it's the 50th anniversary edition of william burrough's naked lunch, with the original cover, looking at all the annexes is like watching modern history with Russian annexing Crimea, anyway...

indeed the nature of addiction, i chose mine to
cure my insomnia - i *chose mine -
the less nasty less mythical name for it is indeed
metabolism - any hard-craft alcoholic walks into
a bar - drunk ******* and egoistically gluttonous
idiots come out like giraffes - vomiting into
the gutters, more Marilyn Monroe moments
showing off knickers even without the metro gust -
you drink enough and watch people drinking
for the psychoactive ingredient for dis-inhibiting
effects (buttered up talk, smooth there, quasi
Don Juan wannabes) - as Burroughs said: PLAN
YOUR ADDICTION - become addicted if some other
weakness is beating you - amtitriptyline doesn't
work without alcohol to what's desired as the lullaby
effect prior to K.O. - don't measure up to a veteran,
he'll beat you with experience, given it works -
i can imagine why hallucinogenics aren't metabolically
affecting - too much implants concerning the
world beyond, and god, and the secret of the universe -
you can't get addicted to these things - because there's
the bad trip, and you're off the hook - no more spiritual
trips looking for answers - repetition of the everyday
kills it off like flicking off a light switch - but, years
after the Beat movement, the Beats really did underestimate
the addiction of marijuana - they thought it was
the ****** drunk... oddly enough marijuana is linked to
alcohol and ****** addiction, it too is metabolic -
i'm not a medical expert... but i have heard of stoners
and their munchies - anything relating to food,
to metabolism is included, marijuana is the middle-guy
between the standards and Disney -
you heard of being monged, right? marijuana is as addictive
as alcohol - originally a giggly drug, a conversation
starter - marijuana - ends up being
an Jason Segel and Ed Helms film Jeff, who lives at Home,
it's this uncontrollable effect that proper intentions of
marijuana have: supreme thoughtlessness - or
the present vogue concerning "mindfulness" -
Jeff basically overthought himself on the high - he didn't
detach himself from thinking, now he's paying the price -
he's making completely random associations -
and why do stoners always waste their time in front
of t.v. or television - marijuana is a purely auditory drug -
******* to the park, pretend to be a fake Buddha imitation
and create the void in yourself to make your mind
the M25 at 3 a.m. - but this innocence with the Beat
movement associating itself with marijuana is partly
why it was legalised - the government wants rejects and,
to be frank? retards - that's why they legalised it -
they knew with the munchies jokes that marijuana had
the same metabolic addiction components as alcohol and
***** - you're metabolic dude! once addiction sets in
you're no longer in control of brain-freeze - you didn't
think it up on the psychoactive Everest - when the nice
sensation was still there, marijuana realised you zombie much
later - all the in-jokes of stoner culture suddenly passed you,
simulation dementia ensued - i'm way past the psychoactive
asset of alcohol, no slurred speech, no nothing -
but i retain the psychoactive point of metabolising excess
alcohol: if i didn't, i would sleep! i wouldn't sleep!
don't get me wrong, i get the point that i can't really
experience the negatives of reaching the psychoactive purpose
of alcohol and ***** in a street or join the football hooligans -
and surgeons drink to calm the nerves and calm the hand -
but alcohol is more cool headed and less phantasmagorical
than ***** addiction, for one thing your palette improves -
you find the most boring tasks liberating -
but the nights are the real nights, esp. if slumped on the sofa
watching t.v., unless you don't have a backlog of un-watched
Versailles or Billions episodes, you really need to go for
a 4 mile walk and breath the air - then half-sleep for
about an 2 hours (because you have limited money and
sometimes you pass a day without Auburn Whitney) -
you become rigorous - the prime solipsism - no time for
girlfriends, doesn't matter, my genitals weren't mutilated
as a child, no one forced a ****-*******-marriage-ring
on my finger - i can actually enjoy addiction - i end up
eating one meal a day - of course my face looks candyfloss
puffed up - but my soul is partly helium pubescent -
alcohol addiction is not ***** addiction even both
are primes of metabolism takeovers - no hung-overs too,
no blackouts - no fake "i can't remember" stories
when something ****** up happened - and certainly no
innocent look at the fact that marijuana is also a metabolic
addiction - unless of course you limit psychic ingestion
(excluding music, music is great to arrive at thoughtlessness),
but as most stoners (the next alcoholics) prove,
garbage the mind with American Dad and then get hungry -
binge eat - the stomach can drag the brain right down
into the acid pit and fry it - zombies galore - you won't be
able to catch yourself stopping thinking, the stomach
will do that for you, and you'll enter the zombie apocalypse:
just like my neighbour - there's a rat-like ritual involved,
for example, most people get sleepy from marijuana -
so it's not an addiction standing at a bus stop
pretending to be waiting for a bus and smoking?
that's addiction - the metabolic Gargantua has already caught-up,
addiction is primarily a solitary affair - it just depends
what you do with it... i'd be ashamed with my alcoholism
if i didn't write poems - the counter-effect is that i feel
some sort of social-inclusion when the day finishes -
i feed the cats, write invoices for my father (40% of
18 - 35 year olds live with their parents, because all
the foreigners bought all the houses intended as: buy to let -
is my money going down my drain, or is this
a post-Freud Oedipus stigmata killing familial relations
altogether?), cook, clean the house once a week,
cut the cats' nail and brush them - and to counter
what i don't do? can you imagine listening to a symphony
with only violins playing? not so genius hearing that
sort of Hollywood story with only cameo characters speaking.

psiór vs.
                        pśιór "debate".

every area of interests has its cul de sac,
its brick-wall, a dead-end as it were,
a point where transcendence is
welcomed, unavoidable,
but nonetheless: miserable stalled.

philosophers have the cartesian
   cogito ergo sum -
whatever arithmetic of wording
they produce, not even samson
could topple this pillar of foundation
for the temple of thought.

the same is with my example...
it would appear that the diacritical
**** ι with a floating head i
did not translate further, beyond
the same treatment of yot (j) -
(gee a jeep! yodh: serif (י) and
rashi (

yet by oath alone, hebrew orthography
invokes itself in letters...
unlike the post-roman orthography
of words...

                   ι    י      
                      Y         (    .    )
                      ي

                            ­        floating alongside
e...
         if only the greek sigma
   had the tetragrammaton of the arabic "ι" -
the initial σ (يـ‎) & the final ς (ـي) are
indeed there, but what of the isolated
(ي‎) & the medial (ـيـ‎) - unless of course
of course we treat to invoke the
upper-case: Σ - such as is missing in arabic,
and is only a question of: how much
the prolonged line?

p.s.

   why would i ever like the evolution
of gaming?
  well... teenage boy, "trapped",
by a video game,
what were my usual saturday mornings?
strapped to an PS1....
tenchu, metal gear solid...
       i am a gamer,
like most people are readers
on the *******...
      i'm here to play a game,
with indefinite time constraints,
as i am concerned about
  massaging my ****,
to ease my prostate concerns...
wankers.

          i'm still going to listen
to byzantine chants...
    because? modern gaming,
well, sure,
   it's, "free"...
but there are in-built
           payment processors...
additions, etc.,

   like me and my maine ****
cat,
      6 candles....
i know he wants to "escape"
via an open window,
but before he can "escape"
(i will let him put)...
he has to play a blinking
game with him,
i squirm, i close my eyes,
he does likewise...
  the candles are still lit...

but gaming has evolved...
"once upon a time"
you'd run into a games shop,
tongue waggling...
for the next big release...

      i know... i know...
war robots...
           that mobile game...
2 lame 2 blame...
that's my user name...
i haven't spent a dime / cent /
penny on this game...

what i do like,
is playing the game with
a...  ah! - - - - - - - - - -

but times have changed,
it was no longer about RPG games
akin to final fantasy VII,
and cheat books...

or playing Sims 3000 finding
the escape wormhole
of playing a Sim playing
a computer game: inside a computer
game...
            
when you bought a game for
$50 bucks...
and was never told:
it's "free"...
but then have to invest in
******* overpriced additions...

- - - - - - - - - handicap!
        i like war robots,
because?
       i like playing with a handicap!
the people who spend money?
mostly Koreans, Russians,
Kazakhs... H'americans,
Brazilians...
            you know,
what really evolved in gaming?
the chance to play in a non-NPC
environment...
   to play alongside live gamers...

that **** broke the ******* camels
****, sack, and *******...
last time i checked...
women were more into gaming
than the men were:
candy cwash saga...
   men fathomed gaming
via the narrative component...
but what of this additional
payments?!
in the good old days:
you paid 20 quid, you had your narrative...
now, "fwee"... but,
no wait... there are... additional
payments, you see?

i like playing a game,
handicapped...
in a free game environment...
when, your prized asset
is patience?
and all the rich arabs / russians
are spending money,

   and you, simply, wait...
and perfect your tactics?!
while they are buying up all
the "cheat codes"?
        sure... they'll serve the purpose
of staging 4000 battles...
you, eh... around 300+...
but their % rate?
      6... they have a 6% rate of success...
with 4000 or so battles...
while you?
           300+ battles?
roughly in the range of
60 - 50% success rate...
        gaming, has changed,
games were never "free",
as they are "free" now...
        
   hell, i'm not a gamer to be honest...
some people treat taking a ****
as the only time required to read
a book, i treat the same "timed" allowance
to play a game...

                 my mother is a gamer,
we've reached a moment in history where
women will play more mobile games
than ever boys would play,
video, narrative games...

          my mother is a gamer,
that's just eerie...
                   i have a second game
in tow....
   a blinking game with my maine ****
cat, surrounded by 6 candles...
oh he has the garden for the worth of
night...

but gaming has changed...
    i like the handicap dynamics of
war robots...
       like **** will i spend any money
on the game...
  i want to play against
the paying russians, chinese, arabs
and kazakhs....

          ******* - my favourite mode...
team work...
every single time i leave
my rogatka to jump and sprint
capturing beacons
when the battle is almost over...

thank **** i just bypassed
the evolution of PS1 into PS2 and PS3
and whatever else came...
     i missed about 10+ years of
gaming...
   and i hit the beehive jukebox...
of games without NPC characters...

i revised gaming at the right time,
when NPC disppeared,
completely,
and gaming became revised
by the internet live-event
game-membership.

I just want to ask one question
Is the human race obeying the mathematical rule called BODMAS?
Just a refresher...  
Brackets, Orders, Division, Multiplication, Addition and Subtraction

We have created different brackets
where we enclose people like casket
He's black, she's white, they are rich,
those are poor, she's educated, he's religious, he's fat, she's slim... Brackets

People are treated differently
Based on the class that we've put them in
Some are raised to power like exponents
Others are trapped in like square roots...Orders

The segregation has only intensified our division
I don't fit in here, I belong over there
My group is stronger, those ones are losers... Division

Disunity and absence of love has caused
A multiplication of our problems
Threats, deportation, persecution
We don't like them, we'll bomb them
War, insurgency, terrorism, hate speech... Just problems Multiplication

Every second, our population is experiencing several additions
Our population keeps growing while
Our natural resources are being exploited
And depleting at a rate faster than our population growth
Our resources are experiencing severe subtractions

I just want to ask one more time...
Aren't we obeying BODMAS?

for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (

Mumok Museum [24]

What am I doing in Vienna,
staring at cold sterile pop art as the whole entire world we're on burns,
in a city I never wanted to go to,
doing things that never really seemed that inspiring,

& it's not that I have an antipathetic attitude towards these pathetic fools,
in fact it's actually just the opposite of that because I'm an actual optimist,
which is why I don't feel inspired by bored cyborgs their wires or their tools,
& precisely why I'd rather gather flowers than be an actor for their power,

see I find more inspiration in a single leaf on a single tree by a river bank,
than from all the colors & lines contained within the walls of this museum,
which is why when I'm asked all the time what kind of poetry I read,
I reply I don't even read poetry see I don't find it in books I find it in seasons,

It's the same reason I don't need to go to church to pray,
because I don't need my messages from God to be translated by a human,

anyways where am I at & what am I doing?

Oh yeah Im at a museum in Vienna wondering where the inspirations gone,
& why everything seems so excruciatingly tiring,
see it seems we’re on the verge of a collective mental breakdown,
at the same time like we're on the precipice of a collective enlightening,

either way the system’s short circuiting & could do with some rewiring.

Why does every rags to riches story I know of those that've made it,
end in an overpriced designer outfit at home bored all alone & jaded?

Why is Consumerism followed like a religion,
I mean we're all made of the same DNA strands regardless of name brands,
I mean everything is just carbon hydrogen & oxygen anyways,
which may explain why materialism is immanent in every independent man,

while an apocalypse seems undeniably immanent &,
we dwell in the highest heights ever built still we don't totally understand,

we don’t worship Jesus we worship Visa,
putting good credit ahead of good morals,
don’t praise Muhammed in a daze we say our grace in front of TV Dramas,
no Buddha dreams just computers screens no real friends just PayPals,

& maybe that’s why it's easier to be blind than to see,
maybe that’s why we hide in museums behind Valentino sunglasses,
because we'd rather have expense tastes than be free,
but when you’re behind any type of four walls you’re trapped in,
whether on a Penthouse terrace with Paris in Paris,
or doing hard-time for white collar crimes with Madoff in a Federal pen,
either way we’re victims of our own additions trying to buy more time,
but running out of credit as banks are collapsing & the recession is relapsing,

so why even buy things when we know not so secretly,
that only Love will set us free from these retro restrictions & their trappings,

see,

the best things in life still are still free,
& yeah liberation is expensive & self renovations are extensive,
but freedom is priceless so live a life that's righteous,
seems that the Love Pyramid is the only pyramid that’s not a Ponzi scheme,

because we are all equal even if we’re not all treated equally,
that’s why some have no clothes while others wear designer denim jeans,
but these Diesels're 2 tight on my thighs this macabre carnival has no prize,
& I can do anything I want with my life but all I really want to do is breathe,

breathe,

breathe because this lifestyle is expensive,
but freedom is priceless,
even though they'll try to capitalize off of anything,
so they market it & try to price it,

I just,
want to find a place to relax & release,
& be free of all of this,
find true love & say “Fck off to the politicians & all their politics!”,

fck their programs fck their projects,
fck their ugly agendas dressed in artificially splendid splendor,
fck their quotas & their motives for treating human beings as objects,
fck their pre-programed consumerist culture of conmen capitalists,

fck there putting machines over human beings,
just to increase the place where their profit sits,
& I say all of this regardless of who it offends because I'm not an Apologist,
I'm more of a Lyrical Pharmacist,
who serves indiscriminate prescriptions in the form of transcriptions,
in order to assist in the additions that come from positive developments,
which will occur for sure once we switch the position we currently sit in,
& restore Divine Order once more in the name of Humankind's betterment,

in the game of life I play,
they know I'm so official that I don't even need a Letterman,

I just,
don’t know what else to say,
I don’t know why I’m at this museum in Vienna,
hiding away on the top floor writing this to you on a Sunday,

on the 5th floor got it all but I just want to give more,
I just want to gift these words then make my escape,
don't you get it I don't want to get more ****t,
if anything I just want to find a way to give more of what I have away,

just want to be alone,
but also want these words to be known so the truth can be shown,
but where do you go when you’re tired totally over it all,
& all you want to do is rest & write these poems,
but even with all you have you still don't know where to go,
because even with all these things you still don't have a home...

Hello,
could you please pick up the phone,
I’m calling because I still love you,
& I want to come back to you even though I know I’m already gone,

currently on the top floor of the Mumok museum in Vienna,
the floor is the 5th to be exact,
& yeah it’s true that I don’t know where I’m going,
but what I do know is I don’t think I’m ever coming back,

online & off track,
writing more words with more rhymes,
than any other living writer in contemporary times,
& no I'm not lying 'cause I'd never lie to you & yes those are both actual facts,

& yeah that’s a fact & yeah you can Google that,
but I’m going to follow that fact with a question,
before I forget to mention,
let me just ask you what I'm doing here in Vienna?



What am I doing in Vienna,
staring at cold sterile pop art as the whole entire world we're on burns,
in a city I never wanted to go to,
doing things that never really seemed that inspiring,

& it's not that I have an antipathetic attitude towards these pathetic fools,
in fact it's actually just the opposite of that because I'm an actual optimist,
which is why I don't feel inspired by bored cyborgs their wires or their tools,
& precisely why I'd rather gather flowers than be an actor for their power,

see I find more inspiration in a single leaf on a single tree by a river bank,
than from all the colors & lines contained within the walls of this museum,
which is why when I'm asked all the time what kind of poetry I read,
I reply I don't even read poetry see I don't find it in books I find it in seasons,

It's the same reason I don't need to go to church to pray,
because I don't need my messages from God to be translated by a human,

anyways where am I at & what am I doing?

∆ Aaron LaLux ∆

from The Holy Trilogy Vol. 2: Mandalas
available worldwide 08/08/18

My favorite parts about myself
Are the metal rods
Protruding from my skin
My nose
My ears
The diamonds            
They sparkle
How is it that I cherish
The things I added
The most
My favorite features are stitched in
Mounted to my skin
For I do not find much beauty
In myself
But my expression of me
Is slowly getting to
Where I need it to be
Decorating my skin
Embellishing myself
Soon I hope to have ink
Streaking my surface
On display
Shards of the inner me
Out where everyone can see
*maybe one day

in the year 2462 those with nails protruding from their palms
will talk in ancient tongues
& sway the tribes of men to eternal love,
& endless ammunition
of the soul.

spiritus.
kin, galactic
& the golden fire.
throb the saga of man,
into hip ****** illusions and combustive color schematas.
we bury our dead in flower clippings
or skull bits.

        [skateboarding rises as the highest form of intellectual sport]

thrum and plum-*** the sewers of electric babylon.
hive city reaching past gasp and wasteland,
her lips ruinous.
cement slabs and coils of fault with
vast artistic possibilities.
these skate-lords from their heaps, their clans, augmenting
& rattling bone masks
grinding themselves into meat-bit heroics
& death.
their teeth are yellowy awoken.

this is all seen globally,
via tele-cast-com-core-mind-warp-tech.
or video.

dreams impact reality
impact dreams
in such
that the cathode cortex filter, invented circa 2222,
evolves into a demi-god, a solar charged demon of unlimited knowledge.
& it mutates the psychosphere  of our mainstream public mind
with countless projected memories.
        [streamed alternate realities]
fills the belly and the brain,
but all those unhooked are skating.
sweet meat market.
ghost harddrives.

poor leftovers called children of the once-was-men
& their poolside parties.
they leap the rubble of centuries old plastic icons,
their boards, their weapons, their seeds and spit.
they hang chains from their necks
& spew black flame from their sunshaded boot-click
lickings.
they drink from large bottlesof elixer distilled
on old flowers
& worship archaic cassettes.

cults of cyborg women with gem-tipped-blade-additions
carve wooden planks from
groves of great oaks.
great oaken powers.
their creators chew gummies and bend time
to uphold
a proposed history of perfection.
they master pong from their crystalline towers,
& hire mathematicians to write
conceptual skate-deck algorithms,
solely for fun.
non-profit.

I think it's time to do an update
Of The Seven Deadly Sins
Most people do not know them all
Sit down and let's begin
I'm not really religious
But, I think they're a bit stale
So, I think I'll spruce them up a bit
In this my sinly tale
Gluttony, a sin of course
I think it should be changed
With an asterick, obesity
There, that's one sin rearranged
With dinner plates much larger now
And fast food all around
I don't think God prepared the world
For the obese people we've found
Hyper-obese children
Fed from chemically laden food
I think that gluttony can be renamed
To Obesity....don't you?
Greed...there's not much to say
Unless you're not in the one per cent
You know, the ones who have the cash
While we're still making rent
Unless things are all equal
This will never go away
Someone always wants all that you've got
There's not much more for me to say
Envy....not a really bad one
To me, it should not be on the list
Although some might seem envious
Of that bracelet on your wrist
I mean, really, how is envy
Something that should condemn your soul to hell
I mean I like my friends TV
But, I know he likes mine as well
Condemning both our mortal souls
For being envious of our tellies
That just does not hold water
Exactly like my wellies
Lust...I know, a good one
It gets confused a lot with love
To me the only difference is
With lust, you wear a glove
Lust and envy...make them one
A piggyback sin, if you will
It's like combining two commandments
Thinking evil thoughts before you ****
I lust for things I can not have
And for some, that would do me in
But, I can't see how lusting for a big tv
Can be a mortal sin
I think that  additions should be made
now, while I'm here writing
I think that reality tv is one
To be a sin it is inviting
Hoarding, that should make the list
I mean, most of them are lazy
I think how one defines celebrity
Has gotten rather hazy
Now, sloth...can be removed I think,
Or at the least, re-defined
Today, they're abusers of the system
It's the avoidance of work they say
So, here's what's in my mind
One who's known as sloth like
Avoids spiritual work as well
I say, cut them off of welfare
It's not worth sending them to hell
They'd be getting a free trip there
Again, avoiding doing stuff
Just cut their payments off and then
They'll work and quit their guff
Anger, keep it on the list
Because, it's a good one, I admit
Of all the ones upon the list
I think Anger's a good fit
Finally, we get to Pride
And I'm confused
I think the sin is blurry
And the word is overused
Pride of Man, it is a sin
but, aren't you proud of your young child?
when they go and score a winning goal
This as a sin, I think is wild
I am proud of my home country
And I hope that you are too
But, pride itself, it's not a sin
Aren't you proud of what you do?
Gay people have their pride parade
They are proud of who they are
But, pride itself....come on now...let's
Draw the line, not go so far
Combine the list of deadly sins
With commandments, make an app
Change punishments around a bit
Instead of limbo, give a slap
I think that things are sinful
And I know you won't agree
But, this is how I look at things
It's just me being me

that's what ****** me off about western journalism,
there is a satirical newspaper in Poland,
there is a counter-culture,
but you obviously don't see it...
NIE is a decent newspaper,
    because it is satirical, but also serious,
at the same time...

  and there is anti-Catholic sentiment among
the people...
   i should know, my grandfather
was a communist party member,
   a strictly atheistic, humanistic,
secular upbringing -
              
   but when did nationalism die
in the western nations?
         16th century? 17th century?
you know... before nationalism morphed
into imperialism?
  obviously these post-nationalistic states
are looking at states that regained
their nation-state status like
**** sapiens looking at a bunch of
******* retards... sorry... neanderthals...

well... d'uh...
it's because the western states do not
understand the concept of a healthy nationalism,
oh a collective citizenry,
  of solidarity...
                   these days, anything right
of the center is... FAR RIGHT...
   there are fringe groups everywhere...
but you're talking about nations
that don't have the privilege of
   the imperialistic interlude...
instead: subjugation by other powers,
in the case of Poland... 3!
      
          maybe the western states just
don't know how to express a healthy
nationalism,
           maybe imperialism really
****** them up....
                    what?
   in H'america don't they call nationalism,
patriotism?
   last time i heard,
   i've been the subject of H'american
nationalism since an early age...
      cultural exports...
             more cultural exportation from
H'america than anywhere else...

/ interlude:

new additions to the jukebox
(and no, i haven't listened to these tracks
so even i don't know whether
i'm going to like them):

kokoroko - abusey junction
quantic - time is the enemy
lafayette afro rock band - hihache
gramatik - just jammin'
anthony brancati - neo-funk
savages - you're my chocolate
funky destination - the inside man
       (soopasoul remix)
kiasmos - looped
thurisaz - endless
LTJ - i don't want this groove to ever ends
low - lullaby
blonde redhesd - for the damaged coda

o.k. i knew this one already -
cymande - dove                               /

yeah... concerning
this:
the curious case of suzanna berlinsky

i can understand being blocked
for, incivility...
      but the Mongols really did sack
Moscow...
   and they had to traverse Siberia...
so...
             well **** me...
if i get blocked by someone for writing
such a comment,
as i wrote...
       just a **** shame...
   have to block them back...
    if anyone is available...
please tell suzanna berlinsky
   that's she an outstanding poet...
                  i would have liked to read all
of her works (yes, she is on this site).

We always talks about putting our broken pieces back together
Or we speak of mending another with tape and glue
Like stitches that won't undo
But putting the pieces back together wont make them new
Why don't we ever think about picking up each others broken parts
And placing them where ours once were
Instead of fixing a puzzle with missing pieces
Why don't we become art
And fill each other with beautiful parts?

All that you find broken about yourself
All that I find rotten within my hollow shell
Are colorful pieces to complete a work of art
If you take some of me and make it beautiful
Then perhaps one day I too could see the beauty I betray
I'll do the same for you as I collect these magnificent additions
To the masterpiece that I make of myself
One day we will become Mona Lisa and The Starry Night
Not only will we be the art we will become the artists
As grand as DaVinci, as unique as Van Gogh
We will fill this world with our broken art
And make others learn that there is beauty in every splintered part

Supplementary beauty, outside of
what we call our home, inside of
what we call our working space.
We can't stay here forever, it pays
to travel, it works out to change,
it helps to work and improve our ways.

Talents, oddities, special equipment,
all additions to the perfect creatures,
imperfect perfection is so perfect.

So if you ever find a mark in your book,
or a number in your phone, a name in
the back of your head. Don't hesitate,
reconnect with that addition,
it just might have been an imperfect
perfection.

and in my "hiatus" period of absence, circa 15th of April and 15th of December (minutes from a yesterday)... i've come to regret the Russians not having any... no... rather the bare minimum of orthography... surprise surprise! there's plenty to choose from! i had to return to a time when i was drilling greek into my head... naturally: a time for cyrillic was on the horizon... but... i couldn't do it with english alone... i need my mother tongue, a tongue that employs diacritical markers... again and again: english can do away with its j... it goes missing when raised to stand from a sitting position ȷ(J)... and it can cut the head off its I(standing)... ı(sitting)... to make an emphasis... i have been busy... drinking aside, have a look where i have been for the past... april, may, june, july, august, september, october, november, december:

ź = зь and ż = зъ

i'm drinking - and i am my most content - the world burns and goes about its usual wordly theatre... i'm huddling with a cameo role in the background... i am drinking content... my 3rd or 4th rejection letter! this time from : austin macauley publishers (london, cambridge, new york - sharjah - where the **** is sharjah?!) - i remember sending them a "manuscript" and a book already printed, bound... they said it would take them 6 weeks to reply... i didn't enclose an email address... i had to wait for the snailmail... my my... what lovely handwritting of my name and address... in the letter i did state: it's e(sch)lert... she omitted the (sch)... a rebecca crib admin assistant, of the editorial... 6 weeks though... hmm... i posted the letter and manuscript and the book way back prior to visiting my grandparents... circa 8th of september... it's a rejection letter... that much is true... but i'm drinking in celebration! i was making dinner in the afternoon and was asked: why are you so angry? i wasn't... i tried to figure out what i'd feel when enough of ms. amber was in me... i replied: i'm being apathetic... but now it's clear: i'm jovial! there's even a signature! an authentic signature... in all honesty... a rejection letter means something... if it is physically mailed... of course i'm celebrating! i exist! i exist outside the realm of getting spam snail-mail! of course i will reply... i'll tell them: destroy and recycle the manuscript - it really wasn't a manuscript to begin with... i pour my "efforts" on the manuscript canvas that's the html... but the already printed book? can you please not burn in... rather... keep it? i'd appreciate no 1933 Säuberung... and you know (kind reader) - i'll send this introspection to the same publisher... like it is... pop / pulp or whatever mongerel of style this has had to be... but a reply! i want to see how one might escape formal language, formal affairs, social affairs, esp. in letters - a dear ms. X / to whomever it might concern Y... kind regards / yours faithfuly Mr. Z... this has to be celebrated... given what's on the horizon... the norwegian novel viking a'comin'! the buldozer autobiography... the demand for a "death" of fiction... otherwise i'm still "here"... a "here" that truly is so distant that its distance allows my petty leeching and the world's grand fiasco theater of fire and smoke and mirrors! - after all... i'm not mad enough to be welcome to a cage if i'm a sparrow... a cage of rhyme, form and all those shackle devices / identifiers of "poetry"... the future is narrative... and the current narrative says? if you asked me to dress proper, for an opera... to don the shirt the tux and the bow (tie)... the well ironed trousers... perhaps... beside the point: air's in the head and i just wish i could heat it up... for a baloon of quasi-egoism effect... otherwise what is there... a former journalist becomes an isolationist essay-scribbler? all the best journalists retire from the profession and become essayists... polemicists... whatever... this "poet" says: no poet ever writes a novel... the real life is too fictive already... and most certain this "poet" adds: begone! lyricism and rhyme! i'll sing like the humming drone cleric of the hive of ambient refrigerator sounds at 2am when everything is sleeping...

capital: oh... so that's what it was... back circa 1990 - when inflation of currency was rife all over Poland? that's when foreign capital was flowing in: foreign money... the economy was flooded with pounds and dollars... and given the exchange rate: i remember a time when you could get circa 7zł for every 1 £ sterling... so why would a nation start to print its own money? well... because more foreign money is coming in - at the given exchange rate: apologies: i was born yesterday - i need to explain certain things, from scratch... as was once stated - there's only a finite amount of money in circulation... physical money... "apparently"... and no... if you were to materialise all the wealth in this world into either fiat or gold: there wouldn't be enough of it... but how else would inflation happen in a country like Poland circa 1992? foreign investement: the wild west of eastern europe when the soviet barricade fell... i do remember being asked a question as a child: which is more... these copper coins... or this piece of paper? on the piece of paper was written 5, 000, 000zł - i said the copper coins... i wasn't either right or wrong - the person asking the question laughed... i don't think it was a question of: there are more copper coins in the hand... than a single piece of paper... after all... perhaps i acted all trans-****-sapiens and became chimp and saw less zeros on the copper coins than on the piece of paper? how else does does a currency inflate - when foreign currency is poured into it... it's the opposite of foreign aid... you put £1 into an economy - with an exchange rate: currently you'd get circa 4, 50zł out of... so where is all this "excess" money to come from? the moment when foreign money is invested... is the moment you have to start printing your own money... imagine... if the word BLACK was worth more than CZERŃ (чернь): oh, we'd readily translate BLACK = CZERŃ... but we also need a sentence for that "to make sense"... and there i was... thinking that russian doesn't apply diacritical markers... oh... right... they're not as discrete with accents like some of us... notably? нь = ń... and so and likewise... wait wait... źródło (source)... in russian it would look, look: oh so ugly... зьрoьд-ł-ł-o... (wh)en (wh(en) but now i know this (w)oe: the soft sign (acute)... and the hard sign for... e.g. życzenia (wishes)... зъыченя (perhaps зъычениa) - point being: ź = зь and ż = зъ... now does language come to me...it never left me... but now ai appreciate the minor details... i see the english and their language and how they speak it... how they churn out metaphysics and how they call forthe help of **** similis to give history the rusty coating of: nothing between a today and tomorrow: there's only the hanging off a tree from a a tail that the chimpanze doesn't thave... everything is so very metaphysical: it's never orthographic! тe два: tak - тe: оба (there's a wikipedia mistake... U+0411 / U+0431... not o'bah... oo'b'ah...): щекaць: szczekać! to bark... eh... greek became too rigid... i could remember all the letters... always buckling on ζ (zETA) and ξ (11), upsilon (υ) and nu-nu-nu (ν)... and this is, practically nonsense to anyone with a base literacy knowledge... to exagerrate... who does mind such pedantic pleasures... when they could be somewhere else: skiing! but it's worthwhile to know how a nation's currency can be inflated... foreign money flows into the country - and whatever the exchange rate is... there is no such thing as a "grafitti compensation": then again, there is... perhaps literacy has been inflated... inflated for a second literacy of coding to be assured? otherwise? bypassing the orthodox print... bypassing orthodox editorial scrutiny... was... "nice"... until the moment when the mediator sought to see fit that the reader had more authority over the written word: having re(a)d it - over the person who had / has: written it! we do part our ways with the russians on the "debate" concerning the "cedilla" involving A(ą) and E(ę)... cedilla: yes yes... akin to garçon - waiter! waiter! please - that greek sigma at the end of a word: and all its ασπεκτς... aσpectς - that really is an orthographic statement... only Ssssssss'igma is a letter with "three dimensions" suited for it... a handwritten element... otherwise in the news this week? the apostrophe society is no more... like when you don't put a possessive article if the thing in "question" ends with an S, in english? e.g.? the colours' (sez sirs - alt. colours's sez sirs... ses-esses) imbued harmony... and that is a possesive article, isn't it? with an apostrophe: 's? it's not a plural identification - there would be no need for the apostrophe to begin with! pounds' worth: no... not a pound's worth - the worth of a pound... pounds' worth: the worth of pounds! - what's that german word... glücke! nein nein... etymological root: glück 'luck' (etymology is the new history... it bypasses journalism and serves some journalistic cousin that's powdered in dust of cremated bookworms) - and yes, a hypen can come to the fore: after a full-stop and the opening of a new sentence with a conjugation: - with disbelief / - and!

i'm not buying how the media narrative will turn Cymru into a "K-affair"... sim sim: similie or else... but these have been my greek buckles: ξ (oh... that's why i wrote 11... XI - ksi...) - it's rare to see ξ sometimes: esp. in philosophy books... rubric!

- ζ
- ν
- υ (i can be forgiven, these two letters
are not suited for print... unless working
with a microscope) - unlike a roman Vv...
- ξ

but this is just the greek... if you ever read some modern... you'd think: and i just don't know, where they get their ideas from - with all those diacritical excesses that heidegger notes...

but now... for my cyrillic mini-adventure:

from Miньsk (Mazowieцki): with love

it might be said, that if i just the bare minimum -
if i even do not write anything at all -
but i have too many petty griefs during the day
to much else than the odd, occasional chore;
at the same time i do not want to sound
amused, bewildered, bored or un-used...
it's just that i find writing and drinking before
falling to my 343rd death -
my 343rd labour for mask and then exfoliated
in a dream: that might come...
or might not come...
unless a known audience... a wake sized nieche
privy... i find either unconscious or subconscious
struggles to warm up to an anonymous crowrd...
unless it was me being propped up on stage...
flooded by light... and the audience in the din:
with barely a shadow to scratch...
perhaps: then and only then...
but i've found that: it would be best that i sentence
the 2hs spare i have for merely drinking
and loitering from one video to another:
perchance something new in music is to emerge...
"coquettish" with a "something" that will never
have any realism-focus for me to undertake
a second's day carnality of the banal...
perhaps all this: "going out of my own way"
has been too much - or just enough...
to make me drink more and take more pharma
knock-out enzymes...
a naproxen and an amitriptyline...
perhaps the focus was elsewhere...
to stand frozen in awe...
when someone might "add": from one big void:
ex nihil a priori to... nihil a posteriori...
and all this cameo theatre in between!
mein gott... i can also convene to praise those
brutal breeders of sorts...
enough time to occupy two decades...
perhaps even three...
and then the grim reality of: should my child
die... or... some other worse:
the mortal should not be inflicted by...
"not reading into the genetic clues": properly:
"all at once"...
oh i would be so much happier to take this mind to sleep:
to not make some idle focus -
to entertain some eyes while i turn aside all things
hyper-inflated in purpose...
to die of a heart-attack in one's sleep...
but otherwise to simply focus on a welcome tomorrow...
that would be...
a gracious beginning to posit the day's slouching
zenith... or... i'm not sure whether this be a coming
zenith or a nadir...
but there's still that clear-cutting focus
regarding russian orthography...
cutting it with two tongues... slit at the tip...
with english the "placebo": no diacritical markers evident...
well: a TILDE over a ȷ is no more necessary...
than a "tittle" (not thai-tle... ty'ttle) over an ı...
to borrow the greek phrase: cut one head of hydra -
two emerge... cut the two heads...
i come toward the russian mish-mash of diacritical
application...
it's not be-au-ti-ful... it's messy... it's what it is...
but already i can see what this: cutting off the heads
of the english j-i hydra looks like...
it's not enough to simply enlarge them to state: CAP(I)TAL-(J)...
the knitty-gritty... why then the tilde atop of 'em?
prior "corrections": łen and when...
is not akin to... wrak or wreck... although these two words
have the same meaning...
unless: "partisan" V comes in...
very - weary... Cracow or Krakov?
a W = a Ł = a W = a V ≠ a Ł...
Ęwa and Ądam (e nosinė) are not covered by
Russian orthography...
the list is as follows:
ż (зъ) and... ć (ць), ń (нь), ó (oь), ś (сь), ź (зь)...
the graphemes? i'll call them graphemes for simplicity...
even though: they're not the smallests units...
as are vowels... or the syllables of consonants
in the latin choir of B'ee, C'ee... e'M... etc.
ж alternatively RZ (Ż) or Ž... otherwise the fwench:
je (suis)... this is nothing more than...
an encyclopedic evaluation...
a trainwreck proposal of: should i ever be stuck in
in russia... and i would have to: read... (ee'd - r'ah)...
chop off a TILDE off the torso of the english:  ȷ...
a crescent moon lying back emerges in the russian... й...
but it's not the english: jeep! it's an english: yeep!
or a  ȷeep! alternatively: yawn could be:  ȷawn...
but not if: it's jaws... coming into play: to chatter from
the siberian cold... how else to explain?
if not by... example?
then there's the "exploration" of the greek F...
as much as in english...
фoughts on θilosoφy...
good to know the russians only "borrowed"
one of the greek Fs... "culturally appropriated" or...
wasn't St. Cyrill born a greek?!
and away from greek we move...
since χ (chi): yep: perpleX... a Ks to a Ts
(note, revision found below)...
otherwise hidden... in non-vowel binding consonants...
like... ч- and -х (although... that's not quiet a Ch-ur-hC -
but sure... some altar for siц and... no... no siPS)...
cholera! which is not: SHow me the CHow mein...
for that we need CARONs...
that's when ч becomes CZ (in polish) or otherwise:
Č... long have i wanted the polish to adopt this version...
to hide the SZ and the CZ (es'zed, х'zed) respectively...
how else to write: szczekam?
a russian would write... щекaм...
out of a "simple" ш out pops out a щ (this letter...
is probably the only "etymological" route to bind russian
to the oddities of Ęva and Ądam (e nosinė)...
ш (š) becomes щ (šč) -
whoever was to undermine the old rules
of engagement when the ruling parties gave up
a monolopy of literacy? you can literally hide an entire
letter / meaning by using a hachek...
hook...
as i begin to wonder:
how much did the slavic tribes "appropriate" greek...
and how much did the two greek saints...
try to make sense of the slavic glagolitic script?
em... Ⱋ looks pretty intact if you cut off the body... E:
reclining...
but i do come from the western lands of the eastern
lands... hence? hardly any cyrilic influence...
but i too: with my own oddities... already mentioned...
come to think of it? the bulgars joined
the "party"?
beside that? what other, russian"oddities"?
orthographic - i.e. aesthetic dictations / rubrics...
ю really is a я... the russians have this english tendency
to stress their pronouns...
i this... i that! i walked up a street! and kicked a black
cat 13 times down the street to ease my luck!
you can talk in polish for days... and never stress the I / я
pronoun... really...
and ю is just a variation of я...
throw in the remaining vowels and you'd probably
come up with some "new" russian letters...
like ye... good point... i did make a "mistake"...
щэкaм! i'm barking!
unless... that's only an orthographic question...
notably? if you're going to: zerkać...
peer in / at "on and off"... casually...
зэркaць... em... it must be an orthographic question...
ergo? i wasn't exactly "wrong"...
just bad taste... зeркaць...
i've already shown the difference between (ъ) and (ь)
in a latin script: that uses more diacritical markers
than english "supposedly" escapes with focusing
on the rather pointless TILDE over the J and I...
this "oddity": ы... ɨ  clearly it's not exactly a ł...
minor details... like a mona lisa smiling...
best example of close proximity?
take a... no... that's a hollowed out "why"...
i know how it sounds... and there are no diacritical marks
needed for it... since there's a clear distinction
that i know of, between: I J Y...
tY... this little sucker is born from the fact that...
western slavs have a name for this letter...
iGREK... funny... the russians borrow more greek lettes...
and have to have...
ё (yo), e (ye), у (which they treat like a greek would U -
never mind the greeks themselves
making the following ref. Υγ / Γυ) -
and of course the я (ya)... so no wonder i see this
"letter" (ы) as an absolutely oddity...
i could stomach: ż (зъ) and ź (зь) differences...
well that's as far as i would come in learning russian...
spot the odd ones out... proper...
й (j) and ё... which is some german loan vowel with
that ******* umlaut... otherwise...
this poo'em was born from trying to **** the english
hydra of "orthography", with its mighty bounty
of the ȷ-ı TILDE! my my... what a ride!
come to think of it... now i think i can sleep.
- it hasn't been such a waste of an hour... drilling this in:
into my head...
after all... what did the professional clarinet player
say then asked about playing professionally
in a travelling orchestra? after 30 ******* years of
blowing hard into this thing...
guess what i still end up doing?
it's not so much learning... i'm still practising!

because this will not end like some sort of "summary"...
i will remember each letter if i weave it into
this latin letter by letter...

the refleξive (x)
in that one might have χeated (ch) -
again!
what it is about an ξ-ray that is also an
"χ"-ray? the "ex" k'ss k'ss cuss...
is this what james joyce's finnegans wake
should have looked like?
again!
the cruξ of the matter...
whenever a question was to be raised about:
any χoice to be had...

i have come to grips with russian orthography...
i'll repeat... the crescent moon over и ("e")
to state: this must be elongated: й ("y") stands outs...

best examples are given by sports commentators,
notably in ski jumping...
suffiξes of surnames...
akin to -cki endings...
yes... you're seeing what i'm seeing...
we'll need some russians to work this one
out... how a C is not an S...
and how it's not KK either...
-цки... hello wet drum-kit snare!

of course not: you're not seeing N:И...
let alone: нaйт (night...
evidently -igh- is a bit complicated...
with ref. to the surd in knight - kappa and
the gamma and the ha ha ha ha tetragrammaton
left arm... vowel catcher i'd be most inclined
to borrow from the hebrews...
whenever they're not busy actually using it...
and not being a bunch of 'ebrews -
electronic brewing of tea?)
сo дaрк (so dark)...

which is the equivalent of writting english
grafitti "backward"... how it sounds...
and not for: what's the formality?
i figured: take the small steps, the trickle...
burn the eyes out with incremental poppy-seed
acts of progress... like the grand Pilgrim Emeryk
from the Świętokrzyski region of Poland
(holy cross)...
each year the pilgrim shuffles to the top of
the mountain with a speed of:
a poppy-seed's worth of distance each year...
by the time he reaches the top of the mountain:
the end of the world will arrive...

am i the next Delmore Schwatrz?
no... i don't have a Lou Reed to contend with...
am i obsessed with Finnegans Wake?
well i didn't spot any "additions" to the letters...
i didn't see any diacritical markers...
a book that shouldn't be translated since...
it ignores... a worthwhile mention
of the concept of orthography -
which is my escape from any western vogue
of metaphysics... i hide behind the omniscient
niqab of orthography... my face can be forever
hidden... but my eyes need to be on... fire!
fire! i want you to burn!

so i went to see the russians having
left the greeks... about any "nuance" bound
to the... ****-naked english language
with its magic act of the disappearing heads
off of J and I...
as you do... you "forget them" and also have to:
somehow "remember" them to be used...

do i still enjoy drinking and listening to
teutonic chants in german?
god almighty! when wouldn't i not listen to german
medieval music... when drinking?!
is that such a terrible sin?

also? i finished the trilogy of H. Sienkiewicz...
and i read some Boris Pasternak...
there was Nietzsche in polish - paul's leash said:
he's more bearable in this language,
than in english...
and how could i forget! there was...
Knausgård... Karl, Ove... volumes 1 and 2
of mein kampf...

now a "summary": hmm... ż (зъ) and... ć (ць)...
could... now... hard sign (ъ) is not exactly worth
ascription if... or rarther: because...
you don't treat a caron over an S or a C...
to "hide the english H" or the Aesti Z when coupled...
there's no need to write чъ... since?
that's pretty much in-itself given č of the nature
of чeap...
ć / ць is different in that... you'd have to hear
it first...
however... the one exception of this "rule" is already
self-enclosed in ж... which is зъ... somehow...
but not зь... examples?

жart / зъart... żart (joke)...
зьrebi... well there's no 'ę' in russian
to name: źrebię - mustang colt...
is there?
so... i was "wrong"...
in that ź = зь and ż = зъ is true...
but? ź = зь and ż = зъ = ж...
so from a "quiet unique" perspective...
and: mein gott! who's to see, travel,
and subsequently marvel at the pyramids of giza...
i'm a different version of what's
considered to be "tourism"...

give me this sole equation:
ź = зь and ż = зъ = ж
and i'll be happy for a month.
as i have been...

oh i'm back... and things have taken
SPEC-TAC-U-LAR turns and twists!
****-naked english over 'ere is gonna make
a chariots of fire runner...
i bet it will... when it comes against a juggernaut
like me.

they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.

.h'america.... the last theological playground of... whatever the mind left behind in the decrepit bulwark that's europe... oh... and those mid-western died-hard hitchcock platinum-blondes in a-waiting... my typo pristine dutch-girls-go-to-church mantra... otherwise? no b'ooh'y'ah! chugger-chugger-chugger-chuck-cherry-choppy-chops-you-*******-cuc­­k-chuckie! quasi-whitman wannabe... billy was a butcher... a thematic long lost gun... billy was a butcher... and all the ripe choppers of pork... gave us a belief in snow; and what some heaved with a falling-of-a-star of dis-.belief: i too was bound to glorification of: what was expected to be known! and the subsequent: wow! i have met only the most limited of men... i have therefore met all men... the "all" men of this rubric of a year, a decade... all that's bygone of a yawn; swear it sn't so! a so! that's not be be sown! i am here too: upon the whim of expectation... merely... waiting... a man comes to be born come his 30s... his 40s? his nostalgia "moment"... former known name of: Jack Lil Lick 'Em Boots... and the crescendo of pauper's black lining of the Wall St. "better oiled"... scalp the ******! and send him unto the rabbi's true blessing... in the cusp of the scalp of the kippah!  and now... you take... your anglo-spreschen-tangle... into the salt-wounds of your h'america! first born: young... i don't like your revision... looking toward Europe with a hope for a sensibility... this pseudo deutsche: pseudo dutch, anglo-; this is no loss of the French or the Slav! this is our celebration! does one have an irish phrasing in uns to be at in it or one? beyond this grip boyo bound glue? this clerical spare of the otherwise leftover skivvy? we have made barons of these minutes.... as if we were to be kings of the coming years... and how we didn't become gods of the atoms... and the men of the suns and planets... that is our... most worthwhile conundrum in a da pacem domine bound; you're going to Beirut on me... or something?!

in my haitus away from this canvas:
naive me thought: perhaps a surge...
again proven wrong -
albeit not disappointed -
so i had to look elsewhere -

i had to look for a clarity of diction...
i had to move away from
the western lands and their:
death of god and their death by metaphysics...

even in this barren english...
i could not figure out:
why are these people,
apologetics from the central leftists...
these liberals...
ditto: i will butcher this name...
i will butcher the pronunciation
of this word...

if there are "questions" regarding
what's being phonetically encoded...
so much for me "learning to code"...
i too once wrote a html encoding...
with all the < and < and > toys...
spacing... {[( gradations... etc.,

i had to look east, after a while writing
schlechtdeutschegrammatik...
bad german grammar...
again: it's posthumous "Latin"...
it might be...
bad grammar german...
or german bad grammar...
deutscheschlechtgrammatik...

spelling is the mathematical equivalent
of... arithmetic...
but grammar? you need a ping-pong
table...
you need something cymru-esque...
a scandinavian-esque bilingual cushioning...

english alone will not solve the matter...
it's not french, it's not german,
it's certainly not spanish...
spanish and how post-colonialism was
settled with a post-racial attitudes of
Brazil...
england has taken too much time
looking up and out of the h'american
*******...
no grand satan 'ere...
no silk road bazar of fruits exotica from...
Teheran...
something more... subtle...

i had to go back to the "tsar"...
and the цэркйэв: 'cerkiew'...
and there i was amused how...
well apparently...
there are a lot of words
that do use the sz'cz...
enough... to deviate from
the Latin bollocking represented via
шч = щ....

that's perfectly logical...
i'm done with "perfectly logical"
if it exists outside of the realm of
orthography...

szczypta soli - pinch of salt...
in russian...
щ... that's a bit of a "question"...
yes, yes it is complicated...

szczery / szczera (he's honest /
she's honest)...
szczerość (honesty)...

no it's not... you german fickle-wit!
you forget the ы!

ah! well then... щыптa....
**** me... disorientating...
they could do all that with greek and glagolitic...
but they still had to keep...
latin: roman: holy roman empire: GERMAN...
lowercase lettering...
akin to a... e... c doesn't count...
since that's a greek cedilla "missing"...
ç... or... sigma... ς -
otherwise known in english as that S
after the apostrophe...
when something is called being:
the possessive article...
a (indefinite) the (definite) - some -ism to mind?!
no... but 's is... a bit like the SS...
in greek...
all in lower case: stephen's and...
στεφηνς...
σtephenς: that very much desired: ha!
ridiculous gag... the "much desired"
alternative to an apostrophe S ('s)...

it's Stephen's! it's Stephen's!
it's Sylvester's!
three articles in english:
the indefinite article (a)...
the definite article (the)...
and the possessive article ('s) - apostrophe S...
eS eS!

russian accents...
ъ, ы, ь...

but i only know of one "hard sign" example...
and that disqualifies the J ever needing a lower-case
"dot"... ȷ... namely... зъ: ż... alternatively
also: rz... and ж...
żuk! beetle! somehow the caron makes it...

szczyt! zenith!
щыт!

- and since i'm no longer writing:
i'd be writing if i were monolingual...
or... if i was animated by
the sort of Knausgardian bilingualism
of chop of swede: marker norgie...
but... i'm painting...

i forgot how to write when i could
see "synonyms" of sounds...
entombed in two different phonetic
encodings, namely elevated latin
and "pan-greek": cyrillic...

the variations between:

й and ы...
i.e. via е - "ye"
ё - "yo" (there's an umlaut in russian?!)
"у" - yew and you...
the gamma subscript...
ю - "yu"...
and... я - "ya"...

with regards to this rubric...
i am in the middle...
i can see a distinction between
a "y" (whine why and no I)...
hardly a jotted anecdote...
and yes... the closest the russians
ever come to Cracow is with ы
to a western slavic y...
ask me: toй - ask me: toȷ...
who needs a dot above the J
in the lower-case... if...
if... there's no absolute need for it to
be there: unlike some greenwich mean time
focus?
it ȷust so happens that...
the better clasp of the equator is
married to Greenwich: London...

dr. who time lords:
bellybuttons of the world: the english are...
again: i have to remind myself...
ı am not wrıtıng... ı am... paıntıng...

1(one), l(el)... I and ı(ıota)...
i guess an apostrophe would suffice...
ıf it's not an "ı"...
ı'ota... ı: oath...
sure as fıgurative "****" it's not...

ı must wrıte some more examples
in russıan...
to get me off me mark into
some "wax lyrıcal"...
ıslander mentalıty of the hen'glısch...

see how "the dot" can appear...
and disappear, as one see fıt?
and ıt makes: no little bıt of...
"dıfference"?!

i need to sleep on thıs "exercise"...
dot-pop-up...
dot-fold
dot-pop-up...
dot-fold...

w­­ıll eyes gets it?
hardly...

the rest of these cosmopolitan *******
focused on gwaffiti awt...
which is welsh for: GRA GRA...
when was the last time you heard
an englishman trill an R?
ı can't remember...
give me a night to soak up the pickling
juıces... i can't remember the last time
i heard an homest trIll eıther!
pauper me...

it's probably because of the welsh:
GWA GWA! gwadleıth cowonew...
or coroner row row row a rombat into a rue:
or a woo...
rhyme: contorts...
shapes and disappearing: oopses...
a whole multıtude of 'em...
come like the tıde...
leave... lıke a tilde... quası N:
it's a... H is a zeus...
and J is a Ha Ha Ha wrap-up rap of
laughter: in spanısh: of course...

i don't wrıte... ı paint...

impromptu interludes, quickened:
i'm a marriage of two continents...
and one island...
east of moscow...
asia... west of warsaw and...
these gloomy island pits of
idiosyncracy... never quiet the icelandic
answer to norway...
or greenland's answer to denmark...
but an island... nonetheless...

- to hell witth cascading linear cascades
of narrative: i'm blind to the optics
of "the narrative" in the paragraph
format...

i will look back east...
i will look at the russian script...
i will look at it as a time in ******
history equivalent to:
why didn't you just think of it as Greek?
but "my people" didn't...
and i'm not exactly a "why / didn't"...
i'm part of the excavation machinery...
i come with what was served...
i will leave without
leverage...

and here is the russian icon translated
from the Babel...
the following are orthodox letters
shared by one and all
to the western lands...

а б в г д e з и й
к л м н o п р c т
у ф

a b v g d e z i j
k l m n o p r s t u
f

now we leave: łen łill that be?
we should all somehow know...
to łork out a When a Where
(notably with the "h" being but a surd)...

mother how should i further this?
herbata
hasło (ha-s-woe)
hołd (**-**-w'd)

to no other: otherwise only in scotland:
the loch of tipsy work...
albeit: orthographic distinction...
хęć - a whim a desire...
a loch is no: cheat of a lake...
latching onto the otherwise boredom caron
exposed...

дух (ghost) with a душa (soul)...

else there's c dissociated from the s...
and more so with a kappa kaput...
the drumstick slick on a wet snare of: tss...
ц - almost...
then morphing into a ць -
yet in my version: no so silent...
ćma: moth...
цmokaць / cmokać: to click with the tongue...
to kiss smackingly -
to ingest food via a smoczek...
a smoчek - a smoček... the baby soother...

this is my third day having to return to
this canvas...

first thing's first:
palatization (palatißation)
is not... a name of german crusader song:
palästinalied...

this is one of the main reasons why
i can't imagine myself as being able:
to write a novel -
i can't bear this birth of words into
this pseudo-Kandinsky -
it would be much easier with painting
something for a year -
than writing for a year -
the same thing, over and over again...

if i write a "poem" or, rather, a poo'em...
i expect the concept of
ensō: a circle has to be drawn with
a single uninhibited stroke...
when the body is set free and the body
merely complies...

comparison... if one were to draw
a most pristine ensō...
one would never achieve an ouroboros
depiction... it's quiet impossible
to use one volume of ink
attached to a stroke to complete
a circle... let alone a depiction
of an ouroboros...
what starts off as concrete soon...
fades away... thins out...
until there is so little ink left
on the brush that individual hairs
of the brush start appearing...

a pristine depiction of life...
but never the hardline ouroboros
depiction: this cerberus of reincarnation:
i never would have believed in it -
given that: there would have to be
a limited number of souls...
the thought that i might be introspective
enough as to be one of these: "elites"...
and the rest... were "n.p.c." drones...
zombie-esque drifters...
that had no psychological infrastructure
to have memory and rubric of learning
bound to them to be: invested in?

i am still going to write this Kandinsky...
one way or another...
but i can say only that:
i can imagine myself returning
to a painting - and painting it for a year...
but a book?
if a poem can't be written in one sitting...
it's not a poem...
this is not a poem: this is a novel
equivalent...
the best to my ability: which is none...

all i will ever manage with this
is a pedantic scrutiny of russian orthography,
how i don't follow metaphysical arguments
of the germans, the english or the french,
because i don't dream that often,
and when i do dream?
i dream up nonsense...
last time i dreamed that a hiena was
biting at my arm like a corn-cob...
but it wasn't biting to draw blood...
it was biting and cackling in order
to tattoo me... it bit into my arm and detailed
indentations akin to braille...
a pianola roll...

and that's the only details of the dream
i can remember...
perhaps i strained memory...
perhaps people who dream...
are fond of forgetting...
perhaps i don't dream because i can
remember being 4...
a shadow (my maternal great-grandfather)...
a large piano, a small piano...
he worked a retirement as a security guard
in a kindergarten...
i once spent an afternoon with him...
i have seen pictures of him...
but i don't remember the face in the photographs...
he sat me before a bonsai piano
while he sat at the large piano...
and i guess: we were going to be the new
Chopins or something...
he's still a shadow... a grey form...
perhaps a extract of memory that reaches
back 29 years is the reason why i don't
dream... then again...

what if i were to have recurrent dreams?
i've heard people have recurrent dreams...
i just have details of dreams...
i'm not complaining but...
it has become exhausting to simply sleep sometimes...
to replay that lullaby of the void...
yes: yes... i will return to russian orthography:
give me a moment!

well, on my "haitus" i had to look beyond
"conventionality"...
there was a period where i found
the glagolitic script - i said to myself:
there must be an equivalent alphabet to match
the runes...

there must have been a way to encode
without the romans and greeks...
after all... there is the St. Cyrill alphabet
and that of Methodus...
how many ethnic groups are there
on this old, yawning continent -
minor point: old age is not plagued by
yawning - only youth yawns...
old age is cured of yawning -
hanging over them the yawning death...
when father - when father - will this old
ponce come into my *****?

glagolitic and cyrillic?
well Ⰱ Б...
Ⱂ and P... which is not exactly lent-greek...
i guess it's only "wise"
to go back into the modern scribbles...

there are so many branches
to be plucked off a pine
to reserve yourself with ending up
to owning a pike...
so what would it help me:
if i had to reverse and ezra pound
my way forward...
bubble bulging roma notations?
i see: when that chisel in marble
V is not supposed to be a U...

EVROPA... etc.

i need to bring to the fore my own
distinctions...
spread: universally within the confines
of the people that speak it:
i even had to made balkan additions...
like the caron S and caron C...
to hide the english gimmick
of SHarp and CHeat...
evidently we use the Z to replace
the H when stressing our "demands"...
Šarp and Čeat...

so back into russian?
i almost forgot that i said...
their orthography is not worth the dog's
bollocking of a lick...

i was wrong, obviously...
but even the russians are supposed
to be allowed their idiosyncracy -
their orthographic pedantry...
russian orthographic pedantry?
ah...

when е met э...
was also the time when э didn't meet з...
this is pedantic...
another russian pedantic "detail"...
how many Y's or J's do you need...
to detail: the elongated-iota?
before... "****" becomes confusing...
within the confines of gamma...

i'm pretty sure the russians have
fixated their attention on the Y/J "debate"
working from their central premise of
the english AYE... I... the pronoun bunker...
der deutsche affirmative: ja!
yah in the hebrew respective for: wisdom...

let's see... i'm pretty sure the russians
have all the vowels bow to this mecca
of Moscow, cite me: and please reiterate...
that i use J and Y interchangeably...
i don't imply: to jot - to "dz"ot...
or Joseph in Ypres...

otherwise: a yeti climbing a yew shouting: yes!
it's not exactly jargon -
but... a prefix y- in english...
is not a suffix -y in english...
which just... "out of the blue"...
demands to be associated with the iota
of: ply... and yet: it's no i.e. e'et...
it's neither ate or the fwench and (et)...
it's a yeti... but not a jetty!

never mind... back into the fussy russian...
i'm pretty sure you will find all
of the pentagram (vowels) bowing before
the altar of pseudo-gamma:

                                     ю (yu)
                                    /
(details in) й ------ я (ya) -- ы (oh look, solo!)
   the above"rant")  |
                                  у (which is a u)
                                /   \
                     e (ye)       ё (yo)

almost... but i'm far from learning russian...
i find these orthographic details...
coexisting...

зъ = ж = ż = rz = ř / ž...

eastern, mother slavic...
beginning with a western slavic translation
"innovation"...
central / western slavic...
balkan slavic...
oh we are such famous clarinet players!
because what happens
when the caron is sliced into two...
and an acute ****** pops out?!

hence the зъ beginning...
yes... it's not "silent"... it's simply not
palatalißed... the tongue doesn't tip-off
the palette... the sound escapes via
the gritting of teeth...
with it: the tongue can rattle and a trill
R is heard...

зъ (ż) contra зь (ź) -
życzenia - well wishes| źródło - source...
now to only write these words
in russia - without knowing the russian
noun-denotations...
for orthographic purposes...

жыченя... or is it... жычениa?
зьруд... problem... can't find the english
W in russian... or the ****** Ł...
there's the english V... the ****** W...
but russian doesn't translate (Вв)
so vell into wery: not so weary but
nonetheless very not so, so...

my problem is not about that though...
this poem this poo'em this:
a pigeon drops a zeppelin-****
on your top-hat implies good luck...
no 13's or black cats crossing your path either...
i could most honestly spend
100 years of each of the 100 individuals
bound to the salt mines in the vicinity
of Beijing... and i would still find myself...
without tears...
because this is the most inexhaustible
crux: it's really bugging me foundation stone...

i won't even mind the modern greeks
at this point... they do use diacritical markers
too... but over-do it... as if compensating
or trying to compete on level par
with their metaphysical dittos...

чaхa: czacha... almost slang term for:
czaszka... чaкшa...
and this is by no means "smart"...
i can't solve crosswords puzzles...
well i can: but i need to find myself
in the company of my grandmother...
in the morning...
i would have had to drooled over some novel
from 7am until she gets out of bed
come 9am... we'd drink coffee and i'd
smoke cigarettes...
and it would be a month prior to christmas
or easter, or the interlude...
and... i'd be freed from writing or
reading anything in english...
either me looking at diacritical distinctions
in the realm of orthography between:
russian, ******, balkan...
or... me never learning french,
or attempting to: ever, again!

******* suffix-eaters...
dyslexics in reverse...
say one thing: write another thing...
this is probably born from my frustration
at being unable to learn french...
perhaps after having acquired english
i was given german to learn...
but no... first hurdle... french...
flop!
now it's a diet of no crosswords...
some sudoku from time to time...
and my new hobby after having found
"too many" googlewhacks...

so there's nothing smart about this:
this is in no way useful to anyone -
being the sort of person
to "mind" whenever one's being asked
to spell their surname...
it's hardly that difficult but...

would i go for the echo sierra charlie
hotel lima echo romeo tango...
or go out full greek with it?
perhaps the greek...
since that would solve the problem
i've had for a while,
concerning the eta / epsilon "debate"...

how does a greek laugh -
what is the crux letter via which
a greek laughs?
you see a H shape on the horizon...
but you... hear the noun: eta...
you later see the name eta...
but that's eta: without an apostrophe...
the apostrophe 'eta being the "surd" H...

in greek then...
epsilon sigma... **** it... there's no "sch"
of a german worth in greek...
let's cut it out:
epsilon lambda epsilon rho tau...

otherwise in russian...
once more:

ś(lub) - wedding - сь(люб)
"soft" sign - ' - apostrophe -
or ACUTE elsewhere...
why not сьлуб?
i don't know... it's not like сь is even
minded in russian...

ah! my favorite!
goń! gonitwa: a race -
the verb impetus: race! chase after!
гoнь!

since ы is the "odd" one out between
the application of "ь" and
and "ъ"...
come to think of it...
ы gave birth to: ю (yu), я (ya),
у (u), й ("y"), и ("e")...
i... i.e. and... in ******...
akin to those languages that use e...
to also imply and...
ё (yo)... how did i miss the umlaut
infiltrating the russian 'bet...
i blame catherine the great!
and... е (ye)...
is that the pentragram?
u, a, e, i, o... yes! we have it!

i truly had better days when sudoku was
the better puzzle to fill a day with...
not this... from glagolitic, to greek,
to roman, to post-roman to russian
and back into...

if we are all "supposedly" literate...
begs the question why: why oh why the emoji...
the *******-wanking hieroglyphics...
the :) and what not...
i guess to better escape this sort of
headaches... minor chances of everyone
becoming a bilingual:
but what's there to brag about
being bilingual!
i guess the polyglots do not have such
headaches of detail...
they just... bypass these rules and regulations...

to better guide me:
if i managed to sift through james joyce's
finnegans wake... and didn't find any
diacritical markers in it?
can't i compensate?
i'm compensating right now!
if the 2010s as a decade was a decade
filled with... sisyphus titans akin
to kant, hiedegger, kierkegaard,
knausga(a)rd, joyce...
beckett - yes...
again that hollowed "y" distinction!
it's not a sisi: yes yes problem...
hardly me being ***** either...
e'ver... i'ver...
ain't that a *****...

clarity of diction... the best motto there is...
crab-bucket-intellectualism:
alternatively the focus away from
any ontological stressors of "example" -
ontological and its variant of
a priori:
perhaps, given that the ontological
is an a priori argument...
here's my crossword puzzle -
ref. thesaurus rex...

and by no means... at all...
etymology is the better variant of any known
history...
when this bundle of words:
that an ontological dialectic can be achieved:
that ontology can be given within
as much as an a priori: bigot! focus...
with as much as an a posteriori:
wizened unicorn quid pro quo tanz!

hamsterwheel loopholes or:
crab-bucket intellectualism...

now: i really could have put these words
to better use... to make them linear...
less cryptic... but how can i?
i'm solving a crossword puzzle in reverse!
i don't expect the easily scared moths
to entertain this fire...

i expect midgets to be dancing...
before my eyes...
whenever i listen to
faun's tanz mit mir
or in extremo's rotes haar...
when the bagpipes and the flutes
kick in...

- since if i were to write a coherent sentence:
succumb to a linear narrative...
i'd people reading this to be also found:
easily talking about it...
perhaps i don't enjoy freedom of speech
as much as i enjoy the freedom to think...
perhaps i haven't written anything
worth speaking about, regurgitating,
making vogue, working for some intellectual
period-piece of "vogue"...
perhaps this is a shared problem,
hidden in a cipher...
of: how i can't heave this tool...
this tapeworm of existence,
this medium of god...
to later trash it, to have nothing better
to do with it other than play-games...
worded games... crossword puzzles...
perhaps i need a crossword puzzle to imply:
neighbour's share some words...
together... but then write them differently...
perhaps i require a crossword puzzle...
to read into some russian...
on the praxis base of english...
flying past Warsaw toward the itch
of the edge of Asia...
breathe the air - the heart of the continent...

perhaps i would have never managed
to escape this world if i ingested
mind-benders of the h'american 1960s
revolutionary schematics of the:
new-humanists... crash course in literature:
only one magic mushroom trip away!

фoрк ин дэ рoaд (fork in the road)

ИN...

some shared words, of etymological
curiosity...

(fork) вилка - wilka -
polish? wilka? that which belongs to
a wolf... widelec...
видэлэц...

(knife) нож - nóż -
well... orthography comes into play...
while people can have their...
ahem... in-the-meantime metaphysical
playground...
the ground, the word,
the geology is already here...
written alternatively?
нузъ...

i take a different stance to the common day
****** back east...
when russia starts slagging you off...
you put on a Boris Yeltsin mask on
and dance the drunk panda dance...

(spoon) ложка - łyżka -
in polish? ah those russians... ло ло...
лож: lorz...
lo lo and behold the translated
quasi-russian into the borders of europe...
ł.w.(ызъка)...

black and white (черный и белый):

czarny i biały: rho-si-ye!
char-nee-ye! bel'ye)...

perhaps the timing is a bit off:
the proper wording would be:

czarno na białym -
not: in black and white...
чaрнo на биa-wh-ым...

knocked-out to be honest...
the russians use ый like that?
YJ? oh right! i use it too!
in the prompt:

tyj! tyj ty grubasie!
hmm... -asie...
it would do me a lot of good...
if that iota didn't have a decapitated
head of a halo hovering above it...
why? so i could introduce the acute
slant over the S and surd it...
i.e. -aśιe...

тый! ты груб... exactly...
grub-               -aсьие
тый! ты грубaсьие!
to grow fat: тый!
              "problem": -aśιe vs. -aсьие...
well... it's there: сь...
but it also isn't there: и...

but it isn't: but it also isn't...
i just managed to find out that...
in warsaw (if i lived in warsaw)...
we have that conjunction: -ый-
however rare it is: it is there...

any more delegations from Moscow?
tyj! tyj ty grubasie!  
and i will write these last few words
and know why i don't really feel like
solving crosswords puzzles...
or doing those i.q. schematic tests...

**** it... the welsh should know and help me
out... concerning?
how it's YN and not IN...
how it's Y and not I when referring to THE gwyll:
dusk...
y gwyll o hywels: the dusk of powells...
only the welsh would know my "pain"...
yn y gwyll o y hywels:
in the dusk of the powells...

taking a step back - a step back...
yes yes, apologies... if my punctuation...
is too much of a ******* arithmetic!
too bad!

p.s. and yes... don't leave anything lying
around in the drafts or as private...
chances are... with a 2 day delay...
this will never be fed into the LATEST feed.

ENDNOTES:

(1)  ll. 1-9 are preserved by Diodorus Siculus iii. 66. 3; ll.
     10-21 are extant only in M.
(2)  Dionysus, after his untimely birth from Semele, was sewn
     into the thigh of Zeus.
(3)  sc. Semele.  Zeus is here speaking.
(4)  The reference is apparently to something in the body of the
     hymn, now lost.
(5)  The Greeks feared to name Pluto directly and mentioned him
     by one of many descriptive titles, such as 'Host of Many':
     compare the Christian use of O DIABOLOS or our 'Evil One'.
(6)  Demeter chooses the lowlier seat, supposedly as being more
     suitable to her assumed condition, but really because in her
     sorrow she refuses all comforts.
(7)  An act of communion -- the drinking of the potion here
     described -- was one of the most important pieces of ritual
     in the Eleusinian mysteries, as commemorating the sorrows of
     the goddess.
(8)  Undercutter and Woodcutter are probably popular names (after
     the style of Hesiod's 'Boneless One') for the worm thought
     to be the cause of teething and toothache.
(9)  The list of names is taken -- with five additions -- from
     Hesiod, "Theogony" 349 ff.: for their general significance
     see note on that passage.
(10) Inscriptions show that there was a temple of Apollo
     Delphinius (cp. ii. 495-6) at Cnossus and a Cretan month
     bearing the same name.
(11) sc. that the dolphin was really Apollo.
(12) The epithets are transferred from the god to his altar
     'Overlooking' is especially an epithet of Zeus, as in
     Apollonius Rhodius ii. 1124.
(13) Pliny notices the efficacy of the flesh of a tortoise
     against withcraft.  In "Geoponica" i. 14. 8 the living
     tortoise is prescribed as a charm to preserve vineyards from
     hail.
(14) Hermes makes the cattle walk backwards way, so that they
     seem to be going towards the meadow instead of leaving it
     (cp. l. 345); he himself walks in the normal manner, relying
     on his sandals as a disguise.
(15) Such seems to be the meaning indicated by the context,
     though the verb is taken by Allen and Sikes to mean, 'to be
     like oneself', and so 'to be original'.
(16) Kuhn points out that there is a lacuna here.  In l. 109 the
     borer is described, but the friction of this upon the
     fireblock (to which the phrase 'held firmly' clearly
     belongs) must also have been mentioned.
(17) The cows being on their sides on the ground, Hermes bends
     their heads back towards their flanks and so can reach their
     backbones.
(18) O. Muller thinks the 'hides' were a stalactite formation in
     the 'Cave of Nestor' near Messenian Pylos, -- though the
     cave of Hermes is near the Alpheus (l. 139).  Others suggest
     that actual skins were shown as relics before some cave near
     Triphylian Pylos.
(19) Gemoll explains that Hermes, having offered all the meat as
     sacrifice to the Twelve Gods, remembers that he himself as
     one of them must be content with the savour instead of the
     substance of the sacrifice.  Can it be that by eating he
     would have forfeited the position he claimed as one of the
     Twelve Gods?
(20) Lit. 'thorn-plucker'.
(21) Hermes is ambitious (l. 175), but if he is cast into Hades
     he will have to be content with the leadership of mere
     babies like himself, since those in Hades retain the state
     of growth -- whether childhood or manhood -- in which they
     are at the moment of leaving the upper world.
(22) Literally, 'you have made him sit on the floor', i.e. 'you
     have stolen everything down to his last chair.'
(23) The Thriae, who practised divination by means of pebbles
     (also called THRIAE).  In this hymn they are represented as
     aged maidens (ll. 553-4), but are closely associated with
     bees (ll. 559-563) and possibly are here conceived as having
     human heads and ******* with the bodies and wings of bees.
     See the edition of Allen and Sikes, Appendix III.
(24) Cronos swallowed each of his children the moment that they
     were born, but ultimately was forced to disgorge them.
     Hestia, being the first to be swallowed, was the last to be
     disgorged, and so was at once the first and latest born of
     the children of Cronos.  Cp. Hesiod "Theogony", ll. 495-7.
(25) Mr. Evelyn-White prefers a different order for lines #87-90
     than that preserved in the MSS.  This translation is based
     upon the following sequence: ll. 89,90,87,88. -- DBK.
(26) 'Cattle-earning', because an accepted suitor paid for his
     bride in cattle.
(27) The name Aeneas is here connected with the epithet AIEOS
     (awful): similarly the name Odysseus is derived (in
     "Odyssey" i.62) from ODYSSMAI (I grieve).
(28) Aphrodite extenuates her disgrace by claiming that the race
     of Anchises is almost divine, as is shown in the persons of
     Ganymedes and Tithonus.
(29) So Christ connecting the word with OMOS.  L. and S. give =
     OMOIOS, 'common to all'.
(30) Probably not Etruscans, but the non-Hellenic peoples of
     Thrace and (according to Thucydides) of Lemnos and Athens.
     Cp. Herodotus i. 57; Thucydides iv. 109.
(31) This line appears to be an alternative to ll. 10-11.
(32) The name Pan is here derived from PANTES, 'all'.  Cp.
     Hesiod, "Works and Days" ll. 80-82, "Hymn to Aphrodite" (v)
     l. 198. for the significance of personal names.
(33) Mr. Evelyn-White prefers to switch l. 10 and 11, reading 11
     first then 10. -- DBK.
(34) An extra line is inserted in some MSS. after l. 15. -- DBK.
(35) The epithet is a usual one for birds, cp. Hesiod, "Works and
     Days", l. 210; as applied to Selene it may merely indicate
     her passage, like a bird, through the air, or mean 'far
     flying'.
__
The Homeric Hymns in the Hello Poetry collection are provided by:
Online Medieval and Classical Library.
Source site: http://omacl.org/Hesiod/hymns.html

The hands that mold us

I am clay

They could smash me into the table

Kneading out the unwanted

Shape me into whatever they thought

Suited

Adding bits, scraping others away

An amorphous thing, waiting to become art

I was almost complete

But the artist thought better

Gently my walls collapsed

Once again I became a handful of earth

Starting over

I was fired once

A low heat

More set, you can’t make

Major changes

But additions, adjustments

The sculptor waits

Pondering carefully

The steps to come

i have three books of poetry in front of me, and i'm asking the preliminary questions that needs to be answered before i add my own little scribble - as always saturated with the cross-Atlantic soul-searching audio, this grand world and this tsunami from across the Atlantic, all ravaging my ancient soul spanning from Iceland to the wheat basin of Ukraine and the Caucus in general (kałczatka), Finnish, Estonian and Hungarian anomalies, sounds exotic i guess, what with Minnesota english, Californian english, Maine english, Texan english - it can almost feel a little sad with so much biodiversity outside the realm of spoken tongue occupying such a vastness - always mesmerising: americans in Europe - ever the few across my path - anyway... the three books, three writers, jack spicer, miroslav holub (czech for pigeon) and j. s. harry - the question? who would i like to imitate, or at least write as? answer? none of them.

like today, cool night, open skies and constellations,
a police helicopter making its ridiculous
coleslaw of sound - chit chit chat chat (my best
approximate, even if that, not really - chop variations
will be better excused for reasons why the words
were include) - change of tactic, uncoupled
the starter of beer before the main course of whiskey
with wine - god, haven't drank it in such a long time,
i forgot how well wine compliments cigarettes,
even if it's drank via the Basque desecration of
the Nazareth covenant, i.e. with coca-cola -
yep, kalimotxo - 2/3 to 1/3 coca-cola - once i gave
it to someone and they went spaghetti knees -
it's a right-odd cherry - shame i drink a bottle of
wine like i drink a bottle of beer - the whole joke
of Nick Harper (turning wine into water) -
2008's most watched sitcom - Chiswick, London -
middle-class family (for whoever is class-conscious) -
my family* - but what i really wanted to mention
was the Babylonian unravelling, it's no big deal,
i didn't exactly want to remember the encoding that much,
but i realised that even though the English do not
use diacritical marks, the French do, but they are worse
at profanities of writing letters but sort of veering off
from using them - Rimbaud in America is apparently
said: 'Rambo' - not Rim-Baud(elaire) - eclair -
dotty d d - surds or cloth softeners? i don't know anymore.
like in the already mentioned example of desecration:
kalimotxo - kali-mo-t'cho'h - a bit like mojito -
mo'he'to'h - surely with the world getting global there
should be a standard, universally speaking -
sure the borders are down, but the phonetics are still
in distinction - like in Czech-mate when asking:
š works with č - sh and ch respectively - or sz and sz
depending if you're germanic with the former and
slavic with the latter encoding - but ě and ň? the alternatives
are ę (a sound that resembles something like an e
          and swallowing your tongue)
                                                                ­and ń (a higher-pitch
of a syllable from knee, a bit like née, but more like
Anaïs Nin) - never mind, wine really compliments cigarettes,
thus the compass:
                                                å     ­         

                   àá                         æ                        ä, ą

                                               ã, â

all roads lead to Rome, you'd never imagine the unravelling
of this ancient γραφεμη would yield so many additions
to the respective letters contained within it,
just look at Adam and the baggage that came with it,
Eve isn't exactly free from the excess baggage either,
if you don't believe me, see the diacritical additions she's
carrying - but who the hell is Oswald? oh right, it's
the 21st century, it might be Ophelia or Olga;
and yes, i'm bypassing the linguistic alphabet - shoving
it into the dark, working from scratch.

​​     I was ten years old when I wrote it.
One lone sentence. A sentence that would become my mantra; the sentence that defines my existence.

I wish I were dead.

I first wrote it in my journal. Then a couple days later, I wrote it again. Then again. And again and again and again. Until eventually, the pages had all been claimed. Each line on each page reiterated one phrase – I wish I were dead.

Although I was merely a fourth grader, this was no passing phrase (get it?). Ten years separate me from that lone sentence, yet I am ready as ever.

​I wish I were dead. I wish I were dead. I WISH I WERE DEAD.

​This is how I feel six days out of seven.
I can no longer count the number of failed attempts, the static loony-bin trips, the hospital hopping routine – a process I’ve memorized verbatim.

Can’t say how many times I’ve survived these garbage disposals for the insane.

You’d think if I really wanted to die, I’d be dead already. Yet, in a bizarre manner, not even the Grim Reaper wants me. I’ve consumed rat poison and lived, rolled my mom’s car and escaped without a scratch, tumbled from heights so high, yet – here I am.

One night, last summer, I mixed molly with coke with ****** with so much liquor – because liquor is quicker – thinking for certain I’d orchestrated my demise. Some of my friends were squatting in this foreclosed house, so there was no electricity, and I spent hours playing Sims with some girl in the dark.

Eventually, my computer died – but I didn’t.

The list goes on.

On this list, there’s one night I’ll never forget; an attempt that far outweighs the others. A night I’ll forever regret. The night I came face to face with the grim reaper, for the first and only time, and somehow turned away.

This is how it went.



​     The Last Supper was comprised of 150 assorted pills, and some secondhand Jack Daniels.
​
I ate alone. I’d exchanged dining hall for bathroom; chair for bathtub. I held one lone utensil – a razor blade – nestled safely in my hand. Cradling the blade like a child who found the cookie jar – the way my boyfriend worshiped a fresh syringe of ******; I snuggled that sacred utensil.

I failed to savor this Last Supper – for dine and dash would more appropriately summarize my actions. I ravaged the meal as a stray dog would raw meat. Gagging and choking, whilst feeling nothing at all.

All those pills, that jack, I poured into a jar and chugged like a freshman in college. (Get it?) The most unconventional supper you ever did see.

My makeshift chair filled slowly with water like concrete – and soon I’d be buried alive. So I squeezed the razor tight, pretending it was a loved one’s hand instead.

​Yet – nothing happened.

I considered my lone utensil – the blade – then laughed, and threw it aside. How high school of me – a time when I confused my wrist with a cutting-board. Oh, silly me; my insides could do the work without external additions.

​However, the nausea hit before I’d relinquished consciousness. I feared I would toss my cookies – ones stolen from the cookie jar – before they could toss me.

​An important factor to note is this was not my house. It belonged to my boyfriend’s aunt. And although she was not home – he was. Earlier, I’d thrown a knife at his head and told him I was glad Morgan died, to ensure he’d leave me be, but now I was bored and nauseous and so I got up and left the Last Supper to pursue a bad cliché I just died in your arms tonight.
​ What happened next is not important – I’ll fast-forward to what is.

The first to come was a young girl.
​She wore her blonde hair in two braids. Her tiny body, adorned in a loose, blue dress. Her feet were sheathed in neat white socks beneath modest, black slippers; slippers that matched her headband. A headband to cradle her mind.

​Her existence stupefied mine – for I knew at once who she was. And I was terrified.

This girl was coasting her eighth birthday. A birthday she’d never reach.

And yet – she was as wise as I am thin; far wiser than my nineteen-year-old self. She never spoke, but there was no need. Everyone talks, but seldom is speech genuine. Only in actions can we find the truth.

I’d waited my whole life for her. My true, beloved best friend. A girl as imaginary as could be.

Alison Wonderland.

Unfortunately, she had no intention of staying. She had no interest in my world; she’d only come to take me to hers. She’d come to take me away. Far away. Away so far I could never return.

This time – finally – I’d be gone for good.

My whole life I’d waited; now, she’d finally come. Not to join my life. She’d come to watch me die.

We both knew my lifespan would hardly outlast the hour.

Collapsed within a shower, I floundered for words. Separated from her by a mere pane of glass. She was so close. And yet, I was far from happy – I’d nearly surpassed hyperventilation. Literally stunned to death.

This beautiful angel maintained composure, however; unaltered by my frigid welcome. An unwavering smile illustrated her entire physic, whilst she offered her hand to mine – arm outstretched and waiting.

The ultimate invitation.

However, we were not alone. Not two, but three souls occupied this bathroom. The bathroom of my Last Supper.

On my side of the glass was a man. A man I knew. A man I loved. A man whose manhood was verified by little more than age – 25. Whilst numbers generally distinguish between childhood, adolescence, or adulthood, he was much more a boy than a man. His maturity – vastly negated by defining characteristics. You see, this 25-year-old boy was also a pathological liar, a sociopath, and a ****** addict. He was the stranger your mommy warned you not to talk to – and he was my boyfriend.

My boyfriend, our third addition, was christened Daniel no-middle-name Rodden. An alias more accurately spelled Rotten – which I knew, but refused to accept. So instead, he was just Danny.

Anyways.

I surrendered consciousness slowly. I was crumpled, trembling and mumbling, grappling to sit up or speak.

With all my strength I pointed, terrified and confused, at Alison.

“How is she here?” I wanted to scream. “How’d she get in? What’s happening?”

“What are you talking about?” Danny’s voice wondered. “There’s no one out there. I promise I promise.”

He must have been blind. For Alison remained, hand outstretched, waiting and waiting.

However, Danny Rotten and Alison Wonderland could not see each other. Nor could they hear or feel one another. They existed within uncorrelated dimensions. They were, in fact, entirely irrelevant to one another, compromised by one single factor. Me. Because not only was I physically dying – directly between them (monkey in the middle?) – my consciousness floundered amidst their two wonderlands.

But this was temporary, for we all knew I had less than an hour to make a choice; a life with this toxic boy, or a death with this loving girl. Death, which I’d coveted since I was ten. This decision could not be undone; I could not keep them both.

I never took this hand I was offered – Alison Wonderland’s – I clung to Danny instead. A decision I’ll forever regret. But I had yet to meet the Grimm Reaper.

Somehow, I’d been transported back into the bathtub. I sat back at the table of my Last Supper. Only, this time, I was not to dine alone.
I remember Danny’s face – if only for a split second – covering mine. His handsome, Spanish features contorted in fear; even mussed and wet, his dark hair swam across his forehead with graceful finesse.

On his face I’d never seen such emotion, nor will I ever again.

Drifting in and out of consciousness, I lost sight of that face. I knew he was speaking, perhaps even yelling, his physic – inches from my own. But then, the stampede arrived, trampling him whole.

Empty handed, Alison might have left. But this evaded me.

For into the room poured innumerable intruders. My ghostly escort, it would appear. Some spoke to me, some avoided. Some set up a poker game in the corner – waiting on my choice – whilst others conjured chairs like rabbits from a hat. Chairs they set up around this bathtub. Enveloped in bodies, my Final Supper had become a banquet of sorts. Danny tried to hand me a bucket, to throw up my poison, but I was so weak I couldn’t have held it had I wanted to.

Out of all these people – souls I presumed dead – I recognized only two faces.

Preston and Henry. Two boys I knew – and although ****** addicts, they were alive and well. Not ghosts like the rest. However, within the next two weeks those two would both overdose and nearly die.

Coincidence? I think not. Yet, I digress.  

That was when he appeared, for above the bathtub stood a window. Outside that window, I glimpsed a man. A man I’d been chasing since I was ten.

Mister Grimm. I remember not his attire, nor any defining details, only the expression on his face as his eyes singed my own. Complete and utter hatred and malice, with fatal intentions. He looked to me as his arch nemesis – and had I invited him in, he would have given me what I’d always wanted. I knew this to be true.

I knew also that, although Alison had appeared to be the defining choice, she was not. This man was. And in that pivotal moment, I began to scream.

I screamed for Danny – to make this Grimm go away, to tell him to leave.

Danny did. And when I next looked up, the man was no more. Gone, too, was everyone else. I took Danny’s bucket, hurled, and knew no more.

This is one night I’ll never forget; an attempt that far outweighs the others. The night I came face to face with the grim reaper, for the first and only time, and somehow turned away. A night I’ll forever regret. Sometimes, however, I wonder if it was not mister Grim I was looking at, but Danny’s reflection: the monster he soon became.

Or, perhaps, it was not a male I saw in that window.

Perhaps, It was myself.

The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)

Drugs can be great and they can be destructive, they can take away any shred of your will for you to be productive. Some of them will even make your brain feel instructively reconstructive, when in reality its just making it reductive. Its only a matter of time until it starts it's demolition, then you'll be in a tough position and that's where some abort mission. Some people are lucky to come out of addiction and have no mental condition, those aren't any limited edition additions, they are there to stay and not to play. Drugs don't **** around and straight to your brain you gave them full permission along with free admission. I wouldn't blame you for taking the risk anyhow, when you take it and it hits you like POW all you can think is wow and wonder what's happening now. Unfortunately it all feels so great, you know, something you can really appreciate and do whether its early or late to put you in your favorite state, depending on the drug. Some feel like you're on top of the world and energetic as **** where others make you feel cozy and wrapped in a hug. You don't gotta be all **** and **** to do a drug, I did them for recreation. Then I lost all my movement and motivation, I no longer had any inspiration but to munch the **** out and play my PlayStation. Drugs overall drain you of something and you might think that that something is nothing but you'll be missing it and then you'll refuse to do any budging. You'll be caught in a slump, feeling like you're in a dump, and need a little bump to get you outta that ****. So if you're really willing to go through that **** and so much more, go ahead and be a *******, go be that **** addict by the back door. But you can't say that I didn't warn you about them anymore. Sometimes you feel they're perfect and even if that is the majority of the time, you gotta ask yourself if its really worth it.

Is from the September equinox to the December solstice


Where you fell into the story was what mattered to me I looked on your beauty I saw you were in the
Autumn of life rustic adventure played an overture of mellow that softly blows the soul colored with
Delighted hues of gold red and orange these colors bespeak the whitened snow that lies in the offing
That tingling chill that so greatly advocates wonder of stillness but now it is the window view of a world
That is enthralling an excitement portrayed by loss that buzzes with excitement to be curtailed then to
Find the true fountain of youth a time of hardness elemental profound sterility a forest denuded in its
Own way it drags the eyes to this skyward enchanted starkness spikenard oil for the mind and emotions
It will halt and fascinate this alone would put disagreeable thoughts on hold it reverberates a quiet
Lustiness forms and ushers one into majestic simplistic appreciation of emptiness punctuated by the
Bizarre show that trees perform when they seemingly accuse the sky with bare limbs and stand in a
Gaunt stage one could read the story of doubt and faith reason and all visible means of perception says
All is lost but the unfailing grace that is locked in the heart of nature will be rewarded and with great
Proofs it never fails to succeed we to should hold fast when all evidence flees and we to are left alone
And barren this is of a truth your time and mine of new beginnings what little price to pay for the
Opportunity to unlock such rewards the same as when the trees start to bud the rich foliage comforts
And soothes the earth below and then doctors and mends the wind by photosynthesis purifying
Impurities keeping the whole environment healthy so if you are sidelined by this or that problem
Don’t be in too big of a hurry to lose hope and become frustrated look on the seasons believe and
Realize your having an autumn interlude and soon you will be a certain health and reward to your
Family and community yes at first I too was upset thinking of you in disagreeable circumstances but then
I was allowed to see your life not being affected by unruly means on the contrary you were being
Reshaped being given fuller leeway so many pluses that counter negatives that are a reality but the
Greatest Unseen hand works vigorously without fail to enrich empower by the lives of friends by this
Means the world is incorporated with values and trusts that bring rich harvests they surprise with
Wonderful Additions clouds and blue sky the vesture of the sweet earth that we as uncommon flowers
Permeate with scents that hold us all spellbound

my 2nd first kiss was in a romford nightclub dancing
the **** out of tool's stinkfist... don't really know where
the trauma came from, maybe from my real 1st
kiss being aged 4... what was that club's name
though?! rm1? no, it wasn't rm1, is was near rm1... it
had a tutankhamun logo... rm1? i was a club, really...
i was living in gants hill beehive lane and we used to go
there to drink beer, underage as usual... well:
it only me and samuel, and after the club we'd walk down
bus route 86 and sing backstreet boys
song... like ******* our rockers we were...
        less spectacular than stories from first world war trenches:
d'uh...
i can't memory is the best cinema i ever went into...
  they call me mad because they're living out ****** lives...
can help you there: see a psychiatrist? hmm?
i saw 2 or three and i was wondering:
when will you acknowledge that the 2nd
world war isn't a mental illness,
or speaking to relatives that have experienced
it? when will you just: ******* with
  history being a mental disorder?
      like the ****** additions of west germany?
that's "fake" too?
         i mean: who the **** invented
these people? are they needed? are they even
doctors?
          burroughs bukowski and brautigan
would say: don't trust them, they're cuckoo
equivalent of planting their eggs (egos) into
pigeon nests and you being responsible for raising
up even bigger ****-ups than they are...
and if they say that they haven't read anything by
    de sade... i wouldn't trust them...
  not all of doctors adhere to the hippocratic motto...
erm... harold shipman?
to be honest though, i am a supporter of
euthanasia... some also care to call it a case for
dignity.
    ex mort ut amor...
                         some people don't understand love,
i'm just bewildered by life...
          maybe that's why i love leading
toward the standard of: allowing people to live
their lives out?
but indeed it was, my 2nd 1st kiss,
in a shady club... and i remember
the shamanic dance in accordance to tool's
stinkfist... i say my 2nd 1st kiss...
   it was with my acquired tongue,
and i walked home bemused... or rather shell-shocked
as if i were experiencing artillery in belgium...
her mother was there also...
          and then the memory gap convened to
tell me: you remember yopur neighbours living
above your grandparents, and how the man
****** his sister... or something along the lines?
ah, the labours of love...
  whatever that kind love is(,) that prescribes such
a loathing to continue life per se;
                      had there ever been a superiority
complex about to be expressed... it wouldn't be this...
  the part where they mentioned this "objective"
biodiversity was the time to check, whether
there was a superiority complex...
               i feel no less, or more discussing darwinism,
but as it is directed toward populist exploitation
akin to a religious dogma...
     i'm thinking... back off... seriously: back off...
don't touch that ****...
                                              it has basically become too pop
to argue the points... the last time atheists convered
en masse communism appeared...
                  even though from what i heard, under communism,
there was a complete spectrum of sports,
it wasn't just football... football... football...
                         you have an olympic interest in sports...
real "biodiversity"... which is what ****** me off about
the darwinistic argument in england...
                  how about an equal representation of sports?
no? not going to happen?
                so why would i need that argument
in my head?        the time-scale if off the radar...
   oh look... a palindrome...
                      i really don't know why or how i should
conceptualise both the big bang, dinosaurs,
the meteor that killed the dinosaurs and the ****
sapiens with origin in monkey via the extinction
of the neanderthal...  
          or what we called wiping out the entire history
leading up to this point...
                   i'm going to stick to this corner where
i remember my grandfather (who's still alive)
and leave you to the break-up of the nucleus known
as family...
                 or whathever it's called these days
                       in the **** i.v.f. **** relationship;
well, even prostitution had to evolve, i guess;
**** me... you can ask for a service that lasts an hour
and you pay the minimum of 110 quid... so what's 9 months
worth? it's a pretty name though, isn't it? surrogate mothers, eh?

for a year,
I have learned to accept
new additions,
to my family.

I have learned to appreciate
Mom, my life, and you.

You have taught me,
diplomacy,
in the face of Mom's hormones.

You have helped me,
learn to be happier,
and to not let myself sink.

You have made me laugh,
at nothing.

As far as Step Dad's go,
I never thought I would have one.
(Well one that I could call "dad"
anyway.)

But I figure,
your pretty much,
the winning lotto ticket,
in the step-dad lottery.

I Love You Dad....

"Don't leave out the graphic details."
Oh, trust me. I won't.
The gruesome, disturbing, intimacies.
The bone-chilling, hair-raising fragments.
It's almost too much to bear.
But not quite.
This vulgarity is just enough to keep them on the edge of their seats.
Every tiny, twisted moral of the story.
In between the cracks, find shining slivers of redemption.
Only to immediately cover them up with rotten deception.
Good, ***** flair. Scummy additions. Sick annotations.
Keep the masses rollin' in.
Complexity, concentration, then chaos when they want more fear.
The blood-curdling, stomach-churning truths.
The disgraceful, distasteful deductions.
We've come to the conclusion they crave this coagulation of ****.
Dark disdain eating away at the corpse of wellness.
Vermin, pests, gnawing, slobbering.
Choking on the bones of prosperity.
The decomposition of this life is what they love.
Flies, gnats, swarm. Maggots clump.
Crack, rip, slurp, gag, choke, ******* die.

But today, I just want to tell you why.

Why I had to ad lib this wack status.
Why I was convinced to go freestyle.
Why I'll pen every word with no fuss-
And it should only take a little while.

Why I will not use reference for this-
Block of lines that I dedicate to you.
Why I'll insist on calling this a piece-
Despite the fact its not so beautiful.

Why it seems like random thoughts-
Unraveling from a messed up brain.
Why it kinda is like a couple of dots-
Connecting to form a ****** chain.

Why I appreciate who you are to me-
So much that I say 'I really love you.'
Why I will always praise your beauty-
Though your persona's more beautiful.

Why I wrote you a poem but kept it-
Cuz I am not PrinceCharmer enough-
To explain my feels to you complete;
Why I have to cut this status in half.

Why I always count on your advice.
Why I believe you will have my back-
And thus endeavor to pay the price-
For someone who really knows Jack.

Why I think I'm sure about this one;
That you are smart, caring and wise.
That you understand Alex as a man-
Who dares but also smiles and cries.

Why I don't know how to be a poet-
Enough to write down my emotions.
Why suddenly our 26-letter alphabet-
Seems to be needing major additions.

Why this is where I will sign off from.
Why I wish I'd speak from my heart.
Why this status is just like any poem-
Without all 'why's to end from start.

Keep Smiling

.jordan peterson is right, it's unrealistic to watch *******, and even begin to "think" that i might **** these women... correct... absolutely... i get the ones who drink beer, are Thai bisexual, which i find on park benches, invite home, play some Miles Davies, and later **** in the garden... it's unrealistic, for sure... but then... watching modern *******? so... these women are exhibitionist, masochists and nymphomaniacs, bound into one?! no wonder Italian ******* from the 1970s seems more tasteful, compared to all the gagging *******, and impromptu ****... jordan peterson is right, i'll never **** these women... but... there's not obvious reason why i'd want to, either. once upon a time, when ***, was like fine art... and you weren't forced to choke via *******... and **** wasn't exactly an option; but more like a hand-job.

you know that moment when a song,
   that turns you into a human
body drum kit of tapping
along to the beat...
when there's actually a bass guitar
signature reference...
and at some point in
the subtle intermission...
you stop grooving...
slap your thigh...
   grunt out: oomph!
puff! blah la la. oomph!
get your moccasins on...
and... look at the up-side of things...
you won't be *******
with your socks-on during
the one-night stand...
  or for that matter: cocooned
under the bedsheets...
there's nothing worse
than ******* with your socks on...
well... there's *******
under the bed-sheets...
        - p.s. why do people think
the 1980s were a ****** decade
for music?!
     the 1970s were *******...
with all their disco...
                  plus you had the counter
with all the e.m.o. ******* of
Joy Division and the Cure
and what became grunge...
    Phil Collins?! go bro!
w'ooh w'ooh!
            wallaby!
you want bad music?
listen to some krzysztof penderecki...
because i know what these people
are doing... pop music is,
supposed to be infectious...
you can pass on some jazz...
sure... but pop music:
why beat yourself over liking
something you can't exactly control...
no jacket required?
seminal album... no song in particular...
let's face...
genesis is... what genesis is:
not exactly pink floyd of king crimson...
the solo artifacts
of P. Gabriel (Solsbury Hill)...
         P. Collins (take your pick)...
sure... selling England by the pound...
of the women i loved,
i loved to what could best
describe itself as an antithesis
of cinematic romance...
and... for it's worth:
      i returned to myself satisfied...
subsequently,
between Ms. Amber and Mother Death...
the women around me
went around minding their own
business...
     and i went around minding
my own...
                and the sun glowed,
rose in the morning,
and set itself beneath the sea
come the evening...
          and the moon played
peekaboo...
                    and all of what was required
was ingested...
with all the excesses
scattered for others to pick up
and make additions to their lots
of the mortal whole,
otherwise called life,
otherwise called breath and soul...
            mutter tod:
                i am on my way;
fear not, i have no Sylvia Plath tugging
along...
       i never dared to live the kind
of life associated with Ted Hughes...
   just prostitutes, prostitutes, prostitutes
to the best of my accomplished
fathom that constituted memory...
    a love by an hourly rate...
                   and we laughed,
and we cried...
  and we kissed for said hour,
after having forgotten to trim my *****
hair to allow *******.

On my right thigh is the most honest piece of art I have ever created.
You may call it my masterpiece,
Because the finished product
was created from years and years of major and minor additions.
****** brushstrokes that mark each time the phrase “not good enough” rang too heavy in my ears. 
Sick, faded tallies of scars that tell the story of my life the way some parents tally the heights of their children on the kitchen wall. 
But instead of growth these lines mark failure and unlike a child impatient to mature,
Each line makes me sick to my stomach for the regression it represents.
Lines and lines of railroad track designs left in the indelible ink of imperfection.
An autobiography written in the hieroglyphics of my sorrow,
Wounds sealed like an ancient tomb but with a map of scars proving that once these grounds were holy,
Governing my life like a pharaoh with a birthright.
A visual representation of a feeling constantly fought and lost
An unavoidable reminder that yes, sometimes the scariest enemy I have to face is myself and here are the marks left behind when the demons of my past manage to claim a brief but ferocious victory over my self control.

Now, I am a perfectionist.

This means by the time I was old enough to understand my shortcomings I had figured out that no lesson stings in your memory quite as much as when you start using blood instead of ink
When you let heartache become your muse and self loathing your mistress, 
and suddenly you’re imprisoned by the adrenaline of freeing warm red paint from behind a soft **** canvas.
The first time I felt the release of a razor on my skin, I was gripped with an infatuation strong enough to break the programming of nature and turn my own body against itself as my skin became the victim of my own hands. 
Heartache after heartache I eased the pain,
Becoming michael angelo with a thin metal paintbrush and a sistine chapel that burned when the shower was too hot.
Hiding my latest work of art under long pants and excuses.
Finding love only in the dark because what if he sees my skin and realizes that some days I can’t even love myself?
On my right thigh is the most devastating piece of art I’ve ever created. 
You may call it my Achilles heel,
Because the finished product, which I shamefully admit,I do still edit occasionally,
was created from years and years of marveling over the beauty of the world but never learning how to see the beauty in a blank canvas.
Cherish your beautiful blank canvas.

the devil in hell is constant, reminding as a tombstone -
each and every knock-knock - my imagination resides
in this hellish equivalent of life lived elsewhere -
for the devil in hell is merely a tombstone with
a living inscription that's a clock rather than epitaph and
insignificant dates given Darwinism
and the Big Bag - i.e. 1779 and August
and the 7th makes little difference - or none at all -
oh how welcome buried to be imprinted within
minding anonymous - hell and the tombstone -
an enlarging of life not lived -
or heaven, well, even Dante described Hell
with prefrontal cortex exactness -
Dante's inferno dealt with more detail -
the paradise left to abstracts;
and so the netherworld spoke toward
mortal interests incubated as apt resource
for expression in what aerodynamic was to be
in a lepidopteris catching magritte umbrellas
with accented whirls - like pebble skipping
on the shattering of the Narcissus mirror
to hold sway of reality, worded: how you aged,
while the lake remained standstill intact -
whenever the philosopher inspected you even
more frequently than Sisyphus;
many climbed the highest peak
to only watch the Sisyphus boulder roll with their
bravery downhill -
but so few sat like stones about to be thrown
across the pristine mirage of the awaited
plagiarism of your first inkling into the shallow
depths - for indeed demigod assured -
embryo of thought, missing artist,
missing a self-portrait - what say you
to claim near-role of Poseidon?
i expect you'd only quack van Gogh -
and feel less inclined to imbue thought of mirror
as thought of beauty as self-worth and
the mind preserving it - rather than a mind
inclined to translate the stillness of the lake
into compressed aluminium and chewed sand for
the seen-through; a paradoxical world:
so much worth ascribed to so little -
and so little worth ascribed to so much -
this world is not worth a human zenith -
nor the nadir of insect savagery -
not the curtail phantom of scientific theatrical excavations,
nor the complaint of humanism attached similarly to
the same theatre -
mine assured the Chinese fairy-tale of a poet-drinker -
restless in metabolism, but when auburn comes named
Autumn, or spring and the Japanese cherry trees
of hanami - the low-caste infuriates mindful spectacles
of how to cross a busy urban crossroad of traffic
and look less at app. with additions for a minute's
silence among 15 minutes of modern crave of holy grail fame,
long lost among the objective success no
individual can profess - but specie kindred ha-yah,
ohayō - manga sigh you - conning chihuahua -
they **** and the English limit of theology, pronoun
debacle he v. she - V-she - mate, an E! an E! if theology
is to be so debated no longer the existence is to be debased
and atheism acquired - albeit not Oriental atheism of
Jackie Chew kangaroo karate - more like
addicts in a gym with fast-food exercises joining the
granny club of arthritis and bad joints;
'cos you're a bunch of wankers and that's that -
you smoke those opiates! you do! never was a Pole
more vocal than with the European Union -
embark on inviting the Turk! the coup is over!
invite the Turk! invite the Albanian! invite the Serb!
the Brit is leaving! hello Scootland!

On this day,
Twenty-eight years ago,
I realized that love is not divided...
Not halved between.
A father's love for his children...
Is a multiplication,
An expansion.

How do I explain?

Meanings of life change;
Additions and subtractions aside,
Love multiplies...matures:
Exult or suffer, it endures
Even the agony of division.

Mainly now, love suffers,
But always it endures.

My mind becomes cluttered.
Since I was a kid.. the simplest of thoughts add on  top of one another.

even though there is a big lack of stimulus
Like a television with one hundred channels demanding "A  view"
the "medical clicker" is lost and your brain seem's "too full to align with clearing itself back to  complicity..".
You are full in the head..newer ideas are next to impossible
temperament becomes askew
The "treatment" is "stimulus"
the doctors mistake such as "mania"
Since a hyperactive child never grows..the energies never cease, as well.
Blind eyes, who fail to "look outside an unorganized box of practioner's recycled thoughts,"
could ever help (neither the victim nor the prescribe)
to place on the right pair of glasses
Such failed views .. clarity.. shall never be  something that  they "see" in order "to grow" or are willing to "grow with" refusing newer education and treatment grounds  
An open page of a "still unfinished book"
Such meanings
which all who need to be "open eyed" enough to be able to show them in order "for  them to ever  know"
To teach the afflicted
"How to channel the energies and the focus"
as you mind's eyes are "in need of glasses"
Give the wrong treatment
and the medicine can burn out clearer views
than the regimens he's tried and deemed "the only one"
Not one size fits all
Look to the old, however, might be a mix with the new?
"Not every remedy is addictive or harmful"
"nor does one pair of glasses clear the visions of all.."

just as these so called "experts say"
to " save your life is the quota"
not "how many cases in which the practitioners have half-way  saved.. walking on egg-shells..to save  their own careers"
(Shells)


It makes another successful life
from a once cluttered mind
to loyalty and honor of the one who had helped him
Such a a once lost patient does keep in his now "clearer mind."
Who cared more for the advancement and quality of life of the one who asked for his "helpful hands"
Not "Magic hands"
"openness" is always the "better mixture" of "pills and therapy"
The vision cure that always seems to be the math equation that leads to successful medical group and their great sounding cliche and "medical change and reprimands."
Not afraid in sticking up for the betterment of their one client
then such additions of success become an army
of the "grown children"
with the right "pair of glasses"
that see more than just a "glass" half full, however, "the world."

Now, this bright and more colorfully lit world will shed light to those left "in the blurred dark"
as the once lost were found and the found shall become part in healing
those professionals who chase "selective cases" like "hungry sharks."

One continuous first poem of the day


I read. You read.
Together,
We will:

Overcome forebear forswear get new styling hair, inculcate deviate initiate intimate feelings only we can share, participate be late create poetry only you and I can speak, always seek quietly seek refine remind design the no din no sin atmosphere right here always fair in sickness in health share the wealth that words give, heal the feel the fantasy and the real you gift to me, heart heart hearted the good, the wonderful, the rad,
Even the just so so and even the bad for ore refined becomes precious metal fellas, not a rap just a hap in a late inning, game tied, brain sun fried wouldn't lie we r down by seven, heaven would be to write a poetry in the the in between stretch, or sail a ketch just me and thee making up schemes and dreams wordplay as foreplay whattya say say ok say to nite we do it my way why babe cause what you say is my way one way street sign pointing up later we sup on franks and beans and caviar won't get far maybe to the head and  then the bed  because I like salty caramel really swell and that the flavor I savor when lips greet and Nate doesn't fall asleep in mid composition with fingernail incision wake u up to seal the deal cause I am woman and get what I need when I need why else to keep you around not for silly limerick nope I want your
Soul my only goal I want you whole not in part stop writing that ridiculous ness  make a mess of me in me sweet liberty of thee I sing alarm ring six fifteen go to yoga but take off that toga so I can warm you before the session leaving me so not Cairo yeah you better comb you hair or everyone will know you know what remains unfinished bizy ness tween us
just like this rave this rant in crazy cant I can and will send at the turn at the end at the bend for you to add it would make glad so start to speak mail me the continuation so the end to amend and this continuous unedited befriended work of **** will forever grow and all will be contented by the only poem ever writ by geeks and nerds and twits like me carry  my baton carry on stream and scheme send each one of you additions and I will add to this first edition and we will write the greatest work ever ever so communicate there is no late years from now brown cow I will be adding the longest running show on Hello mellow and if you want to be anonymous see that's fine but I love your names and giving credit all credit yours so take this and start this banger end this fray crazy notion slightly askew whom among you will be the first for there will never be a last if the chain remains
Unbroken....
shaqila:   continue your work of ****? - haha! ok here goes!
to one and all, be all in all, for all, now, then and after, perhaps, sometimes never, life is and was, even though, however, it all starts!
haha!!
Natasha V: We are a never ending chain, a freestyle type of gain for one and all if you want, add few words on anything, love and passion sadness or pain, exagerate all you want tease and taunt, don't you dare spare, don't feel shy, keep the work of **** flowing, after all, it's all about feeling free to ignore Nat and being me...or yourself :D

**Complete this arc if you can,
Are you poet or just an ordinary man?

Amelia fixes her veil in the mirror,
and tilts her head from side to side.
Not satisfied, she removes it.
She brushes her brown hair.
If only God had made her the way
that she wished she could be.
The artist that she is,
she desires to paint herself pretty.
It's like she feels that her Maker
put out His first draft on her
and forgot to erase the mistakes,
to improve the rough draft.

Amelia adds rosy color to her cheeks,
and petal softness to her lips.
She dots her eyes with lovely additions
and powders her nose as if icing to the cake.
Yet Amelia's love does not care
if she looked perfect.
He always teases her
when she fusses and fusses,
and he often reveals to her
that she is more beautiful
than a garden of flowers.

Amelia relaxes her face.
Maybe this isn't what she would have ordered
if she could have possibly gotten
her choice of looks
right out from a store catalog.
She can tell by her own eyes
that they are alive.
She laughs at herself in her reflection.
She knows her beloved is the right choice.
From down the hallway to her room,
Amelia's mother calls out,
"Come along, Amelia.
Today is your wedding day."

Rio can have its lava lamp spectacular,
i have my Van der Graaf Generator,
studying lightning and brainwaves
(the **** you can find on suburban streets -
as they say: the best things are for free);
trees and roots upside-and-out akin to branches
stretching for the paparazzi tropism -
wannabe junkies through and through the U.V.
glittering additions.

Damocles and global warming;
it's hanging, a birth of the guillotine -
America is armed, give it a sneeze
and the public will be ready for an insurrection,
we basically marched back to the 1960s
without a Martin Luther or a Malcolm X...
people are testifying a need for leadership,
the C.I.A. and F.B.I. are on the prowl
to subdue it... if this was the ice age
i'd eat you, ******... i got bored
of chicken, let's see what you taste like;
the revision of Damocles' sword hanging over
all of us... believe me, the Arabs are fine,
they can stand this kind of heat,
they'll fry us all on a Ferrari sports-car revs
from that carbon monoxide **** ****** at
for brain damage and a ***** **** under a niqab;
me? i'm as politically correct as politicians
are on a Wednesday in Parliament during the P.M.'s
questions: ridiculous, ridiculing, ergo double
agitated... take your defence of apathy elsewhere,
into your safe-circle and dance me the ******* tango
while shadow boxing. i'm as politically correct
as the prime minister and as much as the shadow;
pulpit plonker of Peckham that was needed as a
plumbing pecker of assured speech getting the job done.

this is the revised version of b.m.i.,
i vouch like a scout that my personal library
weighs more than my body,
******, i'd eat you, no questions asked;
i'd eat you, the corpus christi curse right back at you,
Moses was a former army general,
he exploded outside of society,
Christ the Redeemer was catching carrier pigeons
by clapping inside society, the effects
came later, Grecian,
only an enriched literary civilisation could have
made profane remarks about the Jews...
what with Plato et al., the four gospels
really did miscarry the treasures of the tetragrammmaton,
that's the only Jesus bit i don't like,
well, it's pretty much all of the Jesus bit -
attacking religious figures like Elijah and the Baal priests,
he attacked but the religious cults under the Romans
flourished... then came the northern invaders of Rome
not really bothered by what the Greek wrote...
**** is this?! the **** is this?! you forget they lost
the runes and said: well Latin is the *******
for encoding hush and sepia, let's keep it,
start afresh, keep the coliseum rotting.
so much for human rights: chop the head off
and long live Charles I... keep him rotting in a cell
and you're inventing zoology, hardly human...
most men would rather the chop-off than the chaining...
vegetables in 2 cubic metres, hardly human...
**** it, most are like: end it, quick! don't make me
a loiter with my crimes... but of course the sadists won
and things collected dust...
the story was: don't read books, write something
original... Gaza strip would make the perfect novel
archetype -but subsequently loose your human empathy
allowance - somehow finding it in Oxford, half-******
and half-the-time missing the plot, to no one's bother.

yes, b.m.i. (book mind index), all that god is dead got me
thinking while we're obsessing about diets and
eating vegetarians... **** me, ain't i the cannibal tonight?
Rio... it's all Rio's fault... the ******* lava lamp and my
prize for going to buy the spirit of St. Paul's cathedral **** -
my own, van der Graaf generator -
along with the band, all classic **** given prog rock
introspection done by the one famous magazine Mojo -
no, not mojito - jackal, joke, jumper, jazzy,
south american ha or the Mexican Xavier's achoo cha ha cha
(i admit, Michael Jackson's version of: pope checks whether a choir
boy is castrated to sing the high-notes).

well, the plan is to drink yourself to death -
**** this place and **** it twice over if i am the spaghetti
with a chance of meatball genius to save it -
i'm not a coward, i'm just practical... the dinosaurs never
had so many paradoxes running through them
when Michelangelo did the meteor sequence,
after the Welsh and the Chinese intuitively drew dragons.

this is is the perfect time to be loners and childless -
it's a time when death and god is clearly explained,
but an en masse suicide pact is harder, unless you express
human pride and human vanity as the sourcing secret -
i did a mini course on sustainability beneath my
prime: chemistry at Edinburgh... can i say it was like
g.c.s.e. history? any idiot could do it.

or as was the case with political correctness with the recent
attacks in London - the English uber way of saying it
politely, they're campaigning for a loss of stigmata in
this branch of medicine that, for some strange ******* reason,
everyone gets involved and is suddenly a ******* expert -
i don't know how many ordinary civilians
claim to have degrees in psychology... too many by my count.
all those campaigns to relieve the stigmas on mental health
in order to "keep the public united" after such attacks
simply back-fired - like everyone depressed or anxious
would simply slit some stranger's throat, because
of a "history" - no amount of eloquent cover-ups will discourage
people from seeing what they see, media freedom allows
for per se manipulation - shadow-people tricks -
the other form of spying.
if it wasn't a terrorist plot why mention the Somali heritage?
could just have said he was Norwegian...
so whatever campaigns there were to ease the stigma
surrounding mental health issues just backfired -
only to keep the ethnic divisions intact in the agglomerate
of social cohesion - to be honest, mental health isn't
even a medical concern... it's a political tool for
exploiting harsh scenarios - and this
medical schism is pretty much akin to
the Sunni v. Shia division in Islam - or the 1054
great schism; i have absolutely no idea why or how
it happened, or when... but this isn't a religious topic,
it's a medical schism, and i'm assuming the anglophone
world is primarily prone to it... as an outside i have
my unique perspective... this isn't religion... it's medicine
for crying out-loud!

are these psychologists and quasi and alter counterparts
prescribing medication like penny-sweets?!
because they ******* are! humanists that have no right
to prescribe medication, but merely talk...
oh wait... didn't i hear some cultural critic write that
words are nothing? so we communicating in ******* Braille then?
words are the primary data imprints we all need,
i'm not writing in a language to make it my own -
but there this massive schism in medicine at the moment,
somehow not reading philosophy in western society
never got to grips with Cartesian materialisation
of i think into i am - i can answer for that -
mental illnesses are subtler than a leg infested with
gangrene - but they're still physical ailments -
obviously not as rainbow as a gangrene, but there can't
be a schism, because too many amateurs and sadists will
exploit the schism... there's also the necessary claim
for thinking and being to reach the ergo equilibrium -
by unnecessarily treating a thinking pattern
that does not really deviate into stabbing someone
will only encourage all this proto Narcissistic crap...
and you'd think that polytheism died under the 21 grams
worth of certainty that the soul exists with monotheism...
that's the strength of Greek polytheism
(and Indian polytheism, i.e. it didn't adopt a monotheism),
meaning that it's philosophical background ensured
that the revision of Hebraic in its hands gained so much
popularity as Christianity - but Narcissus is a telescope
to introspect - i blame Narcissus for the medical schism
we're now experiencing - mental health and the imaginary
fifth limb.

this schism is the result of subduing religion -
at first it was a wise move, i admit that i wouldn't
want to be on the Inquisition rack -
but when violence was perpetrated on us
we held a stealth belief that it would end -
but after we internalised this violence
there seems to be no end; another schism
was bound to pop up somewhere, i'd never think
it would be in the medical category:
due to the failures of reading philosophy,
bypassing Kant, phenomenology and the existentialists
to simply write a profit-banking book:
philosophy for dummies (+ ****** et al.).