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"whitening" poems
Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her. translated by W.S. Merwin
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163.9k
Tonight I Can Write
Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her. translated by W.S. Merwin
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33
my face-wash is a whitening cream but what if i don't want to be white? what if i just want my skin to be clean since when did white and clean begin to come in the same package? are white people the poster-children of cleanliness because they've washed their hands with the blood of my ancestors? *am i ***** because i have not?* it bothers me when my grandmother tells me that i am lucky because i was born the fairer one of the two sisters she says she fears for what i would have looked like had my colored mother not fallen in love with a white man mixing her ***** genes with his pure ones to create a mix-bred child, who, in any case was better than being born brown. **it would have been a sin for me to have colored skin** i am still dealing with the remnants of my colonial past because i am still afraid of telling my mother that i am in love with a colored man she will accept him because he is loving and kind but in the back of her mind there will be a little voice that whispers wouldn't it have been better if he was white instead? and i've heard a lot of people tell me *"thank God your hair is the right kind of curly not the frizzy, afro-like hair wild and free thank God your hair is tame thank God your hair falls in neat little curls (you got your dad’s genes!) thank God we can hold it and mold it into what we like thank God your hair is the right kind of curly."* you see my mom escaped by marrying a man with white skin but with me the cycle begins again because he's two shades darker and my children will be too the white genes of their grandfather lost among the dark genes of their father- with chocolate eyes and hazel skin i am still struggling to see at my father as one of "us" and not one of "them"
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Mar 9, 2017
Mar 9, 2017 at 2:50 AM UTC
-of a colonial past
my face-wash is a whitening cream but what if i don't want to be white? what if i just want my skin to be clean since when did white and clean begin to come in the same package? are white people the poster-children of cleanliness because they've washed their hands with the blood of my ancestors? *am i ***** because i have not?* it bothers me when my grandmother tells me that i am lucky because i was born the fairer one of the two sisters she says she fears for what i would have looked like had my colored mother not fallen in love with a white man mixing her ***** genes with his pure ones to create a mix-bred child, who, in any case was better than being born brown. **it would have been a sin for me to have colored skin** i am still dealing with the remnants of my colonial past because i am still afraid of telling my mother that i am in love with a colored man she will accept him because he is loving and kind but in the back of her mind there will be a little voice that whispers wouldn't it have been better if he was white instead? and i've heard a lot of people tell me *"thank God your hair is the right kind of curly not the frizzy, afro-like hair wild and free thank God your hair is tame thank God your hair falls in neat little curls (you got your dad’s genes!) thank God we can hold it and mold it into what we like thank God your hair is the right kind of curly."* you see my mom escaped by marrying a man with white skin but with me the cycle begins again because he's two shades darker and my children will be too the white genes of their grandfather lost among the dark genes of their father- with chocolate eyes and hazel skin i am still struggling to see at my father as one of "us" and not one of "them"
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49
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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4.4k
Haze
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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44
You’re the reason for my favorite poem, why I buy extra-strength whitening toothpaste, the best part of Mondays. You’re a showtune in the shower, my pre-slumber what-if, and also the best part of Tuesdays. I worry that you notice when my shoes smell bad so I bought the expensive kind of Febreeze.
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Apr 7, 2013
Apr 7, 2013 at 2:06 PM UTC
toothpaste
An insect. That crawls upon my body, except I can't quickly swat it away Without causing attention to myself and everyone noticing that my white ******* are pulled all the way down to my ankles. My lips are dry so I bite them. Knuckles whitening while I hold onto the grip-strap And I hear his heavy breathing against my neck. I look at the tunnels, quickly passing by. 'Maybe this will end fast too?' Naive of me to think so. Sliding into my flower Like a toxic, little aphid. Stuck on my sticky leaves As petals are parted and I pour out of the open doors in Shinjuku station, And run out, wiping a tear on my sleeve. I tug up my decency While I run to the ticket booth. Angry foreigner was yelling at the old man who sits within. The clock above strikes eight. I decide that it's not worth it. I won't tell anyone. It doesn't matter. Could be worse. It's okay. I'm okay. I wasn't okay.
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Mar 2, 2019
Mar 2, 2019 at 1:20 AM UTC
chikan.
when i was younger, this boy used to tease me about my skin color; how much it resembles coal, and how it makes me look like an Aeta, and how they can't see me in the dark, but even before that i was insecure. because when people bothered to look at me, they'd only see ebony and to them it was synonymous with ugly and ***** but i don't blame them. they're just caught in the current of colonialism when we measured one’s status through the hue of their skin and we followed. we followed their discrimination of the ones whose skin didn't look like the exact duplicate of ivory and marshmallow. we followed their system of supremacy of putting the lighter ones up in the stars to match whiteness with brightness. we followed their standards of beauty which just happened to be the exact ******* opposite of our majority. now our country is driven mad by the idea of whitening your skin until your heritage is nowhere to be seen; it has been scrubbed off by papaya soap, masked by glutathione and devalued by insults. but hey, who cares about heritage if you look like that European actress? who cares about culture when you could pass off as an American? who cares about natural brown when synthetic white wears the crown?
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Mar 5, 2017
Mar 5, 2017 at 9:06 AM UTC
Eastern Ebony Pearls
I have come, alas, to the great circle of shadow, to the short day and to the whitening hills, when the colour is all lost from the grass, though my desire will not lose its green, so rooted is it in this hardest stone, that speaks and feels as though it were a woman. And likewise this heaven-born woman stays frozen, like the snow in shadow, and is unmoved, or moved like a stone, by the sweet season that warms all the hills, and makes them alter from pure white to green, so as to clothe them with the flowers and grass. When her head wears a crown of grass she draws the mind from any other woman, because she blends her gold hair with the green so well that Amor lingers in their shadow, he who fastens me in these low hills, more certainly than lime fastens stone. Her beauty has more virtue than rare stone. The wound she gives cannot be healed with grass, since I have travelled, through the plains and hills, to find my release from such a woman, yet from her light had never a shadow thrown on me, by hill, wall, or leaves’ green. I have seen her walk all dressed in green, so formed she would have sparked love in a stone, that love I bear for her very shadow, so that I wished her, in those fields of grass, as much in love as ever yet was woman, closed around by all the highest hills. The rivers will flow upwards to the hills before this wood, that is so soft and green, takes fire, as might ever lovely woman, for me, who would choose to sleep on stone, all my life, and go eating grass, only to gaze at where her clothes cast shadow. Whenever the hills cast blackest shadow, with her sweet green, the lovely woman hides it, as a man hides stone in grass.
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3.1k
Sestina
I have come, alas, to the great circle of shadow, to the short day and to the whitening hills, when the colour is all lost from the grass, though my desire will not lose its green, so rooted is it in this hardest stone, that speaks and feels as though it were a woman. And likewise this heaven-born woman stays frozen, like the snow in shadow, and is unmoved, or moved like a stone, by the sweet season that warms all the hills, and makes them alter from pure white to green, so as to clothe them with the flowers and grass. When her head wears a crown of grass she draws the mind from any other woman, because she blends her gold hair with the green so well that Amor lingers in their shadow, he who fastens me in these low hills, more certainly than lime fastens stone. Her beauty has more virtue than rare stone. The wound she gives cannot be healed with grass, since I have travelled, through the plains and hills, to find my release from such a woman, yet from her light had never a shadow thrown on me, by hill, wall, or leaves’ green. I have seen her walk all dressed in green, so formed she would have sparked love in a stone, that love I bear for her very shadow, so that I wished her, in those fields of grass, as much in love as ever yet was woman, closed around by all the highest hills. The rivers will flow upwards to the hills before this wood, that is so soft and green, takes fire, as might ever lovely woman, for me, who would choose to sleep on stone, all my life, and go eating grass, only to gaze at where her clothes cast shadow. Whenever the hills cast blackest shadow, with her sweet green, the lovely woman hides it, as a man hides stone in grass.
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39
The other day my sister lamented that she did not look like one of those white, blonde, blue-eyed beauties on television. This struck me for a number of reasons mainly for the fact that we are Indian girls who are neither white, blonde nor blue-eyed and it is physically impossible for us to be like that because it's coded into our genes. Why then did my sister want to be so much like these beauties that she could never look like. Why then did my sister want to change herself so much, change they very coding in her genes, change the very fabric of her body? I was not able to respond to her at the time but this is my response to her. Society's standards of beauty were created by entrepreneurs looking to make a quick buck. They market such celebrities as beautiful and, through subliminal messages tell you that if you do not look like them, you are ugly and not worthy. And it is so easy for them to do this because of the Westernisation of cultures all over the world. Go to any supermarket and the first things yo will see under the beauty section are bleaching and whitening creams. It is true that these white, blonde, blue-eyed beauties are stunning, gorgeous. But why should their beauty mean that you aren't beautiful? You are the culmination of years of evolution, the stars have been planning your arrival. Look at yourself in the mirror, Stare into the dark brown irises of your eyes and understand that they are like pools of chocolate, understand that they are the colour of the bark of the tress understand that they are beautiful. Caress your brown hair, run your fingers through it, you are beautiful. Look at your caramel-coloured skin, don't you just love the colour? It's deep and sweet and beautiful. Your body, the vessel of your soul in beautiful and every step you take is magical and your voice sounds like a bow playing perfectly on a violin and your laugh ringing out sounds like wind chimes in a light breeze. Don't you understand? You are a ******* masterpiece. Don't treat yourself any less.
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Oct 6, 2015
Oct 6, 2015 at 10:09 PM UTC
Masterpiece
The other day my sister lamented that she did not look like one of those white, blonde, blue-eyed beauties on television. This struck me for a number of reasons mainly for the fact that we are Indian girls who are neither white, blonde nor blue-eyed and it is physically impossible for us to be like that because it's coded into our genes. Why then did my sister want to be so much like these beauties that she could never look like. Why then did my sister want to change herself so much, change they very coding in her genes, change the very fabric of her body? I was not able to respond to her at the time but this is my response to her. Society's standards of beauty were created by entrepreneurs looking to make a quick buck. They market such celebrities as beautiful and, through subliminal messages tell you that if you do not look like them, you are ugly and not worthy. And it is so easy for them to do this because of the Westernisation of cultures all over the world. Go to any supermarket and the first things yo will see under the beauty section are bleaching and whitening creams. It is true that these white, blonde, blue-eyed beauties are stunning, gorgeous. But why should their beauty mean that you aren't beautiful? You are the culmination of years of evolution, the stars have been planning your arrival. Look at yourself in the mirror, Stare into the dark brown irises of your eyes and understand that they are like pools of chocolate, understand that they are the colour of the bark of the tress understand that they are beautiful. Caress your brown hair, run your fingers through it, you are beautiful. Look at your caramel-coloured skin, don't you just love the colour? It's deep and sweet and beautiful. Your body, the vessel of your soul in beautiful and every step you take is magical and your voice sounds like a bow playing perfectly on a violin and your laugh ringing out sounds like wind chimes in a light breeze. Don't you understand? You are a ******* masterpiece. Don't treat yourself any less.
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21
Calming sounds of water droplets, pounding on the floors. Tiny water droplets running over people, running over mountains. Blizzards of powder whitening the peaks of glorious mountains, and slowly, covering the tracks of this violent world. The tides softening the cliffs up above evenning the jagged edges. The jagged edges of humanity cannot be softened or overcome unless we realize that united, like water droplets flowing on the floor, we can overcome whatever comes, like the blizzards at the top of the world.
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May 12, 2010
May 12, 2010 at 9:11 PM UTC
Water
SWEET daughter of a rough and stormy fire, **** Winter's blooming child ; delightful Spring ! Whose unshorn locks with leaves And swelling buds are crowned ; From the green islands of eternal youth, (Crown'd with fresh blooms, and ever springing shade,) Turn, hither turn thy step, O thou, whose powerful voice More sweet than softest touch of Doric reed, Or Lydian flute, can sooth the madding winds, And thro' the stormy deep Breathe thy own tender calm. Thee, best belov'd ! the ****** train await With songs and festal rites, and joy to rove Thy blooming wilds among, And vales and dewy lawns, With untir'd feet ; and cull thy earliest sweets To weave fresh garlands for the glowing brow Of him, the favour'd youth That prompts their whisper'd sigh. Unlock thy copious stores ; those tender showers That drop their sweetness on the infant buds, And silent dews that swell The milky ear's green stem. And feed the slowering osier's early shoots ; And call those winds which thro' the whispering boughs With warm and pleasant breath Salute the blowing flowers. Now let me sit beneath the whitening thorn, And mark thy spreading tints steal o'er the dale ; And watch with patient eye Thy fair unfolding charms. O nymph approach ! while yet the temperate sun With bashful forehead, thro' the cool moist air Throws his young maiden beams, And with chaste kisses woes The earth's fair ***** ; while the streaming veil Of lucid clouds with kind and frequent shade Protect thy modest blooms From his severer blaze. Sweet is thy reign, but short ; The red dog-star Shall scorch thy tresses, and the mower's scythe Thy greens, thy flow'rets all, Remorseless shall destroy. Reluctant shall I bid thee then farewel ; For O, not all the Autumn's lap contains, Nor Summer's ruddiest fruits, Can aught for thee atone Fair Spring ! whose simplest promise more delights Than all their largest wealth, and thro' the heart Each joy and new-born hope With softest influence breathes.
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2.2k
Ode To Spring
SWEET daughter of a rough and stormy fire, **** Winter's blooming child ; delightful Spring ! Whose unshorn locks with leaves And swelling buds are crowned ; From the green islands of eternal youth, (Crown'd with fresh blooms, and ever springing shade,) Turn, hither turn thy step, O thou, whose powerful voice More sweet than softest touch of Doric reed, Or Lydian flute, can sooth the madding winds, And thro' the stormy deep Breathe thy own tender calm. Thee, best belov'd ! the ****** train await With songs and festal rites, and joy to rove Thy blooming wilds among, And vales and dewy lawns, With untir'd feet ; and cull thy earliest sweets To weave fresh garlands for the glowing brow Of him, the favour'd youth That prompts their whisper'd sigh. Unlock thy copious stores ; those tender showers That drop their sweetness on the infant buds, And silent dews that swell The milky ear's green stem. And feed the slowering osier's early shoots ; And call those winds which thro' the whispering boughs With warm and pleasant breath Salute the blowing flowers. Now let me sit beneath the whitening thorn, And mark thy spreading tints steal o'er the dale ; And watch with patient eye Thy fair unfolding charms. O nymph approach ! while yet the temperate sun With bashful forehead, thro' the cool moist air Throws his young maiden beams, And with chaste kisses woes The earth's fair ***** ; while the streaming veil Of lucid clouds with kind and frequent shade Protect thy modest blooms From his severer blaze. Sweet is thy reign, but short ; The red dog-star Shall scorch thy tresses, and the mower's scythe Thy greens, thy flow'rets all, Remorseless shall destroy. Reluctant shall I bid thee then farewel ; For O, not all the Autumn's lap contains, Nor Summer's ruddiest fruits, Can aught for thee atone Fair Spring ! whose simplest promise more delights Than all their largest wealth, and thro' the heart Each joy and new-born hope With softest influence breathes.
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52
There inside the chamber sits, Awaiting patiently; Gathering discourse and their wits, To match with Chimpanzee. Primate statues loom the loft, ‘Mongst whitening Baboons; Fidget in their seats too soft, Indifferent of this room. For ghosts of former nobles peek, In shame, as they observe; The power of the abject weak, Enable them to serve. Parrots cackling ‘mongst themselves, As peacocks flaunt their fan; Gorilla preens, while tries to quell, With gavel in his hand. Chimp arises, intently poised, To embellish his appointment; Words rehearsed to fill the void, Deliberate and pointed. For he, and only he, shall reign, While rendering his will Upon the reaches, lakes and plains; ‘Pon feather, fur and gill. Yet irony betrays this horde, Of chosen beasts that thrive, Who seek to witness own accord, On who should live or die. Baboons and the Chimpanzee, May climb to endless heights, Gather fruit from tops of trees, And relish in their might; But those who scrounge upon the ground, Or forage in the sea, Cannot relate to this debate, Nor self-idolatry. So this becomes an exercise, In futile words exchanged; In bartering the truth for lies, Leaves jungle quite estranged. Such is then, the sacrifice, That satisfies this troop: Lions shall compete with mice, For homeland and for food. This seems just, this seems right, So pleased to then arrive, To alter former terms of plight, Ensure the like survive. Commune must have order, Compliance is then deemed; Life must have its borders, Confining self-esteem. Parrots flee to bring the news, Of brighter days ahead; While creatures of the air and blue, Fear the distance spread. Content to reconvene again, As this is their employ; Govern those outside the pen, Such honor they enjoy.
0
Nov 14, 2010
Nov 14, 2010 at 6:08 AM UTC
Congress
There inside the chamber sits, Awaiting patiently; Gathering discourse and their wits, To match with Chimpanzee. Primate statues loom the loft, ‘Mongst whitening Baboons; Fidget in their seats too soft, Indifferent of this room. For ghosts of former nobles peek, In shame, as they observe; The power of the abject weak, Enable them to serve. Parrots cackling ‘mongst themselves, As peacocks flaunt their fan; Gorilla preens, while tries to quell, With gavel in his hand. Chimp arises, intently poised, To embellish his appointment; Words rehearsed to fill the void, Deliberate and pointed. For he, and only he, shall reign, While rendering his will Upon the reaches, lakes and plains; ‘Pon feather, fur and gill. Yet irony betrays this horde, Of chosen beasts that thrive, Who seek to witness own accord, On who should live or die. Baboons and the Chimpanzee, May climb to endless heights, Gather fruit from tops of trees, And relish in their might; But those who scrounge upon the ground, Or forage in the sea, Cannot relate to this debate, Nor self-idolatry. So this becomes an exercise, In futile words exchanged; In bartering the truth for lies, Leaves jungle quite estranged. Such is then, the sacrifice, That satisfies this troop: Lions shall compete with mice, For homeland and for food. This seems just, this seems right, So pleased to then arrive, To alter former terms of plight, Ensure the like survive. Commune must have order, Compliance is then deemed; Life must have its borders, Confining self-esteem. Parrots flee to bring the news, Of brighter days ahead; While creatures of the air and blue, Fear the distance spread. Content to reconvene again, As this is their employ; Govern those outside the pen, Such honor they enjoy.
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60
The season is a lullaby of frosted clocks and prickling ire impatience with the steadfast solemnity of the wintertide uniform Locked in crystal formation, the sunshine sleeps where the mountains beckon the very peaks and the hours of the passing days diminish into austere darkness, Yet my heart thrills with each crystal shimmer and beats a pulse that cannot be met by any life contained in snow There is a whisper to my very soul from the whitening glow as it shatters the bones of cold Such Redemption in the icy sound sets my mind heaven bound
0
Oct 18, 2012
Oct 18, 2012 at 6:03 PM UTC
Wintertide
Egotist, the master of the ego mist or some ego antagonist he is so much there in the center of a web of regurgitated fears recycling pointless the old cycles of night after day life after chaos but no death after ego inflation just a rusty song of imprisoned moments or undeciphered gnashing all character is just the dust you cannot grasp grey ruminations curses wiggling in times devoid of innocence the cruelty of a **** refusing to wither at the end of his cigarettes a speck of self is threading a stratagem to severe the ties for the ******* of distance so that he can continue uninterrupted to mutilate his heart no one can persuade the night into whitening like you clean your teeth of curses the rest is sadness the dew would know it.
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Jun 14, 2014
Jun 14, 2014 at 6:51 PM UTC
Egotistical story: a stratagem
Logical doesn’t have taste. It has circumstance. Only to be tasteful, is to be surrounded by a taste of what gradually makes a self importance greater to yourself. Proudly underestimating yourself at first. Giving closure to the surrounding areas. Taste has no boundaries here. A made-up friction. A made-up functionality. A dripping faucet without clarity. Dripping one social taste at any given time. Clarity giving rise to the surrounding areas with logical ingredients. Logical ingredients slapping taste buds without concern for logical praise. Logical praise that doubts it’s understanding of taste buds giving praise to ingredients without concern for how praise will affect it’s priorities. Priorities finishing the diversity of something logical with a taste. The taste buds feeling the diversities finalizing ingredients in their rightful places. Like shiny white plates on display for the crowd of praises effecting one’s own priorities. Teeth whitening the taste buds for greater effect. Praises finally giving the logical praise the taste it deserves. More surrounding areas include a broader crowd. A newer logical taste starts to emerge in the practice of ingredients giving logical praise to the logical priorities that govern it so. Praise from newer surroundings influencing more ingredients in the form of logical taste. More taste buds start feeling the diversities in the praise which salivates the practice of logical assessments. A reverse act giving rise to a simplified logical taste without boundaries.
0
Oct 27, 2019
Oct 27, 2019 at 9:55 PM UTC
The Taste of Something Logical
Logical doesn’t have taste. It has circumstance. Only to be tasteful, is to be surrounded by a taste of what gradually makes a self importance greater to yourself. Proudly underestimating yourself at first. Giving closure to the surrounding areas. Taste has no boundaries here. A made-up friction. A made-up functionality. A dripping faucet without clarity. Dripping one social taste at any given time. Clarity giving rise to the surrounding areas with logical ingredients. Logical ingredients slapping taste buds without concern for logical praise. Logical praise that doubts it’s understanding of taste buds giving praise to ingredients without concern for how praise will affect it’s priorities. Priorities finishing the diversity of something logical with a taste. The taste buds feeling the diversities finalizing ingredients in their rightful places. Like shiny white plates on display for the crowd of praises effecting one’s own priorities. Teeth whitening the taste buds for greater effect. Praises finally giving the logical praise the taste it deserves. More surrounding areas include a broader crowd. A newer logical taste starts to emerge in the practice of ingredients giving logical praise to the logical priorities that govern it so. Praise from newer surroundings influencing more ingredients in the form of logical taste. More taste buds start feeling the diversities in the praise which salivates the practice of logical assessments. A reverse act giving rise to a simplified logical taste without boundaries.
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1
Tis done—and shivering in the gale The bark unfurls her snowy sail; And whistling o’er the bending mast, Loud sings on high the fresh’ning blast; And I must from this land be gone, Because I cannot love but one. But could I be what I have been, And could I see what I have seen— Could I repose upon the breast Which once my warmest wishes blest— I should not seek another zone, Because I cannot love but one. ’Tis long since I beheld that eye Which gave me bliss or misery; And I have striven, but in vain, Never to think of it again: For though I fly from Albion, I still can only love but one. As some lone bird, without a mate, My weary heart is desolate; I look around, and cannot trace One friendly smile or welcome face, And ev’n in crowds am still alone, Because I cannot love but one. And I will cross the whitening foam, And I will seek a foreign home; Till I forget a false fair face, I ne’er shall find a resting-place; My own dark thoughts I cannot shun, But ever love, and love but one. The poorest, veriest wretch on earth Still finds some hospitable hearth, Where Friendship’s or Love’s softer glow May smile in joy or soothe in woe; But friend or leman I have none, Because I cannot love but one. I go—but wheresoe’er I flee There’s not an eye will weep for me; There’s not a kind congenial heart, Where I can claim the meanest part; Nor thou, who hast my hopes undone, Wilt sigh, although I love but one. To think of every early scene, Of what we are, and what we’ve been, Would whelm some softer hearts with woe— But mine, alas! has stood the blow; Yet still beats on as it begun, And never truly loves but one. And who that dear lov’d one may be, Is not for ****** eyes to see; And why that early love was cross’d, Thou know’st the best, I feel the most; But few that dwell beneath the sun Have loved so long, and loved but one. I’ve tried another’s fetters too, With charms perchance as fair to view; And I would fain have loved as well, But some unconquerable spell Forbade my bleeding breast to own A kindred care for aught but one. ’Twould soothe to take one lingering view, And bless thee in my last adieu; Yet wish I not those eyes to weep For him that wanders o’er the deep; His home, his hope, his youth are gone, Yet still he loves, and loves but one.
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1.6k
Stanzas To A Lady, On Leaving England
Tis done—and shivering in the gale The bark unfurls her snowy sail; And whistling o’er the bending mast, Loud sings on high the fresh’ning blast; And I must from this land be gone, Because I cannot love but one. But could I be what I have been, And could I see what I have seen— Could I repose upon the breast Which once my warmest wishes blest— I should not seek another zone, Because I cannot love but one. ’Tis long since I beheld that eye Which gave me bliss or misery; And I have striven, but in vain, Never to think of it again: For though I fly from Albion, I still can only love but one. As some lone bird, without a mate, My weary heart is desolate; I look around, and cannot trace One friendly smile or welcome face, And ev’n in crowds am still alone, Because I cannot love but one. And I will cross the whitening foam, And I will seek a foreign home; Till I forget a false fair face, I ne’er shall find a resting-place; My own dark thoughts I cannot shun, But ever love, and love but one. The poorest, veriest wretch on earth Still finds some hospitable hearth, Where Friendship’s or Love’s softer glow May smile in joy or soothe in woe; But friend or leman I have none, Because I cannot love but one. I go—but wheresoe’er I flee There’s not an eye will weep for me; There’s not a kind congenial heart, Where I can claim the meanest part; Nor thou, who hast my hopes undone, Wilt sigh, although I love but one. To think of every early scene, Of what we are, and what we’ve been, Would whelm some softer hearts with woe— But mine, alas! has stood the blow; Yet still beats on as it begun, And never truly loves but one. And who that dear lov’d one may be, Is not for ****** eyes to see; And why that early love was cross’d, Thou know’st the best, I feel the most; But few that dwell beneath the sun Have loved so long, and loved but one. I’ve tried another’s fetters too, With charms perchance as fair to view; And I would fain have loved as well, But some unconquerable spell Forbade my bleeding breast to own A kindred care for aught but one. ’Twould soothe to take one lingering view, And bless thee in my last adieu; Yet wish I not those eyes to weep For him that wanders o’er the deep; His home, his hope, his youth are gone, Yet still he loves, and loves but one.
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66
Wilting and whitening abandoned in the sun. I thought of dying but decided wallowing would be more fun. I thought to cut my palms as if opening a letter but then decided cutting your throat would be better.
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Mar 5, 2015
Mar 5, 2015 at 6:45 AM UTC
Homicidal heartbreak
I awoke to a piano lullaby ringing in my ears and moon lyrics whitening my lips, goosebumps illuminate my pale skin. The stars talk to me: they blink Morse-code. I drag my knuckles along the blue wall, force my skin away. I want to see bright bone, like fresh moon in the dark.
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Aug 4, 2015
Aug 4, 2015 at 10:28 AM UTC
Blue moon
They will soon be down To one, but he still will be For a little while still will be stopping The flakes in the air with a look, Surrounding himself with the silence Of whitening snarls. Let him eat The last red meal of the condemned To extinction, tearing the guts From an elk. Yet that is not enough For me. I would have him eat The heart, and from it, have an idea Stream into his gnarling head That he no longer has a thing To lose, and so can walk Out into the open, in the full Pale of the sub-Arctic sun Where a single spruce tree is dying Higher and higher. Let him climb it With all his meanness and strength. Lord, we have come to the end Of this kind of vision of heaven, As the sky breaks open Its fans around him and shimmers And into its northern gates he rises Snarling complete in the joy of a weasel With an elk’s horned heart in his stomach Looking straight into the eternal Blue, where he hauls his kind. I would have it all My way: at the top of that tree I place The New World’s last eagle Hunched in mangy feathers giving Up on the theory of flight. Dear God of the wildness of poetry, let them mate To the death in the rotten branches, Let the tree sway and burst into flame And mingle them, crackling with feathers, In crownfire. Let something come Of it something gigantic legendary Rise beyond reason over hills Of ice screaming that it cannot die, That it has come back, this time On wings, and will spare no earthly thing: That it will hover, made purely of northern Lights, at dusk and fall On men building roads: will perch On the moose’s horn like a falcon Riding into battle into holy war against Screaming railroad crews: will pull Whole traplines like fibres from the snow In the long-jawed night of fur trappers. But, small, filthy, unwinged, You will soon be crouching Alone, with maybe some dim racial notion Of being the last, but none of how much Your unnoticed going will mean: How much the timid poem needs The mindless explosion of your rage, The glutton’s internal fire the elk’s Heart in the belly, sprouting wings, The pact of the “blind swallowing Thing,” with himself, to eat The world, and not to be driven off it Until it is gone, even if it takes Forever. I take you as you are And make of you what I will, Skunk-bear, carcajoy, bloodthirsty Non-survivor. Lord, let me die but not die Out.
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May 17, 2014
May 17, 2014 at 7:08 AM UTC
For the Last Wolverine (James Dickey)
They will soon be down To one, but he still will be For a little while still will be stopping The flakes in the air with a look, Surrounding himself with the silence Of whitening snarls. Let him eat The last red meal of the condemned To extinction, tearing the guts From an elk. Yet that is not enough For me. I would have him eat The heart, and from it, have an idea Stream into his gnarling head That he no longer has a thing To lose, and so can walk Out into the open, in the full Pale of the sub-Arctic sun Where a single spruce tree is dying Higher and higher. Let him climb it With all his meanness and strength. Lord, we have come to the end Of this kind of vision of heaven, As the sky breaks open Its fans around him and shimmers And into its northern gates he rises Snarling complete in the joy of a weasel With an elk’s horned heart in his stomach Looking straight into the eternal Blue, where he hauls his kind. I would have it all My way: at the top of that tree I place The New World’s last eagle Hunched in mangy feathers giving Up on the theory of flight. Dear God of the wildness of poetry, let them mate To the death in the rotten branches, Let the tree sway and burst into flame And mingle them, crackling with feathers, In crownfire. Let something come Of it something gigantic legendary Rise beyond reason over hills Of ice screaming that it cannot die, That it has come back, this time On wings, and will spare no earthly thing: That it will hover, made purely of northern Lights, at dusk and fall On men building roads: will perch On the moose’s horn like a falcon Riding into battle into holy war against Screaming railroad crews: will pull Whole traplines like fibres from the snow In the long-jawed night of fur trappers. But, small, filthy, unwinged, You will soon be crouching Alone, with maybe some dim racial notion Of being the last, but none of how much Your unnoticed going will mean: How much the timid poem needs The mindless explosion of your rage, The glutton’s internal fire the elk’s Heart in the belly, sprouting wings, The pact of the “blind swallowing Thing,” with himself, to eat The world, and not to be driven off it Until it is gone, even if it takes Forever. I take you as you are And make of you what I will, Skunk-bear, carcajoy, bloodthirsty Non-survivor. Lord, let me die but not die Out.
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69
I was teetering on the precipice of something. edging towards the glimmer. mashing tongues, you tore me limb from limb. I'm glazed with sweat. you baste me in honeydew. in the bedroom we speak in vowels: oooOOHHhhooo uUUHhh. AAAAaaahhh The sounds of death, Long awaited for. I died like this every night and loved every minute of it, bruised down to my bones. i i i, want moremoremore. Give my teeth a whitening. You are the eye of the storm the first leg into a pair of pants the bone with the best sense of humor. you left me high, but not dry. accept this broken french as a gesture of my affinity: je taime tu me manques je tadore mon lapin bisou bisou
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Sep 6, 2016
Sep 6, 2016 at 11:45 PM UTC
brownie points
WE count the broken lyres that rest Where the sweet wailing singers slumber, But o'er their silent sister's breast The wild-flowers who will stoop to number? A few can touch the magic string, And noisy Fame is proud to win them:-- Alas for those that never sing, But die with all their music in them! Nay, grieve not for the dead alone Whose song has told their hearts' sad story,-- Weep for the voiceless, who have known The cross without the crown of glory! Not where Leucadian breezes sweep O'er Sappho's memory-haunted billow, But where the glistening night-dews weep On nameless sorrow's churchyard pillow. O hearts that break and give no sign Save whitening lip and fading tresses, Till Death pours out his longed-for wine Slow-dropped from Misery's crushing presses,-- If singing breath or echoing chord To every hidden pang were given, What endless melodies were poured, As sad as earth, as sweet as heaven!
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Apr 9, 2015
Apr 9, 2015 at 9:20 PM UTC
The Voiceless
The ancestral diet of Stars, being Other Stars has left no scars, save open black and yawning vast. No retrograde Oblivion... only galactic swirls and elastic Space between worlds. that never last. and Eternity. my modernity nips and pleats my yellow teeth after long whitening by paste and bristle. i chew the gristle of the dead sow and club the weaning pups of Cerberus with an eyelash and a long blink. i tread the narrows, flatly - and conquer the quizzical  conundrums by simply asking.   My Rocket Science... laughing at your grecian urn to paint the herrings red. i'm out of my depth. but yes means 'yes' and we ' no' it. if Nothing else.
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Oct 9, 2014
Oct 9, 2014 at 10:32 PM UTC
OUT OF MY DEPTH
THE Danaan children laugh, in cradles of wrought gold, And clap their hands together, and half close their eyes, For they will ride the North when the ger-eagle flies, With heavy whitening wings, and a heart fallen cold: I kiss my wailing child and press it to my breast, And hear the narrow graves calling my child and me. Desolate winds that cry over the wandering sea; Desolate winds that hover in the flaming West; Desolate winds that beat the doors of Heaven, and beat The doors of Hell and blow there many a whimpering ghost; O heart the winds have shaken, the unappeasable host Is comelier than candles at Mother Mary's feet.
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1.3k
The Unappeasable Host
I worry you will fall As you teeter up on top of your insecurities Stamping them with your materialism "PRADA" Attempting to hide them below your feet and beneath your masks of paint Attempting to keep them out of frame, out of the photos, out of view, But the photographs were over-exposed And now your nakedness is only covered by your self-doubt Your lack of self-worth. Don't try to hide the tears you cry out of unappreciative sadness No need to validate happiness With crest whitening strips Because all they do is stain your already filthy mouth. Bleach couldn't wash the ignorance from those gums. Your cavities sloshed with your parents Chardonnay and chocolate fountains drip upon your white dresses. I try so hard to remain kind Remain happy Remain real When all I can do is laugh And hope you understand That all I am is sad. There is only sadness When the best view that I have Is of your huge fake ****
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May 5, 2013
May 5, 2013 at 9:31 AM UTC
3/4
The softest beach of sunburnt sand Comes flush with waves of turquoise warmth At the tips of my hand A fresh breath of air puffs my skin Feisty coconut and cucumber scents Fight in the influence of the wind Pushing backward with a quickening allure At arm’s length the beauty bows Breaking each edge, the whitening pure With a subtle pull each wave hits shore Then water ebbs its playful game Returning again for a little more In a way serene, my defenses lay bare Staring Life face to face, with tactile reassurance I grasp for strands of ocean hair
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Dec 16, 2011
Dec 16, 2011 at 6:47 PM UTC
I go with you.