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traces of being Aug 2016
.
Honeybees, birds and blooms unfurl
an enchanting spell
when spring comes by here

Memories waft 'neath burled rustic trellis
where flowered tendrils grasp fleshly
like the newness a love once tenderly embraced

Songbirds in your garden sing
of swooning memories rapture.., of velvet eyes,  
the fragrant spicy nectar hidden within her walls                            

A song of honeyed bees'  sweetest stinger,
and the poignant ***** of intoxicating surrender
lingers, bemused spellbound by a thorny heirloom rose

Sharp beauty beloved like a blameless trap
caught blissfully, breathlessly inbetween
all you wish for and all your wanton needs

Desire 's wellspring an unspoken passion
coquet swollen buds adorn blossoming,
sensual, untamed carnal grace

A picture perfect natural beauty;
sunlit chassé … feathered brush, demure blush
dancing with basket of lace petal’d perfume

For to colour a heart's blank pages
rapt in the poesy a joyous ecstasy ..,
enrapture with rainbow's luscious taste

What seems lost is but a tender vestige unfound
a passing moments innocence lost
to steal away like rumors of gold

These silent reveries seep from a hole in my heart,  
as if ripe strawberries of yore, gently weeping sweetness
when pricked by a thorny rose  

The ides of spring do still bleed a timeless ache
onto the page ... sweet naivety stung
by a mesmerizing dart to the heart

Songbirds in your garden do sing
of sweetest things immersed in nature's nectar
blissful memories sleeping in the petals of a rose




Sung to the wind by a song sparrow — ♪ ♫...✩ ☼✩ ✩☺✩
If only now in dreams of yore
a sky full of stars shine brighter,
a garden of flowers fragrance more pungent,
and songbirds in your garden from yesteryear
sing tantalizingly more beautiful ...,
when you were near

.
I feel as if I am trapped in this box,
Where everyone else has put me
But I know I don’t belong.

Suffocated - they make me feel it,
I can’t stand existing inside this bubble:
The walls are thick, there’s no way out,
It’s the home of the unfound,
Where they put people like me who they can’t make sense of,
Patients they can’t diagnose unless it’s with the term “functional.”
I know there are others,
But I feel so alone,
Isolated from being understood
By the only people who are able to help me.

They won’t help me,
I try to fight back, I try to scream
Either no one hears me, or they take it as a mark of insanity.

It’s hard to speak up,
When you know the process all too well,
You walk in, they repeat things that hurt you (psychosomatic), and then you walk out,
Though you don’t know how,
Because inside you’re torn down again,
Answers aren’t found and each time is worse,
You’re still struggling but they insist
That you’re as healthy as you’ve ever been,
So once again you’ve been missed,
By professionals trained to catch out illness.

Every time your reality trips you down again,
You repeat the words they told you:
“You’re fine,”
You tell yourself you can do it
-But not out of encouragement,
Instead of disdain, because when no one acknowledges you
Why should you not question yourself?
We are taught from a young age these are the people you should depend on and treat with respect,
So even when they toss you aside:
Remember to say “thank you” and walk out with a smile,
Seeing as they believe that you really are wasting their time.

This is what nightmares are made of,
Except when you’re both asleep and awake
It’s always still there.
It’s hard enough passing each day this way,
But without an ounce of recognition,
I wonder why I should even stay.

I don’t want to do this anymore,
But still I have to knock on doors,
Basically asking people to reject what I live,
Constantly trying to prove that I’m sick,
To countless people who don’t give a ****.
It’s already too much effort existing like this,
Yet I have to get out of my bed to prove it,
Even though each time they write an essay about me being fine,
Or maybe a few words because I’m such a waste of time.
I face what I fear everyday because my health’s at fault,
Yet they say it’s not really at all.
It’s been a year and they still have the audacity to tell me,
It’s because I’m not coping mentally.

Maybe I am a mess psychologically,
But I want you to know, it’s only because of them.
I would be stable, I’d be perfectly fine,
If they didn’t keep coming around telling me my efforts are wasted,
That I just can’t deal with my mind no matter how much I already put in,
So clearly I will just never be fixed.
It’s what they’ve told me though, it’s all of their responses and words,
That made me question my sanity,
That dredge up all of my anger for them,
Because not one bit of acknowledgement did they spread.

So here I lay,
Stuck in this box where no one can see me,
I can’t fix myself because - it wasn’t my state of mind that was broken.
I’ve been here for four-hundred-and-seventeen days,
Where I try to imagine a future where I’ll be safe,
But the trauma of looking for a diagnosis I know will stay,
Because they told me it was only caused my trauma in the first place,
But the only kind I’ve experienced
Is the kind they inflicted whilst I was already suffering.
n stiles carmona May 2017
would you listen or laugh at me
           for claiming love's an ocean?
neither a knife, nor a blindfold
                                                      .­..but a sea.
there's a human-borne catastrophe.
                       cast your eye upon those with no share.
          the contents of their buckets
are polluted and impure
                                yet all but 5%
                                goes unexplored.
do you find yourself choking in your sleep?
  why watch the waves from safe dry ground
                                                  when you could delve in deep?
do you live in fear of unchartered seas
                                                   and life still left unfound?
are you overheating if only not to drown?
we 'love addicts' are water children.
i run outside and taste the rain.
  let's go! let's drink! let's swim! let's bathe
                   and watch it seep into our pores
                         -- it escapes me how you stay indoors!
a little something optimistic
Ironic it was for such Hero's Song
To be played on a Mattress we call the Sea
Just when your Daughter cried for your Belong
We need to Sing again; Then Pray haply
For the many Noble Deeds you left behind
Despite this Age of the Pork Barrel's Tune
Such Rumours unfound; And Profile a Lie
Which most in our Office hoarded our Boon
Live well Beyond, Great Sir! I take to Vow
Your Aubourn Treatment to our Country's Hope
Guide your Duty's Heirs; And Family enow
And bring this Rosary blessed by your Pope.
The Song is Sung, even on Deaf Concerns
I guess it's quite Young for People to Learn.
We come to a complete stop.
At a red light.
We wear our arms like seat-belts-
crossed for protecting our pilot lights.˚
I can't help but wonder how many airbags might deploy
if a meteor crashed headfirst and heavyset into the planet
and pancaked us eternally into this moment-
and how our fossils would look confused;
funeral flowers on a wedding cake.

None of this matters, we're both thinking it,
God is a foster child playing with his erector set.

You grin with as much conviction as a dented automobile,
breaking the months of silence to say,
"I miss you."

We can never fold these road maps back the way they came.

Somewhere existentially above this moment, there is an asterisk
that confirms
you- are here.

There was a younger version of me that you never got to meet,
he was here once,
stupid as a slinky.
Shaken like an Etch-A-Sketch.
Crooked as the question mark that punctuated his voice.
I looked good in hydroplane,
my eyes- bigger than my belly,
so I drank my weight in promises- I knew would be hard to keep within arms reach.
I also knew an encyclopedia's worth of how it felt to lie to myself.
I did it for twenty-three years
until I finally let go of stupid and held on to reason.

At some age I wrote letters to my favorite musicians,
using the sloppiest side of my penmanship, I'd ask for answers
and my mother, like a paperclip, used to tell me - she'd say,
"Kiddo, just because they don't respond
doesn't mean they didn't get the message."

She kept her chest of hope upstairs, away from the living room.
She only opened it on the hallow end of October;
that's where she kept the blankets.

Shy, I kept my hope chest covered in a T-shirt-
at the very least.
I never opened up.
I emptied my toy box of all its fiction, filled it with voices.
Deployed an army of rubber wrestlers, martial arts amphibians
and those inanimate toy soldiers with plastic parachutes attached
in search of the confidence I knew was supposed to belly-flop inside of me.

It hid, unfound for decades.
Until you entered.

Hawaiian domino effect, circus of chain reactions, avalanche of affirmation, chest-plate yielding gravity mouth speaking brightest anything forever night light, all apex and eyelash and cheekbone.
You -from big island- broke me.
I opened like the dry side of an umbrella, kept my back turned for shielding you.
I showed up for love on time, like a subway train in echelon city
wanting these arms to feel less like turnstiles.

All my sign languages were in waves.
All my ceilings turned to skies.
All my jitters packed into my hunger stomach.
Typing hyper with caffeinated hands
a swarm of nervous words bee-hiving in my butterfly chest.
Something like a hummingbird
when I finally drop your name like an alarm clock whisper
my lungs empty like cathedrals on the day after Christmas.

I brought the sermon to your Sundays,
you brought the choir to my masses.
We built a church around these esophagus bell towers.
Held ourselves up to the stained glass and showed off our light;

I swear I don't believe in a lot of things, God knows,
but there's always a but,
so much as I believe in the eternal depth of everything,
so much as I believe that we'd have plenty of water if it weren't for salt,
so much as I believe in eight marbles rolling around a gas lamp,
I believed we'd find a way.

'Cause in all the ways my sky could never hold you- and I mean this-
I believed in you- same way some people believe in Jesus.

Because you never judged my albatross mouth when I said things like,
"Self deprecation is the new love."
You kissed me-
less like doorstop,
more like lighthouse illuminating windmill.

You were a merry-go-round pivot decorated in Kona coffee beans, Christmas lights, cough syrup, paper mache pineapples, plastic dinosaur bones, a collection of worn-out Asics, board shorts and a dubstep remix broadcast through the static of a blown-out rotary phone.

You were everything I could get my hands on-

A full-tilt action-packed kaleidoscope jungle
with blender tongue and volcano heart.
I looked good in your sad panda coat tails,
teaspoon swallowing my doubts
while you Tarzaned my ability to breathe,
gave me ocean view and weak knees.
Is that sea breeze in your aftermath or are there already tears in my happiness?

You came camouflage out of my blind spot dressed in magnet armor,
diving board and drum set.
We passionbent cymbals into cannonballs.

I found comfort between your breastplate and your shoulder blades,
where you held me like a promise
when all my wishing was for want
and all your wanting was for wishes

Granted,

I know that there were days when you couldn't help but wake up like gorilla speaking Pidgin
and I couldn't help but waking up like an abandoned highway with a chip on my shoulder-
some maps don't show this much detail, Google Earth-

Which is why I always came through for you like a well-lit citrus truck stop
pressed against the dusk in your moonlight life crisis.
We only saw stars.
From our moon base.
In bewilderment, in our hunger, we learned
that if you hold me to my vending machines you'll get what you pay for.

So here it is, the truth, as I have always known it,
delivered to you on the outskirts of an echo,
my voice, supporting my existence like a monolith.

I'm standing in the middle of a you-shaped hole.
It's as wide as a promise crater-
we built it together.
It's not my favorite place to stand
but the exit strategies are made in the shape of a me that I haven't constructed yet.
I had a lot of things planned.
I referred to things as "ours",
when I really meant "please".

Bury me in your time lapse.
When your emotional excavators discover me in your sediment
they'll find me all pterodactyl-
wings spread wide as potential, sky-diving toward forgiveness,
forever.

Truth is, I'm wingless.

We met at a stop sign.
Our paths crossed.

There's a lot of accidents at some intersections.
Maybe it's because that's not where those two roads were supposed to meet.

We can't time machine argue with the way things landed.

We weren't an avoidable accident.
We were just two cars that really wanted to dance.

I don't know what I'm trying to say but I know when I mean it.

There's a tyrannosaurus rex cradled head-to-tail just behind my curator heart-
all fossil spine, monster teeth, jaw head and piano hands.
His presence says a lot about the past.
There's an asterisk on the surface,
above this moment,
that confirms with absolute certainty,

˚something wicked awesome happened here.
The (˚) is supposed to be an (*)
You can hear me read this here: http://tumblr.com/xft51gwrf0
Jordan Rowan Feb 2016
Someone is dying, I can hear them breathe
The dark isn't final as it sets on me
Nowhere is everywhere, say what you see
Don't **** me, brother, I've got family

There's nothing here, look all around
The sun is dying, it makes no sound
Someone is crying, lost and unfound
Don't **** me, brother, and bury me down

Fighting is over, now we survive
Only the weak are left alive
Smoke rolls away yet the fire has died
Don't **** me, brother, don't even try

Light's on its way but don't hold your breath
You've only got so much left
I'd like to shake the hands of death
And say don't **** me, brother, lay me to rest
Omar Kawash May 2015
In a time,
when men were the superheroes,
born in an unconventional location,

a young girl, unknown to the future
she was destined to,
was born with a uniqueness
unfound in all people, a superpower
of empathy
and as she grew,

the world knew
she was imbued
as a living embodiment of legends:

Athena's wisdom,
beauty that surpassed the goddess Aphrodite,
conversational skills that made Hermes envious,
and strength that Hercules
could never attain.

As she approached an age, when her parents would
trust her to be guardian,
her powers manifested.
This incredible child was now a woman.

With the ability to heal those in need: she could expunge
poison that had afflicted a person,
even their hearts,
a God-given gift for those most sacred;
her correspondences exponentially developed,
able to connect in all languages, fueled by her empathetic nature,
this allowed all who interacted with her to trust her for she radiates sincerity.

Now, fully grown, this super-no-

This Wonder Woman had retired her duties
to save the world, not forsake it, but,
to train Wonder Girl, her daughter,
to unlock the latent abilities her mother had passed on to her.

She still looks up at the Higher Power
and realizes her duty to provide
the world justice is not over
but only beginning.

Her holy spirit was not unacknowledged
and was gifted
a bulletproof bracelet,
forged by the most skilled craftsman by direction
of all that is wise and healing.

Given to her to wear
so that nothing could halt her
as she continues
her fate to provide the world a humanity
that could only come from
an intrinsically true
dear heart.
DeJuan Davis Sep 2012
Unfound

The horizon welcomes yet a new sun
But my heart remains unnoticed to you.
The deep hidden place I show to so few
Is so tightly bound to leave me undone.

Seems life has played a ridiculous pun
To leave me so bound, so helpless, so true
Tied to this one who sees nothing I do.
I will walk away, I’ve learned my lesson.

But I can’t!  I can’t! My heart is so held
To you by love’s misguided reasonings
Playing with my thoughts and unbiased mind

That you are the one, I’m forced, I’m compelled
To hope your love is close to sweetening
Until that I have found, you also find.
it's my first Italian sonnet, or any sonnet at all, for that matter.  i hope you like it.. a friend wants to put it to music.
nick armbrister Jan 2022
An Awful Harvest

I went a hike up to Wawa in Montalban and up the mountain roads. Here I was to go past the peaks of Mt Parawagan, Susong Dalaga and Mt Lagyo plus others. The road had been improved by engineers with trucks and plant equipment. I wanted to hike a big circle right back to the beginning. This was possible a few months ago but not now due to the building of the Pamitinan Dam. It will take four years to do this and flood a complete valley near the peaks. A guard told me no entry by the construction site. I talked to a head engineer and he told me more details. The dam will be eighty metres tall or deep more than the Kaliwa Dam of sixty four metres. These are big structures. Hikers wanted to hike from Wawa to Casili by the newly improved mountain roads but the dam construction stopped this. In time a new road will be built above the dam level replacing the old road. Even if the road is built in a year the dam will still be unfinished so still no entry.



I saw a sign saying beware of UXO Unexploded Ordnance. A local man told me about this, of how the military was looking for it and would defuse any found. His details matched much of what I’ve heard before, like finding shrapnel in the soil. The sign was for the road improvement and dam construction. Sleeping shells waited to knocked awake and ****.



The digger, bulldozer and plant drivers need to be paid danger money. No joke. The area they work on is a small part of a huge World War 2 battlefield. An awful harvest litters the land with unexploded ordnance being buried in the soil having not detonated. Mortars, shells, bombs and other things; these all need locating and safely defusing by the military.



People live in the area and many have found live or exploded shells. The live shells are complete and the spent ones are in varied sized pieces. On my hike up there I was given a piece of one five five millimetre shell from a local. This was in two parts, the biggest weighed many pounds. I estimate between one in four and six fired never exploded. On the stone mountains like Mt Lagyo the shells and bombs will explode on impact if the detonators are triggered. In soil covered peaks the shells can just dig in and don’t go off. The army went up to Mt Lagyo looking for unexploded ordnance. They found nothing.



The road that has been improved and widened would’ve yielded many unexploded munitions. I’m curious how many were found and wonder how many thousands still hide unfound. Sections of the trees/grass by the road are taped off. This is for safety of any munitions and also due to the steepness of the terrain.



The local people within the valley are being moved away and compensated for thus upheaval. Their valley will be inundated by what is now a small river in coming years. Any remaining homes and unfound munitions or Japanese tunnels will be underwater.



Every time I hike the area from Wawa to Mt Mataba to Timberland to Casili I read about or am told or shown evidence from the war and battles; that old actions from 1945 has outlived the people of that time be it locals or soldiers. History is not old and boring black and white photos. An rusty Arisaka rifle with working bolt or blasted shell fragments tell more than any story or photo ever could. Only fate and God knows the unnamed soldiers names now.



When the dam is built I wonder how many unfound unexploded ordnance and dead Japanese soldiers will be now forever unfound? I suspect many thousand Japanese soldiers are buried on those peaks. Remember, these hills are the first high ground above Manila. This was the start of the high ground battles that went on for hundreds of miles at several huge mountain ranges. It was Tier 1 fighting equal to anywhere involving hundreds of thousands of opposing troops, of which tens of thousands were killed.



Now the 1945 legacy is coming back to bite us. Not just buried shells on a dam construction site but the risk of them still exploding when not even found. This is due to corroding fuses. Buried bombs in Europe have self detonated several times. I’ve been told of two large unexploded warplane dropped bombs, one near Timberland and the other near Mt Parawagan. Both need to be found again and professionally defused. History is never boring; the lethal harvest is a testimony to their dastardly deeds.


N Sep 2018
waiting for death...

the empty bottle of pills layed on my bedside table,
so much pressure in my head it feels like it's going to explode.
my chest with a pain so indescribable,
my head starting to get foggy,

first few minutes...

laying in the back of my fathers car,
my head in my sisters lap with my face wet from her tears,
rushing to the ER,
everybody terrified yet i was at peace,

i felt like i could finally be free,
from all the pain and heartaches.
I felt relaxed, undisturbed, ready for death.

first few hours...

laying in the hospital bed,
alive.

i stare at the ceiling with a blank expression,
ignoring all doctors, nurses, therapists, and social workers
that try to talk to me or ask questions.
i barely spoke a word.

they inspected my wrists for cuts,
faint scars, unfound fresh cuts on my hips.
this was never addressed or even commented on by my parents.

my sister held my hand constantly,
sat in that chair with no intentions of leaving,
to comfort me.

first day back...
i had not been at school for afew days,
rumors had gone around,
friends who knew how unstable i was had been talking,
people would approach me and ask what happened,
i got weird looks and stares,
i got so many questions.

first week...
i sat in my chair in the classroom in a shocked silence,
i didn't speak a word at school for a whole week.
a blank stare on my face all day,
constantly wishing that i was never brought into that hospital,
wishing they didn't save me.

first month...
i slept so much yet never felt rested
my sister felt like the only person giving me the support and love that i needed,
the only person to text me throughout the day,
the only person to keep me company,
the only person to get me to speak about how i was feeling,
the only person to remind me every single day how much she loved me.

second month...
i hold back my tears in english.
as we watch a movie about a girl that commited suicide.

third month...
i let small things get to me while locked in my room,
feeling so numb that i slit my skin so i can feel something,
so i can see if i'm still alive or not.

fourth month...
i want to give up again

fifth month...
i get prescribed medications for depression


people don't understand what it's like
to awake every morning,
and all they can wonder is
why they had even awoken

to pick up all of their pieces,
and put them back together
but still feel like they're broken

to say all that they can say,
and still feel like there's more
yet every word has been spoken,

slowly becoming immune to my emotions,
with my lungs incapable of letting air out,
with the pain buried within and unable to turn into tears.

to go to sleep every night,
and the only hope they have
is that their eyes will not open.

now...

i am still healing, on my way to recovery
i am reminded of all the pain i've endured through the years
it used to be etched into my body

i regret it yet also embrace it
because i am strong,
and i will survive.
Timothy Clarke Nov 2010
Once a man stood in rainbow light
While the magic considered his measure
She knew at once this man was right
But he left unfound his treasure.

He traveled on through leagues and years
While above him still her beauty shined.
Each alone had pains and joys and tears,
While they held the other in heart and mind.

Now grown as wise as hair is gray
He reached new earth where she does rest
And stands again in her color spray
Realizing now he's truly blessed.

Together they stand in the other's hold.
Together they are the treasure gold.
The backstory behind this poem is that I once dated a beautiful girl in school, but because I was graduating and going to Navy flight school (and because I was a foolish) I did not continue the relationship with her.  Years later... a few divorces and lots of children later... we found each other again and we both shared stories of wishing our first relationship had worked.  Now we are engaged and the 10 of us are looking forward to wonderful life together.
DJ Goodwin Jun 2012
He writes words on walls and
toilet doors.

Looping black texta with
measured precision.

Emptying out his importance in
tomes of acrid, sickly-sweet-smelling lapses
into hope.

Cascading the loneliness with litanies
of somewhere else
that pulses with a joy unfound.

Tales of intermittent dreams
and dalliance with beauty.

Strobing in translucent beams,
the light leaks through his
poorly-sewn seams

onto the toilet door.
copyright 2012, David J. Goodwin
Jun 16, 2012
WS Warner Sep 2011
The pierced ego sees
through an opaque lens;
a vestige of hope,
humor and  
intellectual solidarity.
Effigies of forgotten ethos,
the culmination of a
fated dream;
unrequited ardor, abandons
identity to an irreducible
fervor,                      
subtext of tension,                    
enduring ****** privation;
etude of a paramour
ending torture,
tasting mystical polarity.

The wounded heart
once intruded,
bleeds effusive;
the ornament of humility.
Flattened collateral
damage,
primal search,
proves illusive;
portals of hurt, slivers
of pride,
assembled fragments of
thereness
absorb the loss
of my English muse.

Poetry and devotion
punctuated murmurs
of piety,  
depth perception
virtue unfound;
expectation - access
to suffering;  
disinterested love
present,  
desultory carnage
of rescission,   
absurdity personified;
euphemism
of adieu,
the sound of no sound.

The discarded image
finds no favor,
the salt lost it's savor
unquenched thirst;
desire of
diminished purview,
the saporus stream
deferred;
vision eclipsed;
saturated self
hidden in the text.

Poverty asks the
question,
absence summons
ethereal substance
merged into
the immanent frame;
integrating,
in solitude signifying,
mediating - logos
contested
the humiliation of
the word.

Lyrical enigma,
where did I go?
provisional
personality
scorned,
renouncing nostrums
of the prosaic,
surrenders to the
the realm interior
sovereignty
assumed in
provenience,
native
horizon of the next.

©2008 & 2011 W.S. Warner
Dominique U Apr 2014
I seek for things unknown...
I seek for the uncertain
I seek for the inanimate
It's a continuous gnawing hunger - of finding, discovering...
Traversing a world untraveled.
Unknown and hidden
Secret in my head

I do not search for utter understanding
I do not search for the right answer to life's greatest question
I do not search for comfort in knowing

The unknown is magnificent
The mysteries of life, left unfound, left to be sought...
But not to be found...
But to get lost in it

I seek to lose myself to life...
Not the crude life of just wasting away my freedom...
I seek to lose my life for something so much greater than myself
My soul yearns to get lost in the wilderness of the unknown
Seán Mac Falls Aug 2013
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
From pent-up aching rivers,
From that of myself without which I were nothing,
From what I am determin’d to make illustrious, even if I stand sole
   among men,
From my own voice resonant, singing the phallus,
Singing the song of procreation,
Singing the need of superb children and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each the body correlative attracting!
O for you whoever you are your correlative body! O it, more than all
   else, you delighting!)
From the hungry gnaw that eats me night and day,
From native moments, from bashful pains, singing them,
Seeking something yet unfound though I have diligently sought it
   many a long year,
Singing the true song of the soul fitful at random,
Renascent with grossest Nature or among animals,
Of that, of them and what goes with them my poems informing,
Of the smell of apples and lemons, of the pairing of birds,
Of the wet of woods, of the lapping of waves,
Of the mad pushes of waves upon the land, I them chanting,
The overture lightly sounding, the strain anticipating,
The welcome nearness, the sight of the perfect body,
The swimmer swimming naked in the bath, or motionless on his back
   lying and floating,
The female form approaching, I pensive, love-flesh tremulous aching,
The divine list for myself or you or for any one making,
The face, the limbs, the index from head to foot, and what it
   arouses,
The mystic deliria, the madness amorous, the utter abandonment,
(Hark close and still what I now whisper to you,
I love you, O you entirely possess me,
O that you and I escape from the rest and go utterly off, free and
   lawless,
Two hawks in the air, two fishes swimming in the sea not more
   lawless than we;)
The furious storm through me careering, I passionately trembling.
The oath of the inseparableness of two together, of the woman that
   loves me and whom I love more than my life, that oath swearing,
(O I willingly stake all for you,
O let me be lost if it must be so!
O you and I! what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other and exhaust
   each other if it must be so;)
From the master, the pilot I yield the vessel to,
The general commanding me, commanding all, from him permission
   taking,
From time the programme hastening, (I have loiter’d too long as it
   is,)
From ***, from the warp and from the woof,
From privacy, from frequent repinings alone,
From plenty of persons near and yet the right person not near,
From the soft sliding of hands over me and thrusting of fingers
   through my hair and beard,
From the long sustain’d kiss upon the mouth or *****,
From the close pressure that makes me or any man drunk, fainting
   with excess,
From what the divine husband knows, from the work of fatherhood,
From exultation, victory and relief, from the bedfellow’s embrace in
   the night,
From the act-poems of eyes, hands, hips and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side the pliant coverlet off-throwing,
From the one so unwilling to have me leave, and me just as unwilling
   to leave,
(Yet a moment O tender waiter, and I return,)
From the hour of shining stars and dropping dews,
From the night a moment I emerging flitting out,
Celebrate you act divine and you children prepared for,
And you stalwart *****.
Krysta May 2018
When you want to speak, but cant find the words
When you can feel them in your mouth,  but can’t spit them out
You can see them just as much as you can’t
It’s all right there but completely gone
Can you feel the ghost on your tongue
Simultaneously in the palm of your hand, and just out of reach.
Close your eyes, can you see it more clearly
Can you open yourself and just let it come in
Or do you need to double down and search
Can you realize you're lost without knowing you’re unfound
Weigh down forever like a shadow that laughs at light, unafraid
Open your eyes and unclench your jaw

How can  you see without looking?
How can you answer what hasn't been asked?
When you know how you feel but can't quite articulate it
Nat Lipstadt Dec 2013
The solitary reminder,
a sole survivor,
hopeful-placed,
forgivingly encased
in little boxes decorative
hidden in plain sight
throughout our home.

Single and incomplete,
the lonesome leftovers,
openly hid upon bookshelf,
desk corners, fireplace mantels,
storage units of the
I am unlost,
I am unfound,

Raise your hand,
stand up and say
that is me,
that is me.

Minor treasure chests,
of carved wood, seashell real,
acquisitions of trips
to faraway places,
these boxes, they themselves,
visible but unremembered,
just there, no cares,
no one knows,
when or why.

that is me,
is that me?

Space fillers, memory taunts,
grandchildren's playthings, delight,
when they someday come visit,
weather and parents permitting,
finding keys for locks, doors,
from three homes ago.

Can they unlock me too?

Boxes hoard the things
we have lost, but cannot discard,
can't sacrifice, gotta keep,
an admixture of buttons,
dried flowers, faded notes that
once upon a time mattered,
shook someone's world...

Some kept in hope,
others, sequestered, lock-up,
jails that we are both
jailor and jailed,
the joke being on me.

Should we, you and I,
exchange these
cases histories of lost hopes, memories,
it would not be surprising,
if when opened,
the contents identical,
even if you are in Manila,
Leeds, places of need,
and yet,
we would be shocked,
asking,

*that is me,
is that me?
If you like this, and as of yet not read
http://hellopoetry.com/poem/always-fall-in-love-with-a-poet/
take a minute, for it the best of me, perhaps,
the best of you too...
Seán Mac Falls Jan 2014
.
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
Anto MacRuairidh Aug 2015
I once had
a gold divining rod
It led me to the source
of love
~ It led me to you ~
but it got bent
much too easily

~ the shine was lost

the gold was
naught but glitter
covering a petrified twig

which just snapped...
love is not all its seems
Elizabeth Feb 2013
The lost princess wanders,
gracefully wishing she could get back home.
But home is a place that has no borders,
she does not know where home is now.

The weight of reality pushes down on her,
the real life and the real world.
She cares for none of it,
prefers fairy dust and magic.

She will forever be six years old,
staying up past her bedtime to read about magic.
Being one thing forever, she thinks,
is far too taxing.

She asks, Why can't I dance with the fairies,
tiptoe through the looking-glass,
and to the land of always-winter.
I am all that I am not, and there is beauty in brokenness.

She has all but forgotten what that felt like,
those old days in glowing sunsets.
But once in a while her heart hums at forgotten magic,
and she remembers life through a kaleidoscope lens.

One day maybe she will fit in here,
but until that time she waits.
Hoping for a glimpse of what she used to want,
of all she used to hope for to come true.
Emma A Dec 2015
I uncovered every stone and retraced every step trying to find where we went wrong.
But in the end, I just got lost.
ryn Jul 2014
This feeling I have that drags my spirit
And I indulge in its lowly zest out of habit
My feet they move in a trudge like manner
Shoulders hunched inwards non receptive to splendour.

How heavy it is in my heart I weep
For a life been dealt in a single, swift sweep
Cards that has been dealt from aeons past
Oaths recited loudly so that they would last.

Amidst the crowd of mask-faced happiness
Unconvinced, I slipped past unfound lest I be careless.
Discomforted in what on this path may lie
Discontented as such that my heart whines a cry.

Rigidity of routine when sensibility took over
Bruised bad and battered well my heart tumbled after
It felt like it's the end of my dream laden days
Reality sinks in, picks on my heart and there it stays.

I don't want to leave my coveted dreamscape
I don't want to destroy my only means of escape
On the ***** of fantasy, forever I want to stay
But it's crumbling away alarmingly like sun beaten clay.

I deceive my heart into thinking that there's still hope
Truth is I may have come to the end of the rope
Heart wants to hear a faint whisper of reassurance
Mind chides heart, it judgingly delivers it's sentence.

My cries cannot be heard, a wail of futile pleas
Banging on locked doors for which I don't have the keys
So weak this spirit for it has thus been broken
Morsel by morsel, this hapless soul is being eaten.

This burden I'm carrying seem never to have lightened
It is the dark of this period I wish to have brightened
Someone, anyone help...please show me a way
In this god forsaken pit I do not wish to stay.

However there exists yet a slim little chance
Key to courage is somewhere if I could afford a glance
Chances are that I may never even find it
I'll be trapped in a hole in which I can never truly fit.
onlylovepoetry Jun 2023
I often cry when writing my love poems


this secret, yet-not-so-secret, for the words become
blurry birthed by the amniotic fluid of encasing tears,
and when I write, wearing my emotions on my sleeves,
for wiping my cheeks, nose leaking, because I write of
sorrow supreme, that has no solution, pain repetition-dulled,
yet, provoking each time for the words bubble up, of-course,
it is love, in its thousands of reincarnations, coming to haunt,
the lost, the unfound, thinking of
my parents,
my children,
my lovers,
come, gone and
those who stay…


I bemuse myself thinking, each tear a lost poem, removed
by sleeve or tissue, wiped away, lost, irretrievable forever…
but these yellowed memories forever and ever refreshed
by sea spray and wind, my face absorbs their unique nutrients,
and love and pain rebirthed as if it was the happenstance of
today, and the poem water tank just goes on and on being refilled…
ryn May 2017
lush cornucopia of greens
and overlapping canopies.
rays filtered through
somewhat a broken lens.

an arbour found
which carelessly took root.
calling out,
inviting,
offering sanctuary
from the shrill calls
of the turbulent outside.

a harbour
to which my heart
had taken to.
and had intended to stay.

but such is the nature
of man.

     no other man's peace
          can be left unruffled.
     no other man's cocoon
          can be left unravelled.
     no other man's haven
          can be left uninvaded.
     and no other man's trove
          can be left unraided.


like before I'll have to go.
and just like man's exploratory nature,
I leave seeking another
unfound recluse.
inadvertently,
paving the way for more to come.
what got in me?
in every thousand of seconds I walk
My eyes follow the back
taken by the moments
Everything seems good
My eyes keep in lamentation
judging which one is better

kind and bouncing very innocent
am sure eyes subscribed to the behinds
they really terrorised my mind
A better half I have
I seem though looking for another
The search I have never found
Because I don't know what it is!
Ujwala Iyengar Feb 2015
His kisses were long and soft.
They were softer than the carnations he got her everyday.

But Alas ! Those kisses were false and those carnations were imaginary.
She looked at the watch as she tallied the last account for the day.

His existence was unknown and their love was unfound. She removed his picture which she had lovingly pinned on the wall.

Heavens cry and clouds sing,
She got the prince but she lost the ring.

They never found his dead body.
She still remembers how he chose the carnations for their wedding reception.
Savio Mar 2013
Crows of brooklyn
payphone goddess
Shakespeare:
old skinny
repeating thin silver words
beneath a sea shell
stolen by a 7 year old girl
in a red rag dress
from the burning contemporary
bookstore
tossing sweat thru
irrelevant back spine tunnel streets
featherless skulls
spitting sour chinese gin
from chimney blow hole
of their decaying dead thieving Fox
revolting death
to mother blessing decay
red blue green white
Fox yellow brown fur
swirling entwined like
melting crayons
on a stone militia crafted bench
researched developed by young Hispanic America Freedom wanderers
too hot
too cold to undress and ****
swirling together like cigar french ashes with
tongue hued wine
feverish coffee
thick as the bulging pregnant belly mother
giving
taking birth to a child
tossed carelessly into the Great Lakes
sipping on bad spoiled milk
digesting salt
hard boiled swan eggs
eating purity
chewing skunk
coughing industrial chemical gasoline
******* AIDS NYC bright non-existent lights
non-existent Allah
howling North Korea Communist war hymns
sing great religious protest
gunky toe nail'd feet
waltzing in the stomach of medieval
ballrooms chandelier not casted by
infinite diamonds
but by Jewish slaves
Islamic skins
Christian leather
Catholic molested brains children bones
deceased Langston Hughes
hung by Hughes spine and pupil
the size of texas
mass of the ****** female lips and knees
wearing color blind dress
shoes unfound
skin feet walking on rain drizzling beach
washed up skeleton sting ray
the skin unwrapped
like a christmas gift
Santa is starvation
licking the shoe polished long toes
of Death
riding the Downtown artificial lights
artificial scientist crafted classical
elevator time consuming Death songs

Jesus,
waking up,
to his body dry,
like that of Winter's rose and lips.
Seán Mac Falls Aug 2014
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
Brady D Friedkin Nov 2015
There lies a desert void of life
There lies a desert void of water and void of food
There lies a desert void of all good things
In this desert lies death
In this desert lies air more dry than dead bones
And in this desert lies pain more than can be imagined

For I wander throughout said desert
Seemingly with my lonesome
With no one to turn
And with nowhere to go
So I sit on a rock and wait
Then a promise of water comes to me from Above

But when the driest of days come over the horizon
And the hottest of times comes to my face
I almost give up, leaving the promise
And then I feel like I have moved on from that promise
But I cannot leave what came from Above
Oh me of little faith!

So I wander seemingly alone in this desert
For days upon days, weeks upon weeks
For months upon months, even years upon years
Longing for even a drop of water to satisfy my thirsty soul
But here in the dry desert the water is unfound
For all of the water has evaporated into the dry desert air

But on the horizon I see what I’ve longed for
I see what looks to be a spring
Bringing water to the dry desert ground
To satisfy the thirst of this dead dry country
And as I approach this great gorge of water
I am killed with the realization that no water lies here

For I have been tricked
By the images in my head
And the physical needs of my body
I have been deceived
The green and lush never truly existed in this dead dry desert
Only this mysterious mirage in my misunderstood mind

So still I search across these dry dead lands
For the water that might bring life back to my tired soul
But time and time again
The mirages ****** my hope for satisfaction
But soon enough I know I will find the promise
And reach the flowing waters to satisfy my soul

One day, I find myself a well
A well that may be full of water
Water that may wet my thirsty tongue
But when I look into that deep well
I see a crack in its basic foundation
And no clean water lies in this broken cistern

So I drop my bucket into that deep broken well
Hoping for a mere drink of water
But in the bucket comes muddied, dirtied water  
And when I pour that water into my thirsty mouth
My thirst is not satisfied, it is only magnified
And I am more thirsty than I have been ever before

So I take another drink
But this broken cistern holds water that cannot satisfy
Water that may merely increase my thirst
That will only bring forth the day of my death
For my mouth is as dry as this desert sand
And I will die here in this dry desert of death

I am like dead dry bones in the valley of death
With no flesh or breath to give me life
But then when I find the water that gives life
Flesh will come about my bones
And He will breathe breath into my lungs
Then for the first time, I will have true life

I wander on never finding the water I require
But then I stand and look heavenward
And I hear my weary voice cry out “My bones are dried up!
All hope is lost, and I am cut off!”
So I stand in the dry dying desert
Alone with nothing and no one to hope in

Then His glorious voice responds; “I will raise you from your graves
I will put My Spirit in you, for I am the Lord your God
I am with you to the end of the ages
For My Son, your God reigns with me
And our Name is Immanuel
For I am with you."

And I fall to my knees
For there lies a cistern unbroken
I look deep into this well and see a promise unforsaken
For the well is filled with sweet satisfying water
And I drink never to thirst again
For He is the Living Water, and I am satisfied in Him
Theology Narration Deep
Maple Mathers Feb 2016
When I was six, my grandmother enrolled me in ballet class.

     This choice was the first of many attempts to negate my tomboyish nature. Perhaps, she’d hoped that instead of collecting insects and cutting apart Barbie dolls, the pirouettes and glitzy attire might spin me. I was spun, eventually, but that had nothing to do with dance.

     Blame it on my peers; blame it on the tutus. Truth be told, my time was generally spent out of sight; but I got my kicks sneaking a reptiles home, playing with dinosaurs - never dolls, or - of course - taming earwigs. Alone.

     I don’t remember the classes, or the other little girls. In fact, the sole (no pun intended) impression left behind by those dance classes was why they'd end.
It was to be my first recital. The whole class had been coaxed into flashy leotards and uncomfortable tights. We’d been instructed to skip in a single file line onto the stage, which catalyzed my predicament, as I hadn’t a clue about the routine.

     As the girl preceding me danced into view, I floundered in terror – my turn had arrived. I fumbled along in her wake, passing the curtain and reaching the stage.

     The stage!

     An arena of ruthless lights, unveiling my anonymity. I faltered in terror, registering the audience registering me. How vast the auditorium looked against my tiny body! Betrayed by those blinding stage lights, I cowered at the mercy of the whole world.

     The instructor, a faceless female, was showing whose boss as girls began skipping around me.

    And yet, there I stood. Petrified that moving forward negated any hope of escape. My proximity to the curtain merited two options... the bright side of the curtains, which would soon claim everyone else in the vicinity, or the dark. I engaged in a mental game of Tug-a-war that lasted all of about half a second.

     The dark curtains won.

     So, dodging around the obnoxious ballerinas, I descended back into safety. It mattered not where I went, as long as I put distance between myself and the audience. Distance between myself, and detection.

     At some point, I discovered a backstage crevice, in which darkness sheathed me. For, even at five, I understood dark and safety to be synonyms.

     So, I crawled inside, and I hid.

     I don’t remember who went seeking. Nor, do I know who found me. Nobody is a possibility; it was an “Ollie, Ollie, Oxen Free” forfeit, perhaps. A rule that defeats the point of its own game. For at six, I was young enough to obey that “come out, come out, wherever you are” nonsense. But, such rules were dropkicked long ago.

     For, your existence – dear hide-and-seek – all but defines me. This game, that darkness, possesses my psyche.

     Some days, I ponder the uncertainty of memories. Vexed, for where memory dies, illusions are born. Illusions romanticizing reality – a reality in which I never came out, lost and unfound, a reality in which I’ll never come out, out, wherever I am. Hidden beneath the darkness.

     For, in truth, I have been hiding ever since.
(All poems original Copyright of Eva Denali Will © 2015, 2016)

Excerpt from my novel, Pretense.
These charcoal dark shadows hang beneath eyes of carbon blue.
Carrying the memories of sinister scenes, washed clean, but stained with the salt of regret.
Shame.
Mortification.
The sorrows of living within the frame of some unseen stranger's lack of obligation- irreverent and unattending to the consequences of unrestrained pleasure.
In the background, the slick black vapor slides back into illusion's nest, unfound. Within this restless cradle, ever-raging, silent battles fought.
That daily dose which nearly burned and boiled and blotted them out.
Never triumphant.
A pawn in a profiteer's pyramid scheme.
A beast in bloom, bound to eternal flowering.
Poverty empowering the privileged hand. Our death, stretched far and wide still tortures and taunts and tears us from peace- day after day, week after week, and year after year.
Trapped in a cage whose bars are not there. Whose locks have no key.
We scream and cry til out voices break and our tonsils bleed, but no one on the other side can hear.
We play our part for family and friends but deep down inside we know how this ends. We pretend to go on, but we know we are dead.
We are victims of big pharma and our ribbon is red.
Christos Rigakos May 2012
It's ten degrees under the morning sun,
imagine coldness buried underground
where all he lays in is a suit undone,
in darkness where, to roving eyes unfound,
he could not grumble even though he would,
and ask to those who love him up above,
a blanket or a hug if but we could,
to warm the heart that always shined with love.


(C)2009, Christos Rigakos
warm and pretty, rose red, beauty flowing through your head
cold and ugly, violet blue, flowing thoughts I have of you.
silk and fragile, pearly white, suit that grasps your body tight,
rough and brittle, deathly black, heart that loves and dies and cracks.
long cascading, godly gold, laces Aphrodite molds,
short and haunting, monstrous green, envy thieves my dignity.
deep and endless, drowning blue, they glance at me, my stare ensues,
shallow empty, ***** brown, suit that hides a soul unfound.
And what is Life? An hour-glass on the run,
A mist retreating from the morning sun,
A busy, bustling, still-repeated dream.
Its length? A minute’s pause, a moment’s thought.
And Happiness? A bubble on the stream,
That in the act of seizing shrinks to nought.

And what is Hope? The puffing gale of morn,
That of its charms divests the dewy lawn,
And robs each flow’ret of its gem—and dies;
A cobweb, hiding disappointment’s thorn,
Which stings more keenly through the thin disguise.

And what is Death? Is still the cause unfound?
That dark mysterious name of horrid sound?
A long and lingering sleep the weary crave.
And Peace? Where can its happiness abound?
Nowhere at all, save heaven and the grave.

Then what is Life? When stripped of its disguise,
A thing to be desired it cannot be;
Since everything that meets our foolish eyes
Gives proof sufficient of its vanity.
’Tis but a trial all must undergo,
To teach unthankful mortals how to prize
That happiness vain man’s denied to know,
Until he’s called to claim it in the skies.
Sarahi Nov 2015
I'm so frustrated at myself
you have no clue what you're doing

No creativity, no soul, no truth
Just going through the motions

I thought guys were the problem
no the problem is myself

I was so happy but what happened
I feel hurt, broken, annoyed

My future is so cloudy.
My present is so manipulated

Ignoring my problems through music
Where's the crafty girl I know

I'm frustrated and angry
Bruises on my head

I'm acing my classes but I'm so fake.
I'm faster but not stronger.

Where is the girl I know
****
Chimera melons Mar 2010
Finite Fjords ferried then forgotten
junctures Masking mashups
disunion unfound by everyone
slackface mouth agape
tongue in cheek spittle drips
words trapdoored out
vocal vacuum chords
strum silence

heretical heresay
the headlight sped north
Abortion of caged comfort
Abort wars, birth best
invent intentional acts
WILLED UNDEVILED DEEDS
BLEED BREED PLEAD
SERENITY WITHOUT ANY GRANDIOUSITY
this poem belongs to my alter ego who hijacks my body from time to time
Dolly Partings Dec 2013
I could drown myself in cups of coffee, in nicotine, old books, and whiskey.
But that won't make me crave you any less.
I could immerse myself in the deepest of enthralling literature, poems, a sea of colloquy,
Waves, strangling the current of my mind.
But you'd still be the resonant word.
I could listen to the sweetest of voices on repeat, golden like honey, sticky,
But my ears would only ever truly answer to yours.
Serpents tend to bite their own tails, a mythological and alchemic symbol of the cyclic nature of the universe: creation out of destruction.
But I'm not breaking my heart, loving you.
Swollen, yearning, daydreamed astray, gathered fast by night.
Curiosity deniable no more, innocence lost, hands wandered exploratory below.
Clambering desperate over themselves, those hands fell over folds of warmed flesh, over forgotten nooks and unfound crevasses, over trembling thighs and aching calves.
Astounded by the vast array of fresh delicacies, of unencountered sensations and deepest pleasures, she stood by loyal as those hands swiftly accustomed themselves to pursuing true ecstasy.
What divine rapture. What soaring heights of pleasure to ascend to. And what a delicious revelation to encounter such unimaginable ecstasy.
That twelfth year become a fourteenth, a fifteenth, a sixteenth.
And with the passing of each came a series of ever more adventurous trysts, the sorts of which Cousteau, Armstrong, and even Columbus could all be truly proud of.
Depths sounded, crevasses plundered, self’s nectars tasted and devoured, the pleasures of the flesh went unearthed.
Elaborate constructions lovingly shaped, waxed and honed, years of heady experimentation, trial and errors, fantasy and dreaming, all in the pursuit of even harder, better, faster, stronger *******. Perhaps it was that, or was it more a case of welcomed companionship? Ambidextrous frustration? A carnal appetite, most terrifying in its magnitude?

Isn’t it time then, you tried a little tenderness?
Be good to you.
Wordsmith Jul 2018
I look out in wonder as my story unfolds
However I try, I fit no mold

I try to conform, only to witness a storm
So great a weight, on so small a form

I keep true to self and let belief ensue
For why should conformities dull my hue

The questions afloat, the answers unfound
They say when one is lost, one is found

— The End —