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Smoke Scribe Aug 2018
Imagine that
I could write a salve,
compose an ointment of verbal herbs to heal,
even mere protect the already-torn-so-easy mental flesh,
just to disguise/hide the multi-colored bruising our
fickle mistress-in-common provides when you are down so far
another bruise joining the cast like a  floodplain subsuming one more feeding creek bed into the shapelessness of indistinguishability

imagine that

where atoms hide eternal between creation and destruction,
borrow brief the set exact you require to restore the taken years
from fathers/mothers/brothers/sisters,
children,
return that which went unused by the uninvited, unseemly human whim of war and lies for no gain

imagine that

the deep sinkhole of despair that ***** one in, years in the formation, appearing in instance, and worse does not drowns but leaves helpless, unable to climb out, and all our scratching digs us in deeper until we cannot be, seen or heard or just be

imagine that

a check comes in the mail, payable left open for filling-in,
in the amount of full restoration, with no additional fees of guilt needed for deposit and cashing/caching out: and you wake up
and the stony chest is breathing lungs free

imagine that

and I do; for I am the smoke of return and rest, sky inscribing,
knowing precise needs and the screams and the years unfair taken,
they are screened through the five perceptions, and the word weaver
sets the loom for each peculiar requisition, no imagination needed

imagine that

you lament and anger demand verifiable proofs mathematical,
cursing the knights of false hopes with untethered regret

I do not imagine that; hear it and accept; my task, imagine that, making you imagine that, thus commencement of repair begins
when

we imagine that

for this how new healthy cells  are born

quiet-now,  go, imagine-that, now
if you recognize yourself within, it is no accident!
thank u all for the love and appreciation. one writes many poems in many disguises, so it is hard to believe  that an 8 month old poem, sent to you for safekeeping, is shortly thereafter barely recalled.
and then is rebirthed, and wouldn’t change a word...
imagine that!
I tried so hard for you to notice
But all I am to you is a novice
Or maybe invisible?
I know I'm just that terrible
And yes you made me miserable
To begin with
Who am I to admire someone
that is so beautiful yet so incredible?
And who wants to see a well known babe
escorted by an ugly stranger?
Or an ordinary human being    
together with an angel?
In fairytales maybe
But something encouraged me lately
So before I make my move
and send you a message
I would like to thank your friend who
gave me your number
I know I'm a bit of a boy blunder
mixed with melancholy in a blender
But I'll try it anyway
It may turned out astray
Or it will go my way
Or maybe not at all
I can text you as much as I want
Saying nothing but take care for a whole month
Admiring you whole day
Greet you a good morning everyday
And you would have replied
thank you or I'm busy
With no additional text
Like maybe
Nat Lipstadt Mar 2017
oh, these messages, you send,
invitations to a gala, a black tie affair,
but only if willingly pay the exorbitant fare,
your money's no good, you must dare,
find and write the poem hid within

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, wedded,
neither snow or sun,
can ever, either, extinguish*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
any message you send can and will be turned into a poem
"how cold are the carpenter's hands"... patty m

patty m  Divine intervention
extensions of grace
kiss the doubt from the
blind man's face.

Yet all are blind and deaf
so few left who truly believe
when tricksters smile and
cunningly deceive.
Where is the lamb
who died for man
how cold are the carpenter's hands.
Jerusalem where all roads lead
in winter white your sorrows bleed.
Lie still awhile and mull the words
all creatures big and small wo;; be spared
if on they believe, repent, circumvent the globe
frontal lobe what's in this treasure trove? myrrh and frankincense. stabled now in a manger
of hay, Earth Christmas Day.
jane taylor May 2016
and there i am in the midst of it all, conscious of what appears to be existent, yet knowing it is illusory.  and if time is occurring synchronously then how can i look back with contrition?  for if i have the capacity to move backwards and forwards in quantum leaps, i can erase the past like pastel chalk on an antique blackboard, then start anew.  is not the sky my canvas and the arc of the rainbow my palette?  and the stars in lustrous luminosity light my way so that ev’n at dusk I can paint.  yet pain ne’er ceases to hollow me out.  then through a barren vessel i catch more rain, and pour it out upon the parched terrain.  just when i thought enlightenment was nigh, a sharp edge is discovered.  must it necessitate additional sandpapering from the wind?  when will the gemstone sparkle without further pressure?  does it lie in its power to simply shimmer sans duress?  perhaps it was dazzling at its inception, relinquishing its luster upon domestication.  with this proviso, as it nears twilight i shall tarry and blend with the night.  i’ll dance with a moonbeam knowing the jewel will glisten afresh upon the rise of the golden sun.

@2016janetaylor
Tea Dec 2013
I start to answer her question,
She seems taken aback.
I rattle off my list.
“Witty comments,
An easy found laughter…
I like competitiveness
That’s wraps itself around playfulness,
Like I want to wrap myself around
His big found epiphanies.
Symphony of intellectual connecting’s and
Good intuition.
A quick reaction time, helping you step away
Before **** has had time to hit the fan.
Eagerness to help other human beings…
Taking advantages of opportunities instead of people
Charisma that is unselfish in its tendency to be noticed.
Awareness of one’s self.
a knack for insightful observing.”
These a list of things I find attractive
But yes he also has a nice jaw line
It traces lovely underneath a finger tip
But it’s a faraway line on a map
That has eloquently plotted out his most beautiful parts
It’s faded and dim in comparison to the additional obvious existing’s
It is so far from those parts of him I find to be most beautiful
That I hardly understand how out of all of it
That was the only thing you really responded to.
The only part of the map you related enough to
To point to and say I have been there.
Marshal Gebbie Aug 2018
Calamitous collapse of structure forged
With steel and concrete built for time,
Since Roman times a formula endured
With engineers additional design.
Why, then, did this structure fail,
Did mortar crack, did reinforcing strong,
Shear and plummet in an instants time
To crush and doom this bridges song.

In teeming rain a  silence hung
Where watchers gaped in stunned awe,
A magnitude of devastation lay
Pulverized in valley floor.
Astonishing this expanse of space
Where seconds past, huge edifice,
Imbued with its’ charge of lives
Unknowingly to meet abyss.

Innocence has lost its’ life
Blame resounds around the room
Someone shall pay the price
For negligence in causing doom.
Truth be told it’s shared by all
For Italy has lagged behind
Cost cutting infrastructures’ purse
Because of economic bind.

Time to reassess the plan
Time to weep and bury dead,
Clear the rubble from the land
Rebuild well then forge ahead.
Blame not the engineer
Nor the man who drew design,
Blame not the hardhat
Who poured the concrete in the line.

Reassign the budget spend
To infrastructure, pay its share
For sentiment is running hot
To axe the fool who pares the fare.

M.
Storeman
Civil Infrastructure
Hamilton, NEW ZEALAND
This calamity is already impacting on construction projects and future design , cost and planning, worldwide. Risk is, very much, a major perilous factor in bidding and negotiation in the relationship between an infrastructure provider and buyer.
Stephen E Yocum Sep 2013
There are times in life
when a man needs change,
And I don't mean,
dimes and quarters.

Remember when you
were just sixteen,
Driving all alone, solo,
in your old man's Buick?
All the windows down,
radio music blaring,
Your bare arm draped
out over the side of the door.
to better exhibit your bicep.

Hell mister, no doubt,
you were ten feet tall,
the king of the road.
Ever wish you had,
that feeling back again?

Cars were always my thing.
I owned some Detroit
Muscle, Full blown Chevy,
Firebird 400, Chrysler Hemi.
Smoked some tires and
went to Court a time or two.
Of course all that was long
ago in my fitter youth.

When I became a Yuppie
I acquired a Poodle Puppy,
a Porsche and a MGB.

But the ***** does turn.
and so then, did I,
And my road got,
a little bumpy.

Along came marriage,
then a baby carriage.
And a big house
In the Burbs.

Then came a progression
Of Volvo Station Wagons,
to Soccer Dad Mini Vans,
to large SUV's.
All for hauling,
any number of things.
Kids and dogs, strollers,
bikes, kites and scooters,
Fellow car poolers,

And less we forget,
"Pulling" things too.
Boats, RV's, Utility trailers,
and all nature of landscape,
gardening, and general
shopping paraphernalia.
Little League Teams,
Drooling big dogs,
Papier Mache Volcanos.
Home Coming Floats,
Once even a Goat
You name it, I hauled it,
Or pulled it!

Years rolled by,
eventually the Kids
flew the nest, got married.
And low and behold,
The wife and I split,
Each going our separate way.
No one's fault, just grew apart.
The thinly veiled allegorical
Previous Patriarchal
arrangement became,
A whole new start,
A workable self allegiance
to just one.

Soon once more, I was the MAN.
I ran out, bought a **** boat
But not having the kids around,
Soon sold it, having found out,
that alone, I was not a water sport.

I caroused around, dated women,
got my pockets picked,
learned a few lessons.
Fell in love, fell out again,
Took a few pretty good blows,
Right on the chin,
Even some down lower.

Round about then,
An Epiphany kicked in.
Remembered my most,
ennobling, happy events,
behind the wheel,
driving Dad's Buick.

As I stepped on the lot.
There was never doubt,
There was only one choice,
I just had to have that,
Little VW Bug Red Racer.

Nothing like your Mother's
Beetle, the engine's up front,
Not stuck in the trunk,
And man it produces over,
200 Big Time Horsepower
Not to mention,
Lays rubber in three,
Of six gears.
Getting all the while,
33 miles per gallon.

Receiving additional help,
from a sweet Turbo Booster,
Just like a big, Indy Track Bruiser.

There's 19 inch racing
tires and alloy wheels,
They look so cool,
Spinning in motion.

Dual stainless steel exhausts,
And best of all,
a cool collapsible,
Convertible top.

Rack and Pinion steering,
Handles like a sports car,
Yet still offers a backseat
To take my Grandkids,
out for a spin.

Dude, it's got,
All the bows
and whistles!

Top Down Driving is such a thrill,
Makes me feel sixteen again.
The open road, the sky above,
The wind blowing thru my hair,
what there is of it.

Perhaps the only thing that
Could possibly make this
Driving experience greater,
Would be to speed down,
The road, going eighty,
Behind the wheel of my
Little Red Racer,
Completely **** naked,
And of course all the while,
Feel the wind in my hair.

I don't know, I'm too old,
To call this a mid life crisis.
But on the other hand,
Maybe the acquiring of
This little red sporty car,
Has something to do with,
Those Testosterone shots I'm taking.
I'm even thinking, of dying my hair,
naw, lets not get crazy!
lilly Nov 2017
.

page one
it starts with the wave of a hand
a simple introduction
'hi, what's your name?'
it starts with looking and seeing nothing but what is there
skin and bones and blemishes and human
it starts with feeling no cliche butterflies in your stomach
and no additional voice in your head
amongst the others
and no rapid pulse in your still-beating heart

page two
somewhere along the way the waves turn into inside jokes and small smiles
crinkles by the corners of eyes
and light chuckles
and glancing just a millisecond too long

page three
and, well, glancing just a million times too often

page four
and you write poems in attempts to make yourself believe
to drown yourself in denial
to avoid confronting the - nonexistent - blooming bud growing
sprouting from all angled corners
and cracking curves
and jagged edges of you

page five
spoiler: it doesn't work

page six
and it's strange because apart from seeing what is there you see more
or really you don't see what is there
you see what you want to be there

page seven
you see skin and bones and beauty and freckles and stars and constellations in eyes and ethereal -

page eight
perfection

page nine
except perfection doesn't exist
and what you see doesn't exist
it's just your unrealistic expectations piled up from miles and smiles of movies and books and manga and everything

page nine
and you know this

page nine
but it goes into one ear and out the other

page nine
and it doesn't stop you from claiming

page nine
you're in love

page ten
if love is just infatuation with a physical manifestation of your ideals without their consent
then i guess you're right

page eleven
there are butterflies bending, banging on you, begging to be released

you wonder when your definition of beauty became a name and a face
and you wonder when love became synonymous to pain

page twelve
the butterflies turn into birds and then bears and then freaking buildings
except these building are moving and apparently earthquake proof because you can't seem to break them down
instead the buildings are breaking you down

but the truth is no, no they aren't
don't you see?
you're breaking yourself down

how do you heal if you are both the poison and the antidote?

page thirteen
if only you could rewrite the story
but how could you?
how do you rip the pages
how do you erase the sickeningly sweet
slow stabs slicing through your spine every time a smile is sent your way
how do you mute the thudding in your brain telling you that this could never be
how do you ignore the extra echoes in your head yelling at you to get yourself together

how do you get yourself together?

page fourteen
you've been asking so many questions lately
but you know the answer to all of them

page fifteen
there's a small voice
a minuscule, malevolent voice whispering maybe
whispering maybe and perhaps and potentially
maybe you're not the only one who wants to hold on just a little longer

page sixteen
but see
it's funny how the story starts with two people and now it's just one person with an overactive imagination
illustrating a person as something more
something better

page seventeen
but you're not creative enough to keep your illusion for too long
and soon you start to see less of what you want to be there and more of what is there
skin and bones and blemishes
and human

human

page eighteen
human is ugly and human is cruel and human is wretched
but human is somewhat
beautiful
in its ugliness
and human is raw in all its dishonestly
and human is real
even if you made it out not to be

page nineteen
you will never truly now human
you will never truly know anyone or anything that isn't a figment of your imagination
but it's enough

page twenty
it starts with seeing nothing but what is there
skin and bones and blemishes
and human
and then it ends
the story ends somewhere
anywhere really
but it ends
it always ends
Nat Lipstadt Oct 2017
once upon a wrote


here and there, in fables and tales,
some in no guile and others
in chancier disguises,
some sine-known and some sign-unknown,
some dead in stillbirth,
some penned these words,
some a few decades old,
some of but a moment ago eyelash distant,
making me think that
someday I will scribe,
cobble some truths and
some falsehoods into one
leaping heaping melting scoop,
letting you decide,
which for better,
which for worse...


<•>

"No matter that plain words
are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say,
about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?"

<•>

the reason we say so oft,
in whispers emboldened,

I love you

to our children
is not the utility of
its summarizing brevity

no, no.
it is because
the eloquence of simplicity
supersedes any other poem
any of us could ever write...

<•>

is this craft that chose you,
not defined by machine millimeters,
precision absolute,
curvatures, so eye-pleasing,
they demonstrate no tolerance
for tolerance of the ordinary?

the skill of words, too, cut so fine,
find the  extraordinary within,
refine, refine, refine,
shave away the trite,
the reused,
discard the instant recognition,
unusable

<•>

There are natural toxins in us all,
if you wish to understand the
whys, the reasons,
of the nearness of taking/giving away
what soully belongs to you,
do your own sums,
admit your own truths,
query not the lives of others,
approach the mirror...

<•>

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drop in and upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

<•>

come, sit for awhile, in poet's nook,
soft pillows for our hard Adirondack chairs,
situe hard by the bay, if too hot, we'll slow
drift to the sun room of
lace curtains and suicide poems,
still we'll observe the water, the rabbits, the cacophony low,
listening to all the noisier, nosier
creatures asking themselves,
and the trees and leaves,
where did all those poets come from?

<•>

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity,
subsidiaries of centricity,
tributaries of complexity

<•>

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, welded and wedded,
neither snow or sun,
can ever extinguish


<•>

now I ken better distance 'tween
artist and art,
I, a workingman's
daily dallying in simplistic machine craft,
my works deservedly lost in
the water-falling
of the endless also rans

non-nebulous distances.between skies of
Oregon country blue and
the worldy worn asphalt grayed words of
a graying man aging,
then let clarity speak, in plainest harmony,
know my deference’s soars to the high above,
one of us at birth, god gifted,
was not I,
it ain't me babe, but
one of us, his tongue,
like Moses-stung
with a hot coal
of language's divinity


<•>
Amanda Jan 7
i thought
the girl who lost
too much
too fast
would experience
less pain
with every additional loss
but that’s math,
not life—

when things get taken away,
i don’t feel the difference

i feel the sum
...
it’s all adding up
+ it’s getting harder to breathe
lmnsinner Apr 2017
Nov 2016 - The Fall Line


~

all the lines of man-made yellows,
so tempting threatening...inviting,
the subway platform, the street curb,
the highway divide
the double parallel equal sign that has no solution,
remaining hopelessly empty,
defining the watery soluble
inequality of null


~~

The Fall Line

first heard the phrase months ago in Argentina,
standing before the c-shaped Iguazu Falls

the fall line
where the crystalline basement rock
erodes away the oncoming soft sedimentary,
there, where,
a waterfall is nature-gifted

so intuitive, so obvious,
what else to call the water's owned edge,
line of demarcation,
where we grow captivated,
mesmerized, knee weak,
traumatized and tantalized

knew that instant when spoken,
The Fall Line,
saw inarguable symmetry to so many lives,
would be a someday poem

selective service phrases stored and
someday up recalled,
a thousand, maybe more,
waiting for the confluence of
time and place,
to be a mother

letting my fluid sac burst,
giving birth to a concoction symphonic,
the emotions waterfalling, cascading,
the precision, vision seconds,
when words

pour, gush, surge, spill,
stream, flow, issue, spurt

~~~

silently crafted in the weeks and months prior,
the unconscious drowning in ache and pain
of suffocating drudge sludge of everyday living

all the lines of man made yellows,
so tempting threatening...inviting
the subway platform, the street curb,
the highway divide
the double parallel equal sign that has no solution remaining empty, defining the inequality of null


the vision infection of the majestic fall line,
so accessible in an instance of overwhelm,
cornea implanted, the sounding call of sweet blissful
whatever

one more additional addiction unshakeable,
jumping from fall line to fall line,
it's the game I am played,
but the controller
is not in my possess

for the joy stick that drives my actions,
toys with me,
the human fool jumping
from fall line to fall line,
unsure of what he desires,


salvation or saving
11/26/16
will19008 Jun 2019
heat
diced
chopped
aromatic saute
stalks trimmed
stir additional garlic
needles of rosemary cooking
then desired pepper
& salt
peel
mince
sprigs
fragrance
simmer until
softened
simmer
simmer
simmer
simmer
heat
Silly.

I know.
We had a very happy conversation about family matters.

Mom, Dad. I’m OK.
They’ve been really honest with me
but they’re perfectly willing to die for what they’re doing.
And I want to get out of here
but the only way I’m going to
is if we do it their way.
And I just hope that you’ll do what they say
Dad
and just do it quickly.
I really am alright.
I just hope I can get back to everybody really soon.

My little girl.

Catherine and Randy gave impeccable dinner parties.

I am an Establishment person.

I am being held as a Prisoner of War
and not as anything else.
I mean I am being treated
in accordance with
international codes of war.
I’m not left alone, and I’m not just shoved off somewhere.
I mean, I am fine.

Also, since I am an example
and it’s really important
that everybody understand that
you know,
I am an example and a warning.

And so people should stop acting like I’m dead.

Mom should get out of her black dress,
that doesn’t help at all.
and just hurry.
Bye.

Patty honey I want you to know
that your father is doing everything in his power.
Millions of people all over the world are praying for you
I know it’s been a long time sweetheart
but keep up your courage
and you keep praying
pretty soon god will touch their hearts
and they’ll send you home.


Mom, Dad.
I've been hearing reports about the food program.
So far it sounds like you and your advisors
have managed to turn it into a real disaster.
Anyway, it certainly didn't sound like the kind of food
our family is used to eating.

I called him a couple of weeks ago and said,
Hey, Randy, let's play tennis.
We haven't played tennis in months
and he said
Gosh. I just can't. I'm busy.
I know he's got a lot on his mind,
But, I think he's pretty obsessed with this.


Mom, Dad.
Tell the poor and oppressed people of this nation
what the corporate state is about to do.
Warn Black and poor people
that they are about to be murdered
down to the last man, woman and child.
Tell the people,
Dad
that the removal of expendable excess,
the removal of unneeded people
has already started.

I have chosen to stay and fight.
I have been given the name Tania
after a comrade who fought alongside Che in Bolivia.
It is in the spirit of Tania that I say,
'Patria o Muerte, Venceremos.'

She was one of the prettiest young women south of the Mason‐Dixon line.

Q. Okay. As a matter of fact, when you got to 1827 Golden Gate, or this apartment on
Golden Gate, you were not being held in that closet all the time, were you?
A. Yes, I was.
Q. You were?
A. Yes.
Q. Was there a previous closet in which you were held?
A. Yes.

DEATH TO THE FASCIST INSECT THAT PREYS UPON THE LIFE OF THE PEOPLE

She is a winsome beauty and her sweetness of manner has endeared her to all who know her

Whatever happened to the real men in this world? Men like Clark Gable? No one would have carried off my daughter if there had been a real man there.

She was somewhat of a revolutionary savant.
We kidnapped a freak.
I think that she was spectacular.
At that point, it was against her will to go home.

Q. And you moved in a car, I take it?
A. Yes.
Q. Were you blindfolded?
A. Yes.
Q. And whose car was it, do you know?
A. I don’t know. I was put into a garbage can that was ******* and put in the trunk of the car.
Q. And then, was the garbage can taken into the apartment on Golden Gate when you arrived?
A. Yes.
Q. Were you in it?
A. Yes.
Q. And you were placed in a closet immediately, is that correct?
A. Yes.

I. She’s an amoral person
thought that the rules did not apply to her.
She lied to nuns at school
about her mother having cancer
in order to get out of an exam
engaged in ****** activity
at an early age
and experimented with drugs
such as LSD.

II. Velcro Theory defined the aimless, lost souls
such persons, he said, who float around
in an empty moral space
and then find stuck to them
the first random ideology they bump into.

III. She is a celebrity prisoner of war
but the other thing
is that listening to her voice
is kind of hypnotizing
and not at all unpleasant
she speaks in this whisper
the well-enunciated voice
that someone called
the rich girl’s voice
The eerie voice of an heiress
and it's hard not to admire her composure
considering the ordeal she just went through.

We didn't know whether we were looking at a live girl or a robot.

Greetings to the people.
This is Tania.
Gabi crouched low with her *** to the ground.
Perfect love and perfect hate reflected in stone cold eyes.
To shoot first and make sure the pig is dead before splitting.
I died in that fire on 54th Street,
but out of the ashes I was reborn.
I know what I have to do.

Catherine was mentally and physically exhausted after the kidnapping. No wonder she developed a drinking problem.

Q. Okay. And is it true, Miss Hearst,
that you in the presence of Thomas Mathews ejected a live round from the M-I
that you had near you
and inserted that in the clip,
and put the clip back in the weapon?
A. I don't recall, it is possible.
Q. It is possible you may have.
And did you, in fact, also at that time
load a couple of live rounds
into the chamber of a revolver, a pistol?
A. I don't recall.
Q. Did you give Bill Harris a pistol
in the presence a Tomas Mathews?
A. I don't recall.
Q. You don't recall?
A. No.

I’ll think of it all tomorrow—I can stand it then.

I think this has been extremely ******* her
She's what the kids call ‘spaced out.’
Her religion holds her together.
And when you talk to her,
you see reality escapes her.
All she can say is that people are
‘persecuting’ Patty.
That's the word she uses,
‘persecution.’
We all love Patty,
and God knows she's had a terrible time,
but the whole complexity of the situation
seems to escape Catherine.

You're being told this
so you'll understand why I was kidnapped.
The S.L.A. has declared
war against the Government
I'm telling you now why this happened
so that you'll know
so that you'll have
something to use,
the knowledge
to try to get me out of here.
Bye.

I’m the happiest mother in the whole world.

I hope that you'll make sure that they don't do anything else like that Oakland business.

Q. Do you recall you spoke those words, Miss Hearst?
A. Can I see the transcript?

I don't believe Patty's legal problems are that serious. After all, she's primarily a kidnap victim. She never went off and did anything of her own free will.

From the moment I was kidnapped,
they consistently attempted to
discredit the revolutionaries.
After the first communique was received,
the pigs reacted by hauling out the stress machines.
The machines indicated I was being tortured
and kept awake 24 hours a day.
I guess that all the pigs expected me
to keep my mouth shut,
but I was furious.
They put away their trickology for a while.
If you believe the media,
you'd think I was totally weird.
According to them, I never mean anything.

Catherine, while still blond and attractive, has aged around the corners of the eyes.

Greetings to the people,
this is Tania.
Our actions of April 15
forced the Corporate State
to help finance the revolution.
As for being brainwashed,
the idea is ridiculous beyond belief.
I am a soldier in the People's Army.

I am Tania and We are not fooling around.

What could have been a tremendous instrument for change—Patty's kidnapping—has failed, and their old attitudes toward life—I guess it's called ‘conservatism’—are back

The kids who went to public schools
were not the kind of people
we should have close associations with.
As a result, I spent twelve years
almost totally surrounded by young people
who were busily developing
ruling class aspirations.

She has nowhere to go,
as resulted in only a change of captors.
But at least now,
as long as society is her
captor,
she does not have to worry about being killed.
Freedom may be a more awesome
alternative
-- you are not here to decide that.
We have a framework,
the SLA predicted this trial.
If we can't break the chain
at some point in their predictions,
there are going to be other Patricia Hearsts,
the blueprint is plain,
it works

A year and a half after her kidnapping,
she's in the safe arms of the law.
So, what does she do?
Patty gives the revolutionary salute,
even when she's in handcuffs.
And when she's booked,
she's asked her occupation
and what does she say?
Urban guerilla.

Bailey, I just –
I don't know him,
you know,
like he just kind of drifts in
and you know,
says blah, blah, blah
and I just go,
oh,
okay.

It was never true that our objective was to reconvert her.

You can almost see how Patty couldn’t relate to her—you know, trying to be so self-righteous and so upright.

Well, I always knew
that the Lord was in my life,
kind of on my shoulder.
I started to stray off
I always knew His hand
was there to bring me back.
I got to the house,
put my bags down in the entry,
went right to the kitchen
and the first thought on my heart was
I need to hear Jesus.
I picked up that Bible
and started in Matthew 1:1.
For that whole five days
I read and cried
and read and cried.

In short order, she returned to being the Patty Hearst of Hillsborough, California, the heiress herself.

It's kind of fun because back then,
there's nothing else to do but paint your nails.
It's really exciting.
I have been crocheting now.
At least, my mother came in and she asked –
she had asked me,
about my hair,
you know,
like
can I change it back?
She asked if there was a beauty parlor.

Her eyes are,
for the most part,
downcast,
as if she were sharing a secret with
herself.

She’s such a devoted, old-fashioned Southern lady, that we just died watching her facade break. That hysteria wasn’t just grief that Patty was gone—it was guilt, you know, ‘What have I done wrong?’

I'm being treated in accordance
with the Geneva Convention
and one of the conditions being
that I am not being tried
for crimes which I'm not responsible for.
I'm here because
I'm a member of a ruling class family,
and I think you can begin to see the analogy.

She writes these dramatic
love letters to her boyfriend saying,
"I want to keep up the fight for the revolution."
And she wants to overthrow the government in America,
which she spells A-M-E-R-I-K-K-K-A.

Q. And you were reading a paper, were you not, when they were in the store?
A. Yes.
Q. And you looked up from that paper, did you not, and you saw that William Harris was being held on the ground by someone and being detained, isn’t that true?
A. Yes.
Q. And you picked up an automatic weapon and shot in the direction of Mel’s Sporting Goods Store?

OBJECTION

I have a really nice brown pantsuit.
Al got it.
He has really good taste.

Trish Tobin
is telling her
that she is about to head off to Switzerland
to go skiing for three weeks.
I mean,
so what you have
in this compressed circumstance
is the old life skiing in Switzerland
for three weeks,
and Patty is saying,
I've got a life now.
I've got a new life.

The Hearsts are really ramping up for this one.
He is a bright guy,
but in terms of just his manner and his dress,
you couldn't help but be struck by
how square he was.

Q: I've become conscious and can never go back to the life we had before." Do you recall saying those words?
A: I don’t recall seeing a transcript of that tape.

I have chosen to stay and fight.

She is still an uncommonly handsome woman, prettier in fact than any of her daughters.

It’s a miracle she survived at all.
The ordeal nearly killed me,
Mrs. Hearst once admitted and,
asked what sustained her,
she answers instantly: My religion.
Yet her victory over despair
sometimes seems more apparent than real.
After her divorce, she moved to Beverly Hills,
where she supported Catholic causes
and joined the Beverly Hills Garden Club.

I just want to tell you like, my politics are real different from way back when.
Obviously, right.

Q. Is it not true that you ejected
from your automatic weapon
a live round and placed into it
an additional clip?
A. I did not have an automatic weapon.
Q. You did not?
A. No.
Q. What type of weapon did you have?
A. It was an M-I carbine.

She’s a victim of thought control by terrorists. And all I can do is hope and pray that God will bring her home again.

She was de-programmed and de-radicalized,
returned to the persona
more similar to what she was
She was essentially brainwashed
by her side team and her lawyers.
By the time she walked into the courtroom,
nail polish,
nice pair of shoes,
very well dressed,
it was impressive.

I'm terribly happy. More happy than predacious.
Do you have any notion what you'll say to her when you see her?
I'll tell her I love her.
Are there questions that you want to ask her?
No questions in my mind.


I want to see my parents, and my sisters... I'm really happy to be going home.
Cedric McClester Jul 2019
By: Cedric McClester

Go back to where you came from
The President indelicately said
To those members of Congress
That have gotten in his head
The fact that they’re all female
Which he might like to bed
Is the additional information
That is better left unsaid

Go back to where you came from
Is an old familiar screed?
Which is the object of the subject
That the protagonist happens to need
To make someone feel less than
What they are indeed
By otherizing them
The protagonist hopes to succeed

Go back to where you came from
Some racist like to taunt
Others who are different
When they want to vaunt
Their status over them
Like the philosopher Kant
Or like a mother who has precedent
Over a favorite aunt

Go back to where you came from
As if they really knew
When nine times out to ten
They don’t even have a clue
When they issue that directive
As racist frequently do
But here's some cancer causing tobacco
That I wish that they would chew








Cedric McClester, Copyright © 2019.  All rights reserved.
Robert C Ellis Nov 2018
The night was sheathed with divisive arithmetic
88 eyes, 22 cars, one moon; the dark
He counted steps in additional remark
The riddled architecture of human reflection in
Memory,
Sorting breaths into conversation...
or massive heaves with the weight of all things eternity
Ghosts are wolves in undulating panes of twilight;
And the blood slides...

Autumn smells like smoke
since August singed everything
into orange and brown antimatter stuffing lawn bags to sulk
Autumn is opposed to Summer’s ranting pant
and it sits the soul among the debris;
her hand is the only thing holding him fast
to this planet
He breathed and his spinal chord unravelled

The Maya counted their days in god-kings
And Childhood was a dream
Because it was just falling
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Dondaycee Nov 2017
Next lifetime just let me be,
All lost souls that noticed me,
Over killed the hope in me,
Helpful hands unnoticed, feet,
Blistering I’m growing weak.
I have questions for the runaways,
How did your feet get so strong?
Why couldn’t I tag along?
Did you leave home to be alone or vice versa, got cold and was searching for warmer days in the week?
What is life without a friend dependent on I,
Is trust nonexistent when there’s a mention of side,
Is it not selfish to love yourself before mind,
A system that houses a light linked throughout time,
“-What do you want?”
For you to love me like you love all.
Look in the mirror, what about this person,
“I’m always here, all you have to do is call”
Where’s the assertion? I’m looking for words because the ones I’m using aren’t working.
Never felt too good in crowds, because there’s folks around, and they’re always thinking,
Never felt too good or proud, when joyful sounds touch my heart before they’re leaving,
“-Loving others isn’t a bad thing, lose the fear, it’s a state of being.
Don’t hate yourself for seeing a reality that others aren’t capable of seeing.”
But, Am I dreaming?
“Do not confuse yourself, you don’t want to lose yourself for dreams are other realities, you are currently in a state of being.”
But what is being?
“To be or not to be is the question.”
… Give me clarity
“Everything is being, it’s all existing, everything existing is living.”
Is this another lesson?
“Is death to exist and not be, or to be and not exist?
That is my suggestion-”
-How can you be and not exist?
“To exist is to have objective reality, a reality that exist independent from our minds.
Consciousness construct realities through imagination in space, which is time,
So, does the world end when we die,
Or does the experience of this reality end and our consciousness move into another reality beyond the human mind?
Would the state of being then not exist after existences?”
Let me go the distance with an analogy to make sure there’s nothing I’m missing.
Is it pain to love in a world that perceive it with ignorance, or to fully understand it and not have the experience?
“A little personal but the balance is understood.”
I just needed some clarity to be reassured,
Because sometimes I’m insecure,
There’s never been a life that’s “similar”,
And I see things in my life that will occur,
Pretty lady, baby don’t you close the door,
With other opportunities of loving me more,
Arkyi, Dondaycee, keep my knees from the ground,
In times I forget to stand, and am feeling less than a man should when his woman’s aroused,
By another… that feeling’s profound.
“-Jealousy found, that energy is not allowed when there’s confusion around.”
Where’s that soothing sound that moved me in dreams,
That had me chasing angels confusing chicken with wings,
Searching for permission in missing some things,
Like the giggle or a touch that slowly faded through change,
Like that love at first sight that never made it to name,
Those “unspoken” relationships that never made it to name,
Those misunderstood moments I forgave and delayed an encounter because I couldn’t forget the feeling she gave before  pain.
Those hideaway hearts is where my shelter remained,
Because they kept the love pure when it was easy to drain.
It isn’t easy to contain let alone obtain a power source linked to the brain and refrain from allowing an equivalent vibration; being fear, creep into the domain and create a disease of insane.
“-Insanity is just as contagious as stupidity-”
-Please explain how to maintain love’s stability when hostility is blurred into a thin line.
Inhumane is humane when the word justify emerges in a reign of ignorance which solidifies the moment the sane become repetitive credited to an infection that dried the terrain of perception,
Unreceptive the brain becomes when love is trying to sustain which leads to strain that results in pain and fear burst as a supernova leading to actions in vain again and again,
Oh lord, the power of a woman.
If men could be before doing, we wouldn’t often do things we “shouldn’t”,
“It’s not a matter of wrong or right but evolving into light.”
Is it odd that I acknowledge you, voice inside my head?
“Just as odd as the words left unsaid before night.”
This solitude thing, it isn’t enough anymore, I need something new.
I learned to love myself from red to blue,
And I just reached purple, now all I see is white,
May that energy continue to heal and rise,
Frequency, continue to create shorter and steeper hills, so that I am able to write,
Documentations of this experience  discovering love that’s unforgettable,
Because self hate should never be unforgivable.
That illness is always hospitable,
The existence of love is aboriginal,
Individually being is medicinal and additional if traditional.
Through ourselves is how we connect to all, an adventure to,
Dive within thyself but too many times I forget myself.
Every time I learn to stand, I project and fall like I forget my shell,
Because it’s easier to live life as light than with the body, odd of me to dismiss my health,
Physical problems; wanting love, a senseless touch; tempted to rush a manifestation of her beside me.
That’s the biggest lie when all I need is I and the being inside me.
If this is a human experience, neglecting the body is a serious condition, mysterious as if ID.O.M and 3D have been misspelled,
Then what is hell?
“Death.”
I thought death doesn’t exist?
“It doesn’t, it’s a reality when the state of being is no longer well.”
To be… or not to be…
“That is a question of wealth.”
Steve Page Mar 2019
Settle down please.
Today you will be trained in Level 1 crucifixion.

First, the nail. Please pass the bag along once you have taken one nail each.

You can rely on these nails.
Each one is forged by hand, hammered out and shaped with skill.
'You can nail it with one nail,' as they say.

Nails can be used to fasten almost anything to wood. Choosing the right nail for the job can make a big difference in hold power. As there is no need to conceal the nail head and we require maximum holding power, we have chosen common nails for the job. When the nail is temporary and will be pulled out again, as with crucifixion work, we have found that a double-headed or duplex nail is the best choice. However, due to cut backs, we have reverted to the common flat headed nail.

Experience and common practice calls for driving the nail through the thinner limb into the thicker timber. For maximum holding power, the length of the nail is such that it passes almost, but not quite, through the thicker timber. 

Take a careful look at the illustrations provided. As depicted, for best results lay the condemned on the crossbeam and bind the arms in place on the timber before nailing. I refer you to your ropes and knots training last week.

One nail is sufficient for each upper limb if placed between the forearm bones above the wrist. You will find that some limbs will have been subject to a break beforehand. If this is the case, we advise that you use additional rope to bind the limb to the cross beam and that you select a site for the nail further up the arm if necessary.

Now you are ready to secure the feet. Place the feet together one over the other. Hold them in place while a colleague drives one nail through both feet. Please hold them steady and resist any attempt by the condemned to frustrate your task. Keep steady pressure on the feet while your colleague hammers the nail home.

Before lifting the crixiform into the hollow, ensure each nail has been driven in securely. Once you and your supervisor are satisfied, lift the cruciform in one swift movement ensuring the base slides neatly into the hollow. Two or possibly three of you are needed for this.

This is the greatest test for your handiwork. The impact of the timber landing at the base of the hollow will cause the body to jar under its own weight and place additional strain on the nail. In the event that a nail comes lose, you are advised to lift the cruxiform out and to use a second nail on the unsecured limb.

In most cases this will not be necessary and the condemned will hang securely long enough to allow the body to die, even if this takes several days.

Once death has been confirmed using the accepted method, lift the cruxiform down, remove the nails and inspect them for damage. If deemed reusable, rinse and dry them before storage.

If there are no questions you will now each be assigned to an experienced colleague to assist with a crucifixion. If at any time you feel that you are likely to *****, please use the bucket provided. There's no shame in this, the first time can be quite shocking; there is usually more blood flow than you initially expect. However, you will soon learn how to complete the exercise with skill and professionalism. I have complete faith in you.

Please keep your nail, you'll need it later.
Easter ain't pretty.
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
allsmallletters Mar 2019
Forget the onion and all its layers
thats obvious
You are undeserving for such a cliché
So I invite a different perspective
Think of a base, flour and egg kneaded together like I need you,
so dense in identical morals
Folded with mirrored ideology of future fortuity
Dipped sensually with a sauce so thick,
Thicker than blood or water,
Blended as one to create a sea of red as deep as our hearts pumping vitality
Sprinkled softly with the most palatable, mouth watering mozzarella
Each placing full of utter affection,
Long lost stares while you sit innocent to me feasting my eyes upon your moreish persona.
The only quandry we must face is whose decision that day of toppings to showcase
Who gets the chance to tease additional flavours, delicious tasters
To open eyes to attributes unseen before,
Hopes set high to electrify taste buds
Wanting the other to crave more

Ingredients brought together for a flavoursome pizza
You are my hawaiian
As i,
Your meatfeast.

Opposing trimmings
Eachothers 1st choice
One anothers perfection to quench their dying hunger
The anaolgy I concoted best used to describe my relationship.
My partner and I have opposite interests, humour, and past times,
but we sit firmly in a body of identical morals, integrity and honour, mirroring each others.
A pizza is nothing without a strong base.
Toppings can be changed and mixed to any combination.
The base is the structure of our love, ***** and rigid.
The toppings are interchangeable extras that we diversify daily to develop and grow together.
Olivia Feb 2019
I love her.

Sometimes, I sit with my love for her. We chat awhile. I ask why it has come, why it is so powerful, why it never leaves. It tells me that it has been waiting for her for a long time.

Sometimes, this love breaks down the front door and enters without asking. On occasion it finds me with my head in my hands, weeping or worrying or wondering. Other times I am joyous and allow the waves of excitement this visitor brings to wash over me, erasing all other thoughts. When the love does this, it usually takes the additional liberty of freeing the butterflies in my chest. It is worth noting that I never ask it to do this.

Sometimes, the love is silent. Perhaps it is asleep upstairs, or dozing softly on the couch where I am reminded of it only in its gentle snores and even breaths. There are times when its slumber is deeper than others, when I am upset or angry and want to wake it up and demand its attention but find that it has been locked in its room and somehow I have the key in my pocket.

Always, the love is present. It has made a home within me and it has changed around the decorations so much that I don’t even remember what some parts used to look like. It has hung artwork that I don’t think I’ll ever take down, even if it decides to leave. I like the renovations, though.

Oftentimes, my love opens windows that were once shut. The air smells a little sweeter. The sun shines a little brighter. Every time it comes home, I ask it to tell her to stay. I hope it has made a home within her as well. And maybe, someday, its two homes will be one.

I love her.
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