. He had NO patience with intemperate horseflesh. Many a frisky animal had second thoughts of misbehaviour after they had worn the thick end of a coarse rasp at close quarters.
Parsnip’s work was artistry, he was truly... one of the GREAT farriers.

The end of the working day would see Parsnips drown his sorrows in the demon ***.
This was the emergence of the dark soul who cast about for answers to impossible questions, who wallowed in the unhappiness of his failed horizons and the bitterness of his life’s disappointments. My mate Parsnips was not the easiest man to know in his dark moments. But a mate is a mate... you take the good with the bad.

And there were a lot of really good times... when a happy Parsnips had laughter in his eyes and a flash of excitement in his demeanour. I recall one such time when, on a wild rafting trip on a rampaging, flooded Mohaka river, The raft was marooned on a jammed stump in the midst of violent huge killer white water. Parsnips hung off a rope and with a look of wild joy on his face announced to his flabbergasted mates...”And I can’t even ****** swim a stroke!... fantastic. Needless to say he survived the trip and loved every moment of it.

I called to spend the afternoon with him a short time ago at the Rest Home. This was a shadow of the Parsnips I had once known. He was completely disillusioned with the hand fate had dealt him. He saw no future to speak of... He wanted out.
So I must say that I am not entirely surprised with the way things have materialised.
Parsnips usually arranged the system to get things the way he wanted them.

I grieve for the loss of my wild, intense mate, God knows there are few enough of them left.
Real people who live life in the black and white way.
Definite personalities who, for the good or for the bad, never ever leave you in any doubt as to where they stand in the way of things.

Fare well my old friend, I leave you with these words.

The Winds of Life
by Marshal Gebbie

The wind careers across the years
Gathering leaves and dust,
Sweeping lives before it
In cartwheels of redness and rust.
Epiphanous moments of magnitude
Through special occasions employ
The will o the wisp of everyday stuff
From sadness to anger to joy.

The billowing tumble of living
Through vaulting halls of trees
In the dappled light of sunshine
And green corridors of breeze.
The exquisiteness of living
When senses soar in the air
When the colours of being are rampant
And we savour each moment with care.

For the living time goes quickly
It flares and fades with speed,
‘Tis best enjoyed boisterously
With passion, love and need;
‘Tis best when tasted piquantly
Like a claret on the tongue
When you cloak the days with good things
And you hope your dreams die young.

Marshalg
@ the Gate
Mangere Bridge
29th January 2009

Vines of unforgiving heights
climb up through my depths.
Leaves vocalize in delight
beneath my every movement.

Up and down my fingertips
sturdy roots intertwine.
Blooming on unexpectant lips
wild roses whisper tenderness.

Wind across the prairie wide
fill my lungs, rush my soul.
Sweet nector does not hide
from my heightened senses.

Water flows sweet and smooth
to cleanse my ever fiber.
I must dare nothing move
me from this sweet oasis.

Love as simple and as vast
wilderness as his is.
It be my wish of last
to stay entirely lost in.

Cruel Blackness




I want to do the unpopular possibly the scary I want to face the darkness but keep from getting
Lost that is the trick a guide lost is worthless my heart is heavy and it bears the condition of

Despair but not a cheap act or idea that would suit a magic show but to dispel darkness bring
Light out of nothing let it gradually form its unquestionable life sustaining power in the secret

Place prisons that are uncanny and profound easy to enter inextricable impossible to escape
Defeat fate's death chilling breath feeds on your soul until the outer man is no more here is where

Doubt is size less who can measure or plumb its depth the shroud tolls with silent bells if there
Be walls who can tell most would give into panic the sure music of pleasure to the heart of

Darkness within the darkest robe phobia’s all manner of emotional chains are stored quietly as a
Many legged spider they approach the tolling of somber is known it works masterful deigns

That reach thoughts that turn only with ease in a demon’s mind the feign is unreal but as the
Heart is desperately wicked who shall Know it enslaves it own without number you need the

One and only component that knows no fear its price and availability and its origin a mystery it
Is not in League with and on Terms with The tremulous waster that shakes and breaks

Foundations that seemingly have no beginning or end that runs crookedly to the unknown and
Its name is Disaster but it has a master it lives in void fueled world of incomprehension but a

Child can harness its attributes innocent’s forms It out of the nothingness we need it grows
Precipitously formable you start by denouncing your own mind the end of self and you have few

Weighted steps to the door there is no terror as terrifying as dependence on an outcome that you
Have no control over to come and blunder past warning signs that are insoluble is to annihilate

Such a foolish intruder thus the darkness in the first place when your heart is filled with darkness
How do you suppose to find light or life you have chosen death and not even God can wrest it

From your hand only by coming as an Innocent child believing and by having faith all darkness
Vanishes light is contrastive giving congruence to worlds of different languages that without

Faith all is meaningless there is no Intellectual connection possible and the dead remain dead
Because only the spirit can know spiritual things love stands in the offing forever out of reach of

Those who will not put self to death that only lives for earthy while the spirit heavenly the dead
Will be removed to darkness without remedy the living spirit will flash across infinity and will

Truly be the only ones that can pass through that terrifying door and instantly be at home in
Heaven

Distance knows, as distance grows,
It's short and long
It can raise the stakes and hopes.
It can make you long for the edge,
For the thing at the other side.

Distance doesn't have to be in miles or in feet.
Distance could be attitudes, expressions;
In class, availability...victories or defeat...

You are out of my reach, a distance away.
I can't help but look your way and pray
Praying you would notice me
You may glace toward me, but its not what I want
I just wish to gaze into your eyes
And have you smile at me...only me.

But two inches between us,
Make it as if we have nothing to say,
And we really have miles between us,
And this distance grows each and every day.

You're the king, the prince of hearts,
While I a simple pawn who would melt
to just get a glimpse of your face.

This distance knows, and oh how quickly it grows
At the end of this road...
We'll never see each other again.

Reach her.
Her soul is letting down
Her liquid hair.*

© 2014 J.S.P.

David Farrier shoes horses for a living
Found himself in a life worth giving
His whole life to see them from the gate
And finish in life still believing that this race is not just worth trying
But a pursuit of passing on the baton of Faith!
He may pound it and nail it hard but David just won't let you run with your hooves dusted
Oh how he used to shoe us eight times but be filled with the greatest gratitude as he was healed and learned that our hooves are two-divided

Oh I think I need a pat on the back
My hair doesn't feel like feeling the wind against it
Oh that doesn't even rhyme

But a few knows the songs of David as he was born in Rock Bottom
He circled the town eight times and washed his hands as he allows himself very often
Born with a so-called 'natural blindfold disease' he found himself a Savior clothed in the purest of fleece
He asked David to hang for a while and His hand shaked with eternal availability
While His friendship promised milk, cookies and eternal security

Oh I might need a pat on the back
The open gates of change welcomed by a gunshot noise usually freaks me out
Oh can someone get me a rhyme book?

1:  an economic good: as
a :  a product of agriculture or mining
b :  an article of commerce especially when delivered for shipment <commodities futures>
c :  a mass-produced unspecialized product <commodity chemicals> <commodity memory chips>

2 a :  something useful or valued <that valuable commodity patience>; also :  thing, entity
b :  convenience, advantage

3 obsolete :  quantity, lot

4:  a good or service whose wide availability typically leads to smaller profit margins and diminishes the importance of factors (as brand name) other than price

5:  one that is subject to ready exchange or exploitation within a market <stars as individuals and as commodities of the film industry — Film Quarterly>

We don't appreciate what we have
until we lose it
We don't see the glow on the skin
until we bruise it
We don't believe in miracles
until we need it

We don't appreciate farming
until there's famine
We don't appreciate water availability
until there's water scarcity
We don't appreciate wealth
until we see poverty
We don't appreciate good health
until we experience infirmity

We don't appreciate democracy
until we see tyranny
We don't appreciate loyalty
until we see jealousy
We don't appreciate liberty
until we see slavery!

Guns
Slick metallic
Fully loaded sidekicks
A right held higher than most

Opinions vary, more or less
For laws and restrictions
For availability and freedom

A country divided, a hot topic debate
And while you ponder your side of the fence
Remember that the leaders and lawmakers
Prefer prayer as a means to relieve such tragedies

There is no plan to change how things are
There is no answer from the left
There is no answer from the right
Accepting complacency and prayers

Prayers, which have done nothing, not a thing at all.

.
I'm one tissue shy of calamity,
next to the last soul in humanity.
I am one ounce of pride short of dignity,
and one mph away from velocity.

I'm in one town, you're intensity,
a Master Charge away from identity.
One aching tendon from flexibility,
and one arc'd degree from the university.

Happiness has lost it's frivolity,
I have narrowed down my availability.
Gumby has lost all elasticity.
Will we live beyond infinity?

I've never crossed the lines between serenity and insanity,
has a poet's moon lost it's sensuality?
I am one drink ahead of sobriety.
The second to last to stand in society.

The unforgivable sin elbows my morality,
your pen sells your individuality.
One jail bar between your vulnerability.
Your down to earth qualities mock your vanity.

My daddy never claimed me through paternity,
I was the last kid standing in the maternity.
And just when I thought this poem was through,
you asked me to spend eternity with you.

Re: Your Availability
Is it this yours or mine? Only time will define the kind of charm that you chime when you're dropping your line in my ears

I will find.

Young chicken turned into fricassee
How hot is your gravy?
Such sizzling goodness
Smells so fresh in the pan
Having a fry
Don't really know why
Cooking at such high temperatures
Makes me crazy this way
But I've got to have you frizzle
Cut tenders spitting grease about
Think I'll dice up a side of
Turnips, greens and roots
There's an unwritten law about it
Even so
Availability finds comfort in handiness
A little splash of wine on that
Ought to make it all
Come together

Organizing books
Answering calls about the availability of books

This is the role of the librarian

I am watching them in action now

Looks like a fun position to have

I don't have a position

I just wander from place to place

Navigating these new age jungles
City species run through the curious dark
Thinking now is the time to be alive
As we stay out late enough to watch the sunrise
From suicidal heights
We stay awake to watch our minds commit themselves to their ultimate demise

Once bustling brains become a barren tundra
Their city thoughts die
Bodies still moving with the beat
Thoughts experience defeat
Conquered by the never ending
Availability of bad decisions

We are the buildings with out ceilings
We want another round
We are badasses without feelings
(At least we pretend to be with our looks and our sounds)

~

Messes in dresses running through empty city streets
After the voices of those we love whispered
They would never let us go
And proceeded to do just so

Learning to articulate from rap songs
Not resisting the urge to emulate our bad influences  
Lot of love
Lot of hate
**** karma when you can’t discern
What’s good from what is wrong

It’s all going to break
Down the hollow factory’s stairs
Where we ruin our lives without compunction
And brag about who we will impress
With the mistakes we said we’d made