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Lazhar Bouazzi Jul 2018
Azure was the sky, and leaden was the sea;
Not surprising would the discord be
For him who has read Wordsworth.

What ailed his thoughts were the debris
Of broken glass fishermen-in-boats
Might have thrown into the ocean
On a night of 'Celtia'* with no pairing,

Or the sight of a woman’s dress
Whose swollen darkness was
A sea urchin, whose quills
Were plucked by the greenness of rust;

Or a German parachute
Over Kasserine pass**, my thyme nest
And the center of Tunisia.

©LazharBouazzi, July 15, 2018
*'Celtia' is the oldest and most popular tunisian beer
**The Battle of Kasserine Pass was a battle of the Tunisia Campaign of World War II that took place in February 1943. Kasserine Pass is a 2-mile-wide (3.2 km) gap in the Grand Dorsal chain of the Atlas Mountains in west central Tunisia. The Axis forces, led by Generalfeldmarschall Erwin Rommel, were primarily from the Afrika Korps Assault Group, elements of the Italian Centauro Armoured Division and two Panzer divisions detached from the 5th Panzer Army, while the Allied forces consisted of the U.S. II Corps (Major General Lloyd Fredendall),[5] the British 6th Armoured Division (Major-General Charles Keightley) and other parts of the First Army (Lieutenant-General Kenneth Anderson).
The battle was the first major engagement between American and Axis forces in World War II in Africa. Inexperienced and poorly led American troops suffered many casualties and were quickly pushed back over 50 miles (80 km) from their positions west of Faïd Pass.[5] After the early defeat, elements of the U.S. II Corps, with British reinforcements, rallied and held the exits through mountain passes in western Tunisia, defeating the Axis offensive. As a result of the battle, the U.S. Army instituted sweeping changes of unit organization and replaced commanders[5] and some types of equipment.” (Wikipedia)
Ironically (or, correspondingly), West central Tunisia (notably Kasserine mountains) are now being used by what is left of Islamist terrorists, whose colors are green and black, as their headquarters in their battle against democracy. (my note)
ryn Feb 2015
He almost let out a sigh of dismay,
Knowing this stint would be short lived.
The common sense in his head seemed to say,
"No one could be this lucky, don't have yourself deceived".

His wheels wobbled and shook; squeaked and wailed,
Under the collective weight of the two.
Screaming threats from worn bearings that ailed,
He did not want to appear weak so his legs pummelled on through.

The ease of cycling was only temporary
He pedalled harder to gain more speed.
Then the ground began to ***** gently
His lungs felt like bursting as he pounded his iron steed.

The journey uphill had been more laborious than he had expected.
All the while, the beauty hadn't uttered a single word.
His mind had drifted off even though he was worn and ragged,
The thought of emerging as a couple seemed less than absurd.

The crest of the hill was a cool, long anticipated welcome.
He could finally ease up on the pedalling.
The view from there was nothing short of handsome,
The downhill would take charge and he could catch up on his breathing.

The wind met his face and whistled itself tuneless.
The bicycle rattled as it rolled down the uneven trail.
He felt a sense of flight, there was an air of calmness,
Almost had forgotten about the quiet guest on his tail.

At the bottom he thought he should check on his passenger,
He looked ahead as he addressed the lady.
When he had expected an almost immediate answer,
No response came, despite his calls for her repeatedly.

He pedalled with little effort as if there wasn't added weight
The bicycle slowed down to a clearing where it was dim.
Fatigue was setting in as the night stretched late
His curiosity won the battle and got the better of him.

He stopped his bicycle and maintained balance with his feet,
He twisted his torso so he could speak to his fare.
The moment he did so, his heart had almost ceased to beat,
To his horror, he found that the lady was no longer there...
Based on a story I heard
Ignatius Hosiana Sep 2015
Yeah, I'm at a point where I'm handicaped by fear
When stimulant sadness clogs my eyes but can't shed a tear
A point when I'm afraid of both the future and my past
Feeling tethered to bad karma,feeling cursed
Stuck in this minute with the clock ice paused
On the fringes of life where all doors are closed
And heated so that not even opportunity can dare knock
Seated in the quiet of the noisy silence watching the clock
Frozen to a single moment yet seasons are ticking
And there're signals that rest of the world's moving on I'm picking
I'm living like a ghost that died a million years ago
One whose owner ailed of an incurable syndrome pride
A disease born of a blood ******* vector called ego
One from which the wondering soul's holder died
I'm at a point when I ask myself why I was born
When It's clear I have to work my fingers to the bone
But not even myself can get me to my feet to start the journey
I'm at crossroads, and I know I have to choose
Because I've got rest of my life at stake, everything to lose
At now, and thing about now is knowing the actual value of having money
I'm at a point when a have to make the big calls, hold or move on
Keep being a cry baby or put the badass pants on
Looking back to the age when I was afraid of Gekkos
And it's how I feel calling out and feedback's my own echoes
I'm at a point where I don't need spectacles to see my mistakes
Yet it still feels like I'm not ready and haven't what it takes
The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, —the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him,
My hopes pursue, they cannot bind him.
Returned this day the south-wind searches
And finds young pines and budding birches,
But finds not the budding man;
Nature who lost him, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

And whither now, my truant wise and sweet,
Oh, whither tend thy feet?
I had the right, few days ago,
Thy steps to watch, thy place to know;
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!
Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys
Fitting his age and ken;—
Yet fairest dames and bearded men,
Who heard the sweet request
So gentle, wise, and grave,
Bended with joy to his behest,
And let the world's affairs go by,
Awhile to share his cordial game,
Or mend his wicker wagon frame,
Still plotting how their hungry ear
That winsome voice again might hear,
For his lips could well pronounce
Words that were persuasions.

Gentlest guardians marked serene
His early hope, his liberal mien,
Took counsel from his guiding eyes
To make this wisdom earthly wise.
Ah! vainly do these eyes recall
The school-march, each day's festival,
When every morn my ***** glowed
To watch the convoy on the road;—
The babe in willow wagon closed,
With rolling eyes and face composed,
With children forward and behind,
Like Cupids studiously inclined,
And he, the Chieftain, paced beside,
The centre of the troop allied,
With sunny face of sweet repose,
To guard the babe from fancied foes,
The little Captain innocent
Took the eye with him as he went,
Each village senior paused to scan
And speak the lovely caravan.

From the window I look out
To mark thy beautiful parade
Stately marching in cap and coat
To some tune by fairies played;
A music heard by thee alone
To works as noble led thee on.
Now love and pride, alas, in vain,
Up and down their glances strain.
The painted sled stands where it stood,
The kennel by the corded wood,
The gathered sticks to stanch the wall
Of the snow-tower, when snow should fall,
The ominous hole he dug in the sand,
And childhood's castles built or planned.
His daily haunts I well discern,
The poultry yard, the shed, the barn,
And every inch of garden ground
Paced by the blessed feet around,
From the road-side to the brook;
Whereinto he loved to look.
Step the meek birds where erst they ranged,
The wintry garden lies unchanged,
The brook into the stream runs on,
But the deep-eyed Boy is gone.

On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In bird-like heavings unto death,
Night came, and Nature had not thee,—
I said, we are mates in misery.
The morrow dawned with needless glow,
Each snow-bird chirped, each fowl must crow,
Each tramper started,— but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,—they were bound and still,
There's not a sparrow or a wren,
There's not a blade of autumn grain,
Which the four seasons do not tend,
And tides of life and increase lend,
And every chick of every bird,
And **** and rock-moss is preferred.
O ostriches' forgetfulness!
O loss of larger in the less!
Was there no star that could be sent,
No watcher in the firmament,
No angel from the countless host,
That loiters round the crystal coast,
Could stoop to heal that only child,
Nature's sweet marvel undefiled,
And keep the blossom of the earth,
Which all her harvests were not worth?
Not mine, I never called thee mine,
But nature's heir,— if I repine,
And, seeing rashly torn and moved,
Not what I made, but what I loved.
Grow early old with grief that then
Must to the wastes of nature go,—
'Tis because a general hope
Was quenched, and all must doubt and *****
For flattering planets seemed to say,
This child should ills of ages stay,—
By wondrous tongue and guided pen
Bring the flown muses back to men. —
Perchance, not he, but nature ailed,
The world, and not the infant failed,
It was not ripe yet, to sustain
A genius of so fine a strain,
Who gazed upon the sun and moon
As if he came unto his own,
And pregnant with his grander thought,
Brought the old order into doubt.
Awhile his beauty their beauty tried,
They could not feed him, and he died,
And wandered backward as in scorn
To wait an Æon to be born.
Ill day which made this beauty waste;
Plight broken, this high face defaced!
Some went and came about the dead,
And some in books of solace read,
Some to their friends the tidings say,
Some went to write, some went to pray,
One tarried here, there hurried one,
But their heart abode with none.
Covetous death bereaved us all
To aggrandize one funeral.
The eager Fate which carried thee
Took the largest part of me.
For this losing is true dying,
This is lordly man's down-lying,
This is slow but sure reclining,
Star by star his world resigning.

O child of Paradise!
Boy who made dear his father's home
In whose deep eyes
Men read the welfare of the times to come;
I am too much bereft;
The world dishonored thou hast left;
O truths and natures costly lie;
O trusted, broken prophecy!
O richest fortune sourly crossed;
Born for the future, to the future lost!

The deep Heart answered, Weepest thou?
Worthier cause for passion wild,
If I had not taken the child.
And deemest thou as those who pore
With aged eyes short way before?
Think'st Beauty vanished from the coast
Of matter, and thy darling lost?
Taught he not thee, — the man of eld,
Whose eyes within his eyes beheld
Heaven's numerous hierarchy span
The mystic gulf from God to man?
To be alone wilt thou begin,
When worlds of lovers hem thee in?
To-morrow, when the masks shall fall
That dizen nature's carnival,
The pure shall see, by their own will,
Which overflowing love shall fill,—
'Tis not within the force of Fate
The fate-conjoined to separate.
But thou, my votary, weepest thou?
I gave thee sight, where is it now?
I taught thy heart beyond the reach
Of ritual, Bible, or of speech;
Wrote in thy mind's transparent table
As far as the incommunicable;
Taught thee each private sign to raise
Lit by the supersolar blaze.
Past utterance and past belief,
And past the blasphemy of grief,
The mysteries of nature's heart,—
And though no muse can these impart,
Throb thine with nature's throbbing breast,
And all is clear from east to west.

I came to thee as to a friend,
Dearest, to thee I did not send
Tutors, but a joyful eye,
Innocence that matched the sky,
Lovely locks a form of wonder,
Laughter rich as woodland thunder;
That thou might'st entertain apart
The richest flowering of all art;
And, as the great all-loving Day
Through smallest chambers takes its way,
That thou might'st break thy daily bread
With Prophet, Saviour, and head;
That thou might'st cherish for thine own
The riches of sweet Mary's Son,
Boy-Rabbi, Israel's Paragon:
And thoughtest thou such guest
Would in thy hall take up his rest?
Would rushing life forget its laws,
Fate's glowing revolution pause?
High omens ask diviner guess,
Not to be conned to tediousness.
And know, my higher gifts unbind
The zone that girds the incarnate mind,
When the scanty shores are full
With Thought's perilous whirling pool,
When frail Nature can no more,—
Then the spirit strikes the hour,
My servant Death with solving rite
Pours finite into infinite.
Wilt thou freeze love's tidal flow,
Whose streams through nature circling go?
Nail the star struggling to its track
On the half-climbed Zodiack?
Light is light which radiates,
Blood is blood which circulates,
Life is life which generates,
And many-seeming life is one,—
Wilt thou transfix and make it none,
Its onward stream too starkly pent
In figure, bone, and lineament?

Wilt thou uncalled interrogate
Talker! the unreplying fate?
Nor see the Genius of the whole
Ascendant in the private soul,
Beckon it when to go and come,
Self-announced its hour of doom.
Fair the soul's recess and shrine,
Magic-built, to last a season,
Masterpiece of love benign!
Fairer than expansive reason
Whose omen 'tis, and sign.
Wilt thou not ope this heart to know
What rainbows teach and sunsets show,
Verdict which accumulates
From lengthened scroll of human fates,
Voice of earth to earth returned,
Prayers of heart that inly burned;
Saying, what is excellent,
As God lives, is permanent
Hearts are dust, hearts' loves remain,
Heart's love will meet thee again.
Revere the Maker; fetch thine eye
Up to His style, and manners of the sky.
Not of adamant and gold
Built He heaven stark and cold,
No, but a nest of bending reeds,
Flowering grass and scented weeds,
Or like a traveller's fleeting tent,
Or bow above the tempest pent,
Built of tears and sacred flames,
And virtue reaching to its aims;
Built of furtherance and pursuing,
Not of spent deeds, but of doing.
Silent rushes the swift Lord
Through ruined systems still restored,
Broad-sowing, bleak and void to bless,
Plants with worlds the wilderness,
Waters with tears of ancient sorrow
Apples of Eden ripe to-morrow;
House and tenant go to ground,
Lost in God, in Godhead found.
Alexis J Meighan Dec 2012
Knock knock
Who's there?
Mr.Harris
Mr. Harris who?


Mr. Harris whom lead women with elegance
Tied minds and hearts with verbal excrement
Pondered their looks as well as their flesh
Decided to touch which lead to a mess
For his brain and hands were shaky at best
Floundered around inside of their chest
Slicing and skinned the meat of the breast
The last thing they saw as they took their last breath
An extreme way to deal with life and its stress
Just a mad insane killer you couldn't reject.
Harris is the  man who is there at your door
Knock Knock! Who's there?  Not you any more.
Mr. Harris with blood on his shoes
Mr. Harass you that's who!
Love.
-Xin-

Jessica;
Behind close doors he was a cruel brute.
In the public view he smiled and spoke soft
Laid the trap with a simple hello.
Sprung it with a slash
Took his trophies and placed it in his stash
Tonight he stalk a petite country gal
A texan tone and expecting child
Brunette, fair skin and smile you could eat
Perky, quirky with dainty hands and feet
He sat in her car and stakeout her yard
Sneaked in her house while she bath and smelled her towels.
She was a standing appointment on his to do calendar
For 3 months he pondered how to handle her
Caress her flesh and kiss her toes
Asphyxiate! Hand over her mouth and pinch her nose.
Or
Suckle her perfect breast, brush her hair with short strokes
Look into her wide eyes, face to face, then slit her throat
She passed him on the train and he became,
Paralyzed by her fragrance, almost ashamed.
It became obvious, now that her baby bump showed
He had to **** her fast before it grew any more
And like that 9pm drew near and on his table she appeared.
She begged for her life but he didn't care "please I'm pregnant" I said I don't care
He chose option one for his method of ******
Soft and polite until life ignored her.
Now all left to do is to savor the taste of her essence
Then into the river and on to the next lesson
She was Jessica.
-Mr H.-


Bridgette:
This night his head ached, he sipped wine and ate
Clenched his brow and grunted and tried to concentrate
This night his heart ailed for a particular face
Some one he knew from a particular place
Blonde hair, tattooed skin and frequent bizarre encounters
A spunky one she was, always on an adventure
She constantly moved which made it a task to learn her
But he was persistent and eventually impaled her.
5 years he tracked her with laid roots just to leave again
He even befriended her friends. But nothing came through them
With every new home she kept, and new ink she bared.
He would be right there sharing her air.
A secret adoration, a crush, a unrequited love
He would scale walls to procure her safety and guard her till she was his alone.
Outside her window snapping photos and collecting her things
Setting coincidences and craving her limbs
He's sneaked in one night and restrained her to the bed
Counting her ink from her honey *** to the kissing undead.
Rubbing her hour glass and slicing through her haunted castle
Penetrating her clover and stabbing her dracula.
For she was his best creation.
He mourned as her flesh he torn
When it was all said and done every tattoo was massacred
Her body of work now a body of hurt
Bled out at the hands that knew her the most
From a distance so close from a distance so close
She was Bridgette
-Mr. H-

Jen:
She was so much more than a craving
More than a friend.
Its by accident that she met her end.  
They shared a bed, shared a home, shared there love
Now they share his secrets, but not her tomb
She stumbled on his collection of trinkets
And he confessed all thinking their bond and life together would lead to an exception
Shame on him, as to his surprise she screamed and grabbed a weapon
"who are you" she yell and ran to the door.
He screamed in response "I don't know but don't go"
Frantic she struggled with the door lock
Panicked he hit her face with the cutting block
Oops
She fell
So did his heart down his throat
This was his partner, his lover, his other half
In every day before his reason for life, his only plan
No way to recover this act of passion so he finished the job.  
Crying and kissing her asian lips
Squeezing her neck till she was gone gone gone.
She was Jen
-Mr. H-

Kaylani:
As he progressed and perfected his method
He broadened his pallet and obsessed on this venison
He heard her words sent men to their knees
Both in praise of her power and to lap at her Mahogany
She was clever and sharp like his finest cleaver
Voluminous in her cleavage, firm in her actions like a verb, Poison to her distractions
For him it was her words that overwhelmed his desires
Call to arms, yell to god,do my bidding and "I promise I'll be yours"
She wrote poems like he did, spoke truth like he do
Broke hearts like he could, and swept the world away like he should
He sent her a poem she accepted with joy
Blew her mind with crafts he assembled like schemes, plots, and ploys
She gave him a secret, he gave her a line
She confessed her emotions, he confessed a lie
She showed him her body, he shrugged and denied
She caved and gave more, he enslaved her with compliments, task and more endeavors
She wanted him so bad that for the first time she fell to her knees
He arose from his own. Succeed indeed
He gave her one night, yes one night
8 years of famine, for only one night
He kissed, massage, fingered and caressed
Demanded her mouth as he got undressed
His contact was of malice and encounter of a deranged mind
An anomaly of his needs, a poetic way to propel her demise
He entered her slow made her safe in his glow
Then with a wicked grin the nightmare did begin
He took control, pinned her down, put big things in small spaces
Made her a scream queen with no crown as he laughed and mocked her desperate faces
A little cut here and a little punch there he accepted her fear
On the night stand he had a special potion
A blend of deadly poison
Told her it would end once she breath no more
"Its your choice my dear" then made her scream some more
He took a break said he'll be back
Went to the kitchen to get a snack
"When I come back we'll start again"
Upon his return he gazed the beaten, ****** goddess
She drank her escape route, now she is lifeless
She was Kaylani
-Mr. H-
This is actually something I wrote for one of my close friends Justin Harris. His Birthday is on Xmas so I've been writing people stalker letters and death threats and signing them with his name and address.
Some may not see the humor in this but if you knew the dynamics of my friendship circles you would know that this is normal behavior for us.
Dapple-throned Aphrodite,
eternal daughterf God,
snare-knitter! Don't, I beg you,

cow my heart with grief! Come,
as once when you heard my far-
off cry and, listening, stepped

from your father's house to your
gold car, to yoke the pair whose
beautiful thick-feathered wings

oaring down mid-air from heaven
carried you to light swiftly
on dark earth; then, blissful one,

smiling your immortal smile
you asked, What ailed me now that
me me call you again? What

was it that my distracted
heart most wanted? "Whom has
Persuasion to bring round now

"to your love? Who, Sappho, is
unfair to you? For, let her
run, she will soon run after;

"if she won't accept gifts, she
will one day give them; and if
she won't love you -- she soon will

"love, although unwillingly..."
If ever -- come now! Relieve
this intolerable pain!

What my heart most hopes will
happen, make happen; you your-
self join forces on my side!
208

The Rose did caper on her cheek—
Her Bodice rose and fell—
Her pretty speech—like drunken men—
Did stagger pitiful—

Her fingers fumbled at her work—
Her needle would not go—
What ailed so smart a little Maid—
It puzzled me to know—

Till opposite—I spied a cheek
That bore another Rose—
Just opposite—Another speech
That like the Drunkard goes—

A Vest that like her Bodice, danced—
To the immortal tune—
Till those two troubled—little Clocks
Ticked softly into one.
KING EOCHAID came at sundown to a wood
Westward of Tara.  Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank.  King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag.  When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse.  Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had ****** in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife.  On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered
windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noisc;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone.  Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
"I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused.  If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words hc paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
"You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And catve his name in Ogham.' Eochaid said,
"He lives?' "He lives and is a healthy man.'
"While I have him and you it matters little
What man you have lost, what evil you have found.'
"I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by.  But when I said,
""What is this trouble?'' he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions:  ""There are things
That make the heart akin to the dumb stone.''
Then I replied, ""Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath.'' Then I:
Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain.''
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, ""If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men.''
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, ""You, even you yourself, could work the
cure!''
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees --
For hope would give his limbs the power -- and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path.  Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
""A weary wooing and a long,'' he said,
""Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
****** up the passion out of him again
And left mere sleep.  He'll wake when the sun
wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve
months.''
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on:  ""Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again.''
I was no longer terrified -- his voice
Had half awakened some old memory --
Yet answered him, ""I am King Eochaid's wife
And with him have found every happiness
Women can find.'' With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, ""What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed.'' ""How should I love,'' I answered,
""Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighcd,
"Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my atms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?'' Then he:
""Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?''
Thereon he seized me in his arms, but I
****** him away with both my hands and cried,
""Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief.''
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the *****
Crow upon Tara."
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed
door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.
Mateuš Conrad Jan 2018
it would best appear that:
  talking really aids talking to flesh -
and yes, beside the psychoanalyst
triad theory of the "narrator" -
          the ego can become an ailed
limb - a limp arm,
an amputated food -
                     when the square
doesn't fit through a square shaped
opening: the ego become fidgety -
and it aches beyond the ache
of being, a physical inconvenience /
convenience...
    the ailing ego is an ego
that can only construct a cogito
without the ergo dynamic of trickling
toward a "satisfying" sum...
           because there really isn't
any other suited adjective -
  other than the already aired:
because there is.
         i wanted to concern myself
with the dynamic of what is sickly
or at best: an unease unit
of fathomable concern...
              ego must,
ego = limb...
           it's not a central
foundation to all things apparent...
          and believe me when i state
that i require verbiage to make these
statements...
           when the ego is a cubus,
and thought is the "river"
                        quadratum -
       having to encompass the perplexity
of the Freudian Triad...
  it doesn't really matter,
  does it, to concern a cube passing
through a square, when a triangle is
concerned, is it?
                  a mental "illness"
  needs to encompass a "flat earth"
akin to reading maps: no good knowing
a spherical globus exists if you
can't get from A. to B.
                     that is why i don't
understand a stigma with regards to
a "mental" to "physical" dichotomy -
which it has become having divorced itself
from dualism...
          the ego being a limb and
thought a body,
       reiterates my concern with how
mental illness cannot acess the freedom
of a body, or thinking,
                 in a fluid manner:
akin to the thoughtless extracts of
               a disembodiment ascribed to
ballet dancers...
             hence the sickly limb comparison:
the whole affair isn't worth
an atomists' venture to find: a middle,
a nucleus...
                     a sick "ego"
                              disvalues a concern
to think: akin to any worth of
****** function...
            the conscious-unconscious
paradox of the ego is that:
    it's health is supposed to coexist
with the way one treats a hand, finger, elbow...
the fact that a "sick" ego is by no means
sickness apparent doesn't mean that
it is not a form of: dis-ease -
  not a bad word, merely a reformulated
aversion of saying it quickly...
  there does exist as - negation
   of ease...
                       i have found this with
myself...
                          apparently
it was necessary to outdate Latin grammar
once again, while keeping the ego
a necessary ingredient worthy of theory
when cogito ergo sum was
summoned... because where is the ego
in that? the ego is the antithesis of
a narrator of fiction!
             who ever said that fiction
was without Trojan walls and biological
membranes?
                   the ego is either foremost
an ailing limb: or the unscathed narrator!
it can't be both!
          - but the limb comparison makes
more sense, since what is primarily
distrupted is thinking: rather than writing
a book!
                    i have experienced
the distruptive ego like a fidgeting snare of
a limb in metaphorical Parkinson...
               but i am not keen to
sub-assert a division of it worth a sub-ego
and an id... without an ob- prefix to boot.
a "sick" ego disrupts cogitans
in that there is no ergo
       to make a cohesive translation into:
wanting to be a bellerina - i.e sum...
i.e. sum *** non cogitans...
  and that's because the ego is a heavy
load, already not stressed in
the original maxim "prompt" of:
think - and you will be...
  well no... most of the time it's a case of:
don't think, and you will be...
      the fact remains:
  the ego treated as an ailing limb is
akin to an ailing limb disrupting
the sigma of ****** expressions -
             with the sigma of ****** expressions
being best met with mere: thinking...
                 hence the irony of
a "mental" illness -
      there is no ailing thought -
but an ailing ego -
  which is a contradictory summation
of character, presupposing
a character is at the same time narrator...
the stigma? well...
   a person of interest is asked to
have both status of a healthy character
and an ailing narrator -
      or rather: a character
incompetent of having a narrator...
   or whatever this constricting observation
implies...
   the fact still remains:
   the ego was allowed a Ronin status
when working from the Cartesian maxim...
    it allowed itself to flourish in Freud
who took to impregnating it with
  a pseudo-Christian analogy...
         if there is an element of medicine
in philosophy... ha...
     odd...
            how can the mind be ailed by
the body prior...
      there must be a paradoxical intersect
of ergo ( = ), i.e. ≠...
                    whereby the same is true
for: the mind can be ailed by the body:
but the only prior to a body is a mind...
            since there is no prior to a mind
to express: body...
           otherwise why are we to concern
ourselves with a "mind" of the underdeveloped...
ah... but the underdeveloped body...
       hence?         |    a ******* stick
in the ground!
                  it's a simple juggling act of
two *****... on thinking terms,
but yet it is simpler to juggle three *****
on un-thinking terms!
              all i "know" is that
a sick ego dissonates the fluidity of thinking,
and it doesn't aspire to anything
but that in its ailment -
to make it any more complex to
suggest an atomic caricature of
the Freudian id - neutron / superego - electron...
   an ego that distrupts thinking
does not make a cohesive unit worth
a theory...
                 you put a stick into the river
of Heraclitsus: the stick will remain
a stict - the question is always asked
concerning the river!
                - as far as i am concerned
the disruptive ego has "unfathomed"
  the fathomability of thinking -
       notably:
          the mundane cul de sac thinking
of ordinary people -
a lost day-dream break from inacting
a "greater-good" focus of: transcending society...
     and attaining: "the" individual...
    i've experienced the sick ego
unable to convine itself with staging
thought: akin to an theatre with
a stage unable to consider itself:
    not fit to hoist actors on it!
                   hence my concern with
res vanus...
            the "thing" within res cogitans!
the whole point of:  (ego) cogito ergo sum!
          which is why those who have
reached the status of, say: prima ballerina
exact a "cogito" ergo (ego) sum status!
- at some point i really will be
starting to digest the VII-XI ponderings
of Heidegger...
                  bewildering myself as to how:
1939 a.d. was conjured.
Absent Minded Apr 2010
Christian0 and Juanita

A Single Act: Three scene script by Chris Chance- April/May 2010

Prologue:

There love took place over a decades  time on the island east of Manhattan and in the valleys between the northern tip of the Blue Ridge Mountains and the Tuscarora Ridge of the Southern Pennsylvania Appalachians.

He- no saint at all, felt in his heart a hero but ultimately hid behind svelte armor that protected him from a fickle and judgmental world.

She- a creature worthy of the lead lady in a classy novel- pure and once so very innocent. Statuesque and of absolute sense- commanding her world but building high walls around her red heart as she went.

The fields spoken of in this tale were accurately planted and lovingly nourished long ago and they still grow, multiplying their essence year to year. What great hope the author holds in his blue heart for their harvest. What great hopes he has for us all.

It is understood that the sins of the original garden have heft upon us, as a civilization a life of confusion, doubt and pain. It is with faith that one carries on believing in the goodness of a divine creator and master of all that you know.

Said in this story, it’s believed that he or she, the divine that is lives in two places simultaneously.

First; among the stars painted in the style of Rembrandt meeting Picasso, laughing the way Chaplin must daily at the absurd nonsesilogicalness of it all, crying like the poor ******* who’s let his whole future slip through his foolish little fingers.

And the Divine, the great source of energy in the universe also lives in a certain part- or nook - or cranny- of all things that breathe and/or return with the spring.

It is the voice you hear right now in your boney skull. It's the feeling you get when you forgive. It is the obligation you have to reach up and hold steady your fellow man.

As the author of this tale drops to his knees seeking guidance from that hidden, divine and breathy spiritualness he silently cries out in his pain.

A pain he never knew existed. He’ll silently ask to be prayed for now
and at the hour of his death.


Act I Scene I:

She could snare me in a trap by my ***** and hang me to the cherry tree. Yet my love for her wild flower remains – growing stronger- gathering and harboring the strength of welded tycoon steel.

This love you see- is no ordinary love.

It’s a love of passion and flame but one that culminates with no possible conclusion.

This love does not merely flow - but in actuality rages deep and wide- flowing so deep and so wide that the queen herself could traverse it in comfort.

And now alas, her love.

The love of ours- alone, no longer vast enough in its capacity: to carry on.

And it shall be furthermore, that I now- and I alone: will carry the weight of our time spent as one.

Our time spent as one such as the sand and the sea- Spent as one just as the mountain and valley.

Spent as one the way the very soul itself: on its own palate- feels and tastes true, sweet-sweet love.

This love I feel built around me like a velvet dream, a love now burning footsteps in my ears and setting fire to the nether regions of my soul has been banished and broken. But against better judgment still beats in my senseless and tortured eyes.

And in my anguish, I berate myself with guilt and deeply scour avenues of the past- for better directions we might have chosen.

Alas and in the end- amidst tears of fallen dreams: all roads lead to you and where your heart began and where- your heart ended.

So I ask you, all of you that bear witness before me. Whose heart is it- that still beats true and free? And whose heart is it that beats dark as the stormy cloud.

Whose heart I ask?

Or better yet- a different conundrum of a similar variety.

Can any heart be free?

Free to consume its desire- whether the sun shines or not? Free to love and never to be forgotten. Free to breathe without the threat of mortality?

I challenge you my friends to define this- and to thoroughly answer my questions.

To see into my future: regardless of what must be seen and help me- please make me believe again. Make me in all my shattered and tired bones and aging skin truly, truly believe again.

To teach my sons that it is safe to love in this hard and ruthless world.
To see my love as better,  more pure- unscathed by the devilish nature of the standard human ego.  

To once and for all see love and all life- as hopeful and not bereft of commonality and truth. To see her again- my fair love.  Smiling the notion of a better tomorrow.

Act I: Scene II

Our sins derail us its true. Over time and a plethora of vanishing precepts we wash along the rocks liked laundry.

Shall we neatly and quietly burro underground in the neighbor’s green space, with fleeting air- void of light and color?

Should we swing by our necks from the orange groves it would be in vain as life is so precious and out there lays undeniable hope that there is more of life’s holiness to drink in with each passing storm?

Impossible. That is not who I am. This is not who I was. That is not who I will be.

So vanquished cries muffle in the night against vicious and angry winds and the low weeping moan is constant as I look ahead while looking backwards.

Wondering how from my grasp it ever slipped so far?

It all, each and every golden ounce slipped from my tongue in sorrow in truth I must say.  Unfiltered neurosis and faltering fear are guides that  will fail to bring you home safely.

Nefarious tides of anxiety and reflection blinded me- blinded me from the sun.

But yet still she knows or understands that the bird song of redemption is an actual place where hearts once emptied , now gather to refill that same heart with love again and again.

It is the wound of her life open, crying out and bleeding through her lonely eyes and ears. It is with shame that I admit my long standing ignorance and tardiness to the cause of her heart.

Now with the backing of angels I see the landscape and all its divine nature but yet I am unable to enter. Unable to rejoin the garden and fight a snake who speaks my unholy name off split tongue and evil notions.

Where, where my love is it that I should go from here after having come from there? Where shall I drink my clean water, where shall I rest my weary head?

And oh, the head of a sleepless and love sick man. Heavy with burden brought on by his own lack of mastery regarding the most important issue and god given task of them all, but as once ailed Mercutio in his quest for and of allegiance to Romeo. Time is of the essence.

When I lay my head it is in sorrow and the pain of real passion. Passion for remaining one as a quarter  that makes up a whole- such as the corners of the cross and the earth, air, water and fire itself in a single beating heart.

For  one hundred and eighty ****** and arrogant days and their resident risings of the sun I've been reborn- sworn to never let evil destroy good in my heart.

As you must do- you will do.  

But the tides that flow in my veins do not flow from you they flow from the divine, a divine that will protect me and forgive my trespasses as he’s surely forgiven me of mine on others.

It’s only the growing fields of our past love that concern me now. How will we harvest the wheat which together we’ve sewn? How will we slaughter and eat the meat of the heard. When will any of us drink the wine from the grapes we have grown?

The entities I’ve stated are my future and will remain  my future until arc angels guide me from this earthly tomb. The blood of our fields will reign supreme.

The harvest of our youth will produce.  Standing together or behind our backs- as we run from it. The bloom of our responsibilities as care taker of these lands will be upon us in time.

So as your heart sails to foreign shores I awake from my rage and see the sun, feel the air, breathe and seek guidance for my purpose. To continue to plow the field and fish the harbor while I settle for meager tastes.

May the work I’ve done. May the work we’ve done be a strong enough foundation for both fields to nurture, endure and produce.

And as you for my fleeting love: may the beans of your coffee be rich and plentiful, may your heart find its way back to where it once was- where ever that may be.

Between here and now, let the days shine upon you like spring light. Bathing you until your soul feels safe and fresh. Keeping you where you need to be to feel free.

But alas leave knowing that the flame I still hold- as I have from day one. For the mystic and mysterious love brought upon us by the three so many, many years ago.

How long that can burn, I know not: but as the skies bolster the heaven- my heart once black, has returned to life. To love you is all that there is. I will share my heart and tormented soul and every last breath I breathe until graying and dying days. For you and only you exist.

Act I Scene III:

The sun came out after a snowy and emotional winter but the air never seemed to warm through the long days of April.

And so in the absence of all that is left , we set off.  You, in the direction that I lived in for years and me in the direction that you lived for years.

Two lovers, one point, two stories. Proverbial ships in the night is what we are- and the passing simply destiny.

Oh but for how I will remember thee. The raven hair and olive skin, deep eyes batting only in such a way as to swell my heart, that equisite eyebrow raised in point, the witty acronyms of our secret family language.

The warmth of your parent’s hearth and the surrounding family. A safe and wonderful place to even a man such as I, who took it sorely for granted along with the other neighboring fields planted and stamped with our communication, our love, our example.

Time is a tempting and vicious confidant, one that will surely lead you astray and bring mischief and havoc to your very door step.

Tread lightly if you dare to tread at all in love. Hear the heart you rest against, listen to the subtle tick tock of its rhythm. Hold a stone as it were a diamond, train the mutt as a pure bred champion, shape your mud as if it were the finest of all clays from the earth.

The whistling train only passes through the station once. Get on get off, make up your mind – change your mind – ignore your mind. Look into your heart and soul then move forth.

To where it is you should be.

Where it is you’ll be forgiven and nurtured even more revered than ever before. A place so familiar you might even call it home.  A bed so all knowing that it could only be ours. A life so new it could never be as it was.

Know this before you part my love, know that I am true: as I say- is as I pray. But your choice is your choice and yours alone: to rise or recede.

My heart pines like the losing persona in an old film. For I see the sun rising. Shining and setting in your eyes.

I see the fields as they grow under watchful eyes, I hear the wind begging us to move but I stand grounded upon all that is pure and sanctimoniously holy. Definitively tattered- but braced firmly at the center of the storm.

Waiting for the love we loved, Once. The love that we may squander if we have yet to do so already.  A love that can be repaired and grow larger and more consuming then ever imagined.

A love never to slip from my grasp again.

Narrative Ending:

So the fella in this case is condemned to be a shepherd without his flock. Sending signals by smoke along the telephone wire to complete the rendering of the fields. With mercy on his side- may he succeed in the light of the world relentlessly embittered in the dark?

Or will all in life just as after a close death, quietly move on?

Completing revolutions of the sun: that fiery ball of light, wider than the distance from here to Mars and back, with us random like ebbing and flowing on the tides lengthy pull of the moon?

Or is the strength to muster what one wants, really possible?

Can he climb the highest mountain? Could his faith be tested in lava like pits of hell? Can his heart be branded clean after so much life?

And what of her beating heart?

What of her search to dissolve the fears of her own making? How has her beauty helped or failed her. How will she look herself in the eye?
How long must I day dream of meandering through a sweet and enjoyable song with her one last time.

Unknown answers-

More unknown then I, as the player in this drama, would care or dare to admit, but hopeful ever more like the humming bird buzzing summer honeysuckle in rainy times- I shall remain.

I shall see the sparkle of her soul rent the eyes- if only for a time.
Taking both yonder to another space and time, where she’d admit she lied in vain fear and exasperation when she said:  surely she could find no love true and could simply offer no more.

When my flesh gives way to bone cover me in roses. Walk me out in the morning of your mind as a man who loved without knowing how to love.

A male clearly guilty to the highest degree, in any court, of any land: of being careless with a precious gift.

And sadly for the ones who have loved and lost- in the end  life offers only so many windows into the soul of a lover.
Christiano and Juanita a one act: three scene script by Chris Chance- April/May 2010
I lived among great houses,
Riches drove out rank,
Base drove out the better blood,
And mind and body shrank.
No Oscar ruled the table,
But I'd a troop of friends
That knowing better talk had gone
Talked of odds and ends.
Some knew what ailed the world
But never said a thing,
So I have picked a better trade
And night and morning sing:
Tall dames go walking in grass-green Avalon.

Am I a great Lord Chancellor
That slept upon the Sack?
Commanding officer that tore
The khaki from his back?
Or am I de Valera,
Or the King of Greece,
Or the man that made the motors?
Ach, call me what you please!
Here's a Montenegrin lute,
And its old sole string
Makes me sweet music
And I delight to sing:
Tall dames go walking in grass-green Avalon.

With boys and girls about him.
With any sort of clothes,
With a hat out of fashion,
With Old patched shoes,
With a ragged bandit cloak,
With an eye like a hawk,
With a stiff straight back,
With a strutting turkey walk.
With a bag full of pennies,
With a monkey on a chain,
With a great ****'s feather,
With an old foul tune.
Tall dames go walking in grass-green Avalon.
This night I cradled you to sleep
In my arms, you began to weep,
How could I know this was your last night,
On this earth, of this life
-
Tonight I’ve witnessed disaster,
Her longing heart beat ever faster,
Not knowing who I was to her,
I slept softly beside her,
-
I awoke to darkness, and warmth beside me,
Her body cold, the sheets bleeding,
A razor, tucked in her veins,
Her vacant eyes bore depraved
Lines within her gorgeous face,
In her tears there was no trace,
Of heartache, of nothing but peace,
Alas there was turmoil in her face, creased
-
Tonight I’ve witnessed disaster,
Her longing heart beat ever faster,
Not knowing who I was to her,
I slept softly beside her,
-
I lay beside my deceased love,
Like a rat with wings, a diseased dove,
Spreading sickness, depression,
Love is only submission,
-
She gazed in to my emotionless eyes
I had nothing left but despite
The revolting feeling of loss,
I held her beside me until my heart stopped,
It took days, weeks at that,
Skipping sup and water.
Sticking with but ***** and bourbon,
I drank myself in to oblivion,
Somber silence and muffled screams,
Her eyes never closed, though I tried, and it seems
That love is ideology of long ago,
An unkempt burden of tomorrow,
-
Tonight I’ve witnessed disaster,
Her longing heart beat ever faster,
Not knowing who I was to her,
I slept soundly beside her,
-
And finally on my last night
On this earth, of this life,
I held her frigid body to me,
Cradling loss and tragedy
Though she herself never caused misery,
I couldn't wait for death to claim me,
And although she left without goodbye,
I know she feared to ruin our night.
I never knew what question ailed her,
On the morrow I had planned to ask her,
If she would have me then,
I’d be lucky of all men,
To see her dressed in white,
To love her as my wife,
She slipped away within herself,
She drowned in waters of her own hell.
And as my heart stopped beating, alas,
Her eyes closed, and a smile my lips passed.
I LIVED among great houses,
Riches drove out rank,
Base drove out the better blood,
And mind and body shrank.
No Oscar ruled the table,
But I'd a troop of friends
That knowing better talk had gone
Talked of odds and ends.
Some knew what ailed the world
But never said a thing,
So I have picked a better trade
And night and morning sing:
Tall dames go walking in grass-green Avalon.

Am I a great Lord Chancellor
That slept upon the Sack?
Commanding officer that tore
The khaki from his back?
Or am I de Valera,
Or the King of Greece,
Or the man that made the motors?
Ach, call me what you please!
Here's a Montenegrin lute,
And its old sole string
Makes me sweet music
And I delight to sing:
Tall dames go walking in grass-green Avalon.

With boys and girls about him.
With any sort of clothes,
With a hat out of fashion,
With Old patched shoes,
With a ragged bandit cloak,
With an eye like a hawk,
With a stiff straight back,
With a strutting turkey walk.
With a bag full of pennies,
With a monkey on a chain,
With a great ****'s feather,
With an old foul tune.
Tall dames go walking in grass-green Avalon.
Axel Jul 2018
For eons untold I have watched you rise and fall. Build empires and break them. Cure diseases and be ailed by them. I have watched you commune in many religious ways… watched you slaughter for your faith. Now that the darkness has dawned, finally I have come, soaring towards you.

As the farmer brings his harvest home, the librarian pores over long forgotten a tome, whilst the piper flutes a final tone. Echoes from my insides a most peculiar and maddening drone.
Too long soils you have stained with blood, bygone your time of breeding. Your cancerous race, your viral existence… Put out of its misery soon enough.

I soar, adorned in shrouds of doom and gloom, my wings blowing frigid winds and blotting out the moon. Unseen horror, hidden in the darkest nooks of your feeble minds. The stalking predator that lurks near the sheep pen. Crypt born from the graven mounds of a long stained and rotten memory. Ancient pillars carved for me, worshiping us.

No atonement can there be for the existence of human sin. Only to rend and tear your fleshy vessels. In a nuclear chaos confounded to the self-made oblivion, the blindfold to not see, the unutterable horror that is me…

Flee…


If it makes you feel safe and sanctified. You will feel my leering gaze and gaping maw wherever you may hide. Sleep will creep upon you somehow.

Like in times of old, there are some stories they left untold. To prevent further damnation and total extinction, the worship of the gods of all creation. Floating in a sea most nebulous, blackened and foul, adrift outside of the play garden of time and space, there live things without a face.

The piping of mad flutes a harbinger of my coming, a blazing star to wipe the slate clean. Not even a faint echo will remain.
Go out while you can… Walk hand in hand into extinction as brothers and sister, opting out of a raw deal. The last midnight for the human race…

A cancerous vile growth that only thrives for our amusement…
kenye Mar 2014
They slipped a roofie
in the wishing well
Now we're all on some ****** up
American *******

Baptize the *******
In the sacred swamps
laced with chemicals
They bottle feed

We're the children of the same struggle
Hungry ghosts of the nursery
Pacified by the message
they shoved down our throat
via the animation machinery
with malicious undertones

**** on this
Oral fixation
Choke on this
We can fix it
The problem you see
The problem we invented
it's what you want
to be ailed with


The hypochondriac
vs. the human conditioning

Prescribed apathy
They want us numb
Some scared sick lullaby
along we hum
this is for the addictions they prescribe.
Out in the back forty
There's a tree and underneath
Is a lonely wooden marker
All it says is "Heath"

Not many really knew him
He just hung around the ranch
I remember when I found him
Hanging from that branch

He never really said much
Kept quiet most the time
Always had a smile
And he had his lucky dime

Heath was slightly slower
Not in step, but in his brain
But, that didn't really matter
For folks loved him all the same

I remember back in school
When Heath was getting teased
The only one defended him
was me...and Heath was pleased

We were bonded from that moment
We were brothers you might say
Where I was, you would find him
Until that fateful day

Folks say that the Johnson boys
Caught him down by Crindle creek
They girls were down there swimming
And they'd gone to have a peek

Heath was down there fishing
Saw the boys and gave a shout
The girls went off a runnin'
And then Heath was set about

The story gets all muddled
Since no one was around
There were six conflicting stories
On how he got hung up off the ground

The truth will be deep buried
Since only four folks know for sure
And three of them aren't telling
And Heath was number four

I rode out after supper
No one knew where Heath was at
I took out for the creek bed
And there I found his hat

From there I took off westward
Toward the tree, to spend the night
I'd head home in the morning
I'd leave at the first light

But, there was where I found him
Hanging, dead from that old tree
From what ever demons ailed him
Heath had been set free

His folks has left for Tulsa
Leaving him back at our ranch
That's where he will stay now
In the ground beneath that branch

I made a simple marker
Painted white with just his name
And even though nobody goes there
I had to let folks know he came

So out on the back forty
By the tree, yep..underneath
Sits a little, simple marker
painted white,....it just says Heath.
Dallas Oct 2013
Jesus as you hung with arms outstretched

Even as you were rejected time and time again

Somehow you loved us so much that you would give your life

Unconditional unsurpassed love would win

Sin couldn’t hold you, death had lost its power


Over and over you showed us love

Nailed on a cross between two thieves


Three days later you came back

Hell could not hold you; Heaven rejoiced

Everyone could not believe so easily


Carrying that cross to Calgary I can’t imagine

Ridiculed, beaten, ripped and torn

Our sins you took upon yourself

So that we might have new life; so that we might be:

S**AVED
Poetic T Oct 2015
I have been on the road for so long, what's it been,
"Weeks,
"Months,
"Moments?
Who knew,since magi had birthed on to the world chaos
Had ensued on a global playground. I remember an old movie

"God I miss the movies,  
"With power there is responsibility of will,

Will power was the key, if you were ill of conviction
It consumed you, each burnt different. I remember
Seeing some gathered when it took upon them.

It was like a rainbow, like spirits ignited. momentary
Beauty in all aspects. Then the screams, like they were
Aware that it wasn't just their bodies but that they were
Burning soul, flesh all was consumed in magi flame.

I don't know if you could call it good or evil but it was
Survival, the old ways were obsolete. There we norms,
And enlightened? if you could call us that, words even
Simple ones were amazing, imbued with essence power.

Some only had to think and auras of essence flickered
On steady hands, it was amazing, with movements
That flowed weaving intricate designs synergies were
Compelled and movement and words became as one.

"Jesus I hate walking though the old city streets,
"I can sense their essence,
"Enlightened can sense each other in some degree,

The decay in these majestic building so many vacant
White tombs, they fed of the residual aura of what happened
That day, many were set ablaze mass funeral pyres.

"The skies glowed red for days,
"Flames touching the heavens themselves,

There is much anger in these places mortal, and enlightened
Steer clear, in the night as auras permeate the surrounding

"I hear something?
"Hello who goes there,

Words I hear even though not spoken. These are dark
Even more than the midnight sky I walk under.

"I hear you, show yourself,

"Aren't we a powerful little one not many can hear unspoken,
"These places are a playground of rage and anger,

He had such a arrogant tone, I have seen others like him.
Thinking they have a right to taunt the dead with promises
Of life, but it is unfounded. They are just puppets on entrains
Strings bonded with words. Sealing them, suffocating within.

"I have no fear of your creation,
"You have twisted a gift, made it unclean,
"The dead should serve no one let them rest,

My words go unheeded, I know this will be a fight to the
End, only one will make the journey onward on this path.
I scrunch my fingers, each cracking, ready in anticipation,
In knowing what is to come. I sense the fluctuation around.

From beneath the ruins of what looked like a heavens building
(Skyscraper) it bellowed forth eyes aglow. I sensed its
Consumed resentment of slumbers awaking, it grabbed
What was twisted beams of rusted metal and rock.

"Be gone slumber once again in ethers sleep,

I tried a banishment spell as the words first too weak
For the anger that breathed.

"The first angel sounded his trumpet, and there came light
And chains Mixed with purity , and it was hurled down onto
The earth a prison of release is cursed!"


" Your in over your head little girl.

But I noticed upon its brow glyphs of resistant's, this arrogant
One, not so as I had thought. I noticed from where it clambered
The fallen of before, I was not its first battle. Maybe I would
Not be its last, calm thoughts as it swung nearly taking me apart.

"I will dethatch this creation from this realm,
"It will slumber in eternality's evermore,

Spells I eased on thought and hand,

"Flames entwined on wicks birth, feel rages creation  
From earth, burn in silence burn in air, enlightened in
A suns extinguished birth,


The air crackled as earth turned red, molten rock,
Erupted and white bone crackled under the heats
Relentless grip, now for the opposite to shatter its curse.

"Winters howl beckon my call, A single snow flake shall fa,

I do so hate being interrupted I heard his words spoken,
In silence. A blinding glyph summoned forth. I had moments
To defend, or unseen was my fate and then deaths hand would
Grant what this thing was unwittingly birthed to heed.

"Let light blaze the mists of unseen thoughts, let there be
Sight be seen no darkness's curse,
  

Now I'm angry, what kind of arrogant, egotistical **** hole
Thinks that they can do that to me. Time to finish this, I
Use what I have learnt mastered well, I was one of those
In womb when magi birthed. We are only few but we are
As part imbued not only in word but bloods life essence.

"Winters howl beckon my call, A single snow flake shall fall,
Shatter on earth like glass you will keep,


It was a hard thing to do but to meld two thoughts as one,
I worded it in strength first freeze them then eternities tomb.
"Only to be used on undead,
Never the living as it would fold back and dam the herald that
Spoke the words to a fate worse than death.

"Winters howl beckon my call, A single snow flake shall fall,
Shatter on earth like glass you will keep,

"Let that which was twisted now be granted eternities tomb,
"Earth calls upon your slumber now be granted,
Rest in the toils of soils keep,


And with that moment it shattered as earth creaked and took
What was taken now in its tomb of slumbers keep.
Where darkness was birthed souls rested and bones neat.
We took our paces drained where both as such focus needed.

"Your abomination conceded to a fate worth its keep,
"Now its only us do you concede to fates wish,

It was a long shot but you never know, maybe he would of
Conceded in graceful defeat. "So going to fight dam,
His muttering edged forth a spirit blade, we all have an
Aura and our physical presence births the colour of
Physical forces we bring into our world,

"What a big sword you have, compensating for much,
(I giggled loudly, he asked for that)

"Magi filth, I will end you as my pet failed my will,
"I have taken many and will take many more,

Flames of onyx and luminosity bathed the surroundings
As each of us gauged each others strengths, his blade
Glanced on my arm , searing pain greeted as veins
turned black. We fought I glanced upon his self, but he
Just looked smiled and ****** time after time at myself.

But he was weakening to much had he relied on spirit
And not himself. I ****** upon his being in one last fatless
Blow, His sword shattered in shards of spirit he was cut.
He bleed slowly not blood but essence of himself.

"This cant be your but a girl,
"I will beckon my spirit to the fallen I will live on,

"Can you hear my thoughts?

"No why would I need to heed your contemplation,

"I just sealed your thoughts none shall escape,
"You will pass into the ether there to stay,

"I will not go like this, do you realize who I am,

"A dead man,

And with that I walked off no longer a threat, just a
Dying magi, with moment left to contemplate what
Was done. A noise heard as I walked off, I thought
Of not turning, of not giving satisfaction on a fallen.

"What do you wither about, in dignity fade out,

But my eyes did see what ailed him so, for where his
Essence did bleed upon the patch his creation fell in
Earth it rested but it wanted one more to join its kin.
Swallowed up then silence and gone. He joined those
That had heeded his worded will.

"Daylight beckoned as I walked on the city even though
In ruin had a certain beauty in its collapse,


I walked onwards nursing wounds with word, healed
But still hurt. That was a battle I wish not to repeat. I just
Want to wonder and meet those of norms and magi and
Live in harmony and peace. But remember all, there is
Much power in the world with word and thought.
Ignatius Hosiana Jul 2015
For your happiness I'll move mountains
If I fail, you my world will know I tried
My desire is like natures spring and fountain
None in history with passage of time ever dried

When lost in the oceans, I'll be your radar
To point the vessel of your heart in the right direction
And when you need to climb, I'll be your ladder
When ailed I hope to be your prescription or injection

When your enemies close in on you,I'll be your shield
I'll light your way when darkness takes over your universe
Because our attraction is more powerful than magnetic field
I'll be the rail to the train of your life,ceteris paribus

I'll walk all the miles of your voyage's estimation
Nothing would please me more than sharing your destination
Sing we for love and idleness,
Naught else is worth the having. -Ezra Pound*

Today, there are no words on my lips.
Love has no surprises and life no pain.
The faces before me refuse
to invoke grief or any whisper of hope.

The dying oak tree in the front yard creaks
and whimpers and begs for peace.
It has witnessed the years and taken
them in indifferent solitude.
I do not think it wants to live
this solitary life any longer.

Under its rotting armor a fragile sign of life.
And just beneath that thin layer of green vitality
lies years and years of death.
I should hope that it heals or falls to the ground.
I do not think it wants to live
this ailed life any longer.
I know it will. I have not the benevolence
to chop it down.

I stare at the flora of branches,
the sun tries to emerge from the clouds:
it cannot. It sheds a tear of futility.
No one hears it, though.

I think of the days of childhood past,
where the laughter was abundant
and the smiles genuine
and the tears flowed without any hesitation.
That was a long time ago.
An innocent version of myself climbed
the branches and appreciated the
tree's fortitude.

I wonder,
can this dying oak support my weight?
Have I grown too much or has it died too much
to climb it?
Have I died too much to climb it?

I disregard these thoughts and continue:
Deadweight swings on a lowly branch.
I fear it will snap but I continue to hang.

It does.

I fall to the ground and appreciate the skinned knee.
The only pain available
on such a lifeless day.
cacia Nov 2013
I am an aircraft
and you are my wings
let sail
together
and the skies
will be our
tales,
love will feel safe
so high it can trail
and time will scale
to an infinite
amount  the stars will feel
pale.
prodigy is ailed.
Natasha Feb 2015
I have alot of opinions, this particular one I am about to share with you today is a seemingly less popular idea amoung the masses.
Let's take it back to right after the first world war- soldiers coming back from battle were ailed physically, but what drove many of them sadly to the points of insanity and suicide were the things they had witnesses on the battlefield. Scenes of people infected with festering diseases that eventually took their lives, some with arms and legs completely taken off- still walking around in the shock of it all, and most of all- the death, the brains and blood and insides of what used to be living breathing people now splayed out across the landscape or piling up in the trenches. The mere thought of it is absolutely horrific.
Today, we can turn on our various screens and witness the horror in high definition, excruciating detail. Human being desimating human beings. Killing each other for fun, taking another life for fun.
I know I am mostly alone on this, every single man enjoys his brutally violent video games, gore movies and zombie thrillers are the biggest thing right now.
Personally, I feel its disgraceful. A total disrespect for the dead and human dignity. Think of your grandparents, your parents, all of your friends and family. Would you be so excited to see them fall victim in the zombie apocolapse? Already dead, reanimated, rotting corpses of your loved ones attempting to take your life. Would you be so thrilled to have them pinned at gunpoint, because to the shooter- its a game?
This numbed human experience is insane.
I don't believe in it, and I refuse to live by it.
Yes, I have been exposed to blood, guts, gore & war
But I certainly don't absorb it for fun, or as a silly past time.
These are peoples lives.
My opinion
Nat Lipstadt Mar 2014
I once loved a woman so,
left my wife, my young baby children,
desperate desolate for a scrap of
a reason to exist.
her, the other woman,
welcome was unquestioning,
she was an answer.

you may judge me,
I've paid and pay on-

but this is not the taken tale,
verily, I have come to write.

Jennifer her name,
was my savior,
took me from the cross unbearable,
washed my feet, covered my wounds
rebirthed me a new man.

weak was me,
fell fallow to cries,
whimpers of the weak,
weakened me worse
and she said

go,
bewitched man,
magic enough to defeat
the wicked one,
but not
the weak ones,
I don't possess,
you have to have
metal in your mind,
rock steady,
maybe you do,
maybe you will,
but no crutch of steel
can I be forever.


but this is not the taken tale,
verily, I have come to write.

what I remember best,
the love I lost for
the lesser love I gave up
and took back
as a lessened and lessoned man
is this:

my chest, my heart,
for months, not weeks,
for months, not weaks
of words,
hurt so bad I
could not believe,
my life forfeit,
this heartache palpable,
was real beyond belief

when I went to the
emergency room, the doctors,
stethoscope-confirmed,
my tearing-warped, embodied mind,
had no prescription, no surgery,
for what ailed the failed man.


when in the street would see her,
in the elevator trap, smelled her smell,
for seconds I was triangulated,
until lost sight, and was ill-mis-positioned
once again in a shaft that could only go
down.

Shortly thereafter,
took up pen and paper
bad damage to repair
and began to write,
decades worn, pen nub'd
the writing,
never thereafter,
stopped or ceased.

now I ask you plain
straight from the
place of pain,
that is almost healed,
tho twenty years,
the damages are still
upon my persona claimed,

for this is the taken tale,
verily, I have come to write.

how do you like your poet's poet now?

not so much?
I chew my way through nickles I earn from angry tourists ambivalently tossing percentages into a jar. I've learned that some of the toughest people come from the proletariat. I fear the people that have worked at McDonalds for 20 years. I kneel before the Knights of Mediocrity.

I check my mail and I come back with a fist full of loonies and quarters. Payday. My great big nose reflects back in the copper before I put the coins into my mouth-recepticle. It is barely bearable. It tastes like blood, but is it from the metal or is it the coin cutting my gums? With the sheer yield of my fields was I able to get it down. I wash it down with some OJ.

Of the queerest men and women I have met, most of them were from the same world as I came from (and to which I will inevitably return). The world of the workforce. I am merely ailed by itchy feet and a severe fear of placidity. I work hard. But only if my work is paid in mileage. If every penny spent is a road to anywhere but here.  

A former colleague of mine developed prominent ****** ticks from working as a cashier at a market. The world falls harder on the content, because their yields shield most of the fall. People die both in front of  desks and between steel beams.

Two men sit in silence, playing chess. Suddenly, an argument arises and both parties toss theories of chivalry between one another before one of the men yell,
     "I don't think it's quite that black and white!"
Lucas Mar 2016
Death has played my ally
and loneliness my friend
depression my one constant
-- a torture with no end
perhaps it's just a phase
that I will one day mend
for now death is my one ally
and loneliness my friend

Death has played my ally
and loneliness my friend
once a trait I stood by
turns to no more than a bend
in a road that lead to nowhere
or so the screamers say
Yet it's the only trail that's fair
so I travel on my way

Death has played my ally
and loneliness my friend
yet it's all one big ailed-lie
that has ailed my life to rend
Brent Kincaid Apr 2016
I’ve run the gamut
From plus to minus
From nearly the worst
To among the finest.
But there was an actor
I’d love to date again.
The incredibly attractive
Richard Chamberlain.

Richard Chamberlain
You magnificent man
I blush to write a poem
But I will do what I can
To get the point across
That you’re one of a kind
To think otherwise one must
Be deaf, mute and blind.

I am just old enough to
Recall young Doctor Kildare.
I am sure with cable now
It always plays somewhere.
But, for a young gay kid
I immediately lost my heart.
I could not convince myself
You were just playing a part.

To me you were the doctor
That could heal where I ailed.
No matter that at this time
What I felt could get me jailed.
I just went on and pined for
This beautiful man on TV.
Every word he said seemed
To be music to young me.

So when I got the chance
To spend an evening with him
Dancing at a nice party
Thrown by a mutual friend
I jumped at the chance
And broke a cardinal rule
I told him of my crush on him
I am sure I looked the fool.

Thus, it really wasn’t a date
More of an amazing evening.
That kind of happy accident
I still have trouble believing.
But it counts as a date to me
When a delightful, classy man
Spends the evening chatting
With an obviously smitten fan.
jad Feb 2013
The stars were startled awake by the thundering snores of the suns slumber,
and brought to being by the night.
They twinkled and bickered
They were ailed with the task of holding the sky up
while the suns eyes were set to rest.
Patricia Arches Oct 2013
Have you ever heard
of such a thing
as being heartbroken
for hearts, not your own?
absurd

tell me please

because I do not seek a remedy
for myself
to soothe my ailed heart

see,
it's not my heart that's shattered

but
I'd let it shatter

oh, I would

if it could make yours whole again
I don't know how God does it.
Her childhood she spent
In a backwater of development
Where harmful practices
Mainly the fair *** that subject,
Thrived rampant.

A blow on the row dealt
Broke she sobbed and wept
Irritate at a community
Social filths that tolerate.

On a way to school
***** by a woody pool,
She and her dream
For a life better
Got asunder,
Not to mention
The lacerating physical pain
She was forced to suffer!

A mental serenity deprived
Panicky rendered
Worse still,
A sinful by all shunned
Her psychological carapace
To panic ceded  place!

A mental serenity deprived
Panicky rendered
Scoffed out from school
She dropped.

With few
To understand her position
She felt it a terrible sin
To give a red card to the seed
That forced its way in.

However unable to withstand
Repulsion to the conceived
Revolt took the upper-hand
As it is not hard to understand.

After the conceived
A cherub turned
Qualms of concise assailed
Afraid abduction
And a **** second
In fleeing to town
She sought salivation,
Expecting people
With a touch of civilization.

There, to a couple with a child
A servant she turned
And some skills she acquired,
But seduced by the husband
By the wife upbraided and slapped
Half her chicken fed salary deducted
To compensate for a glass
She clumsily in haste smashed
Herself she found
Cadging for bread
And shelter in the neighborhood.

By a dealer advised
And lured by what she heard
Hand me downs attired
A brothel she joined
With feelings buyout
Inundated.

Nights wild she spent
With the fortune and alcohol mad
Even the pilferers and the frustrated
To alcohol,'Chat',***-******
And hashish addicted.

So and so her health unheeded
She soon ailed from ailments of every kind
And took to bed.
To the God blest friends who brings
Her bread
This she said on her deathbed,
"As tradition bid
When my obituary is read
My body to my mother town ferried
And dust on me turned,
Make sure this is included
When before God  I stand
And my case is heard
"Where is your conceived?
And why my commandments
You haven't observed?"
I will answer
It is the community that
Me born and raised
And cruelly molded bad shaped
accountable should be held
For all I did ill fate coerced
Besides to hell I am inured!
Thanks to' you revering mankind!'

So God
Hell if once more
I am to be remanded
Am I to be sacred?
From earthly hell
To heavily hell transferred!
© Alem Hailu GAbre Kristos, 5 months ago
To **** victims in my country and beyond!
Megger Oct 2014
Do you know not of how badly I want to sing my song to you?
how much, how often I yearn
to reach out to you, “my something”,
and utter a florid cacophony of emotion past my thin lips
and into your ears?

Although I have already written you prose
this provides a paltry effort
to soothe the innate desire for me to sing.
“This I believe”; it feels of but a modicum,
inadequate to depict your lithe stature,
and unworthy of your alluring azure eyes.

Oh, if only it were as simple to sing as the others make it seem.
But how are they to know truly of my turmoil,
my struggle between the face of perfection
and the face of regret should I keep safe my song?

It could have been any face, I suppose,
but what is a face to me if not to be backed by good nature?
Because of this, singing is not aided, only ailed,
and not only behind the face does lie a brilliant disposition,
but is on the surface polished to mint at every angle.
And if in the case this face was not so,
I would not have a song to sing.

           Thus I am fearful,
            for it is I who knows not of how you will react if I sing my song.
       Cowering in the corner, disheveled and wild;
I: the peasant,
and you: the king.
Two worlds that are never meant to cross,
two realities remaining untouched by the other.


And on that ill-fated day,
when finally the peasant exercises her lungs,
will the king banish her,
sending the peasant back to grovel?
or, perhaps,
will the king accept the peasant into his court?
and, on that slim chance,
would the peasant,
feeling welcome enough,
allow herself the privilege to trot on such holy ground?
Probably not,
for did the king ever want to hear her song at all?

Yet a time will come still,
with the crowning of a new sun on the horizon,
when the peasant must decide;
will she admit her song to the king?
       Or will forever she remain safe in her silence,
       safe in the unknown judgement of the king?
I swear, I'll be forever editing this poem the way I'm going
Kelly EC Jul 2013
I see your future in my neighbor,
The lanky older gent,
Whose smile as he walks on by
Is nothing less than heaven-sent.

I see him walking on our road,
Towering over is little wife,
Her arms are pumping,
And he is waving,
Beckoning me
Look
At our later life.

I had always wondered
Why his lady was so sour,
Eyes stuck on the street
Just continuing her saunter.

This was before I knew
Dementia ailed her,
But her man is persistent
In making memories
Into their future.

The first time I saw him frown
Was when they were apart.
Never had I seen one without the other,
Their love,
Enduring art.

He’s faithful,
Loving,
Caring,
Kind,
And she will keep forgetting
All he does for her
Until she reaches the other side.

I want to believe that our life together
Will come without pain,
Without suffering,
But my neighbor
Down our lane
Shows me
It doesn’t matter,
The strife we encounter,
As long as we’re together.

You’ll watch over me.
I’ll take care of you.
No matter what comes our way,
This love is here to stay.
rey Jan 2015
Find me in your pile of tissues
It was about time we promised each other to leave, and
Xylophone sounds ringing in your ears used to be mine

Moonshine is quiet and pale
Even though you asked me to brighten it up

I** will stay in your head as an apology
Nailed on it
4 gigabytes of memories, and
5 months of regret
Maybe one day I'll stop writing things based on fall out boy songs but that day is not today.
Pat Broadbent Sep 2018
Rings on rosewood linger
from a cold glass of ice
that warmed but soon after,
whose contents evaporated away.
My chaser became the room,
matching it twice
in form and temperature,
Would never have stayed.

So I roll the glass
with a retrograde tilt,
but keep it in place,
but keep it at hilt
such that knurls on the crystal,
jagged knuckles on the base,
make it thump in a path
and it steps and it stilts
in its own kind of track
while connection with the ground
through multiple laps
stipples neatly on a plane—
infinite curve by singular tack.
And this motion is contained
to the confines of the round
of a bullseye-mark stain
where a highball was put down.

Reminds the afternoon patina,
the hunching over my piano,
the warmth of its shade of cocoa.
And the mug I placed on its bench,
where subsequently the lacquer
gave way to warmer matter
and a matte “O” was forever etched in print.

Reminds of sap-stuck fingers
that ailed us backwoods explorers,
that neither the soap nor the hottest water
could manage to separate.

Reminds of the smell of the road
that gashed through wild mint
with its tire-milled dirt pounded thin,
and the hazel dust that arose
and managed to stay ever close
when the little Sahara was traversed again.
Those clouds would form and move and clove,
and the dry would pinch in your nose;
yet it seemed the only stretch of land
to never see any rain.
And now it strikes as strange,
and I’d love to explain, but can’t—
the green was never killed,
while cleaved, and beaten, and grilled;
it managed to weather the dust
and ride on the cusp
of the electric months after May.

These things don’t peel away.

Reminds how none of this strays
too far from the path,
or too far out of mind,
and the nature of present and past,
how inseparably they bind.
Like the light to the glass,
one moves through the next,
and all the moments hug tight,
each forebears another's context.
Martin Narrod Jun 2017
A rolling coaster pitched onto the lawn of life. Echoing promises we ****** up on a Friday night. Each and everyone is a little child, even if they've won the lottery it still takes forever before they change their style.

Keep forever in the headband wrapped around your brow, leave your acid tablets there with some mistletoe. Under everything, there's just something they all seem to leave behind. Even if the stitches are out, it's the seams that'll leave you blind.

(I) Could use an apostrophe, or an apotropaic and a glass of whiskey. I could use the color of the war, all the drugs on the west coast, and it still wouldn't erase my memories. There should be a couple of things they sell at the corner market in the middle of town. Maybe one day all the ails will go away from the things that've ailed me all today. Maybe the rain will stop coming, and you will stop judging, how I chose to run away from every thing that ever scared me to an early step into the grave. I'm not going to write, I'm not going to bed, I want to smoke my cigarettes and light a fire between your legs, let's make falafel, you can tell me stories about your father, and the apostles you made a point to disobey when you gave away ******* to everyone in the 6th & 7th grade.

Tell me, where was I? I was eating crow and yelling in the street. Where was I? I was turning 17. Where was I? I was reading E.E. Cummings, trying to learn about loving, jerking off my eyes to Derrida about nothing, I had to teach myself something. Where was I? When you were auto-asphyxiating and choosing who would get you to come to, who would bring you to come too, I was in the next room with the t.v. on mute, pretending I couldn't hear you, but I wanted to tear you apart from the start. You've been the smartest girl that I'd always wandered apart from, until I turned into the guy that you fell through my arms, and I turned your pilot light on, and I'm with you now. I'm with you now. I'm with you now. I just hope I can choke you too.
a g Apr 2015
Emily Dickinson (1830–86).  Complete Poems.  1924.

Part Three: Love

XXIX

THE ROSE did caper on her cheek,
Her bodice rose and fell,
Her pretty speech, like drunken men,
Did stagger pitiful.
  
Her fingers fumbled at her work,—       
Her needle would not go;
What ailed so smart a little maid
It puzzled me to know,
  
Till opposite I spied a cheek
That bore another rose;         
Just opposite, another speech
That like the drunkard goes;
  
A vest that, like the bodice, danced
To the immortal tune,—
Till those two troubled little clocks         
Ticked softly into one.
LJ May 2016
We are chaotic but focussed
We are on stream and tangents
Timed but out of words
Fine but sailing at mercies of the world

We are brave but chicken heads
We are on seams and bursting
Trodden but on the float
Alright but sparkling with glows

We are silenced but screaming loud
We are on a cliff and dancing
Submerged but on a trend
Fine but sailing at the mercies of the world

We are saints but confessed sinners
We are ailed but healthy
Flying on wings high above
Alright but sparkling with glows

— The End —