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Marco Avre Sep 2013
I say:

I want you as a cloud is wanted
Wanting to see it drizzle,
Wanting to get wet, then, let go
I want you with a desire I never had before,
grey, as the swirls of snow
that melt in your belly.

I want you, with half of my willing
With my consciousness in the air
and my feet on a burning plain,
with my eye-lid attached to the lily,
and my soul, made into a wave of broken glass
That undoes,
and does, undoes
and does...
undoes...

I want you like the sea foam is wanted
Wanting to imprison it in my fist,
a fist where storms slip, but it catches the howling
a fist that destroys everything
but can't own anything

I want you as the hurricane wants
to stir the nest on the back of your neck
where your secrets huddle

but in this tremulous current
I'm leaving the flesh, I'm leaving the blood
Not the heart
For I see how it sets on fire what it pleases
It undoes, and does
undoes and does
undoes...

You are water
You are salt
You are river
You are sea
You are chalk
White pond on the skin
solemn oath of love

But who are we trying to fool?
Who's gonna carry the dead on the hands?
Who's gonna bear a winter all year?
Who's gonna blink during the summer?
Maybe tomorrow, it's gonna be me
So, for today,
I'm gonna have to say no.

You say:
"What about next wednesday?"

Maybe next wednesday.
It has become clear, since the Great Recession began, that the American banking and the political, "systems," are 'one-and-the-same' entity. Neither works for the majority of Americans but both appear to be working quite well, historically-compared, in fact, for the richest or most advantaged people.

Life should model to become a, "heaven," on earth for all people not just those at the foremost of political benefit, wealth or talent. This current state of affair is not what Plato envisioned. It is not what the Founding Fathers intended. America should not be about exclusion and private benefit but the public as a whole and the individual inclusion; Every Man a King.

Not Kings among the men who serve them...even Jesus would be appalled.

No one wants to think they are taking something they do not deserve or someone is being forced to accept something they do not want yet it is clear by the recent election that the American people are fed-up and ready to start taking things away. Naturally since they own this nation not the Fortune 500.

At a point greed undoes itself.

Rather than reach that point, the ultimate point of violence, we should endeavor our creative consciousness to alleviate the concerns of the excluded masses as Congress has proven that government can fix major world-altering problems such as the worst financial crisis in modern history. They cannot agree on health care, minority rights or ****** behavior but when Wall Street came begging they had no issues in agreement.

So here we are with a solution for the smallest percentage of Americans that fixed part of the economy leaving the multitude behind with nothing. Sorry, they got something; half of all familial wealth created since the Federal Reserve Act has been wiped out for the bottom half of society.  

Half...

Our economy is a dud. Ironically our central bank along with England's now admit they failed Main Street and furthermore say they should no longer be involved in these kinds of decisions! Yes, Americans should eliminate all of their authority over the finance industry, central banking and monetary policy leaving it the hands of those beggars who ruined it for everyone but themselves and admitted they failed us all?

How about a simple act of Congress to amend the matter?

Declare that all publicly-traded corporations can no longer issue corporate bonds or stock for revenue if they do not offer consumers a prepayment option to their accounts with an interest bearing incentive. From now on all corporations with publicly-issued stock must accept any prepayment towards future consumer services liabilities and pay an annualized interest rate identical to the Fed prime rate.

What corporation would not want to borrow at the Fed prime rate?

When any company needs money for expansion they should have the option to pool money directly from the account holder's prepayment revenue as long as they credit those accounts on all prepayments regardless of usage at the Fed rate. If they do not pay interest they should not be allowed to access the funds until a current invoice for service is generated and due from the consumer. Consumers should be able to earn money by being good stewards and paying off future liabilities early, or if requested, the consumer should receive a check for all of their annualized interest at the end of each fiscal year.

Corporations now need you to finance their dreams and you can finance your own with real interest paid to you since most of these multinational corporations would be bankrupt and gone today had not your bank, The Federal Reserve, issued credit and capital to save them as they whined about the unfairness in the economy.

"Unfair?"

For whom?
Watch out for power,
for its avalanche can bury you,
snow, snow, snow, smothering your mountain.

Watch out for hate,
it can open its mouth and you'll fling yourself out
to eat off your leg, an instant *****.

Watch out for friends,
because when you betray them,
as you will,
they will bury their heads in the toilet
and flush themselves away.

Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth.

Watch out for games, the actor's part,
the speech planned, known, given,
for they will give you away
and you will stand like a naked little boy,
******* on your own child-bed.

Watch out for love
(unless it is true,
and every part of you says yes including the toes),
it will wrap you up like a mummy,
and your scream won't be heard
and none of your running will end.

Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief.

Special person,
if I were you I'd pay no attention
to admonitions from me,
made somewhat out of your words
and somewhat out of mine.
A collaboration.
I do not believe a word I have said,
except some, except I think of you like a young tree
with pasted-on leaves and know you'll root
and the real green thing will come.

Let go. Let go.
Oh special person,
possible leaves,
this typewriter likes you on the way to them,
but wants to break crystal glasses
in celebration,
for you,
when the dark crust is thrown off
and you float all around
like a happened balloon.
As a darkness descends to these troubled lands,
carefully watching are those who feel a cold shrill,
hear with frozen aching,
breathing in the quickening frost...

Growing hoary slowly,
as the rime it seeds,
pressed blades of grass feel the man in need...
This is a toll that must be paid!

Her fleeting thoughts dance with the wind as she twirls about spinning into the winter’s descent...

Darkness falls and so doth she,
her thoughts in brightness, uncoupled glee,
her heart in love and mind carefree...

A sweeping, dashing, vision he shows,
In moon as deep earth,
her sweet heart glows,

“Forget the quickly, approaching fee!”

“Dear Night, oh Darkness; spare this man!”

“I see you, -hear me for I plead too, I’m watching from your ice-gripped troubled land!”

“Take me instead; I’ll pay his cost or your dark soul is truly lost!”

“I twirl with woe, I dance thus so, -wanton abandon…
the shivering cold and this ice I stand in,
Your chill, the frost, the illness and the terrible cost,
...our crops and all our people lost,
and still I shall ignore your hand!"


THEN HE DIES!

“No, your reparations I thus will pay!
Leave us now, unburden this land, your frory wind is not his plan,
God does love us, -he’ll stay your hand!”


“Some sign, an answer, please, oh please!
On frosted grass I press my knees,
will you not hear my lovelorn cries?
Why must you take him, why must he die?
I cannot stand so idly by!”


“How can you torment such good men, our town, our lands, tis ours, our home this place you’re in?"

Frigid heart of icy Dragon,
feels not nothing, mourns no loss,
bears down harder with his frost
and punishes them all for a sin...

“You beastly anger!”

“The cold hand of darkness in my eyes, my heart burns bright with moonlit scorn!”

A trumpet sounds when lightning strikes,
and thunder heard, it splits the night!

“A toll too great I shall not mourn,
Soulless winter’s passing bound,
in frosted days of chilling found,
You maketh tender hearts thus lost.
Your winter brings her frozen frost,
You tear and break frozen land asunder,
destroy our love our hearts you plunder!
Be gone such evil, lest love soon die, my heart he holds, my soul and sky!”


“Your freezing laughter has distended me…”


Storm God

“Clouds of fury, thunders might, upon that moon, clouds cover her light!"

"Sweeping winds, wisps of ice and snowy swirls opaque the night, freeze that man, take his life!”

“Break, then shatter with my cold spells of ice, he, then she, with no respite; I shall forever control the night!"

“Tell tale of love to me in playful fancy?”

“The darkness I bring; cower as your lives in fright, no man shall evade my thunderous might!”

“Sway me not oh fairy dancer from my cold winter in your bones shall arise a chilling cancer!”

“Destroy I must and hear you not, your land in peril with a wind I roar, cry you will in pain and so much more!”

“I am this world’s white awful sore!”

“Beg you shall, whimpering dearly, for darkness cometh so swift, severely!”

“Feel it, hear it, a painful sound my thunder shatters the peace with world renown!”

“As once, as was, forever more and now I smite so deafening score, I deliver you both to death’s door!”

“There is no heart within this storm; there shall be no heart in earth forevermore!”

“Love you say”

“…as if I know?”


“BE GONE NOW CURSED MOONLIT GLOW!”

“No life, no love, no NOT nothing, no, from nothingness I come and to nothingness you go!”

“Thus an answer to your pathetic dancing, your spinning motions, your frivolous prancing,"

“A stronger wind, a tor-na-do, witness the awful power I sow,”

“...my heartless mind to which you sing, out dance that you spineless twinning!”

“Die!”

“Yes, -die!”

“With his dead heart I’ll crush your soul for yours IS my quest to break!”

“Time is such a fleeting flower and Lo, I come with all my power, your time has come this is the hour!”

“I hate your love; die for me, your bond is cur-sed I decree!”

“My children are the Nephilim, their snowy crystals I turn to rain and freeze it quickly about your ankles for you as he, shall not escape, nothing, no one shall escape, all the creatures shall die this time for I am the maker of the flood, I am the abyss, the king of wisdom, the tree of knowledge, the one of action, crowned master of the earthen plane, the king of gods and king of kings and origin of all things, if God there is then he is I and what I create I shall make die! Know this mere mortal, the name of betwixting thing you learn…”

“I am that old God known as *Sah-turn!”

“My toll do I demand from thou!”

“My toll I ask, I DEMAND IT NOW!”



Sobbing sadness as she prostrates her hands to ice, her ankles bound and crying is the only sound...

The ego of the deity is in question, she searches for another way, a path of inquiry to make him stay, for the horrible fate wrought this day and lands of beauty coldly buried away...

For what could change the mind of darkness?

“Master, I see the wheels have ground to a halt and you’ve descended from the heaven’s vault but how can such lowly animals and nature be at fault, for is it not the goblins of the saw that should be punished, that should be sought?”

“Those who chop away at your great tree are the ones who smile with uncoupled glee for they smite your creation and tear it down and care not for your might, your world renown!”

“All nature is but your possession, oh timeless infinity I do not question, your purpose or need but I do ask, nay beg of thee, allow my love to thus be free, let us hold each other if we die, see my supplication, hear my cry!”


“If let go we will with all haste and prudence, your wrath is great and our presence a nuisance, away from this troubled land you’ve made, the frozen tundra of the grave, a night wrapped by your terrible song in this evil place we do not belong,”


"...please let us run!"


“You have cloaked the beauty of the moon,  covered her sky, I beseech you master hear my cry above the thunders of your sky, wrestle free my love from grip, let us pass, let us slip, let us go this night, oh great black wheel and great north wind and wolf and beast and Dragon from the faraway east and master of the air and seas and Lord of all as your voice decrees, I beg here on my dying knees,”


“The toll you demand is a life for a life, save him, put me under the frosty knife!”


Rumble, rumbling pondered thoughts, the wind is ceased and snow dies down and ground gets soft as air warms up and moonlight shines as clouds dissipate while the god of night decides their fate...

Her sobbing subsides as the ice and snow become water and seep into the earth, her dress soaking and hands covered in mud she addresses this king of kings once more. She stands and fills her lungs with warmth and begins to dance a dance of thanks to him who is hidden but a chilly wind shows that it is still forbidden. Her love watches from yonder far hill as she holds back her dance and stands so still, calling out to the color of night, stern her voice has no sign of fright...

“Punish the land and make your mark for that will teach us to give offerings to the dark,”

“Give rage unto that which hath no heart, pummel the earth and sink the ark.”

“Oh he is such a jewel to me, I’ll dance no more, I’ll show no glee, and no happiness to smite your sea in your great debt I thus will be!”

“Call your hordes, all four to thee, let them of wisdom punish me, my dancing finished great Gyges, your ring of darkness; oh wine-dark seas!”

“The four are eager for the flight to crack the seals and split the night, and show the signs, enact the plan, and run dark in blood this troubled land.”

“You see my master? We know your tales and tell our children the wonder and the mystery of our ark that floats upon your sea and all the things we know you make for we teach our children of them for heaven’s sake!”

“As natures hand you make the call, Oh Famine! Oh Pestilence! Oh Plague! Oh Death, -bring them all!”

“Come now in darkness for your master calls, his voice too loud as to be vague…”

“Run we shall, away, away…”

“Your great power, oh great one, the shatterer, thunderer, the bringer of the nightly fall, watch your subjects cringe and crawl, and supplicate on hands and knees with praise upon your mighty awe.”

“Why not bring them? Bring them all?”

“Enforce your toll, make your presence known, reap the seeds of what you’ve sown, our lives have always been yours to own, for you are great upon this land, your fury descends with mighty hand, now and forever shall it be known, no man can seat above your throne!”

“The trees thus stripped of their leaves and these hands are whipped upon our grieves,”

“Save my love from those stinging leaves from wintery chill and icy snows, hand of darkness, north wind that blows,”

“Lightning strikes and deadly throes,”

“In mercy your true power shows,”

“For you are the master, king of night, maker of fear, of horrible fright, the Ouroboros, the clouds your wings, the heaven’s motions, order of all things, the one who rings the magnificent treasure, the source of all our earthly pleasure, one to which we all do pray, -alas Ethiopia, dawn a new day!”

“The moon descends as does your power tis dawn you fool, that is the hour!”

“You can keep your anger and unpaid toll we’ll keep our love, our lives and my gentle soul.”

Storm God

“YOU DARE! YOU DO! YOU MOCK ME STILL?”

“Here comes my weathering, wintry, malicious chill!”

“Child die as your suitor must, this night, this storm, this hour unto my lightning ******! Rain, hail, fury thehowling winds of wolven glory and end I put to this sorrow’s story, down the trees, wash away the lands, rip apart the heavens know my hand!”

“…and what is this nocturnal noise?”

“In my storm are birds chirping? Is that daylight on horizon now? Nature cannot desert me, no, not now!”

“The daybreak shines, undoes my vow, ceases my storm and scatters my clouds; know this mortal is not the end for I shall come back again!Your words and pleas will not save you then, this trickery I shall not forget, your souls I’m coming back to get and when I do you’ll grovel in fear for you’ll know the moment of death is near!”

“On that night you’ll pay my toll, I SHALL NOT REST WITHOUT YOUR SOUL!”
A tribute to my favorite poet. Edgar Allen Poe.
V.B. Wigglesworth wakes at noon,
Washes, shaves and very soon
Is at the lab; he reads his mail,
Swings a tadpole by the tail,
Undoes his coat, removes his hat,

Dips a spider in a vat
Of alkaline, phones the press,
Tells them he is F.R.S.,
Subdivides six protocells,
Kills a rat by ringing bells,

Writes a treatise, edits two
Symposia on "Will man do?,"
Gives a lecture, audits three,
Has the ***** club in for tea,
Pensions off an ageing spore,

Cracks a test tube, takes some pure
Science and applies it, finds,
His hat, adjusts it, pulls the blinds,
Instructs the jellyfish to spawn,
And, by one o'clock, is gone.
In the lazy
late afternoon light
when everything seems dreamlike
she comes to me.
Smiling coyly she undoes a clasp,
her robe slips off the shoulder.
I watch the fabric water like
flow over her body.
Hanging on her *******;
heavy with the ripeness of youth,
it pauses
then slips over her ***** brown *******...
One bouncing, then the other.
Following her curves,
past the hollow of her navel...
exposing her crowning glory,
her woman's furry triangle
so warm and moist and welcoming.
Like an admiring hand,
the falling cloth
traces the wonderful curve of her ***,
and down her long, smooth legs
to pool languidly at her feet.
She undoes her dark hair
shakes her head and lets it fall.
In all her glory she stands before me
eyeing me hungrily...
No seducer but prey am I.
This is my take on Ovid's Amores 1.5
Raj Arumugam Mar 2012
1
He'd love her
and then the coldness
of marriage took love
away from him
and the coldness turned into suspicion
and then into an obsession:
and she was an inconvenience

he murdered her a Friday
night
suffocated her with her pillows
it was easy;
like Othello did
but she was no Desdemona;
and he heard her whisper with her last breath:
"I'll have your eyes"
he cut her up in manageable parts,
and buried her below the floorboards
in the study

2
It is a year later
and he is at the computer
and far below lies parts of his wife
but now his wife is smiling
she's on screen
smiling like a Greek Goddess
and he sits transfixed
and she says:
"You are Oedipus, darling -
I will have your eyes"

She is smiling
He is willing
Beside the printer are paperclips
He undoes two
She beckons; she smiles
and she whispers
that same deathbed whisper:
"I'll have your eyes"
And he is Oedipus
Just paperclips will do
He gouges one eye out
And he gouges the other too
It is easy


She lies deep below
below the floorboards;
She need whisper no longer
And he is become Oedipus,
eyes gouged,
blind like the Greek Homer
Martin Narrod Oct 2015
Alice is alive and breathing in the resin gilded air. Inside the dream canopy. Fresh ears crafting **** melodies, ripe and crimsony.

Sound will not be my weapon. Mathematics will not be my disclaimer. Open me into the politics of your bathroom monologue, until the numbness of this methodical dialtone unravels the second heart and your tongue wraps the minutes on the bridge of your heaving vowels.

Class undoes no misery. Desperate limited eyes grabbing for other desperate imitating eyes. Sand undoes the fingertips, soldering one insanity to the next.
I wish sometimes I was a man of music.
I see the right side of a tune sometimes and my body seems to feel rythm. My hands and fingers slide over imaginary guitar strings and invisible ivory keys.

My ears vacuum up the sounds of beautiful music, from instruments to midnight breezes.
From simple words to metaphors and phrases.

It seems sometimes my inspiration comes from places that ears perceive as open spaces.
My heart beats to stake it's claim, to find its rythm in a vast world of sounds. A world intricately detailed and expressive. That not only whispers but shouts, that bursts out of the spheres and penetrates the cosmos with sound.

A world as grand and explosive as this, that overflows and spills onto us. Into us, even.

A world like this and my heart beats. To find a heart beating like it's own.
They seem to sound the same, but ears that know the difference can always hear it. whether loud or subtle.

I wish sometimes I was a man of music. Because poems can't seem to write the way my heart beats...
but it does help one to realize the difference, between "beats for" and "beats with."

My heart used to believe it was beating to find some tempo smooth as itself.
But it was beating in tune with someone else's tempo. it was beating with someone who hadn't been heard yet.

I wished I was a man of music, but to be honest, I feel poetry is the only way to properly say that sounds can become trapped. Like an image can be captured, sound is trapped in the wind, and whispered on to the world.

If my heart beats, it is flown on the wind.

If your heart beats, it is flown to the moon and back.

I heard your heart beating some long time ago. When we could hear those things. So my heart started beating in tune.
To find your heart, and let it fly me to the moon.

If I was a man of music, I'd have made a poem to sing to the wind. And it would have drawn you towards me.
But I'm a man of poetry, and all I recall of finding you and trying, was imagining a sound I heard in a dream.

Singing in a spotlight to a single beating heart in an empty auditorium. She stood there strumming upon rays of light, and humming vibrations to the tempo of her heart beat. Mine couldn't help but keep the momentum, but feel the rythm and accept her composure.

Now I hear the same, every time your hands touch me, and your lips whistle melodies into my mind. Things you say get stuck on replay like songs or broken records.

Things we do become sewn into vinyl, as the needle undoes our threads and leaves us naked.
Leaves us whisping through the air, and when the record turns off. You're stuck to me, stuck in my head like strands of smoke from a candle, tangled and gliding into each other.

In other words,
I was never looking for just anybody.
In other words,
I was looking for someone to fly me away, to a place where we already existed together.
In other words,

Not a day goes by that you haven't flown me to the moon.
"Poets often use many words to say a simple thing.
It takes thought and time and rhyme
to make a poem sing."
- Fly Me To The Moon by Nat King Cole
witchy woman Sep 2014
Face like the button on my shirt he undoes with his teeth.

Autumn shortly, middle of the week

Your voice a charming, warm day at the beach.

His eyes chocolate, melting treat-
yet cool to the core

I bet your sugar tastes so sweet.
Love the fall
Bryan Dahl Nov 2013
Tonight would not bridge
Two ordinary days.
Her idea would ignite
His imagination and mould
From the raw clay a vision
Through the churning heavens.
The ballet crafting their bodies
Scene through scene,
She whispers,
He listens,
They lay, as spoons often do.
A last glance over
The flowers and the candle,
Out the window through
The rain, wind, and thunder
Lighting their creation’s sight.

Chasing her through the forest,
She lets him, almost catch her.
Dancing themselves into vines
In a canopy hidden from the wind’s
Muffled thunder.
There, in their haven lush,
Ensnaring so deeply, too soon.
And away he turns himself to stone.
Twisting too tight around
The indifferent mountainous statue,
She snaps herself
And by the time he’s felt it,
Soft enough to turn and see-
See another statue’s backside,
Cold clay remolding into stone.
He stretches himself thin to reach,
Her sepulchral touch lays him out.
She sits, straddles, stares him down,
The lightning cracks behind her eyes,
Splitting her stone heart
Clean through flame,
Incinerating their quiet canopy,

Rising into the storm.
Chasing her through the fire,
She lets him, fan the flames.
Two dancers' violent rhythm
Raging with every touch, until
A tear, or two,
Undo the flames,
Dropping with the rain all in everything,
They fall, fall, fall
Flooding down the mountain
Rushing through the cracks
Left behind in the stone,
Flowing together a river
Through the trees, out to sea.
As two make one body their own,
The currents churning through.

A spiral sparks the children’s learning,
The whirlpool to the maelstrom
Surging their liquid body up
The column that would
This time reach the storm.
The lightning cracks behind their smiles-
Their love undoes gravity’s condensation.
Drifting,
Through the clouds,
Stars,
In each other’s arms,
The ballet crafting their bodies,

They lay, as spoons often do.
Laurent Nov 2015
Ainsi toujours poussés vers de nouveaux rivages,
Dans la nuit éternelle emportés sans retour,
Ne pourrons-nous jamais sur l'océan des âges
Jeter l'ancre un seul jour?

O lac! l'année à peine a fini sa carrière,
Et près des flots chéris qu'elle devait revoir
Regarde! je viens seul m'asseoir sur cette pierre
Où tu la vis s'asseoir!

Tu mugissais ainsi sous ces roches profondes;
Ainsi tu te brisais sur leurs flancs déchirés:
Ainsi le vent jetait l'écume de tes ondes
Sur ses pieds adorés.

Un soir, t'en souvient-il? nous voguions en silence;
On n'entendait au ****, sur l'onde et sous les cieux,
Que le bruit des rameurs qui frappaient en cadence
Tes flots harmonieux.

Tout à coup des accents inconnus à la terre
Du rivage charmé frappèrent les échos;
Le flot fut attentif, et la voix qui m'est chère
Laissa tomber ces mots:

"O temps, suspends ton vol! et vous, heures propices,
Suspendez votre cours!
Laissez-nous savourer les rapides délices
Des plus beaux de nos jours!

"Assez de malheureux ici-bas vous implorent:
Coulez, coulez pour eux;
Prenez avec leurs jours les soins qui les dévorent;
Oubliez les heureux."

Mais je demande en vain quelques moments encore,
Le temps m'échappe et fuit;
je dis à cette nuit: "Sois plus lente"; et l'aurore
Va dissiper la nuit.

Aimons donc, aimons donc! de l'heure fugitive,
Hâtons-nous, jouissons!
L'homme n'a point de port, le temps n'a point de rive;
Il coule, et nous passons!

Temps jaloux, se peut-il que ces moments d'ivresse,
Où l'amour à longs flots nous verse le bonheur,
S'envolent **** de nous de la même vitesse
Que les jours de malheur?

Hé quoi! n'en pourrons-nous fixer au moins la trace?
Quoi! passés pour jamais? quoi! tout entiers perdus?
Ce temps qui les donna, ce temps qui les efface,
Ne nous les rendra plus?

Éternité, néant, passé, sombres abîmes,
Que faites-vous des jours que vous engloutissez?
Parlez: nous rendrez-vous ces extases sublimes
Que vous nous ravissez?

O lac! rochers muets! grottes! forêt obscure!
Vous que le temps épargne ou qu'il peut rajeunir,
Gardez de cette nuit, gardez, belle nature,
Au moins le souvenir!

Qu'il soit dans ton repos, qu'il soit dans tes orages,
Beau lac, et dans l'aspect de tes riants coteaux,
Et dans ces noirs sapins, et dans ces rocs sauvages
Qui pendent sur tes eaux!

Qu'il soit dans le zéphyr qui frémit et qui passe,
Dans les bruits de tes bords par tes bords répétés,
Dans l'astre au front d'argent qui blanchit ta surface
De ses molles clartés!

Que le vent qui gémit, le roseau qui soupire,
Que les parfums légers de ton air embaumé,
Que tout ce qu'on entend, l'on voit ou l'on respire,
Tout dise: "Ils ont aimé!"

In English :

So driven onward to new shores forever,
Into the night eternal swept away,
Upon the sea of time can we not ever
Drop anchor for one day?

O Lake! Scarce has a single year coursed past.
To waves that she was meant to see again,
I come alone to sit upon this stone
You saw her sit on then.

You lowed just so below those plunging cliffs.
Just so you broke about their riven flanks.
Just so the wind flung your spray forth to wash
Her feet which graced your banks.

Recall the evening we sailed out in silence?
On waves beneath the skies, afar and wide,
Naught but the rowers' rhythmic oars we heard
Stroking your tuneful tide.

Then of a sudden tones untold on earth,
Resounded round the sounding spellbound sea.
The tide attended; and I heard these words
From the voice dear to me:

Pause in your trek O Time! Pause in your flight,
Favorable hours, and stay!
Let us enjoy the transient delight
That fills our fairest day.

Unhappy crowds cry out to you in prayers.
Flow, Time, and set them free.
Run through their days and through their ravening cares!
But leave the happy be.

In vain I pray the hours to linger on
And Time slips into flight.
I tell this night: "Be slower!" and the dawn
Undoes the raveled night.

Let's love, then! Love, and feel while feel we can
The moment on its run.
There is no shore of Time, no port of Man.
It flows, and we go on.

Covetous Time! Our mighty drunken moments
When love pours forth huge floods of happiness;
Can it be true that they depart no faster
Than days of wretchedness?

Why can we not keep some trace at the least?
Gone wholly? Lost forever in the black?
Will Time that gave them, Time that now elides them
Never once bring them back?

Eternity, naught, past, dark gulfs: what do
You do with days of ours which you devour?
Speak! Shall you not bring back those things sublime?
Return the raptured hour?

O Lake, caves, silent cliffs and darkling wood,
Whom Time has spared or can restore to light,
Beautiful Nature, let there live at least
The memory of that night:

Let it be in your stills and in your storms,
Fair Lake, in your cavorting sloping sides,
In the black pine trees, in the savage rocks
That hang above your tides;

Let it be in the breeze that stirs and passes,
In sounds resounding shore to shore each night,
In the star's silver countenance that glances
Your surface with soft light.

Let the deep keening winds, the sighing reeds,
Let the light balm you blow through cliff and grove,
Let all that is beheld or heard or breathed
Say only "they did love."
Alphonse Marie Louis de Prat de Lamartine, chevalier de Pratz (21 October 1790 – 28 February 1869), was a French writer, poet and politician who was instrumental in the foundation of the Second Republic and the continuation of the Tricolore as the flag of France.
Lamartine is considered to be the first French romantic poet, and was acknowledged by Paul Verlaine and the Symbolists as an important influence.
In 1816, at Aix-les Bains near Lake Bourget, Lamartine made the acquaintance of one Julie Charles. The following year, he came back to the lake, expecting to meet her there again. But he waited in vain, and initially thought she had stood him up. A month later he learned that she had taken ill and died. The "she" in this semi-autobiographical poem refers to Julie. The "voice dear to me" which speaks the lines of stanzas 6-9 is also meant to be understood as Julie's voice.
Terry Collett Nov 2014
The water
in the bath
is quite hot

and soapy
Elaine's mum
has run it

put in her
own bath stuff
Elaine lays

all stretched out
her feet at
the tap end

the water
soapy hot
caresses

her small *******
she hates them
and loves them

they tell her
she's growing
into a

young woman
her childhood
almost gone

they look like
small piglets
drowning there

she muses
she hates it
when at school

in P.E.
when the girls
point at her

look at those
small *******
they tell her

the boy John
whom she likes
at the school

doesn't look
or seem to
but maybe

he does gaze
secretly
she muses

and that thought
undoes her
he looking

mentally
he touching
each of them

how to get
such a thought
out of mind?

she sits up
in the bath
she'll ask him

if he does
when at school
the next day

but she won't
she knows it
but she'll watch

as he talks
of bird's eggs
or new seen

butterflies
where he looks
with his eyes

what beneath
her white blouse
and small bra

bunched up lies.
A GIRL MUSES ON HER UNFOLDING WOMANHOOD IN 1962.
Nisha Oct 2017
My father, he always has so much to say,
you know.
He loves weddings.
My daughter,
yes,
she’s always been so smart,
and we’re so proud of her.
He says it like he knows anything about me.

I nod and smile,
and shrink myself in front of the men.  
What is there to do but pretend?
No one needs to know about
the ways that you made me unlovable,
the way I spread my legs,
the way I strike a match.
We don’t talk about it.
It’s cultural values,
or something like that.

Look at the happy couple,
interchangeably
pharmacists, physicists, or physicians.
The groom smiles,
the bride does too,
they’re both so
good.

I sit there
and dream
of it.
A mandap, a
great big white horse.
I would be forcing it,
I knew,
but I wanted them to see me in red.

I wanted to walk
down that aisle alone,
and smile, demurely, smugly –
look what I did.
I got him,
I
wore him down.

I dream like it makes it redeemable,
the things that I’ve done.
How bad is the punishment
if I deviated with best intentions?

We hold onto these tiny ambitions,
the boy
the buffet line
and the bragging rights,
like it undoes the damage.
akr Nov 2012
The slipped knot of now into will be
is such a gentle strand,

the braid undoes itself from yesterday
as easily as a garment's clasp,
as easily as abseiling liana.

Can I hold soft
the line?

To not look back
but keep the mountain's imprint
emboldened in the eye

To unknow
the difference from ascent and descent.

O day, o cloud: what do you know
that hasn't been pressed through my palms?
robin Apr 2014
they took my hand, held it,
told me how soft it was. {you've never worked a day in your life.}
maybe ive lost track of myself,
forgotten the present for
a glorified past;
i had callouses there.rough armor-skin scraping my arms, or
i thought i did, but
you can never trust the body and how it undoes its own defenses.
i wore away my purpose and
i am waiting to believe i am real.
there are gaps in my mouth and when i breathe i hiss; you told me dont worry,
i still love you,
i made a necklace from your teeth.

her shirt rides up and i think of kissing the small of her back.
somehow i have grown soft,
my thighs give to any hand that presses.my arms have lost their harshness.
i feel unsafe.my clavicle is too thin to be a shield, you told me
you like the way
my skin yields to you, you asked me why
i grow my fingernails so long.
have i always been this vulnerable?i dont like how fragile i feel,
delicate and weak, this is not me.this is not me.
i remember being sharp edges to dig into ribs.
crude bone,
body strong enough at least to hold the door shut.  
identity strong enough at least to sketch a line between me
and you.
stark boundaries of light and dark make me so afraid
that i blur it all to gray.
the back of my hand is streaked red
from all the lipstick ive rubbed off, strangers ask
how i hurt myself so much.when you left your lipstick on my mouth,
i wore it like a bruise
and lost it on the mouth of a nameless boy.
i never meant to grow up like this.i do not feel like myself and
i do not feel anything for you
though i want to.do you remember the first word you realized meant more
than its definition,
the sum of its parts?
my mother told me my twin died in the womb and when i found the word 'implosion,' i knew
nothing would fit better.
i am a slow implosion.
pragmatic destruction, dissociating others,
shrapnel within, never without.
the roof back home is sloped, i think of slipping
while it rains.the trails here are gnarled.
the trees are too tall to climb.
look at this:
im pressing rabbit's feet into your hands, im weaving 4-leaf clovers
into your hair.im filling your pockets with coins. im just unlucky in life, you said.
unlucky in who i give pieces of myself to.
im always betting on the wrong horse, falling for bluffs and parlor tricks,
misdirection, legerdemain,
sleight-of-hand.

take them, i dont want them, you need them more than me.
i dont want luck and complacency, i want to grow rough again, i want to feel safe.
you love me and it hurts, i want my teeth back.you knocked them out but that does not make them yours.
maybe this is how its supposed to be, maybe this is how it works,
maybe love is a ****** brick and soft bruised arms but all i want is my edges back,
caution tape, this girl is
a demolition zone.
you are not in this room and this is what matters.
you have never been in this room and
this is what matters.
im humming to myself so i dont hear your name
Third Eye Candy Apr 2013
the mange of our fuzzy logic is squandered on the imbecile.
and genius is the gene splice of twelve comedies.
a rogue moon in a hooligan.
it jumps the fence and can't jump back. lacking the tool
that undoes the beauty of the obvious.
that quaintly dismisses the Oh ! My ! God !
we cringe in the ether of our ignorance, spooning the villain.  
the Mind is the Common Sense Killer....
it dives and triumphs in the acetone conundrum
of our proximity to dissipation.
the bold features of our doldrums
are the perfect ugly perfection
of our flaws.
our love is the rigid agenda of a massacre.
we the people, are the juvenile, sprained wrist of a boggart !
a Fae dreary.
we have our business in the withers of dead horses.
we are well versed
in the tundra tongue of our flat humor.
we assume the rumors are true.
and the tyranny that freed you
is the misery you
love with
and your beautiful
doom
kissing
a
mirror...

a Thing.
Lauren M Sep 2018
Lying flat in a river bed and covered in sheets of water:
this is where you will live.
Pure, ice-cold springwater flows
around and through, picking clean our bones like a vulture,
taking out the filth that collects like soot in chimneys.

From here only two roads:
To let go or hold on.
The instinct is to deny! hold tight, forever and ever, keep safe,
but you are here to learn the river’s lesson, to follow the flow, to be
carried away and let go.
Die happily, knowing.

Spread like sand
across the hills and gullies
peacefully dispersing
along centuries to form and reform,
learning that there are no endings.
And to know by cycles,
building familiarity, some core knowledge
which undoes the instinct that says “hold on”
and “not yet”
and “fight.”

Instead, become waterlogged.
Give up your boundaries.
This is the only way.
zebra Jan 2017
the man of light
knows darkness all to well
he possess sacred knowledge
of source
a living experience with in
radiant
and self effulgent

he knows all is permitted
in the acculturated labyrinths of mind
rooted in bias
and incalculable distortions
a hell house ride
constructed of warbled mirrors
Leprechauns gold
an abusement park
of crepuscular
subconscious ethers
and concertized form
on shape shifting sands

creativity gone mad
where time undoes all
its weary inhabitants worn
they are the color of sleep
attaining misguidance
oh the vacuous business
of guided meditations
through azure skies and verdant fields
while the certified uninitiated
whisper
their pale voices against sonorous winds
as if they could lever boulders with broken twigs

stone churches
gothic crosses
temples of man
monoliths to the imaginary
fantastical man god
re-pleat with beard and ****....how quaint

adulations and prostrations
to there man made deity
through myth that binds
group think
other directed
un-individuated individuals
like tribal ants
a world of shattered light
a white knuckle ride
on a spinning mud ball

yet who knows the secret
of the inner light
the illuminated door
the portal through which
Scottie will really beam you up

The man of the mystic light
in a darkened freakish world
is he not an inconvenience
like a mentor to the deaf dumb and blind
he is rarely recognized
almost never believed

the light is not a metaphor
the source that emanates all
although formless and self effulgent
it is not a religion yet all abide with in it

in the dark funnel of conceit
man turns everything into a noun
as if naming is claiming
when what he seeks is beyond
for it is a great dimension of another order

konx om pax
light in extension
Nuha Fariha Jun 2019
Cockroaches peering between the shattered plates scattered once they heard the slap of Shanta’s footsteps up the narrow halls. 5’4 in white socks and brown sandals, she commands the room, her yellow sari, a beacon in the darkening winter days. Mrs Tagore’s radio leaks through paper-thin walls.

Pagla hawar badol diney/ Pagol amar mon jegey othey

Out the **** elevator, she glides above dull linoleum floors to her two room cardboard box. Salina’s neon pink birthday banner hangs on, cobwebs burrowed between ‘A’ and ‘L’. She put the meager groceries away, and hung the bag out the window next to of her neighbor’s drying *******, cold air a mercy from the heat of the stove. Next door, the radio blares on.

Chena shonar kon bairey; Jekhaney poth nai nai re, Shekhaney okaroney jaai chhootey

Lamb’s breath sauteed with cumin, onions, garlic and green chillis from Aladdin’s Grocery on 14th and Jasper clings to her collar like an expensive perfume. The water hisses when it’s poured over, steam rising in protest. She traps under the lid, allowing a single stream to whistle her a lonely tune.

Ghorer mukhey, aar ki re? Kono din shey jabey phirey/ Jabey na jabey na, deyal joto shob gelo tootey.

Today is Salina’s birthday, her plastic table mat is still in its place on the three legged table propped against the living room wall. Shanta puts down a chipped white ceramic plate, cuts out a slice of angel birthday cake and lights a candle, a spell casting soft gold on the old crayon drawings on the plaster walls. She sits in a plastic chair and watches the door. The song reaches its crescendo.

Brishti nesha bhora shondha bela/Kon Boloraam-er ami chaela/ Amar shopno ghirey naachey maatal jutey, joto maatal jutey.

Each echo of stilettos makes Shanta hold her breath. Perhaps this year Salina will finally come back, perhaps this year the door will open and her daughter will smile, will hug her, will laugh as her mother cries. On the table, wilted jasmines, calling cards left unused, Salina’s poems cut from magazines, the word collage blurring together. “My mother's hands/calloused/call me/ bruised mango/this is love”. Each ticking of the clock another blow, another **** collecting on the plate.

Ja na chaayibar tai aaj chaayi go, Ja na paayibar tai kotha pai go? Pabo na pabo no

Mrs. Tagore’s song ends. The candle wax melts on the cake, the cake is thrown away, the room grows dark. Shanta collapses next to the stove. She undoes her yellow sari, loosens her blouse. When she strokes herself, when she comes, she bleeds, she is coming home.
vamsi sai mohan Sep 2014
Mathematics of love:

You divided me by zero love,
and it has become infinite......(love)
undo my memory
as the subtraction undoes addition....
You're not civilized until you learn life is too precious to throw it away

Not until you recognize for every good deed done it undoes another .

Being civilized means serving others before you serve yourself
JJ Hutton Sep 2014
He always wanted to be one of those people, the kind that can tell a sycamore from a birch, a lily from an orchid, all without having to google it. As he finger-and-thumbs her beige blouse, he knows it isn't satin, but what the hell is it? She kisses him again, this time longer than the greeting. He thinks the name of the material starts with an R. It’s a synthetic. She ruffles the back of his hair, glides down his neck before latching to his shoulders. Of course, he’s not certain it’s a synthetic and it may start with an M. No. It’s R. R-A. Her day was good, she says. Ian was down, and Nicole was happy.  It’s the kind of fabric you hand wash in cold water. He wants to know what it’s called because everything about this moment, every loose strand of hair, the brand of her black leather boots, each elation at the corner of the mouth, and each attempt to cover up elation, must be committed to memory.

Just a few minutes earlier, she knocked a soft cadence--a cadence timeless and familiar and forever nameless, yet a cadence all her own. Not all that different from her knock nearly three years ago. She was timid then, wearing a loose, primarily red plaid shirt and black tights. Slow to drink the wine on the table. Slow to lay in the bed.

Now she takes off her blouse without pause. She wears a supportless lace bra, what he thinks of as lace, anyway. He’s not sure if that’s right. “I don’t have ***** anymore,” she says. “When you don’t have ***** you can wear these.” These? Do these have a certain name? She kisses him hard, pressing her left leg against his center. Her hair is much longer. He burrows in it. He wishes he knew the fragrance of her shampoo. It’s not coconut. Coconut he recognizes. This is subtle, like vanilla, but it’s not vanilla. He knows vanilla, too.

Along her abdomen, his fingers fall into new grooves. Three years ago, she didn't have a gut. Now she’s got even less of one. She undoes the button on his pants. He blinks. He’s pressing her against the wall. He blinks. He yanks her ******* down, presses his face into her. He blinks. She’s straddling him on the couch, her hair falling around them both. In her eyes is a look he wants to be able to describe--to pause the transfer of energy between their bodies and relate to her. But what would he say? At first, he sees eternity, but what good is that if she doesn’t believe in eternity. Then he sees their past. She’s playing a piano at her parents’. He’s just hitting keys beside her, but she continues to play, both ignoring and not ignoring him. But that’s not exactly it.

She rests her palms on the recliner. They go from behind. It’s December. It’s 2011. It’s twenty degrees. They’re half-undressed beside his parent’s out-of-sight frozen pond. Desire off the rails, going over the hill. He takes in her body. His breath is visible. Their rhythms match.

“Don’t stop,” she says. “Don’t stop.” She clenches a fistful of the recliner as soundless noise ricochets off the corners of her brain then comes together, a coagulation of tension and pain and what may or may not be love. The noise reaches its crescendo. The line between present and past disappears. What’s happening is not wholly reality, not wholly fantasy. It’s like making--it’s like ******* a ghost--she thinks. One, two tremors echo through her body.

He’s bigger, softer. He doesn't talk so much. He just looks at her like he did before. She turns around. It’s the way he looked at her when they began years ago. It’s naive. It’s hopeful. It’s discovering a million dollars free of guilt or consequence. Is it possible to fake something like that?

“Relax,” she says, meaning sit down and let her do her thing. At even the slightest touch, his body twitches. His love sounds--those yelps--are new. He grabs the pillow and covers his face. She kisses the inside of his thigh. As she did the night after he drug her into the freezing Pacific. She felt like such a part of the world. That sounds stupid, but she can’t think of a better way to say it.

He pulls her onto the couch, trying to take control. “Relax.” She gets on top. She rolls her body against his. She kisses his neck. His ear. His chest. Playfully she bites him. His eyes are wet. She’s afraid she’s hurt him, but their body--or bodies, rather, still move.

“God,” he says.

“What?”

“Just this.”

She laces her fingers underneath his neck and, leaning down next to his ear, asks, “What about this?”

What he says next sounds a lot like I love you. She wants to ask what he said. But if she heard right, what then? What is she required to say? So she doesn't ask. She rests upon his chest. He smells like he did the first night she stayed over, like mandarin and cardamom and the sour smell of the afterward. She plants her lips on his chest, conveying what she doesn't want to say out loud.

All kisses are calibrated. That’s the line. He doesn't remember what book it’s from, nor the author. Saunders or Russo, he thinks, maybe Shteyngart. I love you just rattled out of him. He didn't mean to. He means it--but he didn't mean to. Instead of saying anything, she kisses his chest for a long time. He can feel the depth, the range of her affection, but not just affection, no it’s more than that. It’s womanly love. It’s tender love. He wipes his eyes with the back of his hand.

“What’s wrong?”

“Nothing’s wrong.”

“Promise?”

“Promise.”
L Meyer Oct 2013
On my feet are black moccasins
threaded with runs of bright turquoise
alongside patches of clay orange and dust yellow.
The feet inside grip cool, suede bottoms
to tread on ground still firm,
but pregnant, heavy with rain,
so that the worms lay like fallen soldiers,
victims of a thunderstorm
and scattered on the sidewalk
the way they were that morning
at elementary school
when a boy was squishing them for fun,
and my heart filled with grief for the worms,
whose only crime was trying not to drown.
The rain is a reminder of how poorly
these shoes function when wet,
how they rub my toes
in just the wrong ways,
leaving circular patches of reddened skin
on the outsides of my feet.
The worst blisters I’d ever had,
happened the day my brother and I
were lost in the dense forests of the national park,
and when we finally found the road,
were two miles from home,
and at the very bottom of Everett hill.
Those woods had a cabin by the river,
we only ever found a handful of times.
Our father had warned us
of the homeless drug addicts
who frequented it, which in all reality
were just boozing, ***-smoking teenagers
with an affinity for smashing bottles
and starting fires,
but we were never brave enough
to find out for sure.
And on the banks of that crooked river,
the spring undoes the twisted knots
that winter had created, and washes away
its cold to uncover the relics of autumn’s leaves,
rotting in colors of soupy brown
with tiny pools of grimy rainwater
collected in their palms.
And as I break through the veil of humidity,
to breath air crisp with the scent of fresh, wet earth,
I’m careful to tread lightly,
as to keep clean these moccasins
from their bright turquoises to their dusty yellows.
Mikaila Dec 2014
It's 2 am
And something familiar inside me spreads its wings
And ***** drunkenly against the windowpanes,
The ceiling fan
The moldings.
It
Wants
OUT
And I do not know how to tell it
There is no out.

It's you, isn't it?

No, it can't be, you can't linger like this.
Not safe-
You are not allowed
In here.
You are not allowed to snare me in beauty and complexities and answers
And make me feel.
I'm not sure you know
But
Your words stick around after you have gone.
They course through me, filling up my bones
And try to force their way back out through my skin
My fingertips
My lungs.
And I try
To be still.

Something about who you are upsets the balance of me
And the thing I have learned to cage stretches and begins to press out,
Having heard the echoes of permission to exist.

I've swallowed a thunderstorm like a pill
And it has seeped into every vein and capillary
And made it all chaotic and full of motion.
My skeleton hums and vibrates like a struck tuning fork.
I am aware of the power in me and it demands release
And I have no answer for it
Like always.

I have no answer for you,
Go back to sleep.
Your screams would break my bones
Your song would still my heart
Your embrace would crumble me to dust.
I have no answer for you,
For if you emerge we are both finished.


It shudders.

I shudder.

And all of me except my body rises up an inch
And crashes back down like the tide.

I think of how I always end up painting with my fingers
No matter how many brushes I have
Because I need to feel the colors.
I think of holding hands briefly
As a child
With a beautiful, silent marble statue in the museum
And enduring the rebuke for wanting to feel its skin.
I think of the moment before a kiss, when I'm so close I can feel the heat of her lips
And how I have to pause there and let that moment smolder
Even though it adds to a longing that will not diminish with contact
Only grow.

Whatever lives in here with me writhes and reaches for the inky black windows and the whitewashed fields beyond.

I think of Ellen wiping her friend's tears away with her thumb- a tenderness I'd never seen in my life until then.
I think of pressing Therese's palm to my cheek and wishing with all my heart that I could give her every breath I'd ever taken.
I think of you kissing the scars of a girl you didn't know.

The idea of it
That unnameable moment of rising
Undoes something inside me
And the house fills up from the basement to the eaves with what I can't rein in.
It consumes me, it drowns me.
I forget where the surface is.
I forget that there is a surface.
I leave the house and fill the sky,
My fingers sifting through the cold velvet of night
Desperately searching for an answer,
For an assurance that, somewhere, this longing has a limit
And will not engulf the universe with its agony of feeling,
Forever hungry to the point of pain.

I find no edge.
Is this freedom? Is this the last moment?
Is it
Supposed
To hurt?

And then
Just as suddenly
It all returns to me at once
Slams into my chest
And my temples itch with electricity:
Once again I hold the tension of every wish I never dared to speak.

Resigned,
I turn out the light.
"She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something." - Eleanor & Park
Sketcher Apr 2019
An hour goes by, and a raindrop falls,
I look up to the sky, while receiving no calls,
No texts from my lover, because she’s sound asleep,
So, what happens to me, I get lost in a dream…

I walk into school ten minutes after seven,
I sit down all alone and then I am beckoned,
Over to a kid who wants me to teach lessons,
Based on Japanese culture in a matter of seconds,
Cause school’s about to start and he didn’t study,
I couldn’t care less, I’m like, “Bro, I’m not your buddy.
Stop bothering me and stop trying to act funny,
Go ask your Asian sister, that *****, Mrs. Chun Lee,
She’s a smart Asian girl, so go ask her for advice,”
He just glares for a second and then he leaves my side,
I see my girl walk in the room and I’m quickly tongue-tied,
No words come out my mouth, but the mouth is open wide,
In-between inconceivable mumbles I kiss her,
But words aren’t enough to express how much I’ve missed her,
I feel so clingy wrapped around her like it’s Twister,
The guy from earlier walks by and has the ***** to diss her,
I slowly get up from my comfortable position,
Right hook to his face to remind him his decision,
Lacked any compassion and my perfect precision,
Broke his glasses in half, now in school that’s called division,
My math teacher walks by and quickly gives me an A,
The bell rings and my girl says, “I don’t wanna be late”,
I say, “But, baby… first period is our date.”
Too my surprise she takes my hand and says, “Okay”,
We walk to the dugout and find a bench to sit,
She sits on my lap and I feel her ****,
Keeps my hands warm, but not as warm as this:
She undoes her buckle and I go towards the ****,
Slipped under jeans and underneath the *******,
Feel her up everywhere, yeah, every nook and cranny,
A little bit of teasing, because that’s what she fancies,
After ******* quick, I ask if she can scan these,
Two big ***** and my six-inch ****,
She buckles her belt, gets up and checks a clock,
We got forty more minutes and now she’s looking shocked,
Cause I whipped it out fast and she eyes it like a hawk,
Cause it’s throbbing and hot and ready to be used,
I’m sitting there wide open, ready to be amused,
Like a magnet she lurches, and she’s quickly fused,
Mouth to ****, I said, “Slow down!”, but then she refused,
This girl has got it down and I’m soon to ***,
It feels so good that my mind goes dumb,
I start thrusting my hips and her eyes spun,
Back in her head and she’s choking on gum,
That’s exactly what it sounded like at least,
Until I convulsed a few times and then I ceased,
Cause I came and that **** had sprayed and then leaked,
Straight down the throat and my girl, she had shrieked,
A gurgle of a shriek, but a shriek nonetheless,
But you could see in her eyes that she had no regret,
As a matter of fact, she looked practically possessed,
Possessed with satisfaction upon my request,
We were both ready for round number two,
I pulled my pants down, she took off her shoes,
To take her pants off so I could abuse,
Her tight twitching **** with five-star reviews,
She hovered a second and slowly lowered down on,
My quickly recovered **** and then went to town on,
The **** like it was the only thing she could count on,
To bring her joy in this world, but then I turned the frown on,
Her face… well it was more of a hungry pout,
I steadied her body and told her all about,
Slow *** and its greatness, but she had doubted,
That it was that great, so she rerouted,
To rocket speed and I grabbed that ***,
I never thought that hips could move this fast,
I’ll tell you one thing though, this ******,
Could never in one thousand years ever surpass,
Any other experience, but I say that every time,
Cause *** with her is sure to be sublime,
Then after we finish, she likes to climb,
All over me while I tell her she’s mine,
Snuggles after *** is the greatest thing,
Cause you’re out of energy and just want to cling,
Closely to your partner and that’s all during,
The cooing and protecting and the safely securing,
Of my baby in my arms, it’s just the greatest,
Right after this happened, school was canceled,
I had to make sure my baby was happily handled,
I took her out to a movie and candlelit dinner,
At the end of the day I felt like a winner,
Her parents invited me over to spend the night,
I happily accepted with surprised delight,
They sent us too her room to get out of their hair,
And at this point, I was finally aware,
I was sadly dreaming, and my baby was still in France,
This figment of my imagination can’t get in my pants,
Sadly, I woke up misconstrued a few minutes later,
And thought to myself, definitely one of the greater,
Dreams I had in the past few nights,
Most of my dreams have been full of frights,
Nightmares come more often than not,
Now I had dreamt of my baby, I had got,
A taste of whatever was soon to come,
I laid back down, this time feeling numb,
Missing my baby with all of my heart,
Felt like I was being pulled apart,
Piece by piece with a small pair of plyers,
Fell asleep again and had a dream of a fire,
The fire burned everything including my baby,
This was a normal dream, the dreams that I hated,
I woke up quickly in an irritated sweat,
Got out of my bed which was soaking wet,
With sweat and *** and tears and drool,
I was unmotivated and out of fuel,
I walked to the closest road I could find,
Sadly, my mental health rapidly declined,
A car came at me and I thought it would stop,
But I was hit and dead without a second thought,
After this happened, I woke up again,
I was twenty-three years old. I swiftly sprung out of my sheets and studied my surroundings. I was in quite the stunning house and in the bed I had leapt out of, lay my silent sleeping sunshine, the love of my life, Mia. Now I had to ask the significant questions… am I still in a dream? In this specific reality, is Mia my girlfriend, wife, or perhaps a close friend that happened to stop by and passed out in my bed? And the most important question of them all… where did the poetry format go?
Pretty visual if I do say so myself...
Onoma Oct 2020
this planetary dervish, central

to its obsession, sign and seal...

in the privacy of space blackened

with the hum of orbit.

rendering hole fulfilled by that dance--

all-consuming, a Heart's only thought

in the wash of blood.

vital silhouettes of prayer, as sights set in

the mind's eye...bewildering focus.

concrescence of a crown's expansion,

its pride and joy encircling supreme

nobility.

what undoes bend and knee to grant

a repose that need not be sought after

again.
Livi Bowie May 2014
****, son, it's late, it's too late.
But he sends her up for him anyways, first over the phone, then up the elevator, then down the hallway
And he welcomes her inside with the smell of hotel sheets.
Sorry for the draft, and he stuffs a towel into the crack below
the door.
She's like a duchess on a throne which is his bed,
and he sits across from her and puts the coffee on to drip as she undoes herself
jewels
dress
hair
which tumbles down her back and it wants to go further but she stops it
He pours them each a cup, it smells of vanilla and faraway places
And he wonders if shes ever been to any of them,
the faraway places,
But only for a short moment does he wonder this,
as she is here to make love to him,
and he scrubs the veneer from his face and
Lets her look at him
for a little while
Before he beckons her into him
And he whispers his secrets in her ear
as she Rocks Back and Forth
in his lap
like a cat or a merry-go-round,
And she makes him feel like a man in love,
Maybe even a married man,
A man with a deep, mad, certain love
that won't keep him awake at night.
Our flying West into earlier
cheats the daying.
The earth turns its curve to before,
dipping the sun to below.

The process re-happens,
and undoes.

The risen gets set,

And it's so.....
we un-dawn as we go.
Karen Hamilton Dec 2015
To have all you've known tumble down
You're sole existence starts to drown,
You're watching as you hold your breath
Count to ten and try to forget

Forget your worries and your woes,
Life's unpleasantries, all you know
You know nothing, not any more
You watch the slowly closing door

It's closing right before your eyes
You've lost the keys, there's no sunrise
Closing in, surrounded by dark
Darkness consumes your breaking heart

It beats one less than once before,
You hold it tight and hope for more
Pain you feel is out of this world
Hope that someone undoes the spell

The spiders web that's spun for you,
You're fighting, trying to get to
The place once loved, you thought you knew
Too scared to trust, too scared to move

You're slowly crawling through the dusk
In hope that soon you're good enough,
Enough to walk back to your home
To open arms - the ones once known



© Karen L Hamilton, 2013
S S Jun 2017
I lie not awake
Yet unasleep
In those moments
Caught between
I think I see
But you see not
The Life that could
Have been.

The moon eclipsed
The flag half mast
The wick not
Yet aglow
All the beauty
At but half full
Accepted as enough.

It must be true
That one accept
The half as near
The whole.
For it does not help
To seek the truth,
It undoes
The beauty known.

Thus die the dreams untold.
Q Oct 2013
I want someone to understand
What I can't communicate
To sweep me off my feet
And hug the pain away

I want someone to calm me
More than a flash of sharp steel
To comfort me sans blood
To show me what is real

I want someone who mends me
Without the help of pain
Who undoes my ragged stitches
And rewrites my brain

I want someone who'll support me
When I'm too weak to stand
When I want to cut, steal, smoke
Itching like the addict I am

I want someone to love me
More than I hate myself
To hold me when I cry
Always ready to help

I want someone who apologizes
When they say hurtful things
Who realizes and is remorseful
When the tread on my self-esteem

I want someone who indulges me
And the paranoia I carry
When I can't even leave home
When the world is too scary

I want someone who'll see through me
When I'm wearing my fake grin
When I want to cry so badly
When the facade stretches thin

I want someone who'll listen
To the story of my life
And hold me and rock me
And put away my knife

I want someone who'll reach out
When my apathy arises
And I don't bother to keep in contact
They push past my devices

I want someone who'll see me
When I can't see through the mirror
When the image is all wrong
And I still need to be thinner

I want someone who'll watch me
Put an extra scoop on my plate
Who'll make sure I eat the food
And keep down what I ate

I want someone who'll hide me
From society's expectations
And wrap themselves around me
Block the accusations

I want someone who'll hold my hand
Who'll hold me through the night
Who'll make me feel safe and at home
Someone who'll treat me right
Liz And Lilacs Aug 2015
Only the good die
and the alarm clock won't stop screaming
Why don't you ever blink?
My voice doesn't echo.
Entropy undoes everything.
The stars go out,
the universe cools,
a closet door creaks open.
My silhouette becomes an infinity of birds
Unsettled. I know this doesn't make sense. Did anything make sense though?
M Vogel Feb 2021
D Vanlandingham

I have gotten to the place
where I hate most everything
Except for the deep, raw truth

      of true brokenness.

And the love that I feel
for those  left so alone
undoes the twist of my hatred,

Bringing a warmth  that
keeps me alive, in my deep longing
to be with beautiful spirits,

                       kindred.

i love you
Sid Lollan Aug 2017
disassembled                dry-milk filaments
        casket-torso;pallbearer-legs           buried
                      the lead                        
                                    ­   tombstone read: “for what it’s worth,
               well, It ain’t”
Get me out!on thenextflight       haven’t cut since cru-el April"
             her,my,this obsession with disaster           death by Mediocrity
      she tickles my deficiencies.i whisper.witness me Divine
                            Metastasizer
the police-scanner onna nozzle         so-so dance with the gentlemen;
        to the heart of                write a novel and **** yrself
...And so began the long con(sort-o-con       a schitzo origin story
                 two invert a paradigm)         ;dis assembled matter
told’em yu why worry?      -it ain’t like the films kid-
         we got Worlds to destroy via our Creation)
…move the mark, no           Who moves the soul of those machines?
        somebody [important] dead      inna car accident and
3 colors of genuwine           stratum of white jissom retchblossoms
Smelled like a bank&mug issa
       itch of **** platter-ed                  man who shoulda upped-in-smoke at 22.
                               lotus lips          chests of oceans
Wouldn’t mourn immortality yet;
          -Can wee stay here all/night?-         a platitude is a platitude is a platypus—             :POEM:UNDER:CON
                        in                     STRUCTION:       tuition is too high!
Death by mediocrity, i whisper         she licks a falsehood;
         stick it two me!           $2.37 and a pack of menthols
Stick it in me!         and twist      darling,When’s the last luna saddle
            you horsed           a bull fever-red let it fly—           disassembled constituents quiver                      grave sentiment o’er teacups of
          perishable insight                         ,dissolved dry-milk filaments
      if fear was
                the Sweat,on my back         mountains of meat o’er hills&
under choppy grecian sea          she undoes what she did
        *ties a ribbon to an elected carcass
Autopsy report:                            that junk was better in my head
         death by mediocrity   i whisper        it ain’t like the films kid,
               and it ain’t like the news said            she mechanical jaw
inspire technicalities            maintain the train rolling or you might
                see me on the outside; emerald oracle on a sideroad
selling oranges to                 the future       ain’t grease my w-h-e-e-l
        you—and; her she watches from out-of-frame
        falling, you, i she is falling in closed
system  restrain this membrane            give (me) a hand in burning
         up this joint         (we) kicked in the door to a peep show
picture death, no                  horror of inanimate ****** press’d up-against                   staint glass                the whole **** operation
a **** ruse           I’ve never been about            wake me up for
        disassembled                a Judgement Day               the next hunt the
interval be                       Please cut to the          C H A S E
                 between Want and Wanted                     the joy/cut-me in;   is a poem      to a cross-             like me,I think,therefore
                -eyed saint     my brain jargons,               but these words are deadbeat,papa where’s the cigarettes?     sure pal, Yr a leader!
                for a funeral procession         him,           androgynous boygirl
     tested the waters,drowned               disassembled for a fountain          
                 trade me that injustice for
or a Ouroburro           a Snake            a new dictionary (all in fine print)
     with the courtesy to eat itself whole;                        Cash in
while              you can. Get some sleep.
I invite you to read this piece in any direction your mind may lead you.

Thanks. Feedback is always appreciated
Liz May 2013
that boy sitting next to her
with a slender, birdbone frame power
in his Franken-lightning hair, a hungry
edge to his jaw, who stumbles over Bishop
but compresses our breath with his words
undoes me in muted, fraying ways
the cuffs of my favorite sweater
slowly unraveling under years of continuous wear

his smile is clever and **** with drama
kept in the dark alley corner of his mouth,
strong coffee and bruises without origin

I didn't want to know how
under the soft tissue of my liver and spine
there are words that might taste
like a fire escape in Brooklyn
a night on a stranger’s couch
and how compulsory punctuation might be
only an afterthought to others

— The End —