Submit your work, meet writers and drop the ads. Become a member
Everly Rush May 5
I don’t know, maybe it’s the coffee—
Black as the night, strong as a decision
I can’t take back,
But I always add too much sugar,
And it never tastes right.

Or maybe it’s the way the sun hits my face
In the morning,
Like it’s trying to wake me up
When I don’t want to be woken,
Like it’s pushing me toward something
I’m not ready for.
I could stay in bed forever,
Pretend the world’s not spinning,
But the coffee's still too hot to hold.

Have you ever really listened to heavy metal?
Not the fake stuff,
But the kind that rips through your bones,
Makes your veins pulse with something
That feels like rage—
Or is it just the chaos in me,
The beat of a drum
That’s louder than my heart?
I get lost in it,
Like I get lost in my own head
Sometimes,
When I don’t know if I’m screaming
Or just thinking too loud.
Maybe the music’s the only thing
That makes sense anymore.

But then again,
I start thinking about how
All this stuff—coffee, music, sunshine—
It’s all a distraction, right?
Just a way to keep me from looking
At the cracks in my mind,
The ones that seem to grow
When I’m not paying attention.
It’s like I’m trying to outrun myself
With cups of caffeine and guitar riffs
And pretending I’m okay
When I’m anything but.

I keep saying I’ll stop—
Stop the overthinking, the spiraling,
The chaos I can’t shake.
But the truth is,
I don’t know how to stop falling.
Maybe it’s easier to keep crumbling,
To let the pieces scatter like broken glass,
To fall apart slowly enough
That no one notices until it’s too late.

And maybe that's all I’ll ever be—
A string of distractions,
A girl lost in her own mess,
Until the last bit of me
Finally falls away
And no one even knows
I was here at all.
Everly Rush May 2
It bends without mercy,
its wire thin, but sharp,
not made to hold fabric,
but to hold something that slips.

It waits, silent in the corner,
its curve a question in the dark—
a pull too strong,
but too quiet to hear.

In its grasp, there is no escape,
only the hollow sound of something breaking.
Everly Rush Apr 26
You let her send me away.
Packaged like a problem,
stamped and shipped to stone walls and strangers.
She smiled while sealing the box—
said I’d “thrive” there.

You nodded like a marionette.
String for a spine.
Silence for a mouth.

I was eleven.
She was already calling me a burden,
a shadow,
a stain on her perfect white tiles.
She called her children light.
She called me that girl
Like I was mould on the corners of your name.
You let her bleach the love out of you.
Now all you wear is her voice,
and it doesn’t fit right, Daddy.

You used to tuck me in with your rough hands,
tell me stories in a whisper only I could hear.
Now you only whisper to her,
when I walk in the room
And she slices me apart with those sugar-coated teeth.
She cuts me with compliments,
leaves me bleeding in apologies.
And still—
You nod.
You nod like a broken clock,
ticking to her every word.

Your house is full of sunshine now,
but it burns me.
Her kids gets smiles,
presents stacked like towers,
laughter as loud as fireworks.
I get a one-word text on my birthday.
Happy.

She breaks me, Daddy.
She breaks me with a voice that drips syrup
when she’s sweet to them
and acid when she speaks to me.
Her eyes scan me like a mess she forgot to clean.
And you—
You just stand there.
Are you made of wax now?

She hates me for breathing.
You hate me for reminding you I exist.
Boarding school is her win.
Her exile.

You said it was “for my future.”
But I know it’s because I didn’t fit her furniture.
Because I looked too much like your past.

And I swear—
Everytime I come home,
your love is like a museum exhibit.
Do not touch.
Do not ask.
Do not remember.
But I remember, Daddy.
I remember when I was the light in your eyes.
Before she turned them to mirrors.
That only reflects what she wants to see.

So go ahead.
Tuck her kids in.  
Call them angels.
Give her the keys to your spine.
Build your kingdom of pretty lies.
But know this—
One day, I’ll stop knocking.
I’ll stop writing.
I’ll become the ghost
You were too weak to hold on to.
And when I leave for good,
You won’t even notice the silence.

Daddy,
you let her **** me with words,
and you held the knife.
Inspired by Sylvia Plath
Everly Rush Apr 26
I was 11 when he married her.
I remember thinking I’d be fine.
I thought I could handle it—
handle her, handle him.
But that’s the thing about 11—
you still believe things are supposed to work out.
That people who say they love you,
actually do.

I left for boarding school a few months later.
Not because I wanted to,
but because she said it was better that way.
She said it would be easier
if I wasn’t around,
if I wasn’t so complicated.

They never called me.
Never came to visit.
When they did, it was always her—
her smile too tight,
her love too sweet,
like she was trying to convince herself
that I wasn’t a problem.
And I knew—I always knew—
I wasn’t wanted.

At first, I pretended like nothing had changed.
I pretended to still be part of the family,
like I wasn’t living in a house
full of people who weren’t really mine.
But then she started making rules—
rules about what I could say, what I could do.
“Don’t make things awkward,” she’d tell me,
when I just sat there,
shaking.

I could feel the panic growing,
a buzz in my head that wouldn’t stop,
like my skin was too tight
and my chest was too small
to hold everything inside.

At first, I ate because I had to,
because it was expected.
But then I started skipping meals.
Then it became easier not to eat at all.
The hunger felt like control—
something to grab onto when everything else was slipping away.
It wasn’t about being thin.
It was about being nothing.
Because nothing felt better than this constant, gnawing emptiness.

When I came home on holidays,
I barely touched the food.
I’d sit at the table,
pick at my plate
like I wasn’t starving inside.
I told myself I didn’t need it—
I didn’t need anything.
But my stomach would ache,
and my skin felt too tight,
like I was holding onto everything I wasn’t
and trying to keep it inside.

Her kids would call him “Dad”
and I wouldn’t say a word.
I wouldn’t say anything.
Because everything I wanted to say
would sound like a desperate plea—
please don’t leave me out,
please notice me,
please love me—
but I couldn’t make it stop.
I couldn’t stop needing him.

I remember walking through the door at Christmas,
bags still heavy with the weight of the drive,
and the smell of their dinner
sickly sweet in the air.
Her kids were already at the table,
laughing about something I didn’t know,
something I wasn’t part of.
They didn’t even look at me.
And I didn’t look at them,
because I knew what would happen—
they’d say something,
and I’d say nothing,
and she’d get mad
because I was “too distant.”

So I sat in the corner,
fading into the background,
just another shadow in the house
that wasn’t mine anymore.
I wanted to scream,
but I couldn’t.
Because if I did,
he’d look at me with that sad, apologetic look,
and she’d stand behind him,
looking at me like I was the problem.
She always did.

I stopped eating again.
I stopped feeling hunger—
just this emptiness
that felt like it was made of nothing
but air and anxiety.
It was like everything in me
was too loud,
too much,
and I had to turn it off.
I wanted to disappear
because being here,
being visible,
hurts too much.

When I went back to school,
I didn’t even feel like I was leaving home.
Home wasn’t something I had anymore.
I had a room with my name on it,
but it wasn’t my home.
I had a body that didn’t fit,
a mind that never stopped screaming,
and a heart that couldn’t stop wanting
someone who would never choose me.

The only time I felt like I was wanted
was when I wasn’t there at all.
When I was invisible.
When I didn’t have to be anything
but the silence in the room.
Everly Rush Apr 25
I do this thing
where I disappear.
Nothing new. Three times now,
maybe four.

It’s a hobby,
like scrapbooking,
but with my own silence.

The first time,
they said it was hormones.
The second, attention.
Now it’s just
a phase I’m nailing.

I’m very good at it.

Every morning,
a resurrection.
Lipgloss.
Mascara.
Shaky hands. Ta-da.

Can you hear the applause?
Neither can I.

The skin’s still here.
So is the mirror.
And the voice that tells me
not to eat,
not to speak,
not to exist so loudly.

They call me dramatic,
as if pain
needs a spotlight.
As if I don’t bleed
in lowercase letters.

I joke.
I wear band shirts.
I make playlists with
no happy endings.
So aesthetic.

And they love it—
like how I perform survival
like it’s a talent show.
“Such a bright girl.”
“Such potential.”
As if I’m not already
writing my vanishing act
in invisible ink.

There is a kind of power
in being looked at
and not seen.

Do you know how it feels
to scream into a pillow
so well it forgets
how to echo?

I do.

Dying
is an art, too.
But living—
living is the part
I haven’t mastered.

Yet.
Everly Rush May 1
he looks through me like smoke or glass,
like i’m the shadow of someone who passed.
his love's a myth i read too young,
now every word burns on my tongue.

she’s not my mom, just plays the part,
smiles too sharp to hide her heart.
they talk like i’m some distant chore,
i leave my pain at my bedroom door—
where i learn what silence is really for.
for the girls who grew up waiting to be seen
They cheered for them—
moms with cameras, dads with proud eyes—
I stood alone,
four medals in my hands,
three gold, one silver,
like they meant something.

I ran fast today.
I always do.
People say it’s talent.
My stepmom says
it’s because I like running from my problems.
She laughs when she says it.

She doesn’t know—
I run
because when I run,
the pain stays behind
for a while.

No blades.
No pills.
Just breath and burning legs
and the sound of my heart
trying to beat louder than the thoughts.

I crossed every line first
but still came last
in the only race that mattered—
the one where someone waits
at the end.

Sometimes I wonder
what it would feel like
to look into the crowd
and see someone who looks like love.
To have someone call my name
like it meant home.
I wish I had that kind of family—
the kind you don’t have to earn.
Everly Rush May 9
I lie awake when night gets loud,
Inside my head, a thundercloud.
Thoughts repeat like broken tape,
No exit sign, no sweet escape.

I ask myself the same old "why,"
Until my chest forgets to cry.
The ceiling stares, it knows my face—
A ghost who can't leave her own place.

I scroll through laughs I didn’t feel,
A screen between me and what's real.
They say, "You're young, you've got the time,"
But time just loops—no climb, no climb.

I think too much, I feel too deep,
And all I want is just to sleep.
Not dreams, not light, just black and still,
To shut the mind I cannot will.

A quiet war behind my eyes,
A smile rehearsed, a thousand lies.
They wouldn’t get it if I tried—
How do you explain a landslide?

But maybe one day I’ll be free,
From all the thoughts that bury me.
And if I write them down tonight,
Maybe I’ll wake with less to fight.
My body is a locked display

In a museum no one walks through.

Glass walls, warnings not to touch—

No map, no key, no clue.

My voice is a candle in a wind tunnel,
Flickering, fighting to stay lit.

Even when I bleed in metaphors,

They call it "just teenage ****."

I don’t wear scars like stories,

I hide them like shameful art—

Little tally marks of silence

Etched deep into my skin and heart.

I’m not broken—I’m unfinished.

A sketch left out in the rain.

Dripping lines and missing pieces,

A name forgotten, a frame of pain.

No mother here—just a woman

Who counts my failures with her eyes.
Sharp tongue, cold hands, fake smiles,
Every “what’s wrong with you?” a knife.

My dad?
He's a ghost with a phone.

Scrolls past birthdays like spam.

He only shows up in my nightmares,

And even there, he never gives a ****.

I eat dinner with silence.

Sleep under a roof but not a home.

The walls here echo insults,

And still I face it all alone.

I laugh in the right places,

Say “I’m just tired”like a chant.

But my wrists hum when the house goes quiet,

And I dream of “no more” when I can’t.

No one checks the corners

Where I fold myself at night.

They just praise me for being quiet,

For staying out of sight.

I don’t cry—I leak slowly,

Like a pipe left to rust and split.

This isn’t sadness, it’s erosion.

And I’m disappearing bit by bit.
Everly Rush Apr 29
I’ve got
seven songs
on repeat.

They don’t ask me to talk.
They don’t tell me to cheer up.
They just play,
quietly,
loudly,
however I need them.

Vestige
whispers
like a ghost I once knew,
soft, aching—
it holds my breath in its careful hands
and never asks
why I’m fading.

Caramel drips down
slow and sweet,
like it knows my ribs
are tired of holding it all in.
It doesn’t try to fix me—
it just sits,
a quiet sadness
that understands.

When The Sun Sleeps
doesn’t sleep at all—
it screams,
loud, raw, honest.
It bleeds the things I buried
and somehow,
that noise feels more like home
than silence ever did.

Overflow crashes like a wave
right when I thought I was dry.
It drowns me—
but gently,
like rage that remembers
I’m still human.

To The Flowers
sounds like falling apart
and finally letting go.
It’s heavy,
but blooms in the dark,
grief growing
into something real.

Nero Forte fights for me
when I’m too tired to fight myself.
It’s chaos—pure,
relentless—
a storm I can scream into
and still
walk out of.

When It Rains
makes me feel fifteen and fragile,
but soft enough
to remind me
I’m not wrong
for feeling everything
too much.

These seven songs don’t save me.
They don’t have to.
They just stay—
and some nights,
that’s the only thing
that keeps me here.
The songs are Vestige by Mirrors, Caramel by Sleep Token, When the Sun sleeps by Underoath, Overflow by Polaris,  To the Flowers by While She Sleeps, Nero Forte by Slipknot and When it Rains by Paramore.
Everly Rush May 3
He said,
“One day I just said **** it.”
Like that. Just like that.
Quit his job, sold his stuff, bought a van—
and now it’s him and Wolfie,
his pointy-eared pup,
somewhere between red dirt and blue sky
on a road that doesn’t ask for permission.

I found him on some random forum
— not even supposed to be there —
we talked tonight,
he told me things like I wasn’t just
a name with no face.
He told me about the sunsets he never planned to see,
how they sneak up on him like a song
that makes you stop walking,
how the sky melts into colours
too good for photos.
And Wolfie,
perched besides him, alert and calm,
ears slicing the wind
like she was born for freedom.

He said he did everything he was told to do.
Uni. Job. Money. Success.
People clapped. He felt nothing.
So he left.
No map, just vibes and Spotify.

And here I am.
crammed into a plastic desk,
under buzzing lights
learning about wars
I’ll never fight
in clothes that aren’t me
surrounded by people
who talk but never say anything real.

I told him I’m 15 and tired all the time.
He said,
“That’s heavy for 15.”
I said
“It’s heavier when no one notices.”
He said
“Hold on. You won’t always be stuck.”

And maybe it’s weird,
but I keep thinking about his van
under that endless sky,
Wolfie with ears like tiny sails
chasing ghosts across sunburnt sand,
and him—
choosing beauty on purpose.
And I pretend I’m not
this ghost in a uniform
but her—
the girl who said **** it
and meant it.

Maybe one day,
when the world stops demanding hall passes,
I’ll do it too.
Maybe I’ll find my own road
and a dog like Wolfie
and a van
and a sky that doesn’t judge me
for wanting to disappear
into something more.

— The End —