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David Betten Oct 2016
SORCERER 1
            Fell prince, what can we say? Shall we
            Wring fingers, gazing nervously
            Into our black, obsidian mirror?

SORCERER 2
            Or, in our water jugs, to peer,
            Unbinding and retying twine,
            In hope epiphanies shall shine?

SORCERER 3
            Or shall we three, like puzzling mages,
            Cast bright corn-kernels ‘cross the pages
            Of scripture, wincing to descry
            Some omen there?

SORCERER 1                        Or shall we lie?

SORCERER 2
            Were not your lethal gaze forbidden,
            Our eyes from yours no longer hidden,

SORCERER 3
            These mirrors unfilmed to windows-

SORCERER 1                                                 Wink
            We not, you might their contents drink.
                                                           They look at Motecuhzoma.
                    
TLACAELEL
            Bold, brass, and bungling open-sesames,
            Whose saucy tongues shall spice my hangman’s stew,
            You dare let sink your cataracted gaze
            Upon the solar luminance of our king?
            Who meets these eyes, beholds the face of death.

MOTECUHZOMA
            Shackles shall seal their eyes. Clap them away.
            My hopes were stillborn by these blind-man’s bluffs.

SORCERER 1
            A grand charade shall come to pass,
            As marching mysteries amass,
            And urgently these lurkings gather.

SORCERER 2
            If that is what your lord had rather
            Hear from us, so be it, then.

SORCERER 3
            We’ll break our seal and thus unpen
            Two breeds of vision we may show:
From my play in verse, thefloralwar.com
Nicola Mar 2019
Beyond the seas, there are the Isles
Where the old castle once proudly stood
Nothing but a shadow of its former glory
Its land once divided of mortals and other beings

The mist surrounds the ruins
Secrets buried in the grave of the past
But one,
The echoes from both past and present
That once inhabited the old castle

A legend,
Intertwined strings of two souls
How their fates led by one prophecy

The Ethereal and Brilliant One, the Isles princess who shall become the epitome of a King
The Man with a Thousand Names, the creature of the Old who shall become the embodiment of a Knight

Where it all began,
Magic is forbidden
Those whose learn or unfortunately born with magic
Will meet their fate with one swift blow
The law reached far
To a Golden King who ruled over a distant land
A prosperous mortal Kingdom in Albion
The Golden Queen bore a child before passing

The princess had
Hair as bright as the sunrise
Skin as fair as porcelain
Eyes as blue and green as the ocean

The King’s oldest sister
Klorress, who wish the crown for herself
She dreamt of riches and fame
Studied dark magic in secret
The daughter invoked the rising wrath and jealousy

The same Isles princess, a headstrong youth
Many who vied for her hand sung praises about her ocean eyes
Will soon collide with
The same creature of the Old, a sorcerer
Born in the sea fortress who speaks the language of dragons
With a name cannot be spoken in any other land than his own
He travelled far to the ancient Kingdom
Destined to become the companion of the daughter
who's blood shared
with the destruction of dragons by many Kings

Before Midsummer,
Knowing the prophecy first hand, the sorcerer dreaded
She is the key to uniting the whole Isles
To hold the light for mortals and other beings

Scornful of his destiny to protect the crown princess
The princess’ haughtiness exasperated the sorcerer
While his bumblingness and silliness makes him a favourite of ridicule

Their destiny may
have been written in stone, but their journeys together made their friendship and grudging affection flourished

Two idealists seeking justice and truth
Body of a young woman beneath lies the heart and spirit of a King
And
A man who’s in a quest for knowledge of the new World
In absolute, he strengthened his oath of protection

The Golden Princess is not without enemies
His magic was soon revealed
Klorress made attempt to seize the kingdom
With her magic alone,
The King’s sister actions was undermined by the sorcerer

He stood in front before the princess
“I am magic.” He whispers
The confession led to exile

Without a goodbye
He fled to the forest

The next Midsummer has passed,
Dragonlord, the banished magics have called him
In the middle of the forest of thorns
He was free to use his magic yet it doesn’t soothe the ache

Heavy footsteps came
The sight of the unexpectant princess
Harsh red marks on her skin pierced by the thorns
Her dishevelled appearance with a determined look,
She was a sight, she was glorious

Her father, the King has been slayed
The Kingdom is brought on its knees
Klorress’ invading army have sieged the castle
The False Queen wears the crown and sits on the throne

The princess managed to run with the remaining loyal knights
She carried their will as her pride
She now was a contender for the crown
The sorcerer agreed to accompany
The Golden Queen, she shall be

The princess
Rally the people
Against a common foe
She as the rightful heir
To pull the promised sword from the lake
The task was impossible but for this Isles’ sake
It’s a risk she will take

“Have faith,” The sorcerer said
The miracle she held in her hands
Holds the golden sheath written ‘Worthy thee beholder shall bear the same glory I had vowed for’
The sword bathed in light  
The light of eternity
For the words hope and glory engraved in the sword  
As acceptance of destiny

The war ended with two shared blood exchanging swords
One perished and one gravely wounded
The sorcerer carried the princess to heal her wounds
He tells her to hold on despite on the brink of death
Her usual bravado fades little by little
Painting the floor red along the way
Stumbling, the location is too far
She looks into his eyes with unconcealed devotion
The ocean eyes
She says, “Let’s meet again.” instead of goodbye

Gentle sunrise shyly peaked through the leaves
As soon as the light hits, she closed her eyes
She was soon placed on a boat

The boat sailed away
Swallowed by the sea
Where she sails,
Lays beyond his reach
She will breathe her first air in where she rests
The infinite
land where she lays in the flower fields, the promised sovereign was resting

Her demise spread across the land to the seas
Her name achieved immortality

With the sun fading, the moon soon followed
Chasing for the fading light  
He waits for her on the other side
As she on the other end
Detained in the isle near to the fae
Sharing the same view, the gentle waves of the waters that separates them
Waiting for him

Now, the sorcerer wanders towards the old castle
Shrouded of the faded Golden Age
Last time, he walked in a grand castle, he walked with the Golden Queen
Now he walks with his memories
The land was soon caged with conflict
The Isles is in dire need
He walked out of the entrance

The wind shifts, blowing freshly
Through his path
He stops, craning his head to the forest behind him, and just knows
He knows
This is the day she will be with him again
The Golden Queen
The Golden Queen has returned
This is written in the last few days for my Poetic Documentary.
There was a kingdom by the sea
that had a name
but most called it just
The Pearl of the Coast,
because that is what it was.
The riches within the city walls were more than an outsider could fathom,
and a bustling economy promised to keep it that way.
The Pearl had been led for half a century
by a wise King
and a just Queen.
Between them, they had one daughter,
who was pretty enough to truly count as one of the riches of their city.
Suiters came from far and wide, hoping to get
just
one
glimpse
of her fair beauty
before the fickle girl brushed them off her shoulders like mosquitoes.
It had no true spoken enemies,
for the walls and army were too great to conquer
but riches
bring dark men
to plotting and scheming.

There was a band of other kingdoms-
all prosperous, but not quite as much so as the Pearl
who were jealous and greedy
and coveted the jewels of the Pearl
all for themselves.
They would plan together,
but none could quite figure out how to get past the huge walls
and the spears of the watchmen.
But once, to their conniving company came
a Dark Magician
feared all around for his power and his wit.
These Kings of lesser kingdoms, though,
they saw only and opportunity to be seized.

They promised the Magician a share of the riches
if he would help them bring the Pearl to its knees.

The Magician, after little consideration,
obliged.

From their greed, he fashioned a Homunculus
shaped it like a handsome young man
more handsome than anyone could be born as
and sent him to the palace.
The Princess was vain and swept off her feet
by this new young man
and soon took to calling her.
There was one, though, who saw through him.
Perhaps it was his own jealousy that cleared his eyes,
but a young Sorcerer,
the closest friend of the Princess,
and the only man who had ever loved her truly,
warned of the Homunculus.
The Princess, smitten, was outraged.
The warning given by a friend only encouraged the relationship,
as those things often do
for children love to see themselves as Star Crossed Lovers
and the fickle Princess estranged herself from her oldest friend,
though the Sorcerer stayed loyal.

One night, however,
the King and Queen,
who themselves were quietly against the union,
were murdered.
The cause was clear:
Magic.
The guard turned to the Sorcerer,
for he had been turned down by the Princess,
and was, as they said, Hungry for revenge.
Only his past friendship saved his life,
and he was imprisoned in an empty tower a mile outside of the Pearl's walls.
He howled to be set free,
and the Princess would listen from her widow's walk.
Only when the howling stopped and was replaced
by a bitter silence
did her heart break.

After her marriage to the Homunculus
she started to wither
and hid herself in her chamber.
The guards would often see her wandering the grounds at night
wringing her hands and moaning in sorrow and paranoid fear.
"He might come back," she would whisper
and then burst into tears.
Often she was mistaken for a ghost,
and her parade of visitors slowly trickled to a stop.
Meanwhile, the Homunculus had taken control of the Kingdom.
He actually did more for the economy that the past King and Queen did,
for he had opened up trade with a shady band of kingdoms
that everyone had sworn that they had been in a Cold War with
just yesterday...

It had been nearly twenty years
when the Magician demanded that the band of kings
pay him for his work.
They had been ruling the Pearl from the shadows for some time now,
and he was ripe for his due.
The Kings' greed though had only inflated after they had their prize
as had their pride.
And they,
foolishly,
declined.
The Magician was outraged.
He called back his creation one day in March.

The Homunculus knew that the sword of Damocles was ready to drop,
and hastened in his escape
but
over the years
he had grown attached to his Queen
and it pained him to think of her suffering along with him.
He warned her himself
that the Pearl was to be destroyed spectacularly
and then he fled,
and she never saw his face again.

The Queen was horrified
and looked out over the people who she had neglected for twenty years.
No longer a beauty,
but a frightened old woman.
She knew what she had to do.
Grabbing her travel cloak around her,
the Queen rode as fast as she could
to the tower outside of the walls.
Her old friend was still sitting there,
chained to the wall.
Never had the woman seen such squalor, and it broke her heart all over again.
His hair was long and matted,
not peppered, but smeared with gray.
His robes were those that he had worn on the day he was taken away
crusted with filth.
The tower was falling down around him;
huge gaping holes where windows had been
mocked the poor Sorcerer
and the fireplace that should have been maintained by guards
was nothing more than smoldering coals.

The Queen fell to her knees and begged his forgiveness,
begged him to save the city that he had been shunned from.
But so many things about him had changed,
and all of the kindness had leaked from his eyes.
He rose onto his feet, and the rats skittered away.

"You fool!" He cried,
"I cannot save them!
The Magic coming has already been set in motion, and I,
I have not eaten more than rats and the dirt from the floor in more than twenty years.
I am hopelessly weak, with only the strength for one more spell. "
He grabbed the Queen's hands, the sorrow of his broken heart overshadowed by rage.
"You will watch this tragedy, for it is one of your own making!
I curse you so that you may never die,
never sleep,
not till you have worked the labors of every servant
of the world begins to burn!"
With that, he pushed the shocked woman aside
and, scrambling to the fire,
swallowed the hot coals
and died there in front of his betrayer.

The Queen could do nothing but watch
as the sky turned black,
and the sea rose up
and swallowed the Pearl.
The screams of her people were silenced quickly,
leaving her alone
with her thoughts
and the body of the only man
who had ever
loved her.
K Balachandran Feb 2013
Do not just pretend,
that you understand everything,
that could make you look clever
but you'll be soon defeated in your game.

The sorcerer never told me the truth
about his esoteric art or him,
every trick is concealed in shining platitudes
"you'll soon find out" he kept on repeating.
  
Does he really know what he is saying?

There were secrets in every corner of the house
the sorcerer lived.I, as his apprentice have to learn
to live with this fact.I fell in love with his daughter
I followed her everywhere,  in my eagerness to please him.
There was nothing else I could think of, at that moment.
He seemed delighted.By now I am trapped
in the labyrinth from which I couldn't get out.

His truths were partial, hardly believable.
Or his is a truth i would never be able to grasp.
There is no right or wrong that would help one
to break loose.I found the sorcerer's daughter
very resourceful.She was the only one who seemed
to know which way the wind blows.

Am I the sorcerer's slave? Is this a trap he set for me
right from the moment he got me interested in him?
Is his daughter really in love with me, or
all this an illusion, my mind plays or just a dream?
David Betten Oct 2016
SORCERER 3
            We’ll break our seal and thus unpen
            Two breeds of vision we may show:

SORCERER 1
            The first of these, and you might know
            Your fate, engraven by your star-
            Which fortune gods permit or bar.

SORCERER 2
            But why disturb your dreamy sleeps
            To know your death-date daily creeps?

SORCERER 3
            It finds us all, and- though you hate it-
            Since what must be, shall be, await it.

SORCERER 1
            The second brand of prophecy
            Is not what will, but what may be.

SORCERER 2
            Yet what might not? Our lord can see
            These “what-if” figments well as we:
            Might not strange soldiers from the waves
            Rise forth to claim our sires for slaves,
            As, for their footstool, bows our liege,
            Exempt from their street-sweeping siege?

SORCERER 3
            And yet, might not our lord disband
            Such aliens, overcreep our land,
            And rig mean regions to his suit,
            The mumbling Mayas render mute,
            The frostbit northern climes to claim,
            And sway the fitful gods to frame
            His portrait in a constellation?
            What fate might not recast his nation?
From my play in verse, thefloralwar.com
Robin Carretti Jul 2018
This is not, a time to loosen up
Or nine to five job to give up
Just saddle up the power is in you
Five ladies cafe to dine at five and
drove_* the meter is running
(The Canadian Cup) team versus the
     Taxi Cup
He swooned you in your
Five dreamy but half heart sugars
Come on Baby bloomers
Let's see some boom!!

In your hips men will be men taking
frequent flyer trips temptation 1 2345
We need fewer digs one love teo reasons
World  345  heart flags
We don't have to cross our hearts
Perhaps tattoo heart legs no more strikes
Jumping Jack flash
What a rope in this isn't the Pope

Somehow we all get broke
To court her like your the lasso
stars cosmos hearts like Lassie
Never a change of subject how it
remains in your heart how it hit hard
to react but changed to five cards
Digging too long  lucky 777 like heaven
Heart digs

1-where?
Oh! There

No, I am here
We are always  
In-between
numbers_ I only
have 5 minutes
No I phone have a heart
Oh! where is designed for me
Those five plates

Whats in between them
      *Him

We are opening Live- Five
Strong heart to give the caring
The useful heart is never so daring
My gate* Girls are nail digging
Hugging

Or losing add +

Flirty
*****
Our community
Heftier like Jupiter
Heart to build
the gravity
A big kiss hunch
of five roses

Your getting to bloom
but only have
5 extra movie parts
The front dress mermaid tail
Your heart delicate hands
opened up your emails
I think you hit the
Jackpot

Max to the million shot
No heart of gold
Only more leaders
Scrambling and digging
your fork
Mixing those egg beaters

Five men think they know
there women
like ten
commandments
Turn to five wrong
engagements
There it goes the lucky
five arguments

A plot beating
like a hot-shot
The French Baguette
Bread 9 to 5 firecracker
Five-carat baguette
wedding band in her safe
Heart digs to five hands
Heart neck guilty as a giraffe

The cafe house had only
5 cups left  they sold you out
Only Five Bed and breakfast
stayers
Do detailed with their Ladyfingers
But need more alone time
Be on time get sweet key lime
What is real-time so sublime

That rose- paper cut- origami
Sorcerer of five he was like the
cold cuts of big Sub Salami
Japanese sword samurai
What a Geronimo Oh! no
Jericho
This wasn't a hot potato

Or Gizmo No-Go
Getting a shot for Polio
The gusto songs to the heart play
Maestro the Cosmo's
The five stars to heart his
afterglow
Like a titanic ship but heroics

Five lunatics wedding horns ******
Five two timer Mario gamers
so demonic
DOMINO'S bed five students wed
We dug deeper get-up sleepy-head
Exposed cries location set
Network U- dig cups

Something lip curved
He misplaced my lips
What did he do in exchange
More stocks and hard stone rocks
Like frying pan egg
scrambled words

Crossed heart Rapper so believing
The Fox five sticking tacky glue
His CD Rose lying pants no clue
Painful pointed shoes need R&R
     Robin's *Responsibilities
       The Heart On Replay
The deeper you dig to restart

The healthy organically grown brain
Men on Pause I truly believe nature
takes its course
but another beat to go is that so?
And if so heart digs to five
Feel the good vibe in another tribe
Five times I had to wake you up
I am the love cure reminiscing

Giving me five reasons
Our beautiful change of
heart in season

Studying the fine art heart
Referencing
Never refusing thats life
five-step to strive nothing
Fancy

Robin shoutbox she getting
her point across
Either you're the worker or loner
The heart pleaser the boss
Your heart looks good
on your dress
Whether we win or deep mess
The good heart can change to
a bad start

Recharge your heart count to five
Venus- beauty moved on like a
pathologist digging over staying alive
The hearts what digs this is not the 9-5 workers we are talkers
and long settling in heart walkers come any join me we may actually be alive did I get a live one
patty m Oct 2016
Clustered in groves
green with rowan leaves,
They dance in dreamscapes
evoking spirits akin with nature.

Stars hang from the trees;
lanterns illuminating the glen,
they cast eerie spells of longing
soft as an errant breeze.

Solemn visionaries caught
in a world of twilight
watch as the Sorcerer
makes rings float.
They spin, these magic orbs,
claiming vision,
as awareness steals away.

Pagan drummers
pound out ancient rhythms,
the druids gather, dancing in a ring.
They spin and writhe in exaltation,
pure emanation of moonlight’s gleam.

In ghostlike umbrage of the past,
the living wall heaves,
crashing to earth

As the gray false dawn
hastens day,
hooded figures halt their disport,
settling now still expectant;
with grass cool beneath their feet.
They bask in beltane dreams,
unaware of the sorcerer’s spell.
Nigel Morgan Jan 2013
Zuo Fen meets Jia Li and her child Hui Ying. The temporary guardian of the palace speaks with the help of one of the pack-horse men who understands something of the dialect this young woman owns. Zuo Fen would rather envelope Jia Li with her eyes than communicate in three-way speech. And so when Jia Li begins haltingly to tell the same tale told to Meng Ning the previous night Zuo Fen halts her translator with a gesture until the story – and this is what it appears to be – is told.

(Here Zuo Fen assumes the persona of Jia Li as part of her rhapsody titled The Sorcerer of Eryi-lou)

Alone in this crumbling palace
I guard my father’s charge,
He has been ill since late Spring
And I have disgraced my family
With a child whose father stayed
but a week trading horses.
Hui Ying was born here
And here we hope to stay.

I have now come to recognize
Many spirits of the past.
Mostly invisible I take them by surprise
In their mortal form; meeting a lady
And her maid on the hall terrace;
Seeing two men bent over
A game of go in a lesser chamber.
Music and the sound of poetry float
Variously through the many rooms.
The aroma of food comes and goes.
The burning of incense is ever present.

For many seasons my village supported
Palace life during the Emperor’s summer visits.
We provisioned and provided animals
For food and transport. Our young men,
Our women too were propositioned
For the more elaborate practices of the court.
Twenty summers long the palace secured for us
a livelihood beyond expectation.

Over time the events of the Emperor’s
Last sojourn in the palace became
For us the stuff of legend, though we do not
Embroider its story and have remained silent
Out of respect for the Emperor’s memory.
We know his son has rarely ventured here.

Let me only tell what has come from
my father’s lips, what he as a young man
Witnessed and through his guardianship
Has protected and honoured. He was chosen
By officials of the Emperor as a trusted servant,
A man who would oversee what had been precious,
What had been valued here, and is still deemed to be.

My father has spoken to me of the disappearance
Of the Emperor’s second wife with the sorcerer Yang Mo,
A disappearance witnessed by the whole company of visitors,
By the Emperor himself, and his son. I am charged to tell
Of this only to those bearing Emperor Wu’s seal.  Know I speak
With all truth and honesty in lieu of my father’s presence.

Amongst the many guests honoured by the Emperor
The sorcerer Yang Mo arrived by invitation
To spend part of the third season at Eryi-lou.
Already well-known to the court he had come
At the express wish of second wife Xie Jiu.
It is said that he created many remarkable illusions.
Unusual objects and rare animals were summoned to appear,
Rain fell and winds blew inside the Emperor’s hall,
There were piercings of flesh and limbs seemingly severed.
One morning it is said Yang Mo caused a boat
To appear on the lake, thereby at odds with the legend
That no vessel should ever touch its surface. Forthwith,
The Emperor decreed that such sorcery should
cease. But he was discouraged by second wife Xie Jiu
Who wished to visit the boat and sail on the lake.
Yang Mo offered to escort her across the waters
And led the assembled company to a small beach where
A path of red slate had been laid.  This appeared from
within a cave in the hillside. From thence it travelled
to the water’s edge and beyond, under the water
in the direction of the magical boat. Yang Mo is said
to have brought wind and fire and smoke
To play upon the company, finally inviting Xie Jiu to step
On the Red Slate Path and accompany him across the waters.
The couple walked slowly down the path into the lake
Gradually divesting themselves of their garments
As the waters consumed them. Then, before their very eyes
The Emperor’s guests and entourage saw the boat
Enveloped in a pall of smoke and disappear from view.
Yang Mo and Xie Jui were never seen again.

The Emperor was enraged, realizing suddenly
he had been tricked and made to look a cuckold
in front of his own court. In such a remote region
He had the slenderest of means available
to search for the missing couple. He resolved
to leave Eryi-lou immediately. Neither He or
His son nor his court has ever returned.


Allowing Jia Li to tell this tale without interruption had proved a right and wise decision. No sooner had the young woman realized her story had grasped the undivided attention of this celebrated courtesan than her words of description seemed to take on a rough poetry. Zuo Fen felt herself summoning unbidden images of the sorcerer’s illusions, moments of secret and forbidden congress between Yang Mo and Xie Jiu, the appearance of the sailing vessel from the early morning mists, the lovers slowly processing down the Red Slate Path, the disbelief and then fury of the Emperor.
      When Jia Li had taken leave to comfort her infant child Zuo Fen called Mei Lim to summon Meng Ning. She was clearly troubled by how her autumn visions from the west had brought her to this place and its unforeseen legacy of magic and deceit. The illusion of the sailing vessel and the walk into the lake on the Red Slate Path, both were elaborate and well-contrived artifices. They required skilled assistants and collaborators and the most careful planning. Sitting in silence opposite one another the courtesan and the chamberlain set their minds to consider the possible and elaborate trickery that might have been brought to bear on the complicit theft of the Emperor’s second wife. It seemed clear that all official record of what had passed had been expunged, and the Emperor had decided to abandon not only his summer sojourn but also his palace - immediately and forever.
        Zuo Fen wondered at the fate of the lovers. There could be no future for them within the known territories of the Empire. Their lives would have to begin again far distant. The province of Yunnan perhaps? But she laid that thought aside.

(to be continued)
Amethyst Fyre Oct 2016
The sorcerer grabs me by the shoulders.
"Of course you have the power!"
I shake my head no.
"I can't. I don't understand. I'm just an ordinary person. I'm just like everyone else."
The sorcerer scoffs at me.
"Yes, I know."
I'm puzzled by this. He sees it written on my face and sighs.
"Everyone has the power," he says. "The rest of them just don't know how to use it."
My confusion only grows. I ask,
"But why not?"
He smiles, like it is the simplest thing.
"They deny that it is theirs. They refuse to make the choice to use it."
"But why me?" I ask. "Why did I find the power?"
I am suddenly afraid to know the answer.

The sorcerer looks at me sadly.
"Because you came looking," he says. "I tried to warn you that it's not an easy path. But you kept searching. Why did you keep searching? You have such control, such power now. It is your responsibility to use it well, always and forevermore. This is a hard road, my dear girl."
For the first time, I understand the full weight of what I've just committed to.
"But you're going to teach me to use it, right?"
I beg.
"My dear girl, you already know how," he says,
And in a flash the sorcerer disappears.

It is just me, alone now,
Me and my charge
to choose to do right
*always and forever more.
Maybe one day, I'll be the sorcerer from inside my head
Grab someone else by the shoulders
and show them that it is a choice to do the right thing over and over
and that they have the power to make that path their own
so the rest of us may live a more happy ever after.
the
cauldron's
strong potion
was manifest
in a dire toxin
simmering to the ***'s rim
this was a stupid portent
doom would be destine to prevail
the elements mixed in error
which ensured a disaster's outcome
''''''''''''''''''''''''''''''''''''''''''''''''''''''''
bad omens were foretold by the recipe
the black sorcerer no smart blender
to late to change the concoction
it boiled over then blew
he'd not been very careful
in how magic works
such a novice
with dark spells
oh so
silly
Dead Rose One Mar 2015
In The Prison Of Winter, No Rise, No Set**

orbit nearly closed,
the radio announcer gleefully
chirruping, the twittering fool,
"only ** graves to X off till
                                               spring"

the weight of the prior
the wait of the more
no matter how little
yet to come
                    too much insufferable

having suffered
multiple life sentences
you snit ****, u don't know better,
ha, they don't even run
                                         concurrently


there are no sunsets
in the girding grays
of harsher enough and words that fail me,
are the winners in the
winter of the ****,
tests and hunts,
I have successfully
                                 failed

of course I'm wrong you
petulant hobgoblin wringing
nyet from me you'll get no concession,
**** science,
there are no sunsets in the winter
and the sunrises,
short unsweetened,
light-less, less of less,
frigid glaring revealers
of dead trees
and deader
                    men

maybe in the Rockies,
perhaps the Alps,
wonderlands photoshopped,
pretty lies on the Internet BS posted

where I live,
wear the wear the weary
neath the sweat stink of layers of
unbundled choking hands,
winter's damage
assessed and assessment is
never overdue, payable in
                                             immediacy

heating bills I can't pay,
a job that said no more of you,
unpretty please,
a woman who sorcerer-scarced herself
right freaking black magic quick,
trust me I have certified verified,
me and Nixon,
X's on the kitchen calendar,
there is daylight, there is mighty night,
almighty in long and colorless
and nothing in between,
but the smog stained slush of
                                                    smothered life

but definitely
no sunrises and no sunsets
watched all day from the
imprisoning kitchen window
which doubles
as a *******
                       mirror

there are no, not any,
you know what,
cannot even say them,
the pipe dreams of better yet,
pipes that have beaten down
me and my
disassociated senses,
signed sealed and now delivered,
from the formerly known as
The Summer Man
Jade Apr 2014
I want the Sorcerer's Stone
I'll break it into two
Just for me and you
We'll be young forever
In town singing blues
worry-less cause nothing to lose
Time machine would be no use
Inhaling freedom on sailing cruise
It's like a dream come true
Seth Keplinger Jul 2018
I keep pretending I'm alone.
Even after losing my seat
to her new prince.

it's spellbinding,  
enough to make the ole' dog wince.

I still love the sad songs
her puppy dog eyes dispense.
it was never her truth, per usual;
per his glimpse,
into the future of my demise.
I pretend to appreciate the gent in the white coat.
A self diagnosis wouldn't compromise
my vulnerability.  
Don't, she won't, undermine my competency
it lends itself to my daily routine,
I self prescribe- a precisely perplexing potency
abide, at least you tried
an unprecedented golden rule.
This wasn't premeditated,
nor an act of repetition.
We've been classically conditioned, so
I implore and drool.  

I keep pretending it's a new found happiness.
it's for the canaries,
the relievers
and deveivers.
I believe it's for the ignorant
the boring
those of you chasing an
American Dream-
the people with white picket fences
and golden retrievers.
Beware of the conformist
they who did well on geometry tests
their smile so luminous  
like diamonds between her *******.


I'm a brittle leaf in autumns first frost
hanging on the edge of winters righteous freeze.
the shackled, the .22,
let it be me.  
I'm a warning sign, Cuba 1963;

I can barely sleep as it is
from this dusty room
I garner for clues inauspiciously
the obtuse path back to the life i once lived,
obstructed by the 4 seasons, the 4 reasons, the 4 walls,
the 4 grains in this whiskey.

Life outside of her box is a bargain.
Before the flies, where my heart lies;
her highfalutin jargon.
Coping with this void gives me nightmares.
joe shakes my daydreams
they fall from my dilated pupils
and anxiously I begin to slur.
I wish he'd stop cutting his pen through the air,
reminds me of my geometry teacher,
lecturing vicariously through a sorcerer
maybe the boring one's preacher?
everyone in this coffee house likes to stare.
Aa Harvey Jun 2018
Antihero


An old stone built tower stands above all on the skyline;
The curves of its body twisting spiral’s in the air.
The moon shines around its peak, which reaches up so very high.
It is surrounded by a castle keep,
That is an image of a burnt out nightmare.


The castle walls are in pieces, like its people,
Cannon fodder their game.
The drawbridge has fallen, but the iron gate still remains.
The shadows in the night speak of a desire to be the enemy within.
The voices of the fallen spit out their final endless scream’s.


The sound of war is upon the castle door.
No more escape for its inhabitants,
Apart from those who are fleeing through the century old tunnel.
The secret passage to a way away from all the savage.
The army continues to do battle, at the top of ladders and ramparts.
All have been affected by this battle’s damage.


The sorcerer of this cursed land,
Stands in the furthest, most high room,
Shooting lightning at the wall tops as the chaos reigns below,
Where all is doom
And in a final decisive action,
The sorcerer reads from his ******* book;
The ground shakes, the fire falls and all enemy are shook
And thrown from their steeds in front of the castle gate.
In pieces they bleed and from the tops of the castle walls,
Those who are falling will never be saved.
They crash to the floor and become no more.
The sorcerer falls to his knees, exhausted of power,
But he has put an end to this midnight war.


No protection was given by the enemies armour.
Their swords and shields crashed loudly as they hit the ground.
The enemy is no longer the invading warrior;
They are all running in fear and their last sounds are all dying out.


As the sorcerer takes the final step down from his twisted tower,
He pushes open the thick oak wooden door.
As he walks out into the open air courtyard his face is a glower;
No living enemy can be seen, because the enemy are no more.


His men are all cheering and shouting his name,
But the sorcerer is not laughing with them, for he has a plan.
He tells them this morrow they will all fight again,
So they must all prepare to once more stand.


Some voices of discontent whisper within the ranks;
Some of them openly criticize his view.
As he creates a ball of flame that hovers above the palm of his hand,
They all realize he has been their antihero
And he could be their demise too…if he chooses to.


(C)2017 Aa Harvey. All Rights Reserved.
pitch black god8 Apr 2018
5 Sensory Deprivation Relevations  (Happy Birthday Will Shakespeare)


I     the smell of sad

odor colorless like *****, similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling saddlng, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will’s)
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
stink

don’t think that this poem is for you; solely for the writer,
your doppelgänger ******, your mirror’s inside hiding out place,
I, who has your sadness smell into my skin cells crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face


there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all

this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present

II    the taste of joy

the joy of cooking is not a gene in my litany possess,
but the buttery taste of joy I know, I know,
it’s a real princess rarity,
the hard costs of finding and keeping it,
I’ve paid endlessly and willingly pay on

the taste of joy is like presents under the tree,
shock surprises delights lives/life, customized, infectious
(except for socks, no matter how joyously exceptional),
joy to those whose buds never blossomed for its taste
readable on some one else’s, anyone’s ****** expression

I think of it as the taste of fast traveling cumulus whites
upon my eyelashes blinking as they are speeding you by, but happy
for ten more behind before the evening stars takes over

the taste of joy is physical, there can be no denying,
concentrations can be found in the lips and the fingertips,
which you think of as a tandem, someone else’s on mine

but it ain’t necessarily so; the taste of joy, shared I, having submitted to others kisses carried on the wind that
found their mark and were well received,
poems from the heart
that arrive well,
as their intended is sleeping, and
as intended, as waking gifts

the taste of joy in droplet tears
when you are notified that words
you joined in holy matrimony made you cry,
because the reader did, wept for two,
the weeping of contentment released,
free at last from container confinement;
this particular taste of joy is in the  
recovery and recognition that these
are not for you,
just joy peculiar these tasted tears for whomsoever sheds them

III   the hearing of truthful

truth am told is oft served cold and hard up for the hearing,
best avoided tween noon and midnight and any time a
bathroom mirror is in the vicinity; though religious men lie
too easily; bathroom mirrors cannot; a character flaw for sure,
but the truth to be trusted is this: no one is truly contented, always there are the richer, the more famous, the employed and
someone above who has more, more burdens of a different sort,
better quality losses and pains unseen not dreamed of

truth tastes terrible and is awful sometimes noisy painful;
it hides well in the stink of sad exposed to the atmosphere when exposed it turns red humans blue

truth may set you free, free to be what are you are or truthfully
an admission of what greatness you have to release the trick is
use the correct scale, do not let the wrong sized ruler rule you,
the truth, if you hear, hear it unfiltered w/o the bias implanted
by not your people; hear your poet voice growl like a blues singer and be truthfully satisfied like no thing no person only you could hear it as you intended it be spoken

IV   touches of fantasy fantastic
secret confess: touch my fav cause when its juiced with
mental visions of what might be, it Saturday satisfies and let me weep happy smile silly and is mine all mind; yes another’s tip
has sorcerer powers of revelation
but alone by myself I yet
relevate
and flow; my hands are right sized, my arms reach around myself for so designed, and the pleasure is mine to give;
mine to take,
neither better or worse if self-administered,
touch myself anywhere anytime and fantasy over dreams wins,
rise up, touch is a language and I speak six or a hundred;
listen to the sounds of touching and be touched human

V  insights for the sightless

at last we close the deprived
with an elegant elevation
sight overrated when imagination exists,
cannot be restrained
this the revelation
you have proffered and preferred all this time

have pity on me
I crystallize the unseen with the replacements
of my conjuring
the other senses lend a hand
telling me look up look up, be life save life
let your madness blossom in the spring airs,
the coolness of a first fingered ungloved snow
sight,
a mathematical function from the other four derived,
sightless an impossibility for with one alone defeat the
sensory deprivation and give tongues to words

epilogue

read my face
incapable of,
deprivation
but how now silent bow my head to Will
for teaching the way of words
traced upon
a fool or a king's tongue,
two too human,
so that poet may ken
his senses keener,
all for the better,
for the betterment of all
and now you understand how came this poem to be writ
in the pitch black
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
Blain Rogers Nov 2012
If it pleases the court
I wish to call my witness
I assure you he is pleasantly witless
And features you ask?
You needn't worry
He isn't the type that is tall and squirrely
And he isn't the type that is strong and burly
No, I admit he is a slight of a man
A crook in his back and
An un-healing wound for a hand
Stature shouldn't be a bother
For he isn't much bigger than even the smallest little toddler.

No, he wasn't much to look at but clever he was
He entered the court caring not for the faces of the smug
Why should he care? Why should he look?
He knew the judges falsified records and books
His word was useless so his tongue stood quiet
And none would know what was it he meant by it
Crooked he was, bent and broken

Broken and battered and beaten and bruised
Even he didn't know how much magic he'd used
A sorcerer he was, and a good one I'd wager
For he never shirked from harm or danger
To he so old and brittle
No one stooped to hear his riddle

With a crack of his back and a flick of his wrist
All his ailments went amiss
Twas he the king giant of legends old
Seven feet tall he stood so proud wreathed in the light of gold
Eying the bold
And scaring the crowd
With his mighty cape made out of his shroud

Come to place judgement on those unworthy
And rid his lands of those who wore their hair curly
Judges, Politicians, and Royalty alike
These pompous blights with their wigs powdered white
His voice so quiet, yet only at first
For he had not had need to quench his thirst  
Not for 300 or 400 years had his voice been needed here
With a resounding boom from he whom no one suspected
The one whom they had so unjustly subjected

Broken and battered and beaten and bruised he was
But not from violence or bathing the blood from wounds
His soul was what was sad and destroyed
The fiends of today had hurt this once glorious man
The frivolity, the slander, and general corruption
The crime, the ****, and societal destruction
Who were these "people" to have earned his blessing
Better they were hens stuffed with dressing
His land he had given to their ancestors of old
Yet a once weak people had grown so bold
"Who are you?" they asked
"And where did you come from?"
"I know, we'll take him to the dungeon"

"Silence vile sinners" said the giant of a man
resend these orders and bark back your commands
For it is I who is the ruler of these lands
From mother to daughter and father to son
I have seen your lives spread, grow, and bud
This is not the life I had planned for you all
Divine Right of rulers ordained by my cross on the wall
You have twisted and molded my laws and my trust
To suit your own needs and greed

To you all I take everything and send you back
Across the barren wasteland you've left in your tracks
Away from me and go quickly
I should rather have you leave my sight swiftly
It was then that his voice broke it's timbre
When he saw one so small blond and slender
"You girl, how is it that you are not frightened?"
Her response was firm as the wrath of a Titan
"Sir you scare me not by your words alone, for I have lived a life of beatings by stones"
Outcast for life, and ridiculed hourly
The giant chose to reward her powerfully
"You my daughter are your people's saving grace"
Watch them all leave now with pitiful haste
How was it that she, the spawn of a sinner,
could mend her race as a whole?
"I'll tell you my daughter, by the goodness of your soul"
Go now and start a city within my lands, and forever shall it remain in your kind gentle hands
ravens squawked
on that half moon night
the people in the village
were filled with fright

a scary portent lingered
upon the forest dell
the black sorcerer
was mixing a horrid spell

winds whirled
in an agitated manifest
evil twas the potion
prophetic its guest

horror sprung
from the cauldron's brew
atop the hills
smokey fires did spew

eerie groans emanated
inside the sorcerer's chest
the incarnate devil
dwelt in his breast

he opened his mouth
to consume a gnarly toad
as the fleeing villagers
ran along the forest road
Steadfast and thin,
the Sorcerer's waves
roll in and in,
like flowing, shaken gin,
spilling on a flat beige floor.

A million out-flung bubbles hiss,
a billion grains of sand cavort,
and, in the furor, twist.
Conjurer of spells,
I stir phrases
in a witch's cauldron.....
wizard's breath to
tint the potion
Let it boil over
Reduce the excess
add emotion
and a four leaf clover

Temperature at serving time defines the tone and
type of incantation
Cold spells work
as heartless breaths
Warm ones jubilation
Hotter brew brings swift results
Careful even death

My sorcery is well disguised
as poetry and song.  
I'll have you laugh,
yank a tear or
make a day
feel twice as long.

I'll look you in the eye
as I feed you all
my truths and lies
None can break the grip
of words I wield,
won't know to even try

Warlock...my voice enchants
let me whisper in your ear
You'll result bewitched....
but if I hold you high .....
there's never need to fear
Inspired by Jamahdi Verse's Spells collection
Nigel Morgan Jan 2013
The sun rises tentatively through the forest heights behind the palace. In the pre-dawn light Jia Li has secured water and fuel for her visitors and despite the attentions of the pack horse men, who have returned from an evening at her village the worse for drink, she settles to feed her infant child. Meng Ning enters to seek her counsel. She already guesses his intentions and answers his brief questions with confidence. She knows the route to the Red Slate Path, perhaps four li distant. The path is clear, though little used. It is not a place those of her village visit, though she has learnt that the path itself defies nature’s attempts to cover its existence.
    Zuo Fen is standing on the terrace as Meng Ning returns to the Emperor’s Hall. She has slept deeply, is refreshed after a period of meditation and, despite the cold, has been washed and massaged by her maid. She appears dressed for walking, her boots, fur cloak and hat in purposeful combination. As she surveys the lake flocks of wild geese and duck chatter and squabble as they float on the surface. There are some experimental flights, pairs of duck taking off to fly in wide arcs only to return to the same stretch of water from where they rose in tandem. Soon the geese will leave to fly across the forests and moorland for distant harvested fields where they will spend the day foraging. Meng Ning points to a distant peninsula jutting out from the northern shore of the lake. Behind it, he says, lies the cove of the Red Slate Path. Perhaps there they will be able to understand more keenly the why of this mystery.

‘At such a distance,’ says Zuo Fen, ‘the detail of a boat would be quite lost. I imagine the peninsula acting like a pointing finger to its floating form. There is already fashioning within me a possible story that might explain this mystery.’

She smiles warmly at Meng Ning who bows his head rather than stare into her jade green eyes. She moves closer to his standing posture, taking his left hand secure but tense against the balustrade of the veranda. Lowering one leg before the other she slowly kneels, removing her hat, loosening her fur cloak that now spreads itself of its own accord beside and behind her. With both hands behind her neck she lifts her long hair found to parted and tied in simple peasant fashion. Raising her hands to full-stretch her sleeping hair warm from the bare skin of her back slowly cascades forward and across each of her ******* to curl like two cats in the bowl of her robe.

‘Mei Lim is with Jia Li’, Zuo Fen says curiously and with a voice Meng Ning has not encountered before. ‘I fell to sleep dreaming of your kind presence and the joy of being touched and kissed.’ He cannot see her face as she speaks, only the quivering fall of her hair across her kneeling body. ‘I awoke feeling your breath on my cheek and so brought your limbs to entwine with my own.’ He now senses the delicate unguents of her body; they compass him about, his hand falls from the balustrade to touch her hair.

Finding her right ear his fingers describe its shape, its sculptured relief of folded forms and crevices. He is becoming faint with something outside passion that requires him to go beyond her ear and flow of hair about his fingers. He unties his cloak, letting it drop behind him. He removes his boots and outer garments. She follows his example. He moves to her side, adopts the position of the swallow resting on the wind. They face one another.  To the accompaniment of their breathing, her hands begin a dance in the space between their lower limbs as though they are birds turning and falling in flight. Unlike the courtesans he sees at court her nails are short, her fingers long. Then, it is as though her hand holds a brush forming characters and she begins to write on his body with short deft movements this way that way describing her flight of passion. Some intuition tells him to allow this, and not to seek repricocity, as it seems from her breathing that these very actions give her the greatest delight, bring her to the edge of the first coitus. Eyes closed, he moves his nose into a glancing embrace with her own, feeling there a semblance of perspiration, that tell-tale sign of a woman’s readiness for the deeper embrace. She responds to this with sighs and swift movements of rapture that envelope him, and now, as she quickly brings her limbs into a right conjunction, he places one hand beneath her, the other to recline her body gently to the floor, her cloak becoming a pillow for her head.
    He now looks directly at her, her face expressionless as though all thought and feeling has entered her body in preparation to receive his own. She does not blink. There is a moment of great stillness, a great wave of calm breaks, moves forward and pulls back – and again, again. In an instant he will enter her Jade Gate to caress and kiss and move where only his Lord has visited. He knows that once there he will seal his own fate . . .
     It is the talk of poets that women are often at their most sensitive to love’s attention in the morning hours, and that this was, for so many reasons, the most impractical of times for men. Zuo Fen herself had written fu poems that took the reader to the most intimate moments of a concubine’s experience in the morning hours, those times when alone the body gathers to itself its essential nature, and is often caressed with the woman’s own hand and thoughts. To understand such circumstance, to hold its sweetness as an abiding taste during the formalities of the day, only to release its flavour in the pleasure hours of the night, was a manly attribute, said to be treasured, indeed honoured by women.
      When Meng Ning withdrew Zuo Fen lay for some while letting the unaccustomed circumstance and its location only gradually allow a return to conscious and present thoughts. She pictured now her journey to the Red Slate Path, Jia Li, her baby on her back, striding beside Meng Ning, then herself and finally Mei Lim - who would have entreated her mistress to be allowed to accompany her. There was the glade, a small bowl in the hillside where it was just possible to see a small cave from which, glistening, the broken patterns of the slate path fell after half a li into the lake. She would investigate the cave. She would walk to the water’s edge, where the trees stepped into and reached over the lake to lay a carpet of fallen leaves. Then to see the path gradually, gradually disappear into the depths.
    Whilst Zuo Fen, with her eyes closed, projected her thoughts forward in time, with accustomed tact Mei Lim left those accouterments a woman needs after the attentions of a lover. She feared for the young man, though she knew her Lord prized too much his Lady of The Purple Chamber to effect jealousy or display anger.
    As the sun cleared away the thin cloud and approached its zenith the company broached the crest of the hill above the glade. It was, Zuo Fen had to admit, just as she had imagined lying prone and in disarray in the Emperor’s hall. In silence, and in the company of her imagination, she now paced from cave to path to water, and standing at the very edge of the lake’s bank focused her mind to envisage the events of twenty years past.
     It was as though a rhapsody was already formed. She found herself recounting the tale in her world of characters where there is only present time. She felt her hand describe them with the flow of her brush, heard the sound of its movement across the thick parchment. She was slow to notice that Meng Ning had disrobed and was entering the water. Without a word she watched him move through the carpet of floating leaves, some sticking to his nakedness, and onwards, slowly, following the submerged path until his torso then only his shoulders were visible. She then knew what he hoped to find, even after the passage of so many years.

She saw it all, suddenly. The sorcerer Yang Mo and the Emperor’s second wife descending the Red Slate Path as a cavalcade of fire and smoke, loud flashes of light, noises of brass and clashing metal enveloped the glade and the boat itself. The watching company witnessed for a moment the couple disappear under the waters only for their collective sight to be shrouded in a climaxed confusion of the sorcerer’s devices and effects.

When, finally the smoke cleared, the boat and the lovers had vanished.

Zuo Fen watched Meng Ning disappear from view. She imagined him, as the pearl fishers she had heard tell of, diving down to the depths, holding his breath to seek what might remain of the illusory boat. But time passed beyond the possibility of what she knew could be endured by human-kind. The surface of the water remained unbroken. The division of open water made by Meng Ning in breaking apart the carpet of floating leaves was already reforming itself.
   Removing her cloak and her boots, and unpinning her hair, Zuo Fen stepped into the water. A memory floated towards her of bathing in the lake near to her summer retreat. Water held no fear for her, only now the cold consumed her. Her loosed hair, and her elaborate untied robe settled on the water’s surface: to surround her like a lily pad, she the budding flower at its centre. She felt her feet still firmly on the Red Slate Path, her chin now resting on the water’s surface. Whatever had happened to Meng Ning she knew her action to be compliant. She had immersed herself with the very element that had brought him either death or, as she knew in her heart, a most honorable escape.
Nymeriari Nov 2016
Isang mensahe na ipinapahatid ni "Ariii Potter" sa kanyang alaga na si "Hedwig" the Snowy Owl.


Sa naghihimultong pagmamahal ko sayo.

Mahal.. oo, mahal nga ang tawag ko sayo
Nagbunga kasi ang pagkagusto ko sayo,
Nagbunga ng isang pagmaMahal

Yung feeling na "gusto kita"
Naging "mahal na kita" real quick

Inakala ko talaga sa diagon alley ka lang gumagala
Eh bat ka na sorted dito sa puso ko

Bakit nga ba..

Patawad sa mga katagang sinabi ko, ay mali. hindi ko lang pala sinabi.
Ipinagsigawan ko pa. Ang corny no?

Pero...

Pagbigyan mo sana ako na ihatid ang mga salitang gustong ipabatid ng puso ko

Idadaan ko lang muna sa isang tula.
--
Umpisa.
Sa kung paano mo ako nginitian
At tinanong kung "potterhead kaba?"

Hindi ko alam kung ginamitan mo ako ng "petrificus totalus"
Dahil sa tuwing tinatawag mo akong ng"Ariii" na fre-freeze ang aking hypothalamus

Na halos masabog-sabog na tong pagmamahal na ihahantulad ko sa isang bulkan
Hindi ko man lang namalayan na umabot ito ng isang buwan

Pati na ang nakatagong pag-ibig dito sa aking damdamin
Ay sadyang naging malalim

Na kahit gumamit man ako ng salitang "alohomora"
Para mabuksan ang pintuan ng puso **** nakasara

Kahit maging seeker man ako sa quidditch
At ikaw ang magiging "snitch"
Hindi parin kita maka-catch
Sapagkat ang tayong dalawa ay imposibleng maging match

O makipaglaban man ako sa Wizard's Chess
Para makamtan ang iyong sorcerer's heart
Ay hindi parin sapat
Alam mo kung bakit?
Dahil hindi ako karapat-dapat
At ang karapat-dapat
Ay ang ika'y pakawalan
Dahil alam ko naman sa kahuli-hulihan
Ako parin ang masasaktan

Kaya salamat,
Salamat sa pansamantalang kilig
Sa tuwing ika'y nakatitig.
Laura Jane Apr 2015
I am with you
here in this place
scanning with cool
and radiant eyes
Causing silver haired women
to pantomime
The Thing Thats Wrong With Us:
their heads shake
and their thumbs waggle in the air
like worms.

Our thumbs irk them,
patience wearing
thin as their lips.
They are so sad for us,
for our murderous stupidity.
They know
what is wrong:

because our empty carcasses
litter their living rooms
the busses they ride
the classes they teach
slumped
in the seats where we left them.

Heidegger said
that attention creates access to the world,
And we've crept away to the edge
dangling our attentions over the inviting precipice
like the sorcerer's apprentice
unsure
of how it all takes place
but certain
of it’s awesome power.
The well overflows
and we are swept away
as the women look on
1279

The Way to know the Bobolink
From every other Bird
Precisely as the Joy of him—
Obliged to be inferred.

Of impudent Habiliment
Attired to defy,
Impertinence subordinate
At times to Majesty.

Of Sentiments seditious
Amenable to Law—
As Heresies of Transport
Or Puck’s Apostacy.

Extrinsic to Attention
Too intimate with Joy—
He compliments existence
Until allured away

By Seasons or his Children—
Adult and urgent grown—
Or unforeseen aggrandizement
Or, happily, Renown—

By Contrast certifying
The Bird of Birds is gone—
How nullified the Meadow—
Her Sorcerer withdrawn!
David Betten Oct 2016
MOTECUHZOMA
            There is a third chance-medley you omit:
            The several forking paths of fortune’s walks.
            Seeing a panther lurking on my left,
            Would you not show your lord the right-hand path?
            When looking back, we do not note that fork,
            Yet fate allows some swing for the intrepid.

SORCERER 2
            To cure these feline fears, don’t run
            From either, or your jaunt is done.
            But left and right will both hold good,
            If you’re the panther in the wood.

SORCERER 1
            Ah, brother, who are we to armor
            Arguments against this charmer?
            What use, to change into a cat
            As we can? He can diplomat
            His way through spells, and alchemize
            Pure, golden truths from steely lies.

SORCERER 2
            From impotence to abstinence,
            Humility from arrogance,
            Plunder into philanthropy,
            And sadism to justice.

SORCERER 3                                  See?
            No bird bones nor no wands are heeded,
            Only no character is needed.

ALL SORCERERS
            All hail the high and mighty mage,
            The gazing stock of this flat age!

MOTECUHZOMA
            Cart off to jail these jaunting cavaliers!
            Let them chirp out their pert remarks through bridles,
            And fix their flippant eyes on cold stone floors.
            Sans voice, sans books, sans tricky hands, we’ll see
            What muffled incantations might avail.
                                                                Guards exit with the Sorcerers.
            
PRIEST OF TLALOC
            These were but three. More might more prophets know.

TLACAELEL
            Well, these ones missed the mark.

MOTECUHZOMA                                         I fear not so.
                                                                                                  *All exit.
From my play in verse, thefloralwar.com
Scarlet McCall Oct 2016
I’ve studied the lore of your Dark Arts.
I’ve read the book; I’ve learned it by heart.
But try as I may, I can’t play the part.

Though I know spells, and magic potions,
and practice the craft, with much devotion,
of the powers you wield, I haven’t a notion.
Black magic eludes me;
I’m not one of the chosen.

Though I can’t cast a spell in the way that you do,
with practicing magic, I don't think I"m through.
I find I enjoy the study and ritual--
in fact, I believe I may make it habitual.

The spirits I summon do clearly insist
that I work forever, as their alchemist.
This servitude, I accept with pride.
The end unknown, I’m enjoying the ride.

You're the Dark Lord; you are the master--
I may never achieve the goal that I’m after.
But on I toil, a servant of magic--
a lifelong apprenticeship--joyful, not tragic.
This poem is about how badly I play the guitar. I thought I'd follow the poem I wrote for Jimmy Page with this one. I've also written one for Ozzy Osbourne I may post.
M Clement Sep 2013
Welcome, welcome
Father and son
To alcoholics anonymous
And God bless us,
Everyone

There's little sincerity here
And I can't help but wonder
If that's what should be intended

Lost in a flurry of emotion
And misdirection
Turn feelings into anger
Set on high for 3 min.
Let stir

No one said this would be easy
And no one said this would be easy
And no one said this would be easy

And broken records repeat
Like a stutter
Mind open
No shutter

Attach words to feelings
Spread them on my brain
Butter

God help me to Love
For I know not what I do
And I do what I know too well

And in doing I forget
That there's meaning behind
Doing
And Spirit behind good
And evil behind bad

And maliciousness in thoughts
Sometimes
Care to weigh in?
Scarlet McCall Oct 2016
Thou didst guard me, Amulet--
Talisman, whose destruction I regret.
Thy spell held me in eternal safety.
Alone I was never,  when thou wert with me.
I gave up thy secret to the sorcerer,
for promise of a gift he could not deliver.
Poor bargain, and I am now wiser
and would not trade treasure for lowly desire.
The sorcerer broke my talisman,
and I was broken, and now alone I stand.
Too late I realized my error
and was stricken with mortal terror.
On the bridge I screamed, above the frozen river,
under a sunless sky, facing a void forever.
Don't know why I wrote it in a pidgin version of Middle English. It's a true story.  But eventually I was able to fashion reasonable facsimiles of the Talisman, and they occasionally appear in my poems.
J Nov 2016
9 months have passed and I still feel small
I threw away everything, photos and all
I felt empty for months, angry this fall,
but now I'd give anything to be your next call.

Your tactics were perfect, like beautiful seas
I was so eager to let you control me
Because surrendering felt like ectasy
And your grip around my neck had warming properties
Styles 12 Apr 2017
He speaks beneath the concrete
and roots intertwine his voice.

He is fire on the sidewalk
nobody sees him erupt,

  silence takes him
  to the room of truth

litters him with the lead
You can't face.

He will take off Liberty's blindfold
  hold her naked against the mirror,

make her touch the icy ribs of December Skyscrapers,  
force her to admit the truth.

She will try to censor him,
his fire will expand and crash
The Meadowland.

Revolution will blaze the haunted maze of butterfly wings and curious eyes will rise when they decide to lift from electric Delphiniums.

He spits out rivers into office buildings, floods the lie with panic,
nobody is safe from drowning.

His sunrise peaks the unholy alliance of Governments,
exposes the superstructure as the fat rich camel denied at needles eye.

He takes off the mask of the executioner, puts him on trial for hypocrisy.

He lands in the middle of conscience, let's it run loose
while everybody hides, petrified behind their denial.

He is smooth jade rising from the bottom of a hidden city dancing in the corner of your peripheral,
his gem holds the secret to your soul.

Wear it and become a Sorcerer
in the Meadowland-
speak his name
and thunder
will answer you.

My name is Henry Miller.
When I look down into this ******-out **** of a ***** I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a *****'s skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.

Henry Miller, Tropic of Cancer
Terry O'Leary Nov 2013
Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.
Andrew Rueter Oct 2017
The rivers channel rain
The way I channel pain
I begin to see the futility
In denying pain's utility
Pain takes on a ****** nature
And becomes my intellectual savior

I shatter the mirror
And swallow the shards
The pain becomes clearer
So my ******* get hard
Glass fills my lungs
They're profusely bleeding
From words that stung
Being my daily greeting

***** shoots out from my gun
When I cut myself for fun
My hose starts spewing
Once vultures start chewing
It's the only way I can cope
When it's pain that gropes

I live in a world that mixes *** and violence
I live in a world that mixes *** and silence
Where the painkillers
Become the pain creators
And our life's filler
Is being pain traders

A bull has charged through my library for a decade
At this point every bovine movement cuts like a blade
He creates pain that lasts
When every day becomes my past

I had a dream
A sorcerer controlled my body
But he only wanted pieces of me
Bones started snapping out of my skin
Blood spurting everywhere
I awoke to ***** down there
I guess life isn't always fair
When I dream to avoid stares
The real pain comes when I care

When the privileged boycott
The impoverished boy's cot
He learns to ******* in the streets
And gains an appreciation for feet
Feet that trample
The pain is ample
When people powerfully push him away
So he decides to go against the grain
But there's no peace to be attained
And all he's left with is pain
Ormond Mar 2016
.
*1

Imagine a world
Without light, without power
Nikola Tesla


2

In orbit all lights
Of earth seem like miracles
Nikola Tesla


3

Someone questioned truth
Einstein said ask smartest man
Nikola Tesla


4

Limitless power
Free as any frequency
Is suppressed daily


5

Plugging something in
This world is born everyday
Nikola Tesla
a m a n d a Oct 2013
i would like
to turn in
my wizardry card

i would like
to drop
an art bomb
an f-bomb
(a freak bomb)

and disappear
in a fog of
green smoke

oh, you didn't know?
i am
the queen of rocking art
i am a sorcerer
a conjurer
of souls
and color

i have been
crowned
by children

i eat and sleep
children
their hopes
their disappointments

i hold up
a mirror
and make them
face themselves
their success
their failures

then i cast
spells to
inspire their
action
stand ready
to catch tears
and embrace
joy

i conjure
experiences
made of
     graphite
stop bath
         zeroes000 and ones111
and | pigment |
at an
impossible rate

i look inside
the souls
of
every
single
child
to find
which of
my magics
will spur
them to greatness

and my magic
grows
i use sorcery
to accumulate
new recipes
new spells
new questions

i use my wand
to summon
the forces
of earth
to make time
stand still
i forgo food
and rest
because demand
for this
queen
is
high

but alas,
i want to
turn in my
wizard card

hand it to
my overlords
because
my superhuman
wizardry
is not enough

my   e x p l o s i o n s
of thought
   my insistence
on  quality
     my very
humanity...
all
  swords
    in my side

i have
mastery over
light

colors
seep into
every
word uttered
every
letter written
every
glance
from my
eyes

i am a
sorcerer
(read: i am a nys teacher)
but sorcery
is not enough
my overlords
want
*the gods, themselves
Ormond Nov 2012
You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­          
                                                             ­­                       — after Neruda
L A Lamb Sep 2014
(written 3-18-2014)



I just needed something different, something to think about: an alternative night, a different scene with new environmental stimuli. It’s true that if the stimulus is unchanging we will adapt, but for me, I live best being able to react to different things. Yesterday was fun for that reason.



I was going to drive, but then Alistair said Yarab was going out too and he offered to drive. I considered the gas money and how I would prefer to drink and not worry about driving, so I agreed. At this point, you and I were in amidst a discussion regarding me coming over too late– or not at all– and I was in a particular mood where I didn’t want to think about the relationship strain. I knew I was causing it, but it was nothing new, and nothing bad. I just wanted to actually see my brother since I was so suffocated and domesticated. I wanted a night away from Giovanni’s room, which made me feel like your little housewife, your obedient certainty assigned love.



Why did we stay so ignorant when we started with uncertainty? It was a beautiful stage of development, a coming-of-age stage of accepting my sexuality and exploring sensuality. We we drunk college girls, amateur philosophers and ****-smokers, confused about the world but idealizing a better world. That was the ideal of us. The truth was too tragic, but we endured it for so long that for one night I wanted to celebrate. I wanted to get away. I didn’t want to think about you. So I didn’t. It was inconsiderate of me to consider you worrying and upset, but at this point I wanted to enjoy myself and have fun with my brother when I figured you’d be sad and disappointed no matter what happened, so I may as well enjoy myself. I thought hard about it, but decided since it was Alistair’s birthday, I didn’t have work until 6:00 p.m. the next day, and yes, it was St. Patrick’s Day, I wanted to go out and celebrate. Sorry you didn’t want to come.



In the car, Alistair packed the bowl. They were smoking it on the way up and I declined but instead had a cigarette. Yarab said he was working with an artist who made glass pieces resembling scary, mystical-like creatures, and the bowl Alistair packed was one of them. It was mostly blue, and the front of it was a head where the **** would go into the top of the head. It had wide eyes, a big, sorcerer-like nose and big, scary-looking teeth. “Trippy, right? The line is called Enoch based off the book of Enoch in the Bible—which is actually removed in most but still a part of Russian Orthodox.” They packed it twice throughout the ride and I sat in the back, smoked my cigarette and thought about you and the night before me.



We were going to Harrington’s Irish Pub but it was packed (naturally), so we tried Cadillac Ranch (the bar was full there too), so we finally decided on Public House. We each had 3 Washington Apple’s between beers and conversations before getting food. I had two Yuenglings, Alistair had a Yuengling, three Irish Stouts and Yarab drank 3 Stellas. Alistair and I split nachos and a hummus plate. I’d never been there before, and I appreciated the upscale environment compared to cramped and loud local bars I was used to. It was quiet enough that we could talk and hold conversations, and our bartender, Sarah, was pretty, friendly and attentive. I thought about my restaurant experience and briefly thought about her and her life.



My favorite part of the night was when we were at Public House. The conversations were just interesting; they talked about Putin, Ukraine and Russia and how “of course the U.S. wouldn’t let part of the country join into Russia” and the proposal would be rejected by the UN; we talked about birdhouses and fireplaces and utilizing space in people’s yards, so that if the world changed for the worse and we needed to survive we would be able to; we talked about being arrested; we talked about the Zionists and the fake group of evil Northern European people who migrated and were rejected by both Islam and Christianity, so they essentially took over Judaism—and how the conflict between Israel and Palestine is a struggle for power with the Zionists and U.S.; all of this was relevant to our talk about how we don’t live in a Democracy but a Corporatocracy, and the world is determined by whoever has the most money and power.



Yarab talked about tolerance for other cultures and intolerance, telling us about the other day when his stepfather was at their house going over notes with a woman from Sudan. She and her company wanted to use a product (he was a rocket-scientist and worked on a greener product in 1967 which weapons would have less of an environmentally hazardous effect) of his, but before going over the professional aspects he basically insulted her culture and country, criticizing how wrong they were. Yarab said he was in the kitchen getting water and had to leave because he couldn’t help but laugh, saying how his step-father was brilliant but very opinionated and could be rude. “He’s a buddhist-atheist,” he said, and I thought of us chanting. I brought up Niechren Buddhism and the lotus sutra, expressing how nice it made me feel after. He said any way to get peace is a good one, but atheists shouldn’t be ignorant when talking about their non-beliefs because that’s just as bad as religious people talking about their beliefs. Alistair commended him on never forcing his beliefs on Alistair, and I asked what he thought of God.



He described himself as polytheistic, saying that there wasn’t just one god but many, and because of how everything in the universe connects and resembles each other there must be something to cause it, because it can’t be explained. I thought about the mystery of life and how it’s developmental to wonder about it, and felt secure in the fluidity of my beliefs which has a general principle, that life may not be a coincidence but it is comprised with a series of coincidences and connect factors which cannot always be explained or determined, but rather appreciated and analyzed to create a memorable life in which existence is valued. I didn’t ask further about his gods, but I figured the idea he held was similar to the atheistic view Alistair held and the scientific-spirituality I held as well.



It was interesting talking to another person about it besides Alistair, and the discussion changed and added to the one we had the night before, when Alistair and I were drinking ***** with ginger ale (while I tinted with green food dye). I’ve always appreciated drunk talks with Alistair because they were some of the most real conversations I had. I brought up the hour-long documentary “Obey” and confessed my frustrations about the consumerist-capitalistic society we live in, where it’s nearly impossible to change the system as we’re being monitored. Big Brother is among us, I noted, and I praised George Orwell as a prophet and how we are living in 1984 even though so many people fail to realize it and don’t care or consider the bigger consequences of it. There was something so mystical in our depressing little talk, and I felt empowered to reexamine my life and work towards something with meaning.



While maybe more spiritual than existential, I knew Yarab could understand these ideas and provide even more insight to the social issues which confined us, the same ones we were so immersed in. We toasted to Alistair’s birthday; we toasted to being Arab; we toasted to Franklin Lamb; we toasted to Palestine; we toasted to peace.



Alistair was in the bathroom and I asked Yarab whether it was possible to live outside Capitalism without rejecting social conventions, being isolated and living off the Earth away from society. He replied it was very hard not to feed into the system, and explained how even he felt like a hypocrite for living in the U.S. and being American when his family and people were in Syria enduring the hardship of resources, lack of employment and political regimes. He explained that it was necessary to be a part of the system but not buy into it, to use the system and eventually work towards changing it. “Like Robin Hood,” he said. I told him it was hard because it seemed so easy to get ****** into it, and he said work towards what you believe in. “You’ll have a clear conscience.”



Alistair came back from the bathroom, and he talked about going to Lebanon toward the end of summer. “I could study Arabic at AUB,” and I supported his idea. Yarab chimed in that he deeply respected my father because of his work. “He actually cares about what’s happening and he speaks from the heart.” I was proud of my father for his work, despite everything else, and thought it interesting that the one Syrian we happen to encounter in our small town was immersed in politics and actively followed my father.



“You should take over what your dad is doing,” Yarab said to Alistair, and Alistair agreed it would be a good thing to do. Alistair mentioned Fatima Hajj and my time learning about Palestinians and spent in refugee camps. “She died a week after Louisa interviewed her.” “Three days,” I corrected him, and I felt my insides turn as we reminisced on my accomplishments. Almost two years had passed, and I made no progress on my activism, besides an article. Two weeks was not enough to change the world, although from my feedback it was clear I had inspired many.



I told them both how I felt so stagnant and unintelligent, boring and unproductive regarding any progress of working towards something of importance.”Do what you can while you’re able. Even if you don’t see it grow, you can still plant the seeds. You can be a sheep or you can be a Lamb.” I was grateful that my brother had a friend who could think about the world in a way differently than the normal crowd of friends he had who just focused on losing themselves in substances with no thought of life beyond their boring little lives.



Alistair suggested I visit Beirut for a month to see visit Dad, make connections and see what else was happening in Lebanon, Syria and throughout the Middle-East, and my heart sank with nostalgia and the prospect of a dream. I could see us going to Lebanon, and if I went I would feel inflated with purpose, the way I felt when I went before, the way I felt I could change the world. Yarab agreed with Alistair and supported my journalistic endeavors, while Alistair mentioned Mediciens sans Frontiers. “I don’t know if I’d be able to,” and I thought about you, Camino and Arizona. I thought about ASU and AUB. “Rachel would understand if you went for a month right?” I didn’t want to listen what I knew would follow.

After finishing our food we went outside to smoke. Alistair drank his beer, I chugged mine and Yarab left more than half of his second Stella. “I have to drive,” so Alistair picked it up and emptied the cup in two stealthy gulps.We went back to the garage and the plan was to drive back to a house party in Accokeek. I didn’t know Elton, or what to expect, but from the company I knew they kept in Accokeek, I expected a drastic change in environment from the bar talk with two like-minded Arabs.



Alistair packed the bowl again, and I was offered to smoke but again declined. “We stopped smoking.” “Rachel smoked with me while she was waiting for you to get off work one day.” “What? Recently?” “Yeah, like two to three weeks ago or something. I was in disbelief. “Are you serious? We were stopping together! She didn’t even tell me!” I was angry, and resented feeling like a fool, believing that we made a decision together—only to discover my efforts were stronger than hers. “Don’t ask her about it though.”



“No! I’m going to. Here I am, not doing anything and she does it? Doesn’t tell me about it?? It’s not that she did it but she didn’t even tell me. Typical *****. We talked about it since and she just chose not to bring it up? And she’s here accusing me of things when I’m not doing anything wrong?”



“She’s probably projecting her guilt on you.” I thought about other times I didn’t know about something and remembered finding out and feeling so stupid. “Do you want some?” “Maybe I will.. but no. Not right now.” I didn’t want to talk about it anymore.



But I did. I asked you and we texted about it, and in the car I felt annoyed and unincluded, rejecting the **** that was offered to me. By the time we got to the house, I left my phone in the car. I was there to spend time with my brother, not get into a text fight over something that didn’t matter anyway. We went inside and I didn’t recognize everyone. I suspected I was the youngest, and I couldn’t help but observe I was the thinnest girl. People were playing beer pong and sitting at a table. Someone offered me a beer. I sat down on a couch. Alistair was getting hugs from girls and handshakes and fist-bumps from guys, and I made brief introductions with no real effort of talking to anyone. There weren’t many seats, and the most comfortable couches were facing the television where rap videos were playing. I hadn’t heard any off the songs that were on the playlist, and felt uncomfortable by the blatant sexuality and objectification of girls in the videos. The drunk girls were dancing to the music and singing along with the degrading, raunchy lyrics. “Can we smoke?”



I hesitated and held the bowl in my hand, staring at the green. I thought about putting it down. “I haven’t smoked in two months and twenty-one days,” I vocalized, and some guy (who didn’t smoked) responded “but who’s counting?” “Come on Weezee,” and after further hesitation I decided it was nothing new, and nothing bad would happen as a result. I brought the piece to my lips, lowered the lighter and inhaled. It was smooth, and I held it in my lungs for several seconds before slowly exhaling. I couldn’t feel it at first. It was passed around, and I took another hit. I thought about what you might be thinking about me, but pushed the thought from my mind. A guy made brief eye contact with me, and something about him seemed familiar. He had a beard and was wearing a hat, and I thought it was impossible I could know him. The other person who lived there asked if we could smoke in the room because the guy who asked me who was counting, and others, didn’t smoke. So we went. I hit the bowl once more and as we were standing I felt the high come to me, the surreal feeling of being and experiencing. In the room was myself, Alistair, Yarab, a guy with a ‘fro, Elton and the guy with the hat and beard. Someone packed the **** and handed it to me, but I refused; I was pressured and still refused. “I haven’t done this in a while, so no, I’m fine, and I’ve been drinking.” I think some were taken aback by how adamant I was not to push my limit, because it was so clear many people there viewed partying as pushing the limit.



Alistair introduced me to the guy with the beard and the hat as Mat, who worked at Chevy’s and now McCormicks, and I instantly recognized him. “Oh hey!” I said and hugged him, and he said “I thought you looked familiar. How’ve you been?” “I’ve been pretty good,” and I explained to Alistair that he worked with Alex at Bonefish Grill and was our server when we went in to her work once, years ago. They continued to smoke and I stood among them, half paying attention to conversation and half thinking about anything and everything else. There was a familiarity being among these people I’d never met, and the surrounding of burnouts. I wondered if everyone there was a server and that was all they did. I told Mat I worked at Buffalo Wild Wings as a server, my first serving job, yeah I like it okay, I guess, and he told me he knew Alistair through McCormicks. “I’m serving there too,” and I wondered how many restaurants he’d been through so far.



He told me he graduated from tech school and I congratulated him and asked, “which one?”, where he replied Lincoln Tech. I wasn’t surprised it was that type, and I told him I graduated from Salisbury with a degree in Psychology, which he congratulated me for. I felt it necessary to disclose I was taking the GRE in May and imply that, yes, while I am serving in Waldorf and my college degree doesn’t give me much to do in this area, I am going back to school and I am going to do more than stay around serving, like you. I was reminded of a poem I wrote and th
Sara L Russell Sep 2009
I


"My dearest, sweetest love" the Baron said,
"Now that we two affianced souls are one,
What's mine is thine, for joy that we are wed
And through this house I bid thee freely run.

Enjoy the drawing room, the stately hall,
The bedchamber where thee and I shall play;
The blue room for each annual summer ball,
All draped in swags of blue and silver grey;

Enjoy the music room, my fine spinet,
The gilded harpsichord that sweetly sings,
With music to dispel all past regret -
Thou hast free rein of all my treasured things.

But go with caution to the library,
And only ever in my company."



II


With that, the Baron shewed her all around
His mighty chambers, all the corridors;
The quarters where the servants could be found,
The painted ceilings and mosaic floors.

The library he shewed her last of all;
The key hung on his chest, on a gold chain.
The secrecy thereof held her in thrall;
It seemed the library was his domain.

"Love, touch ye not the Book of Samothrace,
Don't venture to the pages held inside!
For when the sun hath turned about its face,
Malevolence finds shadow lands to hide!

The pages of our lives are clean and bright,
The Book of Samothrace is endless night!"



III


"My handsome sweetheart" Said the Baroness,
I'm humbled by thy generosity,
And when my maid has helped me from this dress,
Thou shalt discern how grateful I can be.

Thou gavest jewels for my neck and hair
That shine as well by day or candlelight;
And I shall kiss thee all and everywhere -
Prepare for not a wink of sleep tonight!"

With that, she led him to their master bed,
Undressed and pressed him down on sheepskin furs;
There proving true to everything she said
Till he declared his soul forever hers.

Anon, with trembling lips and blissful sighs,
Yielding to sleep, the Baron closed his eyes.


IV


How eloquent is beauty in repose
The Baroness reflected, as he lay
With lips half-open, like a dewy rose,
His night-black hair in tousled disarray;

And in the central furrow of his chest
One hand lay, as if half-protectively,
Next to the key more treasured than the rest -
The one that could unlock the library.

"Love touch ye not The Book of Samothrace"
She heard her love's words echo in her head.
Remembering, her heart began to race,
That such forbidden pages might be read.

Thus, yielding unto curiosity,
She let her fingers tiptoe to the key...



V


The golden catch was easy to undo,
Seconds before the Baron turned away
In blissful dreams of love. He never knew
How vicious time was leading fate astray.

The key was gone, while in the corridor,
His wife was creeping, ever-stealthily,
Drawn to the library's beguiling door,
Enchanted by base curiosity.

Only one lamp revealed the tall bookshelves
Which bore the most illustrious of tomes;
Huge hide-bound celebrations of themselves
Where God and science found unequal homes.

Herein her questing fingers came to trace
The cover of The Book of Samothrace.



VI


An ancient script met her enchanted gaze,
Whose Foreword mentioned a young sorcerer:
The fabled author of this book of days
And book of spells, unfolding now for her.

The spells were fashioned with one grand design,
To be recited in a secret place,
To call upon a spirit most malign -
A terrible demon, named Samothrace.

"...And mighty magick shall infuse the one
Who looks the longest in the daemon's eyes;
Undreamed-of power, burning like the sun,
With insights into Hell and Paradise.

Go to the garden seat and draw the ring,
Be seated and begin the summoning!"



VII


If hindsight were the author of our fate
We might find ways to live with less regret.
The Baron woke to realise, too late,
The secrets of his book were safer kept.

'Twere better had he mentioned not at all
The Book of Samothrace, so markedly,
For now she did not answer to his call
- He guessed she must be in the library.

He raced downstairs to find the door ajar,
The Book of Samothrace had gone astray,
Into the garden, yet it seemed too far -
He tried to walk, his legs would not obey.

Beyond the French door glass, a dreadful sight
Had rendered him immobile, mute with fright.



VIII


His wife sat rigid on the garden seat,
Her hair splayed like a sea anemone,
With a wine chalice lying at her feet,
Her mouth was open, screaming silently.

A doppelganger, like in every way,
Unto his mistress, with red splayed-out hair
Was screaming, still he could not turn away
To flee the image of her wild-eyed stare.

As time stood still, the Book of Samothrace
Floating on air, was burning by her side,
Eerie green smoke began to veil her face
The earth within the circle opened wide.

Out sprang the demon, withered, smoky-grey,
With cruel teeth and eyes as bright as day.



IX


Hereby the demon Samothrace was freed,
A great evil unleashed upon mankind,
That all life must remember how to bleed
Within a world grown dark and mercy-blind.

The terrible futility of war
Decay and all the tyranny of flies
Futility and struggle, all the poor,
A hidden curse on every new sunrise.

"Love, touch ye not The Book of Samothrace,
Don't venture to the pages held inside"
The Baron, frozen still in giving chase,
Watched and remembered, grieving for his bride.

The book, having now caused the demon's birth
Fell deep into the chasm in the earth.



-------END------


NOTE: This was inspired by a painting of the same title by the brilliant fantasy artist, Barry Windsor-Smith. I emailed the poem and was delighted to get a reply and positive feedback about it from him.
RBWhite Mar 2019
What did you do to me?
I can't sleep for days and nights,
Always ready to take a fight and leave no lights,
What have you done now?
That everything I think about is your lips taking mine,
Your Aura is consuming my soul and everything at all,
And it is the fog surrounding your hair that spills a scent greater than Heaven and Hell,
Is your own kind of spell,
Flying all over my skin,
And I claim such a sorcerer to end my grief,
I can't no longer eat and live,
Have mercy of a wanderer of seas,
Drowning in a pool of memories and letters,
Always trying to leave off shore,
Where I can rest for the little time I have left on my own.
This poem belongs to my BLACKXPOETRY series.
Serafeim Blazej Sep 2016
they were little princes
tied with ropes
suspended like marionettes
linked to the will of the sorcerer
they were birds with clipped wings
so they could not fly
never go back to home
Poem.
Inspired by "Ribbon" and "Butterfly" of BEAST (korean group).

Edited on 28/12/17.
("ils étaient petits princes marionnettes")
Ormond May 2012
You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                                   
                              ­                                                      — after Neruda

— The End —